#Like the potential for comedy is endless

[fusionfanatic]

Research for an au fic I’m working on: how would Azula act and behave in a modern setting? And I don’t mean re-imagine her character within a modern context and stories. This isn’t Azula, but she’s an overachieving American high schooler with strict and overbearing parents, or Azula, but she’s the soon-to-be CEO of her father’s multinational conglomerate based in Japan or something. No, I mean how would Azula as she is in canon, Fire nation princess and all, act and behave if you simply just took her from her world and plopped her into [insert current year you’re reading this]?

[glimblshanks]

Not enough vermin in Star Trek btw. How are Tribbles the only example I can think of when it comes to the plot point of "space rats infest ship and/or station"?

Like a pest infestation on Voyager could have been devastating. A pest infestation on DS9 would have been down right realistic and caused problems for all the ships docked there.

You're really telling me Starfleet has pest control down to such a science that they never get vermin on their ships? Not even in a cool sci-fi way where space critters infest the Jefferies Tubes after an away mission to a new planet? Come on.

[seriousblond]

Big brain concept

Psychonauts Game concept

So on my camping trip I was thinking of more Psychonaut game stories etc. As one Psychonaut fan would, and I actually thought of a really fun one

What if there was a spin off game like RoR (maybe not being VR) and it was a classic "murder on a train" type of mystery?

Think about it, being overly dramatic, as well as being very aware of how dramatic it is, which makes the comedic possibilities endless. As well as being suuuper cheesy. Like a detective movie kind of cliche, maybe Raz having a dramatic internal dialog, and being interrupted by someone reading his mind every once in a while.

And it obviously wouldn't be an actual murder, but they'd find a brainless victim probably shoved into a compartment somewhere. And the possible culprit would be someone on the train with them, and hijinks ensue. Basically, Clue but, with Psychonauts and on a train.

I drew some costume designs and ideas, as well as what the game would look like. I think it'd be cool if the first few minutes of the game were in the regular colors, but once the body is found, a black and white filter is thrown onto the screen, only small bits of red for color.

Characters would obviously be the classic team, Sasha, Milla, Coach, Lili and Raz, with Ford possibly teleporting around. But I was thinking it'd be cool for a few of the Interns and Hollis joining along, even Dogen making a return!

Tbh I'm in love with this concept and I want to actually make content for it. Idk what it would be called yet, and some story stuff is pretty fuzzy, but it's fun to mess with anyways. Who knows, I think making an entire comic for it could actually be very fun!

[thevoidstaredback]

I should be sleeping, but I'm not, so here's a thing based on a thing I just saw!

Pre ID reveal (I do a lot of these, but that's because the comedy is endless)

The JL and JLD especially, as well as all the protege teams treat the Bats with Fae or Vampire or Cryptid rules. The Batfam figured it out after the third time the others turned down the invite into Gotham, and they all started rolling with it. Nothing really comes of it, though, until someone does accept the invite to Gotham.

I'm thinking it's gotta be Clark, Diana, or Oliver. Clark could be there for an interview with Bruce Wayne (probably shortly after he buys The Daily Planet) and Tim Drake. Diana could be there for any number of reasons, but I think she's there for a new art exhibit that opened up in the Greek part of Gotham museum where she bumps into Damian Wayne and Dick Grayson. Oliver could be there on business, strictly speaking, but he hasn't talked to Bruce in person since just after their senior year of high school, so is it really a coincidence that he meets up with Bruce Wayne and Jason Todd (who was revealed to have been in witness protection for a time)?

Dealer's Choice on who's there. Could be one, could be all three. Could be someone else entirely! (Though, I can really only see Barry as having a good excuse of working with the GCPD on a case and meeting Dick that way if you really wanted to not use the other three)

Anyway. We're gonna use Clark here because he'd be extra cautious around magic, seeing as it's one of like...2 weaknesses he has.

Clark is sent to Gotham for an interview with the head of Wayne Enterprises. Ownership didn't change, but stuff got mixed up around last year, so he could either be meeting with Bruce Wayne or Time Drake-Wayne. Either way, Clark doesn't want to be here. Lois was supposed to be here, but she got sick, so he got stuck traveling across the harbour to the Crime Capitol of the Country.

He'd normally be ecstatic about potentially running into any of his JL coworkers in their natural habitat home cities, but Gotham was different. Batman, for all that he is Superman's best friend, doesn't let anyone into Gotham. There had been speculation for a while as to why that was, but no one had really been able to confirm it.

Kal-El didn't make it a habit, but he had, admittedly, tried to find out who Batman is under the cowl. He couldn't help it! He and Diana had told both each other and Batman who they were, but Bats had refused. He and Diana were understanding, of course, but that didn't stop the journalist side of him from slipping into the forefront of his mind.

At first, Kal thought he was sick. But he can't get sick. It's not like he could just ask B if his cowl was lined with lead or magic or kryptonite or something!

God, he hoped it was magic that was preventing Kal from seeing through Batman's cowl. It couldn't be kryptonite because Kal would've known it the second he got too close. Lead was the only thing he couldn't see through (that wasn't magic) but that brought up the issue of B's health how heavy the cowl was.

Magic, believe it or not, was the most logical explanation. Batman's cowl and cape are connected, so any magic on one would be on the other. With the way that Batman's cape seems to move on its own, somehow pull him deeper into shadows, and is able to hide at least four humans at any given moment, well, it's not a stretch to say magic was being used. Ignoring the fact that Batman hates magic.

That's a lie. He hates what he doesn't understand. And, try as he might, the man can't get a handle on magic.

Off topic.

Clark got off the train at exactly fifteen-hundred hours. Fourth-five minutes before he had to be at Wayne Tower (who named it that? surely not Mr. Wayne himself?) to meet whoever he was interviewing today.

Not knowing the layout of the city was what probably made Clark on obvious target. He should've memorized a map of the city before coming here.

He knows that there are three parties at work. Red Hood, who not even Batman pushes the boundaries of; Signal, who covers the entire city during the day; and Batman, Robin, Red Robin, Spoiler, Black Bat, and Oracle who cover the night shift. Sometimes, Nightwing joins them from Bludhaven, but that's only sometimes. It's safe to assume, though, that Red Hood and Nightwing are the two outliers. So long as Clark doesn't draw the attention of those two or Signal, he should be fine. A quick in and out and he'll be home free!

"Mister Kent?" the receptionist asks when he approaches her desk.

"Yes," he clears his throat, nervous for some reason he can't place, "That's me." What's wrong with him? It's just a routine interview! He's done hundreds like it before!

The receptionist smiles at him. "Misters Wayne are both waiting for you in Mister Wayne's office on the tenth floor."

He nods his thanks and goes to the elevator. Doesn't this building have like...thirty floors, though? Wouldn't the CEO's office be on the top floor?

Regardless, Clark uses the short elevator ride (complete with smooth jazz as the provided white noise) to calm himself down. He's met hundreds of big shots. Mister Wayne, whichever (or both?) he's meeting with today will be no different.

Maybe.

Probably.

Hopefully.

The elevator dings, the sound an odd harmony of several notes on the C Major scale instead of the single tone bell that is common through everywhere else. He gets off on the tenth floor and finds exactly four offices. He knocks on the door labeled 'Bruce Wayne'.

"Come in!" is called from inside, though the voice sounds too young to be Bruce.

Clark opens the door with an easy smile, taking in stride the fact that he is meeting with both Bruce and Tim Wayne. Oh, dear. "Good afternoon, Mister Wayne, Mister Drake-Wayne."

"Please," Mister Wayne has on the smile he always wears for the public. "Call me Bruce."

"And call me Tim," Tim shakes Clark's hand after he stands from his seat. The door clocks shut behind Clark.

Ah. Now he knows why he's so nervous. Batman usually only has bad things to say about Bruce Wayne. On the other hand, Tim Drake is a complete mystery to him.

Clark takes a seat on the couch opposite the two men when he's prompted. They go through pleasantries they all know are ingenuine before Clark opens up the notepad he brought with him. "Now, Mister Wayne, Mister Drake-Wayne, what made you decide to buy The Daily Planet?

Storyboard Part 2

[tj-dragonblade]

[FIC] Past the Wit of Man (or, Bottom's Dream)

Fandom: The Sandman Pairing: Dreamling Rated: M Word Count: 3657 Tags: comedy, attempted comedy, comedy devolving into feels, identity reveal, sex worker Hob Gadling, advancing my Men In Lingerie agenda, long-haired Hob Gadling agenda, stretching timelines like taffy, Desire and Dream get along AU, but Desire is not actively in this, Dead Boy Detectives comic spoilers mentioned, miscommunication, Dream of the Endless finally uses his words, happy ending

Notes: Kudos props and huge thanks to everyone in the Mr Sadman discord who creatively interpreted a snippet I posted of something else and launched the whole idea of Hob working for a supernatural escort service; this would not exist without y'all and your beautiful brainstorming. ❤️

This fills the August monthly @dreamlingbingo prompt Identity Reveal, replacing square A2 (creature: Veela) on my bingo card

Summary: Hob is nicely settled in a new career and a new identity and does not expect to see his Stranger until 2089. The universe, apparently, has other ideas.

On AO3

~ "Your client is Dream of the Endless. He is extremely ancient and extremely powerful, an underpinning concept of the universe. Absolutely terrible about loosening up and letting himself relax."

"Don't think I'd be much good at relaxing if I was an underpinning concept of the universe either," Hob jokes, opening the profile that the Agency rep has just airdropped to his phone and thumbing through it.

The rep, a foppish vampire with curly white hair and impeccable fashion sense, arches one elegant eyebrow at him. "Apparently his most recent girlfriend dumped him quite harshly and his sibling has arranged this booking on his behalf; he's—and I am quoting here—'absolutely incompetent at managing his own happiness'."

"He knows he's been booked though, right? I'm not gonna catch the fallout because no one told him what kind of appointment this is?" It's only happened once, a prank played on a shy ace nixie by her well-meaning but ill-informed friends; all the same, Hob does not care to repeat the experience—particularly with someone potentially more dangerous.

"He is very much aware and in agreement, yes. We promised him our top companion." The rep dimples at Hob, a smile of saccharine sincerity that shows only the barest hint of fang. "And that's you, sweet Nick."

"And that's me," Hob agrees matter-of-factly, frowning at his phone, then turning it to show his guest. "No photo?"

The rep glances at the screen and makes a commiserative noise. "Oh, yes. Unfortunate, that. Cameras have a very hard time with this fellow, something to do with his general relationship to reality." His tone takes on a simpering air of great melodrama. "We were forced to use an artist's rendition instead! Tragic, really; it doesn't do him justice."

"Huh," Hob says, turning his phone back and studying the cartoony hand-drawn image. Guy looks like he's got some sort of steampunk insect for a head, dark and bolt-laden and bug-eyed, with a trunk that's strongly reminiscent of a disembodied spine. "Dream of the Endless, you said? Looks more like a bloody nightmare."

The rep gives an exaggerated roll of his shoulders, as if shrugging off his delivery duty now that it's done, and turns to leave. "Well whatever the case, an Endless is far above the average client, darling. Give him your best."

"'Course." Hob grins. "That's why you brought the assignment to me, after all."

"Just so." The Agency rep gives a lazy wave in parting and Hob closes the door, still scrolling through the profile as he makes his way to the kitchen.

"Dozens of titles and names", he murmurs, glancing through the list of them. "King of Dreams and Nightmares, alright. Contains the entire collective unconscious of every living being in. Every…universe…?" He shakes his head. "Has never taken a vacation ever. Bested Lucifer Morningstar and oversaw the reassignment of Hell—okay, wow. Billions of years old." He whistles, a long sound of awed disbelief. "Maybe I throw in a free massage for this guy; sounds like he could use it."

He shakes his head again, pockets his phone, carries on with getting breakfast together.

Bug-headed workaholic foundational concept of the universe. Won't be the weirdest client he's ever serviced.

~

It's been ten years since his stranger showed up late for their meeting and smiled so openly and named him friend. That had been their longest meeting yet, lasting all afternoon and on into the evening and it wasn't until the Inn had started closing up for the night that they wound down. His stranger had spoken briefly of the missed appointment in 1989, making clear that something at least mildly traumatic had kept him away and also that he did not wish to elaborate, and Hob had let it go. There was so much to tell of his own century past, his friend remarking with interest on a great many of his stories, and it was enough. His stranger, his friend, had come back, and they'd had a lovely long meeting. Perhaps in 2089 he would be comfortable sharing more of his own story, but even if not, Hob didn't mind. He was confident once more in the friendship he'd declared back in 1889 and willing to coax it out bit by bit, meeting by meeting. He had all the time in the world, after all.

Within a year of that meeting he'd wrapped up his teaching career, arranged for ownership of the New Inn to transfer to a 'relative' in the States who'd keep it running the next few decades, and started searching for a new career for his next identity.

He stumbled quite by accident into the broader supernatural world after being stalked by two dead teenagers helping that de Rais creep who wanted to steal his immortality. It all turned out fine in the end but opened Hob's eyes to exactly how much the supernatural had integrated into the modern world around him. And once old Hettie clued him in to the existence of a certain Service Agency catering to supernatural clients, his next career path was all but decided. What was he going to do, not seize the opportunity for fantastical sexual exploration when presented with it? Life was for living! Werewolves, vampires, sirens and fae and merfolk, the occasional ghost and even an extra-terrestrial or two; scales, feathers, tentacles, knots—Hob's shown them all a good time and earned a stellar reputation among the Agency's clientele. He doesn't plan to do it forever, but he enjoys exploring new avenues and stretching his limits and 'Nick Bottom' is the perfect persona to let him do so.

And now sweet high-priced in-demand Nick has been booked to rebound-fuck an uptight concept in humanoid form who looks like something straight out of a nightmare.

Hob can't wait to completely take this guy apart one orgasm at a time until he's a boneless puddle of satiation and send him home afterwards a brand new man.

Concept. Entity. Whatever.

~

The booking is scheduled for the following day and when the time comes, Hob is fresh and clean and set up in the Agency's most lavish suite. He's let his hair grow the last few years, sports a proper Hozier-like mane at this point, is wearing it down for this appointment. His beard is several weeks old, trimmed to artfully-scruffy perfection and well-groomed. He's lounging on the bed in a short open silk robe and a pair of lace panties that hug his hips and leave most of both arse cheeks exposed, a popular outfit in his repertoire sure to please the classiest of clients with the most discerning taste. Both pieces are a matching vibrant cobalt blue that complements his skin tone beautifully. He's wondering what fucking a concept is like, idly massaging his dick now and then to keep it primed, when finally there's a peculiar displacement of air and then a figure in dark robes with a weird spine-trunked bug-eyed head is standing in the middle of the suite. He's taller than Hob and inhumanly rail-thin; the robes plunge deep from the neckline, displaying milk-white skin without a hint of chest hair and clavicles that beg to be nibbled on. He's in profile, angled slightly away, and Hob has the distinct sense that this is a deliberate pose meant to make an impression, to instill awe and possibly fear in him.

So Dream of the Endless has a flair for drama, got it.

"Hello," Hob greets in his best breathless-and-sultry tone, rising from the bed to approach his client. He layers in a suitable amount of awe, pitching his voice toward 'smitten' with a subtle ring of sincerity to support it. "Oh, wow. You must be Dream of the Endless; I'm so delighted to get to meet you! I'll be taking care of you today; you can call me Nick."

The guy, the concept, Dream of the Endless, he goes stock-still as Hob speaks, and it's like the air in the room pauses with him. He turns, slowly, until Hob is face to face with his…oh, possibly that's a mask, then; the bug-eyed lenses are somewhat translucent in the light though Hob still can't see beneath them.

"There has been some mistake." The voice is deep and distorted through the helmet-mask, bone-rattling in an almost-pleasant way and, somehow, somewhat…familiar? "I was meant to be meeting with 'Nick Bottom'." The quotes around the name are audible.

"That's me!" Hob says, raking a hand back through his hair and shaking it to settle around his shoulders attractively, flashing his most charming smile. "At your service, love, whatever you need. I'm here to make sure you have a very good time, and—"

"Hob Gadling."

That draws him up short. He's currently Robyn Gadrin for tax-paying purposes in the outside world, but the Agency wouldn't give out his current identity let alone his true name, so how—

Hob's brain is babbling insistently about the note of familiarity in that voice and he finally lights on why as Dream of the Endless reaches up to remove his helmet.

Hob finds himself staring at the slightly-more-than-human-but-still-very-familiar face of his Stranger, his centennial touchstone, his friend.

Everything about his reality tips a little bit sideways, dominoes crashing one after the other in his brain until all that's left is that awful ringing alarm tone that features in emergency broadcast alerts on American telly.

Between them, the silence stretches awkwardly, until finally Hob breaks it, the first thing that comes to his tongue spilling out while his poor brain is still rebooting.

"Six-hundred some-odd bloody years, and this is how I learn your name?!"

~

It is five minutes later. Hob is sitting on the side of the plush bed in his short silk robe and lace panties, clutching a bottled water and seriously considering availing himself of the bar in the next room because his emotions are all over the place. His Stranger—Dream of the Endless, apparently—is seated next to him. His eyes are not the blue that Hob is used to, are fully black with actual stars winking in and out of them; it's gorgeous but uncanny. He's currently not looking at Hob, has got the weird bug-spine helmet gripped tightly in both hands. Which are still so pretty, Hob can't help noticing, his fingers longer and more spindly than normal, splayed wide around the curve of the helm, nails painted black. Or maybe not painted, maybe they just are black.

Pretty, regardless.

Not a helpful thought at this juncture.

It's not like he'd thought his Stranger was actually human, obviously, and okay yes the possibility of meeting up with him via this particular career choice had crossed his mind once or twice, might've featured in a private fantasy or two; but also he'd never seriously imagined it because it felt so entirely implausible that his prim and lofty Stranger would ever engage in something so mundane. So casual.

Apparently, Hob was wrong about that.

He's not sure how to feel about it, either.

The smooth inhumanly-pale chest on display in the plunging vee of those artfully-draped robes is also not helping anything.

His Stranger—Dream— moves slightly, glances at him with those starry eyes, flexes those pretty fingers on the helmet. "I will. Arrange. For another. To take your place, Hob, you need not—"

"Now hold on a minute," Hob interrupts, sudden direction presenting itself for his floundering emotions to flow. "What do you mean, 'arrange for another'? What's wrong with me?"

Dream, his name is Dream of the Endless, Dream looks perplexed. "Our. History—"

"Oh yes, our illustrious storied history wherein we have met all of seven times before now and, may I remind you, you took offense to my suggestion that we might be friends until you'd had time to digest it properly, yes."

"Eight."

"Eight?"

"I visited your dream, before undertaking a daunting journey from my realm to another. We shared wine. You gave a most thoughtful toast."

"I. Okay." He remembers that dream, yes; he remembers the wine that followed him out of it, and now with the knowledge that his Stranger is apparently King of all dreams and nightmares suddenly it all makes brand new sense. But he will process that later. "Eight. Still not a factor in my ability to do my job."

Mostly. It is his Stranger, after all, and it's not like he hasn't ever wanted—

"Sex would be. Awkward," Dream insists, and Hob loses it, never mind he'd half-thought the same thing until a second ago; Dream saying it makes him refute the assertion with everything he's got.

"You dare," he says, setting aside his water.

Dream boggles at him, cosmic eyes wide, mouth slightly parted.

"You. DARE. To disdain my professional services just because we know each other?!"

"Hob— "

"No. No, your booking was very clear that you were to have the very best, and that. Is. Me. So you will not be re-booking with another companion on the grounds that our acquaintance makes it 'awkward'; if you mean to partake of the services you've hired you will partake of them with me."

"My sibling."

"What."

"My sibling hired your services. Did they know—" He's half talking to himself and Hob sighs, forcefully pulling the conversation back on track.

"Yes, right; your sibling booked you and here you are. Did you want to get laid today?"

"You need not be so crude about it."

"Forgive me. Of course. Did you come here hoping to have a sensual skillful sexual experience with a stranger intent on your pleasure with no judgments or expectations placed upon you in return?" He makes a valiant effort to rein in his sarcasm. "Because I can still provide that. Minus the bit where we're not strangers."

Dream looks positively miserable, a sodden wet cat of a man in sex-appeal robes hunched on the edge of the decadently-plush bed, and there is certainly an understandable element of embarrassment to the situation but Dream is taking it so seriously. Hob is not surprised, exactly, but christ—he's more than willing to follow through never mind any feelings he may or may not want to admit to, and Dream is the one who'd agreed to the booking in the first place. You'd think he could handle this hiccup with a little more grace.

"It was my intent to. Do, as you say," Dream says at last, and Hob sighs.

"Is that still what you want, then? I promise I'll take good care of you." He's actually really warming up to the idea, not that he was cold to it to begin with. It's his Stranger after all. He's been willing to say yes for centuries. "They really did book you the best, and I would love to show you how well-earned my reputation is—"

"Hob—" Dream sounds pained, gives an artfully-dramatic shake of his head. "My wants are. Manageable. If no one else is available. I cannot simply engage with you so frivolously—"

Hob leaps up from the bed, stalks a frustrated few steps away and whirls back, spreads his arms. "Am I not appealing to you, Dream of the Endless?" He tosses his head, shakes his hair back, gestures at the blue silk and lace that he knows looks absolutely spectacular on him. "Would you like me to change clothes? I have a dozen more ensembles I'd be happy to put on if you'd rather peel me out of one of those. Would the Prince of Stories prefer roleplay? Golden-age pirate, biker bad boy, Mr. Darcy or Elizabeth, cowboy, librarian, Starfleet officer—I'll dress however you like." He's fired up, he's…it feels like anger but it's more like alarm; he is absolutely not about to let a colleague fuck HIS Stranger if Dream's looking to unwind. Not with all the thoughts he's entertained the last couple centuries, not when Dream is looking so entirely miserable about the whole experience. Hob wiggles his bare toes in the plush carpet, forcing a deep breath; he is jealous and possessive and protective all at once and has no idea how to safely navigate this storm to get Dream what he wants without pissing him off.

"Your…clothing becomes you greatly, Hob." He's sneaking a glance as he says it, like he's not allowed to look but can't help it. "Your clothing is not at issue."

"Then what is?" Hob rakes a hand back through his hair, frustration fizzling, careening toward concern. "If you're truly that put off by me, I'll let it go. But you're here, for sex, which you did say you wanted; this is my job and I'm good at it and you clearly need—" Someone to take care of you, he'd nearly said, and while Dream has been giving him so much leeway in this conversation he thinks that might be one straw too much for this particular camel's back.

Nice to know he appreciates Hob's hairy chest and his dick in blue lace, though.

Dream levels him with a look that almost puts him right back to 1889, and Hob has half a second to start panicking before Dream closes his eyes, draws himself up, sets his bloody weird helmet on the bedside table with a soft leathery clunk. When he opens his eyes again, they are resolute, resigned, the eyes of a man headed for the gallows despite the stars winking hopelessly in their depths.

"I do not wish to be intimate with you. When you view it as simply a job. I. Would like—but not. If it is a transaction. If I am merely a client."

Oh. Oh.

Oh shit, really?

Impossible.

Really?

"You want. You want it to mean something?" Hob is embarassed at how small his voice comes out.

Dream closes his eyes, something like shame written all over his beautiful otherworldly-pale face. "I had thought. At our fifth meeting. That perhaps there was the possibility of. Attraction, between us." He opens his night-sky eyes again, meets Hob's resolutely. "Had we not been interrupted…" He shakes his head. "I pondered the idea until next we met, anticipating the possibility of. Seeing, where we might have come to. But you named what was between us friendship, you named me lonely; I perceived your words as mockery and acted accordingly. I spent the next century with a surplus of time to wander my own thoughts. They turned to you, Hob Gadling, with regularity. As I expressed when last we met, I regret leaving our previous meeting so abruptly, so harshly. Your friendship is of great value to me. I am content to let it remain friendship, in the interest of keeping it. But I am unwilling to engage with you, who named me 'friend', as I would a lover when I have yet to fully bury the wish. That you might have been my lover in truth."

Hob is desperately trying to keep from bluescreening again and while he's focused on that, his mouth runs along without him. "You never even gave me a name, but you wanted us to be lovers?"

"I am. Aware, of how foolish my wishes—"

"No, oh no. Dream. Love." He absolutely cannot let him think that. "All you ever had to do was ask."

Dream looks at him, starry eyes full of misery with the faintest spark of hope underneath, glimmering with unshed tears. "I. Could not—"

"That was then. Water under the bridge. What about now."

Dream shivers, his more-than-human face wary and pleading and resigned all at once and the last of the fight drains out of Hob. He approaches gently, until he is directly in front of Dream on the edge of the bed again; he half straddles Dream's lap with one foot still on the floor and a bare knee sunk on the mattress beside him, threads both hands into Dream's hair behind his lovely ears, tips his pale face up.

"Ask me now. Please."

Dream's hand settles above his bent knee, a gentle, tentative touch; his eyelashes flutter, and the sound that leaves him steals Hob's breath. That hand travels softly around to grip the back of Hob's thigh, slides hesitantly higher, and then it's Hob making the helpless noise as Dream's fingertips card beautifully through his leg hair, run up beneath the short robe. Dream's spindly black-nailed hand caresses up over his exposed arse cheek, squeezes, and all the while Dream's beguiling uncanny eyes are fixed on him, wet and wondering, full of blossoming hope.

"Hob Gadling." His voice is hushed, almost reverent. "I should like to have you, as my lover. If you are amenable." His face is tipped up, so close between Hob's hands, and Hob.

Hob's shaking. He's actually trembling, pent up, a little scared; daring, as he leans down and his hair falls around them both, hoping—

He brushes his lips to Dream's.

He kisses his Stranger, his friend, his touchstone.

And Dream of the Endless, who is all of those things, kisses him back.

It's nothing like he might have imagined, and ten times as wonderful, and over before he realizes he's ended it.

"Do you mean it." His voice is breathless, the words spoken directly against Dream's mouth. It's a stupid question, in light of the entire conversation gone before and the hand still on his arse, but he can't help asking. This entire turn of events is just too good to be true.

"Yes."

But true it is, apparently, and Hob's heart soars.

"Then. Dream of the Endless. My Stranger. My friend." He presses soft kisses to those plush pink lips between each moniker, dizzy that he's allowed. "Let me add another title to the list, darling. Take me to bed; the suite is ours 'til tomorrow. Let me learn how you would have me. Let me show you how I would treat you. And let me, at long last, name you mine."

= Started: 8/21/24 Drafted: 8/27/24 Posted: 8/30/24

If you're looking for a spicier take on this concept, @delta-pavonis has you covered: Dossier 54392 - please, give it a read, it's delicious.

(and here, have a post-script-y epilogue-exchange of sorts that did not quite fit:)

= "You chose to name yourself Nick Bottom?"

"What better name for a callboy to the supernatural than the bloke who got unwittingly embroiled in a fae lovers' spat and ultimately survived the entire encounter unscathed? Feels pretty relevant to me. Empowering, a bit?"

"Nick Bottom was less 'empowered' than simply lucky, perhaps."

"Perhaps. I'll not turn my nose up at good luck, either. But a name like Bottom in this business is also too good a pun to pass up, and I figure old Shaxberd would approve."

"I believe he would, indeed."

"The irony being that fully half of my clients want me to top them, heh."

"I do not wish to speak of your clients while you are in bed with me."

"Got better uses for my mouth, have you?"

"Other sounds I would prefer to hear from it, yes."

"Fair enough. Why don't you tell me what you want, Mr. Sandman, and see if I can make your dreams come true."

"Must you be so cliché?"

"You love my clich—mmph—"

"Stop. Talking."

"Yes love."

(Dream will tell him about commissioning A Midsummer Night's Dream at some other time 💖)

= Nick Bottom's lines from A Midsummer Night's Dream that lent themselves to the title: I have had a dream, past the wit of man to say what dream it was and also The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was. I will get Peter Quince to write a ballad of this dream: it shall be called Bottom's Dream

[katyspersonal]

In defence of Shadow of the Erdtree + Getting my grudges with the fandom's bad takes off my chest

(! if you are seeing this caption it means the post was shared via queue feature, thus I must be STILL on my hiatus! will respond to comments when I am back online and thank all 5 of you for waiting for me! )

*deep, tired sigh* Allllright so... Ever since SoTE came out, it has been a rocky patch for me growing past initial shock, absorbing new lore and above all, dealing with some conflicts that transpired over it! In the end my grudges, as well as disagreements with popular attacks on this DLC accumulated enough to make me feel like smoking volcano, I swear.. You might have observed some anger already slipping through the cracks, but I've decided to place ALL of my opinions in one easily skippable post instead of turning my blog into a toxic pool with endless negative posts, so I'll just get to it!!

YEAH YEAH I know, a TRUE comedy genius remaking my DLC predictions bingo post to structure what I want to address fdhhdsf This is basically a 'so how is checking Elden Ring tag going today? :)' bingo but... it is easier to put it like this. I just need some way to simply vent my own frustrations because I hate everything featured in this image with THE burning rage. Putting my opinions and everything under cut but fair warning, not only it is going to be very long as if anyone who knows me is surprised dfhshfsd, but also very ANGRY! ANYWAYS!

1) "They excused genocide by giving Marika a sad backstory"

Sigh… Instantly off to a terrible start, and it is truly the most Tumblr take out of all Tumblr takes imaginable. So let me suggest something actually ground-breaking here… Giving your villain reasoning not only makes for a more realistic and interesting character, but is also crucial because nobody is just BORN evil.

sorry I had to I understand the temptation of wanting a villain whose sole drive is power control preserving privileges etc because it resonates more with the narratives proposed in real life and people's struggles, but not only even in real life things are FAR not as often as simple… but even if they were, Fromsoft is always dealing with more complicated matters that touch the nature of existence in general, and not just power and control over it someone could gain! Marika was not "just" evil even in the base game either, giving off the impression of someone wanting to build a perfect world of light, life, safety and abundance even at the expense of oppressing "potential threat" species (Omens serving as…. well, omens of the threat of returning to the primordial state of things or Albinaurics, creation of Nox, who angered the Greater Will itself once).

She waged war on the Fire Giants who had 'evil god of fire', caused natural disasters and whose fire existed as anathema to the Erdtree and declared her victory the start of the "better age"! That already spoke of a lot of complexity, without forcing the audience to agree with her motivations and actions but instead understand what weight they held in the grand scheme of things! Again: much like Gwyn who destroyed Dragons thus creating time, light and life the way it is known now and who for all his agenda against humans had a pretty solid reason to fear the darkness within them, which effects we've seen across the trilogy!

What DLC did add was simply a lore on Marika's origins as a Goddess, and what made her vulnerable enough for the Two Fingers to seek her! Divinity is further stated to not be a great thing via Miquella's whole arc, but the wish to change the world to the better hits harder when you personally were a victim of its fundamental corruption! She did not instantly become a good person over DLC lore, nor she was just evil person and nothing else in the base game! War against Fire Giants (maybe Dragons?) was the means to topple the current powers and establish her reign, oppressing certain species was the mean to preserve it. She searched not solely to take revenge on the Hornsent, but to build a different world where what they did would not happen, ironically ending up causing more injustice ANYWAYS! Miquella fell into this trap. Heck, GIDEON fell into this trap!

Even then, her machiavellian character does not explain why even after Hornsent were completely defeated that war continues forever through Messmer and his forces. Could this be just what Messmer insisted on and THUS she cast him away, or she lost any and all sight of what pusher her to it initially? In either case, even the game itself makes it very clear that Marika/Messmer are not heroes here in the SLIGHTEST!

On a more general note, detached from the specifics of this game: I do still find it more strange to be angry about villains being given sympathetic traits, as a concept. People who are just "born evil" are such a minority that they hardly can say anything about nature of men. Bad people, by proxy, are a combination of some sort of unhappy event (trauma, bad upbringing, faced oppression, mental illness that was not treated if not had its negative traits amplified due to environment, growing in propaganda and ignorance, abuse etc) and person's unwillingness or even inability to heal and stop the cycle of pain by refusing to cause more of it. It is not that simple, and often, people who were hurt so are past the point of not letting it make THEM evil, or lack resources to do so, or have their attempts to change if they WERE bad actively sabotaged.

This IS the true horror of existence: freedom of will itself being put in question. We might be not defined by our pain, but how we will respond to it might be defined by prior events, information we had, circumstances and society around us. How can ANYONE tell what they would be like if they endured the same? Can we be sure that we "endured the same but reacted differently" wasn't predefined by other, nicer factors? To be angry at the fact that a bad person who did bad things had a reasonable, even sympathetic explanation at the core of it all is to be angry that one's privilege to use "born evil" to mistreat and emotionally distance from those people is put into question!

In any case, 'explanation is not an excuse' works not only as a tool to still judge someone's sins, but ALSO to explain that writers making a character more elaborate is not a demand to like this character or excuse their actions! Everything has reason… This is why no one is entitled to declare they know what is good and bad for everyone. Not just people like Marika or Gwyn, but even us.

2) "Hornsent are dangerous and deserved extermination"

…okay, look, yes this is another heavy topic, and it does deserve a separate post which I did make already in the past ( x )! It is another topic that sort of transcends the boundaries of this story (another common Fromsoft W for making people question life and society themselves)! To put it down simply, of course no race is inherently evil, what is the reoccurring topic here is the culture! And what is on the surface is that Hornsent as culture and species, in many ways, are victims of its own oppressive religious institution and questionable traditions. Bonny Village's potentates are hostile, dangerous cult serving as a the weapon of """justice""" and """purification""" within Hornsent! They possibly go back-to-back with their religion but except they are extremist. We cannot tell whether general face of the religion, the Inquisitor hags, would do anything about it had they have more control, whether they tolerate it for convenience, or whether they encourage and utilise its existence. But what we CAN tell is that not only "impure races" are punished/killed, but even "unfaithful" Hornsent themselves!

Yes, definitely there are also Hornsent children who would have no choice regarding their upbringing, information, nor much agency over their actions, and we know they did not spare the children either from the story of Hornsent NPC that we follow! But even then, it is clear that Hornsent that were in disagreement about their culture's demands had to be quiet about it either, or else they'd likewise be persecuted!

"Why could not they just have started a revolution" is a very unfair criticism towards a culture/place oppressed by corrupt religious (and military?) institution on many levels! As someone from the country ruled by a tyrant feeding the civilians propaganda excusing genocide and promoting xenophobia, as well as very corrupt and oppressive religious institution that yet is hardly a HALFWAY as awful as some countries I could explain how hard (impossible) it is to reliably as much as gather enough people to rebel (with no results but legal troubles down to getting imprisoned). Let alone gather enough people to go an die for the cause. Especially when almost everyone with ANY power and weapons is already by the government's side completely rotten by propaganda. Feeling outnumbered, not having any resources because they're all in the hands of people who ARE corrupt, knowing even out of other people who disagree most would not risk leaving their children and sick relatives and alike in trouble rising up against the enemy they can't reliably take down is already a huge problem here. Even considering the (very idealistic) sentiment that dire consequences doesn't erase the blame that comes from not speaking up, it doesn't change that there are real and reasonable people who don't agree! Let alone the separate topic of how even people rotten by propaganda deserve a chance for rehabilitation! Propaganda is a horrifying tool and not having immunity to it should not be automatic death sentence!

Shadow Realm is already full of burn Hornsent spirits questioning what did they even do wrong and claiming they only wanted to live and didn't do anything, further proving that they might not even be much aware of what their Inquisitors and Potentates do, let alone not being a solid monolith race of those who agree with extermination of the "impure"! They are people, living in conditions of the culture held by the throat of those truly evil! It were a bunch of civilians burnt, as well as Hornsent's (NPC) wife and child who 99.99% didn't do anything. To think of it, it makes it very bitter that Bonny's Village and Inquisitors in the Tower clearly were able to recover and bounce back, when it were civilians who payed the price. Very grim yet clever remark about the real world as well, but I am sidetracking. In general, yes, a culture that considers itself holier than others with extremist forms of it deeming them unworthy of living should be stopped and criticised, but genocide can NEVER be the answer!

^^^ It fact, something already suggests there was a different answer, an even obvious one. Marika's "betrayal" suggests a long social game on her part, as well as the fact that Hornsent culture were trusting her! Maybe they knew she was a shaman and things were happening past the point where they stopped persecuting them, maybe they had no idea. Yet, in any case, Marika held enough social power to bridge the gap between the cultures, to let them evolve beyond their past, traditions and prejudice against 'outsider' cultures and instead learn from them!

^^^ In fact, the gap was bridged, since Crucible, THE Hornsent thing, WAS considered divine even as Golden Order was established! That was like… after getting Elden Ring instead of Dragons (whatever the reason was), war with the Fire Giants and murder of the Fell God and removal of Destined Death from the Elden Ring? Nonetheless, with the power to stop vicious cycle and to let the horrible practices and past be buried and dissolve in her new order of life and radiance, so-to-say "civilization", she chose the path of genocide and revenge that has not ended even to this day! As well as essentially became "the very thing she sworn to destroy" by keeping those like Omens and Albinaurics oppressed!

And to bring back the previous chapter of this post, it is not an invitation to say 'aww then it is fair that she hates Omens so much 🥺', but a pointer that what she did was wrong. And so, yet again, the cycle continues, take Vengeance-Seeking Hornsent that swears to kill not only her and her family, but everyone affiliated with her in any way even if they were innocent and simply were born under such order! He mirrors how she/Messmer did not simply stop at punishing those who WERE guilty, how violence and revenge will always only birth more of violence and revenge, until someone decides to stop it and chose to solve the situation the pacifist way to their best ability. Even when some people claim that within this option those who will want their power back can survive and ruin everything again: likewise, if culture is exterminated, victims will survive and come back with revenge. Either way suggests the risk, but only one of these ways has even a CHANCE of better future! What IS certain is that humanity could never be at better place unless we as species keep trying peace over and over, that won't banish all evil from the first try, but we must choose peace and not genocide over and over!

3) "Miquella's character was assassinated"

No, it wasn't.

OKAY FINE but it is one of the topics that are hard to approach seriously, when someone mistakes the arc of the character falling from grace to a complete rewrite of the character's personality! How falling from grace inherently suggests there was no grace to BEGIN with? Character assassination suggests Chloé Bourgeois from Ladybug that the character has been written a certain way, but then deliberate effort was done by the writers to damage their image and make the audience hate them or no longer care about them!

What we learned about Miquella from the base game was all information about him from the times long before we, player, arrived in the game, and before his departure in the Shadow Realm! He was kind, he cared about his sister to the point of creating a new school of magic and then creating Unalloyed Gold all to heal her, he wanted a gentler order than the Golden Order and created his own tree that welcomed everyone but first of all those oppressed by the Golden Order, he wished his brother Godwyn could die honourably instead of being a growing virus to all living past death. At the same time, he naturally needed military force to protect his Haligtree, as well as was able to bewitch people with his powers!

In Shadow of the Erdtree, nothing that followed erased that information! In fact, he still boldly stated that he wanted Age of Compassion! What we DID witness though were two things: 1) the fact that he had to get a bit machiavellian, something that already was obvious from the base game because kindness alone is not enough to survive in this world and you HAVE to do some planning as the leader up against the current order with its own fans, as well as people who hate the compassion as an idea and 2) that he has been leaving behind what made him the person that he was, including his feelings and attachments, which logically included caring for Malenia for example! So, the dearest sister is 'loyal blade', because he abandoned his love! He does not still love Radahn either, but Radahn was a part of the promise; a very pragmatic thing and memory that did not have to go as his feelings did. He simply was part of the initial plan to ascend to Godhood; Miquella sounded scared of the idea when he asked Radahn to be there for him, but abandoning his fears and doubts would not automatically erase the OATH. Effectively, a "contract".

Miquella was hyped up as that kind, almost perfect, noble person, for us to find out that he is not anymore. The 'anymore' part here is crucial! Fromsoft have previously did the trick with hyping a character up to be great but us finding out they were not with Vendrick and Gwyn (and very briefly with Artorias who didn't DO anything yet was hyped as THE hero when he was in fact defeated)! Miquella repeats the trend with reveal that he did charm Mohg back then (was not perfect in his actions, but I'll get to it later), but also has the story of further descent from that not-perfect-yet-GOOD person that we follow! He is effectively the most elaborate incarnation of the concept, and we know Elden Ring includes Fromsoft learning from their previous games a lot, polishing the concepts they want to use! Miyazaki confirmed that Elden Ring is "close" to the dark fantasy game of his dream, yet is still not it (someone stop this madman fhfdhs)!

To suggest that revealing him as complex, as well as adding the tragedy of repeating Marika's mistakes no matter how much he was running from this sad fate, equates the devs wanting us to hate him (that is what CA is) is ABSURD! He REALLY did not want to be Marika, he was AVOIDING it, yet no matter what, it caught up to him... How comes you equate tragedy and imperfection with suggesting that you should hate him according to the writers' intention? I will go further and say that if your expected reaction to finding out your fav was never perfect in the world where perfection doesn't survive, and had road to Hell paved with good intentions is 'oh devs made him hateable' it only speaks of your own lack of understanding and compassion. Miquella is as much of the victim of this wretched world as everyone else, where you die a hero, remain a lazy fence-sitter or try to do something but only drastic means to do it make a change. Really, this is just Fromsoft's world and Elden Ring is in no obligation to change their philosophy of existential horror!

4) "Fromsoft failed fans by not making it [insert a thing from a wishlist]"

It could be a bit subjective, but personally I think this is simply not how creativity works as a concept. This kind of criticism suggests that upon deciding on the DLC, developers were supposed to look at the fandom's discussions, determine what would be most emotionally satisfying for them, and go that route regardless of what their vision of the story was or what…? It feels like a very entitled kind of thinking for me. Creator's one task is to bring their own vision to life and tell the story and messages they want to deliver! Not to cater to the audience, not to tell them what they want to hear, not to do what sells well or, god forbid, fanservice. (and you can probably see in which paragraph I will need to touch this one too!)

Miyazaki has a rather grim vision of the world and humanity, that is not completely nihilist and devoid of hope, but never gives the coherent answer to what the better future IS either. Character Aldia from Dark Souls 2 (and vaguely in DS3) is probably the best personification of his philosophy. The world is wretched, but the means to change it are so terrible that one might question whether it is even all worth it and whether the new world built on sacrifices is truly better, toppling the corrupt power just replaces it with the other corrupt power unless you decide to straight up destroy the world, but there must be something, right? We just lack insight to understand what it IS, but how can we obtain that knowledge without losing our humanity? Happy ending or blunt message about how if you remove corrupt authority things will magically be good are not his style.

And… regarding smaller things, honestly? He had a right to throw in a random ship that didn't have any foreshadowing if he wanted! It is HIS story and HIS characters! Creator must not obstruct THEIR vision and preferences for anyone, but it is OUR choice whether to take it or leave it. Just because we gave Elden Ring that kind of popularity and influence with huge amount of support and bought copies of the game doesn't mean that now Miyazaki is under obligation to serve us and think about our reception and tastes as sort of "gratitude" or whatever… And on a relevant note, it is his choice which topics he wanted to explore in SoTE and which topics he was done with and decided to leave be.

Again I might be different, as the very moment we had a DLC confirmed I emotionally distanced from Elden Ring knowing that any headcanons and expectations could get jossed at this rate! Getting invested into series that is still in development suggests obvious risks! No one is obligated to ENJOY whatever choices he made, but what we should do is to remember that he had RIGHT to HIS choices.

5) *claiming all hinted that it obviously should have been Godwyn*

I've heard it often that base game all foreshadowed that Miquella was departing in the Shadow Realm to bring Godwyn back to life, Eclipse thing and all, therefore SoTE "betrayed" fans by not focusing on Godwyn. Everything was supposedly set up for him to be prominent or maybe to be a final boss instead, even if he'd be a through and through failed attempt of resurrecting him! But…

Even in the base game, it was suggested that 'Eclipse' was already attempted, and failed. Nothing to suggest that they would go and try again via different means. And, in fact, there is another piece of evidence that Miquella was not going to attempt another way of resurrecting Godwyn! 'Please die a true death' suggests that Miquella wanted Godwyn to not exist as Prince of Death, but to die fully; with his body too, not only his soul.

This is certainly not about resurrection, so it is safe to assume that Golden Epitaph was made as Miquella gave up the hope of returning Godwyn's soul to him! 'Eclipse' was attempted, and it failed! Moreover, 'Eclipse' is a thing associated with the Castle Sol / Mountaintops! Nothing to suggest that it is properly done in the Shadow Realm, it is very much Lands Between's thing to do. (could it be relevant that Fell God of the Fire Giants was killed, and even before Furnace Visage thing his fire was shaped like an orb, so like a sun? no sun to eclipse to begin with? now Erdtree is THE source of light? some fuel for interpretations)

This is not the only reason, as we have a more bold one, that is Fia's quest getting broken! One of the endings is Fia laying with Godwyn and bearing a Rune to bring Those who live in Death back in the Elden Ring, and one of the remembrance bosses is Fortissax fighting within his dream! If Miquella's goal was to go and try to resurrect Godwyn, that would already remove his body from that area by the very existence of the DLC! So, should have Fia's quest/ending and Fortissax battle been timed events only for pre-DLC era? Or, again, if you say that event would only happen if we followed the entire DLC story to the final battle: Fromsoft's DLCs typically do not have any significant effects on the base games, it is usually just some extra dialogues here and there. And what would be about Godwyn's "virus" growing in Stormveil, as well as on some enemies and deathroots in the ruins where Mariners resided? What is considered his body goes FAR beyond just Deeproot Depths, should they have programmed removing of ALL that to not contradict their own lore, then? It really doesn't feel like the case even from technical standpoint already!

From narrative standpoint, both Godwyn and Radahn should (have) stay(ed) dead for the story and emotional weight, however, elaborating Radahn didn't make his presence overbearing for Fromsoft's standards! On the contrary, he got more role besides kinda 'just being there' compared to other Demigods! Godwyn had a lot of impact and presence all over the story in the base game and one of the endings being tied to him! I will get to it in the paragraph about devs allegedly 'abandoning' some things that needed elaboration though!

Yet even then, devs still added Godwyn bits with Knights of Death getting sort of rebranding to still stand by him in death and the bit about Godwyn having custom-made medallions for his special knights! It is very clear that devs have not forgotten or forsaken Godwyn but instead keep reminding us how much he mattered for the idiots living in this fictional universe! However, they know where to stop so the character isn't devouring the story too much as they have their own style with balancing characters' presence! Saying that "only" adding Knights of Death going to protect what's left of their Lord like sort of fucked up plant culture in Shadow Realm is some sort of grave insult to his fans is just weird, because in fact devs were not supposed to add this EITHER!

6) "Scadutree fragments is a cheap way to force players to explore the map"

I don't think there is anything wrong about rewarding the players for exploring the open world map that is meant to be explored! And, yes, it is rewarding, not forcing! The bosses COULD be beat even without Scadutree fragments if you know what you are doing! Like, what surprises me the most is that this take typically comes from the gamers! You know, THE people who would know a thing or two about imbalanced builds or weapons, or have enough time and patience to memorise every single movement by the boss, let alone liking to challenge themselves!

Even then, Scadutree Fragments are supposed to be discovered naturally as you walk around, check niche places on the map, do platforming and search for optional enemies and bosses! If all you wanted from this DLC was to run very straightforward to just beat the boss already with ease so you check the remembrances faster, are you sure that you actually like PLAYING this game? Getting into an open world game when you don't want the 'open world' aspect seems counter-productive to me :/

Bonus mention: some people finding Abyssal Woods sequence frustrating and annoying! It is somewhat relevant to this complaint! Losing Torrent in this area perfectly adds to the sense of not being able to escape, and stealth game with Aging Untoucheable is straight up horror stuff! How are you supposed to experience getting into the forbidden area infested by the force that every living (and dead!) being in the setting fears, if you just can run straightforward to the boss willy-nilly without any buildup or obstacle! It feels like the same sort of complaint as Malenia being unfair boss when she should be hard as someone who "never knew defeat"! Fromsoft is very good at using gameplay elements to confirm what the lore says! This "criticism" just looks like straight up impatience to get your dopamine injection already instead of enjoying the process of learning this story like devs intended!

7) "Miquella has always been evil"

I suppose it goes as a sibling paragraph to 'Miquella's character was assassinated', except this time from the standpoint of those who either liked the "twist" or were indifferent to it… I think this is just a confirmation bias at play from the people who assumed this about the character from the start, often including but not limited to Berserk fanboys. I agree that the fact he has never been perfect was plain to see either, with Bewitching Branches being a sinister power as a concept and Haligtree Soldiers suicide-bombing being a bit too fanatical, but yet again: nothing erases the notion that he had good intentions!

Ansbach kind of reminds me of the same effect Kenneth once had; Kenneth described Godrick as pathetic and everyone agreed completely ignoring the bits that suggested otherwise, and now Ansbach described Miquella as a monster and this is what some people believe! Honestly, how do I develop this level of charisma to make people believe me uncritically fhfdhhfsd In any case, the "unreliable narrator" effect is very prominent in the game, and it is important to remember that developers make the character say what the character would, not give us the directions on what opinion to have!

Miquella's power is further elaborated upon in SoTE, as not inherently brainwashing one but a very strong remedy for someone's problems! Leda's fanatical murderous fixation, Hornsent's obsession with revenge, Moore's insecurities and Ansbach's fixation on avenging Mohg's "honor" (which is likewise a very questionable concept lol) all were muted, giving them peace and friendship instead of attacking each other OR himself! The key to them being pacified and happier being to fix their love on someone else doesn't make Miquella evil megalomaniac wanting an army of loyal dolls.. on the contrary, often caring for someone else IS the feeling that brings out the best in us humans!

Again, this one is subjective, and of course people can read the character any way they want! But I start to take an issue with this reading when people claim that it is canon and dig at the base game saying how he never cared for the compassion but just was sort of narcissist seeking the oppressed to make an army of admirers from or whatever… The DLC accentuates on how he has been abandoning the 'humane' parts of himself, that were making him vulnerable and as Demigod more human than God, so we meet him at his "lowest". Even then, he states his motivation to make a better world full of compassion and free of evil! He would make everyone hold hands in more peaceful ways if he could, but even from the base game his arc was basically trying and failing to heal his sister. Besides, Dane's last and only words are asking him to make a gentler world, without his spell in the effect-

Like, there are enough things that show he had enough reasons to make people see him as symbol of hope even without MAKING them to. With Radahn, we are repeatedly told that "he and Malenia helped him to cosplay Godfrey" stems from the oath they shared and Radahn agreed to! Whether you see Caelid battle as him wanting to die (to go to Shadow Realm) in a battle, or him rebelling against Miquella's world of shining flowers and kissing bunnies in the end as a warmonger but twins not having this "change" it still doesn't straight up speak of evil intent. Could be taken as despair and reaching that 'giving up' state! With Mohg we are not sure either. Maybe Miquella just wanted to "heal" his pain but his personality persisted and obsession/kidnapping happened, so he knew he was beyond help and TOO soaked in blood and sin! Or he was beyond help / didn't want help from the start, so EVENTUALLY (key word) amounted only to sacrifice in Miquella's eyes on his path to Godhood as he NEEDED one, maybe it was even seen as 'mercy'. Help is to build a better world as a honor and all.

He very likely wanted to make a better world for him too! Both their goals were connected to "love" after all! The reading of the character as evil is not as cut in stone and evident as some people make it look like!

(In fact, shortly after BASE game released, Miyazaki confirmed that Martin wrote some nice characters and Miyazaki wrote the ways to corrupt them. So, Martin wrote the kind guy, and Miyazaki put him through corruption arc. But I will get to it in due time -_-.....)

8) *views Messmer as just another (boring?) victim of Marika* (and variations)

This one I kind of saw in two forms: people who dislike the character or not care about him writing him down as "boring" for this one, and simps who kind of lift agency off the character in order to be able to like him! This is to put it roughly, as again, there are various variations but with the same sentiment at its core!

I do think that Marika having enough influence over his actions, and even having abused him emotionally in some way, is entirely palatable interpretation! The nature of Base Serpent, as well as supposed connection with the Fell God, is debatable and can vary from truly harmful thing to simply a force of nature that exists to ensure forces like Erdtree can't live forever. Regardless of interpretation, would a kind, loving mother truly allow for her child to hate himself so much?

Marika has….. a problem with fire. Waging war to put down the Flame of Ruin because it could burn the Erdtree and removing Destined Death that was fire-affiliated power already showed it; as 'Eternal', she of course wanted to live forever, same for her Erdtree! Messmer manifesting fire element would certainly be a problem for her, but was it though? Base Serpent is malicious but for this reason Winged Serpent exists, no? Can another side of universal balance be something that must be removed from the scheme of things? Can fire, or death, truly count as 'evil' things? Are not they simply forces of nature that Marika being the MILF Gwyn that she is did not desire personally, in her vision of a brighter, bountiful world?

My point is, even though she created many Divine Blessings to help him, she did likely inflict some sort of negative self-image on him anyways. Maybe it was not her intention, but she always feared him and eventually that brought her to hide him away!

So like, how does this NOT make Messmer just a victim? Okay, so here is the error that kind of started it all:

User drenched-in-sunlight explained it better in this ( x ) post, but the point is that taking up the Crusade that Marika wanted was Messmer's own initiative and not something she forced him to do like English localisation made it sound! So, she was still possessed with the wish for revenge, but Messmer was like 'hey no need to make your hands dirty, I can do it'! Like drenched-in-sunlight explained, Marika's 'wish' here is the same as in the description of her braid (same symbols), so Messmer sees what is hurting her, and ASKS to be the tool of her vengeance! I'd say that even without this bit, simply the fact that he is a grown ass man should give him agency and hold him up to proper judgement, but nuance is always important!

This does paint an interesting picture though: Marika has been trying to "heal" him (which is a debatable concept considering her character and what fire, save for Frenzied Flame, means in the setting, but I don't insist), he asked to deliver her vengeance FOR her, but also despite having sealed the Base Serpent within him she was still scared of him and sealed him away making everything connected with him heretical and warriors standing by him still shunned, and Messmer lived in hatred, begging her forgiveness before crashing her seal yet cursing her name upon his death! It looks to me as though she grew truly scared of him and decided she wanted him gone BECAUSE of seeing him in action during crusade! Him hating her for ditching him implies that was not something he expected, so maybe seeing him in Crusade made her go 'wow, my son is actually more scary than I thought'!

That speaks of Messmer as someone who can get carried away with cruelty in blind, fanatical devotion! (that also makes Queelign an interesting mirror into his youthful, more """innocent""" self but that's not the point fdhfhds) Marika might have been horrified by it, or horrified by her own ugly reflection in the monster she (unintentionally) created with her parenting, but nonetheless it describes Messmer's personality more. Someone whose reaction to his mother's trauma and yearning for vengeance was to not only take such terrible plan in his arms, but also to go too far with it, maybe even too far for HER. Not everyone would react the same way. A better person would've probably focus on helping his mother to heal and move on, or maybe even turn around and refuse to comply with such harmful intentions. But he, being a grown man who could think and choose, chose to commit genocide. He is evil! He is not JUST evil, either. He is NOT boring tool of Marika with no agency, though!

And on a relevant note, for the simps..

No but seriously fdhfhdfds I understand how that sentiment could have left a sour taste after SA Mohg truthers kept saying 'hey guys you aren't real fan of Mohg if you ignore what he did 🙄' (that certainly aged…….), but I still want to remind that a fictional character doesn't need to be stripped out of his agency to be found attractive! With Messmer what he is doing is a bit more direct, and it is NORMAL to simp for the characters you could not stand in real life! What is the fun of engaging in fictional worlds if you turn it into a morality contest and sort of a "practice" for what kind of endeavours and relationships you'd want in real life? It is for going wild and satisfying curiosity and dark impulses. No limits needed. This is just an advice if anyone needed one like this, because we just never know really.

9) *"corrects" people's interpretations (especially of Nanaya)*

Sigh...

This kind of behavior in the fandom is certainly not exclusive for the past-DLC era, but it really felt more relevant to address again and- yes, like I said, with Nanaya thing it is something I've witnessed the most! Not long ago I said that despite hearing people question why there are so many uncharitable takes on Nanaya I haven't really seen any? But yes, like usual, it happened because Tumblr bubble is often different and you need to catch updates from Reddit and Twitter to have full fandom picture! An example: not reposting the art of course, but here is a cute comic of Midra reuniting with Nanaya in spirit after death ( x ). And do you know why the artist had to add a caption to ask people to not correct their headcanons? …..because on Twitter, they got pestered with people "correcting" them that Nanaya was aKtUaly evil / Shabriri / etc. 🤡🤡🤡

Honestly, I approve of correcting people when they legitimately, objectively contradicted or missed something stated in canon! I disagree with the notion that canon is just a suggestion and the whole fun is to just use names and concepts from it to create one's own thing! I am one of the guys that wears the T-Shirt that says "Just make an OC then" because primarily fandoms are about studying and enjoying the source material! A good headcanon knowingly differs from canon, know rules to break them at the right places, all that. It is especially relevant in Fromsoft's games because the information in them is very scattered and obscured. You WILL miss something, and so communicating with the fans, double-checking wikis etc is crucial! Similarly with fanart: there is a difference between giving a character heterochromia and more interesting look to add flavor in design and drawing them incorrectly because you haven't SEEN their datamined face and need a pointer (looking at you, white Henryk Bloodborne fanarts all because not everyone checked datamined faces!)!

As I got this off my chest that I am not an absolutist with the 'let fans do what they want' because if someone doesn't need canon that much they can always make OCs or original settings…. …when something is not canon but simply a popular interpretation, don't "correct" people! Midra asks Nanaya to forgive him when he succumbs, and it is anyone's own choice whether they take it as her never having wanted him to succumb when she was still alive or her having been secretly lyinh and ensuring long endurance would made him explode into more "sufficient result"! Fromsoft's lore often leaves bits of information that can be used to justify any interpretation! And discussions, even debates, to prove why your version is better are very interesting! Fromsoft's lore community at its best feels like we are all academics defending our thesis before the audience! But the whole "well aktualy" + "there is no proof so your headcanon is bad" + "let me educate you media illiterate casual" + "but [popular loretuber] said this" attitude just isn't it.

The last example is important! This problem IS also often the result of latching onto what a popular loredigger says. Usually Vaatividya (video lore), charredthermos (wrote a popular Bloodborne interpretation document), Lokey's Lore (has whole website with his interpretation of Fromsoft games bits) and so. And I often see people hate these popular Youtubers too, but I think that the blame lays on the crowd! It is none of these guys' fault that the crowd decided to promote them to the fandom's idols and give them this sort of influence! They were not loredigging to gain this kind of power, they probably never expected the popularity, and they would sure be unhappy to know that their work is used to shun creativity and start fights in the community that they care about! Yes, even when they 'lokey' (haha geddit?) speak in the manner that suggests being close-minded to other interpretations, they are not forcing and CAN'T force fans to idolize them.

In the end, they were just doing what they loved, and popularity probably came from them being pioneers. But instead of spilling vitriol towards them and saying how they should be "dethroned" as if they damage the fandom, why not turn our anger towards THE people who idealize them? We are all angry when we are "corrected" and they use lore of someone popular as a "proof", but this is the fault of THE people who "correct". Discourage this behavior, encourage thinking like individuals and not like sheep. No one asked for the popularity or the power to stomp out any curiousity and creativity. Don't hate the big guy AND don't take the big guy's word as a gospel. In the end, we are all just guys looking for answers in the places where they were NOT given.

10) "Mohg beating allegations made the story worse"

Sibling paragraph to 'they've failed the fans by not making it a thing from my wishlist'. Themes of sexual abuse and incest ARE quite interesting and important, but not inherently THE most important, or more important than any other themes! The information about Miquella having put Mohg under spell opens up equally interesting things to talk about and look for! How did he end up like this? Was it an accident of him trying to "heal" Mohg and it no working, and then he decided to just use what he had when he followed his plan? Had he written Mohg down as only working as vessel sacrifice for that mad plan from the start? What was the backstory between Miquella and Mohg considering this? There are still interesting things to work with, regarding relationship of the two, but now with added spin of Miquella's fall from grace arc that starts with following the plan with Radahn. Because, I remind you, requirement for a vessel, so, someone powerful dying and being used, was part of it from the start! Since Radahn needed to die! It is dark, just in a different way, and divided between two characters instead of just clear stated victim and abuser without shades of grey or nuance!

I say 'divided between two characters' instead of 'they've switched' because Mohg didn't instantly become a GOOD person over this reveal! I praised him as a valid character to point out that not all victims of awful childhood and mistreatment are automatically good people, which is a good way to diversify the characters! Make things more realistic than black and white thinking. Similarly how Rykard or Dung Eater are evidence that not all people up against the oppressive system are automatically good people. That benefit of Mohg as a character didn't evaporate, he still serves that point well enough! Nothing in the DLC said that all the kidnapping of surgeons, corrupting people with the blood and bringing in sacrifices happened because of Miquella's charm. Ansbach, in fact, confirms that the blood cult madness existed before Miquella's charm! When we admit to him that we killed Mohg, he also states that such were understandable risks of seeking Lordship, implying that Mohgwyn Dynasty, so, attempt to insert himself into Golden Lineage through mad, violent means, was also already a plan before! To think of it, SA accusation is the one and only thing he beat x) Reminds me of this meme: ( x )

Again, the story allegedly becoming "worse" solely boils down to 'they've made it about a starter point in Miquella's descent from grace and not about sexual abuse' that is simply not true. It is still interesting and valid story, just in a different way! I would normally argue that as far as fandom life goes, it should have in fact improved things; whereas Mohg was never addressed and explored as a character beyond "mohglester" thing, now he should get proper respect and analysis by the fandom, right? …right? WRONG, now people do often simplify him in a different way and forget that he DID do all that other bad shit! 🤦🏻‍♂️

And I can imagine that complaint about this reveal is not limited to but INCLUDES fans being annoyed by how people simplify Mohg and make him a good guy now! But fandom's habit of selectively reducing characters to just one trait ("mohglester" before, "victim of brainwashing" now) is not the fault of writers. How exactly the fact that we, as a community, are too shallow and unprepared for complex story and characters Fromsoft offers to us, is the fault of Fromsoft? Creator should not simplify their writing or direct it a certain way just because of the notion that majority will lack attention span or insight to understand it! We are the ones who should do better! Mohg offered enough complexity in SA allegations era, he still offers enough complexity now, it is right there in the source material for those who seek and care!

11) "Why some people are still coping instead of admitting the writing is bad???"

Yeah very mature of me to single out this paragraph by making the headline sound like the speaker is having a fit, I know. 🙄 In my defence, this particular one also truly got on my nerves, but it lacks the same huge gravity as the topic of approving of Hornsent genocide did so it is just… it is certainly something right.

Certain kind of fans that I lovingly call 'Twins Cultists' (as opposing camp to 'Chadahn Simps') has been terrorizing the fandom with the attitude of singling out and shaming other fans for "wrong" interpretations, saying how they "disrespected story and characters" with the awful sin of not reading characters Malenia and Miquella deeply enough while at the same time reducing Godrick and Mohg to a bad punchline and insulting fans that read deep into THEM, trashing everyone outside of their echo chamber, putting characters/ships malicious ragebait takes in the TAGS and then playing victims of the "toxic community" and such and such. And you would expect this kind of behavior to get significantly humbled up and them to self-reflect on how they were treating fans when THEIR takes were disproven? And I am glad that some people DID!

Full respect to the guys who reconsidered the attitude of swinging their One True Reading at the heads of "heretical" fans like a bat now knowing Fromsoft always has some cards up their sleeves! Especially if they apologised to the fans they were rude to! But also enough people didn't and now not only hate differing fans harder, but also are furious that writers sorta took away their privilege to be mean to "media illiterate weirdos". I wish I had the patience to accept the fact that of course people are angry, because something so important for them was……. no, fuck that lol I don't.

Okay jokes aside, yes I am aware that it is not possible to care about something passionately without at least somewhat slipping into the territory of defending your understanding from "threats". All we can really do is to draw the line between getting too carried away by our passion and outright obnoxious toxicity in the fandom and TRY to not cross it. To CHOOSE to not cross it when we see it, and step back if we did cross it. I do, however, take an issue with people who refuse to try and even encourages the mentality of seeing fellow fans as "enemies" and gets proud knowing they angered someone or discouraged them to check the tag. In Fromsoft fandoms, it is almost exclusively Tumblr behavior, we are sure luckier than every other fandom in the internets, but I still want to get it off my chest. Like I said, this particular attitude developed a new form after SoTE released, attacking the fans who seek reasoning within the writing decisions they deemed badly written or fundamentally wrong.

And these instances are EXACTLY where I put "just caring passionately" as their motivation into question. Because if someone says it makes sense to say that Miquella and Malenia admired Radahn's kindness when they all were younger and thus he likely faced a negative character arc since then into becoming obsessed with war instead, and you get mad at them for "coping when calling a warmonger kind is dumb and makes no sense"…? Sorry, but who cares about characters MORE in this situation: the person offering proper thought about them given some new information, or the person who is mad that their one-dimensional vision got broken?

People finding creative, interesting and reasonable ways to incorporate new information into lore, in the ways that do not contradict the base game (!!!) is not "coping" or "seeing through pink glasses" or "refusing to admit their fav dev can do wrong" or whatever you choose to call it. It is simply using analysis and imagination, it is adapting and accepting. If you can't do it, you are welcomed to do rewrites of SoTE reveals and characters and ending, it is not illegal! But don't go and say that the writing is so awful and broken that everyone who accepts it "never actually loved Elden Ring" or other nonsense just because for YOU this writing didn't work! The one and only unforgivable thing the devs did starts and ends at the fact that Radahn thing was not foreshadowed, and yet even HERE his relevance is EASILY incorporated and developed into backstory if you are willing to put in effort! This retcon is such a nothing thing compared to what some other writers do glares at Ladybug retcons for comparison. Like, working with it is possible, and if you don't want to it doesn't mean others shouldn't.

And in fact, at first I saw a lot of enthusiasm regarding the rewrites, AUs, "fixes", dwelling on pre-existing lore ignoring SoTE and all that. I really did, and it was valid. But then what I saw, personally, was that flame dying down and amount of such posts shortening but out of those who left this brand of toxicity followed! My interpretation of this change is that when initial shock and frustration waned, more people started to notice SoTE was not bad.. and THAT made people who continued hating SoTE feel less validated, in a way. When people started to warm up to certain plot twists and decisions, to elaborate new information into their vision of the lore… people that still hated and disapproved of the thing lost the image of being "the saviors of the fandom from Miyazaki's garbage writing" and became simply people who do their own thing. And for people who are driven with negative impulses, 'just enjoying the things they like' is usually not enough. They need to be "right", they need to "contribute to the fandom", they need to be "better" and so on. It is a known thing about fandoms even aside of SoTE and Soulsborne fandoms altogether, and I feel like this situation is the return of it, personally.

Of course, this is all speculation and the dynamic I've observed. Maybe someone observed different processes entirely! I just think it is safe to assume as I've seen absurd level of toxicity even despite staying away from 'active' fandom (no 'cool kids' circles, no following popular creators, no open Discord servers, no checking tag or Reddittube etc)!

Still, "I'll fix awful creators' writing because I actually love and respect the characters unlike they" is already a very questionable sentiment, but to attack the fellow fans over this is beyond any patience and understanding! Eventually there is no "right" or "wrong" way to love the characters and story and to be passionate, even if we are naturally inclined to believe in our own vision the most! Perhaps you express your love by putting in a lot of effort to give the characters different writing entirely, to "save" them from decisions of creators you don't agree with. But it is an OPTION, not the One True Way, and… really, it is strange to be mad at people for being happy and satisfied with the story and finding a lot of valid things in it and call them blinded Fromsoft dickriders incapable of critical thinking or whatever! Bonus points when such sentiments come from EXACT same people who resent the Youtube bros that bash every other new TV series AND insult people who dared to enjoy such aaaaawful product or whatever… You guys really hate the type of YouTube "critics" who take personal insult in people who enjoyed a thing and even reasonably justified the parts that THEY declared disgrace to the series and disrespect to true fans? Yeah most reasonable people hate them. We all know at least one modern TV show whose fans got this sort of treatment. But don't you guys see how you've became exactly the same type of "critic" at this rate? Unacceptable behaviour, not justified by 'but it comes from place of passion'! I am passionate about Soulsborne as you could tell and I disapprove of it, no correlation!

12) "Fromsoft became woke" (and variations)

For startes, I have to wonder whether we've been playing the same games all along. Where was it when Gwyndolin was intersexual and affirmed himself as a trans man later? Seath is also blind and has what is a disability for his species? Where was it when Pharis/Evlana was a very GNC woman in Japanese original, but for you she looked a trans woman because English localisation made Pharis a he/him a removed Pharis' nametag from "female archer" in the woods? Where was it when our good friend intersexual trans man was literally killed by the church? Where was it when they had female doctors, church leaders and scholars in Victorian era? As well as strong female hunters like Maria or Gratia? Gratia and Rom are also confirmed intellectual disability rep via Japanese script? Or when both male OR female hunter could propose to Annalise? Or positive sex worker representation in Arianna being the only kind person to step in Oedon Chapel? Where was it in the BASE Elden Ring with Ranni being bisexual, Malenia representing severe physical and mental illness, Miquella being GNC at least and trans+neurodivergent-coded at most, Dolores being a return of GNC woman, Blind Swordsman, Niall being another prosthetic-using fighter and Marika/Radagon? Speaking of blindness there were also Maiden in Black, Firekeeper, Irina 1, Irina 2 and Hyetta? Where was it when through their whole games they never sexualized their female characters and the ONE exception in Gwynevere was not even on purpose? WHERE WAS IT WHEN TRANS COFFIN???

...okay, I can continue and I'd love to be reminded of more examples. But on the serious note, this complaint has two ways to go about it: 1) an understandable fatigue with writers and stories placing pseudofeminist agenda on bland unsympathetic female characters, retconning pre-established characters to pretend to care for diversity and generally hating the audience for merely being born cis/white/male and 2) people being upset at diversity in the cast to begin with and complaining about "forcing the politics in art". And in both cases, this just doesn't apply to Fromsoft.

In the first case, they simply aren't hating their "privileged demographics" audience through characters and narrative, and doesn't seem like they will. They write very compelling, nuanced and even sympathetic characters, as well as the stories that make you ask questions to yourself! They insist on messages against corruption of religious institutions and fascism, but even THEN they'll give sympathetic characters on that side (!), show that not all people who oppose them are good either (!!) and make damn sure to recognise at the start of it all were good intentions (!!!!!!). From this angle, you could argue they are not woke ENOUGH, actually, because of how merciful, open-minded and non-forceful their messages are! They deliver their points through characters who are actual people, rather than writing characters as bland plot devices that hate you!

In the second case... Yeah, as memey as the phrase is, but "they've always been woke". Just because Miyazaki loves motherly woman archetype and and Fromsoft games always had compelling married hetero couples doesn't mean they are your allies in "preserving traditional values"! Again, messages against religious corruption and preserving long-overdue order of things fearing change are plain. Elden Ring had a slight increase in diversity, but to think of it, Elden Ring is also a bigger game with bigger cast. I do want to point out though that the very concept of worrying that with more diverse characters somehow cis and white cast will no longer be a part of From's stories is strange. They'll never make it all about JUST one demographic because they cover nature of humanity in general, but if anything, adding way more angles than their staple Medieval Europe culture route gives them more power for TYPE of the messages they want to tell! Because their power is, and always been, showing the situation from different perspectives.

13) COMMERCIAL BREAK LOL

14) "Devs artificially increased difficulty instead of WORKING to make battles"

This is very unfair criticism already from the very concept! Players had two years to advance through the base game, and if you play consistently, it is enough time to become ridiculously overleleved! Overleveled to the point of not being able to enjoy playing SoTE at all, as all enemies would drop dead instantly! It was easy to sabotage the challenge and simply not let the devs give us the fun experience they intended. But, no! Devs cared to make things so that even if you are 300+ level and have godly build, you'll be down in two hits by the first Furnace Golem, let alone bosses! So, yes, you either need to run around and collect Scadutree Fragments, or seriously study your boss and come up with clever strategy! I am still proud of a really smart way to fight Rellana I invented x)

This complaint did have a period of initial shock when it was really blown out of proportion due to the comfort zone of being overpowered broken, but this opinion still lingers and I just find it strange! Why NOT make sure that players of any level physically can't be too strong to actually PLAY SoTE, instead of just running through it with ease? Even then, how comes they "didn't work on bosses"? Boss battles like Messmer, Bayle and Midra are absolutely wonderfully well done on every level! Romina, Rellana and Putrescent Knight are really great and have super interesting battles even if not as epic and show-stopping, aesthetic and moves alone are immaculate. Non-remembrance bosses who are also very fun and beautifully designed! There are annoying bits about Scadutree Avatar and Gaius, but you can't seriously say they did not WORK on them! The bosses are challenging not only due to artificial difficulty, because even at high Scadutree Fragments level you still need to give them thought! And while you do… right, you can admire the sound and the battle design!

I am just really confused about this complaint because it could only be applied to reusing Radahn for the final boss.. but even then he is not fully reused, and sure not so reused for Stage 2 where you can't see shit because of Miquella's spells. One "kinda mid" boss can't and should not eclipse all those awesome bosses! If anything, he feels more like a hard to get joke! Fans have been saying things like 'oh if only we could fight Vendrick at his prime', 'oh if only we could fight Gehrman at his prime' etc etc… now, as they ALSO did want to fight Radahn at his prime, they got an option to do so, and he is not all that impressive, right? :p Let's be real he only sucks because Leonard isn't here hgfhhhgb

15) *admiring how fanatical Leda is while hating other (male) characters with the same quirk*

Sigh... I will just leave this meme by the user wraith-caller here: ( x )

Yes, fandom does have decent amount of simps for this type of male character, I know. Lautrec, Alfred, and D twins. (Coincidentally, all women-killers x) Even if Devin is actually justified) I suppose Queelign would go here too if people didn't write him down as a joke character by proxy over a cursed cleric haircut? 🤔 skill issue btw So of course it is not to say that they are not given enough love/lust/other positive interest…..

…but for some STRANGE reason, people who feverishly admire Leda and simp for her or at least hail her as such compelling character that ALSO hate Alfred or D for being such horrid fanatics are almost a staple by now! Why!!! This problem existed to a smaller extent with people who hated Alfred while simping for Adella and even shipping her with her victim- and no, it is cool and based, one does NOT get into a media with dark themes to demand healthy characters and healthy ships, but why so many times gender defines it? I don't care if you are a lesbian; whether you give character a justice should NOT depend on whether you are attracted to them, or else you are no different from straight girls that would like a male character and hate female character with the same issues! And sure I don't care if you are a feminist and are inclined to give "pay back" for years of misogyny in the fandoms by applying double standards!!

16) "Why could not we have JUST ONE genuinely nice character?"

Alllllright so… apparently, I was wrong this whole time about SoTE. I was convinced that it had no impact on the base game beyond like, Leda greeting us in Mohgwyn Palace, but I suppose I was misinformed very much? Because turns out that this whole time I was not aware that SoTE removed existence of Roderika, Hewg, Boc, Melina & Torrent, Latenna, Albus, Thops, Jar Bairn, Millicent and Enia from the base game!

….fine, okay, sarcasm is not my forte at all, but what I said still stands from both subjective and objective standpoint. Subjectively, I don't think counting out minor characters does any good for enjoying and analyzing the story! Should anything only "really" count when it is a significant, major character? This reminded me of that time when someone said it was 'incredibly fucked up how Bloodborne only had 2 non-white characters' when in reality it has 13 but minor characters supposedly didn't matter much…?

I want to specify though how this bit is more about how I interact with fictional worlds; I take them as just fictional realms that I enjoy exploring and "living through", I do not put much emphasis on how much 'weight' characters representing certain demographic OR worldview in the story as someone able to love every other minor gremlin genuinely! Maybe it is autism, maybe it is the fact that I am naturally hesitant to interact with the 'big guys' anyways with real people too. I enjoy tending to flowers and I suppose for most people the point or representation they want to see should be visible from every angle, like Erdtree x) With major characters, I think Rennala and Godwyn are the closest we have to good people, yet they were not able to be 100% good conceptually due to their high status.. much like Miquella himself, which brings me to a more objective point!

Conceptually, it is already impossible to be fully good when you as much as hold a lot of power! Some people have to be neglected if not straight up stomped out, for your own safety or safety of others, and it won't be a good thing *regardless *of intentions! Some sacrifices have to be made because if you are nice to everyone while having a lot of power, bad people will try to use you! Some social games, if not straight up violence, have to be applied if you want to make a change in the world! The big, important person can't be perfectly kind, because in that case they will no longer be big and important! It is just cruel truth about how society works! And Miquella HAD to be big and important. He had huge plans for the world, and as much as keeping himself and what tribe he has built within the Haligtree safe implied some morally questionable acts, let alone making his path through the position where he can change anything!

Pacifist character with unyielding principles who has a say in the fate of the world can often be portrayed from a very unpleasant angle, like, 'hug and forgive war criminals with unreal body count :3' angle (Steven Universe comes to mind first of all). Like, such decision make you wonder how this is being a GOOD guy here! But at the same time, is taking down those war criminals truly good either? When the character combines being the force of good AND being the force able to effect fate of the world, they inevitably are faced with the dilemma of either getting their hands dirty, thus sullying their grace at the very least, or making a decision that would feel like betrayal for the victims… which, again, sullies that grace but in another way. Miquella was already conceptually doomed to act Machiavellian by the virtue of being an Empyrean who wished change, much like Ranni except more subtly so!

And this is why true goodness could only come through the little guys. They don't have to make morally questionable decisions with no outcome that spares their innocence; their field of influence is to just care about their closest surrounding and to do their little tasks! They can't change the world, but they can change just the lives of their friends and their own.

Malenia, one of the key figures in the story, was faced with the choice to either "abandon her dignity" and nuke the continent to deliver Miquella's plan in full (the route she did end up doing), OR to preserve that "dignity" but thus hinder their plan that I remind you was against the Golden Order, to build a better world (which is also sort of morally questionable decision in the grand scheme of things)! She could not win and with all information we were given, more suffering in the setting would ensue no matter what! Do a drastic sacrifice for the greater good, or forsaken that greater good to preserve more lives but doom them to live in the same bad conditions forever was her picture! Yet Millicent, effectively a 'little guy' version of Malenia, had the privilege to die with her integrity intact without any big consequences for the world and great scheme of things! True good, certainly, can only exist in the smaller scale.

When it reaches the higher plane and higher decisions there is no way to remain 'unalloyed'. So, yes, we could NOT have 'just one genuinely nice character' out of people with huge power and importance. Not because Miyazaki allegedly hates hope and hates you! But because he is a writer that seems to understand such fundamental things and philosophical dilemmas from the track record of his games so far. ANY mature, insightful writer knows that the idea of someone 'important' forever being good might be a thing the audience wants, but not a genuine thing. "No matter how tender or exquisite a lie will remain a lie" and all.

17) *hating Radahn's inclusion because "dudebros got validated" and not over the story*

To be honest, this IS something I am also familiar with. I won't play the "unlike you snowflakes I don't care about online discourse uwu" persona because I SURE do! I used to dread Mariadeline ship because fans of it were easily the most toxic and unbearable type of Bloodborne fans, choosing to remain willfully ignorant about Gehrman's character actual lore, showing near-biphobia regarding Maria, having era of acting personally attacked when their ship was implied to be anything BUT cottagecore fluff dynamics without corners, playing victims of hate and "misogyny" when they themselves maliciously rage-baited fans that were just enjoying themselves, and doing that ableist 'no reading all this get a life' thing when shown where they were wrong! I had a period of really disliking Leda because she was an in-universe manifestation of aforementioned 'Twin Cultists' who act very similarly to common Mariadeline fans with spreading the "us CORRECT fans with MEDIA LITERACY who RESPECT story and characters vs them WEIRDOS" toxic mentality, with the whole joys of echo-chamber stuff, playing victims when they knew they were PROVOKING anger and feeling attacked when anyone dared to as much as to look at their favs as anything but perfect. I dealt with both and enjoy the ship now, and like Leda now. These are just two recent examples, but I faced a similar problem often, in previous fandoms as well. And I will be real here:

What helped me every time was to distance from the 'vocal' fandom, gather around a few friends to private chats and bounce around the ideas on our own. Without any outside influence, without deliberately skewing interpretation to "spite" anyone, without any motivation in it besides trying to look at things with clear gaze. The cure against the sour taste that bad fandom experiences have left is not to have the writers to "validate" you or to "spite" your opponents or whatever. The cure is ALSO not to completely abandon the ship/character/concept/etc giving up on it as if it was rotten and "not worth the stress". The cure is to hide away from this negative influence for a time being and build your own vision, that might have only like 3 other fans but be immune to everything! Us very few people here who like Mariadeline the different way keep FAR distance from its more 'common' fans, and we are pretty glad that we grew a Halightree in the contrary to their Erdtree x)

I do not really see why could not the same be done with Radahn as a character. In fact, it feels like there is an unspoken DEMAND for it. For 'reclaiming' him, even! My friend heraldofcrow made a post ( x ) about why Radahn is not 'Chadahn' at all but actually a sad character in his own right and just LOOK at the notes! Clearly, he does not have to remain a "mascot" of those dudebros and remain associated with the dumbest discourse you ever had to read!

I think the fandom really has lost the objective when prior the DLC you guys started to hope for certain outcomes based on the fandom experiences! People hoping for Miquella to be kind to make 'annoying Berserk fanboys' shut up, people hoping for Miquella to turn out evil to be vindicated after his annoying fans were toxic over "wrong" interpretations of him, people hoping for Mohg to be confirmed bewitched so everyone who called them media illiterate could eat their words, people hoping for the answer to Caelid battle to invalidate Malenia haters from Reddittube…… Like, how comes that we have forgotten that the first priority is to hear what the writer has to say and try to accept it as fans, or at least to have objective, reasonable wishes for the story rooted in our knowledge about writing and NOT in fandom discourse? It should not be a matter what group of fans gets validated or screwed over, it should be a matter of what it does to characters! It should not be important that now Malenia haters will NEVER shut up, but it SHOULD be important that we now have a better context for her moral failing and can work with it. She is not THEIR to trash on, she is YOURS to cherish as the girlfailure now with extra information!

There is a Russian saying: "Мышки кололись, плакали, но продолжали есть кактусы" (literally "(the) mice prickled themselves, cried, yet kept on eating the cacti"). It is a figure of speech describing someone who keeps stubbornly doing something that only brings them suffering without a reasonable purpose to it. This is exactly what those dudebros have been doing thinking about Malenia within the context of their fav and what they have been doing complaining about how hard it was fighting her when no one forced them to. But this is ALSO exactly what Malenia fans have been doing engaging in bad faith "debates" started by those guys and checking Reddittube knowing full well no good takes exist there!

If what you wish from it is effected not by your knowledge and tastes, but by your bias stemming from fandom experiences… really, distance from the fandom and heal. Characters are their own entities, not your tools to own other people in the fandom. It goes to both Reddittube AND Twitbr, to both people who started it and people who merely developed negativity as reaction. Fans are NOT part of the story and should never be, we are all just people observing it and reacting to it.

18) "They clearly gave Radahn spotlight because he was popular in (western) fanbase"

It is absurd to assume that Fromsoft would turn the planned story around because a lot of people on Reddit and their YouTube lore influencers declared 'Chadahn' their king. In fact, judging by the merch they're offering, Malenia is recognized as equally marketable if not MORE marketable! Besides, had they cared about Western fanbase's reception specifically (which IS where Radahn is loved), they would have likely avoided the potential backlash by that type of fans regarding making their fav LGBT+! With half-brother, no less. I've also heard a theory that they included Radahn as the very last moment solution, but I doubt that baking in Freyja into the story with her and Ansbach's questline, as well as creating Gaius, could've been something done in the last moment! I am not a game developer so correct me if anything, but it looks like a lot of work to do. Besides, there is not enough cut content in SoTE to suggest the plans were far different! And we all know that cut content always still lingers in the game's files with Fromsoft!

They can care about marketing- heck, using Vargram, an existing character with his own lore, to portray the "Tarnished" in promo materials because his set is more catchy than Knight/Tutorial set, for example! Or how replacing an option to murder Orphan of Kos as an infant with 'shadowy presence' because it felt too grim didn't undo the option to kill Arianna's infant and other celestial children, nor it undid how horrifying Fishing Hamlet was. They also obscured the fact that Annalise's baby got aborted, but not the fact that Queen Yharnam's baby was stolen while she has a bleeding wound where a big belly used to be. These are examples of making posters more eye-catching and dodging potential scandals about promoting abortion respectively, but nothing about nuking the plans for the story!

You know what sells even better than Radahn? Big boobs! Yet over and over they make their female characters have smaller chests, even Marika, and the ONE exception Miyazaki ever made, Gwynevere, was done because the guy who drew her concept was too happy! Heck, assuming that Miyazaki included Radahn because his coworker wrote a Miquella x Radahn fanfic he liked is more realistic assumption than him wanting to "sell better" jggfggfhgn In any case, my point is, they follow the vision they like and don't sacrifice integrity of the story!

(+On the relevant note, back then there was a scandal with press calling them "homophobic" for Mohg supposedly perpetuating a negative stereotype with incest/pedophilia accusation….. but while they debunked that impression, they've added consort thing with Radahn that falls for the exact same issues potential lol!!!! You know the only reason "Radahn is a groomer" takes don't exist is because people who care about Radahn aren't the discourse-starters of the fandom. They didn't escape certain side-eyeing even when they COULD and it is funny)

There is another thing I want to address though!

The screenshot is from this reveal trailer, and the excerpt is from Miyazaki's interview ( x ). I assume that this COULD be used as a reasoning behind thinking adding Radahn and final Miquella cutscene in the "last moment"; like 'you see, there was an ending where he 'reveals' (?) the Scadutree, but they cut it, and offered that unfinished clip of Miquella asking Radahn to come with him!' ..okay, sure, but you know what else was in that interview?

The confirmation that there would not be an extra ending for Elden Ring, of influence on the main game! Right off the bat, right after this trailer! Miquella "unveiling" the Shadow Realm or anything like that would have had consequences on the main game, certainly! They might have animated this prior because they wanted to add a new ending but then decided to not touch the main game under any circumstances but kept it for the cool trailer, or they animated it for the trailer from the start (like if Miquella is unveiling a new location for us, metanarratively)!

19) *refuses to use information and lore from the base game while looking at the DLC*

Yet AGAIN, "Free my man Mohg from SA allegations (he did do all that other shit though)". XD True, when it is not that people reduce (?) him to just a victim upon learning Miquella's Bewitching lore for the sentiment alone… it is then because they sort of forget. :clown: Ansbach's entire existence and what information we receive from him confirms that Mohg's scary bloody cult existed before Miquella's spell! It is up to anyone to interpret whether 'love' theme about his cult also existed before what Miquella did, or was, in fact, a side-effect, but kidnappings and sacrifices definitely were not caused by Miquella!

Another example off the top of my head is Maliketh and even Hoarax Loux / Godfrey basically evaporating from Marika's backstory, as though nothing ever existed besides her time at the Shaman village, Messmer and Fell God. And the latter one makes it especially odd, because base game hammered it down in every other Fire of the Giants' incantation that the motivation to put that fire down was because it was capable of burning the Erdtree and existed as anathema to it altogether, but now it got basically forgotten, as if all that ever existed about it was Messmer's presumed connection to it! I even got """corrected""" once when I stated that war with the Fire Giants happened to establish and protect the Erdtree, with something along the lines of 'we don't actually know what the motivation was but very likely to help with the curse that he caused on Messmer'! Also seeing the turning point of Marika's story in her becoming a God through Divine Gate, when in reality it was first her being chosen as an Empyrean by the Two Fingers! So, first someone now qualified to create the new order, and then actually creating it by entering the Divine Gate!

There were also Miquella things such as saying that he abandoned Malenia when she described his absence as "he will keep his promise", or saying that him forgetting Godwyn was a weird decision when the base game already suggested he failed and gave up with failed Eclipse and Golden Epitaph with words 'please die a true death'! To be honest, with Malenia one I myself fell for it at first, but… yeah, base game suggested he was going to return to her after/if his plan succeeded. Romina "creating" Scarlet Rot I also found to be often disconnected from (Outer) God of Rot existing 🤔

I suppose this could be justified because many people finished Elden Ring significant time prior the DLC, so many lore details got blurred and only general impressions of specific fixations stayed! It is just how memory works, and revisiting the source material from time to time is necessary! Even then, SoTE is so full of new information that it is easy to just completely fixate on it! I just think that it is important to remember that SoTE is still not just a whole game despite its absurd side and saturation with the new things, and things in it add into the base game! Not always like missing puzzle pieces but sometimes in a way that makes the puzzle itself bigger, but still. Gaius existing didn't replace Alabaster Lord that was Radahn's Gravity Magic teacher and Ogha, but he was also a "classmate"! Radahn being stated as an important sibling for Miquella and Malenia didn't replace Godwyn, but rather is added as someone also important! Hell, maybe he even became so close with them after Godwyn's assassination, but I'll get to the "it doesn't contradict stuff" in the meantime! Dryleafs and Needle Knights aren't supposed to make anyone forget about Loretta and the plan to find "proper" Haligtree Knights but never finding a master for such sword! They are just people who put faith into him after Erdtree started to die and his police force respectively! (Also no if I saw that Needle Knights are police then so have to you all, fuck you)

20) "How could they abandon [insert a thing that had enough place in the base game]?"

This kind of happens frequently, and usually it is about Godwyn! Sibling paragraph to 'it obviously should have been Godwyn' I suppose! Godwyn is not the first character who is very significant for the story yet everything happened behind the scenes, through descriptions and dialogues of other characters. In fact, meeting him in "person" is already a luxury by Fromsoft's standards! He had enough of spotlight already with his death triggering the VERY events of the plot with Shattering, one of Miquella's failed plans being about 'Eclipse' to bring him back, being grieved for by other characters, making peace with Ancient Dragons and thus a whole type of incantations in the game being linked to him, haunting the environment via Deathblight and being core figure in the questlines of Ranni, Fia and Rogier who are pretty significant characters all! He had enough development and presence in the narrative, I'd say to the point where bringing him into SoTE would overload the story with his presence! Not making him a core figure in the DLC and limiting new information about him to his most significant Knights rebranding into Knights of Death to protect the places where Prince of Death "grows", again, not some grave insult to his fans because what was there to tell about him happened in the base game!

With Fromsoft characters, THE tragic culmination of their story often happens behind the scenes and we are intended to meet the character at their lowest point, or just dead! With Godwyn, that culmination did happen behind the scenes, with such beloved, important, enigmatic figure getting assassinated and sending Marika over the edge, and we have a second emotional culmination for the character that we get to experience where we DO meet him at his lowest - an abomination on all living and mockery of former self, knowing Miquella did not get the wish to either return his soul OR let him die a true death! He did not have enough screen time, but he had enough presence in the story and feelings!

A similar complaint could be made regarding 'Well, Miyazaki said that Miquella would be a focus of the DLC, but we only meet Miquella in the end and he just sits on Radahn's back instead of at least fighting us himself'! (no not me making up a guy, it was an actual claim towards Miyazaki allegedly "lying") First, you people take it BACK about a very clever Dark Souls 3 reference and Miquella's spells not letting me see shit. Second, like I said, his presence is all over the narrative! All core NPCs talk about him, we follow his traces and find flowers growing from his blood, we learn more about him and his past, Radahn's story is now connected to his and Mohg's story with him given some insight, Trina is inseparable part of him, Dryleafs and Needle Knights are HIS covenants, we see effects with and without his spell… How is all this NOT 'being focused on the character'? Fromsoft's style of giving character time and space is not specifically to show them on screen or let us battle them or have dialogue with them!

Personally, I also at first wrongly assumed that they forsaken Miquella and Malenia's connection for the sake of Radahn, but this is, again, the case of one not excluding another! His connection had enough weight in the base game: he started Fundamentalism with Radagon primarily as a sort of magic to heal Malenia and abandoned it when it was not working, she always identified as 'Blade of Miquella' and it is the only thing she holds onto as she is falling apart, her clothes, prosthetics and armor pieces are made of his Unalloyed Gold and it even digs into her very body, all which he created for her, Ephael is full of statues depicting their younger selves holding each other, she was the one to have his needle (different from the gold needle) and she awaited him to keep his promise since he was "the most fearsome Empyrean"!

(Cut Rico's dialogue in the base game's files ( x ) ( x )) The original intention seemed to give Trina less of a 'personality', making her more inseparable entity from Miquella or even straight up just his disguise like with cut Merchants' questline, so the plan to ascend Miquella to Godhood was already in the plans! They have changed the dream realm thing since, recontextualizing Miquella going to sleep to ascend into presumed dream realm into Godhood with dream Trina persona to Miquella departing into the realm where rather all dead drift to, but the POINT of him leaving for that mad plan rather than mysteriously vanishing and Malenia not knowing why was there from the start! Writers didn't just "randomly made him abandon her" - he ALREADY did so in the very early draft of the story!

In the interview ( x ) about SoTE, Miyazaki also confirmed how many things that were planned from the start were cut from the base game's story because it was getting too big:

Miquella also abandoned not just her but everything, and Radahn logically got special treatment because he was part of the plan from the start! Miquella, who left every feeling that made him the person that he was, did not need to love Radahn or care for him to remember that a God requires 'consort' (in this setting's lore). It is not outlandish to assume that he wanted Radahn to share that fate (a fate so bad that Trina begged us to rather kill him that allow it, mind you!) and not Malenia because she already suffered enough for him in his eyes, for example. She depended on him for everything, so why not ask the other tough guy rather than a person that never knew independency and true agency outside of his influence?

My hot take is that not asking her to hold his hand through horrifying ordeal further proved him caring about her with all the context! He maybe ideally would not have asked Radahn either but if you need the Second Guy as a God, who will you rather ask: a person that already never knew life besides self-identifying as your tool or a kind tough guy who was the second most reliable figure for you BOTH after Godwyn? And would Godwyn be interested in the idea to abolish the Golden Order anyway? Radahn presumably changed his mind later in life, but Godwyn was THE Golden Order guy since the start! But my interpretation is not so relevant, it is subjective and again saying 'there is no glaring problem that people think there is, it comes down to interpretation'. There was still nothing else to add about how Malenia and Miquella were connected in SoTE, it was already all said in the base game!

I might be talking from the standpoint of someone who very much used to the way Fromsoft reveals information; they are very minimalist and precise, they give as much of it as needed to understand the gist, and bringing up something not in one description of an easily missed item but several times across unskippable lore is generous for them! They said enough in the base game for everyone to get the point and decided to not milk the same thing in SoTE, nor they erased or contradicted the information from the base game!

Wanting more information for the sake of it is valid and natural for fans, but Fromsoft doesn't give it just for the sake of it! They didn't abandon these topics, they simply finished talking about them! Even so, Godwyn got now got confirmed to have his version of Cleanrots/Redmines, and Romina offered a fantastic narrative parallel with Malenia as someone unable to bring Scarlet Rot to blooming from the buds state yet cherishing it, when Malenia wanted nothing more but to get rid of Scarlet Rot yet it kept getting through no matter what! They added some extras without exhausting the point itself!

21) "Sote was a mistake" (and variations)

YOU take that BACK about Thiollier and Ansbach. You take that back about Leda and her potential of interacting with Loretta, about Freyja, about insight on how Tanith looked like before marrying Rykard, about Moongrum having a twin sister- heck, about RENNALA having a super cool badass sister! You take that back about Midra and Nanaya and the whole cool Abyssal Woods location, about cool Midra's Manse lore and the best fucking boss battle and soundtrack ever. You take that back about Messmer and the Fire Knights. You take that back about cool battle mechanics additions with many two-handed arms, hand/legs combat mechanics and throwing weapons mechanics. You take that back about Romina and super cool insight on Scarlet Rot. You take that back about Ymir and super messed up cool cosmic eldrich stuff with cosmic fingers and Metyr being a return of Ebrietas archetype no one could expect. You take that back about how everyone finally pays more attention to the Fell God and worldbuilding in general. You take that back about immaculate aesthetic and captivating lore of Hornsent. You take that back about meeting Trina. You take that back about how significant and important topics they managed to raise- no, honestly, how cool is that that they got us to discuss the topics of fascism and genocide, as well as cycle of revenge and dilemma of limiting free will vs accepting cruelty of the world so hard that we FORGET to simp for [choose Messmer or Rellana or both depends on you] during such passionate debates? You take that back about coolest fucking sets ever and ability to become a dragon. You take that back about Igon, Florissax, finally getting an explanation about why Dragon Communion was a thing if Golden Order made a pact with Ancient Dragons and BAAAAAAAAAAAAAAAAYYYYYYLEEEEEEEEEE! You take that back about Gaius- actually no screw that man, remove his battle lol

…sorry had to add that punchline.

My point still stands: you cannot objectively say that SoTE was a mistake. Subjectively, you can; if you were a fan that solely cared about Miquella only through a certain lense and nothing else, then sure, SoTE fucked your headcanons over and all the cool stuff won't make you shift your hyperfixation. For you, it would have been better if SoTE never existed, you would've been better off in previous state of things, endlessly debating Radahn's fans and bullying people with charitable Mohg interpretations and whatever. But people like this do NOT represent the fandom as a whole at all! Not even in relevance to the gaming-only part of it, I am talking about artists-writers part of it as well! Objectively, SoTE contributed a lot of interesting lore and characters without breaking pre-established lore; as I stated earlier, importance of Godwyn and Malenia did NOT get erased just because Radahn had a retcon to also be important person! SoTE answered some questions that required answers, like origins of the Formless Mother, Dragon Communion, Trina's nature, what happened with Mohg, what was the reason for Caelid and what were these darn weird crawling hands enemies!

No I am not rofling, I was seriously very confused about them and made at least three attempts to solve the mystery of their nature, but SoTE finally freed me from that torment!!

Adding more characters absolutely was not a mistake! None of these characters broke pre-established things, they are merely more 'dolls' to play with! Answering some questions was also not a mistake; whereas people might not like what the answers ARE, tying some loose ends of the story was a good call! It is not as if they've written elaborate document explaining every single bit of lore to the point no one can make interpretations or create new stories anymore! All they did was putting an end to some arguments, however new questions arose in their place; questions more interesting than who is "misogynist" and who is "media illiterate".

From the gameplay standpoint alone, I do not understand this claim either. How exactly SoTE would ruin base game, which is intact and still accessible map without changes? Shadow Realm's map exists separately from the base game, none of it breaks the main game's locations and bosses! I doubt that new mechanics and weapons from the SoTE completely ruin the main game and make it imbalanced either! For most of them, having a strong weapon doesn't automatically make you skilled and even base game's bosses could still kick your ass. And as for "imbalanced" ones, gamer bros of the fandom have been doing great so far self-regulating themselves to shame people who used Mimic Tear, Comet Azur, Blasphemous Blade etc 🙄 Their field of creating artificial "honor"-based difficulty and challenging themselves would not suffer because of the weapons from SoTE! They are able to make the challenges and PvPs what they want within themselves, encourage or prohibit anything. It is not as if Miyazaki is holding them at the gunpoint telling them to use mechanics introduced in SoTE that they believe "ruin" the playing process! Simply not use new weapons or not go in the Shadow Realm altogether if you don't want to - and Elden Ring will remain what it used to be for you!

I guess I can only agree with the notion that aside of SOME story loose ends, base Elden Ring was not lacking in anything. It was a very huge game, with many characters, many locations, many worldbuilding things to touch upon and discuss, many mechanics, very contained and packed with things for years ahead to dissect, discuss and create art and writing and videos for! SoTE just made it even bigger! We were mostly living fine without these characters and new information, save for the frustrating arguments I've mentioned!

Mohg fans against SA interpretations could disagree entirely because as SoTE aired they all said "the night, and the hunt, were long…" But, like I said before, fandom experiences should not define what we want from the story! Some questions remaining unanswered was bearable from the STORY standpoint, but it is objectively NICE that they did get answers! And… just adding more characters is definitely not a problem. Not characters that break the story, just MORE characters. There is a Russian saying, "Кашу маслом не испортишь" ("you can't ruin the porrige by adding more butter in it"), and it applies here very much. Unless some people, for example, hate Messmer and are frustrated that they have to remember about him when writing Marika's backstory or anything.. I would not get it either way because giving a character a couple of sentences of acknowledgement and tossing them away feels like the easiest thing to do in my eyes. Fandom is always doing it, they have always been doing it, so why NOW this is something so hard to do?

22) *blames Martin for all the parts of the story they hate*

As funny as the joke about Martin being responsible for the "incest ship" is, considering his track record, Miyazaki actually confirmed in the interview right after the first SoTE trailer that Martin did not have anything new to add to the DLC story! But then, just because he didn't turn in to add new lore for SoTE specifically, how could we tell that he didn't write these "plot twists" previously? For this, we need to dial back to when his contributions to the Elden Ring were discussed after base game's release!

(Start watching from 6:00 to 7:25)

“Elden Ring was going to take place in, let’s say the present of their game universe. But what they wanted me to write was what happened like 5,000 years before that,” he said. “So I went back and wrote a history of what happened 5,000 years before the current game, and who all the characters were and who was killing each other and what powers they had. They had these runes that were at the center of the game, and the rune got split into many pieces, and that’s what screwed up the world. I laid all that out.”

So, he wrote the base premise for the backstory - what happened and existed before the Shattering, and up until that point! So, how characters got corrupted, how their plans changed and what happened to them later etc was up to Miyazaki to create! Take the concept of the character - who, what power, what status - and put them through the arc and development! Not Martin wrote the events that unraveled after the Shattering AND unravel as we play the game! Miyazaki himself also confirms this, according to this ( x ) interview:

“So it was more up to us to interpret this and say, ‘how did they become such inhuman monsters? And how did the mad taint of the shattered shards of the Elden Ring and its power affect them?’ So that was our job to take these grand heroes and sort of misshape them and distort them into something they were not.”

"…if we get a chance to show Martin and if he gets a chance to see the game and see these characters, I think he might be a bit shocked. When he wrote them, he was really envisioning something a little bit more human, a little bit more traditional human drama and fantasy characters. So I hope he gets a kick out of that.”

I recommend reading the whole page, but this is the gist of it! So, not only what events we are following are Miyazaki's work, but also their fall from grace, their sins, their mistakes and everything you might hate ('you' mostly as in, people upset that Miquella was not as perfect and pure as you wanted) is ALLLLLL on him! YOU leave Martin OUT of this! we also all know he only writes hetero incest fsdhfdghsfdg

23) "SoTE contradicted the base game's lore [example that doesn't contradict it]"

This one is less focused than it may seem, because it is not just about Godwyn and Malenia! In fact, it is rarer about them as complaints about them mostly do the "they got abandoned" route that I've already ranted a lot about! god it feels so good to finally rant lol I've seen some instances of people JUST throwing the 'ohh my GoD this new info is SOOOOO contradictory to [thing]' and refusing to elaborate, pouting and playing victims of blinded fanboys when questioned, which is in itself very infuriating! Regardless of how you are frustrated with SoTE, how it screwed your expectations and preferences personally, you are a garbage critic if you just waste your emotions without any real argument to your point, there is no way to put it lightly! That being said, for this particular reason, it would be easier to address concrete examples that HAD some explaining behind them from the critical people! But, it NEEDED to be said!

Personally, I've stumbled into a couple of things, in which I managed to add my say! The first was a claim that the whole story of the base game was not supposed to happen because if Marika got driven by the impulse of revenge and despair, she was supposed to succumb to Frenzied Flame but she didn't! And this is NOT some groundbreaking discovery about how the story is allegedly fundamentally broken, but simply a huge overlooking of pre-existing information, if not confirmation bias! Frenzied Flame and Three Fingers are very interesting topic in general, that I've covered in a couple of lore posts already, but for the subject: whereas the sickness of Frenzied Flame, aka the 'become too sad and you will start to burn' illness, is the case in the Lands Between and started because of Shabriri's crime, the story of Marika and Midra's Manse logically happened before Shabriri! Abyssal Woods and Midra's Manse have the eyeballs that are evidence of being directly grasped by the Three Fingers as the only eyeball items, whereas the Lands Between has Shabriri Grapes as eyes scorched from within but being grasped by Three Fingers became not a staple but an exception (Vyke)! Marika was contacted by the Two Fingers, not Three Fingers, to have the power that she does. Even then, is not it logical to assume that even after Shabriri caused his curse on the Lands Between, a God would be immune, especially if the "counterpart" of the Three Fingers is their guide? Not to mention how Messmer did take a lot of burden off her by doing her wish for revenge by himself-

Alright, you got the point. It is very easy to logically conclude why there is no glaring contradiction at all, and you don't even need to dig deep into lore to find out why! This is the brightest case from my memory that is best described as 'if you WANT to believe that Fromsoft completely broke the story, you WILL find a backup claim for it'! But unfair criticism that doesn't address the possible counter-evidence is not the way to analyze! When you want to make a claim, you need to scan the overall volume of information for possible objections to your claim and deal with them! Explain why they do not work, or why they are not truly saying anything! Sometimes, as you deal with the potential counter-evidence, you find that there are things you cannot reliably argue against and it might make your initial claim appear less solid or lose validity altogether! And this is fine! As big as the temptation to "prove" something is, the true purpose of having a claim should be to make sure that it is valid all things considered!

Just because you are already too upset with the story and the writers to give it proper effort and analysis doesn't mean you can just toss a bold, easily debunked statement and expect to not have any objection! This is not in particular to the 'Frenzied Flame makes Marika's backstory impossible' person at all, but about a behavior in the fandom I've also noticed; where someone's response to the information that deconfirms their criticism is 'well, but I am already too hurt and disappointed to dig deep and analyze, so…' No, not how it works. You are making a claim about existing piece of writing and thus put skill of the writer up to scrutiny, not writing your own AU/headcanon, therefore be ready to deal with counter-evidence if there is any!

Another example off the top of my head was that existence of Gaius allegedly contradicted the pre-established lore about oppression of Albinaurics! I want to point out though that the person who originally made this claim was nice and never denied validity of the counter-arguments! But as for the subject, I will repeat that it is very easy to assume that there would be some double standards put in action! Like 'oh yeah Albinaurics are cringe, but this one is nice to me so he is an exception'! Or 'yeah we all hate Albinaurics, but this one is HELPING us in the Crusade against those spurned of Grace, he is paying the price for being an impure species himself, let's be nice to him guys :)' (🤡����🤡).

In this case things are easy to explain not through digging into information in the game further, but through putting into consideration how humans tend to work! Though Messmer, for one, has his more humane traits stated with how he respected the wishes of his Fire Knights when some of them protested against burning Rauh Ruins, and Gaius might be an extension of that sympathetic side of him! Opinion that saying Radahn was admired by the twins for his kindness contradicts the lore falls apart even EASIER; it is not hard to assume he maybe used to be kind! Miquella even specifically revived his younger version, and it is very telling!

All in all, the writers do not need to overexplain every single thing to prove that there is no contradiction or things make sense! Elden Ring is entirely written in such a way where by just digging deeper, connecting the dots or even applying your imagination and experiences you can easily explain why things work! I just want to really, REALLY accentuate it that before you cry 'bad writing!!!' or 'contradiction!!!', give it SOME extra thought! And if you are not willing to because of disappointment/weak attention span/anger/etc, then don't make the claim to BEGIN with! What is the point of making a claim when you are not in the right state of mind to make SURE it is valid? Bashing a story or a writer while willfully not being fair to them with your effort and research is something better reserved for private chats with the friends just to let it all out, but not for the public blog for all other fans to read and REACT at!

24) "If fans have to fill the gaps and think themselves it's a bad writing"

Sigh… This is relevant to the earlier addressed complaint about fans 'coping', and somewhat relevant to the complaint about 'they should have given more information', AND reverse complaint to how they've answered some questions in SoTE, I suppose. For starters, this argument could not be further from truth at all! Do you really, genuinely, want to say that instead of provoking you to think, to express creativity and curiosity, to apply your knowledge or experience for understanding, writers should have just spoon-fed you every single thinkable bit of information as if you are a toddler? For sure, the discussion about how writers treat reading comprehension of their audience cannot come without addressing the demographics that supposedly would benefit from "over-explanation", so I'll jump RIGHT into it, skipping through the normies:

As an autistic person, I do have my own problems with sometimes skipping through a subtext or an "obvious" clue in the writing, this is true, and maybe people who want to state this are also autistic, I can't know for sure. But.. do we REALLY want to have our intellectual abilities insulted, as a group? Accommodating to autistic people should come locally, like in teaching the society to be more patient with 'stupid' questions and explaining the 'obvious' social cues! It SHOULD be about society being better! It should NOT be about quality of fiction in videogames and movies and TV shows dropping! It should NOT be about writers sacrificing the amazing language of subtlety, nonverbal storytelling and speaking through assumption that our own experiences as human beings will fill in the gaps! We can understand subtexts and unspoken lore, even if it might be harder. When we cannot, autists that did understand the subtext explain it to us! When THEY cannot, there will always be the guy on Youtuber or elsewhere musing about what they liked or disliked in the writing, revealing the information that we might have missed, and we will go 'huh'. We can help ourselves and each other!

Instead of being mad at the writers for not giving more spoken information and evidence, let's place the pieces of the whole puzzle that we did find together to discover a full picture and teach others AND themselves to be patient instead of screaming "reeee media illiterate!!!" at every sneeze! I have insulted another autist's intellectual abilities over not reading the clue I managed to. I had MY intellectual abilities insulted by another autist over not reading the clue THEY managed to! We should strive to be better and kinder as society, AND we should have pride in the ability to do so and ourselves, instead of implying that complicated, subtle writing is "too hard" for our "tiny toddler brains"!

Aside of the general sentiment that the writing that provokes you to use your brain/heart/both to fully comprehend it and gives fuel for debates and discussion, I want to address specifically Miyazaki and how he approaches writing, and why he does so. I want to link the video by Zullie regarding the topic, too:

To paraphrase it: Miyazaki, in his youth, loved reading English novels, but because he didn't have as great knowledge of English language at the time, some words or even sentences evaded him and he had to use his own imagination to understand what might have happened in the parts he could not read! The experience of having general layout and understanding of the story, but details being missed here and there and left up to you to think about, is precisely what he wanted to emulate! You might guess "the words lost in translation" correctly, or you might end up with a completely different meaning than the actual one, but what matters is the fun of this process! To include YOU, an individual, into completing the story! Bloodborne was the first Fromsoft's story I've gotten into, and even before knowing this information I had the feeling like, 'ah, they've written the full story, but then dragged an eraser across random parts'… and so, the hunch was correct!

Miyazaki doesn't just lazily drop ingredients in your direction expecting you to cook anything from them and then praise it as though it was HIS brilliant recipe, that some writers WILL do to sorta take the credit for your creativity! Nor he just cooks the full meal and gives it to you. He removes some ingredient from it so you CAN eat it and enjoy it, but you are always tempted to add something! Something feels missing, but it is up to you WHAT spice you add to complete it! Yet this meal is coherent enough for you to have a hunch on whether you should add something sour, sweet or salty, it is not quite JUST anything! But if you don't think hard about it and add what YOU like, regardless of whether you think it fits the meal or not, the meal won't necessarily taste bad… There IS recipe that exists. He DID write the story. He just lets you choose your own experience!

^^^ It goes in line with how he creates the games; he stated they are not adding the difficulty levels so players can overcome the challenge in some way that suits THEM as a player. Whether you want to cheat, or to grind levels until you become a God, or to cleverly use the tools and items you are given, or to study every move until you dodge them all or whatever! There is no "right" way to beat these games, though we could conclude from levels designs and tools what was 'intended' way to beat them! A 'suggestion'! You might end up going just the 'intended' way, or you might not! You might just happen to guess the missing story bits 'correctly', but also not, and this is okay!

We are endlessly teased with this feeling that if we think just a bit harder we will discover that hidden "right" way, and we all want to believe that we did! Fandom has two extremes between people who DO believe in One True reading of the story and stomp out every alternative suggestion AND people that claim there is no story and you can do whatever and canon doesn't matter and doesn't exist and all. The truth is somewhere in the middle, and it is so frustrating, it is so torturous at the times… but also, so clever and beautiful.

This approach is why discussion about the meaning of Dark Souls and Bloodborne is STILL alive a decade later and even "apparent" lore questions constantly get revisited, and Elden Ring will meet the same fate! Every boss will be beaten but there is always a different way. Every lore question will be answered, but there is always a different answer. Isn't it much better than if we just cOnSuMeD cOnTeNt in a short time and forgot it all, waiting the next one?

25) *frankly unfair toxicity towards creators, down to racism against Japanese*

(Jeez.. I am REALLY paying a hard price by not saving the screenshots of the terrible takes I am referencing, aren't I. -_-" Everyone will just decide that I've made up a guy because a take like this sounds too awful to be real, doesn't it…..) Look- Some lines should NOT be crossed. Say all you want about the writing quality, but how DARE you to bring in this sort of anime fetishes into this discussion? I am just without proper words, and I will not tolerate this slander of Miyazaki! Everyone, EVERYONE knows…. that his fetishes are feet and dying in absurd ways.

sdfjfdhfdsh OKAY OKAY SORRY I HAD TO, but in any case! Did you guys miss the part where Miquella's ever-young body was a curse, was acknowledged as a curse, was a counterpart to Malenia ever decaying as inability to change at all, and something he transcended when he became a God? At NO point his curse was brought up as something quirky and attractive, at NO point Radahn or anyone was addressed as someone finding guilty attraction to him! We had one (1) guy suggested to do that, Mohg, and they confirmed that his behavior was result of enchantment, but even if it was not: without the new information, it already looked like a BAD thing. Like a HORROR thing, even! Miquella wanted Radahn to be there for him as a consort/king, by STATUS, that we know as much! Nothing is there to outright state any of 'that' brand of attraction! It can range from 'yeah they kind of pulled the dynasty-preserving incest thing, very authentic to medieval royal dynasties vibe' to 'it was innocent and not romantic or sexual in any manner, consort is just a status of the second person after a titular God in this setting that doesn't have to be a partner'. You know what is missing from this range? This being a "fetish" that you could flail around in that 'well what else to expect from jApAnEsE developers, you know jApAn has a problem with such things right??????' (🤡🤡🤡🤡🤡🤡🤡)

________________________________

*long, relieved exhale*

So..... yeah, I am done I suppose fhhfds I know I forewarned it as sort of super angry and rude rant, but in a way, it turned out to be more of a love letter to SoTE than a hate letter to a certain kind of fandomry that I just was not able to avoid..

It is funny how it turned out, as at first I've had strong negative reaction of shock, and Radahn consort reveal even soured the first days of playing this DLC for me, heh. That disappointment hadn't vaned yet.. I do not vigorously oppose weird, problematic ships of course, I still stand by what I said about creative freedom. But I guess I kinda did not want Miquella to have any "ship" in canon...? It is hard to explain why, since I do not insist that he is mentally a child too. Maybe I've fallen for the person he WANTED to be, a 'God' that 'loves everyone equally / no one', so him singling out someone disagreed with that "possessive" streak more than I disagreed with how random Radahn felt?

Even so, aside of this, I've been slowly understanding writers' decisions more and more! And those I did not understand I've found to be valid and not broken at all as well! But despite warming up to SoTE more and more with every day and becoming a fan, I was not able to avoid the "window" to VERY toxic and awful takes, some from very toxic PEOPLE, that was my (ex) mutual abundantly reblogging them and.. I guess when I've finally snapped about how strongly I disapproved of that behaviour and how it was all passive aggression all along, my very only inhibitor was just- *snaps fingers*

Moral of the story: if something rubs you a very wrong way, do not keep it in and ADDRESS it. Because if you hope that the alert factor will go on its own, all you'll end with is telling each other very unpleasant things. Pent up aggression ALWAYS breaks through.

In this case, I just feel relieved after having finally written all these thoughts down SOMEwhere. They were eating me from inside, reducing my HP by randomly appearing in my brain even when I was busy and I just could not help but rotate them. Venting is good and healthy. I have some bad troubles with both mental and physical health these days, but at least now there is one LESS thing to siphon my energy away. 🛏️

[kagaoli]

kind of obsessed with modern/mundane chainshipping aus rn bc why is it so funny to just imagine them normally. like they’re just some guys

i like assigning adam random job titles too but in every au lawrence is still an oncologist. like maybe in one adam is a barista. or a florist. or a plumber. or maybe he just works at the video game store lawrence is visiting to get a gift for diana.. the potential is endless and the comedy in that is equal imo

[suzdin]

Washed Up Has-Been: a Dieter Bravo one shot

Dieter Bravo x F!Plus Size!Reader

Warnings: soft!Dieter, sweet!Dieter, smut, angst, bodily insecurities, reader is plus sized but no other physical attributes are described, Dieter is a little chubby as well, mentions of drugs and alcohol, oral (m receiving), mention of sex toys, fluff? (gasp!), did I forget anything? I know next to nothing about the film industry, don’t judge me :(

Word Count: 2,800

Enjoy and feel free to reblog and comment if you wish! 💜🙂

——

Dieter Bravo had not been the same since Cliff Beasts 6.

What did they call it? Losing your spark? Your mojo? Your moxy? Whatever it was called, he’d lost it, along with his marbles… if he ever had any to begin with, and he was sure many would agree he hadn’t.

The reviews were bad, abhorrent, really. ‘Dieter Bravo as Gio Ricci baffling’, ‘Bravo couldn’t act his way out of a paper bag’, ‘I can’t believe this man has an Oscar’, ‘Did he get his Italian accent at an Olive Garden?’, on and on the critics wailed and lambasted.

He’d had a mental break shortly after the premier, firing everyone he could in his vicinity — his publicist, his hair stylist and manicurist, hell, even his agent of twenty five years. He’d hired a new one, of course, a potential script FedExed to his door that morning, fist curled and white knuckled in anger around the thick stack of papers as he perched himself like a sentient gargoyle on his couch, in the tattered clothes he’d been wearing for nearly a week.

A dad. They wanted him to play a fucking dad, some sort of buddy comedy family film opposite Dwayne Johnson, it might be a good move for your career, buddy, his agent had explained. But seriously, him? Hollywood heart throb Dieter Bravo, reduced to playing someone’s bumbling father, opposite THE FUCKING ROCK?

He couldn’t believe it.

He had put on some weight since his last film, sure, but that was no reason or excuse to allow himself to be typecasted as a dad.

Or was it the ever persistent graying in his hair and beard? The laugh lines? The crow’s feet?

‘Dieter Bravo is a washed up has-been’ the internet screamed at him daily, leading him to drown himself in an endless stream of drugs and alcohol…more so than he was already doing, anyway.

He was barely a functioning person. A husk of his former self, he could no longer get it up, unsure whether to blame the drugs or his steadily fleeting mental health, and even putting brush to canvas felt more like a chore than an escape nowadays. He’d become a hermit in his own home, the ghastly, aging 1970s mid-century horror he resided in the Hollywood Hills, that he thought was amazing when he originally bought it a decade ago.

Well, much like him, older things fall apart, and the house was a piece of shit, which was apt.

He had hired you as his assistant and he was so vague as to what that entailed that you were sort of a jack of all trades as far as helping was concerned, acting as his maid, his cook, the middle man to screen his calls, his emails, so on and so forth. Hell, you even took care of the large python he’d bought ‘because it looked cool’, that he was now too scared to touch, himself.

You did it all, and although he never properly expressed as much, he was more grateful for you than he let on.

He always found you pretty, too. Beautiful, even, and not in the fake way he’d grown used to, living in Hollywood. You were kind, sweet, and uncorrupted by a crueler world, always happy and eager to assist him with whatever he needed.

And if he was being honest with himself, the thought of you sheathed around his cock was the only thing that could even get him half hard anymore.

When you arrive for the day, you find him on his couch, glowering at what you can only assume is another bad script, graying hair disheveled and curling away from his skull, teeth gritted in disdain. A look you had come to recognize and were more than familiar with.

“Let me take that to the garbage for you,” you offer, as you normally do in these situations, stepping forward to reach for the offending script.

His eyes clock the way your breasts sway when you walk, the roundness of your belly, the plushness of your arms. He can’t help but stare; he wants to bury himself in you and stay there forever.

He swallows, moving the script away from your extended hand and tucking it behind a cushion, distracted by your body.

“No — no, it’s okay,” he replies and his voice feels like gravel in his throat, realizing he hasn’t spoken all day until now.

Although the script sucks and he doesn’t want to do it, he needs the money. “Thanks.”

You notice his eyes on you and you sit, leaving about a foot of space between you to maintain a modicum of professionalism, observing the sadness behind his dark brown eyes and knowing this has been the norm for several months now but still hating it for what it is.

“What’s on the docket for today?” you ask him and he shrugs, unhelpfully, his lips pulled into a frown, shadows staining the lines of his face. You haven’t seen him this bad in a while.

“I can… make you some hot tea?” you ask, looking down at the schedule in your lap, of which nothing is jotted down for the day.

He shakes his head, carding a hand through his hair. “No. I’m out of tea.”

You chew your lip. “Okay… well, then I guess I’m running to the store today. I have a list already, but can you think of anything else?”

Once again, he shakes his head. “No. I’ll just order it or something.”

You frown and tuck the schedule away, crossing your legs and turning to face him, contemplative.

“Then what do you want me to do today? You’re paying me to be here,” you note. “Unless you’d rather I go home.”

“No!” he damn near shouts, making you jump, and he immediately regrets his lack of impulse control. His gaze traverses your subtle cleavage and you clear your throat, heat warming your skin. “Sorry, it’s just… I don’t want to be alone right now. Can we just hang out?” he queries.

“Dieter, are you okay?” you question and he shakes his head in response.

“No.” A single word that says so much more than that. It pulls at your heart strings, seeing him like this. “I — I’m a nobody.”

“You aren’t a nobody, you’re Oscar winner Dieter fucking Bravo,” you counter, and he snorts, picking at some dry skin on his ankle.

“Yeah, Dieter fucking Bravo, the aging has-been who can’t act his way out of a paper bag,” he snorts.

“If you keep talking like that, I’m going to take away your internet access so you can’t read all the mean tweets about yourself,” you threaten.

“You wouldn’t.”

“One call to your financial advisor and I would and could,” you retort and Dieter scoffs, trying to remember if he’d fired him yet or not.

You cross your arms and flop back against the worn and flattened couch cushions, eyeing him smugly.

The movement pushes your chest up and out, his gaze on you once again and he isn’t subtle about it this time. You clear your throat and stir, staring back at his soft, plush lips.

“Dieter—“

“Come here,” he murmurs quietly and the spontaneity of it catches you off guard, your jaw hanging agape in disbelief and confusion.

“…What?”

It had been months since anyone had touched him, had wanted to touch him, and now, as he stares at your body and smells your light vanilla perfume, after the shitty week he’s had, he needs to be touched, even if only briefly.

“Come… here,” he repeats, more dogged than before, and in spite of yourself, despite how unprofessional it is, you find yourself scooting forward.

He grabs your hips when you’re within reach and drags you the rest of the way, pulling the cushion partially off the couch in the process, a small yelp of surprise escaping your lungs as he softly grips your face to bring his lips to yours.

They’re plush, dry, lightly chapped and he tastes a little like whiskey and weed, but you don’t really mind, his coarse, wiry mustache scratching and tickling against your nose.

Suddenly, with a soft groan in the back of his throat, his hand is under your shirt, cupping your breast, and you break the kiss, looking down to where his arm disappears beneath the fabric, shock settling over your features.

“Dee… are you… are you sure?” you ask. You don’t exactly look like the people Dieter had been confirmed dating in the past, and you feel a wave of trepidation, your self conscious nature bubbling to the surface. You’ve always felt Dieter Bravo was more than a little out of your league.

Not that you’re dating him, but, you know.

“I wouldn’t be doing this if I wasn’t sure,” he tuts and kisses you again, rougher this time, palming your breast, making your cunt throb.

He groans. You’re so good to him, always taking such good care of him, and you feel exactly the way he thought you would, warm and luscious and supple, his dick already fighting with the seam of his pajama pants, the first time in weeks.

And you’ve wanted this, too, as long as you’ve worked for him, never confessing your feelings for fear of losing your job. You never imagined Dieter fucking Bravo would feel the same way about you.

You know Dee needs this, you need this, and you want to make him feel good.

You brush a hand over his hardening cock and he damn near bucks himself straight off the couch with a grunt and a sharply uttered, “Fuck” against your lips. You grin into his mouth at how much composure he’s already lost from so few touches.

You pull away after a moment and scoot off the couch, sinking onto your knees in front of him, nestling yourself between his broad thighs.

He watches you, rigid cock tremoring in his pants at the sight, the outline of it clearly visible and straining against the fabric. “You… you don’t have to…” His voice is thick, haggard.

“Let me take care of you, Dee,” you mewl as you nuzzle your face against the squishy paunch of his stomach, lifting his shirt to plant small, reverent kisses in a circle around his belly button. He giggles and flinches at the contact.

“Sorry, sorry — ticklish,” he explains and you smile, placing a few more kisses there, more delicate than the ones that preceded them, trailing a line from his navel to the thick swathe of hair leading to his crotch.

Despite the pounds he’s put on recently, he doesn’t feel at all uncomfortable in front of you, eyes darkening as he drinks you in visually, lips tight and parted, breaths growing deeper in the barrel of his chest.

You look up and from your current perspective, he’s all wild haired and broad shouldered, panting, your cunt clenching with desire as you eye him with a wry grin.

You smooth his shirt down over his belly and move your face to the hard bulge below, nosing the bulk of it through the fabric and inhaling his natural scent, thick and musky and masculine in your nostrils. You both groan in unison.

“Dear god,” he grunts, “I feel like I’m about to— aaaaugh— fucking bust already.”

“Save it for my mouth, at least,” you snip and his head rolls back against the cushion at your words, the one with the sag in the middle where his neck always rests, eyes sliding shut.

“You’re so good for me,” he pants softly, already so close to falling apart, “I take you for granted and I’m sorry.”

“Dieter, shh.” You find the stretchy waistband of his striped trousers and drag them down his hips, not all surprised to see he’s gone commando, cock springing free from the cage of fabric, uncut and dribbling against the drag of soft cotton. He’s girthy, and you’ve never seen one intact in the flesh before — literally — a small puff of air escaping your lips, taking in the sight of him for a few seconds before coming to your senses.

“Is everything alr—“ he starts to ask, cutting himself off when you unexpectedly cup his heavy balls in your palm and lick a slow stripe up his length with the flat of your tongue, his hips quivering and bucking involuntarily. “Shit—“

You grin, humming satisfactorily to yourself and continue to tease him, his hands finding your hair, fingers twisting at the roots as the rings he insists on wearing get caught in the strands, pulling ever so slightly. You moan.

You feel incredible, your tongue working his most sensitive areas, and he’s having a hard time holding it together, torso heaving above you, tiny whimpers departing his lips, and he hasn’t even entered your mouth yet.

You sense how much trouble he’s having at keeping himself in check, so you back off a touch to give him a momentary reprieve, shifting to kiss along the meat of his inner thighs, nipping at the tiny elephant tattoos etched into his skin as you do so.

He cups one hand on the back of your neck, watching you through half-lidded eyes, your lips like pure velvet and heaven.

He’s already forgotten about the shitty script tucked into the couch, about the bad reviews and the critics with their cruel, baseless quips. Faded away to nothingness, akin to what he experiences when he’s completely blitzed, negative thoughts dissolving to the back of his mind to be discarded, and for now, for the moment, the only thing that matters is you, your beauty, and how well you take care of him.

After what seems like an eternity of small, worshipping, teasing touches to the insides of his thighs and the rim of his belly, your lips return to his cock, lapping at the precum that’s beaded up at the slit before taking him into your mouth, hand fisted at the base as you work him into your throat.

He’s impervious at this point to keep his hips flush against the couch, shuddering into your mouth as you take him and pushing further down your throat, not entirely on purpose, moaning as the wet heat of your mouth engulfs him.

“Wanna— fuck your pussy next time— with a vibrating plug in your ass,” he grunts, hardly able to string a single cohesive thought together, making your cunt throb and slick leak into the cradle of your panties.

Dieter wasn’t one to shy away from toys, and in fact had an entire drawer full of them, which you had accidentally stumbled upon one day when putting away some of his clothes; everything from butt plugs to cock rings to flesh lights with multiple attachments and bondage gear.

You steady his hips with your hands and hold him in place as best you can, difficult with how much stronger he is than you, jaw stretching to fit him, the musky tang of him flooding your tastebuds.

You steadily rock your head up and down his length, taking him all the way to the back of your throat, and you can feel the veins running the length of his shaft pulsating against your tongue, feel the way his balls tighten as he edges ever closer to the precipice.

He’s wanted you, needed you, for so long, that he can’t contain himself much longer. His hips begin to stutter and you feel his body growing taut, hear his breaths growing shallow and haggard, fingers curling against your scalp.

“I’m… I’m gonna… fucking cum,” he grunts deep in his chest. That’s all the warning he allows before his hips stall and he lets out a visceral growl of pleasure, spilling a hot and heavy load across your tongue, some of it seeping out at the edges and dribbling down his thighs until you’re able to steady yourself.

You hold him in your mouth until you feel the very last drop hit the back of your throat, slowly pulling off only when you feel him starting to go soft.

“You should really clean up this awful mess you’ve made,” Dieter taunts when you sit back to catch your breath, watching the cocktail of spend and saliva slide down his tan skin.

You grin and tip your head forward to obediently lap at the escaped fluids. He groans as he savors the delicious sight of you, affectionately brushing his fingers through your hair as you do so.

After a moment, you rise from the ground, your knees cracking from the exertion, joining him on the couch as he tugs his pajama bottoms back up his hips.

He snakes an arm around the small of your back and kisses you, deep and full, moaning when he tastes remnants of himself on your tongue.

He grins against your lips and then rises, yanking you off the couch and giggling along with you when you pass him a perplexed look.

“Where are we going now?” you ask, pleased to see him happy and relaxed again after all this time, to actually see him smiling.

“You took care of me, so I’m going to take care of you. You’re familiar with my special drawer, aren’t you?”

—

FIN. xx

[milliesaxe]

the thing is. the thing is— blitz is a failguy. he’s cringe comedy. he falls on his face when making grand entrances. he spies on his subordinates because he’s lonely. he gets kicked in the junk by his daughter. he says shit like ‘i challenge you to a challenge’ & his jokes tend to be massive bombs. he brings down the vibe at parties ‘cause he’s busy self-destructing & all his romantic endeavors are endless lists of fumbles. i’m not saying he can’t get it but the truth is he’s not written to be a suave male lead.

but stolas does not see him as fail-cringe-loser that nevertheless is rather attractive and fun. stolas legit thinks blitz is THE coolest guy ever, no caveats. 007 type cool. He’s an eighties action star played straight and a teen heartthrob mixed together. part of the joke in seeing stars when blitz’s shirt rips down the middle and his voluminous fake hair starts flying in the wake of an explosion is that this type of sincere badassery without an accompanying string of curses doesn’t fit the show or blitz’s character. but that shit is sincerely how stolas views him.

after ozzie’s, stolas also starts seeing him as this beautiful, ethereally sad being who is just beyond reproach. literal starlight. elegance personified. bigger and brighter than stolas could ever hope to grasp.

and it’s just mind-bending knowing this while knowing blitz has to tell himself stolas sees him as a cheap lay in order to worm his way out of potential vulnerability. blitz, who hates himself and needs to think stolas doesn’t care for him to confirm that self-hatred, has got this royal demon capable of cracking heads open like watermelons singing tear-filled ballads in the moonlight dedicated to him and sighing over him like he’s THE hottest most gallant movie star of an age.

[pedriscroquettes]

𝐌𝐎𝐕𝐈𝐍𝐆 𝐓𝐎𝐎 𝐅𝐀𝐒𝐓? – FERMÍN LÓPEZ (ft. fran garcía)

summary. making fermín jealous makes you wonder about the future.

warnings. allusions to smut, paz!reader playing with fran’s feelings, & jealous!fermín.

a/n. apart of the paz!reader universe. fiebre masterlist. (reader is nico paz’s sister)

it was a dangerous game you were playing. surrounded by all of your brother’s friends — who were also professional players — potentially watching you as you clearly flirted with their teammate. fran was an easy target clearly still infatuated by you. you thought him walking in on you with fermín would’ve scared him away but it was quite the opposite. he was also perfect for making fermín jealous, the barça player currently staring at you intently as fran wraps his arm around your waist.

your brother nico had flown out to argentina as soon as he received the call up for the national team giving you the perfect opportunity to finally see the barça midfielder. you’d posted the location of the club on your story hours ago hoping he’d show up and now he was here watching you grind on the only guy besides him who could have you. well, barely. he knew fran would never have a chance or else you would’ve done something already. it was clear you were only letting him get so close to you to make him jealous.

“hey i’m gonna go to the bathroom real quick.” you stepped back fixing your skirt that had ridden up a bit. “get me another drink?”

“yeah, sure.” he stands up almost immediately. you almost felt bad at how you were toying with him.

almost because as soon as you came face to face with the person you’d been waiting to see you’re glad you got him jealous. you study his face, a bit sweaty due to how packed it was, his cheeks flushed from the temperature, and his dark hair ruffled from partying with his friends. while you were analyzing him he was doing the same to you admiring the short skirt you were wearing similar to the one from last time.

“does he know?” he asks abruptly. making sure that the proximity between you too is too close for comfort.

“know what?” you try to hide your smirk. it’d worked. men were so easy sometimes.

“that when you touch yourself you think of me.” you feel his hand toy with the top of your skirt.

he had been referring to the countless pictures the two of you shared under vanish mode. the endless number of nudes the two of you would get off with. as well as the facetimes after he would perform great or score in a match that included endless panting from the two of you.

“how do you know i don’t send some to him either?” you tease him.

“if you did he wouldn’t be looking at you like a 14 year old kid who just discovered porn.” he scoffed.

you want to tease him again push him even more towards the edge but you had done that long when you let fran get near you. fermín didn’t wanna play around anymore. before you can utter another word he wraps his hands around your neck pulling you into a deep kiss. once you get adjusted your lips move in synch with his and he walks the two of you towards the closest wall. your back making contact with the cold wall as fermín kisses you with so much passion or hornyness.

you’re too lost in the kiss with your hands running through his hands to notice the random stranger exiting the bathroom. the door closes with a loud bang and the two of you separate from each other. embarrassment covers both of your faces and you want the earth to swallow you in that moment. that is until you look up to meet his face and the two of you can’t help but burst out laughing. the moment similar to a scene from a comedy show.

“fuck. is this moving too fast?” he says as he lets out a deep breathe. “you and me?”

you start to think about the whole ordeal. the two of you had only slept together once and now he was the only thing consuming your mind. you also barely knew anything about him at all.

“i don’t know. maybe?” you sound hesitant.

he looks at you seeing the way your face changes as you think. you’re very beautiful under the dimmed lights. you’re very beautiful in general he thinks. if he could outright ask you out he would but he couldn’t and he didn’t want to lose you.

“fuck it?” he asks

“hmm?” you look up meeting his hopeful stare.

“fuck it anyways?” he asks again.

his brown eyes hypnotized you in that moment pulling you in immediately. if your brother got mad at you fuck it. fermín made you feel all giddy inside and you weren’t ready to make that feeling go away just yet. so you grab him by his collar and kiss him. just like he did to you moments earlier. unbeknownst to you the sevilla native would only become a bigger part of your life consuming your every day life. but you didn’t care about anything else when you were with him.

[panelshowsource]

rather than who you would like to see on the next taskmaster series, who do you think will be on it? like just your predictions or any inklings you may have!

anon if you're still around then you'll know i really took my time with this hahaha so sorry! i hope anyone reading this takes it as just a bit of fun and nbd, who knows who we'll get or who alex & the network have in mind! i'm answering thoughtfully (bc i always feel guilty not to 😩 so sorry this is long lol) but it's really just fun!!

i will say, of the more recent-ish series, i did get a few right!!! krishnan guru-murthy, nicola coughlan, alan davies, judi love, sue perkins, john robins, and joanne mcnally were people i just knew would eventually be on if the show could get their schedules right, and i was also certain sarah millican and dara ó briain would be asked — though not necessarily that they'd actually agree. when you have a level of seniority and esteem, the "it's such a great opportunity" aspect of the show isn't such a draw 😅 for some reason i feel SO PROUD about guessing nicola! i was just WAITING and wish sooooo much she had done a full series 😭😭😭 (how fun would saoirse-monica jackson be too!)

anyways, as for people who haven't been on yet — and this isn't to say i want them all to be, just that i think it's likeliest they have been asked or will be asked; i talked about who i want to see a little while ago here — it's important to consider the casting 'roles' the network has in mind when working with the producers to form a series, so i will keep that in mind too!

established comedian, typically a straight white man over 40: bill bailey, vic reeves, harry hill, geoff norcott, kevin bridges, adam buxton, ade edmondson, paul whitehouse (tommy tiernan? god i feel bad for not saying ed byrne but why do i feel like he's not gonna make it in the next few series? i'm on the fence with nick helm — unless he's friends with alex, then his chances go up significantly imo — and tom allen for some reason, and i feel like john bishop is almost too much of an ask?)

fresh talent comedian, typically a man under 40: rhys james, huge davies, ahir shah, darren harriott would be my top guesses but tbh any of the semi-recent edinburgh comedy award finalists are good bets as a majority of the winners from the last ~10 years have been on the series + throwing out tom rosenthal (i know he's not fresh fresh and also mostly an actor)...and, like, jazz emu?...just because if taskmaster know how much its audience adores weird little white twinks then they'll cast them

female or non-binary comedian: 100% sarah keyworth + harriet kemsley, maisie adam, jess fostekew, suzi ruffell. i've shifted away from betting on cariad lloyd and catherine bohart for some reason... (joanne was my no.1 lady bet for the last like 4 series hahaha)

non-comedian: this is very, very hard to predict because between comedy actors, non-comedy actors, tv presenters, news people, reality & social media stars... the potential predictions are just so endless! logically, the most likely is an established actor with a lot of comedy connections (think sally phillips, lolly adefope, liza tarbuck, sian gibson, daisy may cooper, susan wokoma; this category is where tm gets quite a few of its female contestants): matt holness, kevin eldon, amanda abbington, tom davis, sharon horgan, kathy burke, georgia tennant (also friends w alex?), su pollard, tom basden, apparently anyone from the cast of ghosts, and so on and so on and so on... + i'll also throw out maggie aderin-pocock as a serious contender + i really feel like one of the spice girls will be on new years treat

friend of alex: john robins was the prediction for the past few series, so just worth keeping in mind other people in this circle include elis james, matthew crosby, tom neenan, and so on

freebie answers because alex/greg have mentioned them before: jack dee, lorraine kelly, joanna lumley (i want jennifer saunders SO BAD give us an epic series w both ade and jen pleaseeee tm gods!!!!)

complete wild card bets that are either my instincts kicking in or my bias taking over: limmy, adam buxton, paddy mcguinness, diane morgan, daniel sloss, joel dommett, jess hynes, spencer jones??, alasdair beckett-king or josh pugh + if suzy izzard wasn't doing a big nyc show i'd say that's a good guess if only bc you know greg & alex grew up big fans

did i mention too many people?? if i had to put my money behind a single person it would be either ahir shah or sarah keyworth

these are almost all of my fr big heavy hitters when it comes to placing bets! but there are of course so many people i didn't name who i could totally see on either a main series or the ny treat — so many people just make sense and that's the beauty of taskmaster!!

[theomnicode]

One punch man and flirting with romance

Romance, in my opm? More likely than you think.

There are many instances in one punch man where the author and the mangaka specifically tip their toes into showcases of implicit romance than explicit, but it is there and I'd like to jump into the romantic cruise ship and put down some of the cases where romance has been implied.

Starting with number one, Fubuki and Psykos implied to be kissing under a tree as teenagers where Fubuki seals off Psykos' powers with an implied kiss, where Psykos is also seen blushing right after. Rest of their interactions also ooze romantic overtones.

Number two is cd audio drama, Saitama and the mysterious heroine, where Saitama and Genos go see a movie and Saitama starts talking about relationships after seeing Suiryu flirt with a woman, then goes on tangent about girlfriends and such.

Saitama: That’s not the point... I have the feeling that things like a heart to heart interaction, sharing an umbrella, warmth, are all things broken away in my life. Other people can have things like big events and circumstances happening, romances and such bringing happiness in their daily lives. I have the feeling something broke and that sweet-like fluffy, nice stuff just fell right off from me. That's what I meant.

Saitama: Genos, look, have you ever seen a hero anime without a love interest in it? Genos: I don't remember watching a lot of anime in the past.. Why do you ask? Saitama: Well, we're heroes, right? We're working and living as such. And yet, why are we indifferent towards things like love interests or girlfriends? In some way it seems obvious and logical, but is it really ok? Are you ok with reality being so much harder than fiction?

It is obvious that Saitama would still be interested in romance, as he seems to be a romantic at heart, yet after becoming so strong he struggles with his emotions, his apathy.

Saitama also reads romantic shoujo manga on his spare time, as seen on season 2 OVA.

Number three is fairly recent addition where it is implied that Genos interest in Saitama as a disciple may or may not be entirely platonic. 3 different people (Zombieman, Flashy flash and Amai-mask) take note of Genos growing interest in Saitama. Genos has also been noted very much be interested in his master's physical appeal in audio cd dramas and below excerpt.

Genos for a long time, has been a prime example of a potential fool in love, but it is still handled in implicit rather than explicit manner. Shoujo sparkles and all that included.

Number four is a most recent addition of Blast and his partner, possibly holding hands under the panel. Blast's partner is specifically referred to as "partner" and not a collaborator by Sitch, giving his partner some more importance in the scene than rest of Blast's teammates. This one may be reaching, but we'll be seeing in future arcs how correct that assumption is.

Number five, Saitama and makeover audio drama where Genos has given Saitama's attack a long name.

Saitama: (Serious voice) Super shining and lightning, that’s right, this next punch will overwhelm you like a gust of northern urban wind deep in December, this illusionary, fantastical, understanding punch from the heart, starting from hyper dreaming attack the final, a never-ending eternal forever endless sentimental with a high sense aggregation of full throttle, godless, loneliness, can’t stop falling in love and as soon as fighting…

Number six, monsters named Maiko plasma and Electric catfish man appear to be a married couple. Maiko plasma refers to Catfish man as "darling" in multiple occasions, so they appear to be involved.

Number 7, where Tatsumaki thinks that Saitama is attracted to her because he's gripping her hand.

Last but not least, number 8, romantic alternate universe comedy part between Fubuki and Saitama in high school audio drama, where Fubuki thinks Saitama wanted to confess to her.

OPM may not yet have any really explicit romance, but implicit...there is a boatload. ONE does not leave fans cold when it comes to romantic undertones. :D

[dragonfairy19]

Dating Michelangelo: A Party Never Ends

Dating Michelangelo would be like having a perpetual amusement park in your life. His infectious laughter, boundless energy, and playful spirit would make every day an adventure.

The Good:

* Endless Fun: Mikey's love for life is contagious. You'd never have a dull moment in his company.

* Loyal and Supportive: Beneath his goofy exterior lies a heart of gold. Mikey is incredibly loyal and supportive of those he cares about.

* Creative and Imaginative: His artistic flair and boundless creativity would inspire you to think outside the box.

* Lighthearted and Optimistic: Mikey's positive outlook on life would be a constant source of inspiration.

The Challenges:

* Immaturity: At times, Mikey's childish behavior might clash with your desire for maturity.

* Attention-Seeking: His need for constant stimulation could sometimes overshadow your needs.

* Lack of Seriousness: While his fun-loving nature is endearing, there might be times when you crave deeper conversations.

A Day in the Life:

* Morning: Waking up to Mikey's goofy morning antics and a delicious breakfast concoction.

* Afternoon: A spontaneous adventure to a comic book store or an arcade.

* Evening: A pizza-making contest followed by a movie marathon.

Potential Date Ideas:

* Amusement Park: This is Mikey's natural habitat. Expect plenty of laughter and adrenaline rushes.

* Comedy Show: His love for humor would make this a perfect date.

* Art Festival: This would allow him to explore his creative side and share his enthusiasm with you.

Dating Mikey would be a whirlwind romance filled with joy and laughter. However, it would also require patience, understanding, and the ability to embrace your inner child.

[miraculouslbcnreactions]

A lot of your criticism for miraculous, I notice, comes from this idea that it's trying to be two things at once: a formula series, ala Phineas and Ferb, where the same basic concepts with different set dressing are played out for every episode, and an overarching serialized narrative, ala A:TLA, where episodes are meant to progress individual character arcs and further a larger plot. You've said words to the effect that jn refusing to pick a lane it over-extends itself and fails at both.

My question, I guess, is what would you change, or what do you think would change, if Miraculous had fully committed to either path? Were it either a formulaic show where none of the episodes mattered (which, thinking about it, mostly describes season 1, but then they decided to throw in a curveball like Volpina), or a serialized narrative where almost all of them do, how would it be different from the Miraculous which actually exists?

It's hard to give a solid answer to this one because, as you said, Miraculous is trying to be way too many things, which means that it's brimming with potential for a lot of paths. A serialized narrative could go dark, light, or somewhere in between. A formula show could lean into the cringe, the sweet, or the comedy. The possibilities are endless.

The formula show route is probably the easiest to talk about because Miraculous does have a solid formula. It just needs some polishing. The formula is the same one most superhero shows have: a villain shows up, Ladybug defeats it, everyone learns a lesson and goes home happy. Simple, but solid.

I don't think this formula needs to be changed. The only thing that needs fixing is the show's Marinette obsession. Let other people learn lessons, stop relying so heavily on her crush, and you'd have a solid show. You'd also need to remove all of Gabriel's nuance, but they rarely let that side of him show and, when it does, it's generally in the episodes that come closest to breaking the formula, so stick to the formula and we're fine. I'd probably also remove the Emilie thing because it makes him too complex. Just have him be power hungry.

Season one actually did most of these things, so just go back to that and things would be fine. Possibly less memorable, but fine.

I'm not even going to try to sum up what a serialized show would look like because there are so many plots we could pick from the rubble of unfinished ideas. I know what my ideal version of canon would look like, but I don't think it's the only viable candidate, so I'll just say that the choice is up to you. My only advice is to keep it simple, pick a path, and cut down the characters. Do that and you could make something amazing.

[lizzyflowers]

Dreamswap... dear beloved Dreamswap... I have so many thoughts about you....

Gosh i need these two to confront their feelings and hurt and heal and recover and give each other comfort so desperately you can't even imagine.. No i don't spend each and every waking hour thinking about them what do you mean haha...

Below the cut is me rambling, this is your time to scroll past to save yourself from the insanity i will get into.

These two, THESE TWO!! I can't even comprehend my own thoughts for them, like, i imagine too many scenarios. The angst is insane because i need them to suffer but i also need them to lovingly hold each other in their arms.

I need Dream to realise how much of a mistake his actions are and how flawed his world view is, like, WHAT DO YOU MEAN YOU WANT TO KILL YOUR CHILDHOOD BEST FRIEND THAT WAS THE ONLY PERSON WHO SAW YOU AS THEIR EQUAL BACK WHEN YOU BOTH WERE KIDS??!?!? AUGHH, I can't even, the angst potential is so good, yes i know it's an AU that's centred around comedy and filled to the brim with gags but i need you to look at me in the eyes and genuinely tell me as if these two aren't in the most tragic situations ever.

Dream completely believes wholeheartedly that killing Nightmare is the only way to eradicate all negativity and being upset about the notion, but pushing down his conflicted feelings because he prioritises the happiness of the majority of the multiverse and wishes nothing but a better future.

No matter how much the thought hurts him but he's numbed all of his feelings towards Nightmare that he regards the other with indifference.

And Dream is tired. He is so tired of chasing Nightmare, from the ever growing responsibilities that he has to take care of as the head of an organisation, from the endless nights he would stay awake to finish his work. He used to love someone, but that someone probably hates him. He couldn't fix it and acted as if nothing happened.

He used to have another person that he loved dearly, that he cherished, but now they were gone as their illness consumed them. He's angry, but not at them, at himself. Maybe if he knew, maybe if he was fast enough, he could've saved them. But he was too late, and now they are gone.

And the only other person that used to love him doesn't want to be anywhere near him anymore and he knows it's his fault. God, why did he have to mess everything up?

It seems as if every person that he ever loved will eventually drift away from him. Taken away from him by his own actions or things outside of his control.

He catches himself looking at the old and worn pictures he has of him and Nightmare when they were younger when they were happier, the picture is fragile, the passage of time wearing it down, it's yellowed and he keeps it in a picture frame.

Sometimes he can't bear looking at it, placing the picture frame down on its front. He hides away the other photographs in a locked drawer in his bedroom.

Sometimes he fiddles with the sun charm around his shirt collar, running his finger along the ridges as he stares off into space, being pulled to reality as someone knocks on the door to his office, snapping him out of his reminiscing.

Sometimes when he lays down in his bed in the rare times he would actually sleep, he would imagine another presence in front of him, their messy black hair strewn about as they rest, face peaceful.

It brings him back to the past and he has to close his eyes and try to ignore it. Ignore the voices he would hear, calling out to him, ignore the faces that would remind him of someone...

Nightmare feeling so betrayed that the only person that he thought would have his back in his entire life to go against him, just like everyone else. He looks up towards Dream so much, admiring the other's dedication and kindness.

But to be chased away, falsely accused, being labelled a criminal, having the entire world against him and knowing that he's blamed for all the despair that's inflicted towards him. This guy has every right to be a villain, but he proved them wrong, he kept going, not heeding the words they say to him, what they label him as because he knows they're wrong. (Or does he? does he doubt himself all the time? does he question the things they say about him? does he ever wonder or think to himself that they were right? that what they are saying isn't completely far from the truth? that maybe they're right and he should just disappear from the face of the world for the betterment of everyone?). Coming so close to death so many times, never having the comfort of knowing that he'll have a roof over his head anymore, not knowing if he'll have food to eat, never sleeping soundly, being plagued by Nightmare and visions of his own death, of his imprisonment. Getting cuts, bruises and fractures and pushing aside the pain because he has to keep going, he has to keep going or else they'll catch him and that will be the end of his life, no matter how bleak it all seems.

And what if it all comes to end before he know it? What if Dream finds Nightmare and his bloody body, dead from the hands of other, or even himself? How would Dream feel then? That the person he was after was no longer alive at the hands of others, or worse, by the hands of the same person that used to look at him with comfort and smiles in their eyes?

That he failed as a friend, not being able to save his best friend from their own hands. It was his fault, wasn't it? He drove Nightmare to do this, and now he's gone. The guilt would gnaw away it his soul and Nightmare couldn't have that, no matter how many times he glances at the sharp objects near him when he felt like giving up. He couldn't do that to Dream. No matter how much he wishes he could just end it all right then and there.

He misses Dream, he misses the time when they would joke and laugh with each other, he misses the way the other would warmly smile at him, when the other would hold him after a bad nightmare in the middle of the night.

He misses Dream's cooking because he was horrible at it himself, he misses when Dream would read to him the stories he read as he dozed off, listening to his voice drone on. He misses when Dream would take care of him when he was sick and stubborn to take care of himself and the other would scold him for not resting. He misses it, he misses it all so dearly and he missed being told that he was loved. He wanted Dream to say it to him again, like nothing ever happened but he couldn't have that anymore.

SOBBING, I AM NOT OKAY ABOUT THESE TWO, AUGHHHHHH

[lyricfulloflight]

I am super nervous for the next season of 911. Like I don’t dislike Tommy but I also don’t like super love him either and I. Am. Nervous.

I agree with you about Tommy - I'm relatively neutral about him as a character.

I also don't tend to be someone who makes predictions much at all - I'd rather just be surprised.

I will say though, the fact that there has been little said about Tommy and little promotion of the Buck x Tommy pairing (it has been mentioned, but not as much as Buck and Eddie's friendship/relationship), makes me lean toward the belief that Buck x Tommy is likely short term.

But, as a Buddie shipper I am also aware that I could just be seeing what I'd really like to see in the promotional material we've had so far... shrugs.

I am excited about a lot of other things for this season though!

Seeing how the 118 manages with Gerrard (don't want him around for long, but interested to see how this affects all the characters and how they, hopefully, lean on each other to cope)

I want to see calls again! And the 118 working as a team during emergencies.

I want to see silly chatter in the fire engine and family meals!

I want ridiculous calls, and weird calls, and humorous calls!

They've been open about Eddie going on journey to discover himself, who he is without Chris, just as 'Eddie,' and I am so here for that!

I want some sweet moments between Hen and Karen and Chim and Maddie as the navigate the situation with Mara

I am honestly kind of thrilled with the whole 'bee-nado' situation because it is so implausible that it makes me giggle, but the fall out has so much potential for drama and action

Bobby as a technical advisor on 'Hot Shots' has so much comedy potential and I cannot wait to see it

That's a lot to be excited about I think!

One of the things I love about 911, is that yes, it brought me Buddie and I love them and I hope we are fortunate enough to get to watch them become canon. And that could possible happen this season.

But I don't love the show just because of Buddie.

I love all of the 118.

I love Chim and his devotion to Maddie and the power of their story, a story about finding a new love, building a better, stronger relationship with someone you truly love and trust and you loves and trusts and respect you back.

I love Hen and Karen and the endless pool of love they have for Denny, Mara and all the foster children who have come into their lives over the seasons. Those ladies have so much smarts between them they just knocked me over with it sometimes.

I love Bobby and his journey of redemption. The difficult path he has been walking to feel he actually deserves happiness in his life. I adore how he and Athena fell in love, and yet their past loves have never been dismissed, ignored or demeaned for their current love story.

(I will also miss the Bobby and Michael shenanigans -both the healthiest and yet most chaotic relationship between the 'new' husband and the ex-husband I have ever had the pleasure to witness).

Even though I don't always agree with Athena's choices, I would want her on my side, fighting beside be because that woman is fierce and she does not back down from a fight.

I love Eddie and his giant heart that he is always simultaneously giving freely to everyone and yet hiding away at every turn. As a fellow parent, I admire his amazing parenting skills and his trust and respect he has built with Christopher. If they aren't able to build back that trust in their relationship this season it will truly break my heart.

I left Buck for last, because he is my favourite. He has such a big heart and hardly any sense of self worth and all of that is wrapped up in this infectious energy that I simply cannot resist. I cannot wait to hear more Buck facts, his childlike energy about topics he's passionate about make me smile so much. I want the world for that man. (I also really enjoy him battered and bruised and covered in blood, but that says more about me that about Buck...)

In conclusion, I love 911!

Yes, I watch partly for Buddie, but I love the show as a whole. And I think we have a lot to look forward to, especially with a full season that, hopefully, won't feel rushed.