#LOVE BOTH VERSION I CANNOT CHOOSE

[shirleyvinyard]

[wordbunch]

their love language [the rings of power]

a/n: i had this little idea that I wanted to share w you all 🥰💛 i included the characters that i like best, so sorry if your fav isnt there. also I am a halbrand girlie so I wrote for that "version" of him. be so kind to comment/reblog your thoughts! ♡

Elrond ♡ quality time and physical touch and words of affirmation everything

Is he not just perfect? His kind heart cannot choose just one way to shower you with love, so it varies by the day. Elrond’s words are always carefully chosen to lift you up or comfort you, and the feeling of his lips or skin on yours is like a dream after a long day. Initially he was a bit more closed off, but you created a safe space together for both of you to be vulnerable and loving. Sadly, he can be quite occupied with various duties, so he cherishes any second he gets to spend in your presence. You have reached the point where you can communicate almost only through eye contact in public; his eyes are so shiny and expressive, and even the way he gazes at you tells you everything you need to know.

Galadriel ♡ acts of service and physical touch

There is nothing in this, or any other, world that she wouldn’t do for you! The downside of that is she can feel quite guilty if she feels as though she failed at something, but that is alright - you are there, always, to break the fall! She also very much receives love in this way so make sure you do lovely things for her as often as possible - our girl needs some soft wholesome love. Physical touch is something that keeps her grounded and reassures her you are really there and with her, it is not just an illusion or a dream. In private, Galadriel will cling to you like you’d just saved her from drowning. Reassurance is something she needs more than she will let on. 

Halbrand ♡ words of manipulation affirmation and physical touch 

He has a strange way of somehow knowing exactly what to say, almost at all times; the way he sweet talks you is unmatched, and he is no stranger to strings of compliments. Occasional banter is involved as well, of course, as he very much enjoys verbally “sparring” with you - it gets him going and gives a spark to his eyes. This leads to more physical expressions of desire, and you are basically the only person he enjoys being more tactile with. The way he shifts between being rough and passionate, and then gentle and adoring, keeps you on your toes constantly. However, two can play that game - has he at last met a worthy match?

Celebrimbor ♡ quality time and gift giving

This is one very busy elven lord and smith, but he will still try his best to never neglect you and your needs. Even if he is working, he loves to have you around, if you are free; and you enjoy watching him doing his thing. He calls you “his greatest inspiration” and swears you bring out the best of him, both professionally and personally. Although, he might occasionally get distracted when he feels your keen eyes on him. Naturally, since you inspire him to create, he loves to gift you items made personally for you, with utmost precision, skill and love. He also claims that no piece of jewelry, decor or weapon could ever match your beauty, but that is another challenge that motivates him even more. Sometimes, though, you have to drag him away from his work and just make him take it easy.

Isildur ♡ physical touch and being silly

This chaotic boy needs to have a hand(s) on you at all times, or the other way round. If you move away from him, there is a high chance he will look at you like a lost puppy. He might not yet be the greatest when it comes to verbalizing what you mean to him, but that’s not to say he can’t express it in a variety of ways - pulling you close in a crowded space, hugging you as if you might evaporate if he doesn’t hold onto you, kissing you breathless every chance he gets. However, playful banter with you makes him so happy as well, and it is his way of showing not only that you understand each other, but also that you can be perfectly comfortable in each other’s presence and laugh until tears stream down your face. Oftentimes those unguarded moments of silliness can become deep conversations which allow you to get to know each other even more intimately.  

Arondir ♡ acts of service and words of affirmation

I mean, have you seen what this elf does for people he deeply cares for? Expect even more than that when he is in love with you! No task is too daunting when his beloved needs something, and you don’t even need to ask - he is superb at anticipating your needs. Sometimes you need to all but force him gently to relax and prioritize himself a bit more. Arondir is just a romantic soul like that. Also, in standard elvish fashion, he knows many poems and songs, and he is no stranger to coming up with his own just to express how he feels about you and how he sees you as the most precious, wonderful person. Initially he was a bit shy about that particularly, but experiencing your joy and enthusiasm, and the way you simply melt at his words, he knew he had to make it a regular occurrence to express his adoration. Please treasure him, he deserves the world.

🍁🍁🍁🍁

Tagging some trop besties @queenmeriadoc @lady-of-imladris @starladyy @fenharel-enaste @thesolarangel

@haladriel @nanawaffles @xwakemeupwhenseptemberendsx @elswing @coraleethroughthelookingglass

[ambrosiagourmet]

In chapter 28, Marcille lays out why the journey she's been on has been worth the pain: because they were able to bring Falin back. The injuries, the indignity, and the mess of it all - they are tolerable primarily in context of destination she believes she's reached at this point.

In truth, of course, the story is far from finished. In fact, I would argue that this is actually where hers really starts. This scene holds the seed of the very thing the Winged Lion will exploit to lead Marcille to become the Lord of the Dungeon. After all, with a desire as far reaching and deeply held as Marcille's, if the only acceptable outcome is success, what other choice does she have but to bargain with the infinite?

So let's talk about this idea - where it leads her, how Laios' path intersects with it, and how they both help each other move forward in the face of failure.

First though, I want to step back and talk about something else: the shapeshifter chapters.

With these chapters recently covered by the anime, there has, of course, come plenty of fun discussions about which version of each character belongs which other character's perceptions, and what that means.

One thing I've seen pointed out a few times is the fact that both Laios and Marcille's impressions of each other are based around Falin. Marcille's version of Laios is larger and more masculine, because those are the traits that stuck out to her in contrast to Falin. Laios' version of Marcille was directly inspired by her appearance and demeanor when resurrecting Falin.

So why is this important to a discussion about Marcille being focused on success? Well, it shows us where Laios and Marcille's relationship starts: built primarily around their shared love for Falin. It's from that shared beginning that they begin to learn about each other on their own terms.

And this is true for the whole group, to be clear. They are united by circumstance - love for a lost companion, a sense of responsibility, a desire for freedom - but they all grow and help each other beyond that circumstance. They help Senshi bury the ghosts of his past and eat some Hippogriff stew. They help Izutsumi open up to mutual love and friendship. And they learn so much about each other: about Chilchuck's family and Laios' love of monsters and Marcille's desires to live life alongside others.

In the particular case of Marcille and Laios, understanding each other is what lets them save each other. It is not through Falin that Laios talks Marcille down from the edge the Lion has brought her to, nor is it through her that Marcille comforts Laios after the demon is defeated, when it is still unclear how everything will work out.

In fact, it is very specifically the unknown fate of Falin that Marcille comforts him about.

She is willing to accept the outcome - willing, now, to embrace the journey itself, rather than only accepting it as a means to an end.

This is a lesson she learns from Laios, and it's a lesson we watch Laios learn, too.

Just before making her deal with the Lion, Marcille recalls everything that led her to that moment. She lingers on the pain, recalling the worst of their journey:

She only pushes through by remembering her goals: saving Falin, and equalizing the lifespans of her friends to match her own.

And yet, 10 chapters later, when reflecting on why she actually wants to see her goals through, it is the good parts of that very same journey that shine through.

There's an inherent contradiction here, one which Marcille doesn't know how to face. How can the suffering that she tolerates also be the love that drives her forward? How can the loss that she's worked so hard to reverse also be the very circumstance that created a world she, now, cannot stand to give up?

And Laios confronts her with the truth. Because it just is.

Losing Falin forced him to open up to others in a way he never had. It forced him to choose what he cares about, and in making that choice, it gave him the opportunity to be seen. To connect with others.

He has already had to come to terms with the fact that Falin's death has given him something - he would not have been able to kill her again if he hadn't.

There is something here that is fundamental to Dungeon Meshi's understanding of what life even is. Like, I don't think it's a coincidence that part of Laios' speech to Marcille in chapter 85 is actually first seen in the chapter where they fight off ghosts.

In 'Sorbet,' while possessed , Laios thinks that it would have been better if the dragon had eaten him, instead of Falin. The ghosts make people lose their will to live - they are dragged away from life.

When he's pulled back from that brink, Laios realizes that he can't move forward without accepting that she is gone. He even compares the way he was holding on to her to being possessed: it pulled him away from life, from the present moment.

To carry on, he must accept what has been lost, and focus on protecting the life that they still have.

Like Marcille, he has to accept the contradictions of their journey. That life means eating, and eating requires death. That sometimes one must be selfish in order to be kind, and that selflessness can easily be twisted into to cruelty.

That loss will, inevitably, lead you to find happiness that you may not have found otherwise.

This is how he gets through to Marcille. And I think part of the reason he reaches her with these specific ideas is because those contradictions are baked so thoroughly into their relationship.

Marcille only met Falin after she had been left behind by Laios. Laios was able to reconnect with Falin because she left Marcille. They both met each other through Falin, and yet they only really got to know and care for one another after she died.

And of course, that's why Marcille uses the same ideas to comfort Laios, in the final chapter. It is because of Laios that she is able to accept the journey for itself, and not need the happy ending to justify its meaning to her.

Together, they help each other move forward, and accept that they may not be able to bring Falin back.

Which, if I'm being honest... I think this is the reason Falin can come back, narratively speaking, without the resurrection feeling like it takes away from the themes of the story.

After all, she doesn't do it for Marcille or Laios - she does it for her own sake. Her own hunger and her own desire to eat are the things that lead her back to life.

All three of them, together, end the story like this: not clinging to the things they are afraid to lose, but knowing they can choose to move forward together.

And, importantly, this happy ending is no longer the thing that gives the journey meaning. Rather, it is the privilege of the journey itself that is her happy ending: the chance to walk alongside others in the time they have, to get to know each other, and to eat well.

[geekgirles]

Just Look My Way

Can we please talk about the way the lyrics have changed from the original to showcase Stolas' growth and character development?

I was already surprised that what originally looked like it was just going to be a fan video ended up becoming canon content, but when I heard the different lines my mind exploded, you guys.

Note the difference, the major difference, in treatment!

In the original version, which released back in season 1 but before Ozzie's, Stolas' line was actually:

"Come now, my little impish plaything, we've both made our choice."

Keep in mind the original most likely included this line as a reference to what both Striker and Stolas said in regards to Blitzo's relationship with Stolas. Even our dear owl boy referred to him as just a plaything while saving him from D.O.R.K.S! Which most likely only helped cement Blitzo's internalised belief that Stolas would never see him as anything other than a cheap thrill.

Here, however, Stolas is cementing him as his dearest! A loved one! Someone he values and cares for! That is a huge difference from being just a sexual partner!

And the second line. OMG, THE SECOND LINE.

Unlike the original, where Stolas speaks of a choice that, realistically, was never there (as it usually is the case with relationships where there's a power imbalance and, moreover, were born out of transactional needs), this time he is reaffirming Blitzo's agency and independence. The implied choice is clear: Stolas will present the asmodean crystal to him so he no longer relies on his Grimoire and sleeps with him out of necessity. All that's left for Blitzo now will be to choose if he wants to remain by Stolas' side even then. And the choice is his.

As a quick aside, I also love the constant symbolism between Blitzo and the Moon.

Technically, compared to Stolas and the Earth, both are just satellites, nowhere near as important as a Goetia demon and member of Hell Royalty or a planet brimming with life and where beauty and wonder happen at every corner. And yet, without them neither can thrive. Stolas is as fascinated and dependent of Blitzo as the Earth is with the Moon. Without the Moon, there's no tides; it brings inspiration and romance to countless souls, brightening the night sky, just like Blitzo brightens Stolas' life.

Blitzo is Stolas' moon, and I just think that's beautiful.

Every word in this line in particular just oozes character development, too.

The original was:

"What's left for me in this broken house if I cannot have you?"

This is no longer about Stolas using Blitzo to escape his boring routine and his horrible marriage to Stella, it's about Stolas being deeply and hopelessly in love with Blitzo and not knowing what to do to convey that in a way that will reach him.

Once again, Blitzo has stopped being a mere plaything or boy toy and become so much more. He has become an essential part of Stolas' life he doesn't know what he'll do without but knows he'll have to let go of if that's what Blitzo wants!

Now, I must admit I am not exactly a fan of this change in these particular verses. On the one hand, I understand it's meant to reflect Stolas is trying to understand Blitzo and see things from is point of view, but I also feel it robs the moment of the raw feeling the original conveyed:

"Is this how she'd feel? Abandoned, all alone, left to fend for herself, for a semblance of happiness that doesn't have to end?"

"She" clearly referring to Via.

I just think it would have been more powerful to keep it and allow that juxtaposition between the most important people in his life to help Stolas understand Blitzo better. After all, he loves them both dearly and unconditionally, but his actions have also hurt them both very deeply.

I just think it'd be fitting if one allowed him to understand the other better.

Nevertheless, if there is something this song has taught me, is this: we are so not ready for the next episode.

[push-tet]

what I've done

The town of Veronaville is one built on little love and one big feud. For years, the Capp and Monty clans have been at each other’s throats; yet this hatred cannot stop the younger generation from crossing borders and falling for one another. Will their actions bring both feuding families to ruin, or spark reconciliation? Can their love truly heal such deep wounds?

Wouldn't you like see Veronaville in entirely different light? K-he.

WHAT’S NEW:

Added a massive storyline! The familiar Сapp, Monty and Summerdream families will be seen in a whole new light🌟

Added three brand new families with their own stories and secrets! 🌟

Added some new and special townies. At the end of the town album there will be a list of townspeople who have biographies and memories, so no need to add/resurrect literally everybody on your lot. 🌟

Added 20 new community lots + remade the old ones as well 🌟

DISCLAMER AND TRIGGER WARNINGS!!!

This hood is not a retelling of Shakespeare's plays, nor is it a mere makeover of the Maxis’ Veronaville. Think of this neighborhood as an alternate universe.

The Neighborhood contains themes of: fantasy, s*icide and self-harm, body horror, OC X CANON (?)

I may have (unintentionally) spoiled some of your favorite simmies… 

ISSUES THAT I AM AWARE OF:

Some townies’ memories could disappear. It happens even with the mod that forbids the townies from losing their memories. I don't know what the reason is so I recommend checking them before you play the game, namely, by going into the family and teleporting the townies to the resident lot. If the memories are already gone, then please re-download the hood.

Hoodchecker might show some minor errors connected to the wrong memory subjects. This was intentional so don't be alarmed! It doesn't affect your game in any negative way.

Don't try to resurrect Julien Cooke. Just forget about him.

Oberon originally had an overlay with a mechanical prosthetic. But for some reason in some testers’ games the overlay was affecting Oberon's complexion, turning his skintone white… So I removed the overlay entirely. You can add it back if you wish!

RECOMMENDED MODS AND PROGRAMS:

Cyber Parts by @themeasureofasim (optional, Oberon’s prosthetics)

Restore Default Names for Sims in Subhoods (if you intent to play a subhood version of it)

🐸DOWNLOAD MF - SFS

THE CONTENTS:

VD01 ENG is a main hood; contains some of my CCs.

VVBS CC is an archive with some custom content from me for the hood (consists of: some cosmetics, contacts (in the masks section) and one female haircut).

VVBS SUBHOOD is a subhood with two major differences from the main hood: it does not contain pictures from Storytelling folder (so the nhood is less heavy) + you can pick and choose whether you want it with or without my custom content.

EXTRA CONTENT folder is not necessary to download; it contains some extra stuff from my project. This file is locked, but you can gather the password in main hood itself through the storytelling pictures and a little game in the community lots (you can find the rules of this game in the description of 2 Pentameter Parkway lot). Think of it as a reward for your attentiveness!

If you find any errors or bugs, just let me know! THANK YOU!

idk what to put in here so that dads' ranking

P.S. Destroy this town with your crazy ideas. :))

Well, the English version of this interactive fanfic is finally OUT!

I have Pahleen (translation) and @f1shart (English editing) to thank for that! And I also want to thank the many wonderful testers and people who supported my project!🌹🌹

I will continue to post materials about this neighborhood on this blog, but I also have plans to expand this universe, so for that I created a blog @vv-bs so you can follow the development of the project!

[scionsthings]

Ok this may be a little strange but I noticed something in Arcane Season 2 and as both fan of Arcane and Disco Elysium I want to show you these similarities between the two because oh my god First in the opening the shadow behind Caitlyn reminds me of the Volition

The description of this skill states:

But then, it adds

This is what is literally happening to Caitlyn's psyche, she's losing her Morale, she's falling apart becoming somethings she was trying so hard to fight obtaining nothing if not loss and a void in her chest that cannot be filled anymore. And there she is, choosing violence, choosing war because she learned this is the only way, she totally lost what she believed in and an important pillar in her life, her mother. The other thing is..this scene, that reminds me of the Island Empire

This entire sequence reminded me of the description of this skill

The reality twisted different version of Jayce, Heimerdinger and Ekko appeared, every object made by hextech twitched as if that wasn't their reality anymore, cannot exist anymore in space and time. But what is this thing that caused it?

Viktor and Jayce played with something so bigger than them, and it was great, was amazing they saw potential..not actually knowing what they were getting into and only when it was too late they realized what they had started, the irreversible corruption of the world, of the one they cared about, of themself.

I love I LOVE this series.

[calisources]

𝐘𝐎𝐔 𝐀𝐑𝐄 𝐈𝐍𝐕𝐈𝐓𝐄𝐃 𝐓𝐎 𝐓𝐇𝐄 𝐑𝐎𝐘𝐀𝐋 𝐁𝐀𝐋𝐋 𝐒𝐄𝐍𝐓𝐄𝐍𝐂𝐄𝐒 𝐐𝐔𝐎𝐓𝐄𝐒.

All sentences on these meme make references to royal balls, medieval ballrooms or regency, basically set during any period drama. You can change names, pronouns, titles and more as you see fit. Most of these were taken from different source materials found via google search. This meme makes references to masquerades, royal dances and partners.

Dancing, at its best, is independence and intimacy in balance.

Dance is the timeless interpretation of life.

Music does not need language of words for it has movements of dance to do its translation.

Masks reveal. They don’t conceal. Masks reveal your cravings, your passion, your deepest most secret desires.

It was you. I know it was you.

Look at me, Kia! Look me in the eye and tell me you’re not her.

And who shall you be once you don your grand disguise?

I don't like to hear you talk about yourself that way. Your scars do not define you, young lady. Your action do.

All the ladies must dress the same and the men have to find their partners. It’s a game of sorts. 

Even the smallfolk have their own version of the ball, at the steps of the castle.

Swoon, Dora. Every young woman deserves to swoon over the love of her life.

Dash it, Everton, how'd you know it was me?

A masquerade could have been a beautiful dance. 

 Oh, well. What's a royal ball? After all, I suppose it would be frightfully dull, and-and-and boring, and-and completely... Completely wonderful.

Each finds a partner, and upon the bell, we must change partner until we find the one we came to be. . .or the one we desire.

It has been a while since you gave me the honor to dance with you.

If the princess is not too occupied, I would wish for a dance, perhaps?

The Queen and King have to open the ball but the King is gone. No mind, I shall be in his place.

Sometimes in life confusion tends to arise and only dialogue of dance seems to make sense.

If we want our men to dance, we have to inspire them. 

 But with something more, something bigger, something that will give them a reason to want to dance.

But when balls are held for pleasure, They're the balls that I like best.

Will you be my princess for the Ball?

Keeping pushing, Andrei, and you and I are going to play a game.

Nothing like a ball to cheer a nation, give the old lords wine and the young boys the opportunity to find a nice woman and everyone shows up.

Where are you taking me? The ball hasn’t ended.

Royals is like a beautiful, broken angel: hard to look at, but utterly impossible to turn away from.

Attend the royal ball in all your glory and find out what fate has in store for you.

How many dances is one allowed before people begin to whisper?

You cannot behave like a brute. It is my duty to dance with every suitor. I am their princess.

I do not recognize you, my lord? Are you from these lands? 

It is bad luck to steal a princess.

Attend the royal ball in all your glory and find out what fate has in store for you.

There is nothing quite like dancing in the moonlight. It sets your soul on fire and your heart aflutter.

The beauty of a ball is not just in its grandeur, but in the connections it sparks, the emotions it stirs, and the hopes it ignites.

Just keep your eyes on me. No one else here matters.

I shall keep dancing with you until you stop being stubborn and go speak with me. Or you rather have people whisper?

The princess looks beautiful tonight, does she not?

Father, please, you must dance as well. Your dull looks are making people bored.

You promised me a dance when you were better. Are you?

I've loved you at every dance, on every walk, every time we've been together and every time we've been apart.

I can feel people's eyes on me.

Every time I walk into a ballroom, I know they are comparing me to Daphne.

You both get to choose your passions and adventures, while my beloved is chosen by me. And now I must join them for a dance.

Are you planning on running away when the clock strikes midnight? 

If you do wish to go away, I know a spot, secluded enough.

You wish for me to go with you, alone, unchaperoned. I am a maiden, my lord. 

Aye, but I am no lord, sweet maiden. And these masks allow us some privacy.

This is my last chance to find a match on my own accord. If I don’t. The King will do it for me and I would rather not.

 I'm only a girl, not a princess.

Believe me - they're all looking at you.

 They're all looking at you.

You are requested and required to present yourself to your king.

 I do not even know if that beautiful slipper will fit But, if it does--will you take me as I am?

 It would be an insult to take you to the palace dressed in these old rags.

How charming, how perfectly charming.

When I go back, they will try to pair me off with a lady of their choosing. I'm expected to marry for advantage.

Oh. Well, whose advantage would this marriage be of?

I hope you don't find our kingdom too confining.

I am. An apprentice monarch. Still learning my trade.

Our prince seems quite taken with her.

She went straight for him. You have to appreciate her efficiency.

Walk into the room knowing you are the best. Shoulders back, chin up. Their attitudes will totally change.

You dance love, and you dance joy, and you dance dreams.

The ball is about to come to an end, and you have yet not told me your name. 

I thought we agreed we would remain strangers.

I’m afraid my true identity would put you in danger. 

Have you ever been kissed by a stranger at the end of a ball? If not, let me be the first.

Put him on all the invitation lists, he's a divine dancer.

I’m afraid I’m more used to swordfight than ballroom.

You will ruin your pretty gown, princess. I would not wish to step on your toes.

 Silly, I am a great dancer, no one ever steps on my toes.

No. Let them dance. Interrupting would cause a scandal.

One of these men will be my husband one day. What a thought.

The art of husband seeking at it’s peak, during royal ball season. 

Maiden beware, a gentleman can become a beast when the bell strikes.

[ollieolliewrld]

Genshin Men in Relationships (SFW)

There are characters I left out lmk if anyone would like a version for them as well!

1.8k words

Alhaitham

♡Everything this man does is calculated

♡From the moment he saw you he knew he had to plan to win you over

♡Usually, his intellect is enough to impress but you were different 

♡You didn't see him as a brain you saw him as a person

♡Not only were his thoughts valued but his feelings mattered to you

♡Alhaitham had never been treated that way before and because of that he will make you the happiest person on the planet

♡He likes to share what he knows with you and likes to sit you down with a cup of tea as he goes over his findings and ideas

♡Absolutely loves to hear your thoughts and opinions 

♡A common date spot for you two is on a blanket in the forest 

♡He enjoys setting up picnics where you can enjoy nature and be alone 

♡He has never missed an important day and does a surprisingly good job at planning celebrations

♡For a man who comes across as cold and unfeeling, he takes a lot of time finding the things that you like and including them in all aspects of life 

Arataki Itto

♡This ball of energy naturally makes one of the best boyfriends

♡Everything he does is full of passion and care

♡He includes you in everything he does as he wants to 1) have you by his side at all times and 2) needs someone to wheel him back in when he starts getting out of hand

♡You are slightly more level-headed than he is so it works out 

♡He likes to compete with you turning mundane tasks into a race or seeing who can eat more in one sitting 

♡It's all for fun and no matter who wins or loses you both are in good spirits

♡Arataki Itto is a handsy lover who always wants to have some level of physical contact with you

♡He holds your hand, has you on his lap, piggyback rides, or will fall asleep on you

♡He absolutely adores you, seeing you is like watching a sunrise no matter what is going on seeing you brings a smile to his face 

♡Very playful and enjoys lovingly teasing you

♡Big on holding things above your head knowing that you cannot reach it

♡He never does anything maliciously, he just adores the look on your face when you’re slightly grumpy

Diluc

♡One of the most protective lovers available

♡He is not overbearing but he is not letting anyone lay a finger on you

♡Diluc is a little gruff but he cares about you very deeply 

♡Part of protecting you is spoiling you

♡Dates with him are dinners with the most beautiful scenery 

♡You will be presented with random gifts almost daily so prepare for that

♡Nothing is too good for you 

♡Big fan of walking with you around his property 

♡It allows for the enjoyment of nature while having absolute privacy with you

♡Diluc is the kind of lover to sit with you on a mountaintop while watching the sunset but the entire time his eyes never leave you

♡There is no view that can top your beauty he is sure of that and while those words may never leave his mouth you know this every time you catch him staring at you

♡You are the most important thing in the world to him. Each day he will do what needs to be done to keep you with him

Kaeya

♡The two of you share an enemies-to-lovers story as you could not stand each other when you first met 

♡This went on for a few weeks until Jean had enough of your fighting and forced you two to patrol the same very small area

♡When you two heard each other out you found that you both had a lot in common

♡Since then, Kaeya does not leave your side

♡He likes to constantly try to impress you

♡You could be together for years and he would still be the suave man who comes in to save the day

♡He is like Diluc in the sense that he is protective but he also gets slightly jealous

♡You have this way of drawing everyone’s attention without even realizing it

♡He loves you and cares for you deeply so he will get over his jealousy as he never wants you to feel like you are doing something wrong

♡You are his and he is the one you choose to be with every day, knowing that brings a smile to his face without fail

Neuvillette

♡Meeting you was the best day of Neuvillette’s life 

♡took him a while to warm up to you but he could not stay away

♡Seeing your smile took away the pain he has carried in his heart for so long

♡He is a serious man but caring 

♡He likes to keep his work and you completely separate, this being said he will always make time for you

♡Never will he forget a date with you, Neuvillette makes you his priority in life and treats you like royalty

♡Enjoys speaking with you he finds that the times when you two get lost in conversation are the times he feels the closest to you

♡While he is not big on PDA behind closed doors you are held in his arms 

♡He keeps you close to him as he has a fear that he will lose you one day so having his arms around you calms him 

♡Surprisingly he’s a nickname guy but not your typical nickname, he gives you one based on your name and personality 

♡It’s one way he shows his care for you, by calling you a name that comes from a place of love and meaning

Tartaglia

♡Being with him is always an adventure 

♡There is always something to do and somewhere to go

♡No matter what he’s up to you will be kept safe

♡Childe will never put you in harm's way but he does want to show you all aspects of life

♡He’s not supposed to tell you everything but he does, you are the love of his life he can’t keep secrets from you

♡You are treated to the best of everything with him

♡If there is anything you want he will get it for you no matter what it takes

♡Seeing you happy is the best gift he has ever received 

♡He would prefer to keep you out of business to an extent, you would be with him wherever he went but you are not getting anywhere near the action

♡If anything happened to you he would not know how to cope

♡Good thing for you Tartaglia has everything figured out and knows how to show his lover the world without letting them get hurt

♡Your life is filled with excitement and you don’t get a lot of time to be alone relaxing

♡He figures you two can get to that when you’re old 

Thoma

♡Mr. Perfect has been giving you the husband treatment since day one

♡He is so kind and caring to everyone that you didn’t realize he had feelings for you for a while

♡You two were close friends for some time before he made a move to outright tell you his feelings

♡Finding out you felt the same way was like a dream come true for him

♡Thoma was so happy to know that he finally had someone to stand beside him

♡The two of you work together making sure the other load is not too much for them

♡Doing this ensures that neither you nor Thoma burns out with all that you do

♡Date nights are big with him

♡Days are when the work gets done and when the sun sets that’s the time that is reserved for just you

♡He likes to cook with you and would be so happy to teach you

♡Enjoys packing you snacks each morning you thought it was a little childish at first to have a snack pack with you but with all the running around you do you have realized why he started doing it in the first place

♡Keeping you happy and healthy is what he prides himself on

Wriothesley

♡The most loyal lover 

♡From the day he met you, he has been determined to improve your life in any way he could

♡He takes his work seriously and it takes a toll on him so knowing that he has you to come home to pushes him through it

♡Wriothesley wants to keep you far away from his work as he will not risk anything ever happening to you

♡Yes he knows you are capable of handling yourself but why would he ever want you to have to struggle

♡He treasures the time he spends with you and does not care what the activity is as long as the two of you are together

♡He enjoys relaxing in the countryside lying in the grass with you just as much as he enjoys the rare opportunity of laying in bed and having a lazy morning with you

♡Big fan of making you breakfast 

♡He will wake you up when he is done with breakfast even if it is super early because he knows what the rest of his day is going to entail and he would like to start off with seeing your face and sharing a meal with you

♡Loves to be able to come home and find you sleeping in one of his shirts

♡He slides into bed so carefully next to you and wraps his arms around you 

♡You are his world and he will always nurture you 

Zhongli

♡Zhongli is enjoying the retired life to the max

♡Every day gets to be spent with you doing whatever you want to do

♡He has taken you all over for adventures, sightseeing, and relaxation

♡After being around for so long he knows what the best of everything is

♡Having you and being able to now share that knowledge with someone makes him finally feel complete

♡One of his favorite moments with you was when he took you to his favorite overlook in Liyue, there were flowers growing near where the two of you were sitting, and when you saw them you excitedly ran over to pick one and came back and placed the flower behind his ear

♡He has never experienced someone like you

♡So kind and caring that it was odd to him at first that you were so caring towards him without knowing who he was

♡That is his favorite thing about you, the way you treat people, the kindness you carry in your heart 

♡It is a rare quality and something that he now gets to enjoy having in his life

Author's note: Very excited to now have posts for the three main fandoms I will be writing for out! I'm always open to other fandoms and other characters from DMC, HSR, and Gneshin just shoot me a request <3<3

[shirefantasies]

hi!! I love your writing so I'd like to request if that's ok :D please could you write a preference scenario (romantic plz) for all the Hobbit characters with an s/o with touch as their love language? if you'd feel comfortable making it a little suggestive then that'd be amazing but don't worry if not, fluff is more than ok with me!

thank you! <3

Your kind words do my heart wonders lovie 🥹🥰 also absolutely 100% take my metaphorical money 💸🫶🏻 some are more suggestive than others just based on the personalities/natures of the characters but I really hope you love it!!! 💕 threw in some extra non-company characters since the ask sounded comprehensive, enjoy 😉

The Hobbit Characters + Physical Affection (Suggestive Version)

Balin

✧ His contented sighs and sounds of pleasure at your affection are some of the most encouraging things you’ve heard.

✧ Loves pressing kisses to your bare shoulders.

✧ Balin is always the one to help dress you, little touches like doing up your laces and things, but he is also the one who helps undress you at the end of the day. Hands carefully working over you to undo every tie of your garments, eyes trying not to roam too far, instead opting to search yours…

✧ He has this little habit of sliding his hands up your sleeves to caress your arms.

✧ Occasionally calls you a pet name he tends to reserve for in private just to flip the script upon his own reaction to your touches.

Dwalin

✧ Gives you the proudest smirk and chuckles deeply when he feels your hands upon him.

✧ You rest your head against him only to feel him move it aside with a surprising gentleness before his lips are on your neck.

✧ When you tell him that you’re cold and reach into the folds of his coat, he remarks with great satisfaction that he knows a way you two could keep warm.

✧ Sparring sessions with Dwalin tend to end up with you pinned and straddled, his gaze boring intensely into yours.

✧ Party trick as it may seem to be, Dwalin can even turn lifting you up on his bicep sensual if he so desires, his other hand reaching for you as you pull to his lips.

Thorin

✧ The type to tell you ‘no, not here’ when he feels you pulling into him, then cave and proceed to kiss you so hard you lose all breath in your lungs.

✧ The further your relationship goes on, soon it will come to your notice how accustomed you are to the feeling of Thorin’s hand protectively about your waist nearly at all times, giving it the occasional squeeze.

✧ Cannot keep his hands off you if you wear his coat, especially if you are wearing little to nothing else.

✧ It’s irresistible to tease Thorin just to see the arch of his brows in surprise at your forward motions, be they placing his hands upon you or roaming yours over him.

✧ Driving Thorin crazy is quite easy, my friend- simply whisper “yes, My King” in his ear.

Oin

✧ Shamelessly makes jokes about how you should slow down, he is the one who's supposed to give you the check-up after all.

✧ Knowing the most about bodies and being studied in their reactions, he very quickly learns both your habits and in turn the places you prefer to be touched.

✧ His massages are expert, heavenly, his hands working over all the right muscles and spots. Such moments are an excuse for you to look through Oin’s oils and choose your favorite scent or mood.

✧ Insists he only know how to undress you so fast from having to do it in emergencies, he swears…

✧ Whispers his desires into your ear, but favors your love of demonstrations to save you having to call out private matters through his trumpet in front of the whole camp.

Gloin

✧ If you were to open up a dictionary and look up the word 'handsy', you would see a picture of Gloin beneath it; he adores the fact that you're the same, proud to tell anyone you can't keep your hands off him.

✧ One of his favorite sensations upon this earth is the way your hands slide over his chest, sometimes even grabbing the edges of his coat, as your lips collide.

✧ Another is when your fingers tangle into his hair, even if they end up pulling a bit.

✧ Bedtime all but brings Gloin wrestling you down into position where he can hold you or lie on top of you. Whether you stay that way or not is up to you…

✧ Puffs out his chest first, then sweeps you into the kiss of a lifetime the day you absentmindedly run your hands over him and squeeze his arms, complimenting his muscles.

Bifur

✧ When allowed to, his hands will roam your body as if trying to memorize every inch of it.

✧ Absentmindedly strokes a hand up and down your legs when you throw them in his lap.

✧ Has been known to silently slip off articles of your clothing and offer pieces of his instead.

✧ In addition to that, he has the teasing habit of sliding hands into your clothes, especially when they’ve gotten cold, just to see and feel the way you contort and shiver in shock.

✧ Signs obscene things with such a straight face or look of mild questioning when you initiate affection, laughing wickedly at your reply of shock or eagerness.

Bofur

✧ I maintain that Bofur adores affection and is unafraid to show it, even going so far as to hold you in his lap and show you (and the fact that only he can do that) off!

✧ As you stand together, foreheads resting against each other, you can feel his hands draw patterns upon your hips.

✧ Even cuddling with Bofur is quite a sensual experience, your limbs a tangle and his lips often sneaking their way to find your neck or chest.

✧ You can always feel him smile against you when your tongue slides to the seam of his lips, deepening the kiss instantly.

✧ Bofur also quite enjoys nibbling on your earlobes if you let him, taking breaks between kisses over there.

Bombur

✧ Blushes at your affections and gives you a look like you are an angel upon the earth.

✧ Main offender of turning a peck onto the cheek into more at the last minute, turning to capture your lips instead.

✧ Occasionally forgets himself amidst your nature and gets a wee bit too comfortable; tells you you have something on your face at dinner and then proceeds to kiss or lick it off like that’s normal procedure.

✧ Almost always has a hand upon your knee or thigh beneath the table, too. Sometimes it remains stationary, other times not so much.

✧ Tends to mirror the affections you give under the assumption that you give what you desire. Sometimes does the things that pleasure you most with the silence, but the most eager look you’ve ever seen, questioning if he’s doing well because frankly he enjoys the praise.

Dori

✧ Definitely more prim and proper about things, so all of that must be in private!

✧ That being said, 'collecting firewood' is a great excuse to go somewhere secluded and enjoy each other’s company behind a tree.

✧ Always asking if you’re enjoying things to learn what gives you the most pleasure, following your responses to his every kiss and touch.

✧ You can feel it in the way he touches you, responds to your touch, that he is all but wondering if you are real or someone who stumbled forth from his wildest dreams set to disappear back into the recesses of his mind.

✧ Takes your hand and places kisses up your arm, sometimes getting less gentlemanly as he goes along.

Nori

✧ You are two peas in a pod! Keeping his hands to himself is barely in Nori’s vocabulary.

✧ When you kiss you can fully expect to feel them roaming, sometimes settling for a grip upon the hindquarters or others running up and down your back.

✧ Lets his lips brush the shell of your ear as he leans in to whisper all sorts of messages, be they comments on the others or promises for the evening.

✧ If your hair is long enough, he loves to tangle his hands in it and tug it in your most intimate moments.

✧ Do not expect to sit down without his grip upon your thigh or even the feeling of your skirt’s edge lifting if you wear one…

Ori

✧ Goes bright red at the way you’re always keeping connected, a hand over his or even both around him.

✧ When you yank him in by the scarf for a passionate kiss, why he’s in heaven, smiling into every motion.

✧ Desperation colors his kisses at times, sending his hands gripping you for dear life and his lips searching for treasure he finds with you again and again.

✧ Has never voiced this, but you can tell by the way his breath hitches that he loves it when you wrap your legs around him.

✧ If he is feeling quite bold you may catch Ori sneaking a hand into your pocket, usually to find yours or place a little surprise gift knowing the small touch keeps your heart warm.

Fili

✧ Loves the way your hands slide around his waist and up his tunic, searching for the warmth of his skin.

✧ Knowing how loved you feel by his touch, Fili often keeps you right beneath his arm, halfway embracing as you stroll.

✧ Traps you with his legs upon taking his desired big spoon role, finding new and creative ways to wrap them around you that may apply in later times as well.

✧ Adores when you shuffle underneath him while he does push-ups, kissing your lips, cheeks, or neck with each bob down. You know the shifts of his mood by if this changes to bites.

✧ Bites upon your neck are another common occurrence, leaving you to tease him that you’ll need a whole new wardrobe of turtlenecks!

Kili

✧ He’s right there with you, whether it’s simply wanting to be holding hands all the time or playfully giving your arse a light smack as you walk by!

✧ You two already have the habit of resting one’s legs upon the other’s lap, but if you happen to wear a skirt when it’s your turn…

✧ Cups your face and looks at you with the biggest smile, breathless in your presence before a kiss that has you barely separating for air, but never fully apart.

✧ One of his habits is catching your hands as they trace over his body when they reach a spot he really likes to be touched.

✧ His hands tend to slide down your back and settle upon your hindquarters when you two share kisses.

Bilbo

✧ Sometimes you’ll just pass the burglar by, running a hand down his arm and giving him a look that has him flushing beet red.

✧ Another one who prefers these things in private, but if you initiate and Bilbo is feeling quite bold he may deftly sneak a hand into your back pocket as you walk. Only if no one is behind you two, of course.

✧ Nuzzles his nose against your before kissing you like he isn’t about to dip you passionately.

✧ Whatever access to your skin is granted, Bilbo practically worships it, awed and reverent in his every touch.

✧ He loves resting his head against your chest, nuzzling in there and if he can peppering it with little kisses or maybe even nips.

Thranduil

✧ Teases the dickens out of you for the way you seek out his touch, practically purring into kisses and running your hands over his shoulders.

✧ Only to turn around and run his nails down your spine as your lips meet again and again…

✧ Upon shared meals, sometimes he will feed you things by hand, hoping you will be unafraid to let him feel you taking it from him.

✧ Much as you love surprising him with kisses, Thranduil hopes you enjoy the deeper feeling of your tongues entwined as much as he does. He is unafraid to use his tongue really practically anywhere you’ll let him.

✧ Trails kisses along your collarbones when you sit in his lap, often upon his throne.

Bard

✧ Laketown's bowman is opening himself to affection again, and receiving it is aiding in that pursuit, reminding him to give in to the desire to show it.

✧ Snaking a hand around your waist, he tugs you against his chest, smiling at the fall of your hand upon him.

✧ His eyelids flutter involuntarily shut at the feeling of your hand dragging slowly down his chest or along the length of his spine.

✧ You can feel his lips part in pure shock the first time your tongue travels along their entrance, but with great haste you are let in.

✧ Even if he is not always forthcoming with it, Bard longs for the comfort of another body nearly as much as you do. As he falls asleep, you can feel him relax, his head buried between your neck and shoulder as one hand travels up and down.

Beorn

✧ He definitely isn’t used to physical affection, starting or even glaring in surprise at first, but when he realizes your love is true, that is when you begin to feel the way Beorn melts into your touch, something different glinting in his brown eyes.

✧ His favorite form of affection is, quite simply, holding you against his chest, height allowing him to rest his head atop yours. From there, Beorn can hardly resist the way you lean up to press kisses to his neck.

✧ You tend to initiate many of your shared kisses, but Beorn inadvertently deepens them with his habit of nipping at your lips. He apologizes, but you assure him he has nothing to worry about.

✧ Finding out you love to cuddle means you’ll hardly find yourself sleeping without Beorn’s form draped protectively over you. Whether he soothes you or claims you entirely depends upon the night.

✧ Beorn’s bear-like tendencies come out in his affection sometimes, the way he rubs his head or sides against yours.

[dollypopup]

Today I'm thinking about how so much of Colin's narrative speaks to the neurodivergent experience of having to pretend to be someone else as a survival mechanism. Of the pressure in masking because your real, authentic self is rejected or ignored: too weird, too quiet, too loud, too gullible, too soft-heart, too. . .everything. Too anything. And at the same time, not enough.

Colin gets excited about his travels, about his hyperfixations, talks and talks and talks about them, and no one cares. So, Colin shuts up. Colin writes letter after letter, and gets no reply. So, Colin writes in a journal just for himself. Colin tries and tries to make his family proud, tries to marry, tries courting properly, and it blows up in his face. So, Colin chooses not to date, to become a spectator. Colin is yelled at for trying to invest, so he no longer asks or talks about money, doesn't try to rock the boat in his city. Who Colin is, what he wants, ceases to matter, the fabric of him folded smaller and smaller- instead he focuses on the shell. Builds it in image of his older brothers, of the men around him. Mirrors them.

Anthony says he should have taken Colin to brothels, that he's a fool for trying to marry and his engagement blows up- Colin thus goes to brothels. Colin hops from city to city, trying on new personas like outfits, fine tuning each one. Is this it? Will this be what finally makes them accept me? Colin's appeal to the women of the ton is that he does not talk about himself- but about them. That they're wearing beautiful dresses, that surely they'll find husbands. Separating himself from them- cannot tell them of his travels, that he's not the brave one, it was everyone working together to help with the balloon.

Deflect. Never centered. Colin exists on the outskirts as Pen does, he's just hypervisible for his exterior, and invisible otherwise. His charm is that he pleases those around him. His wounds are that the truest version of him cannot accomplish that. Thus, he becomes hyperaware of what his impact is, first to apologize and last to be forgiven. Living for the approval of others is a trap. He knows. He's fallen into it, a bear claw around his ankles.

He feels like the only way he's worthwhile is if he's providing something for someone. An apology, or comfort, or ease, compliments or winks, a laugh or a distraction, good looks or a fantasy. Providing a happy life for Pen by stepping out of the way, his own needs secondary. It's being there for his mum for an escort or a soft heart to heart. It's taking Anthony's disappointment in him and being indulgent to Eloise's insults. It's giving Benedict his special tea and saying hardly anything about why he bought it in the first place. Bringing gifts to family members who did not write back to him as he wandered the world, alone. It's sticking his neck out for Penelope with Jack, it's providing a dance or a rescue or a good time, checking on Marina to make sure she's alive and okay, listening to Phillip. Colin isn't at all comfortable being himself, the himself that is messy, so he covers it in the himself that is useful.

But what he does, what he provides other people, is not his actual worth. He thinks he's being altruistic by stepping aside and languishing in his feelings for Pen, believing she'll be happier in the future with Debling, waiting and waiting and waiting, until that candle burns out and he's at the 11th hour- and when he snaps and goes after her, when he cuts into her dance, when he runs for her in that carriage, he makes a choice for himself that he thinks, in some way, is selfish.

But it isn't. It's what she wants, too. And there's something beautiful in the fact that with Penelope, his being real, what he thinks is so difficult and unwanted, is actually giving her what she has desired all along. They both find fulfillment and contentment in his unmasking. Penelope never wanted the shell. She saw what was beneath it. She loves what's beneath it.

And I think there's something. . .healing, in that narrative. That us ND peeps who mask as a means of fitting in- that will never bring us happiness. Not really. That it didn't bring Colin happiness.

His arc is realizing that he should be his true, authentic self, and that love will bloom from it. And it does.

I don't know. I think I can learn something from that. I think I'm going to carry that with me for a while.

[nightprompts]

&. 𝐞𝐯𝐞𝐫𝐲𝐭𝐡𝐢𝐧𝐠 𝐞𝐯𝐞𝐫𝐲𝐰𝐡𝐞𝐫𝐞 𝐚𝐥𝐥 𝐚𝐭 𝐨𝐧𝐜𝐞 𝐬𝐞𝐧𝐭𝐞𝐧𝐜𝐞 𝐬𝐭𝐚𝐫𝐭𝐞𝐫𝐬.

( dialogue  prompts  taken  from the script of  everything  everywhere  all  at  once  (2022),  directed  by  daniel  kwan  and  daniel  scheinert.  feel  free  to  edit  and  change  as  you  seem  fit. )

❛ you look really pretty right now. ❜

❛ stop changing the subject. ❜

❛ every day i fight, i fight for all of us. ❜

❛ what are you doing? what is wrong? ❜

❛ if i have to think about one more thing today, my head will explode. ❜

❛ you may be in grave danger. there is no time to explain.❜

❛ we can make our own way. please, come with me. ❜

❛ don't even talk to me about this because i won't remember.❜

❛ i am not your husband. at least not the one you know. i am another version of him from another life path, another universe. ❜

❛ i’m here because we need your help.❜

❛ sorry, very busy today. no time to help you– ❜

❛ all those years of searching have brought me here. to this universe. to you. ❜

❛ i’m here to tell you every rejection, every disappointment has led you here. to this moment. ❜

❛ i'm not ready to fight yet. ❜

❛ maybe we don't have a choice. ❜

❛ now, you can either come with me and live up to your ultimate potential, or lie here and live with the consequences. ❜

❛ i... want to lie here. ❜

❛ how often do people literally die laughing? ❜

❛ my husband won't even kill a spider. how are you the same person? ❜

❛ we are talking about infinity. if you can imagine it, somewhere out there, it exists. ❜

❛ how did i die? ❜

❛ i've seen you die a thousand ways. in a thousand worlds. in every single one, you were murdered. ❜

❛ what!? who wants me dead? ❜

❛ you’ve been feeling it too, haven’t you? something is off. your clothes never wear as well the next day, your hair never falls in quite the same way, even your coffee tastes... wrong. ❜

❛ maybe we would have been better off if we had never gotten married. ❜

❛ i never said that. ❜

❛ you didn’t have to. it’s the way you look at me. ❜

❛ can’t you see it? how wonderful it would be if you came with me? ❜

❛ i saw my life without you. i wish you could have seen it. it was beautiful. ❜

❛ shhh, you're not thinking straight. ❜

❛ what is worse than death? ❜

❛ i saw your face on a billboard and — this is silly — i wondered if you remembered me... ❜

❛ is it that i can’t be here, or that i’m not allowed to be here? ❜

❛ there is no good, there is no evil. there is only “goovil”. ❜

❛ if you can imagine it, you have fucked it. ❜

❛ do not be so closed minded that you blind yourself from the truth! ❜

❛ don’t make me fight you. i am really really good. ❜

❛ you're capable of anything because you're so bad at everything. ❜

❛ you can't remember anything because your bodies were under the control of other universes. ❜

❛ you were like puppets. and you could do things you normally can't do. you were like, what's that movie... raccaccoonie? ❜

❛ how can you defeat her in every universe, if you can't even kill her in one? ❜

❛ the sacrifices necessary to win this war... i know all too well. ❜

❛ i cannot lose another loved one to the darkness. ❜

❛ i know you have feelings. feelings that make you so sad. that make you just want to give up. that is not your fault. ❜

❛ i'll see you again soon, somewhere out there in all that noise. ❜

❛ just think happy thoughts. ❜

❛ you okay? caught you staring off into space again. ❜

❛ i'm the one you've been looking for. ❜

❛ i’m the one who will defeat you. ❜

❛ you’re finally free, like me. ❜

❛ you don't have to choose anymore. between loving me or hating me. you can do both at the same time. ❜

❛ before, you were asking about "our daughter". it's crazy, but it really got me thinking. what if you had come with me all of those years ago? ❜

❛ all of this time, i wasn't looking for someone who could defeat me. i was looking for someone who could see what i see, feel what i feel... ❜

❛ oh, good, you're here too. ❜

❛ i'm sorry about ruining everything, i– ❜

❛ we're all stupid. small stupid little humans. it's like our whole deal. ❜

❛ everything is going to be okay. ❜

❛ you think i’m weak don’t you? ❜

❛ when we first fell in love all of those years ago, your father would say i was too sweet for my own good. maybe he was right. ❜

❛ please! can we just stop fighting! ❜

❛ you tell me that it's a cruel world and we're all just running around in circles. i know that. i've been on this earth just as many days as you. ❜

❛ the only thing i do know is we have to be kind. be kind. especially, when we don't know what's going on. ❜

❛ i know you go through life with your fists held tight. you see yourself as a fighter. well, i see myself as one too. this is how i fight. ❜

❛ in another life, i would have really liked just doing laundry and taxes with you. ❜

❛ you know what i say? cold, hysterical, unlovable bitches like us make the world go round. ❜

❛ you aren’t unlovable. there is always something to love. ❜

❛ even in a stupid, stupid universe where we have hot dogs for fingers, we’d all be very good with our feet! ❜

❛ in a universe where we both agree that no one could love you, if we look hard enough, something will prove us wrong. ❜

❛ we are all useless alone. so its good you're not alone. ❜

❛ maybe you win in this universe. but in another, i beat you. or we tie. or we eat crepes. ❜

❛ i don't want to hurt anymore. and for some reason when i'm with you, it hurts both of us. ❜

❛ out of all of the places i could be, why would i want to be here with you? ❜

❛ i still want to be here with you. i will always want to be here with you. ❜

❛ i will cherish these few specks of time. ❜

[hotvintagepoll]

Propaganda

Frances Dee (Becky Sharpe, Little Women)—no propaganda submitted

Ingrid Bergman (Gaslight, Casablanca, Notorious)—Where do I even begin with Ingrid Bergman? I fell in love with her with her astounding performance in the 1956 version of Anastasia -- the best Anastasia movie in large part due to her wonderful and touching performance. She's got this amazing, fascinating intensity to her in whatever role she's in. She commits 100%, and she's got this light in whatever she's in that's stunning. She's utterly convincing no matter what she plays, from an amnesiac possible lost princess, from a nun, from a woman taking her revenge on the town that wronged her, to light romantic comedy. She's never missed in any role I've seen her in! Also she became quite the MILF.

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Frances Dee:

Ingrid Bergman:

God, she's fantastic. She's both beautiful and a compelling actor who's more than capable of putting the whole movie on her shoulders if necessary. It's worth noting that while her beauty is conventional, she was seen as refreshingly "natural" with more eyebrows and less makeup than many other leading ladies of the time. She's well known for her role in Casablanca, but in Notorious, Spellbound, (both available on archive.org ) and Gaslight (1944) she shows how immensely capable she is. [editor's note: I've seen all of these movies and I think they're fine, but it's been a minute, so I can't thoroughly tag for trigger warnings or officially "recommend"—as always, go forth with caution when a movie is mentioned in a propaganda submission, and don't take a mention as an official recommendation of this blog.]

I mean...she's Ingrid Bergman. I feel like that should be enough, you know? She's physically beautiful (her eyes!) but watching her is like a transcendent experience. Her voice, her expressions... beautiful woman, beautiful actor.

I'm a gay man but even I understand her appeal. I'll watch any movie she shows up in. Gorgeous woman.

Just try and watch her movies without sighing wistfully, then get back to me!

Choosing 1-3 movies where Bergman was at her hottest was agony because, of course, she was always at her hottest. Not just because she was beautiful but because she was absolutely willing to go up against the bs women in Hollywood were constantly dealing with. When exiled from Hollywood for having an affair with Roberto Rossellini, not only did she refuse to apologize at any point, but she went on to say that Hollywood's films had grown stagnant and boring to her. Though she said she appreciated her time working there, she wanted to try new, different techniques (hence starring in Italian neorealist films, working on stage, and acting under directors like Ingmar Bergman). She was not afraid to chase after her artistic ideals and go outside the box regardless of what society had to say about it. From her first movie to her last she killed it. There's so much more to say about Bergman's career and life, but I've already written five million words so I'll stop at that.

One of the most incredible actors I've ever seen on film. Her facial expressions are so intricate and poignant that I cannot look away. I'm either ace or straight, but damn she made me question that.

SEVEN TIME OSCAR NOMINEE QUEEN. Girl also PULLED, having affairs with famously hot men Gary Cooper and Gregory Peck IN ADDITION to her three marriages...sexy

She has a very natural beauty to her, and she's from Sweden!

She left Hollywood and only became more beautiful. You could drown in her eyes. She can look innocent AND like she's seen it all. She is effortlessly elegant. She's played Joan of Arc (automatically hot) AND was in the movie that coined gaslight as a term. And where would we be without that!

She was known for being a breath of fresh air on the movie scene at the time with her windswept hair, dreamy smile and soulful eyes. I have loved her in every movie I have seen her in - she was just magnetic!

Where do I even start. There's a neighborly quality to this beautiful, talented actress that makes her hotness one of a kind and her looks impossible to forget

With a career spanning five decades, Bergman is often regarded as one of the most influential screen figures in cinematic history. Known for her naturally luminous beauty, Bergman spoke five languages – Swedish, English, German, Italian and French – and acted in each.

She's hot, don't get me wrong, but I've always found her very approachable, like she could easily be a member of my friend group

A lot of the time hotness in a movie is just about words and framing. "You're the most beautiful person here" [vaseline lens] well I sure hope so because that's who you cast. But when, in Casablanca, they call Ingrid Bergman the most beautiful woman in the world... they were not fucking lying. And such a dynamite actor too!! I'd only seen Casablanca up until last year, and there she's confined to love interest. But in Gaslight she was maybe one of the most incredible actors I've ever seen!!!! Goddddd shes so fucking hot and cool.

[fortunxa]

I gave myself some time to think after watching act III, and I can finally share my thoughts. Let me break it down episode by episode so it’s more coherent because I’m itching to talk about it. Buckle up because this won’t be short.

cw: mentions of sh, depression, borderline personality disorder, suicidal tendencies

episode 7 — Pretend Like It’s the First Time

This whole episode felt like pure fanfiction and fan service, and I genuinely can’t believe how Timebomb shippers are still standing after this. Throughout this whole episode, it’s been clearly shown how Ekko will only accept one version of Jinx—the easy to digest one. The one that hasn’t been traumatized. How can someone call it love? Love isn’t picking and choosing what you accept, you either love the whole person or you don’t. Alternate universe Powder is the epitome of the manic pixie dream girl archetype for the current timeline Ekko. Would Timebomb work in that alternate universe? Sure, but that’s because it’s their reality. They don’t know anything else—Powder doesn’t become the Jinx we know now. Alternate universe Ekko isn’t faced with Jinx’s mental health problems—he has nothing to pick and choose from.

Do I hate Ekko? No, I actually like his character, but he’s torn between reality and fantasy. Can I blame him? Also no, because we’ve seen his childhood. We can only imagine what damage losing everyone he loved and cared about at such a young age (and so suddenly) did to him mentally. I can’t fault him for holding onto the past (even if he denies doing so), but it is an issue that stands in the way of current timeline Timebomb.

To him, there’s only Powder or Jinx, but she’s so much more complex than that. It’s been shown repeatedly how Jinx is a part of Powder (the whole act I of season 1), and how Powder is still a part of Jinx (until the very end, no matter how hard she tried to get rid of her).

BONUS: The necklace Powder has speaks for itself. A blue rose represents, and I quote, “Unrequited love, a longing for the impossible. A yearning for someone out of reach or a relationship that cannot be fully realized.” Both Ekko’s and Powder’s side profiles aren’t on the same side of the necklace to begin with. They only merge once she spins it.

BONUS 2: Other than “Ma meilleure ennemie” by Stromae & Pomme being an absolute bop, some of you simply didn’t translate it, and it shows. Here are some highlights, specifically Pomme’s lyrics (clearly depicting Jinx):

episode 8 — Killing Is a Cycle

The episode that started to break me. We see Jinx, absolutely drained, sitting in that cell because Isha’s death was her breaking point. No one and I mean no one, showed that girl the love and acceptance she needed and deserved other than Isha. Not Silco, not Vi, not Ekko. Building that beautiful storyline for two acts straight just to rip it away from her in such a traumatizing way—a parallel to the explosion at the warehouse, too? Wow. They were setting the stage for Jinx’s breakdown since the very beginning of this season. Making us watch the hope in her bloom, find something (or someone in this case) worth living for again, be loved and accepted for who she is just to watch it all burn and leave her with nothing again—pure evil.

“I didn’t know your mom was there.” Can you hear my heart breaking even further? That brings me to my next point: Jinx in relation to Caitvi.

After watching all of what Caitlyn did this season, not only to the city but to Vi, and then still believing Caitvi is healthy? Are we watching the same show? Season 1 Caitvi stood a chance, but this? So shallow and underdeveloped. Cait became a whole dictator. She was Vi’s breaking point, too, and the reason why she hit rock bottom in the first place. Jinx saw that firsthand, and she still thinks she’s the one standing in the way of Vi’s happiness? The only person standing in the way of that is Caitlyn herself, who isn’t even being held accountable for her actions whatsoever at any point. “We can’t erase our mistakes.” but we clearly can pretend they never happened, right?

“She’s being held in the bunker while I decide what to do.” What exactly did Cait expect from that? Telling Vi, her apparent love interest—who knows what it’s like to suffer in prison, not even physically but straight up mentally—that she’s keeping her mentally ill little sister in a cell while she decides what to do? What’s there to decide? And who are you to decide?

“I’m giving you this one chance to account for your actions, all the pain you’ve caused.” Is this projecting I hear from Cait? Can’t even tell since she never did what she’s expecting from Jinx, having done far worse things than her by that point. She let martial law take place for fuck’s sake. She used the grey to gas the Undercity (which still boggles me that Vi agreed to it). She was ready to risk Isha’s safety (a CHILD) just to get to Jinx.

BONUS (while I’m at it): Caitlyn would’ve missed the final shot, no matter how much she believed that she wouldn’t. She missed the shot twice right before that: first, when she shot Jinx’s finger off, and second, when she accidentally shot at Vi. They gave us this shot of Cait looking crazed out for a reason. She was losing her mind.

She was blinded by grief, yes, but I was waiting for the moment where she finally admits to her wrongdoings (other than screaming “I know!” while tossing a boat figurine, that is). “No amount of good deeds can undo our crimes.” Sure, and a lousy sex scene can?

Let’s talk about it.

When Jinx leaves Vi in the cell, she’s clearly suicidal and mentally unwell—even more than what we’ve seen from her so far. The dialogue they gave her, again, making her believe that she was the issue all along was just heartbreaking to hear. Yes, it’s Jinx’s perception of herself, going back to her believing she’s a jinx and how everyone close to her dies, but that perception of herself shifted when Isha came into the picture. And like I said, they took that away, so going back to the topic at hand.

Vi just being ready to hear another ‘I told you so’ from Caitlyn when she finds her, and then they just end up having “sex” (or actually, just giving Cait the pleasure Vi deserved instead after everything she put her through). We’ve seen crumbs of unsatisfying communication between them about what happened, and that sex scene in the cell was the last straw for me at this point. What do you mean Vi saw her suicidal sister sitting in that very same cell (starving and self-harming herself, may I add) and instead of running after her, she pounces on Cait?

“But the parallel to their first meeting back in s1!” I don’t care. That’s just fucked up to witness. In what world would Vi—who swears to care about her family—do that? We see her as this family-oriented person, who doesn’t give up on Jinx despite it all, and this was just so out of character in the name of fan service.

episode 9 — The Dirt Under Your Nails

Starting off strong, we see depressed and suicidal Jinx right off the bat. How did Ekko manage to get through to her? Well, it’s not like he would’ve stopped either way. He would’ve kept using his z-drive over and over again until he finally got it right.

What do we gain from that? Hopeful Jinx again, yippee! Wrong. She’s back for her sister, and it’s beautiful to witness. “I’m always with you. Even when we’re worlds apart.” Fighting with and for her, ready to die for her—we saw time and time again how Jinx was never the true jinx she believed she was. She managed to fix things with Vi—and even Ekko at this point—and managed to find and bring joy. That was the true ending both sisters deserved.

What do we get instead? Implying that Jinx sacrifices herself for Vi. Other than the pure rollercoaster of emotions they put Jinx through, making a suicidal character kill themselves (or even implying so) is just plain insensitive. What message does that send? As I said in a comment section, the writers aren’t blind, and they’re not dumb either. They know how many mentally ill fans Jinx herself has. As someone who struggles with bpd too, I related to her character in so many ways. More than I’m willing to share in this post, so that finale just left a bitter taste in my mouth. Speaking with other people who are struggling with their mental health helped me see that I wasn’t the only one affected by it. Quoting my friend: “We need to normalize considering the effects of the narrative on the fans.” And this isn’t to say that every suicidal character should magically get better, this isn’t how the real world works. But Jinx’s storyline had no reason to end on that note by that point. Forced and rushed.

Dead or runaway, leaving her with the “everybody’s better off without me” narrative was just the wrong way to go about it. Plain and simple. It was rubbing salt into the wound, spitting in the face of her development. They decided to end the show with an underdeveloped Caitvi “endgame” when they spent all this time developing Jinx’s arc. And all of this for what? Such a disappointing way to wrap things up, with literal crumbs as hints that maybe she’s still alive.

And the bitter cherry on top of Caitvi’s messy relationship this season, other than the complete lack of communication—Vi comparing herself to the dirt under Cait’s nails. What a cute (not really) way to remind us of their differences and Piltover’s stance on Zaun for the majority of the show—seen as nothing more than dirt. When Sevika joins the Council after the war, she’s still being looked down on. This just makes me sick.

BONUS: No mentions of Isha in Act III was pure evil (no, the paint on Jinx’s new outfit, the bunny ears on the balloon or even Isha’s doll were not enough. I wanted her death to be properly acknowledged. No, I don’t think it was too much to ask for). We got this beautiful found family arc between her, Jinx, and Sevika, only for it to be completely forgotten the moment Jinx reconciles with Vi.

BONUS 2: Jayce and Viktor were the perfect example of bromance. A friendship between two men can be gentle, affectionate, and loving without them being gay. No need for the ship, but I guess that’s the least of my worries.

BONUS 3: If anyone brings up the “beauty in imperfections” monologue to defend the ending, know that I’m not listening. They had such a beautiful show going for so long. Imperfections aren’t the problem here, it’s the plain disappointment.

EDIT BONUS 4: Singed out of all people getting a happy ending was so disrespectful. What a cockroach that man is. Nothing and no one can get rid of him.

Media literacy is important. Thanks for coming to my rant.

disclaimer: this isn’t me saying that the entire season was bad. But damn, do better.

[saltywinteradult]

“there is no way in hell Alicent is going to abandon her children” why not?

Aegon’s a rapist and Aemond’s a sociopathic kinslayer, why should Alicent be forced to stay loyal to them?

I understand Rhaenyra why loves Jace, Luke and Joffrey because what’s not to love, they’re perfect. But I cannot see Alicent genuinely loving Aegon and Aemond after everything they’ve done.

It would be 100x more radical and feminist for Alicent to choose Rhaenyra, to put herself first, to stop letting men control her.

Goodness me, I hardly know where to start with this.

I don’t know how you think parental love works, nonny dearest, but it sure as hell isn’t "I won't love my children if they're not perfect people". That’s generally not how parenthood works. And Alicent loves her children. She was sold as a child bride and endured years of rape for the sake of producing those children. Raising and protecting them has been the main purpose of Alicent’s life for twenty years. How could she not love them?

In case you need proof, Alicent physically attacked Rhaenyra, arguably the big love of her life, because she was that angry (and rightfully so) about her son being maimed. Alicent went along with usurping Rhaenyra's throne, despite knowing it would lead to war and ruin what little chance she had left of mending things with Rhaenyra, because she loves her children and is desperate to keep them safe, and she believes that Rhaenyra would kill them to secure her claim to the throne. (Whether that is true is a different discussion - what matters here is that Alicent believes it.) Alicent stepped in front of a dragon to protect Aegon, for crying out loud. Aegon being a rapist clearly tarnished him in her eyes, and yet she still stepped in front of that dragon to protect him. If that doesn't tell you everything you need to know about Alicent's love for her children, I don't know what will. So I don't know that this is a case of Alicent being "forced" to stay loyal to her children, as much as it is Alicent choosing to stay loyal to the people she loves most in the world.

I would also like to point out that Rhaenyra's children are very much not perfect. Jace and Luke both participated in bullying Aemond. In case you forgot, it was Luke who literally mutilated and permanently disabled Aemond. It doesn't matter if Aemond was in the wrong for claiming Vhagar or calling the Strong boys bastards. He wasn't, but even if he was, cutting out someone's eye is not a thing that good people do. So I don't know where you got the idea that Jace and Luke are "perfect", nonny dearest, but it sure as hell wasn't from HotD.

I'm not going to argue over whether Luke maiming Aemond is more or less bad than Aegon raping Dyana or Aemond killing Luke (which is his fault, even if in this version of the story he didn't intend for it to happen). That's not the point. And please note, I am not making a single excuse for Aegon raping Dyana or Aemond killing Luke. I'm simply pointing out that it is extremely hypocritical to claim that Aemond and Aegon are unloveable because of the terrible things they do, but Jace and Luke are loveable when they both do terrible things as well.

And here's the thing. Rhaenyra clearly loves Jace and Luke anyway. Why wouldn't she? They're her kids and she loves them flaws and all. So why is it any less believable that Alicent would love Aegon and Aemond? Why are Jace and Luke loveable despite their terrible deeds, but Aegon and Aemond aren't? And if Alicent choosing Rhaenyra, whom she loves, would be a feminist storytelling choice, why would it be any less feminist for her to choose to stay with her family whom she loves just as much? Why are Alicent's choices only Feminist and Radical when they benefit Rhaenyra?

Even if it were true that Alicent abandoning her family and becoming lifetime president of the Rhaenyra Fan Club would make for a more feminist story - which, to be clear, it isn't - my first priority is not for the story to be The Most Radical And Feminist™. I want the story to be good. And I do not think that making Alicent abandon her family for Rhaenyra would make for a good story. It goes completely against Alicent's characterisation to have her abandon the family we're shown time and time again that she loves more than anything else. Not only would that be a betrayal of her character, it would undermine the narrative as a whole.

For better or worse, these two women and their relationship have been made central to this story. They are foils and they've each been made into the figurehead of their respective teams in every way, down to the marketing of the show. It would simply be bad storytelling to throw off that narrative balance by having them team up. It would completely upend the story being told. The point of making Rhaenyra and Alicent's relationship so central to the show is that despite their love for each other they were still driven apart and forced to become enemies. Having them reconcile would undermine the point that this story is a tragedy.

[thepersonperson]

Thoughts on the tragedy of Gojo Satoru and narrative cruelty towards him as of JJK 261.

Some notes before we start.

1) This originally was going to be an analysis about how Gojo is Megumi's dad. Then JJK 261 came out and shattered my heart into millions of pieces.

2) This analysis will briefly deal with suicide.

3) The light novels are canon and provide critical insight to characters and their motivations. I would go as far to say they're the equivalent of Bleach's CFYOW for JJK. I will be citing the official translation from my own copies. There is a fan translation (Book 1 & Book 2), but the syntax is a bit clunky to read. Either version is fine, I just highly encourage reading them.

4) I will be mainly using the TCB scans for the manga because of their accessibility. 

5) Read the light novels.

(Click pictures for captions/citations.)

Preface

Umineko no Naku Koro ni (When the Seagulls Cry) is a visual novel about a person who is fundamentally misunderstood by those around them. They desperately want to be loved without being perceived, believing themself to be unworthy due to trauma and immutable characteristics given to them at birth. Instead of telling anyone these feelings directly, they play games akin to torture. They torment the ones they love over and over in hopes they'll see through their actions and understand them.

"Without love it cannot be seen."

If you've ever heard of Umineko, you've probably seen this quote. It's the lens in which you are supposed to view the contents of the novel in order to understand the heart behind the actions.

Keep this all in mind as I attempt to answer the following question:

What's wrong with Gojo Satoru?

Short Answer: Being the Strongest. He never got over the trauma inflicted by Toji that was worsened by Geto. And because he's the Strongest, he never sought help for these problems. I’m not going to explain why this is the case here—we’re just accepting this as canon for this analysis. How this trauma manifests and affects his interpersonal relationships is the focus here.

Regardless of trauma, Gojo Satoru is a fascinating character in that he is simultaneously a egotistical arrogant dickhead and a deeply caring individual. He's not one or the other, he is both at the same time at all times. Allow me to explain how he pulls this off.

2 Birds 1 Stone

Gojo Satoru is a 2 birds and 1 stone kind of guy. What I mean by this is that Gojo will do 1 thing and have 2 reasons behind it. The reasons often seem contradictory which leads fans and characters to have a polarized view of Gojo based on how they feel about him. If you hate Gojo, you will only see the bad/selfish reason. If you adore Gojo uncritically, you will only see the good/selfless reason.

This is why without love, it (Gojo's heart) cannot be seen.

I will now provide examples of this 2 birds 1 stone action.

Ijichi Kiyotaka

Ijichi and Gojo’s relationship is the best to start with because it teaches you how to read Gojo’s words vs his actions/results. We all know Gojo is very blunt in an rude way. This is at its extreme when he’s with Ijichi as seen in the following panels.

Gojo straight up tells Ijichi he’s useless as a sorcerer in a way that makes him cry. It’s definitely bullying, but it’s not to torment Ijichi even though it seems that way. Ijichi comes to understand Gojo was just trying to make sure he wouldn’t die. This particular scene took place right after Haibara died, Nanami quit, and Geto defected. The harshness is how Gojo is choosing to say “Hey I care about your life, but don’t get too close to me, I can’t handle that.”

Gojo was even kind enough to offer a productive alternative that let him participate in Jujutsu society without risking his life—driving a car and putting up veils.

Still, Gojo’s bullying of him is a lot. It makes Ijichi doubt that Gojo even likes him. Gojo has to spell it out that he trusts Ijichi the most. Ijichi being weak means he cannot betray Gojo like Geto did, therefore Gojo can fully trust him. Still, Gojo is aware his weakness is other people, so as The Strongest, he can’t let him in all the way. This leads to him showing affection/care in the most insane ways possible. (It’s not really a surprise people don’t understand him when he uses this plausible deniability model.)

ENTER: JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy

As stated in CFYOW, Gojo is aware of Ijichi’s stress and went out of his way to help him deal with it.

Not only does he recognize the stress and notice he hasn't taken time off for it, but he also pinpoints the reason so well that it moves Ijichi to tears. (Summary of Pages 75-77: He feels guilty for failing Yuji twice. Gojo assures him it’s not his fault and flicks him on the forehead.)

But! Gojo can’t be too affectionate. The very next day he piles a good deal of work on Ijichi’s desk he is aware will be stressing him the fudge out. (See Pages 78-79 for full context.)

It should go without saying that treating Ijichi like this is not ok. My point here is to demonstrate that despite being a massive asshole, Gojo does care.

So what did we learn here?

1) Gojo is aware of people’s emotional problems to some extent.

(IDing Ijichi’s stress source accurately.)

2) Gojo is aware he is unable to deal with emotional problems on his own so he enlists outside help.

(Having Shoko and alcohol help cheer Ijichi up while he talks to him.)

3) Gojo’s bluntness and flippant behavior is both rude and serves a purpose for the recipient.

(Gojo bullying Ijichi to keep him out of harm’s way.)

4) Gojo packages his affections with cruelty to keep people at a distance.

(Gojo flicking Ijichi on the head while telling him to take it easy. Taking Ijichi for a night out and then burdening him with extra work the next day.)

5) Other people do not understand Gojo and misread his intent all the time.

(It took Ijichi about 10 years to realize Gojo cares deeply about him.)

Nanami Kento

ENTER: JJK Summer of Ashes, Autumn of Dust, Chapter 2: Resurrection Doll

This chapter is so good at fully fleshing out the Gojo Nanami dynamic that I will not be using manga citations for most of this part. Please read it. Or listen to the official audio drama which has been fan translated.

Gojo spends the first half of this chapter messing with Nanami, forcing him to try unique foods and drinks and generally enjoy himself. You know the typical purposeful Gojo bullying. (See Pages 33-38)

Then it gets rather serious when they arrive at their mission’s destination. They have to deal with a grieving mother. Gojo is blunt. Nanami is comforting. (See Pages 47-50)

What’s interesting about this interaction is how Gojo reflects on it. He acknowledges how bad he is at dealing with attachment issues that come from grief.

Gojo and Nanami find the culprit and the both of them are quite pissed at how he’s exploiting grief to make a profit. They kind of let him be tortured by the curses that eat his body for a bit before killing him. Gojo makes Nanami do it because he can make him die a human death. (See Pages 50-57)

Even after he has expressed hatred of his man for preying on grieving parents, Gojo still ultimately wants this person to have a proper death. This captures the duality of his inhumanity (torture) and humanity (merciful death) quite well.

The following bar scene ties this all together nicely. (See Pages 58-60 for full context.)

I want to note that it is constantly drawing attention to the sentimentality the both of them feel as they converse about how this particular mission messed with them.

As stated in CFYOW, Gojo believes adults treat their stress with alcohol and conversation. And yet, he denies himself the alcohol.

Gojo denying himself this stress relief seems to be a combination of him being too wary to let down Limitless and not believing he needs it. He's the Strongest and he has to be the Strongest at all times, otherwise someone like Toji will get him.

As stated in CFYOW, Gojo recognizes his students will face trauma similar to himself and Nanami and that as adults they must look out for them.

What's so heartbreaking about this interaction is how Nanami is painfully aware Gojo isn't following his own advice of stress relief and says nothing. In a way it almost reads like Gojo, who knows people see him as a giant child, is asking Nanami to help him too in the most roundabout way possible.

As stated in CFYOW, Gojo deliberately paired Yuji with Nanami because he recognizes he is unfit to keep him emotionally stable. (Also note he refuses to have Yuji’s humanity denied as Sukuna’s Vessel. His concerns are explicitly about Yuji as a kid and nothing else.)

Not only is this for Yuji’s benefit, but for Nanami’s as well.

As we know, Nanami and Gojo have one thing common: they lost their best friends because they couldn’t be there for them. This guilt motivates both their actions as adults. Using that connection through shared grief, Gojo is trying to help Nanami heal from that wound with Yuji.

Why Yuji? Nanami’s best friend, Haibara, was a cheerful, friendly boy with a big heart—just like Yuji. He may not be able to replace Haibara, but that familiarity helps Nanami move on. We know this worked because Nanami dies without regrets thanks to Yuji. (All while seeing Haibara too.)

This is called the Nanago Bible for good reason. We have Gojo being an absolute annoying dick to him and then doting on him so targetedly it kind of makes your head spin. Just like Ijichi, Gojo cares but he’s got to bully you first before he shows it. (Totally sane and healthy behavior. /s)

That's why this hurts so much.

This is so cruel. Gojo does all this for Nanami only to be misunderstood by him in the end, and learn that everyone else is the same way.

However, Nanami still cares for him. Like Gojo, Nanami doesn't show affection unless he's being kind of mean. The best example of this is Yuji calling him Nanamin. And to be honest, his whole stern father dynamic with Yuji.

Nanami puts on a show here. He pretends this is pissing him off but he ultimately accepts it.

We've already established that Gojo is unable to fully understand other people. Nanami calling him a pervert/weirdo/self-satisfier was affection and Gojo too misunderstands him. So we're left with that panel of Gojo looking very hurt.

Iori Utahime

Similar to Ijichi, Gojo trusts Utahime because she is weak. And just like Ijichi, Gojo doesn’t say “I trust you won’t betray me like Geto”, he says this:

Not ignoring the misogynistic stint to his bullying of Utahime, Gojo has been doing this for so long that Utahime flat out hates him. It’s in her official character description. And Gojo is unaware of this because he can't read people well. But you want to know what else is? Her love of sports. (Baseball is one she's really into.)

After the disaster that was the first half of the Goodwill Event, Gojo makes the second half enjoyable for the students and Utahime specifically. 2 birds and 1 stone. Baseball means kids get to enjoy their youth and Utahime gets to have fun with something she genuinely enjoys. And Gojo gets to piss off Principal Yaga and Gakuganji as a treat.

Hopefully you can see the pattern now. Gojo cares for people while also being an absolute menace to keep them at a distance for what he believes to be their own good. And still he craves a direct connection with them. All of it is him failing to cope with Toji and Geto in a healthy way and being The Strongest.

Gojo's Heart

Now that we've established how to read Gojo's actions and words, let's take a look at his heart. What kind of person is Gojo Satoru really under all the posturing?

Other People

Though Gojo likes to act like he's above it all, other people are his weakness. This is not limited to other sorcerers, but the non-sorcerers as well. His attachment to people is so strong that it has been used by each major villain as an exploit. Toji used Gojo's fondness towards Riko to catch him by surprise, both Geto and Kenjaku used his sense of duty towards complete strangers to trap him, and Sukuna used Megumi to throw him off guard.

The Hidden Inventory and Shibuya Incident arcs in particular echo each other in set up and outcome—Kenjaku's plan being a finessed version of Toji's. Gojo panics over Riko and strangers potentially dying with the same expression as his weakness is exploited until he comes up with a solution on the spot. And these solutions ultimately fail to stop the villain from obtaining their goals. The difference between them is how Gojo follows up on the collateral damage. Post-Geto fallout, he starts more directly checking in on the people he potentially hurt.

The follow-up with Ijichi about Shibuya is illuminating. It reiterates that unconsciously Gojo created a domain on the fly that wouldn't be lethal to strangers, and it reveals that his cursed energy itself is hellbent on protecting others. What this indicates is that Gojo's soul is devoted to others. If he didn't care, none of this would be possible.

That being said, Nanami also isn't wrong to call Gojo a Jujutsu Pervert. Gojo does very much get off on fighting to the point where he starts disconnecting from other emotions. Just as the Hidden Inventory and Shibuya Incident showcased how much Gojo cares for other people, the same arcs showcased how unhinged Gojo is when left to his own devices.

He's both caring and a freak at the same time. Polarizing behavior included.

Gojo’s Students

Gojo cares a lot about his students, their enjoyment of life, and their futures. He also wants to change Jujutsu society without senseless bloodshed so he goes out of his way to recruit strong children with potential as his allies (Megumi, Yuta, Yuji, Hikari). Some may think he’s only using the youth for his own purposes. Others may think he just wants to help troubled youths. But it’s both. Gojo is doing both of these things. And boy does he feel immense guilt over it when it goes poorly. See how he handles Yuji "dying".

It should be noted that he still tries to maintain his jokey persona with Shoko and Ijichi while he genuinely gets upset. And he does this by bullying the tar out of Ijichi. (It's really no wonder the poor thing thought Gojo hated him.)

As stated in CFYOW, JJK Summer of Ashes, Autumn of Dust, Chapter 4: Ijichi at Work, Gojo’s style of care is one that is focused on helping the children handle the emotions he couldn’t at their age. (See Pages 116-118 for full context.)

Gojo basically finds children who are like himself and tries to make sure they don’t wind up like him. This is how he has chosen to cope with his trauma.

You could read this as manipulative and selfish if you find Gojo unbearable. It did turn out poorly in the end. But remember how he forced Nanami to speak of Yuji as a person and not a vessel. And how Gojo discusses with him the fragile hearts of youth and how he wants to prepare them for grief. Gojo is anticipating Jujutsu society ruining their lives and acting preemptively.

Gojo also postures in front of the students. As their pillar of stability, he pretends everything is ok because he's the adult in charge. Look at how quickly he buries his grief when they notice something is up.

And each time he does this, it works. He definitely believes what he says and that does make him annoying. However, the students feel secure because he's promising to take responsibility. When he fails them, he blames himself and no one else. That's the attitude of someone that cares despite most of his students not seeing through his arrogance.

Geto Suguru

It's not up for debate that Gojo was in love with Geto. Gojo 100% was gay for Geto. What is up for debate is whether or not the two of them ever acted on it when they had the chance. I lean towards the interpretation that this love was never realized in life. (Gege is a huge fan of yaoi that ends in tragedy.)

I want to make it very clear, after reading the contents of JJK 261, I believe Geto is the one who failed Gojo the most. He had a fundamental misunderstanding of his best friend so bad that he abandoned him and was shocked that Gojo still loved him in the end. It took him until the afterlife to see that all Gojo wanted was him.

Gojo checking in on him wasn't enough, Gojo not killing him for 10 years even though he could've wasn't enough, Gojo saying something that caused Geto to blush before he killed him wasn't enough, Gojo dying and immediately greeting him first wasn't enough. This is when he finally understands.

Before not denying the fact Geto saw Gojo as a self-satisfying Jujutsu pervert who cared about no one else.

Geto was too consumed by his own trauma and hang-ups to see Gojo with love. He wound up doing the exact same thing he killed non-sorcerers for; putting all the burden of their relationship on the strongest and expecting him to do all the work.

And yet somehow Geto was able to find the love Gojo also deserved. He made a family and was surrounded by people who openly loved him and even understood him. It makes me a little bitter.

At one point Geto did understand Gojo a lot. Enough to be his moral center and sense his suffering. He even accepted Gojo's awful personality when everyone else wouldn't. Since their breakup, Gojo has been mourning him. Every little thing Geto told him to do while they were together is something Gojo incorporated into his life.

Using the personal pronouns "Boku" and "Watashi" over "Ore" to be more polite? Done. Not killing ordinary people, even if they suck, because that would be pointless? Done. Even to the point where he spares most curse users or rehabilitates them. He takes care of Geto's family even after he's dead. Looking after the weak because he's strong? Done until it kills him.

Gojo is chasing after a Geto that no longer exists. These little rituals keep that ghost alive. And they turn out to be super beneficial to other people so let's make it another 2 birds and 1 stone that hides the fact he's grieving.

Gojo's Guts

In summary, Gojo does care about other people despite treating them in bizarre and unpleasant ways that aren’t ok. He may be using them as a way to work through his own trauma, but he is also determined to see that they live better lives than himself. 2 birds, 1 stone.

His status as The Strongest isolated him so severely that he was doomed to being misunderstood by everyone he loved. Both because of how Gojo treats them and how they treat his power. (Limitless being the metaphorical and literal barrier between himself and others.)

Gojo wants to give love and be loved but is denied it at every turn. His heart is that of a pathetic sopping-wet cat that pretends it's completely dry.

Narrative Cruelty

The narrative ire for Gojo Satoru cannot be overstated. This person sums it up the best.

After JJK 261, it has become abundantly clear to me that Gojo was intending to die the moment he made the date December 24th (the most romantic day in Japan and the death date of Geto Suguru). He has all this grief and guilt and truly believes that no one living will ever understand or care about him in the way he wants. The only one Gojo believes will understand him is Geto and he wants to be with him. (And that didn't pan out well either.)

Gojo is also refusing to burden the students with being a monster even though they're offering. As an adult he is in the right to do his damndest to make sure the minors in his care don't become as broken as him. He knows being a monster sucks and his whole goal is to put an end to that.

Plus, he blames himself entirely for this situation in the first place. He's taking responsibility by killing the elders to ensure that when he dies, his students don't pay for it. In a way he's correct, failing to kill Geto properly because he loved him is why they're here now. Kenjaku exploited that love to seal him and Gojo knows it.

The Gojo vs Sukuna fight was Gojo effectively committing suicide to be with his one and only love who fundamentally misunderstood him in life and barely understands him even in death. And ironically, the one who kills him is the first and only person relate directly to his suffering and acknowledge him as himself. Sukuna frees Gojo from the title of Strongest and leaves him as Gojo Satoru, appreciating him as the one who cleared his skies.

This is so unbearably cruel it makes my stomach twist just thinking about it.

It's why I want Gojo so desperately to come back to life. I want him to experience love and know that he is loved. I want him to come to terms with his grief and work through it. But we don't get that. He dies and is surrounded by people that barely understand him while claiming to have no regrets.

What's the point of this narrative ire?

Japanese society is largely Buddhist. Detachment, a kind of Stoicism, is a tenant of Buddhism. Emotions are to be let go of. Ideally when they arise, you don’t cling to or bury them. A version of this idea from Zen Buddhism manifests in Japanese culture as a mantra known as Suffering in Silence or Gaman. In summary, if you're hurting, you hide it. That's the proper thing to do. It leans much more towards repression of emotions instead of their release/detachment.

JJK deliberately draws inspiration from Buddhist teachings and imagery so I'm assuming Gojo Satoru being the poster child for Suffering in Silence is intentional. Taking everyone's burdens and pretending it's all ok because he's the strongest and that's what you're supposed to do.

He took on most of the burden for protecting Amanai Riko and they both died for it.

He took on the burden of being stronger, going on missions for both Nanami and Geto while they grieved until they both left him.

He took on the burden of raising Megumi and Tsumiki and look at what happened to both of them.

He took on the burden of every student no questions asked, money food, dealing with higher ups, etc and all but 2 of them treat him kindly.

He took on the burden of killing Geto, which Principal Yaga forced onto him when he was 17 and it came back to bite him 11 years later in Shibuya where he took on the burden of dealing with that veil.

This is a cautionary tale demonstrating just how much this kind of mindset can ruin your life. JJK has always been a massive critique of Japanese societal standards. And despite Gojo rebelling against it, the toxic ideas a part of his upbringing are ones he can't let go of for himself. He believes he can't be fixed, so he paves the way for the future generation with all his body and soul.

That's why this is so cruel.

In life Gojo was treated like an object by everyone around him. His clan saw him as a tool for their glory and pushed everything onto him. The higher ups, Yaga, Nanami wanted to push everything onto him and they did when they could. You can say whatever mean thing you want to him because he can clearly handle it. You can assign whatever mission or task because he's reliable as the strongest but not as a person. He gave his life for others and even his body, only to be scorned by those very ones he's helping. (Think back to how he forced Nanami to speak of Yuji as a person and not a vessel. He doesn't want any of his students to be dehumanized like himself.)

Yuta is only person who stopped to ask if Gojo was ok. He's the only one that noticed his status as a monster was eating him alive. He's the only one who had a problem with everyone talking about Gojo's body like a tool. And to help him be less lonely he asked for explicit permission to be the one to desecrate it.

Gojo doesn't want his students to give up their humanity and be lonely or give their lives to win. He's ok with them taking risks if it means they survive (see Megumi). And from what it looks like, Yuta will be the only one to fully understand him (obtaining his memories and all) and then die as the result of it.

So in a cruel twist of irony, Gojo will have one person know him fully as a monster and they will likely die as the result of it, further justifying his self-isolation in the first place. It's a game he always loses no matter how he plays.

Sukuna wasn't really wrong when he called Kashimo greedy for wanting Love and Strength. With how their society is structured, they really can't have both.

Note: I'm leaving Yuji out of this because he had no idea this was the plan and always saw Gojo as his teacher first, aka a person. This is also his general reaction to Gojo going things alone.

There's still more...

I also want to note Shoko's reaction here is another instance of Gojo not understanding those around him. From her first official character profile it's noted that Shoko has finally quit smoking for 5 years because Utahime asked her to.

Now what is Shoko doing in that panel and during the entire fight? Smoking. She's just mirroring Gojo's own behavior towards her. Pretending everything is ok and saying nothing of her true feelings. After getting blown off emotionally by both Geto and Gojo as a teenager, Shoko gave up on reaching them.

Gojo did this to her for over a decade and she's doing it back to him. Not because they want to me mean to each other, they just don't know how else to deal with their own trauma. To an extent the other students are doing the same. They're just being like their Sensei.

Gojo went out on a suicide mission believing only Yuta and Yuji cared about him in life as a person. (Megumi's getting his own post and believe me it's not fun.) The 2 most empathetic characters were able to let him know they saw his heart. With love it was seen. Other people cared and didn't show it or they flat out treated him like an object. Gojo is both at fault and not at fault for this.

It hurts me a lot and it's very cruel, but I think this has severed its purpose. If you don't tell people how you feel, they'll never know. Emotions will eat you from the inside out and no one will notice because on the surface you look ok. There aren't a lot of people like Yuta who will take the time to look for your heart, so it's better to outright show it. Don't put off grief, it will consume you.

Gege Akutami...when I get you...

Another prominent theme of Umineko is how poorly readers treat the creators of the story they are experiencing. Often times fans will say and wish horrible things on the author when the story they like doesn't go the way they want it to. You're free to feel upset by how this story's direction and critique it to your hearts content, but please remember Gege is a person too. Don't do to Gege what everyone else has done to Gojo.

Remember: "Without love, it cannot be seen."

However JJK ultimately concludes, I make you this promise.

"This game story will not have a happy ending."

[galedekarios]

I think the reason some Galemancers think the astral scene is the “lesser choice” is because you get 5 extra approval points if you choose the bed scene. Both are good! But that’s what I would think. Also, I believe the astral scene pushes him towards the crown more vs the bed.

thank you for your message, anon, and for trying to explain!

however, i think there's some confusion and (unintentionally, i'm sure) false information here that i'd like very, very much to clear up:

a) approval points

both choices have the exact same approval points attached to them: five in both cases.

astral sea scene:

Player: I'll remind you we're newly acquainted, not newlyweds. Gale: Then we'll start writing the prequel. Gale: What do you say? Player: I think that sounds delightful - but I don't see a bed. ['Gale 5']

old ways scene:

Player: I don't need illusions. I want the Gale standing right in front of me. Gale: Are you sure...? I could conjure up any sight that you could dream of, and a few you could not. I could use the Weave to make us feel sensations beyond reckoning. I could do more than woo you. I could wow you. Player: You don't need to impress me, Gale. I'm no goddess., FEMALE ['Gale 5'] Player: You don't need to impress me, Gale. I'm no god., MALE ['Gale 5'] Player: You don't need to impress me, Gale. I'm no deity. ['Gale 5']

you can net five approval points in the last night alive scene in other ways too:

telling gale you love him:

Player: I'm in love with you too. ['Gale 5']

2. leaning in for a kiss:

Player: Lean in for a kiss. ['Gale 5']

3. gale also doesn't mind if you change your mind during the astral sea scene and want to return to the 'real' world:

Player: It's beautiful, but it's you I want to be with. The man, not the illusion. ['Gale 5'] - Player: I want to be with the real Gale - the man, not the fantasy. ['Gale 5']

these are NOT extra points. you will ONLY get these if you didn't choose the "Player: I think that sounds delightful - but I don't see a bed. ['Gale 5']" option in the same dialogue tree i listed above to follow through to the astral sea scene, but instead return to the "old ways" scene (gale snaps his fingers and the illusion of waterdeep disappears).

4. the friendship version of the scene also allows the player to not five approval points if the player chooses to stay with gale under the stars:

Gale: Yes... but there is so much to live for, and so few moments in which to house it all.Approval_AtLeast_30_For_Sp6 Gale: Damn you. Damn you for giving me so much to care about. Our friends, our adventures... this would have been so much easier if it was just me. But it isn't. Gale: If there is a way - any way - to save all that's grown dear to me, I want to seize it. I just cannot fathom what that might be, other than to fail Mystra and condemn the world. Gale: Stay with me, will you? I don't want to think of it any more, but I don't want to be alone either. Player: Stay with him and watch the stars in silence. ['Gale 5']

the second part i want to address because that is (again, i'm sure it's completely unintentional so no worries, anon, and/or a misconception/misunderstanding) false information:

b) choosing the astral sea scene pushes gale towards the crown

that is completely factually wrong and i felt it was important to clear that up. there is not a singular flag in the entirety of the scene's files that determines pushing gale away or towards godhood, away or towards the crown.

not one.

which makes sense because at that point in time, neither gale nor the protag even know about the crown. it's only at the end of act 2 that you find out about it, and it triggers gale's act 3 choice to pursue the crown (and godhood) or not to.

the only flags set in gale's act 2 romance scene is if you push him towards sacrificing himself or making him understand that he doesn't have to do that and that you'll find another way with him.

i've detailed that in a meta post about those flags.

if you would like to check the file for youself, you need to open "CAMP_GalesLastNightAlive_SD_ROM", which contains gale's act 2 romance scene.

the only other flags that appear in this scene are the following:

ORI_State_Partnered = False / True

ORI_State_DatingGale

CAMP_GalesLastNightAlive_SD_ROM_Event_CollateralDamage = False / True

ORI_Gale_Event_PushTowardsDeath

ORI_Gale_Event_PushAwayFromDeath

as well as the flags for approval (to determine which scene variation you get -> low approval, friendship, romance) and for karlach, as she has special dialogue in this romance scene with gale, depending on whatever or not she got the second upgrade that allows her to be able to touch.

again, my goal here is just to clear up misinformation about the scene. none of the two versions have a disparity in approval or have a 'negative' consequence attached to them in terms of flags.

what i, personally, find interesting and what i would like to add at the end of this post are the devnotes. we don't have that many in this scene, however, gale makes it clear that if you pick the 'old ways' scene - which is, in and of itself, a perfectly valid choice to make btw depending on how you rp your character, and i have two characters myself who have different ways of doing this scene - the devnote makes it very clear that gale is bowing to the player's preference.

it's not his wish. it's the player's wish.

and it's a wish that he respects to the utmost:

Player: It's beautiful, but its you I want to be with. The man, not the illusion. Gale: The old ways then. If that is what you wish, so be it. devnote: Tactful, bowing to the player's desires Gale: A small gesture towards your comfort.

all in all, i think personal preference is something else entirely, but i do think - looking at everything i've laid out here - it's very sad to see one scene painted as the 'lesser' for reasons that are factually wrong.

if ppl are interested to read a post taking on a more favourable reading of the astral sea version of gale's act 2 romance scene and want to understand why some people might prefer it, i'd greatly recommend this meta by @clericofgale. i've also talked about my own feelings (this is my personal opinion) in the tags of this post:

#i've spoken about this already but the amount of times i had to read derisive takes on the astral sea scene #because people think that making gale understand that he is more than his magic #is the same as separating him entirely from it #it does him a great disservice when it's such a great part of his life #you are romancing a wizard and a wizard comes with magic #i think it's also important to note that gale believes this is his quite possibly last night #the scene is literally titled that in the files: 'last night alive' #it's not a show it's love and acceptance and vulnerability #he is trying to share what he can and as much as he can with the person he loves in what little time may be left to him #he shows you his home and bares his soul to you in hopes you'll accept him in his entirety for who he is and the things he holds dear #when you deny him he acquiesces but he is doing so on your wishes and your comfort alone - not for his

again, thank you for your message, anon! 🖤