#LMFAO NOT TO BE VULNERABLE

[broodpuff]

[skunkes]

igts finally getting chilly so its his time to shine

[galpalaven]

“Lucanis and Neve’s romance lacks emotional depth”

No girl you got it backwards — his romance with Rook (and tbh all the romances with Rook) is the one lacking emotional depth lmao

[deservedgrace]

cult jokes are a symptom of and contribute to the simultaneous sensationalizing of cults (cults are all dark cloaks and animal sacrifices and devil worship and group suicide and despicable/unhinged beliefs) and diminishing of cults ("uwu come join my CULT XD we're gonna make cookies and WORSHIP SATAN teehee"), but i'm realizing how they go so hand-in-hand with the mindset of "only ~stupid/evil/crazy/etc.~ people could possibly join a cult. if it were me i would simply not fall for cult propaganda."

the diminishing part means that people don't take you seriously if you say you're an ex cult member or talk about your experiences in a cult or believe you are a current victim of a cult, because cults are just silly little groups that have weird beliefs but are otherwise innocuous. the sensationalizing part means people will also not take you seriously because if it was Actually a cult cult, that does harm and has evil beliefs, you should've known better because any reasonable person would have seen through it. the other side of "only an [xyz] person joins a cult" is "i am not an [xyz] person so i will never join a cult or be victim to propaganda and other cult tactics." the other side of "if it were me i would simply not fall for propaganda" is "someone falling for propaganda is fully a choice and a personal failing on their part." and combined they make: if you were [xyz] enough to join a cult and fall for propaganda, that means you deserved it.

people who would never make jokes about any other kind of abuse but feel perfectly fine making cult jokes used to kind of baffle me, because why is joking about personal abuse a problem but large-scale/group abuse is fine? why is it suddenly funny when you're the one that wants to perpetuate the abuse? but if your belief around cults is: "your experience wasn't that bad [diminishing], and if it was that bad [sensationalizing] it was your own fault and personal failing [i would simply not fall for propaganda], which means you deserved what you went through [only stupid/evil/crazy/etc people join cults]" and you don't understand how cults or cult tactics work, cult survivors/victims probably feel like a fair target for jokes (they are not, to be clear).

[electric-friend]

I swear that for a moment after Ed asked for more oomph from the declaration and Stede gave him that, Ed's brain went funny in a gay way.

[essektheylyss]

I gotta be honest, I'm really dubious on the ultimate effectiveness of this exercise, but Soap Opera Nana Morri and I are definitely having a GREAT time passing the popcorn watching it

[justaregularken]

Doctor taking advantage of your lack of medical knowledge to push your body and abuse it as they please 🤧🤧

[lostuntothisworld]

So Tomoe is obviously going to be the new Evil Queen of Paris and supplying all of the technology and locking away her princess dragon daughter away, but what's that second symbol next to the Tsurugi industries?

I'm betting it's the symbol of whatever warlord company Colt Fathom ran.

My mind is reeling with the possibilities of this political alliance.

[what-even-is-sleep]

thinking about Bodkin again bc I mean,,, ALL THE SYMBOLISM OHHHHHGH. i NEED some tumblr film analysis hobbyists to watch this show and tell me all the themes n such

[mcytegg]

anyone else ever think abt how each individual lifestealer struggles in some shape or form w the concept of vulnerability and feel like eating a lush bathbomb . or is it just me 🥹

[idiotsonlyevent]

i'm not saying 'chilchuck did nothing wrong,' but i'm becoming increasingly bothered by the framing that the marriage failed because it was 'only his fault,' when his wife did just up and leave, seemingly without saying anything to him or having a conversation about it?

and i know we don't see anything from Her perspective, so maybe she did try, but the fact that he had no idea anything was wrong, despite being fairly present with her and their daughters is i think pretty indicative that she was probably stewing with her frustrations in silence for a long time... like, i'm not pinning the blame on her, but leaving your spouse without saying anything is also not great? especially if it's some sort of 'test'?

like, i think they both Kind Of Messed Up and now there's a stalemate where they're upset, and chilchuck is afraid to make the next move because he doesn't want to upset her further, but the longer he waits, the more frustrated she gets... and so it continues

also, dunmeshi spends SO much time focusing on how we often unintentionally hurt our loved ones, but how there's almost always ways to move past it and grow, so it feels very strange to me when people insist that there's no reason for them to get back together. like if you don't want them to, that's fine! but insisting that there's no way to repair their relationship, or that it's only one person's fault, or that it's unhealthy or whatever... idk, but it doesn't sit right w me.

[icarusbetide]

you know what, 8 yr old me being absolutely obsessed with the sickening relationship between faramir and denethor, then going crazy over sherlock & mycroft, only to end up here, luxuriating in the cringe of all cringe - thinking all day long about the complexities of washington's relationships with lafayette vs hamilton vs laurens - makes a lot of sense. one hint of paternal-ish angst and i salivate like a dog i guess.

[habibisagi]

u know ….. fem oliver is a lot like maki tbh …. she would really love those ejaculating strap a little too much too ,, a little too eager to use them on u

[blood-choke]

hiiii… i wanted to ask more about this particular val scene where mc and her talk about that portrait and mc is a bit stuck on the word husband and wants val to know theyre not a man. can i ask what inspired that type of convo? i wanted to know if it’s something you’ll touch up on again? is this underlying feelings mc had before their entombment… worried that val sees them as a man just because mc is masc? cause i know that’s kind of broader discussion in the lesbian community iirc….. was that why you wanted to incorporate it? this ask has so many questions LOL but basically i wanted to say i was intrigued and it did made me think more on those type of dynamics (thinking back to those resources you rb’d a while ago that go more into depth about diff things in the lesbian community)

oh boy get ready for another long-winded answer from me!

a lot of the feelings mc has about their gender are inspired by Leslie Feinberg's work (mainly Stone Butch Blues)

Feinberg was someone who lived & passed as a man for years of hir life, and wrote a lot about the complexities of hir gender and what it was like being a "gender outlaw."

there was actually a scene in particular from sbb that kinda put the kernel of an idea in my mind that led to this narrative of the mc feeling overshadowed by Standard and anxious about being perceived as a man. it's towards the end of the book when Jess (sbb's protagonist) meets Ruth (a trans woman that Jess falls in love with)

Jess offers to help Ruth carry groceries up to her apartment, and Ruth takes this the wrong way & is offended, partly because she thinks Jess is a man.

One Saturday afternoon I found her clutching two huge bags of groceries and fumbling with the downstairs front-door lock. I pulled out my key.

“Here, let me.” She didn’t say thank you. She hurried ahead of me on the stairs.

“Can I help you carry those?” I offered.

“Do I look weak to you?” she asked.

I stopped on the stairs. “No. Where I come from it’s just a sign of respect, that’s all.”

She continued up the stairs. “Well, where I come from,” she called out, “men don’t reward women for pretending to be helpless.” Once I heard her apartment door close I kicked the stair in anger and frustration.

later, after they get to know each other better, they have this interaction:

I laughed and picked at my salad. “Do you know if I’m a man or a woman?”

“No,” Ruth said. “That’s why I know so much about you.”

I sighed. “Did you think I was a man when you first met me?" She nodded. "Yes. At first I thought you were a straight man. Then I thought you were gay. It’s been a shock for me to realize that even I make assumptions about sex and gender that aren’t true. I thought I was liberated from all of that.”

I smiled. “I didn’t want you to think I was a man. I wanted you to see how much more complicated I am. I wanted you to like what you saw.”

i think the inspiration here is quite obvious, hahaha. i figure anyone that's read sbb can sense the similar through-line here in my work. though the conversation between mc and Valentina has a much different tone.

there's another scene later as well after something happens to Jess and she has to have her jaw wired shut. she's working at a new job and is unable to speak, and she's also passing as a man at this job. she overhears some of her female coworkers talking about her and they refer to her as a "creep" and speculate that she's always watching one of them. Jess overhears all of this and then walks out of the job, goes home and pulls the wires out of her mouth herself:

After I was sure I’d gotten the last piece of wire out of my gums, I rinsed my mouth with whiskey and then drank the rest of it so I could sleep without remembering how Marija’s words had stripped me of my humanity.

butches & gnc women still face this kind of dehumanization; compared or likened to men in a derogatory way, accused of being "heteropatriarchal," the predatory stereotype of the fat ugly lesbian, and on the other side they're also hypersexualized, especially online and in queer spaces. butchphobia is a specific kind of misogyny that hits from all sides, even from the people that are supposed to be a part of your community. and this attitude especially effects trans women and women of color, who are already experiencing all of these things due to transmisogyny and racism.

i also really wanted to use this to touch on the kind of gender essentialism that we see in a lot of these cis feminist discussions - to these women at this job, Jess had committed no real crime other than being quiet and being the “wrong” kind of man. something about this scene has always stuck with me and really bothered me, but it's hard to put into words; on one hand i can admit i have probably been one of those women who made some kind of similar remark about a man i barely knew, but i've also been someone on the receiving end, too, because of the way i look. the mc in blood choke is put into this box, but they can't fit in, as someone who has been on both sides and doesn't really understand where they belong because of it; how can she stand beside Valentina or Hana or Clear when they might see her as a perpetrator, someone who can't be trusted? how does this mindset harm both the women and the men of the council and everyone in between? how can we break this cycle?

one of the films i mentioned recently when talking about the character designs was The Same Difference, which is specifically about the Black lesbian community and the discrimination within that community based upon gender roles (though this is not something limited to just the Black lesbian community)

a lot of the women in that doc talk about the boxes they're put in as AG or stud lesbians - they can't have their hair long, they can't wear makeup, they can't do this or that, they have to be aggressive and hard or else they're not real studs. they discuss stud on stud (or butch4butch) and how other lesbians look down on those types of lesbians, as well as the disdain for bisexual women for "betraying" the community. it explores the way misogyny and the patriarchy still oppress these women and forces them into this restrictive gender role despite their refusal to adhere to the other role originally assigned to them, and the way racism specifically intersects and exacerbates it for Black lesbians. there's a stud that's an exotic dancer and wears a weave, and a lot of other studs have a problem with this because a weave is "a female thing." another section follows a pregnant stud, and how the community shuns her for that, because she "dresses like a man and acts like a man" so why is she getting pregnant when she should be "the man"?

mc doesn't remember how they felt before entombment, but waking up they feel this need to prove themselves - both in that they are hard and aggressive like a butch should be, but also in that they want to be this person for Valentina or Clear or Hana (or all of them) that is safe and comforting. but they aren't sure how to do that when the world perceives them as this one specific thing - as a husband, as Standard, as a man, specifically this man who hurt Valentina.

of course we've already seen this to not be true of the companions with the last chapter as the mc learns more and spends more time with everyone. but this is kind of the foundation of where this whole idea came from. it started with my novel & i chose vampires for that story & this one because there is a long history of lesbian vampirism (and also because it's sexy) but there's this "curse" that both Hana & Valerie talk about in their respective stories, the first one being the racism she's had to face, the transphobia, along with this alienation and perception of lesbians as predatory and conniving and aggressive, as vampires, which i just think really lends itself to expanding upon these issues lesbians & trans women face both in general and within the community.

anyways if you want to read more i suggest Stone Butch Blues, which you can get for free on Leslie Feinberg's website, as well as S/he, by Minnie Bruce Pratt, available on the internet archive, Gender Failure by Ivan E. Coyote & Rae Spoon also on the internet archive, and you can rent The Same Difference for $10 on vimeo.

[ashmp3]

I talked about this but i think me not making a move on someone is like a pendulum swinging between me genuinely not wanting a relationship because i am so comfortable with always being alone and between being deeply insecure and afraid of rejection. but i’m chilling

[ceabu]

Your gamkar looks pretty red and not pale (no hate, I just don't get why would you call red rom "pale")

...dude