#Like some sort of frankenstein's monster

[puppetmaster13u]

More Meat Marionette Au?

Body Horror Warning as Usual

Been a while since I pondered the Meat Marionette Au. So have some art for Jason. Because while he might not have died, that flesh puppet was torn apart and the Caves rebuilt it with whatever It could get its claws into.

So yeah, that Joker arc does sort of happen- albeit in Gotham and without Jason running away. And there's consequences for it. Not just for the joker, not just for the bats, but for everyone.

There's a ghost in the Alley, a mass of bone and flesh shambling about in agony. And everyone knows what it once was.

The robins can't die, everyone quickly understands this. But there's something horrific of seeing the result of someone trying to do so. From something ripping one of them apart with metal and fire and scorching flesh away until it has to use whatever meat it can reach to rebuild itself.

Meat Marionette Au is a combo of my Cryptid Batfam & @phoenixcatch7 Possessed Doll Au, Go check them out they post some cool stuff

[poorly-drawn-mdzs]

Happy Halloween and Wei Wuxian day!

[totally-not-an-awkward-okapi]

Look man I just think it’s a shame that Lon Chaney Jr’s horror film debut usually gets cut from the roster.

[spectre-ship]

hot frankenstein, 1823

via @victorianmasc on twitter (do check her out!)

[justsomeectoplasm]

I'm honestly both happy and sad that pop media decided to give Dracula the "hot, romantic, undead sexyman" treatment when he canonically looks like an old guy that will eat babies if prompted while Frankenstein's monster got the "Horrible monstrosity of unspeakable evil" treatment when he canonically is described to be handsome and actually quite intelligent later in the book.

[cheekydogs]

My love puppy is just about good as new now! There’s 1 small stain I can’t get out, and his joints are still floppy, but he’s all sewn up and ready for some new love! I’ve decided to name him Frank :)

Also, I mentioned wanting a webkinz Boston terrier to someone in one of my classes, and she gave me one from her collection! She’s NWT and everything! I’m so happy to have her in my collection 🥰

[strangestcase]

👿 bogey-boogey Follow

I dont have any respect for science based “monsters” ngl. “Oh I’m a Frankenstein’s monster” shut UPPPPP you’re malpractice that’s what you are “Oh I’m a Hyde monster” YOURE A HUMAN ON METH !!!!

🔩 voltagehottie Follow

Right, because you need to be borne of an ancient curse or some sort of undead to strike fear into regular humans. Hmmmm it’s almost as if the word monster refers to many categories of people and not just magical creatures?

👿 bogey-boogey Follow

I like how you say “regular humans” because you know you’re a human built in a lab.

🧑‍🔬 drfagandmrdyke Follow

🫵 Smyrkes 14 in bio

🦧 ruemorguez Follow

Hey isn’t OP the guy that writes omegaverse Harry Potter AU Dracula x Cthulhu RPF on AO13

🧑‍🔬 drfagandmrdyke Follow

Wgat

[grunckle]

On stars, guardians, and Rain World’s cosmology.

One aspect of Rain World lore that’s asked about quite a lot but normally never gets satisfying answers is the topic or Rain World’s space/universe/cosmology. Despite first impressions though, there’s a lot more it than meets the eye, so I thought I would compile most everything we know about it.

For one, to get it out of the way, Rain World isn’t on a planet, and its universe is fundamentally different from our own. This is something Joar has talked about on occasion.

He also said on an earlier dev log how Rain World functions more like a fantasy world where it doesn’t hold much relevance than a real sci-fi like planet.

“Oh, another thing - Rain World isn't a planet lol Cheesy Or I guess it might probably be on a planet, just as Lord of The Rings, Sex And The City, Zelda and Frankenstein's Monster are probably technically on a planet, but just as in those examples the planet aspect isn't really relevant at all. Rain World is more of a fantasy world or a dream world, not somewhere you can go in a space ship ~”

But even if it’s not incredibly relevant, it’s clear a lot of thought was put into Rain Worlds fictional cosmology, this was even mentioned by James.

So, that being said here's what we know about Rain World's cosmology in game.

The biggest indicator of Rain World's unique cosmology is that the Farm Arrays deep pink pearl just mentions celestial spheres, which are aspects of older cosmological models.

"This one is just plain text. I will read it to you. "On regards of the (by spiritual splendor eternally graced) people of the Congregation of Never Dwindling Righteousness, we Wish to congratulate (o so thankfully) this Facility on its Loyal and Relished services, and to Offer our Hopes and Aspirations that the Fruitful and Mutually Satisfactory Cooperation may continue, for as long as the Stars stay fixed on their Celestial Spheres and/or the Cooperation continues to be Fruitful and Mutually Satisfactory." ...May Not as long as the Stars stay fixed on their Celestial Spheres Grey Hand, Impure Blood, Inheritable Corruption, Parasites, or malfunction settle in Your establishment."

More subtly, there's also a mention of the ground colliding with the sky.

"If you leave a stone on the ground, and come back some time later, it's covered in dust. This happens everywhere, and over several lifetimes of creatures such as you, the ground slowly builds upwards. So why doesn't the ground collide with the sky? Because far down, under the very very old layers of the earth, the rock is being dissolved or removed. The entity which does this is known as the Void Sea."

You could chalk this line up to flowery language, but considering the presentation of the rest of the dialogue, it sounds more like an actual aspect of this world.

We know from the Chimney Canopy echo that the sun rises.

"From within my vessel of flesh, I would perch upon this spot to observe the rising of the sun."

And from the top of The Wall we can see the moon and stars (confirmed to be stars by Joar in the previous screenshot, instead of satellites or something else) , which are green!

So, what does this all mean? I think we can entail a few things with what they've given us.

For one, the mention of the ground colliding with the sky implies some sort of firmament, which isn't an unusual concept in the general realm of celestial spheres.

But on the topic of celestial spheres, the pearl actually isn't the only place we see the concept. Guardian halos are very similar to depictions of celestial spheres, and also astrological clocks.

You can make of this as you will, perhaps the astrological references being tied to guardians could hint at the nature of karma, but there isn't much to really delve into that idea.

For what it's worth, celestial spheres are also core concepts in Gnosticism, which Rain World is heavily inspired by. I explain it more in this post about Void Worms, but for a quick synopsis in Gnosticism there are seven planetary spheres, and an eighth above them; the planets and stars are fixed to their spheres. These things just further cement the fact that celestial spheres seem to be a key aspect of Rain World's cosmology, and it would also likely imply it's universe follows a geocentric model.

For a bit of a more out-there theory, people have pointed out how the view atop the wall stretches really far, going far beyond what we could see on a spherical planet like Earth, which has led some to theorize that the world is also flat.

But what is probably the most important aspect of Rain World's cosmology is the nature of dust. Dust builds up, and the bedrock of the world is eaten away at by the Void Sea. Civilizations rise and fall into the sea as new ones are built above it. Many, including myself, believe that the world exists in a sort of state of equilibrium. The world is dissolved from the bottom, then that falls back on the world as dust; even in the final moments of the game we see dust suspended in the void sea depths.

And hey, even void worms are described as being star-like.

"Oh, interesting. This is a diary entry of a pre-Iterator era laborer during the construction of the subterranean transit system south of here. In it they describe restless nights filled with disturbing dreams, where millions glowing stars move menacingly in the distance."

Cyclical, recursive, something else entirely? We can never really pin down the true nature of Rain World's cosmology, but the things we do get hint at something strange and unique. It's such an interesting aspect of the lore, and it seems like Videocult will continue to make mysterious cosmologies in their future projects...

[idesofrevolution]

A Night at the Kings Theatre

The Kings Theatre had been long abandoned by the city for over half a century, haunted by the memory of that fateful night in 1978. No one knows exactly what happened, but from tragedy arose legend. 143 people entered the auditorium that April night, prepared to see a terrifying new film just recently brought to America out of West Germany. "Der Kuss der Lust" was some sort of return to the German Expressionist Horror of the 1920's, a film scarcely heard of outside art houses in Berlin, and the hapless crowd came in droves. By the end of the showing, the police had arrived, the majority of patrons leaving the theatre in handcuffs or straightjackets. The city never released any information on the event, opting instead to board up the grand building and never speak of the subject again. That is, until 2024.

The group stared up at the Grandiose Marquee, excited for the long awaited return of their neighborhood movie palace. The four of them giddy with anticipation, they each had their tickets in hand: all found mysteriously in their post boxes that morning. Teddy stood with his mouth agape in awe at the sheer beauty of the facade, while Rod, Sabrina, and Pete gossiped amongst themselves.

"Yeah, it was literally in my mailbox this morning." Sabrina's characteristic monotone delivery making the two boys snicker.

"Girl I can tell you're sooo excited." Rod rolling his eyes at his roommate, well acquainted with her stoic persona. Pete stood looking down at his phone, trying to browse the theatre website to see what film they were about to be subjected to.

"All it says on here is 'Grand Opening Event.' It doesn't say what movie it is. OH! I bet it's that new one we've been seeing trailers all over the place about! The one with Ryan Gosling and Ross Lynch necking while Jennifer Coolidge just sits there!" Pete's boisterous and brash demeanor yet again shining through. A lack of volume control was a typical symptom of his theatre gay archetype, but nothing his friends were unprepared for.

"Shhhh. Look, they're letting people in!" Teddy hushed his little group, pointing to the tall gentleman at the door, now checking ticket stubs as the patrons slowly trickled inside. Teddy was merely along for the ride, roped into the outing by Rod, who was continuously concerned with his homebody lifestyle. "So we don't know what we're watching tonight, huh?" The three others shrugged.

"Does it really matter? It's something to do, Teddy..." Sabrina scoffing under her breath as they slowly inched toward the front doors. Teddy looked at the ticket man up ahead, his eyes sunken in and hunching over the audience members like Frankenstein's Monster.

"I bet he's in character for the movie! I've heard about this in class. They used to have all the staff act all spooky and improv with the crowd to get them in the mood for the movie! I bet it's a horror movie then!" Pete's enthusiasm was not exactly reciprocated as the boys shrugged and Sabrina rolled her eyes. Teddy felt a twinge of foreboding as they approached the towering man, each handing him their tickets. He stared at the group for a moment, the four tickets just hanging loosely from his grey fingers.

"Uh, are we good to go?" Rod stared at the man, whose head slowly turned down to meet his gaze before a demented grin crawled across his decrepit face. He bowed dramatically, waving his arm to usher them into the building, not a single utterance leaving his blue lips.

"Wow, impressive acting. Let's go, boys." Sabrina pushed the three through the open brass doors, Teddy's gaze having a hard time breaking with the strange man. His grin seemed to melt away almost instantly, returning to stonefaced indifference as he attended to the group behind.

"What the fuck was that?" Teddy turned to his group, Rod the only one taking the time to even acknowledge his query.

"Listen, they're just gettin' you in the mood! Like Pete was saying! Lighten up, man. I promise we'll take you home right after this, and you don't have to come out until next week. And we're doin' karaoke baby!" Rod nudged Teddy, whose response was a coy smile as he stared at his feet. He didn't want to be there, but for the sake of his friends he was making an effort.

The lobby was bright and opulent, the Beaux-Arts architecture perfectly coordinating with the beautiful exterior. Heavy red velvet drapes hung between the marble columns, a grand staircase likely bringing folks to the mezzanine, and a modest but well stocked concessions stand stood in the middle of the room. Historic film posters hung prominently against the walls: Casablanca, Dracula, Gone with the Wind, Hush Hush Sweet Charlotte, Rebel Without A Cause, Rebecca... all with bold 'COMING SOON' stickers plastered against the glass displays.

"I guess they're doing a whole retro movies vibe! Ooh! I wanna come back to see James Dean on the Silver Screen!" Pete jumped excitedly at the prospect, running over to the poster to take a picture as Sabrina walked to concessions to get popcorn. Rod and Teddy stood there, just admiring the grandeur of the space before the chandeliers began to flicker rather ominously.

"I think that means we need to find our seats." Teddy turned to look at Rod, who was squinting at the tickets to see what seat they'd all been assigned.

"We're in something called MEZ? What the fuck does that mean?" Teddy snatched the ticket, pointing to the top of the stairs in response.

"It means mezzanine, we're upstairs." Teddy motioned to Pete to rejoin them just as Sabrina returned with a gigantic barrel of buttery popcorn, munching away. The group ascended the stone stairs, avoiding brushing against the eager spectators as they rushed to their seats.

The auditorium was equally as grand. A massive brass chandelier hung prominently above the house, boxes lining the sides of the walls above row after row of velvet seats. The group made their way to their rows: Rod and Sabrina in row 3, Pete and Teddy in row 2 immediately in front. They took their seats as the vintage concessions ad played on the massive screen. Teddy heard Rod and Sabrina bickering about roomie problems he cared nothing about, as Pete blathered on about the history of the anthropomorphic dancing popcorn box. The mood in the room was one of excitement, of anticipation, yet for Teddy... it was off. The air felt stale and stagnant, the uncanniness of the movie palace long after it's prime seemed to hang differently in his mind. It felt like a time capsule, a liminal space where time had just frozen still, waiting to swallow it's naive visitors. Perhaps it was just the social anxiety, as Rod would likely dismiss it as. Yet, for whatever reason, Teddy sat on edge and alert. The lights began to dim, and a hush fell over the auditorium as previews began to roll for the films advertised in the lobby.

"Ooooooh! Bela Lugosi was so hot. Like seriously." Pete chimed with his typically chipper demeanor, stealthily stealing a handful of Sabrina's popcorn from behind him as they whispered deep in their argument. "Like can you even blame her for falling for him? I mean come on." Teddy just nodded along, peering around him at the crowd of exceedingly normal people watching the old trailer with glee.

The trailers ended with the screams of Bette Davis and Olivia de Havilland; Hush, Hush Sweet Charotte ending it's preview as the room was flooded in blackness. Teddy swore he could faintly hear whispers emanating from all around him in the dark cavern, before the room was once again illuminated as the black and white title card brightly shone on the canvas screen. The words were in a strange font, clearly not in English.

"Durr kusss durr loost... Ahh shit is this some kind of foreign film?" Sabrina sighed and reclined back into her chair, taking solace in the handfuls of popcorn she'd been shoveling into her mouth. Teddy recognized none of the actors names as they quickly flashed before his eyes, nor could he understand any of the words in the opening credits. He didn't speak German, but he couldn't wait to rub the hiccup in Rod's face: yet another social outing turning out completely unintended. Thankfully, as the camera opened onto some old Baroque village, as dialogue began, he was relieved to see English subtitles scurrying at the bottom of the screen.

He struggled to keep up with the narrative, as the translation may have been rather poor to begin with, instead opting to focus on the increasingly strange sets these actors were traversing. From what he could tell, there was a nobleman of some sort who found a village woman he'd fallen in love with. The book was promising powers of love beyond human comprehension, and in his hubris, the nobleman tries to cast a spell of lust on the beautiful young woman.

"I mean look at the set design, it's giving Nosferatu. NO! Cabinet of Dr. Caligari.... Oooh it's so cool!" Rod nudged Pete with his shoe, shushing him as neighboring patrons shoot dirty looks in their direction. Teddy became completely enveloped in the bizarre imagery rather quickly. The film was almost dreamlike in quality, walls seemed to jut out in different directions, the lighting was dim at best and only illuminating essential props or entrances and exits for characters. The sounds of the auditorium slowly faded away into the periphery, and all that could be perceived was the muffled voices of the actors.

Time was not a consistent factor in the film, it just meandered from scene to scene, with disconcerting Dutch angles increasing dread at every turn. What felt like one minute could easily have been twenty, but fortune momentarily smiled on the encapsulated young man. Teddy felt his stomach rumble, momentarily breaking him from his trancelike state to reach behind him into their popcorn bowl. He'd fully expected a wrist slap from Sabrina, but after three or four handfuls of popcorn, that moment never came. This moment of sheer confusion pulled him out of his tunnel vision, if only to reassure Sabrina that he'd pitch in for the popcorn. As he turned around, he was met with a sight he never could have ever imagined.

Sabrina's head was turned toward Rod, and for a moment, Teddy thought they were just whispering to eachother, continuing their asinine argument over who ate the pickle chips the night before. Though as his eyes adjusted to the darkness of the room around him, it became clearer just what it was they were doing. Her lips were planted firmly on Rod's, his left hand slowly sliding up her thigh. Teddy quickly swiveled his head back to the screen, eyes wide with shock. Rod was a flaming queer, just as he was and just as Pete was. Sure, Sabrina was straight, but he couldn't imagine her boyfriend being thrilled at the sight of Rod necking her in a movie theatre.

"Dude! Look at their facial expressions! You don't even need subtitles, you just need to see their faces!" Pete's voice hummed distantly, being completely ignored by all around him, doing little to aid Teddy's growing discomfort. The sounds of wet, sloppy kissing began to ring out from behind him, their breaths shallow and low. Teddy's eyes darted around him, the faded outlines of the other patrons not getting any clearer, nothing but the film there to distract him. Especially as the sounds of comingling tongues abruptly came to an end, only to quickly be replaced by another more terrifying sound.

*Slurp* *Slurp* *Slurp* *Slurp* "Ahhhh yeah, baby..." It was unmistakable. That was Rod... With each stifled moan, every snarling growl and wet slurp, he could hear his friend's voice growing lower and lower. His growls becoming louder... rougher... more animalistic. Teddy stared forward, beads of sweat starting to seep out of his forehead as he listened to the two most ill-matched people get it on directly behind him. He heard their pace quicken, Sabrina's slurps turning into gags as he heard more bizarre sounds arising from behind. Creaking... The sound of shifting leather, or maybe it was tearing fabric... Or the sound of an inflating balloon... Teddy felt his breath start to quiver, as he looked down between the armrests, seeing Rod's Chuck Taylors start to wriggle and writhe. His eyes widened, seeing the black canvas fabric start to flush white, growing larger and larger. He recognized the Nike symbol starting to protrude from the sides of the sneaker, and as Rod's voice growled into an enraptured release, the Converse were now a pair of large, beat up AirForce1's, covered vulgarities written in black Sharpie. Teddy whipped his head back to the screen, Sabrina giggling as he heard the sound of a waistband snapping back to place. It was silent for a moment, Teddy too nervous to look behind him, but desperately wanting to know what happened to his friends.

"Ahhhhhhh yeah, babe." There was a thud, Teddy peering down to his right and seeing the gigantic sneaker resting on his arm rest. Taking a deep breath, he slowly turned his head. There, leaning forward with his hands on his head was Rod- or at least, someone that once was Rod. The tall, skinny little gay boy he'd befriended had been replaced with a gigantic, tattooed man. His hair cropped short, his muscles bulging, his shirt sitting on his thigh below his exposed torso now adorned with thick silver chains.

"Huhu, my bad, bro. When duty calls, am I right?" Rod grabbed onto his monstrous bulge, hiding behind the cum stained fabric of his white shorts. Teddy felt the blood rush from his head at the very sight of it. He watched as Sabrina, now equally scantily clad with tattoos, jet black hair, and devious grin mischievously slithered her hand beneath his waistband, grabbing ahold of his thick cock and slowly pumping. Rod winked at Teddy, turning again to Sabrina and kissing her once again.

Teddy whipped his head back to the screen, mortified and terrified in equal measure. He looked around him yet again, only seeing once again the dim outlines of the other patrons completely enveloped in the film before them. He turned behind him, doing his best to ignore the slimy sound of Rod's handjob to see the doors had staff members blocking each exit.

"Fuuuuuuck, bro. This shit is tight. Lemme tell you, man. I need this shit on Netflix." Teddy ignored Pete's typical unwarranted commentary, peering down over the house to see if the patrons below were also... different. Through the dark haze of the auditorium, he received his answer. The vast majority of the audience was completely enraptured with the film, not so much as flinching as they watched the nightmarish visions on screen. However, he'd started to notice the dim outlines of a couple people leaning in toward eachother. He couldn't pry his eyes away, so Teddy could only watch as he saw the patrons start to grope, kiss, and go down on eachother. A couple up front necking in the first row, two guys sliding their hands into eachother's pants in box 5, a group of what he'd assumed were bachelorettes just sliding their hands over eachother's breasts.

"Pete... Pete, we gotta get the fuck out of here." Teddy whispered to his friend, not taking his eyes off of the filth that was unraveling around them. Three seats over, one man was now bent over the railing of the balcony, three other men taking turns railing him right there in public to no outcry whatsoever. Teddy whipped his head toward Pete, still intently watching the film. "Pete! Pete, let's go!" He grabbed onto his wrist, feeling a strange rubbery texture tightly wrapped around it. He looked down, watching in terror as his friend's pristine watch slowly warped beneath his hands. Tightening until all that was left were three rubber bracelets in bright vivid colors.

Teddy's gaze slowly rose from his friend's hand as his fingernails slowly turned black. The rotund theatre gay was rapidly losing mass. His tight sweatervest growing looser and looser before his eyes. Fat seemed to shrink into nothingness as the sleeves of his shirt began to slowly rise up the length of his arms.

"Dude... I feel kinda funky, bro." The typical chipper demeanor was slowly vanishing, his eager eyes began to droop, as his short brown hair started to grow. The dark brown hairs quickly were flushed with a wash of bright blonde as it snaked out of his scalp down to the nape of his neck in sweaty, messy curls. His jawline was sharpening, his lips getting plump and thick.

"Pete... PETE!" Teddy screamed at the top of his lungs, not a single patron even flinching at the toil in his voice. "HELP! SOMETHING IS WRONG! SOMETHING IS VERY VERY WRONG!" Teddy shot up out of his seat, his ankle painfully hitting something hard. He peered down to see a heavily used skateboard resting under his friend's feet, absentmindedly rolling side to side as his loafers warped quickly into large, well worn white Vans. Teddy clamped his hand over his mouth as he followed the shifting clothes, up the khakis turning tight and ripped against lean thighs, up to the growing bulge and wet patch bulging out of his groin, up to the studded belt tightly wrapped around his lean waist.

"Heheh..." Pete's voice was growing duller, more coarse as the scent of sweat and cannabis began to waft off him. His sweatervest and shirt shrinking into a sweat stained white tee shirt, and as Teddy's gaze finally fell on Pete's face... he knew he was gone.

"Broooo this shit is sick... Oooh, man. I got a j in my pocket, man. I'll let you hit it if you let me..." Pete's fingers inched toward his belt buckle, slipping under the fabric of his jeans. "C'mon bro. Don't let Rod be the only one gettin' some dick attention tonight." He winked through the colored sunglasses hiding the red, stoned eyes behind.

"I..." Teddy nervously stood there as Pete unbuckled his pants, his twinky, sweaty hand sliding down into his underwear and wrapping around his slowly growing cock.

"Yeah, bro... Come let Petey take care of this." Teddy was lost in a moment of bliss as Pete slowly and tenderly stroked his cock in his pants, igniting the joint between his lips as he pumped.

"Whuh.... Wait... I uh... I need to go to the bathroom. Really bad. I'll be back, just give me a minute..." Pete smirked, letting his hand retract from Teddy's groin.

"Well, don't be too long, bro. My throat is waitin' for ya. Heheh." He stuck out his long tongue with a vulgar whip. Teddy wasted no time bolting toward the door, realizing only as he was chest to chest with the decrepit usher that the restrooms were merely to his right and left. The creepy man flashed the same unhinged smile, not budging an inch. Teddy burst into the men's room, leaning against the ceramic pedestal sink and peering into the mirror. He flipped the faucet, water flowing from the tap as he splashed it against his face. Then, he heard it. The creaking of leather. He looked down at his feet in horror as the New Balance sneakers he sported started to quiver and undulate.

"No... Noo... NOOO." He vigorously splashed his face with the cold water, rubbing his face like a maniac. It was only then that he started to feel the roughness around his upper lip and jaw. He couldn't bring himself to look into the mirror, as he felt hair sprout below his nose and stubble poking around his sharpening jawline. He could only peer down as he slowly began to accept his fate. The sneakers quickly stretched wide and big, a scuffed black leather replacing the grey suede as they shifted into a pair of heavy black harness boots.

His breath grew shallow and rapid, watching his sweatpants suction in tight around his inflating calves and thighs, turning slick and black. The comfortable grey Champion sweats were nearly skintight now, as if painted on atop his lengthening legs. The bottoms slipped into his boots and fastened beneath the damp fabric of his black socks, and the shiny black leather pants began to creak as his own bulge started to grow round and distended. Teddy gasped for air as he felt his shaft stretch out, a foreskin creeping over the head of his weeping cockhead, seeping into the sweat and cum inundated jockstrap now around his waist and thick ass.

"Ohhh... fuuuuuuuck." His fingernails turned black as tattoos began to sprawl from his knuckles up his swelling arms. The sweatshirt he wore felt tighter and tighter as his shoulders broadened and his torso stretched upward, taking on a lighter tone as little tears started to appear around the collar and along the seams. "Unnnnnnnnff" His voice started to dip lower and lower as the heavy sweatshirt's sleeves retracted in toward his shoulders. He felt himself sweating, wiping the sweat from his lowering brow and brushing the now frosted blonde tips of his mullet to the side. He looked at his hands, undeniably his own, yet completely unfamiliar; watching them as they slowly slipped lower toward his throbbing cock. He pulled up his weathered, well loved white tank top, the intricate ink across his rippled abs begging him to go lower and lower, his head throwing itself back as his fingers slipped into his creaking leather pants.

"Brooooooo you in here? What, didja fall in?" As he heard Petey's stoned ass voice echo off the tiled walls, he turned his head as he groped his slimy cock in his pouch. His three friends, vaguely familiar now, all sauntered in looking at him with knowing smirks. "Awww, Theo. I told ya not to get started without me."

Theo leaned on the sink, groping himself with a devilish smirk, beckoning his favorite throat goat to come gobble up his musky rod. Petey took a hit off the joint, handing it to Sabrina before getting on his knees before their bisexual bad boy. He opened his maw, Theo knowing right away what to do as he spit in Petey's eager mouth, and pulled out his throbbing dick. As the skater expertly wrapped his lips around his manhood, Theo turned to Rod and Sabrina, winking. Rod grinned.

"Yeah, boy. Gimme summa that, no homo though, bro." The 6'5 basketball stud sauntered over to his bro, planting a wet kiss onto Theo's supple, cigarette stained lips. As Sabrina took Rod's monstrous cock into her mouth, the four of them fucked in the bathroom surrounded by the stench of sex. Swapping partners at the drop of a hat, sucking face and dick with no hesitation, worshipping Theo & Rod's big smelly feet or railing Petey's tight little hole while Sabrina ate out Theo's sweaty rear. By the time the Usher came in to tell them the film was over, buckets of cum were splattered over the walls, floor, ceiling, and friends.

"Heh, c'mon guys. We can continue this back at my place." Theo wrangled his little posse of fuck buddies out of the bathroom, past the outrageous orgy slapping about in the auditorium. The four walked out of the Kings Theatre, stinking of cum and sweat in the night air, knowing fully well they'd be returning soon enough.

[the-nosy-neighbor]

Bug-a-Bye and Goodnight

As always, I have edits:

This will make more sense at the end.

I came across some theories about this song, and wanted to look at it in depth.

We are reading with the understanding that he may be referring to Eddie.

[A gentle piano and bassoon track begins playing.]

The sun is low, it’s cold and dark,— end of season, but could also be a reference to night and danger after dark

Just wind and snow, I must remark,

The bugs all head to slumberland,—interesting given the use of toyland, also the commercial about remderem/insomnia (some must sleep but Wally is in the opposite state. Too aware?), but could be a reference to death, like “the big sleep”

Some might find it sad, but I understand,—on face value, he will miss his friends, but knows that it is inevitable.

Even if I might not be able to see you,—can’t see Eddie because he is gone/buried

I know it’s for the best, I can’t keep you,—Eddie staying would lead to serious consequences for Eddie

It’s time for all of you to get some rest,—after what we saw Eddie go through, I bet he would be better in a different state

To tuck you all into your arthropod nests,—bug stuff; also Julie's hibernation?

At this point, those last few lines could refer to a sort of death for Eddie. Almost like frank can preserve him in some way by giving him a death in this universe. If we are talking puppet world, which we did see in commercials, most of Eddie’s anxiety happened in that state. So, can Frank give Eddie a suspended or death like state in one of the layers of reality and he is preserved in storybook world or our real world?

With one last check, that nothing is amiss,

I can see you safe into your chrysalis,—this reads that he will put Eddie into a different state of being that he can come back from. The coming back is my interpretation only at this point because I assume frank wouldn’t choose death for him or would for sure be hurt by Eddie’s death. Things would have to be very bad if true death is a better option for Eddie.

Also, it hearkens back to the horror butterfly image. Another also, caterpillar to butterfly, an insinuation of emedging into a new form. I don’t see allusions to Howdy in here, but I suppose it is possible that this could refer to more than one neighbor and Frank is taking them all out.

As you snuggle down into your dirt,—reference to being buried?

I want to assure you that I won’t be hurt.

This clarifies that it is a sleeping type state, not death. Ok, here is we’re Eddie’s Halloween costume comes in. Frankenstein, changed from the Scarecrow in earlier art (presumably from wizard of oz). Interesting thing about scarecrow vs. Frankenstein is that we see scarecrow taken apart during that film and Frankenstein is famously assembled from parts of different people. Interestinger is the fact that they are both afraid of fire. (I love that Young Frankenstein shows up more than the original in a search.)

Frankenstein (and scarecrow) are both put back together, but for Frankenstein it seems more of a new being, not just a reassembling. Frankenstein (aka frankenstein’s monster) is a thinking, speaking individual that was horrified at the situation he was in. Frankenstein in the book murders to punish his creator for the immorality of creating him and the resulting loneliness that the monster feels. As such, the choice is very interesting. If the puppets of welcome home come to be aware or sentient, I wonder how they would feel about Ronald Dorelaine or their situation?

If the movie version is the focus of Eddie’s costume choice, then he would be a potentially thinking and feeling being (he is afraid of fire), but without further evidence we don’t know his thoughts.

Scarecrow is a guy without a brain, with the power of speech, so a kind of opposite. I think they all end up just needing to be confident, which is why some shyster from the Midwest is able to help. This almost seems to be more in tune with Eddie's character--Eddie has a tendency to appear kind of ditsy, is constantly being dismissed by others. In the end, we find out he is actually smart but lacks confidence. I can see that being true for Eddie as well.

If I had to pick out a character for Frank, it would be the Tin Man. Poppy is the Cowardly Lion, Wally is Dorothy. Home is Home. There are more parallels here than I was expecting. Howdy is the Wizard, Julie can be Glenda, and the Wicked Witch...is kind of no one? Sally can be a flying monkey. She works my nerve. Also, the whole spying thing was done by the monkeys in the movie.

But now that I am thinking about it, this comparison makes a lot of sense, in terms of the complex relationships, as well as the levels of reality that you find in Wizard of Oz. A big event leads to a shift in the understanding of reality, and the lead finds themselves in a very colorful world that doesn't much resemble their own, but is very flashy, has songs, beloved characters, and a sense of danger. There are some things when thought about in the context of real life, or the black and white portion of Wizard of Oz, would be truly frightening.

Of course, Wizard of Oz shares a lot of parallels with Alice in Wonderland, which also seems somewhat related. In terms of source material, the Wizard of Oz is considered to be a parable that expresses the thoughts about US economic policy in the 1890's. This is a theory that you can read more about here: https://en.wikipedia.org/wiki/Political_interpretations_of_The_Wonderful_Wizard_of_Oz

It isn't super related, and not everyone believes that this is the case. However, it seems to be a very American type story, no matter what you believe, that touches on the experience of normal people while much larger forces lie and fuck around with everything.

As the holidays begin to approach,

I gently kiss, each and every roach,—kisses for Eddie. We have seen a realistic roach on the secret page with the mishmash of one script where Wally is deciding what to draw

I made sure to keep, my garden cozy,

So you can safely sleep, in fallen posies,—this whole stanza shows a desire to and promise of a quiet death and maybe even a maintained grave. I looked up posies to see where Eddie could potentially be buried. Posies refer to a nosegay, or small bouquet of flowers. It was a Victorian secret code thing, a way to declare love or even reject people based on flower and color. One that sticks with us in the form of red roses signifying love. On the map, there is a cluster of yellow flowers to the side of Frank’s house. Not sure this counts as his garden, since it is on the other side of the house. Julie has a group of flowers behind her house, but once again, not his garden. No fallen flowers that I can ID.

When googling posey, this is what comes up. I felt that there was a flower called a posey, and these do look like the big yellow flowers by Frank’s house. If any flowers fall in updates, I am going to assume someone is buried there.

There is also the ring around the roses rhyme, which could relate, but I don’t really see a correlation.

It’s time to get comfortable in your honeycomb,

take your winter intermission in your garden loam,—dirt, burying again

neatly nestled from the cold in roots and rhi-ya-zomes, — cozy dead

sleeping side by side under stately stones,—2 dead? Headstones is the link I make there--OK, now look at the pic! (I know, it's a reach.)

…And I’ll be inside of my home,—frank is staying to oversee something. It reads like calming the person who will die. This seems to bolster that arguments that I addressed in the post about bugs on the previous website, that Frank is working against, or at least parallel to Wally. With the bugs, the whispering to Eddie, and using his first name, I think it is reasonable to suggest that Frank is working against Wally and/or Home.

Another potential clue is the hidden video with the clothespins where 1 is upside down. I have theorized that it is a reference to Barnaby dying, but it could be Barnaby and Eddie. Only one clothespin is shown upside down though, so Barnaby or Eddie?

Regardless of how I feel you need to go away,

I’ll be the one to tell you, you just can’t stay,—he likes bugs but this is extreme of Frank, if he is talking about actual bugs

Thankfully I lack a sentimental sensibility,—true that, he generally seems calm.

I enjoy my Methodical Mundanity,—why is this capitalized? I looked and looked but I can’t find the origin of this phrase, though it came up a few times in random posts and articles. Clown does have a tendency to capitalize things that seem random. Me below is also capitalized. I listened as well, and I have to wonder why the singing is so bad? I don’t think the voice actors are bad at singing, seems like a deliberate choice to have reedy and unsteady vocals, pitch issues and pacing problems.

Where all that’s left is… Me.

So, this is a bit extreme for a song about hibernating bugs. I think that given our many references to bisecting or otherwise putting people into pieces (Eddie butterfly horror, frank in a pile of body parts, look I made a dog, and slinky Barnaby, now Frankenstein and Scarecrow) that we could be looking at death in a sense that works in one layer of reality. You disassemble a puppet, it is no longer a puppet. So what if Frank = Frankenstein and Eddie is Frankenstein’s monster? Frank can take him apart and put him back together in puppet reality?

If I had to guess, I am sticking with my working theory. Frank, as the smartest guy in the neighborhood, is the resistant force in the neighborhood. Wally/Home is/are the catalyst for the scary stuff. They are central to everything, physically and otherwise.

I have mentioned that in the last update, Sally and Poppy have the appearance of spies or managing Eddie. Given that Poppy doesn’t attend to party, I am anticipating that Eddie was isolated and watched by Sally during this planning period, where Wally and Barnaby walk the neighborhood to find out what Homewarming is. Given that it is said that Wally and Home instigated Homewarming, it is strange that everyone knows what it is except for Wally. It reads more as an attempt to achieve a goal, despite everyone knowing about the holiday. Even Julie is at the party, and she is supposed to be hibernating. Well, they don't say exactly when Julie hibernates (maybe there was something about her doing it after the holiday?) Anyway, Poppy isn't at Homewarming. She could be at home, but the book stating that they are all here seems like an attempt to cover up her absence. What is she doing? Snooping in the Post Office while Sally watches Eddie? Does Eddie want to go home for not feeling well or he has an idea of what is happening while he is gone?

Maybe Frank sees his boyfriend and comrade at arms about to get hit with something bad, so to preserve him and the opposition, he is going to disassemble him (cue Johnny 5) for protection.

In the past, Sonny (the Brazilian bird) was cast as the opposition to Wally, and included in a relationship with Frank. This work in particular comes to mind:

Clown has stated that they removed Sonny from the project due to the story changing from one with a hero, to one without, as that wasn't the story that they wanted to tell. What if, though, instead of Sonny being written out for the hero reason, there was another reason? What if we are seeing Frank taking on being the neighborhood's savior? He is just snarky enough to make it seem less like a hero situation and more because it was impacting his garden.

[hughiecampbelle]

Malignant (Homelander Oneshot)

((TAKES PLACE IN S4E4))

Character/s: Homelander

Word Count: 1,468

Warning/s: gore, sort of all the basic warnings The Boys typically has

Requested: Hii! I’ve just found your blog, read some of your works and loveee them! Especially The Boys Preferences and imagines! May I request a platonic Homelander x reader with the prompts: Fury, Shooting Stars, “Get away from me” ? Thank youuu! - anon

A/N: Y'all when I tell you you're not ready!!! When I say I love this I mean I cannot stop smiling!!! I am Victor Frankenstein and this is my monster lol. Thank you for requesting my love! I hope you like it!!! Feedback is always appreciated!!! 💜💜💜

Requests are open! 🔮

Get away from me. The words come out as a whimper, barely above a whisper. His features contort: insecurity, rage, struck dumb by your reaction. Despite himself, he smiles, trying make sense of it all. This is what we’ve always wanted. They deserved it, all of them. Why can’t- why can’t you see that? He takes a step closer and you react by moving further back, through the doorway. Your shoe makes a squeaking sound. Beneath the sole something squelches, wet and gummy. You don’t have to look down to know what you’ve stepped in. It’s splattered across the walls and ceiling. The entire room painted red. Faceless, headless, limbless bodies dropped across the floor. You’ve stepped on someones intestines, their insides strewn across the floor like shooting stars. Here and there are articles of clothing, a shoe without their twin, a name tag or Vought issued ID. You don’t recognize them. Many of them new hires. They weren’t around all those years ago. They took no part in what happened to you, to either of you. Bile rises in your throat. It’s the smell that’s the worst. Metallic. You can taste the iron on your tongue. Not just that, though. The heater was still on. Though the body was ash, the stench of burned skin and hair lingers. It’s thick, and hot, and disgusting. The warmth radiates off it, seeping into the rest of the lab. It leaves you fighting your nausea, your hatred, the two churning in your stomach. Why, why are you mad at me? He’s drenched in their blood. It’s dried across his face, his suit and in his hair. How long has he been with the bodies? You killed them, John. You killed them all. 

Despite what the media portrayed, your childhood wasn’t baseball games and apple pies. There was no mother to rock you to sleep or father telling you you were a great kid. There were no little sisters to play with or teasing from big brothers. No white pickett fence or a sweet, yet obedient, dog running around. There was sterility. There were test tubes, and locked rooms, and tests. There were knives, and guns, and fire. You and him, you were invincible. They wanted to test that. They wanted to see just how far you could be pushed before you broke. Your skin was impenetrable, but that didn’t mean it didn’t burn every time they shoved you into that chamber. You’d pound your fists against the door, begging and screaming, every inch of you engulfed in flames. Sometimes it still felt like you were burning. In dreams, maybe when the weather was warm. You were just a little kid. You thought (feared) this time would be the last time. This is how you would die. Your tears evaporated before they could fall. You’d call out for them, for the pseudo father figures. When that wasn’t enough, when they refused to move from their charts and lazy game of paper ball, you’d cry for John. Your companion, your brother, your friend. He’d be enclosed in his own hell. Eventually you learned to be quiet. Eventually you learned you would survive. No one was coming to save you. No one was going to stop this. You’d watch, day in and day out, first your skin, your muscles, until the fire kissed your bones. You’d come to hours, days later, completely healed. Not a single scar carved into your flesh. No evidence except your memories. 

If you were good, if you were well behaved, you might be rewarded. Taught a new game or trick. Tic-tac-toe had been an exciting discovery at the time. You’d liked playing O’s. John liked X’s. Hangman was another. Always with a dull pencil, just in case. You’d be sniffling, hiccupping, leftover from the sobbing, when they’d sit you on the lab table and ask you to guess a letter. They weren’t the kinds of words children should have heard, but how could you have known? Psychopath. Indestructible. Malignant. You didn’t know the meanings or, for a long time, how to spell them, but you heard them a lot. They were household names. If they were feeling generous, kind, they might give you more chances: add a face, a hat, a bowtie. Through tears you’d laugh at the ridiculousness, pointing out that the hanged man could not possibly be as accessorized as they were making him to be. You never liked when the game was over. Win or lose, it always meant the same thing. One man, much older than everyone else, would lift you up and carry you back to your cell as if you were his own. You’d cling to him, his shirt, clutching tight with your chubby, dimpled hands, watching over his shoulder as someone else would discard the pieces of paper, throwing them away. You wanted to keep them, have them to laugh at the silly stick figure when it was dark and you were all alone, but you wouldn’t dare ask. If not the man, then a young woman who’d lead you back, hand in hand, full of promises you both knew she would not keep. Talk of real games, with boards and pieces and cards. But when the time came again, when you did as you were told, all you were allotted was a piece of paper and pencil. 

Her body was the first you recognized. Faceless yes, but you knew her as well as you knew yourself. Barbara. She was like a mother to you. Albeit, a terrible one. A cold, uncaring, aseptic woman who studied you, who created you, made you the person you are today. Wasn’t that all mothers? She’d hush your cries, ask why you were so upset. You didn’t have the words, the vocabulary, and so she’d grow tired. Bored. When you could articulate yourself better, then you would be worthy of her time. Truthfully, you weren’t all that sad she was dead. She must’ve known what was going on. She must’ve seen or heard something. At night, when they came into your room. When they made you promise to keep it secret. Couldn’t she tell? Couldn’t any of them? Armies of psychologists couldn’t get the truth out of you, not that they were trying to. Their alliances rest elsewhere. Fear of abandonment had been ingrained into you. You’d cry even harder, begging her not to leave, not to go. She’d pretend she had no other choice, that it was your fault. You were a crybaby. A sissy. An imbecile. If you could not pull yourself together and act like an adult, she would have no choice but to get up. Beneath the hurt was a fury, a burning, but they had you trained well. Instead you screamed, begged, throwing yourself to the floor, into walls, harming yourself for an ounce of her attention. Affection. Circles of red stained the walls where your head had been bashed. Your clothes ripped and torn. Your tantrums were spectacular. Fantastical. Eventually you’d grow tired, exhausted. Bloody, you’d sit very still and breathe and wait for her to come back. Then, and only then, would she grace you with her presence.

You hoped the bitch suffered. 

Marty rests limp, his face crushed in, a hole lasered through his groin. You knew the story, the nickname. He tried to get you to call John that peculiar name, too. Try to get you in on the joke. You never did. He had names for you, too. Just as vulgar and perverted. No one ever stopped him. No one ever said it was inappropriate. You guessed when you were being gutted, sliced from collarbones to pelvis, turned into a living autopsy, harassment wasn’t such a big deal. You stepped over his body without a second though. Footsteps to follow from his skull (what was left of it) to where John stood. This is very bad. You find your voice again, inspecting the lab around you. The cake sits melted in it’s pink box. The lights flicker. There is an unsettling silence. But I, I did it for you. His eyes are wide, his pupils dilated. His grin is hysterical. John, you start, but the rest of your sentence clatters to the floor. He watches you, desperate for your approval, your appreciation. They did terrible things to you. They let terrible things happen to you, unspeakable things. Why should you be upset? Why should you mourn them? Why should their gruesome deaths fill you with anything but satisfaction? They deserved it. They were asking for it. You slide away the mans large intestine, wiping the blood from your shoe.  Thank you, you say finally, placing your hands on his shoulders, squeezing them. He breathes out a sigh of relief. Thank you, it means a lot.

[1ore]

the problem with me is i will make up a joke npc for gw2 rp with @soulfullofold and then a day later he will have lore. anyway this is Vax Madmaxim, he does unethical science and got drowned in a vat of dragon blood by Bingus Ruinbringer. the dragon blood fixed him, though

"mad scientist"-type who is taking a systems ecology lens to everything, from steam machines to magical constructs to biological organisms. unsatisfied with conventional engineering, he starts dabbling in dragon magic to construct biomechanical monsters. (see: I failed bioethics)  

contracted in secret by Bangar Ruinburger to figure out how to control an Elder Dragon. Vax came up with the idea of tapping Jormag's blood, initially as an experiment in manipulating Jorms (a la contriving weapons out of Kralkatorrik's blood.) Later, of course, this is used to convert the Dominion to Frost Legion en masse when things start going south.  

caused an international incident during Legion-Dominion peace negotiations, which involved a gladiatorial tourney, two Pact Commanders, a hydra made of Searing crystals, and highly confidential Dominion blood magic.

Vax was thus detained and, for his failures, dunked in the vat of jormag juice that he had helped create. Bunkbed Ruinbringer evidently didn't need a way to control Jormag anymore, and Vax had greatly overestimated how indispensable he was.  

Jorms later drags him out of the tub and uses his half-dead body to set a trap for the Commanders, by turning him into a shambling blood-bomb (see: jormag bloodbag.) Given that this is the second worst thing that's happened to him since the worst day of his life, he isn't a very cooperative dragon thrall. He'd also developed some sort of nemesis-rapport with the Commanders by this point. As his last act, he warns them away, just before violently retching dragon viscera all over the floor.  

He was supposed to die-- Jorms was done with him-- but my man saw himself being turned into a disposable vessel of primordial goop and said "oh so im pupating? guess i'll metamorphose." I don't think that was Jormag's doing. I think he Just Did That. (see: change of heart)  

the newly eclosed Icebrood Vax offers himself to the Pact as a weapon against Jormag, repurposing his earlier research for more benevolent purposes. (see: staying positive)  

uhhh what else. nominally Iron Legion and functionally a gladium, but like hell is he going to let them take his name away. his allegiance is to unethical science first and whoever is willing to pay him to do unethical science second.  

Has kind of always been a piece of work, but became a bigger piece of work when he lost the "mad" warband under mysterious circumstances. Incidentally, this is when he started making frankenstein chimeras. ¯\_(ツ)_/¯  

   

he Has A Sensitive Side

[sheegons]

OKAY SO WHO ASKED FOR A POST THAT DETAILS DAMIANS CONNECTIONS TO MAGIC?.. nobody? oh okay.

(be forewarned, this is long)

now after ignoring batman 666, let's see what we have.

ROBIN: SON OF BATMAN (2015)

now, in robin: son of batman #1 It's confirmed that after his death in batman incorporated, damian went to hell. Hell is usually connected with the more magical side of the dc universe, but that's not it.

The entirety of the comic delves into damians connections to more mystical things. mythical swords and magical ancient towers, weird extinct bat-dragons, magical cults that want to destroy the whole world, etc etc.

this is easily regarded as one of damians best comics and having peak damian characterisation, so obviously Damian being magically inclined can easily work well with his character.

Now, after a barrel load of compliments, let's get to the extremely negative side of things.

TEEN TITANS (2016)

Damian's cloned brother has magic and that sentence is about as much as i care for this book. Moving on.

BATMAN (2016)

Again, dog shit damian characterisation, but here we go. Damian here actually shows an ability to use a binding spell and has a wand, making some sort of deal with a random demon, but a far cry from damian apparently selling his soul in batman 666. Moving on finally out of rebirth because that was a bad time for Damian's character.

ROBIN (2021)

Now we go back to the good. Apparently from the maternal part of damians family, magic is more commonplace. ra's even having a whole spell book to his name. Robin 2021 kinda toys with the ghul family and the lazarus pits magical and devilish side which isn't new... but it's new to involve damian!

In the final parts of this story, Damian's heart specifically is used as a plot device, lord deathman even dubbing it as "the bloodstream of the demon" and ruh (ra's' mother) uses it as a power source to fuel demon summonings, which started the Lazarus rain event.

TEEN TITANS DARK (Unreleased)

Back in early 2023 (i think) dc teased a sort of "teen titans dark" with damian, black alice and monkey prince. The "dark" moniker referencing Justice league dark, a magic team made up of magic users that solve magical bullshit. It's a good book, recommended read, i just thought I'd add this to the pile.

Detective comics/Knight terrors

Now, including these two together because they're about the same topic: Dreams.

damian is confirmed to have some sort of control over dreams and sleep, defeating demons that show up in his sleep, yet never actually disappear when he wakes up. He also has an ability to stay awake after a massive worldwide phenomenon causes everyone, even the dream masters that taught damian, to sleep and experience night terrors.

Dreams are, again, connected to the magical side of the dc universe. Now I'm not going to pretend like i actually read sandman to you, i can't lie on ramadan, so let's all give me a pass here for my lack of understanding of all that.

Batman and robin (2023)

In this, damian mentions a bit of off screen monster hunting with Frankenstein and lays a trap that lights someone on fire. I used to think this was some sort of hex but this artwork is extremely unclear, but since Frankenstein is mentioned and from my knowledge dc's Frankenstein is magic let's pretend this is some sort.

As an extra note: this guy definitely died. There's no way about it, he got lit on fire with nobody helping him. He's gone. Damian just killed a man.

Extra Extra notes:

talia using magic!

now, i haven't included these examples in the "the ghuls have magic" segment because uh...

(batman: the doom that came to Gotham/dc bombshells)

yeah...

Not only are these interpretations of talia EXTREMELY orientalist but also just generally out of character and could've been done with any randomly introduced characters.

For the unknowing white american people in the crowd: arabs actually don't only dress in revealing "belly dancer" outfits and lanterns. i know, shocking, we actually wear normal clothes.

And just to add again, there's a lot of stories that include ra's having magic, but I'm not the biggest ra's head (lol) so i didn't read them all, i implore u to do your own research because I'm not doing it.

this about wraps it up. thank you to the magic damian believers may we all win someday.

[beemers-hell]

HANK. HEAD CANONS. pretty please?

IVE BEEN WAITING FOR THIS ONE

Hank HCs!

Early 50s

AMAB that doesn't really give a shit about gender, has what i like to describe as "object permanence romance" i.e. he doesn't think about or want to engage in romantic situations unless it's offered to him, or more or less, he dgaf until he visibly percieves the romantic/even sexual thing in front of him!

Around 7'00", was originally 6'02" but kept getting larger due to his body being modified the more times he died!

Boricua

The Three A's as my guy Blade describes it: Autistic, Albino, and has Alopecia!

His body is more or less not really his own anymore, he's kind of a Frankenstein's monster of dead bodies brough back to life. Due to this, he has all sorts of aches and pains from his body not really matching any one source within him, as well as minor complications stemming from the fact that Doc really isn't a doctor, he just knows how the body works! Sanford takes care of fixing anything major that pops up with his body failing or rejecting parts since he actually has field experience/knowledge, while Doc takes care of the more cybernetic parts of Hank's innards that he's needed to install over the years.

Seems to be over and or understimulated like, 24/7, this dude hasn't really felt peace in a LOOOOOOOOONG time which explains why he's such a jackass a majority of the time. He's capable of showing care for others but he's just in a bad mood all the time from being either over or under stimulated.

Like I mentioned with Doc's HC post, the two were once together, before the events of the series, but eventually drifted apart in a romantic sense after things got bad. It was clear him and Doc's goals were vastly different, which led to them splitting. They still work together because Doc's one of the only people Hank feels like he can trust.

I don't think Hank is actually evil, he's just really fucking tired of the path he's gone down in life, but clearly the higher powers of Nevada have something else in mind for him. He feels like he has this weird feeling thats "possessing" him to some degree, not in a literal sense of possession but like in a way where he feels like something is driving him to continue his slaughter of Nevada despite him not really giving a shit anymore. He keeps it controlled by carrying contracts out for Doc, which allows him to appease that feeling of needing to kill, while also allowing him downtime to just chill the fuck out. The feeling never really goes away though, it's just always there, even if it's numbed.

Hank doesn't really care about what happens to Nevada, he just wants to dull the drive he has to kill. The fact that there's an entire agency dedicated to stopping him, which means he seemingly has an endless supply of attackers, just works out for him.

Speaking of this, Hank doesn't attack innocents. Or at least, anyone who hasn't already provoked him. Like I said, he's capable of feeling empathy for others, and can even feel remorse, which is why he isn't some mindless spree killer. He only goes for those who directly antagonize him!

Fuck you dude loves Evanescence!!!

[lightandfellowship]

My first draft of a Halloween Town Vor design. Just a doodle while I try to figure it out. (She's a fairy and a sphinx).

Though this probably won't be the final design, and I may even change my mind about the creatures I picked, here's some design notes to explain my current thought process:

Nomura has stated that his Halloween Town designs for Sora, Donald, and Goofy mix two different creatures together to create a more unique design (Goofy is Frankenstein's monster and a werewolf, Donald is a mummy and an invisible man, Sora is a vampire and an imp) so for the sake of pursuing authenticity, I wanted to make sure that my design incorporated two creatures as well.

Though a fairy may seem like an odd choice at first and something that would fit Christmas Town more (sugar-plum fairies and all) I'm thinking of the more traditional concept of a fairy that is mischievous and a little bit dangerous. (Though certainly if Vor were to visit Christmas Town, I think her design would become that more benevolent and cutesy kind of fairy.) Which I think fits Vor pretty well: she seems small and sweet, but don't underestimate her.

I wanted to balance the mischievous side of Vor with her observant/wise side (she's named after a wise Goddess after all), so I thought a sphinx would work there. Thus the lion paws and tail. In addition, the sphinx is known for asking people riddles, which I felt made for a nice reference to the Magic Mirror that's so important to Vor's story in the game, since it, too, speaks in rhymes and riddles. The sphinx also has eagle wings along with their lion body, which I think allows her sphinx and fairy side to be incorporated together well enough, since both creatures share the design element of wings. (Also, the big rope bow on Vor's back in her original design kinda resembles wings already). I tried to do something sort of similar with her ears, giving her the long ears of a fairy but adding fur to the tips to give it that cat-like appearance. Again, trying my best to marry two different creatures together that have vastly different visual aesthetics. Could be better, though? It's kind of hard to mix them together and make it look good/cohesive, I think.

I noticed two things about Sora's Halloween Town design that I felt were relevant and important for Vor's design: one, though Sora's design is drastically changed from his default KH1 design, the silhouette and shape of his clothes is mostly the same. And two, Sora's crown charm still exists on his Halloween Town design, it's just been changed from a necklace to a brooch on his bowtie. In light of these two things, I tried to keep Vor's clothes relatively the same shape with just some minor changes here and there (such as simplifying her big collar and making her shoes look more whimsical and fairy-like). And much like Sora's crown, I kept her "Terra's Mark" emblem (that's the canon name for it apparently), and just changed the ribbon around it to be more curly and Halloween-esque.

Vor has two different prints/designs on her original design: a column of circles on her sleeves, and curved rows of circles on the bottom of her jacket. I changed the sleeve design so the bottom-most circle is a yellow cat eye, which I think feels appropriately sphinx-like and Halloween-y. As for the design on the bottom of the jacket, I'm not quite sure I like it. I just changed it to a simple spiderweb design, because (1. I thought it would look nice there and (2. Sora's Halloween Town design has the jack-o'-lantern mask, so I felt like a more "cliche" Halloween motif was needed somewhere on Vor's design; the eyes just wouldn't cut it. If I end up refining this design more, the cobwebs may be exchanged with something more fitting.

And finally, the most obvious and simple to explain change...her color palette is now much more desaturated to match Halloween Town's gloomy, dark atmosphere. Though I did depart a bit from Nomura's approach here: for Sora, Nomura made his color palette almost completely black/grey/white. For Vor, however, I felt her original purple and gold color palette already lends itself well to Halloween, so I decided to keep her color palette relatively the same, just desaturating it heavily. I also simplified her palette in areas, such as making her belt a plain blue instead of its usual brown/gold/white, and removing the gold from her shoes.

[hana-no-seiiki]

SOME YANDERE FLUFF TO BRIGHTEN YOUR DAY.

// fantasy creature cruelty. yandere themes. heteronormative society (sort of?? both your paternal and maternal grandparents come in hetero pairs)

I don’t know if you guys read my yan! father fic yet but do go check out @yoru-no-seiiki for it (Unless you’re a minor cause that acc doesn’t allow those) as it happens in the same universe(ish) as this one.

So by now you’ve already met yan! father.

BUT WHAT ABOUT CUTE HIGH FANTASY YAN! GRANDPARENTS AND OLD MENTOR.

(honestly would love to see my moot’s takes on yan! grandparents so if ya’ll see this. it’s not only a sign but a call to aid plez)

mostly based off of mairimashita iruma kun’s sullivan, your YAN! PATERNAL GRANDPA and GRANDMA spoil you a shit ton.

YAN! P! GRANDPA is more on the type to spoil you physically/monetarily. If you have a need or even the slightest hint of desire for something, consider it received. He has saved so much of your drawings and if you happen to be the kid who drew monsters/weird abominations as a child then ya boi definitely has frankensteined some into being. His creations happened to net him a ton of money which he spent all on you as ‘thanks’ but everyone knows it’s just cause he’s infatuated with his cute grandchild.

YAN! P! GRANDMA leans heavily on the ‘unhealthily allowing this kid(you and yan!dad) to do whatever you want and even encouraging it’ sort of parenting. She taught how to kill and do it efficiently as a young child. Uncaring of whatever prophecies schmofeces oracles have of your future. She will make you into an indestructible machine and is hell-bent on it. … You have probably ingested a lot of poison from her cookies as a way to built immunity to the stuff.

Now your maternal grandparents are a lot let on the damaging side but are still pretty over the top.

Your YAN! MATERNAL GRANDPA loves showing off. He’s probably like a war general with many wives and sees love as ‘you worship/admire me’ which he sorta maybe passed unto you. He’s kind of like a caveman and believes a show of strength is in order to be successful. So there’s a lot of him flexing and challenging YAN! PATERNAL GRANDPARENTS to a duel.

Only for YAN! PATERNAL GRANDMA to swiftly have his ass wipe the floor.

YAN! MATERNAL GRANDMA is a jaded woman. She never loved her husband and had always wanted to flee the family and high society until you came along. I see her as the old version of those Manhwa female protags that have rebirthed multiple times and is just tired of the shitty life they’ve been dealt with. She’s incredibly knowledgeable on fashion, trends and the industry as a whole. She’ll make sure you look good at every turn. Maybe even start trends of your own. It doesn’t matter your body type and if isn’t what’s in at the moment, she’ll make it the moment. Unlike the paternal grandma and her husband, she would never put you in harms way. Even extending your time with her so you don’t have to do those barbaric acts with the others.

And then there’s YAN! MENTOR who swore to never have another child under him ever again. The last time he did that, said child (your father) destroyed his precious astrology tower and had him imprisoned for 5 years for a thing he never even did. Sure, 5 years is nothing for thousand or so year old man but boy was he pissed off.

YAN! MATERNAL GRANDPA had to threaten him to have you and YAN! MENTOR is almost thankful that he did.

YAN! MENTOR believes you to be his best student. It definitely did not start off that way. He thought that a prissy, spoiled brat like you would leave the moment he gave you a difficult task but you surprised him with your tenacity. Throughout all his trials for you, you always came out at top, if not persevered until your body couldn’t handle it anymore.

He definitely wants you to kill your dad as compensation though, and I wouldn’t be surprised if I end up writing him as the reason why you plotted to end the dude’s life.

To keep things fluffy, let’s say in this timeline, he saves you from your dad’s entourage and adopts you.

Your YAN! GRANDPARENTS definitely riot but all are mature enough to understand the situation in the end.

will write more on this on the future but for now, i gotta go! byeeee!!