#Kate Mothes
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COLOSSAL
“Unearthing Buried Gods.” Michael McGrath
Michael McGrath Summons Symbolism and a Folk Art Style in Expressive Paintings
November 6, 2024
Art
Kate Mothes
From fanged cats and all-seeing ravens to anthropomorphized botanicals and disembodied faces, Michael McGrath’s uncanny works nod to the symbol-rich, flat compositions of folk art or “naïve” painting. His mixed-media works combine materials like graphite, oil paint and oil stick, ink, and acrylic on a variety of surfaces, including wood, canvas, and burlap.
Inspired by the expansive scenes of contemporary artists Peter Doig and Mamma Andersson, and self-taught artists Henry Darger (1892-1973) and William Hawkins (1895-1990), McGrath harnessed a narrative approach in his own practice. “I decided to experiment with figures and storytelling in my painting,” he tells Colossal. He also counts Jim Henson among his influences.
“Threats and competition for tiny vampires” (2023), graphite, colored pencil, and India ink on wood panel, 14 x 11 inches
Populated with an array of characters, from trees with alarmed expressions to tiny, fairy-like black critters with bulbous wings and long legs, McGrath delves into mysterious, emotional tales with plots as enigmatic as they are supernatural.
The artist’s interest in painting evolved from an early fascination with design, especially album covers and advertising in magazines like Spin and Thrasher. “I never had the patience to develop classical skills, so I focused on dimensional and collage work for a while, until I eventually decided to invest more time in painting,” he says.
McGrath’s work will be part of an online group show with MePaintsMe, Slight of Hand, which opens on November 12. In February, he will also have pieces on view in a group show at Court Tree Collective in Brooklyn.
“Monster control, future systems No. 3,” (2024), acrylic, oil stick, and oil on canvas, 78 x 120 inches
“Night float, threat window” (2024), oil and oil stick on canvas, 60 x 48 inches
“Hunting songs” (2024), oil, oil stick, and grease pencil on linen, 30 x 24 inches
“Muppet moon nightmare choir” (2024), acrylic, acrylic yarn, embroidery thread, painted canvas, and burlap on burlap, 40 x 30 inches
“Moon float” (2024), acrylic, watercolor crayon, enamel, and oil pastel on canvas, 60 x 48 inches
“Stories to frighten your children with and dangerous literature” (2023), oil, oil pastel, and acrylic on linen, 30 x 40
“Cat song, moon riot, No. 2” (2024), oil on canvas, 48 x 36 inches
#colossal#Michael McGrath#Summons Symbolism and a Folk Art Style#in Expressive Paintings#November 6 2024#Art#kate mothes#anthropomorphized botanicals and disembodied faces#compositions of folk art or “naïve” painting#His mixed-media works combine materials like graphite oil paint and oil stick#ink#and acrylic on a variety of surfaces#including wood canvas and burlap#Inspired by the expansive scenes#contemporary artists Peter Doig and Mamma Andersson#and self-taught artists Henry Darger (1892-1973)#and William Hawkins (1895-1990)#McGrath harnessed a narrative approach in his own practice#artist painter#original art#art work#art style#art colors#ilustration painter#ooctoopussy#xpuigc#xpuigc bloc
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COLOSSAL
History Photography
In a Tribute to Ever-Changing Rural America, Brendon Burton Collects a Decade of Photographs in ‘Epitaph’
AUGUST 6, 2024. KATE MOTHES
Brendon Burton
From the wheat fields of the northern Great Plains to misty days in the temperate rainforests of the Pacific Northwest, Brendon Burton (previously) captures a side of America many of us rarely have the opportunity to explore in depth. Despite the vast square mileage of the nation’s rural areas, hundreds of counties see declining numbers of residents each year.
Throughout North America, relics of past inhabitants dot fields and foothills, glimpsing complex lives. Dilapidated farmhouses, churches, and grain elevators stand amid the stark, magnificent landscape in areas that seem to exist in a different world and operate on their own time. While people are typically absent from Burton’s images, the human impact on the land is everywhere. He approaches these places with a keen and admiring curiosity, reveling in layered, fraught, and sometimes unknowable histories.
This year, Burton has collected a decade’s worth of photographs into a new book titled Epitaph, which seeks to “unravel the knot of mystery” he says in a statement, “…shedding light on unseen histories and buried past lives.” The book is scheduled for release in early October and is available for pre-order now on his website.
#BRENDON BURTON #LANDSCAPES
COLOSSAL
#brendon burton#LANDSCAPES#artists photographie#original photographer#art#original art#photographer#History Photography#Tribute to Ever-Changing Rural America#Collects a Decade of Photographs in ‘Epitaph’#artist photograpy#kate mothes#COLOSSAL#fotos art#xpuigc
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Jeffrey Gibson’s Ecstatically Colorful Sculptures Fuse Modernist Aesthetics and Indigenous Traditions “The land is always speaking and has memory,” Jeffrey Gibson says, as he describes his work in an audio guide for his solo exhibition The Body Electric at SITE Santa Fe last year. “I am frustrated to see how many people continue to abuse the land, take from it, never thank the land, or care for it. Or allow it to rest. So I ask the question: Are you listening? More Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Jeffrey Gibson’s Ecstatically Colorful Sculptures Fuse Modernist Aesthetics and Indigenous Traditions appeared first on Colossal. https://www.thisiscolossal.com/2023/03/jeffrey-gibson-sculpture/
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— Queen of the Night —
#google said bats and moths are attracted to that flower#but i ignored that and drew butterflies anyway heehee#ikevil kate#ikemen mc#ikevil#ikemen villains
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I drawded them again, ma.
#Hellboy#moth man#best friends#I can’t stop#and I won’t stop#fan art#comic art#kate komics#cryptid#hellboy comics
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#with all the kate middleton conspiracies and detective work with photo analysis and media etc.#it just reminds me deeper how so much that occurred during 1D and especially with BG#could’ve only happened in the timeframe it happened in#when twitter and social media as a whole wasn’t as engaging and analytical as it is now#like there’s now such a need to uncover all the lies and curtains that hollywood and the industry pulls over on the GP#and with such a trend of exposing things and people in the industry#it would be like moth to a flame#so much shit could only be pulled off because of the vacuum of the time it was set in#imagine so many things that occurred during that era and the consistent weirdness of BG (especially with photos and videos)#it would’ve been torn to pieces by twitter internet sleuths in 2.5 seconds which would bring so much of the twitter GP obsessed with pop#culture to start threads and jump down rabbit holes etc.#it’s just always fascinating to see#especially when the buzzfeed article that occurred during BG that tried and failed to highlight all the inconsistencies#was like. the peak of coverage about it#on the other hand i’m sorta glad it did happen the way it did because imagine how much would be said about louis over that entire thing#and people would be ruthless#idk just some rambles
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I was thinking about Kate and Milligan (as usual) but specifically about what Kate calls Milligan. Because he's Milligan to her, but that doesn't make him any less her dad, but she doesn't call him Dad, yknow?
How did it go? Was it an unspoken agreement where they just knew and understood the other despite just having met as father and daughter for the first time? Did she just bounce up to him and go "I'm not calling you Dad. You're Milligan and you're going to stay Milligan." and did he reply "Alright, Katie-Cat" without even a twinge of hurt because it's just so right? He just found his daughter, how could he ever be sad about anything ever again?
Or- maybe it wasn't that easy? Maybe she bounced up to him, and everything felt right, but he couldn't help but wonder... and so he went to the one place he always knew he could go when he felt lost. When he presented his troubles to Mr. Benedict - "No, it's going great, but I can't help wondering ... she doesn't want to call me Dad. Which is fine, of course, but ... maybe she doesn't see me in that way?" - when he presented his troubles to Mr. Benedict, how long did he laugh and slump unconscious for, before waking up and apologizing profusely, before helping Milligan sort it all out. (Which really meant sort himself out. Kate had it all figured out, apparently.)
Or- did she try at first? Did she try to press at a puzzle piece that just wouldn't fit? Her dad left. He left a long time ago and she's lived with that her whole life. But - her Milligan is here now. Could he ever understand?
Or- maybe it just slipped out one day, years down the line? When she was teasing him - "Extra coat, Kate, it's brisk out!" / "Da-ad, I'm nearly sixteen, you know, you don't need to-" - did they both freeze? Did she not realize what she'd done until she was halfway down the sidewalk? Did she catch him wiping at his eyes and blowing his nose? Did she tuck that away in her back pocket for later?
Just. It's all good, ya know?
#by 'tuck away in her back pocket' I mean 'deploy at strategic moments to bring on the Milligan Wetherall Waterworks'#always feeling emotions about the usage of 'Dad' in the aftermath of the Street Fair Melee#also in response to 'you realize you're threatening my daughter?'#I think that might be the first time Milligan calls her his daughter explicitly like that out loud#and she gives him 'Dad' in return#was that the first time?#Trenton. Trenton I am banging on your door in the middle of the night. knock knock knock. open up Trenton I need answers#anyways this has been another 'I am never not insane about them' post hello Moth let's descend into madness together <3#the mysterious benedict society#tmbs#kate wetherall#milligan wetherall
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Shades of green stained glass moth from Just Kate Glassworks
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Joker: The Man Who Stopped Laughing #8 (2023)
written by Matthew Rosenberg art by Carmine Di Giandomenico & Romulo Fajardo, jr.
#manhunter#joker#killer moth#drury walker#DC#kate spencer#wednesday spoilers#spoilers#comic spoilers
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still obsessed abt getting mark of the outsider tattoo somewhere in the future... i got Ellie's tlou2 tattoo and planning to cover the rest of my right arm all the way up to the shoulder.
#personal#the story of me getting ellie tattoo is so tragicomic#full scale war started and my grandpa passed away couple of months later#i was fucking angry all the time#I was playing tlou2 and felt a deep connection to ellie#the decision to get a tattoo was just... spontaneous#at that time the city was already without running water#daily shellings for months#early curfew#and i was falling into yolo mindset#and i got specifically this tattoo to always remember#who brought me this pain#about the SHIT i went through#about death#they say moth is a symbol of death and transformation#its death of Kate pre-2022
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#music#analog#cassette#cassette tapes#cassettes#gia margaret#rezzett#nicolas jaar#kate nv#beach house#jefre cantu ledesma#vhvl#michele mercure#eli keszler#moth face#steve hauschildt#piper#aphex twin#pan records#jessy lanza
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cleo and gem to me...
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So I'm watching The Moth Effect with Kate Box. Most of TME I can take or leave but there's this one sketch in S1E3. "St Machiavelli's Political Breeding Stable"
I don't want to give anything away but...I really did not expect her to commit to the bit as hard as she did
Kate Box you perv, you delightful fucking weirdo <3
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Azuma Makoto’s Temporary Sculptures Freeze Hundreds of Flowers on a Snow-Coated Lake On a frozen lake in the Notsuke Peninsula, a tendril of land that juts out from Hokkaido’s east coast, acclaimed floral artist Azuma Makoto (previously) has constructed the third botanical sculpture in an ongoing series called Frozen Flowers. The first edition was composed in this same location in 2019 and again in 2021, and every year, the conditions have been a little bit different. The artist is interested in how variables like temperature, wind, or snowfall can alter the surrounding environment and make every version unique. More Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Azuma Makoto’s Temporary Sculptures Freeze Hundreds of Flowers on a Snow-Coated Lake appeared first on Colossal. https://www.thisiscolossal.com/2023/02/azuma-makoto-temporary-frozen-sculptures/
#Art#Design#Azuma Makoto#climate crisis#flowers#installation#nature#sculpture#winter#Kate Mothes#Colossal
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Kate Wetherall for the headcanons ask game?
Headcanon A: She loves the color red so much and when she has to dress fancy as an adult she always themes her outfits around the same fire engine shade :)
Headcanon B: She is double-jointed and uses this to her advantage all the time, whether that's showing off, creeping people out, or getting into/out of tricky spots.
Headcanon C: She used to have really bad nightmares at the circus and while she did get comforted, all it really taught her tiny independent self is to be quieter while crying :(
Headcanon D: MOOCHO BRAZOS IS HER DAD TOO AND HE LOVES HER JUST AS MUCH AS MILLIGAN AND I'LL FIGHT PEOPLE OVER THIS /lh
#Wheeeeeeeeee#Thank you for the Ask Moth#I know the last one is basically canon anyway#But I needed to include it#Asks#kate wetherall
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Hey so… new stickers coming out tomorrow…
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