#michael keaton douglas

[scammydoesstuff]

I'll say it as many times as you want, BJ! 💚

Finally done! Drawing with an iPad is such a different, weird experience for me, but I like how this turned out. Actually got the idea for it while trying to sketch a bit in the theater before seeing Beetlejuice Beetlejuice the second time. Glad to finally have it finished.

[rtfics]

Michael Keaton Is Ditching His Stage Name for His Real Name.

Just don’t say his name three times.

Michael Keaton is ready to return to his roots, more specifically, his birth name.The Beetlejuice Beetlejuice star shared that after five decades in show business playing several iconic characters like Batman and Beetlejuice, he wants to use his original moniker—Michael Douglas—again.

Due to the Screen Actor’s Guild’s rules that no two members can have the same name, Keaton was forced to come up with a solution due to both Wall Street actor Michael Douglas and talk show host Mike Douglas.

“I was looking through—I can’t remember if it was a phone book,” the 72-year-old recalled to People in an interview published Sept. 4. “I must’ve gone, ‘I don’t know, let me think of something here.’ And I went, ‘Oh, that sounds reasonable.’”

Moving forward, Keaton plans to be credited professionally as Michael Keaton Douglas, a combination of his stage name and his real name.

The Oscar-nominated actor said he planned to use the new name on his 2023 film Knox Goes Away, which he directed and starred in, but noted that he simply “forgot” amid the chaos of making the film.

“I said, ‘Hey, just as a warning, my credit is going to be Michael Keaton Douglas.’ And it totally got away from me,” he shared. “And I forgot to give them enough time to put it in and create that. But that will happen.”

Keaton isn’t the first Hollywood A-lister to decide to revert back to their birth name in a professional setting. Emma Stone, who coincidentally starred alongside Keaton in 2014’s Birdman, previously announced her intentions of returning to her first name of Emily.

Via E! Online.

[laderniereseancedecedrique]

BEETLEJUICE (1988)

Un couple de jeunes mariés heureux, Adam et Barbara Maitland, vivent dans une superbe villa à Winter River dans le Connecticut. Alors qu'ils sont en voiture, Barbara sort de la route en voulant éviter un chien et le véhicule plonge dans une rivière. Adam et Barbara rentrent chez eux mais s'aperçoivent vite qu'ils sont morts dans l'accident. Devenus des fantômes, ils ne peuvent quitter leur maison car ils se retrouvent alors dans une dimension désertique effrayante peuplée de gigantesques vers de sables. Mais leur maison est vendue peu après à un couple de riches snobs new-yorkais, Charles et Delia Deetz, qui emménagent avec Lydia, une adolescente gothique, fille de Charles et de sa première épouse. Les Deetz et leur décorateur, Otho, commencent à aménager la maison dans un style art moderne qui horrifie les Maitland. Adam et Barbara, grâce à un manuel destiné aux récents défunts, découvrent comment accéder à l'après-vie, un monde s'apparentant à une immense bureaucratie où les morts doivent gérer leur propre situation post-mortem. Juno, leur conseillère dans l'après-vie, les informe qu'ils doivent hanter leur maison pendant 125 ans et se débrouiller par eux-mêmes pour chasser ses occupants.

Les Maitland essaient donc d'effrayer les Deetz mais leurs tentatives sont infructueuses car ils sont invisibles pour les vivants. Seule Lydia peut les voir et elle se lie d'amitié avec eux. Les Maitland décident, malgré les mises en garde de Juno, d'invoquer Beetlejuice, un « bio-exorciste » excentrique et peu digne de confiance, pour qu'il fasse fuir les Deetz. Le comportement pervers et grossier de Beetlejuice agace vite les Maitland, qui décident de le renvoyer mais pas avant que Beetlejuice ait réussi à causer plusieurs phénomènes surnaturels. Ces expériences persuadent les Deetz que la maison est hantée mais, loin de les effrayer, cela les convainc d'en faire une attraction touristique.

Otho conduit une séance de spiritisme pour prouver au patron de Charles que la maison est vraiment hantée. Les Maitland apparaissent mais commencent à se décomposer car Otho procède involontairement à un exorcisme. Lydia demande l'aide de Beetlejuice et celui-ci accepte à condition qu'elle l'épouse, ce qui lui permettra d'agir sur le monde matériel sans avoir besoin d'être invoqué. Beetlejuice interrompt l'exorcisme et prépare hâtivement une cérémonie de mariage mais les Maitland réussissent à l'interrompre et Beetlejuice est dévoré par un ver des sables. Les Maitland et les Deetz se mettent finalement d'accord pour vivre en harmonie dans la maison, alors que Beetlejuice se retrouve dans la salle d'attente de l'après-vie.

[haveyouseenthisromcom]

[gravedust412]

Michael John Douglas

[howardduck1490]

Cable Guy vs. Beetlejuice

[hotvintagepoll]

Congrats to the ultimate winner of the Hot & Vintage Movie Men Tournament, Mr. Toshiro Mifune! May he live happily and well where the sun always shines, enjoying the glories of a battle hard fought.

A loving farewell to all of our previous contestants, who are now banished to the shadow realm and all its dark joys and whispered horrors—I hear there's a picnic on the village green today. If you want to remember the fallen heroes, you can find them all beneath the cut.

What happens next? I'll be taking a break of two weeks to rest from this and prep for the Hot & Vintage Ladies Tournament. I'll still be around but only minimally, posting a few last odes to the hot men before transitioning into a little early ladies content, just like I did with this last tournament. The submission form for the Hot & Vintage Ladies tournament will remain up for one more week (closing February 21st), so get your submissions in for that asap! Once the form closes, there will be one more week of break. The first round of the Hot & Vintage Ladies Tournament will be posted on February 29th, as Leap Year Day seems like a fitting allusion to leaping into these ladies' arms.

Thanks for being here! Enjoy the two weeks off, and send me some great propaganda.

In order of the last round they survived—

ROUND ONE HOTTIES:

Richard Burton

Tony Curtis

Red Skelton

Keir Dullea

Jack Lemmon

Kirk Douglas

Marcello Mastroianni

Jean-Pierre Cassel

Robert Wagner

James Garner

James Coburn

Rex Harrison

George Chakiris

Dean Martin

Sean Connery

Tab Hunter

Howard Keel

James Mason

Steve McQueen

George Peppard

Elvis Presley

Rudolph Valentino

Joseph Schildkraut

Ray Milland

Claude Rains

John Wayne

William Holden

Douglas Fairbanks Sr.

Harold Lloyd

Charlie Chaplin

John Gilbert

Ramon Novarro

Slim Thompson

John Barrymore

Edward G. Robinson

William Powell

Leslie Howard

Peter Lawford

Mel Ferrer

Joseph Cotten

Keye Luke

Ivan Mosjoukine

Spencer Tracy

Felix Bressart

Ronald Reagan (here to be dunked on)

Peter Lorre

Bob Hope

Paul Muni

Cornel Wilde

John Garfield

Cantinflas

Henry Fonda

Robert Mitchum

Van Johnson

José Ferrer

Robert Preston

Jack Benny

Fredric March

Gene Autry

Alec Guinness

Fayard Nicholas

Ray Bolger

Orson Welles

Mickey Rooney

Glenn Ford

James Cagney

ROUND TWO SWOONERS:

Dick Van Dyke

James Edwards

Sammy Davis Jr.

Alain Delon

Peter O'Toole

Robert Redford

Charlton Heston

Cesar Romero

Noble Johnson

Lex Barker

David Niven

Robert Earl Jones

Turhan Bey

Bela Lugosi

Donald O'Connor

Carman Newsome

Oscar Micheaux

Benson Fong

Clint Eastwood

Sabu Dastagir

Rex Ingram

Burt Lancaster

Paul Newman

Montgomery Clift

Fred Astaire

Boris Karloff

Gilbert Roland

Peter Cushing

Frank Sinatra

Harold Nicholas

Guy Madison

Danny Kaye

John Carradine

Ricardo Montalbán

Bing Crosby

ROUND THREE SMOKESHOWS:

Marlon Brando

Anthony Perkins

Michael Redgrave

Gary Cooper

Conrad Veidt

Ronald Colman

Rock Hudson

Basil Rathbone

Laurence Olivier

Christopher Plummer

Johnny Weismuller

Clark Gable

Fernando Lamas

Errol Flynn

Tyrone Power

Humphrey Bogart

ROUND 4 STUNGUNS:

James Dean

Cary Grant

Gregory Peck

Sessue Hayakawa

Harry Belafonte

James Stewart

Gene Kelly

Peter Falk

QUARTERFINALIST VOLCANIC TOWERS OF LUST:

Jeremy Brett

Vincent Price

James Shigeta

Buster Keaton

SEMIFINALIST SUPERMEN:

Omar Sharif

Paul Robeson

FINALIST FANTASIES:

Sidney Poitier

Toshiro Mifune

and ok, sure, here's the shadow-bracket-style winner's portrait of Toshiro Mifune.

[mostlysignssomeportents]

It all started with a mouse

For the public domain, time stopped in 1998, when the Sonny Bono Copyright Act froze copyright expirations for 20 years. In 2019, time started again, with a massive crop of works from 1923 returning to the public domain, free for all to use and adapt:

https://web.law.duke.edu/cspd/publicdomainday/2019/

No one is better at conveying the power of the public domain than Jennifer Jenkins and James Boyle, who run the Duke Center for the Study of the Public Domain. For years leading up to 2019, the pair published an annual roundup of what we would have gotten from the public domain in a universe where the 1998 Act never passed. Since 2019, they've switched to celebrating what we're actually getting each year. Last year's was a banger:

https://pluralistic.net/2022/12/20/free-for-2023/#oy-canada

But while there's been moderate excitement at the publicdomainification of "Yes, We Have No Bananas," AA Milne's "Now We Are Six," and Sherlock Holmes, the main event that everyone's anticipated arrives on January 1, 2024, when Mickey Mouse enters the public domain.

The first appearance of Mickey Mouse was in 1928's Steamboat Willie. Disney was critical to the lobbying efforts that extended copyright in 1976 and again in 1998, so much so that the 1998 Act is sometimes called the Mickey Mouse Protection Act. Disney and its allies were so effective at securing these regulatory gifts that many people doubted that this day would ever come. Surely Disney would secure another retrospective copyright term extension before Jan 1, 2024. I had long arguments with comrades about this – people like Project Gutenberg founder Michael S Hart (RIP) were fatalistically certain the public domain would never come back.

But they were wrong. The public outrage over copyright term extensions came too late to stave off the slow-motion arson of the 1976 and 1998 Acts, but it was sufficient to keep a third extension away from the USA. Canada wasn't so lucky: Justin Trudeau let Trump bully him into taking 20 years' worth of works out of Canada's public domain in the revised NAFTA agreement, making swathes of works by living Canadian authors illegal at the stroke of a pen, in a gift to the distant descendants of long-dead foreign authors.

Now, with Mickey's liberation bare days away, there's a mounting sense of excitement and unease. Will Mickey actually be free? The answer is a resounding YES! (albeit with a few caveats). In a prelude to this year's public domain roundup, Jennifer Jenkins has published a full and delightful guide to The Mouse and IP from Jan 1 on:

https://web.law.duke.edu/cspd/mickey/

Disney loves the public domain. Its best-loved works, from The Sorcerer's Apprentice to Sleeping Beauty, Pinnocchio to The Little Mermaid, are gorgeous, thoughtful, and lively reworkings of material from the public domain. Disney loves the public domain – we just wish it would share.

Disney loves copyright's other flexibilities, too, like fair use. Walt told the papers that he took his inspiration for Steamboat Willie from Charlie Chaplin and Douglas Fairbanks, making fair use of their performances to imbue Mickey with his mischief and derring do. Disney loves fair use – we just wish it would share.

Disney loves copyright's limitations. Steamboat Willie was inspired by Buster Keaton's silent film Steamboat Bill (titles aren't copyrightable). Disney loves copyright's limitations – we just wish it would share.

As Jenkins writes, Disney's relationship to copyright is wildly contradictory. It's the poster child for the public domain's power as a source of inspiration for worthy (and profitable) new works. It's also the chief villain in the impoverishment and near-extinction of the public domain. Truly, every pirate wants to be an admiral.

Disney's reliance on – and sabotage of – the public domain is ironic. Jenkins compares it to "an oil company relying on solar power to run its rigs." Come January 1, Disney will have to share.

Now, if you've heard anything about this, you've probably been told that Mickey isn't really entering the public domain. Between trademark claims and later copyrightable elements of Mickey's design, Mickey's status will be too complex to understand. That's totally wrong.

Jenkins illustrates the relationship between these three elements in (what else) a Mickey-shaped Venn diagram. Topline: you can use all the elements of Mickey that are present in Steamboat Willie, along with some elements that were added later, provided that you make it clear that your work isn't affiliated with Disney.

Let's unpack that. The copyrightable status of a character used to be vague and complex, but several high-profile cases have brought clarity to the question. The big one is Les Klinger's case against the Arthur Conan Doyle estate over Sherlock Holmes. That case established that when a character appears in both public domain and copyrighted works, the character is in the public domain, and you are "free to copy story elements from the public domain works":

https://freesherlock.files.wordpress.com/2013/12/klinger-order-on-motion-for-summary-judgment-c.pdf

This case was appealed all the way to the Supreme Court, who declined to hear it. It's settled law.

So, which parts of Mickey aren't going into the public domain? Elements that came later: white gloves, color. But that doesn't mean you can't add different gloves, or different colorways. The idea of a eyes with pupils is not copyrightable – only the specific eyes that Disney added.

Other later elements that don't qualify for copyright: a squeaky mouse voice, being adorable, doing jaunty dances, etc. These are all generic characteristics of cartoon mice, and they're free for you to use. Jenkins is more cautious on whether you can give your Mickey red shorts. She judges that "a single, bright, primary color for an article of clothing does not meet the copyrightability threshold" but without settled law, you might wanna change the colors.

But what about trademark? For years, Disney has included a clip from Steamboat Willie at the start of each of its films. Many observers characterized this as a bid to create a de facto perpetual copyright, by making Steamboat Willie inescapably associated with products from Disney, weaving an impassable web of trademark tripwires around it.

But trademark doesn't prevent you from using Steamboat Willie. It only prevents you from misleading consumers "into thinking your work is produced or sponsored by Disney." Trademarks don't expire so long as they're in use, but uses that don't create confusion are fair game under trademark.

Copyrights and trademarks can overlap. Mickey Mouse is a copyrighted character, but he's also an indicator that a product or service is associated with Disney. While Mickey's copyright expires in a couple weeks, his trademark doesn't. What happens to an out-of-copyright work that is still a trademark?

Luckily for us, this is also a thoroughly settled case. As in, this question was resolved in a unanimous 2000 Supreme Court ruling, Dastar v. Twentieth Century Fox. A live trademark does not extend an expired copyright. As the Supremes said:

[This would] create a species of mutant copyright law that limits the public’s federal right to copy and to use expired copyrights.

This elaborates on the Ninth Circuit's 1996 Maljack Prods v Goodtimes Home Video Corp:

[Trademark][ cannot be used to circumvent copyright law. If material covered by copyright law has passed into the public domain, it cannot then be protected by the Lanham Act without rendering the Copyright Act a nullity.

Despite what you might have heard, there is no ambiguity here. Copyrights can't be extended through trademark. Period. Unanimous Supreme Court Decision. Boom. End of story. Done.

But even so, there are trademark considerations in how you use Steamboat Willie after Jan 1, but these considerations are about protecting the public, not Disney shareholders. Your uses can't be misleading. People who buy or view your Steamboat Willie media or products have to be totally clear that your work comes from you, not Disney.

Avoiding confusion will be very hard for some uses, like plush toys, or short idents at the beginning of feature films. For most uses, though, a prominent disclaimer will suffice. The copyright page for my 2003 debut novel Down and Out in the Magic Kingdom contains this disclaimer:

This novel is a work of fiction, set in an imagined future. All the characters and events portrayed in this book, including the imagined future of the Magic Kingdom, are either fictitious or are used fictitiously. The Walt Disney Company has not authorized or endorsed this novel.

https://us.macmillan.com/books/9781250196385/downandoutinthemagickingdom

Here's the Ninth Circuit again:

When a public domain work is copied, along with its title, there is little likelihood of confusion when even the most minimal steps are taken to distinguish the publisher of the original from that of the copy. The public is receiving just what it believes it is receiving—the work with which the title has become associated. The public is not only unharmed, it is unconfused.

Trademark has many exceptions. The First Amendment protects your right to use trademarks in expressive ways, for example, to recreate famous paintings with Barbie dolls:

https://www.copyright.gov/fair-use/summaries/mattel-walkingmountain-9thcir2003.pdf

And then there's "nominative use": it's not a trademark violation to use a trademark to accurately describe a trademarked thing. "We fix iPhones" is not a trademark violation. Neither is 'Works with HP printers.' This goes double for "expressive" uses of trademarks in new works of art:

https://en.wikipedia.org/wiki/Rogers_v._Grimaldi

What about "dilution"? Trademark protects a small number of superbrands from uses that "impair the distinctiveness or harm the reputation of the famous mark, even when there is no consumer confusion." Jenkins says that the Mickey silhouette and the current Mickey character designs might be entitled to protection from dilution, but Steamboat Willie doesn't make the cut.

Jenkins closes with a celebration of the public domain's ability to inspire new works, like Disney's Three Musketeers, Disney's Christmas Carol, Disney's Beauty and the Beast, Disney's Around the World in 80 Days, Disney's Alice in Wonderland, Disney's Snow White, Disney's Hunchback of Notre Dame, Disney's Sleeping Beauty, Disney's Cinderella, Disney's Little Mermaid, Disney's Pinocchio, Disney's Huck Finn, Disney's Robin Hood, and Disney's Aladdin. These are some of the best-loved films of the past century, and made Disney a leading example of what talented, creative people can do with the public domain.

As of January 1, Disney will start to be an example of what talented, creative people give back to the public domain, joining Dickens, Dumas, Carroll, Verne, de Villeneuve, the Brothers Grimm, Twain, Hugo, Perrault and Collodi.

Public domain day is 17 days away. Creators of all kinds: start your engines!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/12/15/mouse-liberation-front/#free-mickey

Image: Doo Lee (modified) https://web.law.duke.edu/sites/default/files/images/centers/cspd/pdd2024/mickey/Steamboat-WIllie-Enters-Public-Domain.jpeg

CC BY 4.0 https://creativecommons.org/licenses/by/4.0/deed.en

[markwatnae]

Masterpost of Hot Old Man Round 1 Polls

Paul Newman v Richard Burton

Omar Sharif v Tony Curtis

Red Skelton v Burt Lancaster

Christopher Plummer v Keir Dullea

Anthony Perkins vJack Lemmon

Kirk Douglas v Alain Delon

James Dean v Marcello Mastroianni

Harry Belafonte v Jean-Pierre Cassel

Marlon Brando v Robert Wagner

Sammy Davis Jr. v James Garner

James Coburn v Rock Hudson

Peter Cushing v Rex Harrison

George Chakiris v Sidney Poitier

Dean Martin v Sean Connery v Jeremy Brett

Tab Hunter v Toshiro Mifune

Howard Keel v Peter O'Toole

Robert Redford v James Mason

Steve McQueen v Charlton Heston

Dick Van Dyke v George Peppard

Elvis Presley v Peter Falk

Oscar Micheaux v Rudolph Valentino

Joseph Schildkraut v Buster Keaton

Jimmy Stewart v Ray Milland

Cary Grant v Claude Rains

John Wayne v Errol Flynn

Clint Eastwood v William Holden

Douglas Fairbanks Sr. v Sessue Hayakawa

Carman Newsome v Harold Lloyd

Noble Johnson v Charlie Chaplin

John Gilbert v Conrad Veidt

Ramon Novarro v Robert Earl Jones

Slim Thompson v Gary Cooper

John Barrymore v Paul Robeson

Edward G. Robinson v Clark Gable

Humphrey Bogart v William Powell

Leslie Howard v Ronald Colman

Peter Lawford v Vincent Price

Harold Nicholas v Mel Ferrer

Joseph Cotten v Danny Kaye

John Carradine v Keye Luke

Ivan Mosjoukine v Gilbert Roland

Benson Fong v Spencer Tracy

Guy Madison v Felix Bressart

James Shigeta v Ronald Reagan

Montgomery Clift v Ricardo Montalbon

Peter Lorre v Frank Sinatra

Bob Hope v Gregory Peck

Fred Astaire v Paul Muni

Bela Lugosi v Cornel Wilde

Cesar Romero v John Garfield

Basil Rathbone v Cantinflas

Henry Fonda v Turhan Bey

Boris Karloff v Robert Mitchum

David Niven v Van Johnson

Gene Kelly v José Ferrer

Robert Preston v Tyrone Power

Jack Benny v Donald O'Connor

Fredric March v Lex Barker

Michael Redgrave v Gene Autry

James Edwards v Alec Guinness

Fayard Nicholas v Fernando Lamas

Ray Bolger v Johnny Weismuller

Orson Welles v Sabu Dastigir

Mickey Rooney v Laurence Olivier

Rex Ingram v Glenn Ford

Bing Crosby v James Cagney

@hotvintagepoll

[dtmsrpfcringe]

“He changed his name legally due to actors guild regulations in the US from SAG-AFTRA, which was gonna make him change his stage name again due to regulations but couldn’t force him to change his name if it was his legal name!” This has been proven false. The only research you’ve made is looking at David interviews. Not everything he says is automatically true. SAG prefers actors not to have the same stage name but they don’t have to legally change it. Emma Stone is legally still Emily Stone. Michael Keaton also uses a stage name and has never legally changed his name to Michael Keaton (his real name is Michael John Douglas). There many many more examples of this. Fortunately for GT, David is not famous enough in the US for tabloid magazines to fact check him for such a minor lie. Casual fans don’t really care or remember about Georgia’s erratic behavior during the early days of that relationship. Those who care can do simple research online to find the truth.

Hope this helps! xx

LMFAO PLEASE STOP MAKING ME LAUGH

Seriously I’m trying to have an upsetting day here stop making me laugh with your blatant ignorance. One, uh you just named two American actors which don’t apply to David’s situation at all considering…I don’t know if you know this…but he is actually from the United Kingdom. Rules are different for expats who have to work under their legal name if stage name is taken under certain unions. The person already running as David tennant takes the higher precedence there. Also rules for sag only apply to living actors so if there’s a dead Emma stone somewhere then living Emma stone can still go as the stage name Emma stone. It’s not a, you have to use your legal name as your stage name thing, it’s a union thing. Please educate yourself.

I find it funny that you guys just ignore what he says if it doesn’t fit your narrative. (Also Ty’s name was changed because David adopted him and georgias was changed for OBVIOUS REASONS)

[punkshort]

You forgot Tammy!!!!!! ;)

My casting:

Zoe - Ana de Armas

Reader - Dakota Johnson

Glenn -  Michael Douglas

Mary - Diane Keaton

Rose - Dakota Fanning

Trevor - Glen Powell

Brooks - Garrett Hedlund (Ben Miller ❤️)

Tammy - Kristen Wiig

Ah i forgot to mention Tammy because I answered it a while back here

I love these picks! Ana de Armas as Zoe - love that!

And it was a toss up for me between Sally Field and Diane Keaton, I kept going back and forth. Great picks!

[popentertainment-moviereviews]

BEETLEJUICE BEETLEJUICE (2024)

Starring Michael Keaton, Winona Ryder, Catherine O'Hara, Justin Theroux, Monica Bellucci, Jenna Ortega, Willem Dafoe, Danny DeVito, Burn Gorman, Arthur Conti, Filipe Cates, Nick Kellington, Santiago Cabrera, Sami Slimane, Amy Nuttall, Mark Heenehan, Liv Spencer, Skylar Park, Matt Lyons, Jane Leaney, David Ayres and the voice of Charlie Hopkinson.

Screenplay by Alfred Gough & Miles Millar.

Directed by Tim Burton.

Distributed by Warner Bros. Pictures. 105 minutes. Rated PG-13.

Earlier this week, I was excited to see the ghost with the most is back in action. Hundreds packed the Philadelphia press screening of the long-awaited sequel to the 1988 cult classic Beetlejuice – and while it has finally arrived, it’s great to see it has not lost its spark.

Admittedly, going in I feared that a modern remake couldn’t hope to compliment the original, but I can say that it really did deliver. The style and effects were still true to Tim Burton’s classic style, just more polished and cleaner, considering the newer technology. For example, I was impressed that the oddity of the Netherworld had not been compromised by slicker effects. Instead it was heightened and was a true homage to the original. 

Much of the original cast returned to the fictional town of Winter River, CT for this second installment including Winona Ryder, Micheal Keaton, and Catherine O’Hara all reprising their original roles. Joining the cast were talents such as Jenna Ortega, Willem Dafoe, Monica Bellucci, Justin Theroux, Danny DeVito, and many others.

The plot was set for a wholesome story about reconnecting the now grown Lydia Deetz (Winona Ryder) with her teenage daughter Astrid (Jenna Ortega). Of course, their emotional healing process is constantly interrupted by questionable men, and the killer ex-wife of none other than Beetlejuice himself. I was able to thoroughly appreciate the writers’ ability to follow different subplots, while remaining coherent with the main story.

Of course, no movie is without its flaws, and while the movie was still able to make sense with many subplots, I felt there may have been a few too many. It was my feeling that giving Astrid one focus subplot, specifically about her father and trying to reunite with him, would have given a cleaner development for her without some oddly placed tension due to a love interest. Regardless, Arthur Conti did a good job in his role as Jeremy, and his plot twist was very well executed. 

A consistently incredible aspect of this movie was its humor. The performances of Michael Keaton (Douglas), and Catherine O’Hara were especially incredible throughout. Overall, the cast played off each other beautifully and delivered a delightfully hilarious performance together.

I highly recommend seeing Beetlejuice Beetlejuice when it comes to a screen near you this Friday. Not just for its all-star cast and how well it complements the original, but the soundtrack is also amazing. It includes “Day-O (The Banana Boat Song)” from the original movie, and also 70s classics like Donna Summer’s “MacArthur Park,” Jimmy Buffett’s “Margaritaville,” and The Bee Gees’ “Tragedy.”

Jordan Wagner

Copyright ©2024 PopEntertainment.com. All rights reserved. Posted: September 6, 2024.

[heavenboy09]

Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊 To The Original OG Legendary Actor Of Multi Talented Acting And Rose To Prominent Fame With 1 Single Role

Give It Up For.

The One & Only

The OG Batman 🦇 & Beetlejuice Himself

Mr. Michael John Douglas Keaton

Happy Birthday 🎂 Batman 🦇 & Beetlejuice

#MichaelKeaton #Batman #BeetleJuice

[forgiveness-in-the-misery]

Like….I know they said they didn’t tone Beetlejuice down and that he’s irredeemable as a character and fuck the musical but like…..he genuinely is different in the sequel compared to the first movie

Like completely different

I do agree with Michael Keaton Douglas saying that Beetlejuice will fuck you up. He exist to do horrific shit because he can because he’s powerful.

But….he was never the antagonist in this movie. Not saying he was a hero he fucking killed a lot of people and his motivations were self serving, everything he did is because he is in love with Lydia and he does things solely because of her. Lydia loves her family? Okay hard limit won’t maim or murder them.

But again he never does anything bad like he is a constant threat. He constantly showcases he’s a powerful demon throughout the movie but again he saves Astrid, helps Lydia see that Rory is a shitty abusive creep that can do better.

Like he isn’t the same as the first movie

Not a negative

I am thriving in people thirsting over the demon

[wern]

THEE most random actors will be married to each other. ian somerhalder and nikki reed. emily blunt and john krasinski. courtney cox and michael keaton. michael douglas and catherine zeta-jones. sacha baron cohen and isla fisher. hello

[indiejones]

THE 100 GREATEST SCREEN-PAIRS IN HISTORY OF WORLD CINEMA (@INDIES)!

.RAJESH KHANNA - MUMTAZ

.WALTER PIDGEON – GREER GARSON

.HUMPHREY BOGART – INGRID BERGMAN

.RICHARD BURTON – ELIZABETH TAYLOR

.ETHAN HAWKE – JULIE DELPY

.CHARLES CHAPLIN – EDNA PURVIANCE

.HUGH GRANT – JULIA ROBERTS

.KEANU REEVES – CARRIE-ANN MOSS

.RICHARD GERE - JULIA ROBERTS

.REX HARRISON – AUDREY HEPBURN

.CHARLES FARRELL – JANET GAYNOR

.CLARK GABLE – VIVIEN LEIGH

.UTTAM KUMAR – SUCHITRA SEN

.ROBERT REDFORD – BARBRA STREISAND

.DEV ANAND – WAHEEDA REHMAN

.CARY GRANT – INGRID BERGMAN

.KEANU REEVES – SANDRA BULLOCK

.GARY COOPER – INGRID BERGMAN

.JOSEPH FIENNES – GWYNETH PALTROW

.CHARLES BOYER – INGRID BERGMAN

.CARY GRANT – KATHERINE HEPBURN

.GURU DUTT – WAHEEDA REHMAN

.RAJESH KHANNA - TANUJA

.DILIP KUMAR - MADHUBALA

.TOM HANKS – MEG RYAN

.RAJESH KHANNA – SHARMILA TAGORE

.HUGH GRANT – RENEE ZELLWEGER

.SPENCOR TRACY – KATHERINE HEPBURN

.AMITABH BACHCHAN – PARVEEN BABI

.MICHEL PICCOLI – ROMY SCHNEIDER

.WOODY ALLEN – DIANE KEATON

.RAJESH KHANNA – REKHA

.MICHAEL DOUGLAS – GLENN CLOSE

.ALAIN DELON – ROMY SCHNEIDER

.ROD STEIGER – ROMY SCHNEIDER

.SHAMMI KAPOOR – ASHA PAREKH

.MARCELO MASTROIANNI – ROMY SCHNEIDER

.YVES MONTAND – SIMONE SIGNORET

.ALAIN DELON – ANNIE GIRARDOT

.JOHNNY DEPP – JULIETTE BINOCHE

.LAURENCE OLIVIER – VIVIEN LEIGH

.CLARK GABLE – JOAN CRAWFORD

.TREVOR HOWARD – CELIA JOHNSON

.PATRICK SWAYZE – JENNIFER GREY

.PREM NAZIR - SHEELA

.VINCENT CASSEL – MONICA BELLUCCI

.CLARK GABLE – AVA GARDNER

.JEAN-LOUIS TRINTIGNANT – ROMY SCHNEIDER

.JACK LEMMON – SHIRLEY MACLAINE

.HEATH LEDGER - JULIA STILES

.ANTHONY PERKINS – INGRID BERGMAN

.TOBEY MAGUIRE – KIRSTEN DUNST

.GREGORY PECK – AUDREY HEPBURN

.TOM CRUISE – RENEE ZELLWEGER

.AMITABH BACHCHAN - REKHA

.JAMES STEWART – MARGARET SULLAVAN

.RYAN GOSLING – RACHEL MCADAMS

.PRADEEP KUMAR – MEENA KUMARI

.ROBERT MONTGOMERY – ROSALIND RUSSELL

.JOHNNY DEPP – HELENA BONHAM CARTER

.BOBBY VERNON – GLORIA SWANSON

.DOUGLAS FAIRBANKS JR. – LORETTA YOUNG

.CLARK GABLE – CLAUDETTE COLBERT

.RAJESH KHANNA – ZEENAT AMAN

.GLENN FORD – GERALDINE PAGE

.LEONARDO DI CAPRIO – KATE WINSLET

.RAJESH KHANNA – ASHA PAREKH

.MEL GIBSON – CATHERINE MCCORMACK

.RAJ KAPOOR - NARGIS

.BRAD PITT – ANGELINA JOLIE

.CHRISTOPHER REEVE – MARGOT KIDDER

.CARY GRANT – SOPHIA LOREN

.SOUMITRA CHATTERJEE – MADHABI MUKHERJEE

.HUMPHREY BOGART – AUDREY HEPBURN

.SALMAN KHAN – AISHWARYA RAI

.ANTONIA BANDERAS – CATHERINE ZETA JONES

.RYAN O’ NEAL – BARBRA STREISAND

.JOHNNY DEPP – GWYNETH PALTROW

.MICHAEL DOUGLAS – KATHLEEN TURNER

.JAMES STEWART – CLAUDETTE COLBERT

.LAURENT MALET – ANNIE GIRARDOT

.DICK POWELL – OLIVIA DE HAVILLAND

.TOMMY STEELE – GERALDINE PAGE

.GEORGE BRENT – OLIVIA DE HAVILLAND

.MAURICE RONET – BRIGITTE BARDOT

.RAJESH KHANNA - SRIDEVI

.WILLIAM POWELL – MYRNA LOY

.ANTHONY PERKINS – ROMY SCHNEIDER

.MICKEY ROONEY – JUDY GARLAND

.RAJESH KHANNA - RAAKHEE

.SHAH RUKH KHAN - KAJOL

.RAAJ KUMAR – MEENA KUMARI

.MAHIPAL – ANITA GUHA

.RALPH FIENNES – JULIETTE BINOCHE

.ERROL FLYNN – OLIVIA DE HAVILLAND

.JOHN BOLES – BARBARA STANWYCK

.DHARMENDRA – MEENA KUMARI

.PETER FINCH – AUDREY HEPBURN

.MARLON BRANDO – KIM HUNTER

.MAURICE RONET – ROMY SCHNEIDER .

(P.S. - THE 2 PEOPLE WITH MOST ENTRIES IN THIS LIST, ARE-

RAJESH KHANNA OF INDIA WITH 8 ENTRIES, FOLLOWED BY ROMY SCHNEIDER OF AUSTRIA/FRANCE WITH 7 ENTRIES!)