#Kataang literally could never

[ecoterrorist-katara]

Do you ever think about how Aang gets his first kiss with his forever girl at twelve? TWELVE! Twelve is the first Percy Jackson book! Twelve is first or second year at Hogwarts! Rue and Prim, the babies of The Hunger Games, are thirteen! Twelve is so young. Twelve should be firmly in the “friends” stage of friends-to-lovers and I will die on this hill!!!

[tae-shimura-is-my-wife]

Me: omg they love calling ships they don't like brother and sister, it's like they don't know the word friedship, what's next? They goona start calling them mother and son? Hahahaha!

Me after becaming a kataang fan:

[dukeofdelirium]

Aang/Kataang haters be like “Katara deserved so much better than a SHORT BALD CHILDDDDD REEEEE” yall are so miserable I swear. touch grass. Katara and Aang were both kids and were peers. Katara also never gave a damn that Aang shaved his head lmao it’s literally part of his culture. please show me when and where she ever made a comment about disliking how he looked? cuz it never happened. Katara loved Aang and wanted to have a relationship with him. She wanted to marry one day and have children and that’s exactly what they did! Get over it already

I will legit never understand the hatred for this pairing it actually makes no sense lol. They’re so sweet and wholesome. They’re like the most innocent ship you could possibly ship. They’re childhood best friends who end up in a lifelong relationship and they both love each other so much. Literally what is there to hate?

I swear the antis hate this ship based PURELY on how Aang looks. They don’t find Aang conventionally attractive or as fitting what they THINK a male love interest should look like so they hate his character and this pairing. He’s not masculine enough, he’s not attractive enough, he’s too short, he’s too feminine, he doesn’t have emo hair etc.

look how fucking cute they are 😭😭😭 they’ve never ever deserved the hate and you know what?! I LIKE THE FACT AANG IS SHORTER! IT’S FUCKING CUTE!!!! IT MAKES IT CUTER! SUE ME 🗣️🗣️🗣️

[beifong-brainrot]

Aang is great because almost every ship you can put him in instantly becomes top-tier.

Like:

Kataang- they literally make me cry every single time I think of them. Their love story is wonderful and genuinely heartwarming. It symbolises healing and peace for both of them and the literal world. He showed her the world and he's her biggest supporter and she always defends him and they find solace in each other because they understand what it's like to be the last of their respective kind. And they're each other's hope and just... ahhh. They're so much more than the vanilla hero gets the girl ship people paint it as. Haters stay mad or smth.

Zukaang- the symbolism? They're the actual Ying and Yang of the show! The Rozin parallels? Them standing in a vortex of rainbow fire as two dragons (the blue one like Aang's tatoos facing zuko and the other one, red like Zuko's general colour scheme facing Aang) forming a heart shape around them? Zuko was literally searching for Aang and found his redemption in Aang and Aang made him a better person and Aang is literally the only person who genuinely experienced Fire Nation culture before the war and he clearly values it and he's helping Zuko bring peace to the world and the nation...

Taang- The og tomboy x soft boy dynamic. He's literally the person that helped her free herself from her parents and Air is the element of freedom? And she teaches him when to stand firm like the Earth? And I love when they do synchronised earthbending it's so satisfying and they work so well together. Toph having lost her face in one of Aang's nightmares is also a nice parallel to Ummi and Kuruk. (One caveat though: i hate taang being used as a "get Aang out of the way" side ship to Zutara)

Sokaang- they kinda come out of left field for me but the more I think about them the more obsessed I become. It's all about a teenage boy who has been forced into a role that demanded way too much of him finally learning to trust and rely on others. It's about Sokka finally living out the childhood that he was forced to grow out of. Sokka also has such a cute bond with Momo and more importantly, Appa, Aang's animal soulmate. The fics write themselves.

Sukaang- ok, I know Suki and Aang barely interacted in the show but like Hear me out.Suki is so connected to one of Aang's past lives. And she saved Appa, which would totally bond her and Aang (genuinely distressed that this was never discussed in canon). And they both value a sense of community so much, and Aang was one of the people who inspired Suki to leave Kyoshi to help others. Plus, there could be some amazing Rangshi parallels if Suki became Aang's bodyguard instead of Zuko's, which could be very plausible.

Azulaang- I adore this ship because I genuinely think Aang could really help Azula find her redemption. Hell, he was so nice to her in The Search and she literally killed him. Plus I've already laughed about how it would absolutely kill Ozai. The mental crisis Azula would go through due to fallingin love with Aang would be hilarious, and also the guilt over everything she's done, as Aang's kindness makes her realsie she was on the wrong side this whole time. He's one of the only people who can beat her at her prime and he doesn't seem to fear her at all, which is rare for her. Aang could give her the unconditional love she so desperately craves and needs.

Maiaang- genuinely adorable to me. Other than the obvious grumpy x sunshine trope, Maiaang has a lot of potential. Mai seems to genuinely like Aang in the comics, which is really cute. I also think Aang would be able to help Mai express her more positive emotions, other than just anger. Also something about the girl who was forced to remain silent and passive her whole life learning to finally let go and allow herself to just live with the help of probably one of the most active and expressive characters of the show has me by the throat. Plus, he got along great with her lil bro!

Tyaang- They're so similar and cute and bubbly! They'd have tons of fun together and I just know Ty Lee would teach Aang some gymnastics and he really enjoy it! I think he can also find Ty Lee's chiblocking very cool, since it is essentially a great way to deal with a conflict without causing permanent damage. Very airbendery. Speaking of which, Ty Lee is also very airbendry herself. I can genuinely see her finding herself in Air Nomad culture and be excited to help revive it.

Onjaang- i just find this ship so funny because imagine being a random schoolgirl in the fire nation and not only rizzing up a demigod but rizzing that demigod up successfully. This ship can also go so many ways depending on On Ji's reaction to that random cute guy who threw a cool dance party is actually the Avatar, so it's certainly interesting.

Yuaang- the ultimate cinnamon roll x cinnamon roll ship. But more than that, there's of course the Yue becoming the Moon Spirit and Aang getting lowkey possessed by the grieving Ocean Spirit. There's Yue appearing when Aang needed her most, while he's stranded in the middle of the ocean and helping him. They both understand sacrifice and responsibility, and maybe they could comfort each other through it. Also Aang being the bridge between the spirit worlds and Yue being a Spirit could lead to a very interesting romance, depending on how much the Avatar could interact with the Moon Spirit.

Jetaang- ok, Aang was just as infatuated with Jet as Katara was, right? And I think Aang was heavily affected by Jet's actions and behaviour. Also Aang really not wanting to hurt Jet while fighting him (twice!) was really cute. And Aang helping Jet snap out of the Dai Li brainwashing could be a really cool ship moment the more you think anout it.

Teoaang- Honestly their little one sided rivalry at the beginning of the episode was really cute. And I think there could be some interesting symbolism between them. Aang symbolising the old and Teo symbolising the new. They compliment each other like that. Teo comforting Aang by showing him that the critters of the temple are still alive and well is also sweet. And Aang admitting that Teo has the spirit of an airbender is so sweet.

Kuzaang- they're adorable. I loved the comic about them. Aang calling Kuzon "Hotman" is really funny. Aang helping Kuzon make a bigger flame with airbending is also really sweet. I especially like this ship in combination with Zukaang. It's such tasty symbolism.

Aang may just be the most shippable charater of this franchise, argue with the wall. He's so filled with love I have no choice but to multiship.

[sirenalpha]

I'm seeing so much commentary on people reacting to the live action atla toning down Sokka's misogyny

and I'm over here like this is a total non-issue because in my own rewrite of the show I already did that exact thing, it makes complete sense to do it and they should do it because it's a weaker aspect of the original show

Sokka's early misogyny is utterly cartoonish in comparison to the set up of the rest of the SWT, it doesn't feel realistic for the only teenaged boy in a dying culture surrounded by adult women with a grandmother who left a more out and out misogynist society to act the way he does

how Sokka "resolves" his misogyny is equally cartoonish, I never liked how in The Warriors of Kyoshi literally episode 4 of the show makes a teen girl compromise her own culture with a female only fighting tradition teach a boy who is supremely rude and disrespectful to her and then still be attracted to him afterwards, it's more misogyny to fix misogyny and is very obviously men writing about how to fix misogyny especially as they have Aang make a joke about Sokka wearing a dress after going through how meaningful the fighting costume is and how a lot of Asian clothing with hanfu influences like atla borrows from would have men in what to western eyes would be dresses, Aang has already seen multiple male authority figures in robes, the joke makes no sense

I also wouldn't consider Sokka's misogyny genuinely resolved after this, consider how the show deals with his romantic relationships with both Yue and Suki and how both can be seen as extensions of how Kataang is treated in the show, rewards for the hero, especially with how Sokka interacts aggressively with Hahn instead of respecting Yue's wishes whatever her reasons for them, I think an argument can be made that Yue's death is a fridging for Sokka's storyline rather than or in combination with being a consequence of Aang's failure as an avatar or the culmination of her own storyline where she fulfills her duties as a leader to protect her own people

Beyond his romantic relationships, while Sokka drops a lot of his more misogynistic language with Katara, he doesn't support her when she faces off with the NWT leaders to learn waterbending, and he still leaves the caretaking and food preparation and grocery shopping to her which is more common than him going out to hunt or gather in order to provide for the group while he takes a leadership role like determining their travel schedule and routes, it is not an even division of labor and falls along traditional sex stereotypes

In addition to his typical duties to the group, Sokka also remains invested in the trappings of masculinity after ep4, he's concerned about what's manly and how he compares to Jet for example, there's no investigation or interrogation in his interest in meat and hunting and how they relate to masculinity and his misogyny, in the episode with Piando, his insecurity as a non-bender is resolved by giving him a new male mentor and a new martial skill, sword fighting, which is masculine in both western and Asian cultures rather than assuaging his self esteem issues in any less stereotypically masculine ways, I also think it was done so he could compare more favorably to Zuko, another male character, and even his interest in engineering and mechanics comes with a male mentor and is a traditionally masculine pursuit

the show's poor handling of misogyny also extends beyond Sokka, with the NWT, the show acts as if Pakku is the only reason the tribe is misogynistic and the only consequences to that misogyny is that women can't waterbend and there are arranged marriages, and that both the NWT and Pakku's misogyny is resolved by allowing only Katara to learn to waterbend which she doesn't even earn on her own merits, she gets the opportunity because Pakku likes her grandmother

none of this is realistic, misogyny is not because of one bad apple, Pakku doesn't make Yue's arranged marriage, Chief Arnook does, he picked Hahn for her, and the show acts as if Arnook has no authority to compel Pakku to teach Katara or any ability to persuade him in order to reduce his culpability in the NWT's misogyny as its leader to make him a more respectable character so it's not uncomfortable when Aang and Sokka follow his orders in the battle later on, but women not being able to bend and forced into arranged marriages is still status quo when the gaang leaves, Yue's just dead

I'm not even convinced the show runners understand what's wrong with arranged marriage, the issue is not Yue can't be with Sokka who she likes and at most has a slight crush on cuz she's only known him for like two days, it's that she's being treated as male property, a broodmare, and a vehicle to ensure Hahn receives the throne because her father has no male heir and picked some guy to succeed him instead, like it's not explicit in the show but that is the implication based on the historical reality of princesses in arranged marriages, and the show has her get out of it only through death idc that she ascends to being a spirit, it's still a teen girl that dies

There's also no discussion by the show of the Earth Kingdom's misogyny when it has the exact same shit going on, Toph is the only female earthbender in the show not including avatars, there might have been a female earthbender in the background when Katara broke them out of prison, but I'm not really counting that, the entire army and Dai Li are all made up of men, the EK might even be worse because the show doesn't demonstrate that women and girls even have the capacity to earthbend aside from Toph and avatars and Toph doesn't even learn from a human, she has to learn from animals, the show treats this as commentary on her disability but the show has no compelling reason why it can't also be commentary on her sex, Toph was also originally supposed to be a boy so this could have ended up so much worse there literally would have been no female earthbenders aside from avatars at all, I'm not counting Oma as she might just be a mythological figure not a real person that once lived

The Fire Nation kinda barely avoids the same issue, Azula is the only named female firebender aside from avatars in the show but she has two female sidekicks who despite being non-benders show martial skill and there are clearly female soldiers and guards in the FN military so there are much stronger implications of female firebenders existing and being completely allowed to train their abilities and that Azula isn't exceptional in that respect like Toph is, only for being a prodigy with blue fire

Azula was also originally supposed to have an arranged marriage in s3 and they dropped it in favor of showing that royal and noble girls could casually date in the FN which has wild implications for women's empowerment in the country more so than but especially in combination with the fact women can train and join the military (which is why I say the FN is not fascist it's literally the least misogynistic country aside from Kyoshi and by like a country mile so it's literally not misogynistic enough) not that the show does anything more than minor teen drama with it

again, the vast majority of this misogyny is completely unremarked upon by the show especially after s1 when they leave the NWT, it is clearly a fictional world made by men with no true understanding of misogyny just a vague awareness that misogyny is bad and what the really obvious and outdated examples of it are, this is a narrative inconsistency in the show to have the examples and commentary on misogyny be so cartoonish in the beginning and then disappear after s1

your options to resolve this inconsistency is to either go all in with more realistic misogyny and provide commentary on all of it but this takes effort and will be divisive, or take the easier route and ease off the cartoonish-ness of it and comment less on it to avoid drawing attention to all instances of misogyny in the show

obviously Netflix was gonna do the latter

(not me tho, I'm making it less cartoony and dealing with it in my rewrite)

[hadesisqueer]

I'm not saying people must ship Kataang or anything, everyone here is free to ship whatever people want, but at the same time, some of the criticism I see of the ship is insane.

One of the softer ones (because today I saw some crazy stuff) is that they're sibling coded. Like, I watched ATLA several times, I kind of just rewatched ATLA, and yet I still don't get how exactly they're sibling coded? Aang pretty much had a crush on Katara from the moment he met her, and Katara at first saw him as a friend —she never said she saw him as 'her little brother', by the way, you guys need to learn the differences between sibling dynamics and friend dynamics—. That starts changing at the end of The Fortune Teller when she begins seeing Aang from another perspective, though. By the beginning of Book 2 it's pretty clear she has already started to develop a crush on him. If you think it's very 'sisterly' of her to blush while asking Aang 'we're in the Cave of the Two Lovers, so what if, you know-- what if we kissed 😳👉🏻👈🏻', then get upset when Aang said he wouldn't kiss her and then after they did kiss and were already out she blushes and gets nervous again-- or when she gets jealous in The Headband when he dances with another girl and then blushes again while dancing with him-- you're tuning into the wrong show, go watch Game of Thrones or something, because this is not it.

You can argue that Katara was 'like an older sister' or 'motherly' to Aang over the fact that she was often very caring towards him, but honestly, that's not it, either; otherwise, you could say that Katara sees Zuko as her brother because she likes teasing him. Do I think Katara and Zuko are sibling-coded? Not really. But if you say that Katara was sisterly or motherly to Aang because she's caring towards him, you can also say Katara sees Zuko as her brother because she often teased him the exact same way she teased Sokka, her older brother. (I do not think Katara sees Zuko as her brother, btw; just clearing this up. And I may not ship him and Katara but if that's your ship, you do you, I am not getting into a ship war here).

Katara in general is a very caring person, to the point that yeah, it comes off as 'motherly' sometimes. She was like that not just to Aang but towards Toph and Sokka as well. That doesn't mean she really sees any of them as her 'children' as well, guys, nor do any of them actually see them as their mother (well, Sokka kind of did, but that's another thing). And she's very protective of Aang, yeah. Try to switch Kataang's gender for a second; Katara as the boy and Aang as the girl. Switch it up and you have a girl with a cute crush on a slightly older boy who at first sees her as a friend but after a while starts reciprocating. If you saw that boy act more caring and protective of that girl, you wouldn't assume he sees her as a daughter, you'd just assume he is extremely protective because his feelings are strong. I once saw someone saying 'Katara acts like a Booktok boyfriend' and honestly? Kind of, yeah. A lot of Kataang is them being kind of a reverse of the stereotypical 'kind but stronger, older boy gets with sweet, younger girl' stuff we see in a lot of media. Both of them are very caring and supportive and constantly reassure each other, not just Katara to Aang, (and Aang is also very protective of Katara as well, we see it many times, most of all in The Avatar State), but Katara is the older one, and usually the most protective as well, the one who fought off Zuko at the North Pole to protect Aang, the one who almost lost it when she saw him literally die and fought off the Dai Li, Zuko and Azula to get him and get out at The Crossroads of Destiny, the one who grabs Zuko when he joins them and literally tells him 'hurt Aang and I will kill you'.

Yeah, I don't think Kataang is sibling-coded at all. That person is right, Katara is just Aang's 'Booktok boyfriend'.

[sneezypeasy]

Why I Deliberately Avoided the "Colonizer" Argument in my Zutara Thesis - and Why I'll Continue to Avoid it Forever

This is a question that occasionally comes up under my Zutara video essay, because somehow in 2 hours worth of content I still didn't manage to address everything (lol.) But this argument specifically is one I made a point of avoiding entirely, and there are some slightly complicated reasons behind that. I figure I'll write them all out here.

From a surface-level perspective, Zuko's whole arc, his raison d'etre, is to be a de-colonizer. Zuko's redemption arc is kinda all about being a de-colonizer, and his redemption arc is probably like the most talked about plot point of ATLA, so from a basic media literacy standpoint, the whole argument is unsound in the first place, and on that basis alone I find it childish to even entertain as an argument worth engaging with, to be honest.

(At least one person in my comments pointed out that if any ship's "political implications" are problematic in some way, it really ought to be Maiko, as Mai herself is never shown or suggested to be a strong candidate for being a de-colonizing co-ruler alongside Zuko. If anything her attitudes towards lording over servants/underlings would make her… a less than suitable choice for this role, but I digress.)

But the reason I avoided rebutting this particular argument in my video goes deeper than that. From what I've observed of fandom discourse, I find that the colonizer argument is usually an attempt to smear the ship as "problematic" - i.e., this ship is an immoral dynamic, which would make it problematic to depict as canon (and by extension, if you ship it regardless, you're probably problematic yourself.)

And here is where I end up taking a stand that differentiates me from the more authoritarian sectors of fandom.

I'm not here to be the fandom morality police. When it comes to lit crit, I'm really just here to talk about good vs. bad writing. (And when I say "good", I mean structurally sound, thematically cohesive, etc; works that are well-written - I don't mean works that are morally virtuous. More on this in a minute.) So the whole colonizer angle isn't something I'm interested in discussing, for the same reason that I actually avoided discussing Katara "mothering" Aang or the "problematic" aspects of the Kataang ship (such as how he kissed her twice without her consent). My whole entire sections on "Kataang bad" or "Maiko bad" in my 2 hour video was specifically, "how are they written in a way that did a disservice to the story", and "how making them false leads would have created valuable meaning". I deliberately avoided making an argument that consisted purely of, "here's how Kataang/Maiko toxic and Zutara wholesome, hence Zutara superiority, the end".

Why am I not willing to be the fandom morality police? Two reasons:

I don't really have a refined take on these subjects anyway. Unless a piece of literature or art happens to touch on a particular issue that resonates with me personally, the moral value of art is something that doesn't usually spark my interest, so I rarely have much to say on it to begin with. On the whole "colonizer ship" subject specifically, other people who have more passion and knowledge than me on the topic can (and have) put their arguments into words far better than I ever could. I'm more than happy to defer to their take(s), because honestly, they can do these subjects justice in a way I can't. Passing the mic over to someone else is the most responsible thing I can do here, lol. But more importantly:

I reject the conflation of literary merit with moral virtue. It is my opinion that a good story well-told is not always, and does not have to be, a story free from moral vices/questionable themes. In my opinion, there are good problematic stories and bad "pure" stories and literally everything in between. To go one step further, I believe that there are ways that a romance can come off "icky", and then there are ways that it might actually be bad for the story, and meming/shitposting aside, the fact that these two things don't always neatly align is not only a truth I recognise about art but also one of those truths that makes art incredibly interesting to me! So on the one hand, I don't think it is either fair or accurate to conflate literary "goodness" with moral "goodness". On a more serious note, I not only find this type of conflation unfair/inaccurate, I also find it potentially dangerous - and this is why I am really critical of this mindset beyond just disagreeing with it factually. What I see is that people who espouse this rhetoric tend to encourage (or even personally engage in) wilful blindness one way or the other, because ultimately, viewing art through these lens ends up boxing all art into either "morally permissible" or "morally impermissible" categories, and shames anyone enjoying art in the "morally impermissible" box. Unfortunately, I see a lot of people responding to this by A) making excuses for art that they guiltily love despite its problematic elements and/or B) denying the value of any art that they are unable to defend as free from moral wickedness.

Now, I'm not saying that media shouldn't be critiqued on its moral virtue. I actually think morally critiquing art has its place, and assuming it's being done in good faith, it absolutely should be done, and probably even more often than it is now.

Because here's the truth: Sometimes, a story can be really good. Sometimes, you can have a genuinely amazing story with well developed characters and powerful themes that resonate deeply with anyone who reads it. Sometimes, a story can be all of these things - and still be problematic.*

(Or, sometimes a story can be all of those things, and still be written by a problematic author.)

That's why I say, when people conflate moral art with good art, they become blind to the possibility that the art they like being potentially immoral (or vice versa). If only "bad art" is immoral, how can the art that tells the story hitting all the right beats and with perfect rhythm and emotional depth, be ever problematic?

(And how can the art I love, be ever problematic?)

This is why I reject the idea that literary merit = moral virtue (or vice versa) - because I do care about holding art accountable. Even the art that is "good art". Actually, especially the art that is "good art". Especially the art that is well loved and respected and appreciated. The failure to distinguish literary critique from moral critique bothers me on a personal level because I think that conflating the two results in the detriment of both - the latter being the most concerning to me, actually.

So while I respect the inherent value of moral criticism, I'm really not a fan of any argument that presents moral criticism as equivalent to literary criticism, and I will call that out when I see it. And from what I've observed, a lot of the "but Zutara is a colonizer ship" tries to do exactly that, which is why I find it a dishonest and frankly harmful media analysis framework to begin with.

But even when it is done in good faith, moral criticism of art is also just something I personally am neither interested nor good at talking about, and I prefer to talk about the things that I am interested and good at talking about.

(And some people are genuinely good at tackling the moral side of things! I mean, I for one really enjoyed Lindsay Ellis's take on Rent contextualising it within the broader political landscape at the time to show how it's not the progressive queer story it might otherwise appear to be. Moral critique has value, and has its place, and there are definitely circumstances where it can lead to societal progress. Just because I'm not personally interested in addressing it doesn't mean nobody else can do it let alone that nobody else should do it, but also, just because it can and should be done, doesn't mean that it's the only "one true way" to approach lit crit by anyone ever. You know, sometimes... two things… can be true… at once?)

Anyway, if anyone reading this far has recognised that this is basically a variant of the proship vs. antiship debate, you're right, it is. And on that note, I'm just going to leave some links here. I've said about as much as I'm willing/able to say on this subject, but in case anyone is interested in delving deeper into the philosophy behind my convictions, including why I believe leftist authoritarian rhetoric is harmful, and why the whole "but it would be problematic in real life" is an anti-ship argument that doesn't always hold up to scrutiny, I highly recommend these posts/threads:

In general this blog is pretty solid; I agree with almost all of their takes - though they focus more specifically on fanfic/fanart than mainstream media, and I think quite a lot of their arguments are at least somewhat appropriate to extrapolate to mainstream media as well.

I also strongly recommend Bob Altemeyer's book "The Authoritarians" which the author, a verified giga chad, actually made free to download as a pdf, here. His work focuses primarily on right-wing authoritarians, but a lot of his research and conclusions are, you guessed it, applicable to left-wing authoritarians also.

And if you're an anti yourself, welp, you won't find support from me here. This is not an anti-ship safe space, sorrynotsorry 👆

In conclusion, honestly any "but Zutara is problematic" argument is one I'm likely to consider unsound to begin with, let alone the "Zutara is a colonizer ship" argument - but even if it wasn't, it's not something I'm interested in discussing, even if I recognise there are contexts where these discussions have value. I resent the idea that just because I have refined opinions on one aspect of a discussion means I must have (and be willing to preach) refined opinions on all aspects of said discussion. (I don't mean to sound reproachful here - actually the vast majority of the comments I get on my video/tumblr are really sweet and respectful, but I do get a handful of silly comments here and there and I'm at the point where I do feel like this is something worth saying.) Anyway, I'm quite happy to defer to other analysts who have the passion and knowledge to give complicated topics the justice they deserve. All I request is that care is taken not to conflate literary criticism with moral criticism to the detriment of both - and I think it's important to acknowledge when that is indeed happening. And respectfully, don't expect me to give my own take on the matter when other people are already willing and able to put their thoughts into words so much better than me. Peace ✌

*P.S. This works for real life too, by the way. There are people out there who are genuinely not only charming and likeable, but also generous, charitable and warm to the vast majority of the people they know. They may also be amazing at their work, and if they have a job that involves saving lives like firefighting or surgery or w.e, they may even be the reason dozens of people are still alive today. They may honestly do a lot of things you'd have to concede are "good" deeds.

They may be all of these things, and still be someone's abuser. 🙃

Two things can be true at once. It's important never to forget that.

[biconickyoshi]

Cave of Two Lovers… but make it Zukaang ❤️🔥🧡

Boutta post the next chapter of The Avatar and the Fire Prince (I kinda can't believe it's gonna be the 30th chapter overall, like wow), which is my adaptation of this episode! I needed to post this on tumblr first so that I can copy the link to put the image in the chapter lol.

Fun fact! The original draft of this chapter was actually written wayyy back in late 2021 when I first brainstormed up this AU, just as a bit of practice to see if I could get invested enough to justify actually turning the premise into a full-fledged fic. Obviously, it worked!

I did have to go back through and not only fix some grammar and whatnot since my writing style has changed (improved tbh) in the 2+ years since I originally wrote it, but also beef it up a little in terms of Zukaang thoughts/interactions. Not much has changed overall in terms of the direction this chapter goes, but I very much tried to make sure all of Aang and Zuko’s interactions were unique to them and not just a retread of what happens between Kataang in canon lol.

I literally never could have imagined when I first wrote this chapter that I would actually become majorly invested in this fic, and that so many other people would too! I’m getting close to 2k kudos now and I can hardly believe it - especially since starting out this fic was my first attempt at writing fanfiction since 2015 😭

I really hope you guys enjoy the chapter - just like The Fortuneteller, this one has been much-anticipated! :)

[blackbullet99]

Kataang is Objectively NOT One-Sided

Get Ready For A Long One!

Contrary to what some people might believe Kataang (the relationship between Katara and Aang) is NOT one-sided, and not to sound a pretentious egomaniac, but this is a literally indisputable fact.

For starters, Aang and Katara, always had a strong connection and were literally each others best friends. It’s not exactly like they immediately started fawning over each other, but, to quote @thethiefandtheairbender

“In the first two days she knows him, aang is cheerful and receptive katara's friendship, is the first other bender she's ever met and volunteers to personally fly her to the north pole, partakes in customs of her people (penguin sledding is clearly common), is respectful to her elders and is fantastic with the younger kids, isn't deterred by sokka's surliness, takes the blame for going on the ship, refuses to come between katara and her family and leaves of his own accord, comes back to save her village and faces the fire nation head on, then gives himself up to keep her people safe, all while also literally sweeping her off her feet at one point, and some people think the tiniest hint of a crush didn't start that day?”

It was made abundantly clear that Aang had a crush on Katara, starting explicitly from “The Fortuneteller”. Aang constantly tries to get her attention, after hearing she’ll marry a powerful bender, but to no avail. However Aang ultimately realizes that desperately seeking attention through aloofness and other crazy schemes is meaningless, and without full realizing, it’s through the simple yet heroic act of saving a village that Katara comes to realize, maybe Aang could be that powerful bender she marries.

I like how in later episodes, even though Aang still has a crush on Katara it’s rarely the central focus, and whenever their feelings are the focus, it’s more tailored to the primary conflict of the ongoing war. Additionally (to quote @katarathinker on Twitter) “Aang's crush on Katara was never a hindrance to their friendship.

They cared about each other, they communicated with one another, they cheered each other on, they helped each other with their shared element, they protected & defended one another”. Even if you don’t ship Kataang, you cannot deny that the two have deep bond unlike any other.

Anyhow, we all know about Aang’s feelings for Katara, I’m not gonna discuss how Aang would literally support Katara all the way, how he not only loves her, but truly respects her as a waterbender, a hero and a friend, or how his love for Katara is as strong as the love for the nation he lost. Let’s look at Katara’s feelings for Aang.

Some say we never see Katara’s POV, and while it isn’t as obvious or blatantly said out loud exactly like Aang’s POV, it’s undeniably that Katara truly loves Aang deeply if you actually seen the show.

Katara clearly has strong feelings about Aang and doesn’t want to lose him, not for the sake of the world, but because of herself.

We see Katara, had feelings for Jet because he was a strong, kind-hearted, heroic leader who fought for what was right. In Jet’s debut Katara believes Aang emobies at least some of these traits as she vouches he be the leader of their group, and Aang does have and grow to embody many of the traits. Not to mention when  both Jet and Aang are accused (Aang in “The Storm”) Katara immediately steps in to defend them, Katara has no problem making fun of others, but she will not let you badmouth anyone she has feelings for, those two guys in “The Blind Bandit” learned that the hard way. Not to mention, Aang is literally wearing the hat Katara made for Jet. 

Katara is overjoyed when Aang finds her necklace, seeing as it belonged to her mother, it clearly meant a lot and Aang knew this. She also kisses him.

Katara outright says in “The Avatar State”, “for the people who love you, watching you be in that much rage and pain is really scary”. She basically was taking about herself and her feelings for Aang.

“The Cave of Two Lovers”, need I say more, Katara clearly wanted an excuse to kiss Aang, she was extremely indignant when Aang suggested otherwise, and she was blushing thinking about it, even when they were out of the cave.

When Aang enters The Avatar State in “The Desert”, she without any hesitation goes towards Aang to comfort him, with no fear, she spends the next episode deeply concerned for his wellbeing, and literally cries tears of joy and embraces Aang after he opens up to her saying “Seeing this family together, so full of happiness and love, it's reminded me how I feel about Appa ... and how I feel about you”.

She literally looks ecstatic when Aang calls her beautiful in “City of Walls and Secrets”.

When she’s in tears over Jet’s death, the simple act of Aang comforting her, is enough to make her smile.

She completely dismisses Sokka’s idea of finding The Earth King and only agrees to the idea once Aang vouches for Sokka’s idea.

When Aang was about to confess his feelings to Katara, she’s annoyed when Sokka interrupts and kisses Aang before he departs.

When Aang saves her in “The Crossroads of Destiny” she runs into his arms, completely having faith in him. When Aang dies she’s completely heartbroken and when she revives him she smiles like she’s seen The Sun for the first time.

All throughout “The Awakening” she’s concerned about Aang. She’s overjoyed when he wakes up, in tears when he departs, and runs straight to him and embraces him when she finds him.

“The Headband”, again do I need to say it. The Dance! Everything about it. 

Not to mention Katara was mad jealous when Aang was dancing with another girl, and again she kisses him.

Katara appreciates Aang calling her a secret hero in “The Painted Lady” and then they commit eco-terrorism like the power-couple they are.

In “The Invasion” both are struggling to find the right things to say. Katara mentions how she’s proud of how much Aang has matured. When Aang kisses her she fully leans in, she’s obviously concerned given how Aang is leaving to face The Fire Lord, but looks on even after Aang glides away.

When Zuko wants to join the team, Aang ask Katara if she’s okay with it, she don’t want Zuko there, but trusts Aang’s judgement, but straight up threatens Zuko’s life should he harm him.

Aang empathizes with Katara’s situation in “The Southern Raiders”, even though Katara is dead-set on finding the man who killed her mother, Aang accepts this and Katara even thanks Aang for understanding before she leaves.

Everyone brings up “The Ember Island Players” as “proof” that Kataang is either toxic or one-sided. But let’s go over what happens, Aang at this point believes he and Katara have mutual feelings, he has some pretty valid reason to believe that, he asks Katara how she feels, he doesn’t demand she returns his feelings he just wants to know. Katara makes it clear she doesn’t view him as a brother like the play suggests, but doesn’t want to pursue a relationship with Aang at the moment because of the war, it’s a heavy situation, Katara’s concerned she might lose Aang like she did before, Aang wants to let everything out in the open before the final battle, should something happen. He kisses Katara on a whim, it was wrong, it was stupid, but Katara knows this and rightly leave the situation and Aang clearly reprimands himself for this, admittedly it would’ve been nice to see Aang apologize to Katara, but he never does anything like this again.

While Aang and Katara don’t interact a lot in the finale, when the war is over and peace is restored, Katara goes to Aang wanting to be by his side, the two mutually embrace as the lifelong friends they’ve always been, Katara is the one to initiate the kiss, the two are both ready to enter a mutual romantic relationship now the the fighting’s over. Harmony’s restored and life goes on. 

This was a lot longer than I expected. But the point is both Aang and Katara started as strong friends and they grew to develop deep romantic bonds with each other. It was never one-sided, and if anyone watches the show, they would see the strong bond these two share.

[sapphic-agent]

So, a Kataang fan made a post about a week ago "asking" (rhetorically, of course) why it's a bad thing Katara acts like Aang's mom. And I just-

First of all, isn't that something that Kataang shippers have been trying to actively dispute for almost two decades at this point? That Katara doesn't treat Aang as a younger brother/son? There's literally an entire post about it from The Headband that's made its rounds on almost every single social media platform.

So which is it, besties? Does Katara act motherly towards Aang or not?

(The answer is yes of course, as The Runaway outright confirms it multiple times. The whole premise of that episode is that Katata acts as a mother to Toph, Sokka, and Aang)

Now, why is it a problem? The fact that I have to explain this is telling for how little a lot of Kataang shippers understand Katara.

Katara was parentified. She took care of Sokka (by his own admission) as well as her entire village after Hakoda left. Even before then really, as she says in the very first episode that she's been doing all the chores around the village since their mother died which was years before that. She was delivering literal babies while basically being a baby herself.

Traveling- and being- with Aang is supposed to represent her freedom and childhood, right? That's what the first episode shows us and what Kataang is built on. But if anything, it has the opposite effect.

Book 1 wasn't terrible. Katara was very free-spirited and joyful in addition to being caring and empathetic. Her and Aang could still goof off together, even if she was doing her best to support him emotionally. You could easily see that as her being a good friend.

But somewhere between Books 2 and 3, that changed. Katara went from being his supportive friend to being his emotional crutch. During The Desert, she bears the brunt of him lashing out (he does yell at Toph once, but he's the most volatile with Katara). He also gets frustrated with her during Sozin's Comet, even though Zuko and Sokka were the ones pushing him. It's always Katara who has to bring him back when he loses control of the Avatar State, risking her own safety.

(This isn't emotional, but it was Katara who healed Aang after Azula's attack. She was the one who stayed by his side, staying awake for hours to make sure he would be okay. I like to look at it as a physical representation of their relationship. Aang's wellbeing is always put on her shoulders. If she isn't there to lift him up, he'll fall. And if he falls, the world falls. No 14 year old should be responsible for that. But it's so easy for the show- and y'all- to shove it onto her because this part of her character is never addressed. It's just used as a testament to her caring nature)

Even without Katara's parentification, this causes a major imbalance in their relationship. It puts Katara in charge of managing Aang's pain and being emotionally unsupported in return. The Southern Raiders is proof that Katara can't depend on Aang emotionally the way he does her. She's been his shoulder to cry on through everything and the one time the tables turned, she couldn't even get that from him.

And the saddest thing about this? Katara says to him, "I knew you wouldn't understand." She never expected Aang to support her. She's become so accustomed to being there for others that she's never once expected anyone to do the same for her, least of all Aang.

(But Zuko does. He's the only one who recognized Katara's pain- admittedly, mostly because it was directed at him- and tried to help her. Without being prompted. I gotta give this one to the Zutara folks)

In what world is this dynamic healthy for a romantic relationship?

[firelxdykatara]

I too ship Zutara and think they should have been canon. Although for me it's important to know how such a rewrite would go down. I tried to think, and I'm lost.

After Mai betrayed Azula for him, will he just go "sorry, not interested"? He isn't obligated to date her because of this, but her redemption hinges on Zuko and I don't see it being satisfying if he ends up rejecting her after this.

I thought the solution would be to rewrite her arc in boiling rock to make her have a moral realization, but then the problem with Maiko is practically solved. Their relationship wasn't salvaged by her redemption because last time they talked, Mai still didn't understand what's wrong with the Fire Nation and only changed because she loved Zuko. So how do you make it both satisfying & logical?

With Kataang the problem is the Chakras. The problem with the original (in my opinion) is that after he opened his chakra, letting go of his attachment to Katara, he's still attached (forcing a kiss on eip). Should TCoD get rewritten so that Azula shoots him before he opens it? Then why wouldn't he just open it later? Maybe the chakra would be locked so he feels as though he doesn't need to overcome his attachment just yet. In that situation, how would his chakra even unlock? The stone thing felt like nonsense, so how would I do it?

So yeah I have no idea how to approach this. How would you? (Thanks)

I've been rotating this ask in the back of my head like a rotisserie chicken for a few days--it's interesting because I don't generally stop to think like, how would I write them out of these relationships, I either ignore the relationships completely (which isn't hard, they were barely footnotes in the cartoon) or play a little bit with jealous exes or something. Thinking about like, In A Perfect World where Bryke wasn't in charge of ATLA post-canon (because if zutara had been canon, you can be sure they would've made us regret it) is interesting, and I do have thoughts on how I'd handle their relationships in a rewrite.

(this got long, so the rest is beneath the cut)

Assuming you mostly want to keep canon intact, I think maiko would be the easiest to work around, given how little relevance their relationship has in canon. The problem with maiko as an endgame ship is that it was not set up that way--if it had been, it would not have begun entirely off-screen and their whole relationship would not have been a study in misery and utter inability to connect emotionally. His relationship with Mai was there to showcase just how much he had changed and how little he fit into the life he had been so sure he wanted more than anything since his banishment. It worked very well to highlight Zuko's growth--how that contrasted to Mai's lack of it and why she could not understand him even at his most open and vulnerable--and did not work nearly so well when she was shoved back with him in the epilogue, after he'd quite literally forgotten her existence (he never mentions her again after Boiling Rock, not even to say a word of mourning, considering he'd have every reason to believe she was killed for defying his sister).

I don't think you can fix this by giving Mai some moral realization, because there simply is no room for it. As @araeph says in the essay I linked:

As a character, Mai is very useful to the story during Zuko’s return, because she represents everything that Zuko gains by sticking by his father. A girl who cares about him; the ability to indulge her; the authority he has over others at the palace; we see it all in his interactions with Mai. But this makes Mai a tether to a life he has long outgrown. Her function is not to advance Zuko’s character development, but to obstruct it, which also unfortunately means that Mai gaining a full understanding of Zuko’s trials would be disadvantageous to the story. If she knew everything about him and still wanted him to stay, it would give Zuko more cause than he should have to remain in the Fire Nation, but if she knew and encouraged him to leave and join the Avatar, it would rob Zuko of the triumph of making this decision on his own. In other words, there are good narrative reasons for keeping Mai in the dark; it just doesn’t make their relationship any stronger.

The seeds of a genuine redemption arc (one that includes some sort of moral realization and change to her moral framework) for Mai would have to have been planted far earlier than five episodes from the end of the series, but doing so would have of necessity detracted from Zuko's own character arc and the realizations that he makes despite his attachment to Mai (or more specifically to their relationship, which I feel like he was clinging to more out of a sense of abject loneliness he couldn't shake rather than genuine feelings and emotional connection).

So, in my mind, since we're tackling this with an eye towards getting rid of maiko with the fewest ripples to the overall story anyway, the easiest way to do this would be make one slight change to the end of the Boiling Rock two-parter--have Ty Lee (who had always been the least gung-ho of the trio about bowing to Azula's whims and had to be textually threatened into joining her in the first place) save Zuko's life, and then have Mai (who showed the most genuine affection for Ty Lee anyway) save Ty Lee. I love Zuko more than I fear you always fell flat for me as some epic declaration of love, anyway, since a) Zuko is not around to hear it, and b) unlike Ty Lee, she never showed much fear of Azula to begin with, so it wasn't a very high bar to clear. It was a cool line that was entirely unearned, and I don't think it would be missed, there would be some cute mailee crumbs this way, and a throwaway line of getting them released from the prison after the war ended could wrap up their presence in the story pretty nicely.

Now, kataang is a little trickier, if only because the last leg of Aang's character arc is almost completely derailed by his refusal to let go of his possessive attachment to Katara, to the point where he never naturally reopens his chakras, he has to have the Rock of Destiny hit him in just the right place, and the deus ex lionturtle there to give him a way out of having to make a hard moral choice. (I've maintained for years that if you work the final act of your main character's overall arc in such a way that it could have been solved by one good session with a chiropractor, something got fucked along the way.)

The thing about Aang's chakras is that, narratively, his whole thing with Guru Pathik and leaving his training early to save his friends was basically his version of Luke running away from his training with Yoda on Degobah because of his Force vision, only to find out that his friends were in the process of rescuing themselves and then losing his hand because he hadn't completed the most crucial part of his training. What's missing, therefore, from the last act of Aang's character arc, is the return.

See, in Star Wars, Luke pretty explicitly makes the wrong choice when he chooses to prioritize saving his friends over attaining enlightenment and fully mastering the Force. It was the only choice he could have made, but it was still the wrong one--because, like Aang, his friends did not actually need him to save them, he actually almost makes it harder for them to get away by requiring them to save him because, like Aang, he loses a battle in a very critical way. This was a lesson he desperately needed to learn, and it is clear he has learned it by the time he makes it back to Degobah and witnesses the end of Yoda's life, his own enlightenment having already been reached.

But Aang never goes back to the Guru.

And the text refuses to allow us to sit with the fact that he made the wrong choice in prioritizing his attachment to Katara over his ability to master the Avatar State. He is actually narratively vindicated about it, because the plot bends itself into a pretzel so that he doesn't have to spend any time during the last book trying to reopen his chakras and regain access to the Avatar State, handed both in the final battle with no excess effort on his part, and handed the girl into the bargain. (The girl who never even wanted him, so far as we can tell from all the lack of cues she gave him that she actually returned his feelings.)

And I think this could have been solved with a few scattered scenes. Let Katara actually have some agency in her own romantic relationship (or lack thereof), insofar as noticing Aang's advances and clueing the audience in to how she actually feels. Let Aang struggle with the fact that he can't reach the Avatar State, that his mastery of the elements is in limbo because he can't access his full power, rather than ignoring all of this until the end of the show. If we're trying to keep the shape of the last season roughly the same, let Katara confront Aang about the invasion kiss.

This would have been the perfect time to establish that Katara actually does feel some type of way about Aang prior to the epilogue, and it could have saved us from the exceedingly cringey EIP kiss that Aang never apologized for. How it comes across now, of course, is that Katara basically pretends it never even happened, to the point where she doesn't even know what Aang is talking about during EIP until he reminds her--the death knell for any shot their relationship had at looking requited, because I can tell you, as someone who's been a teenage girl, if someone I had conflicted but burgeoning romantic feelings for had kissed me, I would not have completely forgotten about it only a few weeks later--and we never get any indication as to what she actually felt about the kiss (which was not mutual, despite what Aang's dialogue in the EIP scene implies) except for the fact that she looked away and frowned afterwards. (A change mandated by Bryke, who wanted to leave her feelings completely ambiguous; the original storyboards had her smiling to herself.)

So, with an eye towards wrapping up Aang's puppy love crush and establishing Katara's distinct lack of romantic feelings for him, have her talk to him about the kiss. A good frame of reference for this would be Meng's conversation with Aang in "The Fortuneteller", where she finally realizes that he doesn't like her in the same way she likes him. Katara and Aang's conversation about the invasion kiss could be a callback to this, with Aang having some important realizations--that just because Katara doesn't share his feelings doesn't mean she loves him any less, and just because he can't have her the way he wanted doesn't mean he has to love her any less, that she doesn't belong to him but that's ok, because she's still his family and they'll always have each other's backs. Which could have functioned well in helping him take another step towards unblocking his chakras. Going back to the Guru directly may not have worked, since by this point in the story we're hurtling towards the final confrontation and Sozin's Comet, but let Aang reflect on what the Guru told him with new understanding granted him by his experiences throughout the first half of the season.

To keep the stakes high and up the suspense, obviously, he shouldn't have fully unlocked his chakras and the AS before the final fight, but the seeds could be planted--little moments like a talk with Katara about the invasion kiss, maybe a little more empathy and understanding from him about why Katara needs closure in TSR, etc--and then, during the final fight, rather than hand him all the answers on a silver platter, have him almost lose. He still can't go full Avatar, he's out of time, he still doesn't know exactly what to do about Ozai given his own pacifism and desire to preserve that part of his culture--he tries to fight but he's pretty quickly overpowered. Idk how I would've animated this, and maybe it wouldn't have looked as cool for the final fight, but the true climax of the finale was the Zuko and Azula agni kai anyway, so it hardly matters--I'm picturing him doing the rock-shield thing and going into a brief meditative state, where he finally achieves the enlightenment necessary to unlock the AS on his own, no rock of chiropracty necessary. And at this point, I'd give Ozai a Disney Death, since leaving him alive causes more problems than it solves and it's not necessary for Aang to kill him for him to die--they're fighting on a mountain ffs--but if you don't want to change that part then him figuring out energy bending as part of becoming a fully realized Avatar would at least feel more earned than the lionturtle just handing it to him. (And that could've been foreshadowed better by seeding the idea for it earlier in the season.)

After all of that, particularly if you up the emotions during the agni kai and have Zuko and Katara kiss there (or something less explicitly romantic but still tender, like a brief forehead touch), it'd feel pretty natural to have a just friends ending for Aang and Katara. Maybe a brief, slightly awkward but ultimately amiable conversation if Zuko and Katara had a ~thing at their final fight, and then the final shot of the series could be the gaang all together, maybe zutara holding hands or Katara resting her head on his shoulder or something, but since they already kissed there wouldn't feel like a need to end the whole show on romance, something which I've always felt missed the point of the series.

And then, y'know, after that, the world's your oyster! This is how I'd do it if I were trying to keep the bulk of the final season intact. Of course, breaking it all down to its component pieces and rebuilding from the ground up is also an option, but that'd probably be a longer post lol.

[atla-confessions]

Hello, are you looking for a new atla ship? Sick of the ship wars? Consider with me, if you will, joining the zukaang fandom.

Do you like grump/sunshine trope? "I don't know why but I thought this thing would be a lot faster." "Appa's right Zuko, in our group, typically we start out our missions with a more upbeat attitude." "I can't believe this." - literally them.

Do you like the yin/yang trope? Zuko's flaw is literally his aggressive approach to his problems which is foiled by Aang's flaw of passive approach to his problems. They are the definition of yin and yang.

Do you like forbidden love? Even beyond the whole "Avatar and Firelord" thing, they both have to have bio children. They are tragic as hell if you want them to be.

Do you like excessive parallels and reading way too much into symbolism? The writers spent way too much effort in building the parallels between these two and there's always more to say about them.

Do you like shared trauma and similar backstories? They literally had an entire episode dedicated to showing how their backstories mirror eachother.

Do you like (lovingly) making jokes at Zuko's expense? What's better to tease him about than his absolute obsession with the avatar.

Do you like parallels to past lives? Zukaang has simularities with Sozin-Roku and Oma-Shu and there's even Kuzon.

Do you like m/m but never felt much connection for zukka? Zukaang is full of connection.

Do you like being canon but kataang just didn't do it for you? Zuko is literally quoted as being the person closest to Aang in his life and there's an official picture of them holding hands as adults and the culmination of the zukaang hug is iconic just like the kataang kiss. They're like an inch away from being canon.

Do you like enemies to lovers but zutara never caught your eye? Their inevitable friendship was built since book one when Aang asked if they could be friends.

Are you sick of antis? Zukaang has two (2) whole anti arguments: the age gap which is nothing between adults, and the idea that Aang is related to Zuko bc Roku was his great grandfather which doesn't make sense unless you consider Korra and Katara to be married. Beyond that people don't care.

Do you prefer small but active ship fandoms to the big name ship fandoms? Zukaang is right on the border, big enough to be plenty active but small enough to be free of drama and full of likeminded people.

Like talking about your ships but rather do it through group chats instead of tumblr? We have an active discord server.

If any of this appeals to you, feel free to join us, we'd love to have you! :D

X

[the-badger-mole]

So your post having reminded me of that awful comic again I decided out of curiosity to delve into the Kataang side of the fandom to see if any of them ever talked about this comic and Aang’s behavior. Apparently the consensus over is that it’s OOC of Aang. To quote:

“I find his behavior to be very odd, too rude, self-centered and outright aggressive, especially the part when he exploded the volcano on Katara's face nearly hurting her, he was angry about Katara refusing to talk about the kiss then directed that anger into firebending which it isn't right for Aang as an Air Nomad to use the aggressive emotions to bend fire, then despite his apology which feels hollow he dismissed he was even worried about her getting burned again.

While Aang has flaws and outbursts sometimes this behavior strikes me to be unreasonable and OOC.”

Which is pretty funny to me because he literally said he’d be in the avatar state if he could over the play shipping Zuko and Katara. If he didn’t have his chakra blocked he absolutely would have gone into the avatar state and had a destructive tantrum. I wonder do they think those moments in the canon show are OOC of Aang too?

Your Ozai and Aang parallels are sadly spot on. The fandom is just too blind to see it because the narrative tells us rather than shows us he’s the hero. I really want to see into Bryke’s mind because they continue to baffle me 20 years later.

Yeah, Aang in the comics tracks with who he was in the main series. He was always self righteous, disrespectful and emotionally unregulated, but he was cute and cheerful, so a lot of people tend to overlook that. Remember how disrespectful of SWT culture he was in Bato of the Water Tribe? Yeah...that's never walked back. Of course he would make sure his only airbending child had no connection to his SWT roots. Aang is prone to tantrums, and his emotional outbursts include bending. Like you pointed out, as has been pointed out so many other times, Aang saying that he would have gone into the Avatar State over that play suggesting Katara was interested in someone other than him is a massive red flag. That whole scene on the balcony comes after the Lava Fissure incident. With that context, Katara saying she was confused instead of outright refusing Aang takes on a really dark meaning.

But people are entitled to their takes. A lot of Aang fans want to ignore the comics as canon. That's fine. I can totally relate. I ignore the comics and LoK as canon, too 😏

Zutara fans 🤝 Aang fans

ignoring canon

[caligvlasaqvarivm]

I've been reading some of your homestuck essays, I think they're really good! I would like to know what you think about post-retcon homestuck and the interactions between reader and author throughout homestucks publishing. I was not in the fandom at the time of it being published, but I find this to be a very interesting aspect of the comic!

I was only on the fringes of the fandom at the time, but even that was enough to recognize that the fandom was absolutely awful. Every bad story you've heard about the Steven Universe, Voltron, and Undertale fandoms has its roots in the Homestuck fandom.

Pretty much as soon as the webcomic got popular on Tumblr, Hussie was put under intense scrutiny for basically every decision they ever made ever. I'm not going to say that Hussie was a perfect individual who never did anything wrong, because Hussie is a human being and that's how it works, but it's basically impossible to overstate how much the fandom tried to make an enemy out of Hussie.

The fandom was convinced that Hussie was their personal LE, and that attitude continues to this day - like, for an easy example of the fandom harassing Hussie for Literally Anything, when he stated that all trolls were bi/pan, to the point where they didn't have specific words for single-gender attraction, comparing it to a "more exacting preference" like somebody who only dates fat people - but that even within that framework, Kanaya was undoubtedly a lesbian character - people insisted Hussie was being homophobic. Fucking homophobic! For confirming all trolls are bi/pan, except Kanaya, who's a lesbian!

Other examples include: calling Hussie homophobic for John saying he wasn't a homosexual and Karkat literally not knowing what a homosexual was, because again, all trolls are bi/pan. Calling Hussie racist for making the kids aracial but accidentally leaving references to Dave having pale/pink skin in (because Hussie is a biased human person who can't be perfect and who did try to be more inclusive as the comic went on). Deciding that the dancestors served no purpose except for Hussie to be mean to their audience. Like there are valid criticisms to be made of Homestuck, but anything that was valid, nuanced, or thoughtful was drowned under a deluge of incoherent accusations of every -ism and -phobia that the fandom could possibly muster, the fandom as a whole racing to see who could paint Hussie as the biggest monster, even as they were harassing them to make more Homestuck.

Not to mention this was the era of rampant, unchecked ship wars and fandom misogyny. Not that fandom misogyny has gone away, mind you, but it's slightly more in check now. This was the era of fandom where it was normal to be sent death threats for shipping the "wrong" ship, and fandom ship wars were often encouraged by media of the time (love triangles were HOT - think zutara vs. kataang, team jacob/team edward, danny fenton/sam manson vs. danny fenton/valerie grey) because it drove up engagement. Homestuck was not really interested in shipping wars and love triangles - while many characters had circuitous routes and false starts, many were also pretty clearly set up to have specific endgame ships. But the fandom wasn't trained to behave that way, and the troll quadrants + canonical bi/pan trolls + active role of romance in the story meant that the ship wars were brutal - and also, Hussie was getting harassed every step of the way for not making peoples' favorite ships canon, a major part of a larger trend of people constantly ragging on Hussie for things not going the way they wanted plot-wise, to the point where Hussie had to comment on it constantly on his Formspring.

And don't think I forgot about the fandom misogyny! Here's a hot take for the class: Vriska is literally just Girl Zuko. She's ostensibly a noble from an imperialistic, warmongering, fascist society with an abusive parent who raised her with strict expectations, who thinks she has to act much more evil and more tough than she feels in order to earn the approval of her parent/society, and who secretly has misgivings and feels really bad about it and was set up for a redemption arc.

And people HATED Vriska. Vriscourse was so bad that many Homestuck fan spaces banned talking about Vriska at ALL, because just the mere mention of her name would spark massive, endless flame wars as people argued whether or not she deserved her little redemption arc (spoilers: yes, it turns out death is cheap in Homestuck and characters changing, growing, and becoming better is a huge part of the story) or whether or not she was justified in doing the things she did. Genuinely, I think a huge part of this intense hatred and anger was just misogyny. God forbid women have Zuko's character arc.

It was also part of two other large trends in the fandom - the first was that, despite finding every possible reason to call Hussie -ist and -phobic they could, the fandom itself was, ummm... "of its time." For example, the original March Eridan stuff was pretty clearly meant to be funny because, look, man in a dress! Isn't it sooo funny when Eridan wears a dress? (No hate to the artist, this was a long time ago and I'm sure they're a different person now.) The fandom was also constantly goading Hussie on WRT which characters were fat, and while we can argue about whether Hussie is fatphobic because none of the characters are canonically drawn to be fat, I'm going to go to bat for them on this: people treat the Fat Vriska jokes as though Hussie is the creepy weirdo exclusively, but the fandom was goading them on and thought that shit was hilarious, because that was what early internet fandom was like a lot of the time - at the same time as it harassed and decried creators for being problematic, it would turn around and delight in shitting on women, neurodivergent people, POC, and fat people, and Homestuck was rampant with it.

The second trend the Vriscourse was a part of was one that also hasn't fully gone away, but it's better now - wilful ignorance of the actual comic's contents. I'm not talking about the usual fandom fare of noncanon ships or "x character is trans/autistic/etc. even though I know there's no canon basis," which is all pretty damn harmless, but I mean like, memes and fanon would override canon and you would be outright harassed for not playing along. There are STILL places to this day that will call you an actual fascist, genocide liker, evil and irredeemable, etc. if you try to stick up for Eridan, even though Eridan is actually the LEAST casteist highblood and his entire character arc is about how his shitty fascist society makes him deeply anxious and unhappy. Similarly, you can/definitely would be be harassed for saying you don't like March Eridan and/or think it's OOC (it is), and I have nothing but sympathy for Gamzee and Equius fans, who also get it really bad.

The most vocal parts of the fandom, if not the majority, were people who were generally uninterested in engaging with Homestuck on Homestuck's terms, instead dead set on making up a version of it in their head and harassing people who disagreed, including Hussie. Echoes of that persist to this day - Equius, Gamzee, and Eridan get it bad, but practically none of the trolls have fandom interpretations that actually line up with who they are - Kanaya is actually just Eridan's bully (and did nothing to help Tavros after she caught Vriska kissing him), but people portray her as Nice Team Mom. Feferi is a casteist hypocrite who loves classism and calling people the r-slur, but people portray her as bubbly equality lady. So on and so forth. Like, damn, I barely participate in fandom and I'm out here meeting people who think Karkat ACTUALLY hates his friends like he says he does.

And then, of course, these people went and harassed Hussie because actual Homestuck did not match up with the Homestuck that existed only in their own heads.

On top of all the fandom harassment, Hussie was also facing ballooning scope. Most of Homestuck was a single dude drawing, writing, and animating it, and they would update every two or three days, sometimes less. So from the get-go, Homestuck was an INSANE project that demanded an insane amount of work and time from Hussie, and as it went on, it only got worse - and fandom expectations only got bigger. Suddenly, Hussie had to be in charge of merchandise, in charge of vetting, hiring, directing, and paying third-party artists, planning animations months if not years in advance, creating entire sections of the comic that had GAMEPLAY, directing ACTUAL GAMES, etc. ... there's an argument to be made that Hussie should not have taken on a workload they couldn't manage, but at the same time, the fandom certainly wasn't telling them to slow down. If anything, they harassed Hussie for every update, and were furious when hiatuses needed to happen to plan and execute some of the bigger moments later in the comic.

There's a Sarah Z video out there on the creation of the Homestuck game, which I think is OK if you take into account that Sarah kind of has fandom brain and is a little biased against Hussie (and I guess Hussie did send a spurious legal threat which is pretty funny but, y'know, understandable that Sarah would be peeved), where it's really clear that Hussie was not ready for the kind of responsibility, time, and effort needed to manage a whole-ass video game.

So by the time Game Over and the Retcon roll around, you basically have to imagine that Hussie has so many irons in the fire that the furnace is about to pop like a balloon, and the people they were making the damn things for in the first place have been relentlessly harassing them for YEARS, and weren't even that interested in engaging with the actual story in the first place. I'd say the majority of the fandom to this day STILL does not understand Eridan - how do you think they would've taken his redemption arc, and especially the fact that he was set up to date Karkat and Roxy? Given the pattern of their behavior up to that point... they'd probably harass Hussie and call them homophobic.

This is why I genuinely cannot blame Hussie for turning on the fandom and truncating their story. Vriska got upgraded to main character and had her character development reset because fuck you, fandom, you couldn't understand her redemption arc in the first place so now you don't get one. DaveKat got (kind of) made canon but as a weird throuple with the Mayor because fuck you, fandom, you didn't appreciate any of the actual gay ships that were set up so now you're stuck with brutally OOC DaveKatMayor. Karkat and Jake have their plot threads left hanging because fuck you, fandom, you never even noticed all the prophecies and symbolism and character arcs because you were all too obsessed with screaming at women and took the dancestors as a personal insult, so now the guy who's supposed to defeat LE and the guy who's supposed to bring equality and forgiveness to all bloodlines don't even get to participate in any of the important boss battles.

People call Hussie a troll, and they really aren't. If you read their old Formspring, they're clearly deeply fucking passionate about the art of storytelling, and switch between bafflement, mild indignation, and playing along when people ask them stupid questions. But back then, they were always very serious and genuine when they answered questions asked in good faith, and I'm being 100% genuine when I say that I've learned about how to tell stories better by reading Hussie's Formspring. Over time, however, those stupid questions became more common, and often morphed into outright harassment, and in response to that, Hussie's answers became more humorous and facetious, and the fandom - who was already trying to find ANY reason to hate Hussie - started to paint Hussie as an unreliable trickster and liar who got their jollies by shitting on the fandom.

Honestly, in doing so, the fandom was what turned Hussie into exactly that. Again, I'm not saying Hussie was a perfect baby who did nothing wrong - there's a lot of stuff to critique and scrutinize about their writing, their biases, and what topics they found appropriate to joke about. However, I AM saying that they were also just a human fucking being who was trying to write a good story, who was harassed at every turn, mostly for things that actually weren't problematic at all, whose words and actions were always taken in the absolute worst possible faith, and that the fandom is not fucking faultless, and if there's anyone that I'm mad at for how bad Homestuck ended, it's the fans.

That's my hottest Homestuck take.

[zvtara-was-never-canon]

Hey, I hope you are doing well. I used to be a Zvtara shipper but now I've come to realize that most of the arguments for it are kinda bullshit? Now I ship Kataang. And in the Kataang fandom, a common take that I see is that Fire Lady Katara makes no sense. Could you elaborate on this and explain why that is? Thank you!

I, personally, say it makes no sense because:

1 - Katara has literally said the words "The Fire Nation can't separate our famiy again" when Azula attacks them during The Southern Raiders, and was super happy to be reuinited with Bato, sharing old stories from home, and to meet a waterbender from the south, full on saying it'd be an honor to learn know about her heritage and culture. She never expresses any attachment of the sorts towards either Zuko or the Fire Nation itself.

2 - Katara wants to be a fighter and healer, she never expressed any desire to be a ruler. Her home doesn't even a monarchy and we are explicitly shown how she's more of a "everyone does their share" kind of person. We never see her warm up to the idea of living under a monarchy, let alone be part of one.

3 - Katara might not hold a grudge against the people of the Fire Nation (at least those that are either innocent or regret their actions) but she would not be okay with having to forsake her home to join it, nor did she sign up to not only try to change the mind of a bunch of racists, but to also be the target of said racists herself (along with her children).

4 - Katara is not in love with Zuko (nor is he in love with her) and a political marriage makes no sense because his nation is racist AND the rest of the world could easily see him marrying the chief's daughter as trying to take over the world through scheming instead of war.

[starlight-bread-blog]

My Take On "Momtara" – A Kataanger's Perspective

(I don't know who made this meme, but credits to them).

I saw this meme the other day, and while I agree with the sentiment, I have some notes.

I will not deny that Katara has maternal attributes, and I'll touch on this later, but she is not a mother figure. Let us go through each character of the Gaang and discuss how she is not their mom.

Sokka and Toph

Sokka and Katara's introduction is important. It establishes their dynamic for the rest of the show. Let's have a look at it.

Katara teases Sokka, as his little sister. Not his mom. This interaction is crucial in characterizing them both. And Katara constantly teases Sokka throughout the show. Mother figures don't make fun of their children like that. But I know what you're thinking. "Didn't Sokka say that he views Katara as his mom in The Runaway"? To which I say: now that we've established that their dynamic is nothing like a mother-son dynamic, let's look at The Runaway and at Sokka's character in general. Because this tells us a lot more about Sokka than Katara.

(1) "When our mom died, that was the hardest time in my life. Our family was a mess, but Katara? She had so much strength. She stepped up and took on so much responsibility. She helped fill the void that was left by our mom".

Katara canonically does motherly things. She does so to fill the role that was left when her mom died to save her. She feels guilty over her death and determind to carry on her legacy for her. But does that make her a mom figure? Well, no. Because Katara also canonically wants to do motherly things and not have it have that meaning. When she heard Sokka's speech, she joined to Toph's scamming.

People often forget that Katara stole a waterbending scroll because it was from pirates who stole it in the first place. She was mad at Toph for scamming because she was bitter that she was excluded. Katara would love the scams, as seen by her taking the opportunity to join Toph when she could. Katara is a fun loving child. She can be quick to anger and she often says things she doesn't actually mean ("then you didn't love her the way I did" "I don't want to heal, I want to fight"). She likes fortune telling, boys, fighting and yelling.

When Aang came to her tribe for the first time, she gave her own speech about the importance of fun.

That is not a mother figure. Not to Toph and not to Sokka. That's a mom friend. A peer who exhibits maternal attributes while still being a child and one of the gang. That's my critisism of the meme. "Mom friend" is a genuinely good term to describe her. Onto the next part of his speech:

(2) "I'm gonna tell you something crazy. I never told anyone this before, but honestly? I'm not sure I can remember what my mother looked like. It really seems like my whole life, Katara's been the one looking out for me. She's always been the one that's there. And now, when I try to remember my mom, Katara's is the only face I can picture".

Katara is an integral part of Sokka's entire being. When his father left him, he tasked him with keeping the tribe safe and specifically his sister safe. Now he's extremely protective of her ("You burned my sister"! & "Katara get back here! We don't know what that thing is"), and she kind of defines his sense of self. With that in mind, let's take a look at Sokka and Katara's mom:

She looks just like Sokka. When Sokka says that when he thinks of his mother, he sees Katara, he's wrong about why. It's not because he views Katara as his mother figure. He thinks of his own face and sees Katara because in his mind, she's become a part of him. Sokka's speech is him telling the audience about his trauma and that Katara has always been there for him.

Similarly, Toph viewing Katara as her mom also reflects more about her than it is about Katara. As I previously said, they literally fought in the mud instead of teaching Aang. That's not a mother figure. So why would Toph suggest that she is?

Katara is feminine. Toph is not. Toph associates femininity with her upper class feminine mother. She accuses Katara of being motherly because she's feminine just like her annoying ableist mother, not because she actually views her as a mother figure. In The Tales of Ba Sing Se Toph shows distain for feminine activities, and in this very episode Toph admits that Katara is fun and that she was wrong about calling her her mother.

"Katara, you are fun. If nothing else, you're at least fun to argue with".

The lines do get blurry between how much is Katara acting motherly and how much is just a reflection of other characters' trauma, but I believe that they balance each other to create the "mom friend". Not a mother figure, just a type of friend.

Aang

One question need to be answered. Does Aang view Katara as his mother? He does not. In episode one when she said "I haven't done this since I was a kid", Aang said "You still are a kid".

And just like with Sokka and Katara's dialogue, this is one of the first times where they interact. Thus, it is important in establishing their dynamic. Now, I've gathered a few moments people point to to prove that they have a mother-son relationship. Let's examine if they hold up.

1#

In The Storm Katara is looking for Aang after he'd run away. This is not a maternal act. In Sozin's Comet Aang also disappears and everyone go look for him. But none of us would suggest that he has a mother-son relationship with all of them.

#2

Katara: Oh, good! Can you help me carry this back to the room? [She moves the pot toward Aang.] It's a little heavy. Aang : Actually, I can't right now. Katara: What do you mean, "you can't?"

Here Katara is doing chores while Aang refuses to help. Seem motherly enough, but is it really how their dynamic is characterized? In The Chase, Katara directly tells Toph that everyone does their job in setting up camp.

(Yes, she did say in the first episode that she does all the work around the house, but we are talking about her relationship with Aang. I already said that Katara was always there for Sokka).

3#

Aang : I'm sorry, okay! It's a desert cloud; I did all I could! What's anyone else doing?! [Pointing his staff at Katara.] What are you doing‌?!

Aang lashing out at Katara has nothing to do with him hypothetically being her son. Katara lashes out at Sokka in The Southern Raiders but she's not his daughter.

4#

Katara: Aang, we do understand. It's just ...

Aang: Just what, Katara? What?

Katara: We're trying to help!

Aang: Then, when you figure out a way for me to beat the Fire Lord without taking his life, I'd love to hear it! [Walks away.]

Katara: Aang, don't walk away from this.

Once again, Sokka also encouraged Aang to Kill Ozai. But Sokka isn't Aang's dad. And again, fighting doesn't mean mother-son relationship.

5#

Here Katara holds Aang like the statue in the picture. It is a statue of Virgin Mary holding Jesus. This can be seen as motherly, since it's based on a mother and a son, but this pose has been used for many other types of relationships in media:

6#

Katara passing herself as Aang's mother was discussed in this post, so I'll just quote it:

1) In Howl's Moving Castle, Sophie works as Howl's assistant and falls in love with him, but she's cursed, looking like an old lady. There's a scene where she too has to pretend to be his mom, and it turns into her realizing her feelings towards him. She becomes young again, a girl Howl's age. It's a beautiful confession, while pretending to be his mom. No one criticized that, becuase pretending to be someone's mom for the sake of a mission isn't maternal.

2) Sokka is also there. I don't think it's controversial to say Sokka isn't at all a parental figure to Aang. That's because the point of this joke isn't that Katara actually is motherly towards Aang, it's that they aren't actually similar to [Aang]'s supposed parents and this entire situaton is very silly. The implication behind this joke isn't that Katara is maternal towards Aang, but that she isn't.

I also want to add that Sokka and Katara pretend to be a couple, but no one would ever suggest romantic implications to this.

(I know it looks like I just made up a bunch of strawmen for argument's sake, but trust me, I've seen people bring it as proof).

I also want to add a subtle detail that proves that Katara isn't Aang's mom. In The Deserter, she literally hid behind him. This is the dynamic people say they have, but reversed. A mother would never do this.

(Yes, there is that one joke from The Runaway, but as I've established Katara doesn't actually act as Aang's mom. She just exhibits maternal attributes and that's what the joke is about).

Katara and Aang's relationship is nothing like a mother-son relationship, as well as her relationship with the rest of the Gaang. In a way, Katara is maternal. But she cannot be and is not a mother figure to anyone.

Thank you for reading.