#Live-Action Cartoon

[nine-frames]

"Go, Speed Racer, go."

Speed Racer, 2008.

Dir. & Writ. The Wachowskis (based on the manga by Tatsuo Yoshida) | DOP David Tattersall

[bixels]

I watched the original Muppets movies recently.

[tentacle-therapissed]

I’m so glad the Guillermo Del Toro Pinocchio movie is being received really well, because it was literally my most anticipated movie of the year! So here’s some fun facts about the crew, concept, and production that got me excited about this movie and that I think would excite much of tumblr as well:

-the screenplay was cowritten by Del Toro and Patrick McHale, creator of Over The Garden Wall and a writer on Adventure Time.

-the movie was codirected by Mark Gustasfon, who was the animation director of Wes Anderson’s Fantastic Mr. Fox (2009)

-the primary art/animation designers of this movie (production designer Curt Enderle, art director Robert DeSue, character designer Georgina Hayns, animation supervisor Brian Leif Hansen, and photography director Frank Passingham) previously worked on projects that include Coraline, the Corpse Bride, Paranorman, Isle of Dogs, Frankenweenie, Kubo, and Chicken Run.

-Besides Netflix, it was produced by the Henson company (always a good sign when you’re doing anything with puppets) and ShadowMachine, who have produced a lot of Adult Swim shows including Robot Chicken, Moral Orel, and Tuca and Bertie, as well as the Netflix original BoJack Horseman.

-Del Toro was inspired to make this adaptation due to the similarities he’d always noticed between the original Pinocchio story and Mary Shelley’s Frankenstein. Both are about a man-made character’s relationship with his father/creator, and his attempts to understand what it means to be human. This inspiration is why the film takes on a gothic feel at times.

-the movie is over 10 years in the making. Del Toro announced the project in 2008 and production began in 2012, but it went into development hell and no further updates were made for several years. Del Toro has described it as his passion project, saying "I've wanted to make this movie for as long as I can remember.”

-the backdrop of Mussolini’s Italy was intended to show how Pinnochio was able to find his own humanity and will in a time where everyone else was acting like a blindly obedient puppet. Del Toro wanted to deviate from the original book’s themes of obeying authority by making his Pinocchio virtuous for questioning the rules and forging his own set of morals. (Also if you know anything about Del Toro, the guy likes to dunk on fascism.)

-Del Toro didn’t feel the need to have Pinocchio become flesh-and-blood at the end of the movie, saying all you need to be a real human is to behave like one.

I was lucky enough to see this movie in 35 mm in a movie theatre on Thanksgiving weekend. If there are any movie theatre showings near you and you’re in a position to be able to attend them, I would totally recommend it especially if you can go with loved ones. It was a gorgeous, heartwarming, and magical movie to experience on a big screen and perfect for the late fall/winter holiday season.

[t00thpasteface]

the every-season squad!!

[prideprejudce]

one thing I will say is that I like the costumes and how they are sourced faithfully off the cartoons costumes

i mean let’s just remember where we started

to how its going now

[hjbender]

“Good news! That cartoon show you loved as a kid is set to become the latest live-action movie!”

Kitten, I’ll be honest, Daddy’s about to start killing people.

[scammydoesstuff]

I'll say it as many times as you want, BJ! 💚

Finally done! Drawing with an iPad is such a different, weird experience for me, but I like how this turned out. Actually got the idea for it while trying to sketch a bit in the theater before seeing Beetlejuice Beetlejuice the second time. Glad to finally have it finished.

[doomed2repeat]

Colin’s curl in this scene. PLEASE Shonda, Jess, Bridgerton hair team. Contact that curl’s agent and lock it down for S4, the Colin girlies NEED this.

[spookberry]

I love this dynamic for them So Much!!

but also they should smooch

[zukaiaz-x]

For the longest time I didn't know who Danny phantom was.

In my head he was just Danny devito but edited all ghostly

This is what I imagined

[hailsatanacab]

fuck it I'm interested

[only-lonely-www]

So basically ATLA brain rot has hit me like a truck

[david-talks-sw]

I think it's interesting that - in order to make his "free-thinking Jedi" characters hold any semblance of rationality in their arguments - Dave Filoni needs to resort to artificially dehumanizing the other Jedi and painting them all with the same "we dogmatically worship protocol" brush.

He does this with Huyang in the recent Ahsoka episode.

"Lolz he's so narrow-minded, preachy and by-the-book, unable to think outside the box, just like the Jedi in the Prequels."

My first reaction was being amused at the fact that Filoni had to resort to making the Jedi Order's ideals and rules be embodied by a literal machine for his anti-Jedi headcanon to start making sense.

But then I remembered: Huyang isn't just any droid.

In The Clone Wars, he had a sassy personality, he had a pep in his step, he had a sense of humor...

This character was human in his behavior, he was fun and whimsical.

But now he's been reduced to, I dunno, "Jedi C-3PO"? Basically?

"Ha! He's blunt and unsympathetic because he's a droid, but it's funny because the Jedi were the same, they were training themselves to be tactless, emotionless droids."

And Filoni does this with Mace Windu too, in Tales of the Jedi.

Mace, who brought a lightsaber to the throat of a planetary leader to defend the endangered Zillo Beast...

... and who went waaay past his mandate by mischievously sneaking around Bardottan authorities and breaking into the Queen's quarters because he felt something bad was afoot...

... was reduced to being an almost droid-like, rule-parotting, protocol purist who sticks to his instructions (and is implied to be willing to let a murder go unsolved so he can get a promotion).

I mentioned this at the end of my first post on Luke in The Last Jedi... while changes in personality do happen overtime and can be explained in-universe... if you don't show us that progression and evolution and just leave us without that context, that'll break the suspension of disbelief, for your audience.

Here, we have two characters with a different (almost caricatural) personality than the one they were originally shown to have.

Now... we could resort to headcanons, to make it all fit together.

We could justify Huyang's tone shift 'cause "Order 66 changed him". And we could make explanations about TotJ's Mace:

Being younger and thus more ambitious and a stickler for the rules, and only really becoming more flexible after getting his seat on the Council and gaining more maturity.

Being such a teacher's pet in the episode because we're seeing him through the eyes of a notorious unreliable narrator, Dooku.

There'd be nothing wrong with opting to go with either of those headcanons to cope with this. After all, Star Wars is meant to help you get creative.

But the problem I encounter is that:

Filoni has an anti-Jedi bias, so the above headcanons clearly wouldn't really track with his intended narrative.

We'd be jumping through hoops to extrapolate and fill in what is, essentially, inconsistent characterization, manufactured to make Ahsoka and Dooku shine under a better light.

And that sours whatever headcanon I come up with.

Edit: Also, yeah, as folks have been saying in the tags... wtf is "Jedi protocol"? The term isn't ever mentioned in the movies, I skimmed through dialog transcripts of TCW, never saw it there.

So it's almost as if - if Filoni wasn't draining characters like Mace and Huyang of all humanity and nuance - his point about "the Jedi were too detached and lost their way, but not free-thinkers like Qui-Gon, Dooku and Ahsoka" wouldn't really hold much water.

[vidduality]

It's disturbing how much rage bait ONE line said by a young teenage girl in an EW cover story with so much other content can generate. Dozens and dozens and dozens of click bait articles, rage video analyses, and SO many angry meta posts with people practically ready to tear Katara's actress apart with their bare hands. All for having the audacity to say that she found some of Sokka's more brazenly sexist lines "iffy" in the OG cartoon. She implied it wouldn't translate as well in a live action and that they had toned it down, and you'd think she announced the Avatar is going to be a warmonger the way the internet's turned on her.

This week's fandom discourse has been about as low key and rational as S1 Zuko being offered some calming Jasmine tea...

[squuote]

What happens if I connect Narrators hair cable to a TV B)?

just broadcasts his thoughts in video format :-)

[disneytva]

“The Disney Afternoon: The Making of a Television Renaissance” Gets Delayed Till 2025 As Part Of The Disney Afternoon 35th Anniversary

Sad news Disney Afternoon fans, “The Disney Afternoon: The Making of a Television Renaissance” got delayed once again this time slated for a Fall 2025 release date according to Jake S. Friedman.

Likely the reason for this delay is to coincide with The Disney Afternoon 35th anniversary on 2025 and Disney TVA's 100th show ("StuGo" & "Robogobo") already airing on that time.

The Disney Afternoon: The Making of a Television Renaissance” will include sections dedicated to DuckTales (2017) and Chip 'n Dale: Rescue Rangers (2022) as well a small section named “THE NEWEST WAVE: Or Rewrite History" likely dedicated to Disney TVA's current & future slate as part of the studio's 40th anniversary and it's 100th show ("StuGo")