#Logical-mathematical intelligence

[maxlearnmicrolearningplatform]

Leveraging Gardner’s Multiple Intelligences for Enhanced Microlearning Experiences

In the ever-evolving landscape of education and training, microlearning has emerged as a powerful tool, offering bite-sized, focused learning modules that cater to the fast-paced nature of modern life. However, to truly maximize its potential, it’s essential to design microlearning experiences that resonate with the diverse learning styles of individuals. Howard Gardner’s Theory of Multiple Intelligences provides a robust framework for this, emphasizing that individuals possess a variety of intelligences, each influencing how they learn and process information. By embracing Gardner’s theory in the design of microlearning, educators and trainers can create more personalized, effective, and engaging learning experiences.

Understanding Gardner’s Multiple Intelligences

Howard Gardner, a psychologist and professor at Harvard University, introduced the Theory of Multiple Intelligences in 1983. His theory challenged the traditional view of intelligence as a single, uniform ability and instead proposed that intelligence is multifaceted. According to Gardner, there are eight distinct types of intelligences:

Linguistic Intelligence: The ability to use language effectively, whether in writing or speaking. Individuals with high linguistic intelligence are often good at reading, writing, storytelling, and memorizing words.

Logical-Mathematical Intelligence: The capacity for logical reasoning, problem-solving, and mathematical operations. This intelligence is often associated with scientific thinking and abstract reasoning.

Spatial Intelligence: The ability to visualize and manipulate objects in space. This intelligence is critical for tasks involving navigation, architecture, and art.

Bodily-Kinesthetic Intelligence: The skill of using one’s body to express oneself or to achieve a goal, such as in sports or dance. People with high bodily-kinesthetic intelligence are often good at physical activities and hands-on learning.

Musical Intelligence: The capacity to recognize, create, and appreciate music and rhythmic patterns. Individuals with strong musical intelligence often excel in playing instruments, singing, and understanding musical structures.

Interpersonal Intelligence: The ability to understand and interact effectively with others. This intelligence involves skills in communication, empathy, and the ability to work well in group settings.

Intrapersonal Intelligence: The capacity for self-awareness and self-reflection. Individuals with high intrapersonal intelligence are often good at understanding their own emotions, motivations, and goals.

Naturalistic Intelligence: The ability to recognize, categorize, and draw upon certain features of the environment. This intelligence is often seen in individuals who excel in fields such as biology, ecology, or environmental science.

Gardner’s theory emphasizes that while each individual may have strengths in certain areas, all of these intelligences are present to some degree in everyone. This understanding opens up new possibilities for designing educational experiences that are more aligned with the diverse ways in which people learn.

Applying Gardner’s Intelligences to Microlearning

Microlearning, with its focus on delivering concise, targeted learning experiences, is uniquely suited to incorporate Gardner’s Multiple Intelligences. By designing microlearning modules that cater to different intelligences, educators can create more engaging and effective content. Here’s how each of Gardner’s intelligences can be applied to microlearning:

Linguistic Intelligence:

Application: For learners with strong linguistic intelligence, microlearning modules can include rich textual content, such as short articles, written summaries, or storytelling elements that convey the learning objectives. Interactive elements like quizzes or discussions that encourage verbal expression can also be effective.

Example: A microlearning module on leadership skills could include a case study that learners read and then discuss in an online forum.

Logical-Mathematical Intelligence:

Application: Microlearning for logical-mathematical learners can include problem-solving activities, logical puzzles, and data analysis tasks. These learners benefit from content that challenges their reasoning abilities and encourages them to think critically.

Example: A module on data science might include interactive exercises where learners analyze datasets or solve mathematical problems.

Spatial Intelligence:

Application: For learners with strong spatial intelligence, visual content is key. Microlearning modules can incorporate diagrams, infographics, mind maps, and video content that help these learners visualize complex concepts.

Example: A microlearning module on architectural design could feature 3D models that learners can interact with to better understand the spatial relationships between structures.

Bodily-Kinesthetic Intelligence:

Application: Kinesthetic learners benefit from hands-on activities and movement-based learning. Microlearning can integrate interactive simulations, physical exercises, or tasks that require the learner to perform a physical action.

Example: A module on surgical techniques could include a virtual simulation where learners practice performing specific procedures.

Musical Intelligence:

Application: For learners with strong musical intelligence, integrating rhythm, music, or audio cues into microlearning can enhance engagement. This could involve background music, mnemonic devices set to tunes, or lessons that incorporate musical elements.

Example: A language learning module might use songs or rhythmic patterns to help learners memorize vocabulary or grammar rules.

Interpersonal Intelligence:

Application: Microlearning that involves collaboration, discussion, or peer feedback can be effective for learners with high interpersonal intelligence. Group activities, role-playing scenarios, and social learning platforms can foster this type of intelligence.

Example: A module on conflict resolution might include role-playing exercises where learners practice resolving disputes in a virtual team setting.

Intrapersonal Intelligence:

Application: Intrapersonal learners benefit from reflective activities and self-assessment. Microlearning can include journaling prompts, self-paced quizzes, and exercises that encourage learners to set personal goals and reflect on their learning process.

Example: A module on personal development could include reflective exercises that guide learners through setting and evaluating their career goals.

Naturalistic Intelligence:

Application: Learners with strong naturalistic intelligence are engaged by content related to the natural world. Microlearning modules can incorporate case studies, environmental examples, or tasks that involve categorizing and analyzing natural phenomena.

Example: A module on sustainability could include a case study where learners analyze the environmental impact of different practices and propose solutions.

Benefits of Integrating Multiple Intelligences into Microlearning

Integrating Gardner’s Multiple Intelligences into microlearning offers several benefits:

Personalized Learning: By catering to different intelligences, microlearning modules can be tailored to meet the unique learning preferences of each individual, making the learning experience more relevant and effective.

Increased Engagement: When learners engage with content that aligns with their preferred intelligence, they are more likely to stay interested and motivated, leading to better retention and application of knowledge.

Enhanced Flexibility: Microlearning’s modular nature allows for the creation of diverse content types, each targeting different intelligences. Learners can choose the modules that best suit their strengths, allowing for a more flexible and self-directed learning experience.

Improved Outcomes: By leveraging multiple intelligences, educators can create a more holistic learning experience that addresses the cognitive, emotional, and social aspects of learning. This leads to better outcomes, as learners are able to engage with the material in a way that resonates with them personally.

Conclusion

Leveraging Gardner’s Theory of Multiple Intelligences in microlearning design is a strategic approach to creating more effective and engaging educational experiences. By recognizing and catering to the diverse ways in which individuals learn, educators and trainers can ensure that microlearning not only imparts knowledge but also resonates deeply with each learner. As the demand for personalized, accessible learning continues to grow, embracing this theory in microlearning design will be key to meeting the needs of a diverse, dynamic learner population.

[parse-c]

The Gospel of Mat...hematics?

Sinners sin, some co-sign, some b.s. is yours and mine.

ERRΘR | sin(θ)

Sine is pronounced with a long-i, but its abbreviation looks like "sin", as in error. In the representative effigy, ERRΘR, the O is actually a Greek theta (Θ). The theta is like a hieroglyph representing an eye. The lignet in the interior of theta is like a speck in the eye.

So ERRΘR is Matthew 7:3-5: "Why do you look at the speck of sawdust in your brother’s eye and pay no attention to the plank in your own eye?"

ERRΘЯЯƎ | cos(θ)

The reversed letters ERR are the brother pointing out the speck in his brother's eye, meanwhile he, too, is in error: “Why do you look at the speck of sawdust in your brother’s eye and pay no attention to the plank in your own eye?"

Therefore a cosine, is two sinners together. We're all sinners. Two sinners gathered together for the right purposes, however is enough to change the course of things: Notice how the word ERROR can't quite form because of the reversed letter Rs in either direction. It's like having accountability partners. Someone there to stop that last R from rotating and you finding yourself in error again.

FInd folks who will co-sign your efforts to be better.

Therefore ERRΘЯЯƎ is Matthew 18:20: For where two or three are gathered together in my name, there am I in the midst of them.

ERRΘЯIZƎ | tan(θ)

Errorize describes the tangents folks go on when they go pointing out the flaws of others.

Take the terminal four characters, e-z-i-r, reorder them to e-z-r-i, translates in Arabic using Latin characters superimposed over an Arabic keyboard and you get ثئقه (thiqah) meaning "trust him".

In Urdu, the same translates to "surety".

According to John Ubersax, there's poison-pill language afoot.

ΕΓΓΥΑ ΠΑΡΑ ΔΑΤΗ Surety, then ruin. This saying is more cryptic than Know Thyself and Nothing overmuch. ... Recall that a Delphic oracle named Socrates the wisest of men. Socrates insisted that if he was wise, it was only because he recognized his own ignorance. In the Platonic dialogues, Socrates continually sought to expose the perils of false opinion, seeing it as one of the fundamental problems of human nature and society.

So, in other words, ERRΘЯIZƎ is Proverbs 3:5-6 : Trust in the Lord with all your heart and lean not on your own understanding; in all your ways submit to him, and he will make your paths straight.

#sine #cosine #tangent

[hildasday]

Every child is unique. They have different sets of talents and skills and sometimes are peculiar, out of ordinary, and unusual in prekindergarten in California.

[intellectgrow]

INTELLIGENCE VS INTELLECT

The word Intelligence and Intellect are both used for intelligent, smart People. In everyday life, people use the words Intelligence and Intellect, as they seem to be the same texture but differ in their degree of complexity and meanings. When we talk about another person's ability to understand things and reasoning, then we are talking about two terminologies: 1-Intelligence,  2-Intellect.Read more

[cleopheanne]

Random astrology observations (very shallow but fun ig)

- Mercury conjunct sun in a chart gives very logical/mathematical intelligence you will find that the best student in the classroom always have this conjunction, the closest is the orb, the more pronounced are these qualities.

- Venus in exaltation gives deep thinking abilities and it is perfect for philosophy, think about philosophers like Kant, Plato (allegedly), Karl Marx. Or even scientists like Albert Einstein ( Venus in revati),all influenced our modern world in an unthinkable way.

-Jupiterians remind me of the perfect rennaissance man who is all-rounded excelling in every sphere of intelligence: you will find that they really have a deep love for education: absorbing information and utilizing it in everyday of their lives.

- Ketu people are so funny, the funniest imo like they are kind of lost and dgaf about people so they are really blunt and random it's just very comical

- Mars men are popular or rather notorious: they just have an effect on girls from what I observed: Chitra and Dhanista men most of the time. I know a Chitra sun guy that winks at you everytime you cross eyes with him lol, a dhanista sun and ascendant boy that I know had girls writing their snapchats all over his backpack in high-school also he would get purchased by them like they would form circles around him it was pretty funny to see

- Purva bhadrapada men are SASSY

- Rohini women are really sensitive about their appearance and love when people are jealous of them

- Venusians have a keen eye for aesthetics

- When it comes to writing poetry: Virgo people are simply the best : Uttara phalguni, Hasta and Chitra

- Ketu women are able to see through the illusions of life: especially ketu on the ascendant, their intuition is simply always right

- Having your sun in the 11th house makes you very likable, if it is not afflicted you will have a large circle of friends, be well known in your area.

- A lot of energy in the 12th house add an air of mystery on an individual it can really scare some people off: they can be excluded from their community, can be deemed as scary or weird

- If you want a venusian to like you : be pleasant, smell good, be funny, make them eat well, give out thoughtful gifts. Venus loves sensorial stimulation

- If you want to know what life direction you should be taking, look at your d9 and d60 charts

- Pisces women are in tune with their sexualities: they can loose their virginity at a really young age and are curious about this side of life

- Ashlesha people need to be careful about what they say: they grow up in really harsh environments so they internalize this harshness and sometimes they can really projects on others and hurt with their words for nothing kind of like a snake

Anyways I think that's all I will comeback with more astrology observations on more specific subjects.

Also be mindful, you can not analyze a chart without looking at it completely so these are not to be taken at the letter close, it can always differ depending on the chart: it is simply for entertainment.

[blueteller]

Do you know how smart Cale actually is? Like- what extent his intelligence can reach?

That's an interesting question! Let's take a look.

From what I know of IQ scores, anything above 120 puts you in top 10% of the population. So I easily see Kim Rok Soo!Cale belonging in that category; of >120 IQ. However, IQ had always felt a little vague to me. It's nice to have a number to put on a scale and all, but what does it actually mean in reality? Let's try this from a different angle.

Gardner's Multiple Intelligences model of divides talent into eight categories, plus one additional one:

Visual-spatial

Linguistic-verbal

Logical-mathematical

Body-kinesthetic

Musical

Interpersonal

Intrapersonal

Naturalistic

Existential

Why not try to measure him up against each one, as no person is actually intelligent in every way and not even a fictional character can excel in all of them (unless they're a Mary Sue or something lol).

Visual and spatial judgment stands for easy reading, writing, puzzles solving, recognizing patterns and analyzing charts well. I think Cale is definitely a pro in this category; he does loves reading and he's fantastic at analyzing data.

Linguistic-verbal is for remember written and spoken information, debates, giving persuasive speeches, ability to explain things and skilled at verbal humor. And while I constantly make fun of Cale for not being able to explain himself, he IS good at using the "glib tongue" and being persuasive, so I think he is very skilled in this category as well.

Logical-mathematical means having excellent problem-solving skills, the ability to come up with abstract ideas and conduct scientific experiments, as well as computing complex issues. Cale is an incredible strategist able to change his plans in an instant, so he is definitely a genius in this field.

Bodily-Kinesthetic Intelligence is a fun one, because I think it's the hardest one to judge, considering that he literally changed bodies. It of course stands for sports, dancing, craftmanship, physical coordination, and remembering better by practice rather than learning theory. Cale... does not like that. However, it doesn't mean he's BAD at it. If he was a genius in this field, however, I believe he would like it a bit more. Thus – I suspect he was average. In the past he was forced to exercise for the sake of survival, but once he was given the option of taking it easy, he quit instantly. He is capable, but does not have any particular predisposition for it.

Musical Intelligence drives me nuts, because we literally do not know, and I dearly wish I did. There was not a single mention of it in the whole series. As much as I want to believe in a cool headcanon of KRS being an unrealized musical genius... I think he was probably average or below average in this.

Interpersonal Intelligence stands for communication, conflict-solving, perception and the ability to forge connections with others. And while you might have some doubts about Cale, I say he IS a total pro in this. Those are all leadership skills, and Cale is one HELL of a great leader.

However...

Intrapersonal Intelligence is where Cale is severely lacking. It could be partially due to trauma, but I think at least some of it comes through his natural personality. It stands for introspection, self-reflection, the ability to understand one's motivation and general self-awareness; and that is Cale's biggest weakness, one that might actually cost him his slacker life dream in the end, due to all the misunderstandings he causes.

The last two, Naturalistic and Existential Intelligence types, are also not really Cale's forte. The first is for things like botany, biology, and zoology, paired with enjoyment of camping and hiking – none of which Cale actually does for pleasure, only because he has to. And yeah, farming is in that category too, but it's not like Cale is actually a real farmer just yet. And the second is for stuff like philosophy, considering how current actions influence future outcomes, the ability to see situations from an outside perspective and reflections into the meaning of life and death – and Cale is REALLY not interested in this type of self reflection.

Which leaves Cale with 4 types of intelligence he excels at, 2 which he is REALLY BAD at, 1 where he's below average and 1 he's probably average, with 1 left completely unknown.

Does this make Cale a genius? Pretty much, yes. Does it also make him stupid in very specific ways? VERY MUCH, YES.

[graysoncritic]

A (Negative) Analysis of Tom Taylor's Nightwing Run - Who is Dick Grayson?

Introduction Who is Dick Grayson? What Went Wrong? Dick's Characterization What Went Wrong? Barbara Gordon What Went Wrong? Bludhaven (Part 1, Part 2) What Went Wrong? Melinda Lin Grayson What Went Wrong? Bea Bennett What Went Wrong? Villains Conclusion Bibliography

When asked to describe Dick Grayson’s character, many will say he is good. He is Bruce Wayne’s light, the person he could have been had someone offered Bruce understanding and guidance after his trauma. Dick is a leader. A big brother. A mentor. He is someone people can look up to, someone others can trust. He is “The Heart of the DCU.”

(Williamson, Joshua, writer. Sampere, Daniel; Herbert, Jack; Camuncoli, Giuseppe; Sandoval, Rafa, illustrators. Dawn of the DCU. Dark Crisis on Infinite Earth no. 7, e-book ed. DC Comics, 2022. pp. 28)

Characters, much like real people, are more than just a trait. Jason Todd is more than “angry.” Bruce Wayne is more than just “brooding.” Tim Drake is more than just “smart.” Characters are multidimensional. They have multiple facets, some of which may contradict one another because characters, just like people, are not created out of mathematical equations where two plus two always equals four. Humans are emotional. Their being is informed by past experiences, biology, culture. The intricate combination of these vastly different factors leads to inconsistency in rationality that may not always be logical. Dick being “good” does not mean that Dick can’t be angry, that he can’t make mistakes, or that he can’t lash out or be unreasonable, especially when stressed. Dick being “good” does not mean he can’t brood, does not mean he can’t be suspicious, nor does it mean he will always like everyone. Dick being “good” does not mean he can’t be his own worst enemy, that he can’t be calculative and strategic, that he always needs to be upbeat, or that he can’t be the most intelligent person in the room.

(Grayson, Devin, writer. Zircher, Patch, illustrator. Slow Burn. Nightwing no 93, e-book ed. DC Comics, 2004. pp. 10-11)

Sam Humphries also demonstrated this during his brilliant story, The Untouchable. There, Dick’s relentless determination to save people from the Judge’s machinations grows so intense that it becomes self-destructive. The story demonstrates how Dick’s “goodness” comes from a form of toxic perfectionism that has been with him since he was a child — a perfectionism born of a low self-worth that eats at him from the inside out

(Humphries, Sam, writer. Janson, Klaus; Campbell, Jamal, illustrators. Ruthless. Nightwing: Rebirth no. 37, e-book ed. DC Comics, 2018. pp. 08)

Even the 2003 animated series Teen Titans understood that in trying to catch the bad guy — almost always Slade Wilson in the case of that show — Dick could sometimes go too far.

Dick’s goodness causes him to see himself as a danger to not just his loved ones, but everyone who stands near him. He carries the world on his shoulders, taking the blame for every tragedy and seeing every death as a personal failure. When pushed to its worst, Dick’s goodness becomes an obsession which pushes others away, leading to isolation as Dick’s entire existence narrows down to accomplishing one specific goal. 

It is this reductive characterization of Dick – the idea that his one defining trait is that he is “good” – that leads many to misunderstand the appeal of his character. As I mentioned above, characters are multi-facet, and Dick is no exception. However, the ways in which Dick is multi-facet are very different from the ways in which most characters are multi-facet.

Please do not mistake what I am about to say by claiming these other characters are not complex. Or even that some of them might not subvert popular tropes. What I mean saying is that Dick’s complexity is demonstrated differently than what I believe most people are accustomed to.

For example, everyone knows Bruce Wayne keeps his feelings locked up inside. He compartmentalizes his emotions and his trauma in order to solve the puzzle put ahead of him. But everyone – characters and readers alike – understands Bruce is doing this. Everyone can tell that he is hiding something from others and keeping them at a distance. The reader is always aware of how Bruce’s trauma informs his actions, his interactions, and his thought process. 

(Grayson, Devin; Barr, Mike W., writers. Davis, Alan; Robinson, Roger, illustrator. Procedure. Batman: Gotham Knights  no. 25, e-book ed. DC Comics, 2002. pp. 20)

Take, for instance, Part One of Murderer/Fugitive. Although a major source of tension from the story surrounds the question of Bruce’s innocence, there’s never any question in the minds of the reader and the character that Bruce is hiding something. Tim Drake questions whether Bruce truly did kill Vesper Child and is hiding his motive, while Dick is certain of Bruce’s innocence and instead believes Bruce is hiding his alibi or the clues that would help them find the real murderer. Barbara Gordon, for her part, wavers between the two, but like Tim, Dick, and the reader, she is certain of one thing: Bruce Wayne is hiding something from her, from them… From us.

Similarly, Jason Todd’s anger comes from a place of hurt and a place of love, from insecurities and a need to prove himself. But like Bruce, all of that is clear to see. His anger and his hurt are simple to understand. Please, do not mistake this for me claiming that Jason is not a complex character — instead, I’m stating that his temperament, his trauma, and his actions are so interlinked that they are clear for the reader to see. His character, while rich, is more accessible. It does not take a lot of effort to know that Jason is angry because of what was done to him. It is easy to see that he is hurt because he equates Bruce’s love to the Joker’s death, and therefore sees Bruce’s failure to avenge him “proof” that Bruce does not love him as a son. 

(Winick, Judd, writer. Battle, Eric, illustrator. All They Do is Watch Us Kill: Part 3: It Only Hurts When I Laugh. Batman no. 650, e-book ed. DC Comics, 2006. pp. 13) Dick, on the other hand, does not wear his emotions, his motivations, or his goals on his sleeve. Dick keeps his secrets not by constructing an impenetrable wall like Bruce, but through misdirection. This is why those who are unfamiliar with Dick misinterpret him so much. They take what is on the surface at face value because they do not have the character history to serve as context to understand what lies beneath As a Dick Grayson fan (From this moment forward will be referred to as Dick Grayson Fan A) said “good Dick writers teach readers how to read him and bad Dick writers just have that surface level interpretation.” (I was actually talking to her about this idea and how I’m presenting it in this essay. The example I gave was one she suggested after I asked if she could think of good moments that exemplified this idea.)

As an example, we can look at this moment from Grayson, in which Dick sucks a lollipop while receiving a mission assignment. Someone who is not familiar with Dick and is looking at Dick and Helena’s interaction might be easily fooled into thinking that Dick is the pretty, strong, but annoyingly childish and slightly dumb male character who contrasts the serious, intelligent, and highly competent woman. The characters’ expressions, actions, and the onomatopoeias are certainly leaning into that familiar trope.

(King, Tom; Seeley, Tim, writers. Janin, Mikel, illustrator. The Raid. Grayson no. 04, e-book ed. DC Comics, 2014. pp. 02) However, Dick Grayson fans know that when it comes to the mission, Dick is as serious as Batman himself. Highly intelligent, Dick is considered to by many the world’s second greatest detective (there are many instances in canon when he is referred to as such), making him more than just a pretty face who knows how to fight (It should be noted that in this tweet, writer Tom King also ranks Dick as the second best fighter in the Bat Family). Furthermore, context matters. Dick is deep undercover throughout the duration of Grayson, and this scene is set shortly after the death of one of the agents of the organization Dick has infiltrated. In other words, Dick is in a highly stressful situation without allies to provide him with back-up or emotional support. 

His posturing in this scene, then, can be seen as an attempt to misguide and misdirect. He does not wish to let those around him – people he is not sure yet if he can trust – know the full extent of his capabilities or perceive any potential weaknesses in his value of human life. Positioning himself as the annoying and childish pretty boy who does not pay much attention to serious matters is a strategic choice that his fans readily pick up on.  

That is not to say that Dick’s smiles are all lies. Rather, Dick’s upbeat nature is a natural aspect of his personality that he will exaggerate depending on the setting in order to keep his privacy. He is a natural performer, a showman, and so he utilizes misdirection to his advantage. 

A classic example of Dick’s misdirection and how he is misinterpreted by others is how some would characterize him as an “attention seeker.” However, the term “attention seeker” has negative connotations as it implies someone who seeks the spotlight at the expense of others. 

That is the opposite of who Dick is. But that’s not Dick is. As a mentor, a leader, and an older brother, Dick will often invite others to join the conversation. He pays attention to what they say, he strategizes based on their needs. 

(Johns, Geoff; Wolfman, Marv, writers. Nauck, Todd, illustrator.  The Brave and the Bold. Teen Titans no. 33, e-book ed. DC Comics, 2006. pp. 15)

Simply put, Dick is incredibly empathetic and always in tune with those around him. This is why he works so well as both a Bat and a Titan, and why his personality in each team is so distinct. As a Bat, Dick is often portrayed as cheerful, his bad puns are meant to cut the tension, the is the shoulder for his family to cry one; as a Titan, Dick is a leader, he is a strategist, he demands others take things seriously and will not tolerate slacking off, he is trying to instill good work ethics and ensure that the team dynamic stays in top shape. 

As JL Bell writes in their essay Success in Stasis: Dick Grayson’s Thirty Years as a Boy Wonder for the book Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman explains, “in contrast to how Robin behaved with Batman. [Dick] is usually [the Titans’] serious leader.” (Bells, JL “Success in Stasis: Dick Grayson’s Thirty Years as a Boy Wonder.”Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman edited by Kristen L. Geaman, McFarland & Company, Inc., Publishers, 2015, pp. 22)

That is because Dick knows that when he is with his family, he needs to play one role, and when he is with his friends, he needs to play another. The Bats have their strengths, so Dick adjusts himself to play up on those strengths while also making up for its weakness. Same thing with the Titans. 

Mark Waid perfectly exemplifies Dick’s adaptability when portraying him in his World’s Finest (2022) and World’s Finest: Teen Titans (2023). There, Dick brings levity to his work with Batman and Superman, keeping an upbeat attitude while still taking the job seriously.

(Waid, Mark, writer. Mora, Dan, illustrator. Manhunt. Batman/Superman: World’s Finest no. 14, e-book ed. DC Comics, 2023. pp. 07)

Yet, when he is with the Titans and feels the weight of leadership on his shoulders, he is more serious, being the one to get the Titans to focus on their objective, getting them to look at the big picture, while also making the most of their abilities as individuals and as a team.

(Waid, Mark, writer. Mora, Dan, illustrator. Team Spirit. Batman/Superman: World’s Finest no. 08, e-book ed. DC Comics, 2022. pp. 05)

So yes, Dick is a performer, a showman, but he is not “attention seeking.” In fact, his use of misdirection illustrates that Dick is a very private person. And how could he not be? While it is true that Dick grew up in the circus, after his parents’ death, he went to live with Bruce, and in doing so, was put into an intense amount of public scrutiny. The murders of John and Mary Grayson happened on a literal stage with dozens of people watching. As a result, Dick’s very private tragedy became a spectacle.

After the death of Dick’s parents, Dick isn’t allowed to disappear into anonymity. He is not afforded privacy to grieve. He is taken in by Bruce Wayne, Gotham’s most famous playboy, billionaire, philanthropic who is also a bit of a selfish airhead (at least, that is how the public perceives him), and as a result, Dick is subjected to an immense amount of public scrutiny, not just from the media, but also from Gotham’s elites, and even his peers at school. Not only that, as Robin, the Boy Wonder and the first ever sidekick, Dick also is put on the spotlight while also being aware of the necessity of keeping secrets. 

As a result of having his tragedy broadcasted and having a new mission that requires secrecy, Dick becomes a very private person. He is not an open book; instead, he is meticulous about what he shares and he prevents people from looking at what is not of their business by using his showmanship.

Furthermore, Dick’s role as a performer who, as Joshua R Pangborn describes in his essay about the Robin costume, “experiences […] the full spectrum of emotions, each and every night, for the catharsis of others,” transforms him into a literal vehicle for emotional catharsis and empathy. (Pangborn, Joshua R “Fashioning Himself a Hero: Robin’s Costume and its Role in Shaping His Identity”Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman edited by Kristen L. Geaman, McFarland & Company, Inc., Publishers, 2015, pp. 42) In their essay, Bell argues that while Bruce Wayne embodied “the mid-century ideal of the American male,” who is always “in control of his feelings, not letting them overcome his judgment nor displaying them broadly,” Dick Grayson “can express deep emotions, not only his own but Bruce’s.” As such, Dick often acts as a sounding board for his family, friends, team, and romantic partners. As a performer, Dick embodies whatever persona is necessary to create a safe environment where others can process their emotions and achieve catharsis. (Bells, JL “Success in Stasis: Dick Grayson’s Thirty Years as a Boy Wonder.”Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman edited by Kristen L. Geaman, McFarland & Company, Inc., Publishers, 2015, pp. 12)

Dick's performance, then, comes not just from a desire for privacy but also from a deep place of empathy. It comes from a desire to help others work through their own stories. This is why he can step into other's narratives without overshadowing them. In fact, he’ll often elevate those characters by complimenting them and creating the circumstances needed for them to shine. As a performer, Dick is naturally adaptable and always willing to fill the role necessary to create the space required for others to work through their emotional needs.

But, as with everything, Dick’s performance is also a result of his destructive perfectionism. Dick equates “good” to “perfect.” He believes that he can only be wanted by Bruce if he is the perfect Robin, he can only be wanted by his friends if he is the perfect leader, he can only be wanted by his siblings if he is the perfect older brother, he can only be wanted by his partners if he is the perfect boyfriend. As Humphries’s The Untouchable demonstrates, because Dick was raised in an environment where failure could be fatal, he internalized these stakes to every aspect of his life. 

(Humphries, Sam, writer. Janson, Klaus; Campbell, Jamal, illustrators. Ruthless. Nightwing: Rebirth no. 37, e-book ed. DC Comics, 2018.pp 20

And it doesn’t help that all of the people in Dick’s life do prove that assertion right. Everyone holds “the Heart of the DCU” to an impossible standard that, when Dick fails to live up to it, he is crucified and punished for it. If he tries to be perfect, he's told off for being the Golden Boy, but if he fails to be the Golden Boy, then he is told off because he let people down when they were relying on him. Ironically, this is done by characters in-universe real-world fans. As Dick Grayson Fan A pointed out in a discussion about depiction of Batman Family members killing their antagonists, “there's always this pressure to have Dick ~fall from grace~ and I do lowkey resent that. Dick should be allowed to be good, not punished for it.”  

This creates an environment where Dick constantly needs to maintain perfection in order to be in everyone’s good graces. Failure is not met with understanding and comfort, but with punishment. No one expects him to fail, no one likes when he fails, no one forgives him when he fails. That also means that Dick doesn’t feel safe opening up about his insecurities because to do so would mean “proving” he cannot stay on the pedestal he’s been put on. And so, he is forced to perform the role of a “perfect good guy” by using misdirection so people won’t abandon him for being human (this was said during a very interesting discussion and addressed both canon and fanfic writers. There’s a lot that can be said about Dick’s parentification and how that is viewed in the context of fandom. This is not the essay for it, and, to be perfectly honest, I’m not entirely sure I’m the best person to open said discussion).

Taylor does not portray Dick as someone with this many layers. Taylor’s Dick is perfect simply because he is good. He is the perfect friend, who is always happy to support others. He is Barbara Gordon’s perfect boyfriend. Dick is the perfect older brother, the perfect son, perfect model citizen. 

But by equating being “good” with being “perfect” without exploring the negative consequences that come from such pressures, Taylor robs Dick of the emotions that humanize him. In Taylor’s run, a good person will not be angry at their friends, will not be frustrated with their siblings, will never disagree with their romantic partner. This strips Dick of all of his nuances, and instead reduces him to a non-descriptive “everyman hero” with a limited emotional range whose only narrative purpose is to serve as a blank canvas for readers to project themselves into. 

Simply put, Taylor is uninterested in writing Dick as a character because he does not see value in Dick for who he is. Nightwing #105, which removes Dick from its story in order to allow its readers to “be Nightwing” illustrates how Taylor and DC at large only value Dick his connections, not for who he is.   

(Chen, Jess [jesswchen]. “Tweet Message.” 18 March 2023, https://twitter.com/jesswchen/status/1636971185782259716?s=20.)

Be Dick, and you can be good friends with Superman! You can be Batman’s son! You can be Batgirl’s boyfriend! Robin’s big brother! Flash’s best friend! 

As a Dick Grayson fan, this feels insulting. I’m not saying Dick needs to be anyone’s favorite character, or that anyone even needs to like him. I’m not interested in dictating anyone’s taste. But to someone who loves Dick Grayson, it is insulting to think that those responsible for his stories fail to see his value. To Taylor, the person who, as the writer for both Nightwing and Titans, has the most control over Dick’s portrayal, Dick is nothing but a tool that will soon wear off its use. 

In treating Dick as such, Taylor and DC send a clear message to those of who love Dick, and that message is that the things that make Dick special, the things that made us love him, do not matter. 

For his near century long existence, Dick served as a stand in for those who feel othered in society. While I do not have the time to go into a gender studies and queer reading of Dick, it is notable that his character often spoke to many people who felt different. As Mary Borsellino’s 2006 essay “A lot like Robin if you close your eyes” Displacement of meaning in the Post-Modern Age explains:

The things which a Robin-like figure can contain, but which are cut off from being embodied by Robin himself, lose none of their importance simply because they are rejected by a restrictive, corporate-controlled status quo […] It's worth inspecting what was excised from Robin, and charting where these elements instead found articulation: in those from lower socioeconomic backgrounds; non-White people; young single parents; and HIV positive people. And, especially, girls and women (Borsellino, Mary “‘A lot like Robin if you close your eyes.’ Displacement of meaning in the Post-Modern Age,  2006)

While Borsellio’s essay focuses on the Robin mantle, as the creator of said mantle, such assertions can also be applied to Dick. In fact, Bell concurs with the idea that those who were othered have always took a preference to Dick when stating that “Robin’s status as the littlest guy in the fight increases the character’s appeal for some children, especially the ‘youngest and weakest.’” In other words, it is crucial to Dick’s character that he is not an “everyman hero.” He is not the hero of or beloved by the average individual, but rather by those who were ostracized by society.

Taylor’s writing exemplifies the “restrictive, corporate-controlled status quo” imposed by DC that Borsellino speaks of. His characterization is the manufactured image that removes Dick’s “socially deviant/rejected” qualities his fans loved about him so that he can be palatable to a more mainstream audience.  (Bells, JL “Success in Stasis: Dick Grayson’s Thirty Years as a Boy Wonder.”Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman edited by Kristen L. Geaman, McFarland & Company, Inc., Publishers, 2015, pp. 11)

This, of course, is not necessarily new. As Mason Downey argues in their 2015 essay In Defense of Dick Grayson: Objectification, Sexuality, and Subtext, DC has often struggled between leaning into the audience Dick has and wanting to erase any “othering” elements from his character. As they point out:

The more sexual and idealized Dick was allowed to become, the more attention he got from female and queer fans, the more the industry had to work to combat the past anxieties revolving around the character. This resulted in more and more heteronormative romances for Dick on the page. We can’t grant Wertham’s fears any legitimacy, we can’t make these stories “for girls.” Writers did so in a few ways, some obvious, some less so. On the page, we had Dick’s deflection of female sexuality that he was not in control of, and we had a level of emotional posturing with relationships he was in control of. We had moments where we saw him manipulating with or being manipulated by sex. There were editorial pushes to lean into Dick’s popularity with women and queer men coupled with the simultaneous desire to not acknowledge or grant legitimacy to the fanbase he found in those demographics. This translated to more sexualized poses. More pin-up style spreads. Multiple bait-and-switch wedding, marriage, and relationship teases which turned out to be fakeouts or got written out. Long strings of female side characters were introduced exclusively to be love interests. Off the page, we had more concrete examples. We saw a lack of merchandise and lack of representation of him in other forms of media. There was a pervasive hesitancy in broaching his existence outside of the spheres of already established fans. For example, Nolan’s The Dark Knight Rises featured Joseph Gordon-Levitt playing a character literally named Robin, who was invented for the film franchise rather than allowing Dick himself to exist in that cinematic universe. Dick Grayson is a character built upon one repeated mantra aimed at what eventually become two of his largest demographics, “Remember, this is not for you.”

(Downey, Mason “In Defense of Dick Grayson: Objectification, Sexuality, and Subtext” Women Write About Comics. December 2015)

What makes Taylor’s run unique is that in trying to have Dick tackle social issues such as homelessness and in trying to create a class commentary, Taylor attempts to create a progressive, albeit simplistic, veneer while erasing the important and “other-ing” aspects of Dick’s character that was so beloved by his fans. 

This, I believe, is one of the many explanations why many of those who praise Taylor run claim that this is the first Nightwing run they ever enjoyed, while many (though admittedly, not all) those who have been longtime Dick Grayson fans feel betrayed and frustrated by the way their beloved character is being handled. Dick is currently being appropriated into a more mainstream, palatable hero. He is being taken from those who loved him and being scrubbed clean to be suitable for an audience who could not appreciate him for what he was, only for how his connections could give them a wish fulfillment fantasy. As another Dick Grayson fan expressed:

I see no heart in [Taylor’s] work, only soulless marketing. He sells himself as something good and work on his perfect public image and everyone who disagrees is wrong and it gets on my nerves like nothing else. […] I wouldn't be as salt[y] if Taylor was genuinely trying to writing something good. I don't have the heart to [be salty] at someone working with passion, even if I don't like it.

(Henceforth referred to as Dick Grayson Fan B... This was actually said during a discussion in which we expressed how we wish we could be as excited about Taylor’s run as many others are.)

[wanderloveshater]

Two smart guys with 80’s tech can only do so much. It took them years to make the portal, one that breaks down everytime it activates.

For Commander Peepers? He can make a portal in a quarter of that time that’s stable.

It wouldn’t break down and would be able to control the excess energy that emits from it.

Peepers is the perfect pawn for Bill. Socially outcast with a crippling insecurity about his height, the desire to be praised and hold power over others, painfully lonely with a brilliant mind- he mirrors Ford in this way. I believe one of the WOY crew members emphasized him being different from the watchdogs.

It’s so easy for Bill; what do we have here? A smart guy who builds evil planet-destroying devices? Handling complex machinery?

He’s got a high IQ- misguided by his adoration for his stupid leader. The need for approval is crippling. So what can we do? Our little song and dance-

Bill’s experience speaks for itself. It would take very little effort, no questioning or anything- kind of boring, really.

Oh and Peepers has just been WAITING for someone to realize his true potential!

It’s all the same with Ford. He wants to feel special. The way Peepers would cling, claw, ride the high of the teensy bit of praise Hater gave him months ago…it makes Bill laugh. Such a sucker. A mathematically talented genius with more weaknesses than anyone can count.

So here we are, Peepers wants power. He wants respect. He wants to be seen. Bill promises Peepers a sense of social validation- to be adored- and eventually feared by his peers, and in extension, the galaxy. In return, Bill wants a portal- instead of spinning it as a “gateway for infinite knowledge of the universe” he can actually be a little more truthful. He’ll tell Peepers it can be used as an unstoppable weapon of destruction, better than what Major Threat had, better than what Lord Dominator had. The Peepers empire- I mean- The Hater empire would conquer the galaxy. Bill can come into this plane and they’ll rule everyone, side by side, Muse by Painter.

It’s a win win! Come on Peepers! Take the deal! When was the last time you played chess with someone that was actually smart enough to compete against you?

Infatuation: We saw how easy it was for Ford to be a Cipherholic. For many others to be. Peepers would unfortunately fall for his flattery. Under the assumption that Peepers is in love with Hater- (idolization if you wish) this prevents him from fully going evil, betraying everyone at once, I think.

But Peepers does get a little tired here and there putting up with Hater’s stupidity. Everyone’s stupidity, actually.

But Bill?

Bill has a lot of knowledge of the universe and intelligence.

Peepers would feel so intellectually stimulated by their conversations- likely about quantum theories, astrophysics, how stupid everyone is. There’s one thing Peepers has going on instead of Ford. Ford isn’t directly malicious or evil (besides the revenge fantasies), but Peepers is. He’d find Bill’s sadistic humor to be funnier than Ford ever did. Bill likes that.

Planting these seeds in Peeper’s brain- like the portal- Peepers would reach worship levels faster than Ford.

“I want to feel tall.”

“I’ll make you feel tall.”

Possession: This one is funny to think about, Bill’s unhinged behavior is exponential. He uses his charisma to gain social approval with the watchdogs and Hater’s favor in Peepers’ body. He probably wouldn’t have to complete all the calculations that Ford needed help with- really the possession is just so Peepers is more likable.

Bill’s feelings: Peepers was the easiest pawn to entrance. Bill finds this rather boring. There’s nothing to sink his teeth into- nothing to tear. Just a hollow puppet. He isn’t weird enough for Bill to enjoy, he seems rather logical and put together. Sure he’s shorter than everyone but was he born with any extra features that makes him an anomaly? But he’s certainly the most efficient puppet, so he’s gotta keep that going.

Peepers would also catch Fiddleford and Ford’s mistakes with the portal’s code.

Sort of like, “Oh haha, whoever did this code is so stupid, have they considered their calculations would blow up the entire room?!”

Bill being Bill, filled with bitterness, would agree in tandem at first. “Haha YEAH my last guy wasn’t up to par!”

Before uh, Peepers gets carried away and Bill’s own complicated feelings about Ford arise.

“Seriously, have you seen this derivative answer?! A traffic cone could have done better-”

“That’s enough”

Ford: I don’t have a set story/timeline for these two in mind, but I would like to imagine Ford’s reaction. Being unable to stop the vicious cycle repeat chokes him. Warning Peepers and all, oh don’t fall for it, he’ll betray you, promise you a galaxy, yadda yadda…

But Peepers only hears that last part.

“My own galaxy…?”

“Yes, he’ll make you ‘one of them’ and promise ultimate power with no law or restrictions- everything you could dream of- but DO NOT fall for it!”

Peepers falls for it. Or rather embarasses himself- Bill does not care for Peepers in this way. He’d never offer this unless it was for gain, so what does Peepers do? Throw himself to Bill and the Henchmaniacs- pleading to be a part of them. All that results from that is being laughed out of the room. Doesn’t help that he's the shortest.

Peepers doesn’t fit in with the watchdogs, or even the crazy weirdos/freaks.

He is truly alone.

[natimiles]

LEVI IS A SMART COOKIE — HEADCANONS (AND APPRECIATION?)

🐟 Let’s start stating the obvious: he is hella smart. He’s an Admiral, he had to study and work hard for it! He might be shy and socially awkward, but we can’t invalidate his entire personality just because he actually says “ROFL” out loud. A person (or demon, in this case) can be goofy and smart — one doesn’t cancel out the other.

🐟 That settled, here is what I think about it:

🐟 From strongest to weakest (and to make things easier), I’d rank his intelligences: visual-spatial, logical-mathematical, verbal-linguistic, naturalistic, bodily-kinesthetic, musical, intrapersonal and interpersonal.

🪸 Visual-spatial: he needs to be good at it if he’s gonna navigate. He barely leaves his room, but he’s got the whole Devildom mapped out in his head. He can walk blindfolded and still be able to arrive at RAD or anywhere he needs to go.

🪸 Logical-mathematical: he has an insanely good strategic mind. You think he’s an Admiral just because he’s one of the Seven Lords? He’s got serious skills in what he does, or it wouldn’t have worked out.

🪸 Verbal-linguistic: he might have a hard time speaking to new people, but he has good communication once he trusts you enough. He can be assertive when he needs to and, again, he has to be able to communicate when he’s commanding his crew. And he’s a really good writer.

🪸 Naturalistic: he loves animals! He looked at a giant snake and decided it was a good friend. He has Henry 2.0 for who knows how long and he takes such good care of him. For me, he loves the ocean, from both the Human and the Demon World. He is a sea serpent demon, so he can swim with all sorts of creatures, learning about them along the way. Sometimes, he even feels a connection to those deep-sea dwellers — living in the dark, solitary depths. (you’re welcome for the angst thought)

🪸 Bodily-kinesthetic: he has good coordination and no one can convince me otherwise. He likes to learn the choreographies of his favorite idols. I think he can learn it pretty fast, and he can teach it easily if you want to learn it too. Now you can dance together and it’s wholesome. Not to mention, he still is a demon and #3 in their power rank. He didn’t get that number randomly. Also, he can sew his own cosplays; he needs good coordination for sewing.

🪸 Musical: he learned about music for his pleasure. He is good at listening to the slight change in rhythm, so he knows exactly when to do a certain move when he’s dancing and all the cues when he’s singing. He will annoy you if you sing it 0.02 seconds earlier. He can play the keyboard and probably the drums.

🪸 Intrapersonal: his self-esteem is not good (we just need to help him a little), but I think he has a deep comprehension of himself. He knows what he likes and dislikes, how he’ll react when something happens and how to deal with his own outbursts. Understanding and putting it into practice, however, aren’t always the same, and that’s where emotions take the lead (hence why it’s intelligence #7). That’s when he summons Lotan.

🪸 Interpersonal: do I need to say something? I love my boy, but he has a hard time meeting new people and that's fine too.

Masterlists

[slyandthefamilybook]

...And here we come upon a problem as basic as the nature of knowledge itself: all of our prodigious cognitive and computational abilities are inadequate to a full comprehension of our complex world. As humans, we remain heavily dependent on certain tools of perception and conception that our cultural and biological heritages have taught us are useful. These tools–such as language, causal logic, religion, mathematics–are indeed powerful, but they are powerful precisely because they reduce complexity to intelligibility by projecting our mental concepts onto the world. One consequence of this is that our recognition of significance is always what some philosophers call "theory laden," meaning that it is shaped by what our theoretical framework and cognitive tools encourage us to recognize as meaningful. Anti-Judaism, as I have argued throughout this book, is precisely this: a powerful theoretical framework for making sense of the world.

...

After all, no matter how overrepresented the Jews may have been among the European "bourgeoisie," they remained a tiny minority of that class. How could that tiny minority convincingly come to represent for so many the evolving evils of the capitalist world order? More broadly, how could untold millions of Europeans (and not only Germans) come to believe–or act as if they believed–the claims of the Nazis (and not only the Nazis) that Jews and their conspiracies so threatened the security of the world that they needed to be excluded, expelled, or exterminated? According to Horkheimer and Adorno, the liquidation of the Jews of Europe was not grounded in "reality." It took place in the vast gap between and explanatory framework ("anti-Semitism") that made satisfying sense of the world to a significant portion of its citizens, and the complexity of the world itself.

They set out to explore that gap in a philosophical history of modern thought they drafted in 1944 and later published as Dialectics of Enlightenment. Their final chapter, "Elements of Anti-Semitism: Limits of Enlightenment," suggested that what gave anti-Semitic ideas their power was not so much their relation to reality, but rather their exemption from reality checks–that is, from the critical testing to which so many other concepts were subjected. "What is pathological about anti-Semitism is not projective behavior as such, but the absence of reflection in it." In their terms, the problem is a heightened resistance to reflection about the gap between our ideas about Jews, Judaism, or Jewishness, and the complexity of the world. From their point of view, anti-Semitism provides adherents with a cognitive comfort: the fantasy that the gap between our understanding of the cosmos and its fearful complexity does not exist.

...

...[A]cross several thousand years, myriad lands, and many different spheres of human activity, people have used ideas about Jews and Judaism to fashion the tools with which they construct the reality of their world. The goal of my project, like Horkeheimer and Adorno's, is to encourage reflection about our "projective behavior," that is, about the ways in which our deployment of concepts into and onto the world might generate "pathological" fantasies of Judaism. And my choice of method owes something to Auerbach's conviction that the study of a given moment, problem, or even a single word in the distant past can teach us something about a much longer history, extending even to our own.

Selected excerpts from Anti-Judaism: The Western Tradition (2013 Nirenberg, David)

[lisbeth-kk]

Sherlock fandom

Big Brother’s Observations

Since the day I held Sherlock in my arms for the first time, I loved him fiercely and I instantly wanted to keep him out of harm’s way, whatever the cost. I was only seven years at the time, but I tried my best to keep my promise.

At first, it was easy. Child’s play, so to speak. He followed me with his eyes, always smiling, filling my chest with warmth and joy. When he learnt to walk, he never let me out of his sight. Where I went, he was close behind.

I taught him everything I knew about nature; biology, geology, meteorology, when we were outdoors, mathematics, languages, history, geography and logic reasoning when the weather was bad, and we stayed in Father’s library or in my room. He was like a sponge, and it became quite clear that he was above average intelligence; just like me.

However, there was a big difference in our personalities. Where I avoided other people, Sherlock couldn’t get enough of studying and talking to others. For a while… 

The other difference between us was sentiment. He was full of it, I was empty, apart from my undying love for my brother. I told him he would get hurt if he wasn’t on the alert. He was naïve and always thought every person was good and meant well. For a while…

***

My heart broke several times during the years, and in the centre of it was Sherlock. His tears and sobbing were unbearable to witness.

“Why do they hate me, Myc?” he cried so many times, I lost count.

“You must stop wearing your heart on your sleeve, Sherlock,” I told him. “Everyone will take the opportunity to hurt you if they know you’ll react like this. There doesn’t need to be a reason other than they want to see you cry. People are evil like that. Sentiment is never an advantage, brother mine.” 

He wouldn’t believe me. Not at first. It was a hard lesson for him, and I hated every single person who dared to give my brother such a difficult time, but finally he managed to put up an armour of indifference. I knew how much effort it was for him to maintain it, because I caught him more than once crying himself to sleep after the more trying days.

When he started university, the contact between us was sparse at best, but I kept my eyes on him of course. Alas, I was unable to foresee and stop his drug addiction before it was too late. By then he hated the sight of me, which broke my heart in a totally different way. He turned his back on the one person who wished him well. It was a blind spot he dealt with for years, put there by me.

***

I couldn’t believe my luck when Sherlock met Gregory Lestrade of New Scotland Yard. The detective saw Sherlock’s potential and promised him work if he got clean, which he achieved in record time.

Despite the trust Lestrade put in Sherlock, my brother didn’t trust him fully. The police wanted results, which Sherlock was able to give, but it ended there. Lestrade was no friend in Sherlock’s eyes. He just used Sherlock for work, nothing more. My brother failed to see that the detective cared for him outside of crime scenes. He didn’t even bother learning Lestrade’s Christian name.

***

I saw a crack in my brother’s armour the day he realised that John had killed a man to save his life, mere hours after they’d met. When I mentioned it, Sherlock waved it off as John’s need for danger, excitement and his military background, but I observed a second of insecurity. It vanished soon enough.

My instincts when I met John Watson for the first time, told me he could be just what my brother needed, or quite the opposite. His loyalty baffled me, but spoke volumes, and it increased for every passing day. He protected Sherlock just like I had done decades ago. I wasn’t entirely sure what to think of that. Of course, I wanted my brother to be cared for and kept safe from the criminals he recklessly chased through London, but it should be me doing that. Letting go and placing my trust in an ex-army doctor with PTSD and a passion for danger, wasn’t exactly what I preferred, but it seemed I didn’t have much saying in the matter. John Watson was Sherlock’s confidant and friend now, and I should be glad, but my treacherous heart ached for the loss of my brother’s trust and love.

When it became clear to me how John felt about Sherlock, I prayed to the universe to let Sherlock’s blind spot disappear. It had finally happened; there was a way for Sherlock to gain happiness and love after all, and perhaps his hostility towards me would dissipate a little if he felt content and loved. My prayers weren’t heard, and John was too scared to jeopardise their precious friendship to pursue the matter. 

***

I never dreamt of that an Irish criminal mastermind should be the answer. When Moriarty kidnapped John Watson and Sherlock realised he might lose John when he emerged with that bomb vest strapped to his chest at the pool, the blind spot instantly vanished. When the danger was over, John had proved that he would sacrifice himself so that Sherlock could live.

“My life isn’t worth living without you, John,” I heard Sherlock say in the surveillance video.

I had ushered my men out of the room and watched the scene alone. It was a private moment I didn’t want anyone else to witness, and I turned off the recording once I was sure both men were safe and had finally confessed their love.

My mission was far from over, but my faith in John’s capability to keep my brother as safe as possible, was absolute.

@flashfictionfridayofficial @totallysilvergirl @keirgreeneyes @calaisreno @phoenix27884 @a-victorian-girl @helloliriels @safedistancefrombeingsmart @gregorovitch-adler @raina-at @topsyturvy-turtely @peanitbear @7-percent @ninasnakie

[astrologged]

Metis in the signs

Metis (9) is associated with intelligence, problem-solving abilities, and strategic thinking. It represents the ability to adapt to new situations, and the capacity to find creative solutions to challenges.The placement of Metis in the birth chart can give insight into a person's intellectual strengths and abilities, as well as their natural aptitudes for problem-solving and decision-making. It also indicates areas where a person may need to exercise caution or employ strategic thinking in order to achieve success.

Metis in Aries: A strong intellect and problem-solving ability that is often expressed through impulsive actions. There is a tendency to take risks and pursue new ventures with enthusiasm and confidence, but also a tendency to act first and think later. This placement gives a competitive edge and a desire to be at the forefront of new developments. There’s a talent for strategy and quick thinking, particularly in high-pressure situations. It's important to be mindful of impulsiveness and consider the consequences of actions before taking them.

Metis in Taurus: Have a practical and logical approach to their problem-solving abilities. They have a strong ability to strategize and plan for the future, and their decisions would be rooted in practicality and common sense. This placement suggests that they have a talent for managing finances and investments, and could be successful in business or financial fields. They also have a strong appreciation for the arts, beauty, and material comforts.

Metis in Gemini: Have a strong mental acumen and the ability to handle complex and multifaceted ideas. The native possesses an innate curiosity and a love for learning and gathering information, which could lead to a career in fields such as research, teaching, or writing. They also possess strong communication skills and the ability to convey complex ideas to others in a clear and concise manner. However, there’s also a tendency towards overthinking and analysis-paralysis, which could hinder decision-making and action-taking at times.

Metis in Cancer: Is highly intuitive and possesses excellent emotional intelligence. This placement indicates someone who is capable of understanding and reading emotions in themselves and others, which can help them navigate complex social situations. They’re nurturing and caring, with a natural talent for providing emotional support to others. They are sensitive to the needs of those around them and have a deep understanding of the emotional dynamics in their environment. At times, this placement also has a tendency towards overthinking and emotional insecurity.

Metis in Leo: Represents a strong analytical and creative mind, and a need for self-expression and recognition. Metis is associated with wisdom and cunning, and Leo is a sign associated with creativity, individuality, and leadership. This individual has a natural talent for problem-solving and strategic planning, as well as a strong desire to be in the spotlight and be recognized for their intelligence and creativity. There’s a strong willpower and the ability to think outside the box in order to achieve their goals.

Metis in Virgo: Have a very strong mental capacity and analytical ability. People with this placement are highly intelligent and able to understand complex information quickly. They are highly organized, methodical, and detail-oriented in their approach to problem-solving. They have a natural ability to see patterns and connections that others may miss, which can make them highly successful in fields such as science, mathematics, and technology. However, they’re also prone to overthinking and struggle with indecisiveness at times.

Metis in Libra: Has a natural talent for balance, harmony, and diplomacy. They have an ability to see all sides of a situation and can easily find the common ground between opposing viewpoints. There’s a love of beauty and aesthetics, and they may have an artistic or creative talent. They might struggle with decision-making and can sometimes become indecisive or passive in their approach. They benefit from learning to assert themselves and take a more active role in their relationships and life decisions.

Metis in Scorpio: Possesses an incredibly perceptive and strategic mind. They get to the heart of the matter and uncover hidden motives and secrets with ease. They are comfortable with complexity and are not intimidated by the darker or more taboo aspects of life. They often make excellent detectives or investigators because of their ability to see through lies and deceptions. They’re also incredibly resourceful and strategic in their personal and professional lives, which can lead to success in areas such as business, finance, or politics. On the negative side, this placement also indicates a tendency towards manipulation or a desire for power and control, so it's important for those with Metis in Scorpio to use their gifts wisely and ethically.

Metis in Sagittarius: Has a strong intuition and foresight, as well as a love for adventure and exploration. They have a natural talent for seeing the bigger picture and connecting dots that others may not be able to see. There’re also an interest in philosophy, religion, and higher education. However, there may be a tendency to be overconfident or take risks without considering the consequences, so it's important to balance intuition with practicality.

Metis in Capricorn: Is someone who has a practical and disciplined approach to their strategic planning and problem-solving skills. They are ambitious and focused on achieving their goals in a calculated and efficient manner. They also have a talent for managing resources and finances, and have a long-term vision for success. However, they also need to be careful not to become too rigid or inflexible in their thinking and be open to adapting to changing circumstances.

Metis in Aquarius: Have a highly analytical and innovative mind that enjoys solving problems and discovering new ways of thinking. These people tend to be highly intelligent and original, with a strong desire to break free from convention and challenge the status quo. They possess a natural talent for science, technology, or other cutting-edge fields, as well as an interest in humanitarian or social causes. There’s a tendency towards eccentricity or unpredictability, as well as a desire for independence and personal freedom.

Metis in Pisces: Have a highly intuitive and imaginative mind that is able to understand complex, abstract concepts. There’s a talent for creative problem solving and finding unconventional solutions. There’s a strong spiritual or mystical inclination, and an ability to tap into the collective unconscious or the deeper realms of the psyche. There’s a tendency towards escapism or self-delusion, but also a capacity for visionary thinking and intuitive insights.

[mistymem0ryy]

Il Dottore x Reader

The Fall of Icarus Chapter 1 - An unexpected letter

Summary: While being a student in the prestigious Sumeru Academy, the reader begins to form a weird friendship with the genius student Zandik, only to then lose said friendship due to his banishment. Years later a rogue letter finds its way to their report-file desk.

The gender of the reader is not specified.

(Minor spoilers for Dottore’s identity ig)// Word count: 2066

Notes: I am quite tired of the constant fics where the Reader happens to not be at a similar intellectual level as Dottore… Do not get me wrong I understand that it could be quite intimidating since the guy is quite literally a genius, but I always wondered how different his common behavior and developing intellect would have been during his Academia years…

Chapter 2

{No beta we die like Zandik’s grades}

People like Dottore are usually blessed with what I call an Imaginative Genius, he is inventive and curious in nature but that is not all you need in order to excel in an Academic environment. Any undergrad level Science student will complain to you about obligatory courses that range from boring classes on how to write an adequate lab report, to mind draining mathematics units that you have to take in order to graduate but most probably will never need in your actual profession.

Dottore is a genius, yes, but he is also impatient and insatiable, and those are the traits that led him to his unlabeled relationship with you…

The Academia is constituted by various facets dedicated to different areas of research, but they all possess one common thing, and that is the dreadful compulsory mathematics and report units. Mathematics is the language of the world, therefore it would be only logical that a self respecting scientist would have a certain degree of fluency in it…And to add unto that, a great researcher must too be capable of describing all observable phenomena in harmonious text.

Dottore… or should I say Zandik? Well, no matter how much his brain was capable of maneuvering itself into creating unimaginable gadgets and devices while simultaneously researching lost ruins of forgotten civilizations, he simply could not wrap his head around a certain set of classes that he deemed utterly useless.

He wanted to go out and research the unknown, feel his surroundings and understand their development, he wanted to acquire knowledge beyond the one present in the various dust collecting books that encircled him every minute… 

He wants to punch down that godforsaken door and leave this classroom at this precise moment… But to his utter disdain he cannot.

You see Zandik is quite the intelligent fellow, his curiosity leads him further in his personal research but he must balance all of that alongside all the courses the Academia requires from him in order to finish his initial program. But no matter how “important” a certain class might be, if it doesn't strike the interest of the blue haired student then he will not even glance towards its direction twice… His time is precious and slowly but certainly running out, so he must make the most of it, even if it means missing a rather concerning number of classes.

You would like to say that perhaps, in some sick and twisted way, Zandik considers you a friend… an appreciated company? a tolerant fellow student?... 

After years of being in the Academia you have come to recognize the fact that you were the one sole person he did not outright treat with pure hatred. Sometimes you look back to your first year in the Academia, when you were solely a freshman ready to embark on a new intellectual endeavor and happened to be partnered up with Zandik for a class on “The Etiquette of Writing a Concise and Clean Scientific Report”. A boring class that you honestly thought quite useless, I mean haven’t you all been writing for years already? Why would you need a specific class centered around writing a report when you could be spending this precious time on other more alarming subjects? 

After receiving your first graded assignment, and looking to your side only to be met with the hellish mess that was your Partner’s crumbling sheet you finally realized why this class was an obligatory module for graduation… You cannot decipher at which point his description of physical phenomena turned into a horrific amalgamation of scribbled equations, and- is that khaenri'ahn script? Nevermind, you do not want to know…

Zandik catches you fearfully attempting to understand the meaning behind his rather… messy report…and lets out an annoyed huff in the process.

He is an excellent scientist in the making yes, but he has a hard time translating the concepts that take place in his head into a mere sheet of paper, and the fact that someone, especially YOU, happened to be witness to one of his intellectual weaknesses, that he so arduously attempted to hide, stroke a nerve.

The moment the class is dismissed Zandik is packing his materials and leaving this humiliating experience, you quickly come to the understanding that his speed is not necessarily a byproduct of his failing grade, but rather of the fact that you saw said grade.

You knew Zandik had a reputation for being a Genius in the making, and honestly a part of yourself could not help but be relieved by the fact that this class was proof that he could also fail, that he was indeed human.

You gather your belongings as fast as you can manage, and decide to follow the boy into whatever corner of this building he has decided to retire himself into. When you find him you offer to secretly help him with his failing grade, which he reluctantly accepts. That is the beginning of the rather weird relationship you happened to establish with Zandik, you weren't necessarily friends… you knew that despite his act in front of the professors and all the well calculated smiles he threw into the air, Zandik didn't actually see any of your colleagues on exactly friendly terms… but you hoped… You hoped that perhaps after all of this he could find in himself the sympathy to see, at least yourself, in a softer light…And the thing is, he did, trully. You simply weren't capable of perceiving it.

It was rather unnoticeable, and only someone with an extremely keen eye and patience would be capable of noticing the slight ways in which Zandik would relax his composure when in your presence, how his gaze would linger on you while you corrected another maze-like report of his, how he would lie to you about being offered 2 coffees instead of one thanks to his Genius-like reputation among the academic staff, and now you would have to drink the other one so he doesn't over caffeinate his system.

It was honestly quite warming, while it lasted at least. You helped Zandik obtain the grade he needed in order to pass that tormenting class, and sincerely hoped that this would not be the end of the untold arrangement between the two of you.

The unnamed relationship between you and Zandik, to your surprise, remained intact after that class, he continued to talk to you whenever you too happened to be in the same room (which even though at first glance does not seem to be that much, it is actually quite important for him since you happened to be the only other student which he does not see as a complete waste of his time), and when he noticed that you were having a hard time with Multivariable Calculus he took it upon himself to tutor you through that fearsome class. It was those tutoring sessions that really allowed Zandik to learn more about you, from your favorite dish to your family history, and eventually to teasingly referring to you only by the name of your favorite constellation.

“Careful there Icarus you don’t want to burn your wings away now do you?”

“Zandik why is the lab on fire?”

It was all going quite well… until the rumors began…

All the compliments that embellished Zandik’s reputation in the beginning slowly metamorphosed into quick whispers in the hallways pertaining to his rather unorthodox ideas, people began fearing for their safety after the disappearances and deaths began… And the initial worry directed towards your person and safety, as being the closest student to Zandik, eventually transformed itself into comments about how you too must also possess some sort of sickness in that head of yours in order to talk with him so casually…

Zandik was ok with people gossiping about him, that is as ok as one can be when your sanity has turned into a theme of communal discussion, but when the hatred that those around him started to deviate from being completely aimed towards him and began to shift towards your unknowing figure, he had to put it all to a stop. You were the only person in that damned establishment that saw him beyond the performance he put up every waking hour, the only person that treated him as if he were an actual human being and not an interesting concept, and no matter how ardently he wanted to be accursed alongside your embrace he couldn't bring himself to actually bring the both of you into your own doom.

He stopped talking to you completely. It's as if in the matter of a fleeting night your bodily presence had been turned invisible to his eyes, your voice echoed upon deaf ears, your pleas for an explanation gone unheard, left to rot alongside yourself.

You tried, you really did, but Zandik persisted, and at some point your loud requests for an explanation had been turned into a fleeting glance on your way to class, only to then become the impossibility of seeing him for weeks on end…

You want to say that you were surprised when he was expelled, but honestly you saw it coming before he did. Zandik, no matter how many times he bashed in his capacity of predicting the outcomes of any possible situation, was always a victim of his own ego, he thought himself undefeatable and it was (temporarily at least) your job to ground him to reality when necessary. 

He had strayed too far, and now his own genius could not save him from whatever grave he had dug for himself this time, not even you could stretch a lending hand to bring him from the darkest pits of his mind back to the light…

It has been years since the last time you saw Zandik, out of everyone in your sector of the Academia he was the only one you were certain of achieving greatness in the future, only for that hypothetical greatness to be cut short before he could even graduate successfully…

You tried to find him, after he was banished from Sumeru, no matter how hideous his actions, you could not forget the fact that he too was a human being, you had seen parts of Zandik the world considered utterly impossible, and you hoped that he could see that no matter how tarnished his person could become by the words of the masses, you still saw him as the boy that would ramble about Ancient Civilizations while you studied anatomy, the same boy that would take you to the areas of Sumeru streaming with wildlife and lecture you on all the different properties of the various species inhabiting your surroundings, the same boy that sent you letters nearly every two days when you had to temporarily interrupt your studies to help a sick family member…

But now it has been years, and even though you were able to somehow balance out both your professional research and that for the whereabouts of Zandik, you have found yourself with absolutely no fruitful outcome to the latter.

You quickly realized that you had completely spaced out with your various reports left untouched in front of you, recently the amount of times you temporarily lose awareness only to daydream about your old days with Zandik has become alarmingly bigger, you really should get some healthy amounts of sleep from now on…Especially after receiving a heads up from Alhaitham of a wandering Traveler that supposedly is going to pass by your office today in order to request your help.

You begin to clean up your reports, organizing every sheet according to your personal system until your eyes land upon a rogue letter that you cannot recall having in your possession.

The only tip that could lead to the identity of the sender was the initial -D stamped upon the untouched envelope. You switfly grabbed and began to open the lonely envelope in an uninterested manner, that is until it suddenly fell upon your paralyzed feet, leaving your trembling hands stuck in their prior position, as if you were still holding that now forgotten letter within your grasp.

All it took was one inked phrase.

“Greetings, my dear Icarus…”

[talonabraxas]

“Like all magical mysteries, the secrets of the Great Work have a triple meaning: they are religious, philosophical and natural. Philosophical gold in religion is the Absolute and Supreme Reason; in philosophy, it is truth; in visible nature, it is the sun: in the subterranean and mineral world, it is the purest and most perfect gold. Hence the search after the Great Work is called the Search for the Absolute, and this work itself is termed the operation of the sun.” ― Éliphas Lévi, Transcendental Magic: Its Doctrine and Ritual

Eye in the Triangle Dale Keogh

Eliphas Levi: The Triangle of Solomon

The perfect word is the triad, because it supposes an intelligent principle, a speaking principle and a principle spoken. The Absolute, revealed by speech, endows this speech with a sense equivalent to itself, and in the understanding thereof creates its third self. So also the sun manifests by its light and proves or makes his manifestation efficacious by heat.

The triad is delineated in space by the heavenly zenith, the infinite height, connected with East and West by two straight diverging lines. With this visible triangle reason compares another which is invisible, but is assumed to be equal in dimension; the abyss is its apex and its reversed base is parallel to the horizontal line stretching from East to West. These two triangles, combined in a single figure, which is the six-pointed star, form the sacred symbol of Solomon’s Seal, the resplendent Star of the Macrocosm. The notion of the Infinite and the Absolute is expressed by this sign, which is the grand pantacle – that is to say, the most simple and complete abridgement of the science of all things.

Grammar itself attributes three persons to the verb. The first is that which speaks, the second that which is spoken to, and the third the object. In creating, the Infinite Prince speaks to Himself of Himself. Such is the explanation of the triad and the origin of the dogma of Trinity. The magical dogma is also one in three and three in one. That which is above is like or equal to that which is below. Thus, two things which resemble one another and the word which signifies their resemblance make three. The triad is the universal dogma. In Magic – principle, realization, adaptation; in Alchemy – azoth, incorporation, transmutation; in theology – God, incarnation, redemption; in the human soul – thought, love and action.

There are three intelligible worlds which correspond one with another by hierarchic analogy; the natural or physical, the spiritual or metaphysical, and the divine or religious worlds. From this principle follows the hierarchy of spirits, divided into three orders, and again subdivided by the triad in each of these.

All these revelations are logical deductions from the first mathematical notions of being and number. Unity must multiply itself in order to become active. An indivisible, motionless and sterile principle would be unity dead and incomprehensible. Were God only one He would never be Creator or Father. Were He two there would be antagonism or division in the infinite, which would mean the division also or death of all possible things. He is therefore three for the creation by Himself and in His image of the infinite multitude of beings and numbers. So is He truly one in Himself and triple in our conception, which also leads us to behold Him as triple in Himself and one in our intelligence. This is a mystery for the faithful and a logical necessity for the initiate into absolute and real sciences.

The Word manifested by life is realization or incarnation. The life of the Word accomplishing its cyclic movement is adaptation, or redemption. This triple dogma was known in all sanctuaries illuminated by the tradition of the Sages.

The primeval Sages, when seeking the First of Causes, behold good and evil in the world. They considered shadow and light; they compared winter with spring, age with youth, life with death, and their conclusion was this: The First Cause is beneficent and severe; It gives and takes away life. Then are there two contrary principles, the one good and the other evil, exclaimed the disciples of Manes. No, the two principles of universal equilibrium are not contrary, although contrasted in appearance, for a singular wisdom opposes one to another. Good is on the right, evil on the left; but the supreme excellence is above both, applying evil to the victory of good and good to the amendment of evil.

The principle of harmony is in unity, and it is this which imparts such power to the uneven number in Magic. Now, the most perfect of the odd numbers is three, because it is the trilogy of unity. In the trigrams of Fohi, the superior triad is composed of three YANG, or masculine figures, because nothing passive can be admitted into the idea of God, considered as the principle of production in the three worlds. For the same reason, the Christian Trinity by no means permits the personification of the mother, who is shown forth implicitly in that of the Son. Hence, in the trigrams of Fohi, the three inferior YIN correspond to the three superior YANG, for these trigrams constitute a pantacle like that of the two triangles of Solomon, but with a triadic interpretation of the six points of the blazing star.

Dogma is only divine inasmuch as it is truly human – that is to say, in so far as it sums up the highest reason of humanity. So also the Master, Whom we term the Man-God, called Himself the Son of Man. Revelation is the expression of belief accepted and formulated by universal reason in the human word, on which account it is said that the divinity is human and the humanity divine in the Man-God. Paracelsus and Agrippa did not set up altar against altar but bowed to the ruling religion of their time: to the elect of science, the things of science; to the faithful, the things of faith.

In his hymn to the royal Sun, the Emperor Julian gives a theory of the triad which is almost identical with that of the illuminated Swedenborg. The sun of the divine world is the infinite, spiritual and uncreated light, which is verbalized, so to speak, in the philosophical world, and becomes the fountain of souls and of truth: then it incorporates and becomes visible light in the sun of the third world, the central sun of our suns, of which the fixed stars are the ever-living sparks. The Kabalists compare the spirit to a substance which remains fluid in the divine medium and under the influence of the essential light, its exterior, however, becoming solidified, like wax when exposed to air, in the colder realm of reasoning or of visible forms. These shells, envelopes petrified or carnified, were such an expression possible, and the source of errors or of evil, which connects with the heaviness and hardness of animal envelopes. In the book Zohar, and in that of the Revolution of Souls, perverse spirits or evil demons are never called otherwise than shells – cortices. The cortices of the world or spirits are transparent, while those of the material world are opaque. Bodies are only temporary shells, whence souls have to be liberated; but those who in this life obey the flesh build up an interior body or fluidic shell, which, after death, becomes their prison-house and torment, until the time arrives when they succeed in dissolving it in the warmth of the divine light, towards which, however, the burden of their grossness hinders them from ascending. Indeed, they can do so only after infinite struggles, and by the mediation of the just, who stretch forth their hands towards them. During the whole period of the process they are devoured by the interior activity of the captive spirit, as in a burning furnace. Those who attain the pyre of expiation burn themselves thereon, like Hercules upon Mount Oetna, and so are delivered from their sufferings; but the courage of the majority fails before this ordeal, which seems to them a second death more appalling than the first, and so they remain in hell, which is rightly and actually eternal; but souls are never precipitated, nor even retained despite themselves therein.

The three worlds correspond together by means of the thirty-two paths of light, which are as steps of a sacred ladder. Every true thought corresponds to a Divine Grace in heaven and a good work on earth; every Grace of God manifests a truth, and produces one or many acts; reciprocally, every act affects a truth of falsehood in the heavens, a grace or a punishment. When a man pronounces the Tetragram – say the Kabalists – the nine celestial realms sustain a shock, and then all spirits cry out one upon another: ‘Who is it thus disturbing the kingdom of heaven?’ Then does the earth communicate unto the first sphere the sins of that rash being who takes the Eternal Name in vain, and the accusing word is transmitted from circle to circle, from star to star, and from hierarchy to hierarchy.

Every utterance possesses three senses, every act has a triple range, every form a triple idea, for the Absolute corresponds from world to world by its forms. Every determination of human will modifies Nature, concerns philosophy and is written in heaven. There are consequently two fatalities, one resulting from the Uncreated Will in harmony with its proper wisdom, the other from created wills in accordance with the necessity of secondary causes in their correspondence with the First Cause. There is hence nothing indifferent in life, and our seeming most simple resolutions do often determine an incalculable series of benefits or evils, above all in the affinities of our DIAPHANE with the Great Magical Agent, as we shall explain elsewhere.

The triad, being the fundamental principle of the whole Kabalah, or Sacred Tradition of our fathers, was necessarily the fundamental dogma of Christianity, the apparent dualism of which it explains by the intervention of a harmonious and all-powerful unity. So is the Apocalypse the book of the Gnosis or Secret Doctrine of the first Christians.

‘The sacred word MALKUTH substituted for KETHER, which is its kabalistic correspondent, and the equipoise of GEBURAH and CHESED, repeating itself in the circles of heavens called eons by the Gnostics, provided the keystone of the whole Christian Temple in the occult versicle.

MALKUTH, based upon GEBURAH and CHESED, is the Temple of Solomon having JAKIN and BOAZ for its Pillars; it is Adamite dogma, founded, for the one part on the resignation of Abel and, for the other, on the labours and self reproach of Cain; it is the equilibrium of being established on necessity and liberty, stability and motion; it is the demonstration of the universal lever sought in vain by Archimedes. A scholar whose talents were employed in the culture of obscurity, who died without seeking to be understood, resolved this supreme equation, discovered by him in the Kabalah, and was in dread of its source transpiring if he expressed himself more clearly. We have seen one of his disciples and admirers most indignant, perhaps in good faith, at the suggestion that his master was a Kabalist; but we can state notwithstanding, to the glory of the same learned man, that his researches have shortened appreciably our work on the occult sciences, and that the key of the transcendent Kabalah above all, indicated in the arcane versicle cited above, has been applied skillfully to an absolute reform of all sciences in the books of Hoene Wronski.

The secret virtue of the gospels is therefore contained in three words, and these three words have established three dogmas and three hierarchies. All science reposes upon three principles, as the syllogism upon three terms. There are also three distinct classes, or three original and natural ranks, among men, who are called to advance from the lower to the higher. The Jews term these three series or degrees in the progress of spirits, ASSIAH, YETZIRAH and BRIAH. The Gnostics, who were Christian Kabalists, called them HYLE, PSYCHE and GNOSIS; by the Jews the supreme circle was named ATZILUTH, and by the Gnostics PLEROMA. In the Tetragram, the triad, taken at the beginning of the word, expresses the divine copulation; taken at the end, it expressed the female and maternity.

Tetractys. The Tetractys (also known as the Decad) is an equilateral Triangle formed from the sequence of the first ten numbers aligned in four rows. It is both a Mathematical idea and a Metaphysical Symbol that embraces within itself - in Seedlike form - the Principles of the Natural World, the Harmony of the Cosmos, the Ascent to the Divine, and the Mysteries of the Divine Realm. So revered was this Ancient Symbol that it inspired Ancient Philosophers to swear by the name of the one who brought this gift to Humanity --Pythagoras.

[its-kapi-wara]

✨️The Dragon Prince's characters in Percy Jackson Universe - P.11✨️

Claudia - Cabin 20 (Hecate)

"The goddess of magic, the Mist, crossroads, necromancy, the night and the moon. She is a Titaness of the third generation, daughter of Asteria and Perses."

Children of Hecate are some of the few demigods who actually possess true magical abilities. Some of their powers include: Mystiokinesis (the ability to cast and manipulate magic) Necromancy (the ability to summon and control the dead) and Umbrakinesis (the ability to psychically generate and manipulate darkness and shadows).

Aanya - Cabin 6 (Athena)

"The goddess of wisdom, civilization, mathematics, strategy, defensive warfare, crafts, the arts, skills, intelligence and brilliance."

Alongsid with a great intelligence and wisdom, the Children of Athena are also strong, swift and resilient. Many of them have natural skills in architecture, forging and weaving. With Athena also being the goddess of defensive warfare, her children can easily adapt to using various types of weapons – a trait they share with the Children of Ares/Mars and Bellona.

Ethari - Cabin 9 (Hephaestus)

"The god of forges, fire, technology, craftsmen, sculptors, volcanoes, and blacksmiths."

The abilities of the Children of Hephaestus, in addition to being expert builders (and mechanics), include powers of Technokinesis (the ability to either manipulate machines by physically animating them or controlling them like puppets) and Pyrokinesis – although few of them have this ability. They also can sense traps in the ground.

Amaya and Sarai - Camp Jupiter (Bellona)

"Bellona is the Roman goddess of war, destruction and devastation [...] She is an important goddess to the Romans, as she also controls the policy of foreign warfare."

In addition to having superhuman strength, agility, durability and resistance (which is natural for demigods), the Children of Bellona also have excellent reflexes and fighting skills. Along with the offspring of Athena and Ares/Mars, they can easily adapt to using any weapon they have at hand.

Corvus - Camp Jupiter (Mars)

"Mars is the Roman counterpart of Ares. As Mars, he becomes more disciplined and strategic as well as even more militaristic and warlike [...] While the Greeks envisioned Ares as a brutal and fearsome being who relished conflict, the Romans viewed Mars as a guardian, one who brought honor and strength in battle"

The abilities of these demigods are similar to those possessed by the Children of Ares, only with them having a more "peaceful" behavior than their Greek counterparts.

They known to be very well disciplined, and to behave logically and calmly. Despite of their natural strength, agility, durability and skills in combat, they are unlikely to engage in meaningless battles – choosing to fight only when necessary.

- Check out the first part!

[freddie-77-ao3]

excerpt from a fic i never got around to writing:

Children of Athena are logical, okay? Everyone knows it. They’re the smart kids, the ones with 4.0’s and 40 relevant extracurriculars on their college applications, the ones awarded scholarships for anything from fencing to discovering a planet to curing this stupidly hyper specific type of cancer, so, you know, they should be intelligent. 

And yet. 

Okay, so none of that was a lie. Malcolm could name four of their siblings right now who had done all that, and more- Irena, who was going to Harvard, and had previously rescued 20 children from a burning bus, Matthew, Yale, and on track to graduate in two majors at once in half the time it would take anyone else, Solomon, 14, and in college- teaching mathematics, and Delilah, who was on the way to her fifth major, right now, at age 17. 

They could name them. 

So it’s well known that Athena kids are smart. 

Children of Athena are smart, death is indiscriminate, and Drew Tanaka is a fucking bitch.

But none of this explains why Malcolm is currently about to freeze to death on the side of a mountain with their friend, currently a guinea pig, and the worst fucking daughter of Aphrodite ever. 

Wait, no. Scratch that. 

It all started because Drew was being a bitch again.