#KILLING CAPACITY

[onlyhurtforaminute]

KILLING CAPACITY-SKIN THEM ALIVE

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[midnightdemonhunter]

I say, Then it’s not love anymore.

Michael says, It was love up to then though.

[gammagoop]

EVERYONE GET FUCKING WILD!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[becca-e-barnes]

all i can think about is bucky literally BEGGING to eat your pussy. just on his knees, calling himself a needy slut, just looking up at you with puppy dog eyes while he just begs for your pussy on his mouth. ugh.

Men who are this into eating pussy have a special place reserved for them in Heaven. Hearing someone beg to go down on you is life changing when they know what they're doing 🙈

But you're so right, Bucky would be so willing to degrade himself like that just to be allowed to go down on you. He'd be on his knees, trying to ignore how full his balls feel, begging for you.

"P-please." His voice is so quiet you almost start to question if he said it intentionally. "I need to taste you. I can't think about anything else."

His cock twitches despite how heavy it looks, flushed and angry against the pale skin of his thighs.

"Really?" You tease, tilting his chin up with two fingers so he's looking at your face, rather than your body. "Tell me exactly what you're thinking. Describe it to me"

He doesn't miss a beat. "I'm thinking about how soft you are, how warm and silky your cunt feels under my tongue. I'm thinking about burying my tongue as deep inside you as I can reach and still wishing I could get deeper. I want to feel how wet you are but more than anything, I want to taste how wet you are. I want to dream about it for the rest of the week. Every time I stroke my cock I want to be able to remember how you taste."

Precum drips from his tip and you're not sure you can deny him much longer. Not when he's making it sound so appealing.

"Do you even hear yourself?" You do your very best to act like you don't love the sound of every word that has just come out of his mouth.

"I do. I sound like a shameless, filthy, desperate slut. The type of slut who wants to kiss and lick and worship your sweet pussy until you're so sensitive you have to force me to stop." His hand wanders between his own legs, tugging his stiff length to the mere thought.

He's not above begging and you know that. He'll draw this out as long as he needs to until he gets his way but there's very little sense in that when you want this just as much as he does.

"Lie on the bed." You give him time to make his way over before following, lining yourself up just above his face.

You take a second to smooth his hair, enjoying the feeling of his freshly shaved face against the sensitive insides of your thighs.

He's looking up at you, your eyes meeting his. "Thank you." The relief in his voice is clear right before he grasps your hips and pulls you down onto his mouth.

Fuck, he's incredible. This is the mouth you dream about when you're alone. His tongue massages your clit, stroking back and forth before dipping into your fluttering entrance. You swear he must feel what he's doing to you. You feel your cunt clenching and rippling, your muscles contracting in response to the pleasure and for a second you wonder if he can tell.

He's hungry for this; he has been for hours. He's moaning and slurping obscenely, his tongue buried in your cunt. You don't even need to look over your shoulder to know that he's alternating between fucking his own fist and gripping the base of his shaft tight enough to stop him from spilling his release all over himself too soon.

It's very hard to tell which of you enjoys this more.

[creative-clawmarks]

"I didn't want to get Jessica involved, that's why I told her I found Amy! That's YOUR fault!"

------------------------------------------------------------------------------

KO-FI

[royalarchivist]

Tubbo: No no no, Pac– Ok, listen… Have you ever heard of a game called City Skylines? It will change what it means to feel joy.

Pac: Wait wait wait wait– oh my god, you like City Skyline?

Tubbo: Holy sht, I love City Skylines! Have you played City Skylines?

Fit:

Tubbo reminds Pac you don't need drugs to be happy – all you need is City Skylines 2 (and a friend to nerd out with 😅)

[liones-s]

something I’m still learning is that things mended can be stronger. I spent so long being afraid of conflict because I thought it meant the end of things, and it wasn’t until I met people that understood both conflict and forgiveness that I learned how much you need mending in order to build. If you don’t know that mending is possible, you’ll spend all your time being afraid of every small slip-up until it feels like there’s no room to breathe. Meeting people that allow you to make mistakes and break things, and being someone who allows that in return, let’s you build a space where no one has to be afraid of being.

[serpentface]

Two Wardi 'unicorns', the hippegalga and the scimitar deer. These are distantly related ungulates who both happen to produce a single horn

The hippegalga is a tiny antelope, about the size of a hare. It has a very broad range and can be found across the region and beyond, settling mostly in shrubland, savannah, and wooded areas. Unlike other closely related species (these are basically dik-diks and exist elsewhere in the setting) they form large, loosely structured herds and breed rapidly, commonly producing four offspring at a time.

The horn is a permanent growth, and occurs directly in the center of the skull. It develops in both males and females (though is much smaller in the latter) and serves some practical function in scratching at bark to mark territory (in addition to scent deposits- rubbed directly into scratched bark from the eye gland, and left as piles of dung).

Their horn is worn as an amulet in many parts of the region (either intact or carved into a phallic shape) due to having strong associations with male fertility, as well as apotropaic functions more broadly associated with imagery of genitalia. One Wardi slang word for the penis is derived from this animal's name ('galga').

They experience hunting pressure for their horns, and their meat is regarded as a delicacy, but most populations are stable. They adapt well to densely populated and developed areas, breeding prolifically in ecosystems depleted of predators. A large, stable population exists in the city of Wardin. These particular animals are semi-tame and frequently fed by humans, and are socially protected from hunting (believed to be living good luck charms and just SO charismatic and cute). Their only real day-to-day threats are the city's (much less beloved) population of feral dogs.

---

The scimitar deer is the only native deer to the region, and exist in two major, isolated populations (remnants of a wider population from when woodland and savannah spanned across most of the region's north). One population exists in the wooded regions of Greathill in the northwest, and a larger population in the oak forests to the northeast (and beyond).

Their singular antler is shed seasonally and grows bigger, longer, and more curled with age. The antler grows asymmetrically on one side of the head (usually the left), though this is only slightly off-center on the skull and does not significantly impede balance (outside of old bucks with very large antlers). Some bucks grow a set of two antlers as a mutation (with one side being substantially smaller than the other) but this appears to be unattractive to females and such animals breed at a decreased frequency.

Bucks in rut may clash antlers by interlocking them at the fork, but these battles are low intensity- their antlers are relatively fragile and not well suited to prolonged shoving matches. The antler is a visual display first and foremost. A buck will show off to does and intimidate rivals by tossing and bowing his head at an angle to display its size and length.

In Greathill, traditions widely hold that these animals are supernatural in nature and herded like cattle by the mountain's 'wildman' fae-folk. They often appear in folktales as prized, magical herds, with stories centering on great raids of the deer as the ultimate and most valuable livestock (being immune to disease, able to be milked like cattle, ridden like khait, and capable of plowing fields with great speed).

[elfcollector]

I feel ill. All the fools and villains who ever fell for my ploys, they're — they're here!

[chiyana]

Bruce: now, for the last part of this meeting

Dick, Jason, Tim, Stephanie, Damian, Cass, and Duke: ?

Bruce: -turns around to bring up a power point presentation, the title card of which just reads 'Please Be Normal About Tim'-

Bruce: -turns back around-

Bruce: ...Tim why are you the only one still here

Tim: I just like power point presentations

[onlyhurtforaminute]

KILLING CAPACITY-MACHINES OF WAR

[midnightdemonhunter]

mr action hero

[nobodymitskigabriel]

Sorry I'm thinking about her again. It's just...the way her hands are tucked into herself on reflex. How fucking touch starved she must be. "I accidentally touched my girlfriend." Accidentally touched. How long did she go trying to keep her hands off her own girlfriend?

[froschli96]

You know what, fuck it, I have to speak my truth! (this is gonna be a rant, so anyone who actually likes assassin's creed revelations and/or the secret crusade, be warned or maybe don't read this at all)

remember how altaïr talks to king richard at the end of ac1, and richard is like "[humans] come into the world kicking and screaming, violent and unstable. it is what we are. we cannot help ourselves."? and how altaïr answers "no. we are what we choose to be." and how that ACTUALLY has meaning bc he himself was "violent and unstable" at the beginning of the game but he has learned and is now CHOOSING to be a better person who cares about others and humanity at large? remember how his calmness and gentleness was something that he ACQUIRED over the course of the story?

and remember how in revelations they then suddenly had a PRE-AC1 altaïr say about the first of his targets "no man should pass from this world without knowing some kindness." and be all wise and calm and collected during a nice little chat with al mualim, who suddenly acts all fatherly? (like, this is suddenly supposed to be a positive relationship? what??)

also, during the confession the target says to altair: "you put too much faith in the hearts of men, altaïr. [...] humans are weak, base, and petty." and altaïr answers: "no. our creed is evidence to the contrary." KJASJFJDKL???? like, it’s almost insulting how close this exchange is to the one with richard. you know, the one that was actually earned after a whole game of character development. like WTF??? cool congrats now that development means nothing. like, apparently that was just altaïr reverting BACK to being the exemplary assassin who understands and believes in the creed that he was apparently just born as. (i also hate how having a young inexperienced altaïr saying this implies that altaïr's faith in humanity is a sign of naivete instead of a sign of the wisdom he has gained after being confronted with counter arguments for a whole game, and also something that distinguishes the assassins from the templars who use humanity's supposed wickedness to justify controlling them like in AC1, but whatever)

altaïr’s development in AC1 mattered BECAUSE he is not NATURALLY a good person, it actually said something about humanity's capacity for both bad AND good and how humans don't have to be forced to be good through mind control bc they can by their own free will choose to be better when taught how and when allowed the freedom to grow. but no. apparently altaïr has just always been calm, wise and gentle. and he just sort of forgot about that during AC1 bc…. ? bc of adha?? bc of abbas???

oh don’t get me started on the whole abbas thing. (it doesnt even make sense that abbas is so hung up about his father and "his family’s honor", like what about the whole point of al mualim not allowing parents to be close to their children bc it would make them weak? like, my dude, you’re not supposed to HAVE any family aside from the brotherhood)

they used the throwaway character that had like 5 lines and made him into altaïr’s main antagonist in revelations… like, abbas wasn’t supposed to be this ONE dude who had personal beef with altaïr, he was just supposed to show how while altaïr’s revered by many, a lot of his brothers also hate him, bc 1) altaïr is a shitty person at this point and 2) bc there’s no real feeling of community and family in this version of the brotherhood, but just a pervasive sense of competition and jealousy — these assassins don’t care about their goal of safeguarding humanity bc they’re too hung up on petty squabbles and divided by rivalries (you know, the things that made malik hate altaïr even before solomon’s temple and that he overcomes in the end which enables him to forgive and to reconcile with altaïr so they can work together and stop al mualim? (you ever just think about "we are one. as we share the glory of our victories, so too should we share the pain of our defeat. in this way we grow closer. we grow stronger." and cry? bc i do. all the time. malik, the man that you are))

and now abbas is altaïr’s childhood best friend turned lifelong enemy?? like, bowden bent over backwards to come up with an explanation for why altaïr is an arrogant ass at the beginning of AC1, when the explanation is right there: he was raised to kill without asking questions and was constantly praised for how good he is at murder, which resulted in him becoming arrogant and disregarding human life. like, it doesn’t have to be some shakespearean family feud type shit. and guess what, this "simple" explanation actually plays into the story’s themes, who’da thunk!

(like, abbas might not have been a "fleshed out" character in AC1, but he had a specific function and now that function is gone. mr bowden, mr mcdevitt, you know characters are allowed to simply exist to tell us something about their worlds and the systems they live in and sometimes that’s more important and also more interesting than having every single character have a detailed backstory to explain all their behaviors, right?)

with all of this revelations loses all nuance in regards to the levantine brotherhood and also the creed in general. like, altaïr being a master assassin at the beginning despite being a terrible person and not actually understanding the creed is a criticism of the brotherhood and the creed itself. like, it said something about the order that someone like altaïr was able to get that high in rank, simply bc he's good at killing, which also tells us what is considered important in the al mualim era assassin order. when you make altaïr’s arrogance the result of his personal conflicts instead of how we was raised by a brotherhood that only valued one's ability to kill, you lose that characterization of the assassin order itself!

and by suddenly making al mualim a semi good "father figure" you also downplay his manipulation of not only altaïr but all those under his care. (altaïr says something about al mualim being "as a father" to him exactly twice in the codex, but he doesn’t mean by that that he WAS a father to him, what he means is that he was the CLOSEST THING he had bc HE DID NOT HAVE PARENTS, not because his mother died in childbirth and his father was executed when he was young btw, BUT BECAUSE IT WASN’T ALLOWED, like his parents actually lived but weren’t allowed to be close to him, he says he came to view al mualim’s "weak and dishonest" love as enough and even better BECAUSE HE HAD NOTHING ELSE, BECAUSE AL MUALIM ISOLATED HIS ASSASSINS FROM THEIR FAMILIES. al mualim "loved" him bc he was good at killing people for him! hm, i wonder if this could be trying to say anything about cults and indoctrination and the inherent contradiction in fighting for peace and free will by taking children away from their parents and raising them to become killers?? like, altaïr wasn't ~the special orphan boy~ taken in by al mualim bc his father died a hero's death, it was "the way of the order" to have al mualim be the closest thing to a parental figure for everyone to ensure absolute loyalty! altaïr saying al mualim was like his father is not supposed to make you go "oh, he must have actually been a good guy for altaïr to consider him a father", it should make you go "oh that's kinda fucked up that he considers the dude who made him into a killing machine and who manipulated him a sort of father figure"!)

and then in revelations they suddenly portray that relationship as positive and healthy??? like, it would be one thing to give it some nuance by delving into the psychology behind al mualim’s "love" and maybe showing how al mualim did care about altair in a complicated, fraught sort of way (like, you know, there’s a lot of interesting things you could say about al mualim at several points addressing altaïr as "my child" in AC1 and how that parallels Garnier referring to the people he drugged and abused as his "children", and what that says about how the templars view the people who they say they want to save and in whose best interests they supposedly act (in any case, al mualim doesn’t use that phrase because he has any real parental feelings but rather to patronize and to invalidate any objections, like in a "mother knows best" way))

but they even fucking DARE to parallel that relationship with that of altaïr and darim in revelations, by having the reflection in the puddle of darim hugging altaïr showing altaïr hugging al mualim…. like their relationship wasn’t inherently abusive but just tragically cut short because al mualim was just "corrupted by the apple"… like WHAT???? so it’s not the very real problems like grooming, manipulation and indoctrination and the hierarchical structure of the brotherhood itself (all of which are antithetical to the assassin ideology), it was just the evil apple all along. great. that’s DEFINITELY a lot more interesting.

god im sorry i really dont want to spread negativity but this is driving me INSANE. like, somebody please tell me im not crazy bc i feel like somehow most of the fandom is in agreement that revelations and the secret crusade have better storytelling and characterization than ac1.

SPEAKING OF WHICH, can we talk about how, even IF we completely ignore AC1 and treat revelations altaïr as his own character…. the narrative still doesn’t really work?

basically, the whole point of his story in rev is that "he gave his whole life to the brotherhood", this obsession led to him not using his time with his family which has him ending up dying alone in a dark library and this in turn makes ezio reevaluate his life choices…. except. he doesn’t? neglect? his family? or whatever? like, his devotion to the assassins is sort of painted as this tragic flaw that leads to a lonely death bc it supposedly comes at the cost of his family, but… his wife has joined the assassins, (at least) one of his sons is in the brotherhood and even when he goes to protect the assassins against the mongols, he takes his family with him (except for the son who stays behind bc he has a family of his own and who, ironically, ends up dying bc of that)… like, you can’t describe altaïr as a good husband and father in the database and have his son tell him that "everything that is good in me began with you, father" when they say goodbye, and then want to make us believe that he put his family behind the brotherhood and that that is a character flaw that leads to his tragedy.

because you HAVE to have a character’s tragedy be the result of a character flaw. like. that is how tragedies work. otherwise it just becomes tragedy for the sake of tragedy which is… boring bc it has no purpose. and we know it is SUPPOSED to have purpose bc ezIO FUCKING QUITS BEING AN ASSASSIN AFTER WITNESSING IT!

it’s like they want to have their cake and eat it, too — they didn’t want to actually make altaïr a bad husband/father, but still wanted to make his life a tragedy where he loses his family which is why instead they outsource all responsibility to abbas who now has to be the reason for ALL the deaths.

like, they try to make at least maria’s death kind of sort of the result of altaïr’s rashness or whatever but like… these guys KILLED THEIR SON and TOLD HIM THAT ALTAÏR HAD ORDERED HIS DEATH. like, altaïr losing it in response to that is not rash, it’s fucking logical and justified! if anything the scene made me angry at maria for trying to stop him. like, GIRL, he was YOUR son too??? but god forbid we give female characters actual real emotions, she has to fill the role of "voice of reason who dies for altaïr’s man pain" i fucking guess.

like, it’s this weird mix where his tragedy is simultaneously painted as his own fault but also not really bc abbas is the one responsible for all the shit that happens. it just… it just doesn’t really go together.

the only way to make his story make sense narratively and to give it actual purpose is by looking at it in the context of ezio’s story, bc the things he sees in altaïr’s memories are supposed to be a revelation (ha!) to ezio specifically. and i guess that’s maybe the crux of it all — altaïr’s story in revelations was conceived of first and foremost to support ezio’s story and development. which is probably also why many people maybe don’t notice bc, having skipped ac1 and started with ac2, the majority of people mostly care only about ezio and only really appreciate altaïr’s story in as far as it serves to push ezio forward. (tho i’ve also seen a few people say that ezio is also written kind of weird in rev, but i’ve never really been an ezio girly myself so i can’t speak to the truth of that)

like, altaïr dying alone in the library doesn’t really have to make sense for his character, i guess, bc it’s only really supposed to be a cautionary tale for ezio.

so, i guess, for once, they actually had a MAN dying for another man’s character development, which is pretty woke actually. ubisoft, i take everything back jksdsfjhgdsahfhsdhfghfdsgjhsdgjh

[crustyfloor]

"My loveable creature" and "Till, the ultimate weapon"