Illustration of Anne Shirley from "Anne of Green Gables" anime drawn by Yoshiharu Sato. These pictures were made to promote the "Anne of Green Gables" anime orchestra concert which happened last year.
Yoshifumi Kondō initial design for Anne in Akage no An (赤毛のアン) you can tell he wanted to go for a more shôjo style, but the director wanted a more scrawny and less manga-like look for her.
LES MIS LETTERS IN ADAPTATION - Distractions, LM 2.6.5 (Shoujo Cosette)
It was a flute which was played in the neighborhood. This flute always played the same air, an air which is very far away nowadays,—“My Zétulbé, come reign o’er my soul,”—and it was heard two or three times a day. The young girls passed hours in listening to it, the vocal mothers were upset by it, brains were busy, punishments descended in showers. This lasted for several months. The girls were all more or less in love with the unknown musician. Each one dreamed that she was Zétulbé. The sound of the flute proceeded from the direction of the Rue Droit-Mur; and they would have given anything, compromised everything, attempted anything for the sake of seeing, of catching a glance, if only for a second, of the “young man” who played that flute so deliciously, and who, no doubt, played on all these souls at the same time. There were some who made their escape by a back door, and ascended to the third story on the Rue Droit-Mur side, in order to attempt to catch a glimpse through the gaps. Impossible! One even went so far as to thrust her arm through the grating, and to wave her white handkerchief. Two were still bolder. They found means to climb on a roof, and risked their lives there, and succeeded at last in seeing “the young man.” He was an old émigré gentleman, blind and penniless, who was playing his flute in his attic, in order to pass the time.
"Courfeyrac, to whom he confided nothing,—it was his nature,—but who made some little guess at everything,—that was his nature,—had begun by congratulating him on being in love, though he was amazed at it; then, seeing Marius fall into this melancholy state, he ended by saying to him: “I see that you have been simply an animal. Here, come to the Chaumière.”"
Unfortunately for Marius, I'm enjoying this chapter because the friendship between him and Courfeyrac here is so sweet (and seeing Courfeyrac's social intuition on display is impressive!).
It's interesting that Marius is compared to both a dog ("lost dog") and a wolf ("wolf in the trap") in this chapter. Dogs have been linked to authority, most notably through Javert. It's an implicit reminder that Marius' own perceived connection to authority - the suspicion that he was a police spy - contributed to his own ruin here, making even the porter distrust him. Of course, it also holds its more common metaphorical meaning: he's loyal to this girl and doesn't know what to do without her.
Wolves, on the other hand, have been tied to criminality (again with Javert, who is the son of a wolf: a criminal). Hugo's sympathetic to Marius, but such a comparison does suggest that he went too far in his behaviors (even if that excess is embraced because of the heightened emotions of Romanticism).
It's an intriguing comparison in relation to loneliness as well. Marius isolates himself after "losing" Mlle Lanoire, just as a wolf would be separated from its group if trapped. Wolves are considered social animals, so the stress of that separation would worsen the pain. Marius is certainly stressed by his separation from this girl, but his pain is likely made worse because he doesn't share it; Courfeyrac has guessed it, but he doesn't feel comfortable actually discussing it with his friends even if they suspect his predicament. The issue of community, then, returns again. Technically, Marius is connected this time. His friends do try to distract him from his sadness (he has friends to do this!). Still, the literal presence of people doesn't negate that Marius continues to struggle with connecting to others, and it's both what got him in this situation in the first place (creepy stalking instead of clear conversation) and what keeps him from bettering his circumstances (he can't will Mlle Lanoire back, but maybe he'd feel a bit better if he could talk about her).