#Lear Green
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ausetkmt · 1 year ago
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https://x.com/AfricanArchives/status/1704567631515160830?s=20
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Apart from Henry “Box” Brown, who mailed himself to freedom in a wooden box did you know there was a woman who also did the same?
Lear Green’s story is less well-known.
Green was an enslaved young woman who made one of history’s most daring and innovative escapes in order to marry the man she loved. Green was able to flee her slaveowner, James Noble, in an old wooden sailor’s chest during a long and arduous shipping journey from Baltimore to Philadelphia. Slaveholder and butter dealer Noble had “inherited” Green from his mother-in-law.
Green, born in 1839, was in her teens when she fell in love with a free Black man, William Adams, who asked her to marry him. Green initially refused because she did not want her children to be born into slavery. “How can I perform the duties of wife and mother while burdened by the shackles of slavery?” Green reportedly asked Adams. But Green later changed her mind after Adams and his mother, also a free woman, came up with a plan for her to escape.
Green, who was now determined to escape the oppression of slavery, purchased an old sailor’s chest and placed various items in it, including “a quilt, a pillow, and a few articles of raiment, with a small quantity of food and a bottle of water.”
Her fiance Adams and his mother fastened the chest with heavy rope, with Green cramped inside. Adam’s mother boarded an Ericsson steamboat in Baltimore and brought the chest with her. The chest was secured with rope and stowed with other freight. During the 18-hour journey to Philadelphia, Adams’ mother snuck into the compartment and from time to time lifted the lid of the chest to check in on Green and allow her a breath of fresh air.
After 18 hours in the chest, the ship arrived in Philadelphia. Green would meet with Underground Railroad conductor William Still before making her way further North to marry Adams and move to Canada. As expected, Green’s slaveowner Noble named her a fugitive slave, and a manhunt was launched to bring her back.
Noble reportedly posted an advertisement of her escape, which read as follows: “$150 REWARD. Ran away from the subscriber, on Sunday night, 27th inst., my NEGRO GIRL, Lear Green_about 18 years of age, black complexion, round featured, good looking and ordinary size… I have reason to be confident that she was persuaded by a negro man named Wm Adams…he had heard to say he was going to marry the above girl.”
Green and Adams married and settled in Elmira, New York. But their joy together was short-lived. After three years of marriage, Green suddenly died at the age of 21 for unknown reasons.
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penguinclover · 1 year ago
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Day 228
Congratulation on the anniv
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deoxysacid · 2 years ago
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pokemas lore gets wild
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shinemon311 · 4 months ago
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lillipad72 · 9 months ago
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The Annotated Anne of Green Gables ~~ a special rereading
CHAPTER III ~~ Marilla Cuthbert is Surprised
"Will you please call me Cordelia?"
Here, 'plain and boring' Anne Shirley introduces herself to Marilla as Cordelia, for she feels the name is much more romantic than 'Anne.' But what is the background of this name, and why did Anne find it so romantic? The name Cordelia itself is derived from a Middle Welsh name meaning "jewel of the sea." I can see already why Anne finds it so romantic a name! In England, there is also a legendary Queen Cordelia of the Britons. There is no real historical evidence that she ever existed, but her legend lives on. It goes that in the 9th century, Cordelia was the youngest and favorite daughter of King Lear. Eventually, she fell out of favor with her father and was granted no land when he split it between his daughters. She moved to Gaul to live with her husband, the king of the Franks. Later, the other daughters' husbands revolted and overthrew King Lear, who fled to Cordelia. Cordelia raised an army, invaded Britain, and got King Lear back on the throne. Soon after, Lear died, and so did her husband, Cordelia, returned to Britain to become Queen Cordelia. Unfortunately, her rule did not last long, for her sisters' sons revolted and fought her armies before capturing her. Sadly, Cordelia then killed herself. How Anne is probably familiar with Cordelia is from William Shakespeare's tragedy King Lear, in which things end decidedly worse for Cordelia (she is hanged after being captured before ever becoming queen). If we look at the first story, of course, being a Queen is beyond romantic! If we look at both versions, we can see how Cordelia saves (or at least attempts) her father and the devotion that she has for him. This makes her the romantic hero of her story and probably very appealing to the orphaned Anne! Asking to be called Cordelia could be her way of making herself the hero in her own story. Above is a picture of Queen Cordelia of Britain!
"A-n-n looks dreadful, but A-n-n-e looks so much more distinguished."
Keeping with the name theme for this chapter, we have the iconic moment where Anne makes sure that Marilla says and spells her name with an 'e.' She claims that with this extra letter, her name is much more romantic and distinguished, making her feel the same. In a total reversal, Lucy Maud Montgomery, who went by Maud, did not add an 'e' to her name and would get upset at those who added one mistakenly. It is true that most Mauds are spelled like her, but it can be spelled with an 'e' at the end. So, multiple questions arise for me about this fact. 1. Does the adding an 'e' only apply to certain names like Ann/Anne? 2. Is Maud actually the more distinguished of the pair? or 3. Does Montgomery not believe that certain names are more distinguished than others and is just making Anne out to be overly sensitive? (also, above is our favorite author)
This time, the notes in the chapter were not super interesting due to its length and content. I mean, I could have written more about farmhouse spare rooms, but I chose to abstain. Also, I meant to write this yesterday, but I was too wrapped up in learning how to crochet!
next chapter
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lgbtqreads · 2 years ago
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Fave Five: Shakesqueer, Part II
For part I, click here. Teach the Torches to Burn by Caleb Roehrig (historical m/m YA Romeo & Juliet) Twelfth Grade Night by Molly Horton Booth (text), Stephanie Kate Strohm (text), and Jamie Green (art) (contemporary YA fantasy graphic novel Twelfth Night) Ben and Beatriz by Katalina Gamarra (pan m/f contemp rom Much Ado About Nothing) The Death I Gave Him by Em X. Liu (sci-fi…
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siilkmoth · 2 years ago
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i want to create stuff so bad i think i miss being 12, 13 and just making shit like every day and not caring about what im making just Making Stuff. writing poorly-written stories where i overdescribe what a character looks like because i dont really understand how writing works, writing in notebooks my epic fantasies that i never get past the first page of but have plans for 5 books in my head, gluing stuff together and drawing fantasy cats on scrap pieces of paper, making websites for my toy horses that i took photos with on my digital camera, i miss it. i want to just create things but i never find the time or focus or the tools or materials but maybe i should just sit down and do weird shit again.
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pacificnewsworld · 1 year ago
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Remembering Norman Lear: A Trailblazer in Television Production
EMMY-WINNING TV PRODUCER-WRITER NORMAN LEAR PASSES AWAY AT 101 Los Angeles, 
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CA - The entertainment industry mourns the loss of legendary TV producer and writer, Norman Lear, who passed away at the age of 101 on Tuesday.
 With an illustrious career spanning several decades, Lear was not only known for his creative genius but also for his dedication to liberal causes. 
His family confirmed the news of his demise, revealing that Lear peacefully passed away at his Los Angeles home surrounded by loved ones. 
Through a heartfelt statement posted on Facebook, Lear's family shared, "Norman left this world peacefully, embraced by the love of family and friends. 
We spent his final moments together, sharing stories and songs, cherishing the incredible legacy he leaves behind." Lear's contributions to the television industry are immeasurable, earning him six Emmy Awards throughout his career. 
He gained recognition for creating groundbreaking shows that tackled social issues head-on and challenged the status quo.
 His notable productions include "All in the Family," "The Jeffersons," and "Maude," which not only entertained audiences but also sparked thoughtful conversations on topics such as racism, sexism, and societal inequalities.
 Despite reaching the remarkable age of 101, Lear remained actively involved in his craft well into his 90s. His unwavering dedication to his work and his passionate advocacy for progressive values made him an influential figure in both the entertainment and political realms. 
Lear's impact extended far beyond the television screen. He was a strong advocate for numerous liberal causes and used his platform to raise awareness and drive social change. 
His philanthropic efforts included supporting organisations fighting for equal rights, education, and environmental conservation. 
As news of Lear's passing spreads, tributes and heartfelt messages flood in from fellow industry professionals, fans, and activists alike.
 Many express their gratitude for Lear's trailblazing contributions, which paved the way for more inclusive and thought-provoking storytelling.
 Norman Lear will be remembered as a true pioneer, whose relentless pursuit of artistic excellence and social justice revolutionised television. 
His legacy will continue to inspire generations to come, reminding us all of the power of storytelling in shaping our society for the better. 
In honor of his remarkable life and career, tributes and memorial events are being planned to celebrate and pay homage to the unforgettable mark Norman Lear left on the entertainment industry.
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denimbex1986 · 1 year ago
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'Lilli Schwenk Hornig was 23 years old when she arrived at Los Alamos to contribute to the development of an atomic bomb that would end World War II. A passionate chemist, Lilli battled sexism throughout her academic and professional careers and remained a steadfast advocate for female scientists like herself.
Lilli Hornig: What I remember in my mind is the—these sort of boiling clouds and color—vivid colors like violet, purple, orange, yellow, red, just everything. And we were all kind of shaken up.
Katie Hafner: That’s the scientist Lilli Hornig, describing what she recalls of the first test of a nuclear bomb on 16 July 1945 in the New Mexico desert.
This is Lost Women of the Manhattan Project, a special series of Lost Women of Science focusing on the female scientists and their contributions to the building of the first atomic bomb.
In this episode, we share the story of a young chemist who experienced Nazism firsthand in Europe before finding herself in the middle of the United States’ war against Hitler, working against time to develop the detonating device that would make the Trinity test possible. After that test, and the bombs themselves that were dropped on Japan, she was shaken, and haunted.
We also want to tell you Lilli Hornig’s story because she's an example of something we keep seeing over and over at Lost Women of Science: female scientists who follow their scientist husbands to new jobs in academe or industry. The Manhattan Project scooped up many of these spouses though it’s impossible to put a number on just how many.
And there’s more about Lilli Hornig: she’s the only female scientist named in Oppenheimer, Christopher Nolan’s blockbuster film. Her cameo appearance isn’t far off the mark. She’s shown as a woman determined to work as a chemist, not a secretary.
In 2011, the year she turned 90, the real Lilli Hornig sat down for an oral history interview with the Atomic Heritage Foundation. The audio you’ll hear from that conversation is a little bit scratchy, and although Hornig is still as sharp as can be, it’s clear that she’s, well, 90.
Producer Mackenzie Tatananni brings us Lilli Hornig’s story.
Mackenzie Tatananni: Lilli Schwenk was born on March 22, 1921, to Jewish parents in a tiny Czech town about 50 miles outside of Prague. Her father was an organic chemist, her mother a pediatrician. Lilli was introduced to science during her formative years, and the interest stuck.
Hornig: My father took me occasionally, very occasionally, on a Sunday to his lab, and I just loved all the glassware, and he gave me some micro-sized glassware for my doll house. So, I always assumed I would be either a chemist or a physician. And I was kind of squeamish at the time, so I went for chemistry.
Tatananni: In 1929, when Lilli was eight years old, she moved with her family to Berlin, where her father began work for a pharmaceutical company. But anti-semitism was on the rise and the Nazis were establishing a stronghold throughout Germany. The danger to the Schwenk family was palpable.
Hornig: After Hitler came to power, my father was actually being threatened with being taken off to a concentration camp.
Tatananni: Fearing for his life, her father fled alone to the United States in 1933. It would be months before Lilli and her mother were able to join him, settling in Montclair, New Jersey.
The U.S. was a daunting new world for Lilli. She barely spoke English. School was the biggest shock of all. Everything was unfamiliar, from the placement tests she took at the start to the creamed carrots she prepared in cooking class.
But she wasn’t deterred. Lilli earned a B.A. in chemistry from Bryn Mawr in 1942 before moving on to a graduate chemistry program at Harvard. Unlike Bryn Mawr, a women’s college, Harvard’s chemistry department was far from inviting for women. For one thing, there was no ladies’ room in the building.
Hornig: I had to go to another building. I had to get a key for it. And that sort of gave me a message.
Tatananni: At a meeting with chemistry faculty, she was told that women always had trouble with physical chemistry. Lilli did NOT want to prove them right. She studied rigorously, poring over the notes of fellow chemist Donald Hornig, a PhD student whom she’d met on her first day and soon began dating. But she flunked the first semester and was forced to retake it, only to ace it the second time around.
In spite of these trials, she earned her master's in chemistry in 1943, the same year she married Don Hornig. Don was already involved in the effort to develop nuclear weapons. His doctoral thesis investigated blast measurement, and he was studying ways to measure blasts in midair.
In 1944, Don was approached by his thesis advisor, Bright Wilson, with a job offer. But he wouldn’t elaborate on just what the job would be.
Hornig: Bright said, “Well I can’t tell you much about it.”
And Don said, “Well tell me where it is.”
And he said, “No I can’t tell you.”
“Well, can you at least tell me, is it north, south, west?”
“No, couldn’t tell you.”
Tatananni: Don relayed what little information he had to Lilli. The job offer was shrouded in so much mystery that they jointly decided that Don would turn it down. However, Don continued to face pressure, particularly from George Kistiakowsky, a physical chemist who had gone to Los Alamos to develop explosives. Kistiakowsky called Don and told him he needed him badly.
Hornig: And with a few curses, which was very much his style—he said, “Dammit, you come out here.”
Tatananni: Kistiakowsky managed to talk Don into taking the job. But–
Hornig: I said, “What am I going to do there?”
And so Don talked to George some more, and after that George said, “Oh we’re scouring the country for anybody with a Master’s in chemistry, especially from Harvard, is going to be more than welcome.”
Tatananni: She was in. They were both 23.
Hornig: You know we were so young. When I look now at our grandchildren, the youngest ones are about the age we were then and they don’t think of themselves as having adult responsibilities. It’s very striking to me because we had no doubt that we were grown up.
That spring, the couple sold their Massachusetts home and their sailboat, bought a 1937 Ford Coupe and drove to Los Alamos, New Mexico.
When they arrived…Don went straight to work…
Hornig: And I went to the personnel office. And the first question was, “How fast can you type?” And I said, “I don’t type.”
Tatananni: We see a version of this scene in the film Oppenheimer. The character Lilli Hornig catches up with Oppenheimer as he’s walking with a group of men.
[Start clip from the film Oppenheimer]
Hornig: Dr. Oppenheimer, I tried personnel. They asked if I could type.
J. Robert Oppenheimer: Can you?
Hornig: Harvard forgot to teach that on the graduate chemistry course.
[End clip from the film Oppenheimer]
Tatananni: Oppenheimer turns to one of his scientists and says, "Put Mrs. Hornig on the plutonium team.
She started with the plutonium group as soon as her security clearance came through, and she quickly found that her new life was…lonely.
Ellen McGehee: She did not have children. She was even more isolated from her, sort of female peers, because she kind of worked within her own group and socialized with her husband's friends and those couples.
Tatananni: That’s Ellen McGehee, a lab historian at the Los Alamos National Laboratory who has researched the life of Lilli Hornig.
McGehee: I sense that she had almost a, she had a pretty compartmentalized scientific experience. Even though she knew what the goal was.
Tatananni: Here’s how Lilli saw it:
Hornig: There was one other woman in the division, she and I worked together, and we had our little cubby hole and did our little procedures and put them under the geiger counter. And nobody actually really spoke to us.
Tatananni: Plutonium chemistry was a mystery at the time, as almost none of the artificial element had been created. Lilli’s group was working on studying plutonium-239, the isotope that was believed to be a powerful fuel for the atomic bomb. However, in the summer of 1944, there was a disappointing discovery. It turned out that using plutonium in a bomb would be harder than expected. Los Alamos scientists found that plutonium created in a nuclear reactor contained traces of the isotope plutonium-240, which is formed when plutonium-239 absorbs another neutron while still inside the reactor. Plutonium-240 had an extremely high rate of spontaneous fission, and could not be removed from the valuable plutonium-239. While uranium could be used in a very simple bomb design, a plutonium bomb made that way would prematurely detonate, destroying itself before its reaction got large-enough to be a viable weapon.
So the Los Alamos scientists had to pivot. And quickly.
At that time, most of the work at Los Alamos had been focused on a simple bomb design called the gun-type, in which one piece of fissile material was shot into another through a gun tube. The plutonium gun design, called Thin Man, was discontinued when it was discovered that it would pre-detonate. The scientists understood that to use plutonium in an atomic bomb, they would need to do something different.
They decided to focus on implosion, a much faster method of assembly. A sphere of plutonium would be surrounded by tons of specially-designed high explosives, detonated at exactly the same moment and potentially leading to a powerful and efficient explosion. But nothing like implosion had ever been done before. The entire organization of Los Alamos was shifted in the summer of 1944 to tackle and solve the implosion problem.
When that happened, both Lilli and the other woman were taken off work that directly involved plutonium. The men in charge were concerned that radioactive materials would affect fertility. This scene also appears in the Oppenheimer movie, but don’t blink or you’ll miss it. In case you did miss it, here’s how Lilli described her reaction to the men's concern for her health:
Hornig: They were worried obviously about reproductive damage. I tried delicately to point out that they might be more susceptible than I was; that didn’t go over well.
Tatananni: Lilli went on to join her husband in the high explosives unit. The need for precision in the explosives and their detonators was unprecedented, and that unit proved crucial to the success of the new plutonium bomb, which was codenamed Fat Man.
Here's Ellen McGehee, the Los Alamos historian, again:
McGehee: They really needed to figure out how implosion was working. And so they had to come up with all these different methods and new technologies that had to be invented on the spot and facilities that actually had to be built.
Tatananni: Lilli’s group worked on the explosive lenses used in Fat Man to focus the implosion shockwave and guarantee that pressure was uniform around the plutonium core. But just two days before the Trinity test, there was a misfire on the spark gap switch, a sensitive electronic device that Don had designed to send an electrical signal to all 32 of the lens detonators within a microsecond.
Hornig: And at two o’clock in the morning our group leader Lewis Fussell was knocking on my bedroom window saying, “You have to get up, we have some work to do.”
Tatananni: So Hornig and Fussell headed to the stock room with a list of equipment they had to replace. In a matter of hours, they located the parts, which were shipped off on a truck that same morning.
Forty eight hours later, Lilli was sitting atop a mountain in the Sandia range with colleagues, 110 miles from the test site, watching and waiting for ignition.
Hornig: We put sleeping bags on the ground. None of us slept very well, so we got up about three o'clock, I guess. And started waiting for the shock, kept keeping our eyes glued on, on the site.
Tatananni: They waited and waited, but nothing happened. They decided the test wasn't happening that day after all, and started to leave.
Hornig: I was sitting in the car reaching for my ignition key—and the thing bloomed in front of us and it was just incredible.
Tatananni: It didn’t take long for Lilli and her colleagues to understand in the most concrete of terms the potential for destruction on an unprecedented scale.
Germany had surrendered two months earlier, in May of 1945, so the war in Europe was over, but it raged on in the Pacific as Japan refused to surrender.
Lilli – and many others working on the Manhattan Project – had been in favor of building a bomb to stop the Nazis, especially if the Germans were working on one as well. But once Germany surrendered, and …
Hornig: Once the European war was over with, well, a lot of people left right away.
Tatananni: There was now a question about whether it was really necessary to drop the bomb on Japan.
Leo Szilard, a physicist working with Enrico Fermi’s group in Chicago, circulated a petition among the scientists there that called on President Truman to consider dropping the bomb only if an announcement was made first and Japan still refused to surrender.
Hornig: I remember the petition came around just after the test. Some of my friends were signing it and I thought about it and I thought that was a good idea.
We thought in our innocence that if we petitioned hard enough, they might do a demonstration test, and invite the Japanese to witness it. But of course the military I think had made the decision well before that they were going to use it no matter what. And so we had very mixed feelings about that.
Tatananni: In the end, Lilli wasn’t one of the 70 scientists who signed the petition - although she appears in the movie, speaking out against the dropping of the bomb. And she wasn’t at Los Alamos when the Americans dropped the first atomic bomb on Japan. She was in Milwaukee, visiting her in-laws.
Hornig: We knew the drop was imminent. We didn’t know the precise moment. Certainly Don’s parents didn’t have TV at the time and I don’t know if there were ever any news on, but Don and I went downtown. There were all the papers with the headlines, so we knew it had gone off.
That was an odd mix of feelings. I mean, certainly some triumph and the destruction was just so incredible. I think we’ve all been a little haunted by that over the years.
Tatananni: Shortly afterwards, Lilli fell ill with hepatitis and couldn’t return to Los Alamos. So she returned to her studies. Again she followed her husband, this time to Brown University, where she was offered lab space, all while commuting to Harvard to attend lectures.
In 1947, when Brown found itself short on chemistry faculty, Lilli stepped up to teach.
Hornig: And it was very hard to hire faculty then because there were so many guys coming back, making huge classes, and you know with that many men graduating or getting their graduate degrees during the war. Here I was with a brand new baby, with a Master’s Degree, teaching 250 guys, and I think there were six girls in the first class.
Tatananni: Lilli received her doctorate in chemistry from Harvard in 1950, and no, typing wasn’t taught in the doctoral program there, either. She continued teaching at Brown and later at Trinity College as chair of the chemistry department.
She became an outspoken champion of women in science, paying forward the hard-won role she played during a pivotal time in U.S. history. It’s hard to say what Lilli would have thought of the film in which she appears as the only female scientist. Chances are she’d have been amused, perhaps even honored. Then again, she might have been pissed off on behalf of all the women who were left out, not just of that movie, but left out of a history rich with the stories of hundreds of female scientists like her.
Tatananni: Lilli Hornig died in Rhode Island in 2017 at the age of 96.
Hafner: This has been Lost Women of the Manhattan Project. Mackenzie Tatananni produced this episode with help from Deborah Unger and from me, Katie Hafner...
Thanks, too, to Alex Wellerstein, John Townsend, the physics department of Harvey Mudd College and the American Institute of Physics for helping us get the science straight.
Those excerpts you heard from the Lilli Hornig interview were used with permission from the Atomic Heritage Foundation and the National Museum of Nuclear Science & History.
Lost Women of Science is funded in part by the Alfred P. Sloan Foundation and Schmidt Futures. We’re distributed by PRX and produced in partnership with Scientific American.
For more about Lost Women of Science, please visit us at lostwomenofscience.org...
Hafner: A special shout-out to the folks at Los Alamos National Laboratory for helping us tell the stories of the women who worked on the Manhattan Project.
We can’t tell you all their stories, but we can tell you many of their names, which we’ve been reading aloud for you on and off through this series. Here are a few more….
Speaker: Pat Patterson.
Speaker: Hazel Genzel.
Speaker: Ida Cunningham.
Speaker: Joan Clark.
Speaker: Amanda Bloom.
Speaker: Kathleen Gavin.
Speaker: Mary Rose Ford.
Speaker: Gladys Morgan Hopper.
Speaker: Creola Green McCamey
Speaker: Patricia Lear.
Speaker: Doris Dixon.
Speaker: Sonia Katz...'
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unwillingtoreachout · 4 months ago
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@you-know-i-get-itt I'm afraid idrk who they are but this made me realise that this list is missing a lot of German literature (I'm a fake fan, I know). Sadly, I don't read German literature often but I think he'd enjoy The Metamorphosis by Franz Kafka and Demian by Hermann Hesse, maybe even Doctor Faustus by Thomas Mann
Also a few more honorary mentions:
Frankenstein
Slaughterhouse-five
Shadow of the wind by Carlos Ruiz Zafón
Twenty Thousand Leagues Under the Sea by Jules Verne
So.... As the resident English lit Andrew truther I bring you Andrew's curated list of outstanding literature (also this is very much compliant with Yield To It which is my au where Andrew's a literature major)
(side note: I personally think Andrew's a snob and has his own beef with American literature so he reads a lot of european literature)
Anyway....
Crime and Punishment by Dostoevsky (very self explanatory, although I think he would enjoy The Brothers Karamazov as well)
Emma by Jane Austen (I think he likes to argue that Emma is the superior Jane Austen book even though he really likes pride and prejudice bc mr Darcy just hits different)
Wuthering Heights by Emily Brontë (I also think he would like the beginning of Jane Eyre but not the ending)
The Picture of Dorian Gray by Oscar Wilde (I feel like every queer person who's into literature had a picture of Dorian Gray phase, also it's where the title "yield to it" comes from)
Giovanni's Room by James Baldwin
The Count of Monte Cristo by Alexandre Dumas (also kind of self explanatory bc it's a book about revenge and it makes sense in the context of the au)
Les Misérables by Victor Hugo (the jean valjean reference)
The Little Prince by Antoine de Saint-Exupéry (very much a book about adults not understanding children which I think he would relate to. Also the little prince befriends a fox in this book and I think that whole part reminds him of Aaron)
The Catcher in the Rye by J.D. Salinger (the second American book on the list and also the most red flag book yippeeee. I put it here bc I think he would relate to Holden's desire to protect children's innocence, given his background)
ALSO, Neil works in a bookstore so he reads stuff occasionally (but it's really random bc idk) so these are the books I think he would read:
Little Women
The Outsiders
The Odyssey
Anne of Green Gables
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neverendingford · 2 years ago
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jessamine-rose · 28 days ago
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⋆*•̩̩͙❅*̩̩͙‧͙˚  Mistletoe  ˚‧͙*̩̩͙❆•̩̩͙*⋆
Read my Yandere! Capitano fics first (੭´͈ ᐜ `͈)੭
Belated Merry Christmas, everyone!! Guess who got hit with Yandere! Capitano x Damsel! Darling inspiration on the night of Christmas and decided to write a late drabble…….I hope you all enjoy this fluffy gift ヽ(;▽;)ノ
Note:: Fem reader, this is not a dark fic but it is connected to a yandere series
♡ 0.5k words under the cut ♡
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On the last day of the winter holidays, you ask Capitano if he would like to see your flower collection.
At first, Capitano thinks this is no different from his wife’s daily routine. When you aren’t pressing fresh flowers in your notebook, you are flipping through the previous pages to check on your collection.
In both scenarios, Capitano likes to observe you. Most enjoyable is when you go out of your way to invite him—those sessions always end in nostalgic conversations and a batch of newly preserved flowers given to him.
As such, he predicts a similar gift for this holiday.
The bedroom is silent, save for hushed voices and the rustling of paper.
It is a rare moment of peace after weeks of Fatui meetings and festivities. Once again, you are seated on your husband’s lap. As you turn the pages of your notebook, Capitano takes note of certain flowers.
Dandelions, dendrobium, Sumeru roses, forget-me-nots, astilbe, laurestine…
And so on. Each flower invokes a shared memory, a precious moment frozen in time. But you don’t reach the end of your collection.
Rather, you stop at a page of yellowish-green flower clusters. Before you can read out the name of the plant, Capitano has already recognized it.
Mistletoe.
“Do you remember this?” you ask him.
“...Yes,” he replies. Beneath his mask, his eyes widen with understanding. “Mistletoe, acquired during our trip to Fontaine. It fed on the trees that grew behind the House of the Hearth.”
Your voice takes on a playful tone. “I’m glad that Arlecchino allowed us to pick a few flowers. The mistletoe that grows in Fontaine is quite similar to Mondstadt’s.”
One sprig of mistletoe has not been glued to the page. You pick it up by the stem, twirling it between your fingers.
“At this time of the year,” you whisper, “I’d see this plant everywhere in Mondstadt, hanging over doorways and ceilings. The berries are quite pretty…have you heard of this tradition?”
So this was your strategy.
His thumb traces circles on your waist. “I have. Including other details.”
You turn to face him, a faint twinkle in your eye. “Is that so?”
The preserved mistletoe is placed on the desk, next to your closed notebook.
“I hope you like it,” you tell him. A small smile makes its way to your face as you straddle his lap. “I’ll give you your other gifts later.”
He pulls you closer, caressing your cheek. “I sincerely appreciate it.”
Capitano bows his head and you take the hint, placing your hands on either side of his mask to take it off. It joins the flowers on the desk.
And in the kisses that follow, a wish is shared.
“May we enjoy many more holidays together, my beloved flower.”
Craving more Capitano and mistletoe?? (๑˃̵ᴗ˂̵)
Fun fact, my first brainrot of 2024 was this New Year’s post so I rlly wanted my last one to also be Capitano x Damsel. Starting and ending the year with CapiDamsel kisses <3
Special thanks to @diodellet for beta-reading this!! I also want to take this moment to thank my mutuals and everyone who read my work this year!! I hope you all enjoyed my last fic of 2024, and happy holidays╰(*´︶`*)╯♡
Tag a Capitano enjoyer!! @leftdestiny-posts @brynn-lear @harmonysanreads @naraven @mochinon-yah @pranabefall @euniveve @zhongrin @jymwahuwu @silentmoths @stickyspeckledlight @teabutmakeitazure @nicebonescomrades
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tenebraevesper · 2 months ago
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Sonic X Shadow Takeover Analyzer (Part 2)
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I was so excited to hear this Takeover since it is only Sonic and Shadow talking to each other and answering question. It is one of those times where you get to see their dynamic without anyone else's input.
Since I feel like I could write an essay about these two, I decided to instead put all my thoughts into bullet points, this being Part 2 of my list:
Obligatory ''Shadow likes Latinas'' joke.
I love how Sonic sees their rivalry as a friendly competition, even describing it as being two sides of the same coin and pushing each other to be better. Shadow points out how he fights because he has a purpose and he will fight Sonic if their ideals clash. Sonic isn't buying it, though. He really wants to make it clear that his presence is important to Shadow and he wants to hear that from Shadow himself. Shadow finally agrees, with Sonic sounding so proud of himself.
Addendum: Considering how the cutscene battle in Sonic X Shadow Generations went, Shadow definitely can't resist fighting Sonic to best him, regardless of his own goals. Their rivalry gives him purpose.
''GO OFF KING!!'' Sonic, what?! X3
Shadow goes on a rant about Super Monkey Ball, with Sonic immediately trying to apologize for the whole thing. It's hilarious!
''THOSE MONKEYS NEED TO PUT ON SOME PANTS!!'' Shadow, you don't even wear pants.
I love how when Sonic and Shadow talk about Jet, Sonic immediately turns the question to be about their rivalry, pointing out how their little competition is why Shadow keeps Sonic around. Shadow just groans in exasperation, but we all know Sonic's telling the truth.
Black Doom really has an obsession with Radical Highway. I suppose Radical Highway is to Shadow what Green Hill Zone is to Sonic. Also, love how Shadow retorts to Sonic's ''Radical'' pun by calling him ''Mr. Green Hill Zone''.
When they're asked to draw something, their immediate response is to draw each other, with Sonic even trying to give some input to Shadow. They're not the best at it, though; something they wholeheartedly agree on.
Shadow is so proud to have his Year, and Sonic likes it too, to the point of showering him with constant compliments. Shadow enjoys it, but claims how he's not ''seeking attention''. Nobody's buying that Shadow.
Sonic Shuffle get mentioned!!
Shadow played chess with Maria, which is really nice. Also, if Sonic ever plays chess with Shadow, he'd totally be the guy who eats the chess pieces, much to Shadow's confusion. Also, the fact that Shadow claims how Sonic would lose on purpose to annoy him is both hilarious and also kinda sweet, considering how Sonic has been acting in this whole Takeover.
Fadel is back and trying to get into either Team Hero or Team Dark... and Sonic and Shadow clearly refuse to have him on their teams. I find it hilarious how Sonic immediately directs him to Team Dark and Shadow claims how applications are closed, then points him at Team Hero and gaslights Sonic into reluctantly accepting Fadel into the team.
I actually watched Games Cage's reaction to that, and he is completely oblivious to the fact that Sonic is being passive-aggressive by mentioning how Tails called dibs on their only parachute, meaning Sonic is cool with letting the guy fall off the Tornado. X3
Sonic is so persistent about wanting to hug Shadow! I get Sonic Prime vibes from this and I'm loving it.
''I don't need... your kind of hugs.'' There's two things I can conclude from this:
Shadow only likes the hugs Maria and Amy gave.
Shadow actually would be fine with Sonic hugging him, but they have to be meaningful rather than fleeting considering his earlier comment. Sonic is totally oblivious to that, though.
Sonic Boom ''Shadow broods in a cave'' reference!
Besides training, Shadow's hobby is reading. He's a bookworm, and Sonic sounds so excited about learning that. I can totally see Sonic thinking about dragging Shadow into another Storybook Adventure.
Shadow's first time turning Super was still him learning how to control that power. It explains why he ran out of energy back then, while Sonic had more experience and could keep it longer. Sonic also keeps complimenting Shadow about looking cool in his Super Form, even calling him wise for pointing out how that power needs to be controlled.
WHY DOES SONIC HAVE ABRAHAM TOWER ON SPEED DIAL?!
Shadow definitely doesn't work for G.U.N. That's something that has been confirmed. I have to say, the whole conversation between the Commander and Shadow was really awkward, but the kicker is Sonic's being oblivious to the whole awkwardness. He is so proud that he arranged a call between them.
I love how Sonic's neutral opinion about Orbot changes immediately the moment he hears Shadow's own thoughts on the robot. Once Shadow says he dislikes Orbot, Sonic immediately agrees with him, and when Orbot offers to get them coffee, causing Shadow to like him, Sonic also agrees that Orbot is fine. This really feels like Sonic wants Shadow's approval by agreeing with his opinions.
Sonic and Shadow are arguing about who is better at raising their Chao. They legit sound like married couple arguing about how to take care of their children. Sonic is definitely the fun dad, while Shadow has to take care of the discipline.
Shadow doesn't believe in ghosts, despite Sonic pointing out how they ran into paranormal stuff several times. Sonic also tries to scare him a couple of times, with Shadow showing no reaction.
Shadow's favorite Doom Power is Doom Morph, and Sonic is a little jealous of that form once he hears more about it. The fact that Shadow just keeps bragging about it and annoying Sonic is hilarious.
''Skill issue!'' Lol, Shadow. I can imagine Sonic rolling his eyes at that comment.
Shadow scolds the person who listens to the Twitter Takeover instead of studying for their exam. He really cares about their education, while Sonic points out how he needs to lighten up.
Let's be honest, Sonic and Shadow definitely love hanging out with each other, admitting it in their own way that they care about each other.
I believe that this Takeover proves that Sonic and Shadow really have a good dynamic when they sit down and hang out with each other. They bicker, they tease each other, they come to agreements and disagreements, they care... It is so enjoyable to listen to them and I'm looking forward to seeing more!
Oh, and yeah, this was a feast for the Sonadow fans, if you ask me. I hope you guys will enjoy my notes, because I'm definitely going to take advantage of all the new information I got. I can't wait for the meal we'll get once the Sonic the Hedgehog 3 movie comes out.
#Sonic X Shadow Takeover Analyzer (Part 1)
#Sonic Cyber Revolution (Masterlist)
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enaelyork · 10 days ago
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I don't remember if i talk about it before, but, if you really want discover agent Stone's another side, you really must read the prequel comic of Sonic 2.
I share you the cover and the first page, and in "spoiler" what i lear in this book.
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What i learn (in short) :
Robotnik clearly sees Stone as his potential successor.
Contrary to what is often shown in the film, Stone can have a very vicious side and a manipulative side that is very interesting to exploit.
How he manages to get Green Hills Coffee so easily.
Definitly i understand WHY Robotnik keeps him by his side.
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wishful-thinking-is-dumb · 2 months ago
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Hi! I was wondering if you were going to do a pt. 2 of the ghost and thief reader post? Also, I hope you drink enough water and have an amazing day!
Simon Riley - Medieval Au Part 2
Knight Simon Riley x Thief Reader
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Tears stream down your face and your heart pounds out of your chest as he drags you inside of a cottage just out of town. You continue to beg him not to kill you, clutching at his wrist. He shuts the door behind him with a slam, and you choke out more sobs, he's gonna do something worse than kill you.
His grip loosens on the collar of your worn shirt, and he grabs your bicep instead. You finally start to notice that you aren't in the dungeons, and you are so confused. You glance around, eyes flickering over the room. He's brought you to his home, and by the looks of it, he is a very high ranking official.
Your sobs stop in a moment of confusion as he drags you by the arm to his washroom. It's a miniature bathhouse, you've only ever dreamed of such luxury. The floors are ornate, handmade tiles and you can smell all of the expensive soaps. He closes the washroom door and he sits you roughly against the wall, you start to cry again as he takes off his armor.
He removes his helmet last, and he is the most angelic person you've ever seen. It's ironic to even call him angelic after the treatment he has put you through in the last 20 minutes. He ignores your crying as he takes off his boots and rolls up his sleeves. You scramble away as he approaches you again.
His face betrays no emotion as he grabs you by you arm again. He sits you back in the original spot he had placed you in by the door.
“Don’t fucking move.” He lears at you, and he seems satisfied when you freeze in fear of his tone. He narrows his eyes and lets go of your arm. He goes to the corner on the other side of the door where he starts to warm up some water over a fire. It's a giant metal basin, and you shakily watch as he fills it up to the brim. He makes sure the fire is big enough to warm up the water. He glances back at you to make sure that you haven't moved.
After several minutes, steam starts to fill the small bathhouse, and the air gets warmer. You watch the man with wide eyes as he makes sure the water is warm enough, and he effortlessly bumps the basin into the porcelain bathtub in the middle of the room. He returns to the fire and refills the basin full of water, then he turns to you.
You begin to cry as he grabs you, he doesn’t seem to be as rough anymore. He shushes you as he takes off your shirt, and you scratch and fight him. He seems annoyed but he makes no comment as you try to fight him.
He pulls your trousers off as you cry and sob, begging him to not hurt you. He picks you up by your underarms and he plops you into the warm bathtub. You are shaking from fear, you've never had a warm bath before. The water is nice but not nice enough to fight off the thoughts of what he might do to you.
He looks over his several bottles of soap, you’ve never seen a bottle up close before. He decides on a green glass bottle, and he pops the cork off and he dumps the soap onto the top of your head and the rest into the warm bath water. He starts to scrub you clean, starting with your hair.
His movements are very firm, like he wants to scrub your skin off. You feel so vulnerable and exposed by his treatment of you.
“You're not as filthy as I thought’ you’d be..” He says to you, rinsing your hair out with a clay bowl and the warm water from the basin over the fire. He moves to scrub your arms with a rag and more soap from the green bottle. You finally notice how nice it smells, like wild mint and rosemary.
“Makes things easier for me.” He mutters the last part as he finishes cleaning you up. He picks you up out of the bath as you continue to sob quietly. He rinses you off with the clean and warm basin water. You feel goosebumps all over your body as the heat from the water quickly leaves you. You curl into a ball on the tiled floor and shake from the cold and the fear of the unknown.
He dries you off with a towel, and he wraps you in it. He picks you up and puts you back by the door. You shiver and try to cover yourself up more as you watch him empty the bathtub of dirt water. He pours the water outside his window using another large clay bowl as you dry off.
You can’t believe that this is happening to you. Is he going to sell you for money? Is that why he gave you a bath, so you could sell for more? You can only imagine, and the thoughts of horrible things seem to consume you.
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jesuisgourde · 5 months ago
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A list of all the books mentioned in Peter Doherty's journals (and in some interviews/lyrics, too)
Because I just made this list in answer to someone's question on a facebook group, I thought I may as well post it here.
-The Picture of Dorian Gray/The Ballad Of Reading Gaol/Salome/The Happy Prince/The Duchess of Padua, all by Oscar Wilde -The Thief's Journal/Our Lady Of The Flowers/Miracle Of The Rose, all by Jean Genet -A Diamond Guitar by Truman Capote -Mixed Essays by Matthew Arnold -Venus In Furs by Leopold Sacher-Masoch -The Ministry Of Fear by Graham Greene -Brighton Rock by Graham Green -A Season in Hell by Arthur Rimbaud -The Street Of Crocodiles (aka Cinnamon Shops) by Bruno Schulz -Opium: The Diary Of His Cure by Jean Cocteau -The Lost Weekend by Charles Jackson -Howl by Allen Ginsberg -Women In Love by DH Lawrence -The Tempest by William Shakespeare -Trilby by George du Maurier -The Vision Of Jean Genet by Richard Coe -"Literature And The Crisis" by Isaiah Berlin -Le Cid by Pierre Corneille -The Paris Peasant by Louis Aragon -Junky by William S Burroughs -Absolute Beginners by Colin MacInnes -Futz by Rochelle Owens -They Shoot Horses Don't They? by Horace McCoy -"An Inquiry On Love" by La revolution surrealiste magazine -Idea by Michael Drayton -"The Nymph's Reply to The Shepherd" by Sir Walter Raleigh -Hamlet by William Shakespeare -The Silver Shilling/The Old Church Bell/The Snail And The Rose Tree all by Hans Christian Andersen -120 Days Of Sodom by Marquis de Sade -Letters To A Young Poet by Rainer Maria Rilke -Poetics Of Space by Gaston Bachelard -In Favor Of The Sensitive Man and Other Essays by Anais Nin -La Batarde by Violette LeDuc -Lolita by Vladimir Nabokov -Intimate Journals by Charles Baudelaire -Juno And The Paycock by Sean O'Casey -England Is Mine by Michael Bracewell -"The Prelude" by William Wordsworth -Noise: The Political Economy of Music by Jacques Atalli -"Elm" by Sylvia Plath -"I am pleased with my sight..." by Rumi -She Stoops To Conquer by Oliver Goldsmith -Amphitryon by John Dryden -Oscar Wilde by Richard Ellman -The Song Of The South by James Rennell Rodd -In Her Praise by Robert Graves -"For That He Looked Not Upon Her" by George Gascoigne -"Order And Disorder" by Lucy Hutchinson -Man Crazy by Joyce Carol Oates -A Pictorial History Of Sex In The Movies by Jeremy Pascall and Clyde Jeavons -Anarchy State & Utopia by Robert Nozick -"Limbo" by Samuel Taylor Coleridge -Men In Love: Masculinity and Sexuality in the Eighteenth Century by George Haggerty
[arbitrary line break because tumble hates lists apparently]
-Crime And Punishment by Fyodor Dostoevsky -Innocent When You Dream: the Tom Waits Reader -"Identity Card" by Mahmoud Darwish -Ulysses by James Joyce -The Four Quartets poems by TS Eliot -Julius Caesar by William Shakespeare -A'Rebours/Against The Grain by Joris-Karl Huysmans -Prisoner Of Love by Jean Genet -Down And Out In Paris And London by George Orwell -The Man With The Golden Arm by Nelson Algren -Revolutionary Road by Richard Yates -"Epitaph To A Dog" by Lord Byron -Cocaine Nights by JG Ballard -"Not By Bread Alone" by James Terry White -Anecdotes Of The Late Samuel Johnson by Hester Thrale -"The Owl And The Pussycat" by Edward Lear -"Chevaux de bois" by Paul Verlaine -A Strong Song Tows Us: The Life of Basil Bunting by Richard Burton -Don Quixote by Miguel de Cervantes -The Divine Comedy by Dante Alighieri -The Jungle Book by Rudyard Kipling -The Man Who Would Be King by Rudyard Kipling -Ask The Dust by John Frante -On The Trans-Siberian Railways by Blaise Cendrars -The 39 Steps by John Buchan -The Overcoat by Nikolai Gogol -The Government Inspector by Nikolai Gogol -The Iliad by Homer -Heart Of Darkness by Joseph Conrad -The Volunteer by Shane O'Doherty -Twenty Love Poems and A Song Of Despair by Pablo Neruda -"May Banners" by Arthur Rimbaud -Literary Outlaw: The life and times of William S Burroughs by Ted Morgan -The Penguin Dorothy Parker -Smoke by William Faulkner -Hero And Leander by Christopher Marlowe -My Lady Nicotine by JM Barrie -All I Ever Wrote by Ronnie Barker -The Libertine by Stephen Jeffreys -On Murder Considered As One Of The Fine Arts by Thomas de Quincey -The Void Ratio by Shane Levene and Karolina Urbaniak -The Remains Of The Day by Kazuo Ishiguro -Dead Fingers Talk by William S Burroughs -The England's Dreaming Tapes by Jon Savage -London Underworld by Henry Mayhew
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