#Just Boss and Maruki

[fantasybots]

"You know, I think Maruki was the... second adult to find out that I'm trans."

[haomnyangz]

I'm done. I get it now. All thanks to you. PERSONA 5 ROYAL (2020)

[inkstainedarchivistmagpie]

You know, playing through Penacony after playing through both Persona 5 and Who's Lila practically back to back is an incredibly surreal experience and makes everything hit you as hard as we hit Sunday with the Astral Express.

[glittergoats]

-but at some point, you come to your senses.

[generallemarc]

Metaphor Refantazio question: do the Trials of the Dragon overlevel you for the final boss?

The game is sending major mixed signals, with all the characters saying "yeah, let's do these, we need all the strength we can get!" but then the quest list ranks them as a higher difficulty than what I can only assume is the "win the game" quest. I'm only getting one shot at a normal experience of the final boss before ng+ and grinding out that max-all-archetypes trophy has me completely busted(not to mention I plan on unlocking all archetypes with all characters so as to get each of their ultimate weapons and getting full 100% on that), so I don't wanna miss it.

[chai-en-kaadhale]

finishing the royal dlc and why is maruki so margoofy "AGAHAAGAH I HAVE SO MUCH PENT UP STRESS IM GONNA FUCKIGN,. PUNCH A TEENAGER ABOUT IT HKHFKHKEF"

akiren kurusamamiya is such a good person like my ass would have been the most insensitive little shit about it like bro already helllllllla dragged out the boss fight and now he wants to fistfight me about it

oh fuck and look at that hes trying to kill himself as i type

like please

[arandomeroacher]

Listening to all the persona 5 soundtrack to add songs to my game ost playlist is fun because I can pinpoint all the moments I had while playing the game where I heard that very specific song

[235uranium]

augh I did NOT prep enough supplies. I totally forgot that you can't use multi-target sp supplies other than soma during battle. yaldy I hate you soooo much

[vashtijoy]

have you seen the commentary from the p5r artbook going around? the shuake part of my dash is losing it a bit at the implication that their wishes were mutual!!! that seems to be what some people are getting from the commentary at least… amy insights?

Hi! I have been through the artbook. It's great, isn't it? :D

The image above is called "One Ending", and the creator caption (by illustrator Akane Kabayashi) reads:

When I think about how Akechi's wish was to play chess after school with the protagonist, I almost want to call him out with "You liked him after all, didn't you!"

Look at that. We're told about Akechi's wish, and what it included. We're as good as told outright that he likes Joker—and this isn't the only time, there's also this:

—There are a whole lot of things we can imagine, based on how the protagonist was depicted as someone special to Akechi. Those are more or less the exact emotions represented during Akechi's confidant. (Mumon Usuda, chief designer)

"someone special" here is 特別な存在 tokubetsuna sonzai—literally "a special presence". It means a special person, and more than that; it describes someone you find compelling, someone you can't look away from, someone who becomes one of your most important people, the centre of your world. It's another term that is often romantic, but isn't necessarily romantic.

(In the same way, I think Kabayashi's suki jan! is more tongue-in-cheek than it is a cast-iron confirmation that Akechi was canonly in love with Joker. The language there is teasing, it's ambiguous, it's baity; Kabayashi is joking. This is a rank 6—as they say, if you know, you know. But it is of course ultimately up to all of you.)

There's another mention of this image, down in the creator interview:

Out of all the Maruki ending illustrations, it was Akechi's that stuck with me the most. It made such an impression to see them opening up as friends, having a fun, peaceful time together like high school students should. (Mumon Usuda, chief designer)

What really strikes me in all of this is the emphasis the creators put on the fact that this is Akechi's illustration, Akechi's wish. Because I've thought for a while that we know Akechi has a wish. You can see him struggling with his refusals to Maruki in the first week of January. And you can hear his wish spoken—when Maruki repeats it back to him, during the boss fight, on 2/3:

Maruki {F1 81}君たちとなら、君も過ちのない道を歩めるかも知れないじゃないか！ {F1 81}-kun-tachi to nara, kimi mo ayamachi no nai michi o ayumeru kamoshirenai ja nai ka! If you're with {F1 81}―kun and his friends, you could begin to atone for what you've done! Think about it! With [Amamiya]-kun and his friends beside you, you could choose a path with no mistakes as well!

So this wish has several parts. First, there's that kimi mo, "you also"; it's tempting to read this as Maruki also wanting his new world to erase his past mistakes. Second, there's the first part, "if you're with [Amamiya]-kun and his friends". Where to even start here?

Being with Joker and the others is a prerequisite for the second half of Akechi's wish. It doesn't just coexist, it enables the rest of it. Just like his words in the engine room, "I wonder why we couldn't have met a few years earlier, [Ren]..."

Remember, Akechi's whole arc is about his rejection of trust and friendship, and his insistence on doing everything himself. This is precisely what Futaba calls him out on—"you trusted no one", or "you played life in single-player mode". This is what he unlearns at the climax of the engine room, when he realises he isn't prepared to let the others die—and follows through to save them.

Akechi is nothing without others, and he knows it. Without their support, which he believes he has no right to, he has no hope of living a better life, even were he to be given the chance—and he knows that, too. He has learned, and he has grown—and yet he knows the things he needs and wants so badly are forever inaccessible.

And his wish is about all the Phantom Thieves, not just Joker. There are many tiny references to this end—not least the original Japanese rank 10 line for his confidant, where he sacrifices himself for all of you. Joker is his compelling presence, his someone special, but he's formed small bonds with the others too, God help him.

and then there's the crime thing

The localisation frames Akechi's wish in terms of atonement, but that's not what's on offer. You cannot, after all, atone for things you never did. We see Akechi's wish put into practice, in the Maruki ending, where he appears with his friends beside him, wholly innocent and with unstained hands. And we see it in the first week of January, after he has finally met Maruki and spoken to him:

Akechi: Ah, that reminds me—there was one more thing I wanted to tell you. Akechi: About the reality Maruki's put us in... Akechi: It seems that Okumura and Wakaba are both considered alive by all accounts. [Ren: They're not dead anymore? / What do you mean?] Akechi: They aren't mere illusions, or cognitive beings—they truly are alive and existing in this world. Akechi: In fact, their deaths seem to have never taken place at all in this reality. [Ren: What happened to Shido?] Akechi: Shido was the only one arrested on the crime of attempting to overthrow the government... Akechi: It seems the Phantom Thieves were causing a stir in this society as well, but there's no record of your arrest now. Akechi: Basically, in this reality, you and I haven't committed any crimes.

While Akechi still remembers his crimes, they never took place. They have been undone, and only his lingering memory—and Joker's, at this point—speaks to them. He objects to this on countless levels, he summons all the strength he has to refuse it, but don't make the mistake of thinking that means he doesn't want it. This is Akechi's wish in action.

People are often very certain that Akechi's resolve in the third semester is like iron—that he rejects Maruki's offers right away, is never tempted, never wavers. But that can't be true. We know he's afraid to die. We know about the bad end where you don't complete the Palace, where Akechi says nothing and stares at the floor, seemingly blaming himself internally while all the others blame themselves aloud, for being unable to say no to Maruki's temptations. We know how he responds to this assertion of Maruki's—Maruki, who has perfectly summed up what we know all the other PTs wanted, and who (even if Word of God hadn't just confirmed Akechi's wish) we have, honestly, no reason to doubt.

Because Akechi never refutes this wish that Maruki describes. He never says he doesn't want it. He just rejects it—like all the others, who so desperately want what Maruki could give them. Futaba's mother, Haru's father. Akechi's life, and his innocence. And the people who might have been his friends, if he could dare, one day, to ask.

Akechi is tested just like the others, and the price he pays for his defiance is perhaps the highest of all.

and finally

[The Maruki ending illustrations are] of Maruki's world, where everyone's wishes are granted and they seem happy. The scene shows their actualised wishes, which were never granted in the real world. (Mumon Usuda, chief designer)

We shouldn't forget the price Akechi pays for his impossible wish. Sure, the vision of himself being altered like Sumire clearly haunts him, and I'm sure it made the choice easier—but I don't think it made it that easy. Instead of taking the dream Maruki offered him, Akechi chose to face up to what he'd done, and who he'd become; at the very end, in the third semester and in the engine room, he always makes the right choice.

And that choice was taken away from him. Agency over his life and death, his own acts, and who he would even be—Joker and Maruki take it all away from him and make him a puppet, just like Shido.

Maruki's ending isn't pretty.

revision history

Click here for the latest version.

v1.0 (2024/03/29)—first published.

[cosmic-espero]

I can't stop thinking about how Ryuji literally suffered a life altering injury (that clearly causes him chronic pains) and complete social isolation because of Kamoshida and yet he still:

Feels unsettled by the idea of potentially murdering someone, no matter how much they deserve it, and

Puts literally everyone's trauma with Kamoshida before his, including the track team that did not hesitate to dump him the moment he became (in their eyes) dead weight.

And this isn't even the only time this happens- Ryuji constantly treats his traumas, no matter their nature, as less important than others'.

His father's abuse and consequent abandonement are mentioned like once, and through the game Ryuji repeatedly puts himself in physical danger and dismisses his safety as lesser for the sake of others, to the point it's literally a pattern.

Examples of this behaviour include:

Trying to distract Kamoshida's guards to allow Ren to run away (and we're not getting into how this mirrors Ren getting into trouble to save a woman he doesn't know, nor how he will do this again by awakening Kidd specifically to save Ren and Morgana)

Willingly going back to the metaverse to try and save the volleyball team, and then putting himself under the spotlight in the real world by openly asking them to testify against Kamoshida

Dismissing his pain when his leg gives out under him while they're running away from the collapsing castle

Offering to stay still as the track team beats him up, willingly accepting the scapegoating and believing himself to be actually responsible

Jumping in front of a taxi to run to the rescue of a girl who had threatened to get him into legal trouble unless he helped take a mafia boss down

Choosing to put himself in danger by running to unlock the safeboats on Shido's sinking ship, only to make fun of the team for crying for him (does he not get why they were crying, or does he think his death isn't worth crying over? A question that makes the out of character and entirely unfunny scene where the girls beat the shit out of him even more heartbreaking)

Saving Ren and Akechi (a guy he openly hates) by refusing Maruki's reality and shielding them by taking a hit in their stead

And I might be missing something because I just. Listed these points off the top of my head. His entire character (despite the way the game semi-regularly tries to slander and mistreat him for the funnies) is centered around self sacrifice and he isn't even an adult yet.

I don't even know where I'm going with this. It's just... Ryuji, man.

[senblades]

Just realized that Crow and Violet enter the Phantom thieves group with the same condition, though not the same circumstances.

They both first Joined as a fake of themselves, fooling everyone. Then they were a 2-phase boss fight, where the true self gets revealed. Then they join the team, for good and for real.

Hmmmmmmmmm

ANON YOU'RE SO RIGHT I'M

I'll always be a little sad that Atlus never went all-in on the SumiGoro friendship/parallels potential... o7 another fallen dynamic for the pit

in all seriousness, though: many people have talked about the Akechi and Sumire parallels far better than I ever could, but I'll talk some more anyway!

I think the most obvious parallel is in who they admire/resent. Sumire, obviously, admires Kasumi in every way- undercut with resentment that she's scared to ackowledge. Akechi, meanwhile, resents Joker to hell and back, undercut with layers of admiration that he refuses to admit to (+ uh. shauke angst HAHA)

Both are lying to themselves about their other halves, but even more interestingly: Both Kasumi and Joker see Sumire and Akechi respectively as their equals/rivals, despite everything, and even though it may seem that one half is clearly better than the other at first glance.

Sumire's coach, during the Faith confidant, tells Sumire how Kasumi had worked so hard because she knew if she didn't, Sumire would catch up to her- that Kasumi was jealous of Sumire's grace (Ironic, as meanwhile Sumire was desperate to emulate Kasumi's boldness)

Joker's a bit different -silent protag, and all- but, even still: "I'll hold onto you're glove", "I won't lose"- so much of Joker's dialogue about Akechi makes it clear that he takes the other seriously. Plus, the consistent reminders that the promise for a rematch hasn't been fulfilled: clearly, Joker doesn't consider the interrogation room nor the engine room 'fair fights', or true indicators of either's skill (stop me before I go on a tangent)

It's not just Joker=Kasumi and Sumire=Akechi, though. The fact that both sides of each equation are equals means that some lines get crossed. I'm thinking Kasumi's "Because that's my right, as the elder sister!" vs. Akechi's "Going all out against a junior seems a bit gauche, don't you think?"- both Kasumi and Akechi seem to have this idea that they have to be better (a bit of speculation on my part, for Kasumi)- they have no excuse to lose; it's only natural if they win, and incredibly dissapointing otherwise.

back to crow/violet parallels, they also act as excellent foils for each other in the royal trio dynamic: Sumire, when faced with low self-esteem and terrible circumstances, latches onto people that she considers "better"- imitation is the sincerest form of flattery, after all! And Sumire has imitation in spades.

Akechi, meanwhile, distances himself from pretty much everyone. He seems to value shallow praise of people that don't really see, rather than experience the mortifying ordeal of being known, and whatnot.

but even then, Akechi does have some similar tendencies to Sumire- he just hides it under layers of deflection and lying to himself. He claims to absolutely hate Shido and Joker, and while I don't doubt that, necessarily, it's clearly far more complicated than that. Akechi, no matter how he feels about them, lives and dies by the will of his obsessions- and by the time of the third semster, he's had enough. (while, conversely, Sumire hasn't quite learned to stand on her own)

Actually, speaking of the third semester; Maruki's reality also highlights some similarities between the two, as the two people most egregiously edited by the false reality: Sumire, back to believing she's Kasumi, and Akechi as "I've never had a violent thought in my life!" pleasant boy. Those two are the only members of the PT where Maruki goes straight for the personality.

whoops. long post HAHA

[miitokii]

can i post this for shuake week day 7 even though it’s late and isn’t really shuake (I LOVE SHUAKE) :,)

joker’s palace! i imagine he has one shadow for each confidant, and they’re all called their respective arcanas.

his palace is a theatre/masquerade, hence they all have masks and gloves

the first one (which i also posted before, is arsène/fool)

the last one is strength (the shadow for the twin wardens). it’s kinda just his inmate outfit so i didn’t line/colour it properly lol

i also have these, which i drew for a different purpose [which has now been posted!] (hence the lack of masks, gloves, and yellow eyes; and the drawings of the confidants; and the relative lack of detail) but if i were to draw them the designs would be similar

warning for long ass dump of my notes on each shadow lol:

each shadow is sort of like how ren tries to portray himself to each of his confidants, like their ideal version of him (at least in joker’s cognition)

joker (fool): his ‘joker’ persona - the leader of the phantom thieves, bold, flamboyant, confident (i.e. how he portrays himself in the metaverse)

ann (lovers): fashionista, model, veering into drag queen territory

i initially drew a suit version but then remembered ren canonically has crossdressed lol (we love the mementos mission manga)

haru (empress): a sweet and gentle prince, detached from okumura foods (like haru’s getaway, prince charming)

makoto (priestess): a model student, smart, serious, but also driven and follows own ideals (like makoto wishes she could)

ryuji (chariot): punkish gym bro

akechi (justice): righteous knight, intellectual and justice driven

morgana (magician): a phantom thief, a cowboy sort of image, sly, cunning, fast

yusuke (emporer): traditional japanese furisode (in modern times this tends to be worn by women, which yusuke could be more drawn to in his models) artistic, down to earth

there’s also a bit about his mother, since a furisode is mostly worn by unmarried women, and since we never hear about yusuke’s biological father, i’d guess she was unmarried? yusuke wants to recapture the beauty of the sayuri (which is a self-portrait) and thinks he could do so with a beautiful model - so ren wears a furisode like an unmarried young woman, like yusuke’s mother

futaba (hermit): otaku, nerd, older brother figure and fellow gamer

sojiro (heirophant): apprentice barista, 2nd boss of leblanc, charming, a ladies man (sorry sojiro your son is gay)

twin wardens (strength): just an inmate lol (focused on fusing lots of personas and filling the compendium, plus listening to igor)

sumi (faith): senior more experienced gymnast/trainer, ‘senpai’

mishima (moon): gentleman thief, but unlike fool and magician, moon would be more secretive and cunning like a traditional gentleman thief

maruki (counsellor): fellow researcher, curious and driven, but very kind and empathetic

maruki would also wish ren was more like him, and agreed with his ideas, since they both lowkey have a savior complex but use different methods. if ren agreed with maruki there would be no conflict in the 3rd semester, which is what maruki would want

sae (judgement): innocent and sweet school boy, model student, unlike priestess who is more self-driven and ambitious, judgement would be more conforming

[kroosluvr]

swap au stuff that i cant doodle rn bc it’s 6am:

goro confronts akira who looks smug as always. “ok, kurusu. ive had enough of your bullshit, why do you insist on being such a piece of shit towards sumire and i when we’re all fighting for the same thing? your life is on the life too, and your reality.” like are you stupid or just dumb

akira’s smile, ofc, doesn’t falter. “well, i don’t have ulterior motives for everything, you understand. what you see is what you get with me, isn’t that -“ fist slams into the wall next to him. “cut the crap, kurusu. do you care about winning or not?”

his eyes follow goro’s. “not,” he says w emphasis, “really.” then, “does that surprise you? remember:” voice drops to a whisper, “i’m a dead man either way.”

goro’s head spins. this infuriating guy - what the hell, so he’s basically on maruki’s side? “i saw you in leblanc,” goro says. “i saw your wish. what was it now.... to be a normal, well adjusted student? kind, considerate, honest?” with emphasis. “everything you’re not?”

akira looks angry for a second, and it disappears. he clears his throat. “that must have just,” his voice is noticeably less smooth. “been a lapse in. my judgement.”

“so that’s what you’re after?” goro’s voice rises. “that life? you want his reality?”

“what’s in it for me if i fight for this one?” akira screams. “i was conned out of a good life and, and my plan to save myself failed. this-“ pointing at goro, sumire, their surroundings, “this is just cruel. wont even let me rest, yet bringing me back to show me…” voice lowers, “what… maybe, i could have been.”

goro’s quiet. sumire says from the back, “so dr maruki’s using you.”

“what?”

it clicks. “the same way shido did,” goro says.

akira’s face turns cold. “don’t bring that up.” (he'd thought highly of himself, that he and shido were partners and equals in their arrangement, but ofc he was anything but: just a high school kid that shido could pin his crimes on.)

“it’s true, isn’t it?” goro sneers. “maruki is using you to get under our skin… it's sickening, really, turning our friends against us, just to actualize his horrific reality.”

akira doesn’t say anythjng. goro steps back. “you’re stupid,” akira says coldly, “if you really think we were friends at all.”

as he storms off, sumire says, “i told you it’d be a stupid idea.”

goro grits his teeth. “he’s insufferable.” then, “and unfortunately, a perfect pawn.”

—-

i think it’d be interesting since (canon) goro fights for the true reality bc he doesn’t want to allow himself to be puppeted any longer. meanwhile (swap) akira, the trickster, lets the ends justify the means: since he’s a dead man walking, well, fuck it why not let some version of himself be happy for once.

it also drives a harder wedge in royal trio bc now they have to deal w akira third impostoring before they can get thru the palace. maybe in this au they actually start rescuing the thieves before akira comes around (and we get akira boss fight yayyyyy instead of sumire)

also in this au this means sumire knows that akira died in the engine room which is interesting. will have to thjnk on that more later

[themememerchant]

Persona 5 Arcana Swap: Queenpin Of The Metaverse

I had this idea when I was awake one night and before I knew it I was opening a google doc to start writing a new Arcana Swap fic.

I have A LOT of ideas for all of the characters involved in this. Mostly revolving around various 'what-ifs' and headcanons I have in regards to the original story of P5R.

There's still a lot of kinks I Ned to iron out, specifically the confidants.

But the general idea of the phantom thieves has been sorted out in a way that I think I'm pretty satisfied with.

So keep in mind that some of these ideas may change later as I think of new plot threads to introduce, but for the most part the stories of the new Phantom Thieves of Hearts has been pretty well thought out.

So here we go! Introducing...

My Arcana Swapped Phantom Thieves:

Sumire Yoshizawa-Maruki - The Fool

Codename: Queenpin

Persona: Queenie

Despite being the protagonist and the fool, she doesn't have the wildcard ability, since I don't feel the need to include it from a literary standpoint.

MUCH different than her canon counterpart in behavior, as well as the fact that my version of her is trans and autistic (ME?! PROJECTING?! NOOO...)

The story of her arrest is that she came from an abusive household, one day she punched her father in a fit of rage while he insulted her for not being as good as her sister. The next night, the police crash into her room claiming they had an anonymous tip that Sumire had guns and narcotics in her possession, sure enough, when they searched her backpack, that's exactly what they found.

Her parents also hired someone to rig the trial she was forced to attend, they made it so they would be able to disown Sumire and people would think it was her own fault for being a criminal. When everything was said and done, her parents were all too happy to package her stuff up and send her to live with a foster caretaker to the other side of Tokyo.

After Sumire got to experience true freedom when she stood up to her parents, even if only for a moment, she vowed to never let people walk on her again. Which is exactly how her persona is able to coax her into having an awakening.

She's much less blindly polite than her canon counterpart. She's not insulting people left and right or anything, but she can and will call someone out on their bullshit. She's also not above some light jabs with her friends.

She flirts with every cute girl or hot guy with all the confidence of a maxed charm stat, but she immediately turns into a blushing puddle if anyone actually flirts back.

Growing up with strict parents who were trying to raise a perfect Olympic gymnast leaves her to feel the need to ask permission for the littlest things from any adults near her. She's fine in a room with just her friends or other kids, but when an adult is in the room she goes stiff and doesn't speak unless spoken to, the other thieves compare it to her almost going into a trance.

On the note from the above statement, she feels a little weird about being around people her age that are fine with acting relaxed around adults. it almost triggers a flight or fight or freeze response when one of the thieves so much as moves when an adult is talking.

She eventually starts a running gag with the thieves of calling Principal Kobayakawa, "Principal Humpty-Dumpty".

Her persona Queenie is called the godmother of Harlem, similar to how Arsene was called the pillager of twilight in the original. Queenie was the alias of an early 20th century mob boss, a woman who's own gang was so strong that she was able to keep Harlem clear of much more dangerous threats, she also employed many Harlem citizens with positions in her numbers-game schemes.

Queenie helps Sumire remain attached to reality whenever she's having a particularly rough time. Going from such a strict household to total freedom can give you some serious whiplash, so Queenie makes sure Sumire doesn't completely lose her mind from the sudden shift, while simultaneously helping her learn more about freedom.

Goro - The Magician

Codename: Ace

Persona: Sherlock Holmes

An ally who helps Sumire and Makoto by providing the information on palaces and changes of heart.

He doesn't fully take canon Mona's place, as he is completely human rather than the embodiment of humanity's hope. He does act as the resident expert on the metaverse due to the fact that he was once involved in the research of cogninitve psience, specifically, he was the first successful case of a person being transported to the metaverse when he was 13. Unfortunately, he ended up being trapped in Mementos for around 4 months without knowing how to escape.

The distortions of the metaverse affected him by turning his skin pure white with constantly changing black patterns, similar to Loki's design, he also has large crow wings on his back. In the real world, his skin turns it's normal color and his wings and dazzle-camouflage turn into tattoos all over his body.

He obviously doesn't have the ability to make people turn violent like he did in canon, nor does he have the ability to hold more than one persona. He's simply a guy who happens to know a lot about the metaverse and chooses to use that knowledge to fulfill his long-lost childhood dream of becoming a hero, he also has the hopes of making his mom proud from heaven.

Despite not going down the path of becoming a personal hit man for Shido, he still keeps his patented Goro snark that he had in the canon third semester. Though it's in much more of a-"I'm to tired to be polite"- way, and less of a-"Fuck you, just let me die already"-way.

My favorite line I've written for him so far is: "I'm Joe Schmoe from Shits-ville, DOES IT MATTER?!"

^This is right after Makoto tries to ask who he is.

Since he doesn't take on a different form in this AU, it means that he can't transform into a bus like Mona can. But he IS able to conjure a rather large trolley car thanks to his distortions giving him an understanding of how Mementos functions on a fundamental level

There's a running gag between the phantom thieves that Goro is homeless,-(think that one bit between Dream and Technoblade)-since nobody has ever actually seen where Goro lives. He likes to join in on the joke sometimes by coming up with increasingly ridiculous excuses as to why they can't come over.

^"Sorry, my house just got destroyed by an asteroid the other day. That's the third time this week too...OH WELL!"

His persona is Sherlock Holmes, not because he's a detective, but because in the early writings, Holmes was described as being a "Bohemian Genius", as well as being very antisocial and more like a renegade P.I. rather a straight-laced detective.

Holmes basically acts as Goro's impulse control, he also helps Goro realize whenever he needs to actually talk to his friends instead of being a smartass 24/7.

Makoto Niijima - The Chariot

Codename: Panda

Persona: Shek Yeung

Sumire's first friend at Shujin Academy, as well as the one who helps her investigate the newfound metaverse with Goro.

She used to be the same "good-girl type of pushover" that she was in canon, until her first day of high school when Kamoshida reeled her in as his newest catch. Halfway through her second year, she decided enough was enough and confronted Kamoshida about how he treated the students, unfortunately, Kamoshida being Kamoshida, tried to sexually assault her while in the student council room. She fought back at him, but he overpowered her and did the same thing that was implied to have happened to Suzui in canon.

After Makoto recovered from the...incident, she tried going straight to the principal about the issues, but he shut her down and called her delusional for insinuating that Mr. Kamoshida could have done something like that. Before she knew what was happening, her position as student council president went out the window, and she was suddenly known as "The girl who tried to whore herself out to Kamoshida-sensei"

To Makoto, it was almost liberating to have all of the expectations of the student council ripped off of her back-(minus the sexual assault part). She turned lemons into lemonade and decided that if people were going to give her dirty looks, she might as well have fun while doing it! So she dyed her hair all kinds of colors (mostly blonde), ditched the school blazer in favour of a customized bomber jacket, and fully embraced becoming a sukeban.

She swears a LOT, more than even Ryuji did in canon.

Chie had steak, Ryuji had ramen, and Makoto has pocky sticks. She always has at least two boxes on her person at all times, and always has one in her mouth, only eating it if shit starts to get real. If she looks you dead in the eye and starts chewing her pocky, you better start running before she swallows...

Makoto has, and will continue to start fights whenever some punk-ass thinks they can get away with being transphobic or ableist to Sumire, or any of the other thieves for that matter.

Less of an overprotective-mom and more like a badass-mom who's fresh out of jail. She's very lax most time but will instantly get on your ass if you do something stupid enough.

Her persona, Shek Yeung, was a woman from a brothel who married a pirate. After the death of her husband, she took his place as the captain of the Guangdong Pirate federation, who ravaged the coast of South China.

Shek Yeung helps Makoto fill the void that was left when Sae stopped trying to talk to her, acting as a big sister that supports Makoto when she can't support herself. She reminds Makoto to give herself some time to be selfish, as well as helping her be more open about what she actually wants in life.

Futaba Ishiki-Sakura - The Lovers

Codename: Rumor

Persona: Cleopatra

The chaotic gremlin child who unfortunately gets caught in Kamoshida's perverted grip when she first starts high school.

She joins the group a lot earlier than canon Ann did, mostly because she's a lot more pragmatic when thinking of solutions to her problems. She realizes pretty quickly that Sumire, Makoto, and "The guy with the weird tattoos" are scheming something that has to do with Kamoshida's obvious crimes, and she's not going to sit back and be a victim while everyone else starts taking action.

She overhears the three talking about how they need "-a third member to safely explore the palace." and decides to come to them directly.

^"Look, I don't care if you're blackmailing him, or planning to break his knees with a bat. Whatever it is you're doing, count me in!"

Her story doesn't revolve around being a shut-in,-(Though she still has social anxiety)-but rather that these new people she's met are really the first to actually make her feel valued as a person, and that she is someone worthy of respect.

Since she's not a shut-in, she's a lot less savvy when it comes to hacking and data mining, but she's sort of like the middle man between the thieves and some more...questionable sources of intelligence and resources. Whenever there comes a time for needing to analyze data, Futaba adjusts her glasses and calmly states: "Hehehe...I think I know a guy for that..." Nobody wants to ask what exactly she means by that, and it's probably for the best they don't know.

She has at least 157 different accounts built for browsing the dark web without the risk of collecting viruses or privacy-invasion. All of which have multiple fake IDs, credit cards, cryptocurrency, and other things necessary for her shady connections.

Her mom isn't dead in this AU, she was able to safely go into hiding with the help of Sojiro, whom she is now engaged to. Futaba has some repressed mommy issues since she still feels neglected from her mom needing to work, as well as her new fiance sweeping her off her feet at every turn.

Cleopatra, who needs no introduction, was the final Pharaoh of ancient Egypt. She was sought after by ancient rulers far and wide for her beauty, yet only in the modern day did people actually appreciate her for her intelligence and leadership.

Cleopatra sort of fills the motherly roll Futaba's needed for a long time, it's very helpful since Cleo knows exactly what Futaba needs to hear when she's upset. She praises Futaba for her work with the phantom thieves, gives Futaba reassurance on her appearance and behavior, and helps calm Futaba down from her frequent anxiety attacks.

Futaba once started bawling her eyes out in her sleep when she talked with her persona in a dream, and Cleo said: "I am very proud of you, Futaba...I love you..."

Yuuki Mishima - The Sun

Codename: Trickster

Persona: Geronimo

The fifth and final member of the founding phantom thieves.

He-(sort of)-takes the place of Shiho in this AU, where he has a breakdown on the school rooftop and strongly considers jumping, luckily Sumire, Makoto, and Futaba are able to shove their way through the crowd so they can talk him down and help him.

The story is that Kamoshida, after the gang starts screwing around with the stuff in his palace, finally snaps and decides that merely beating poor innocent Yuuki is not enough for him anymore. So he calls Yuuki into his office one day and decides to "Try something different..."

After the whole mess on the rooftop happens, the gang decides that Yuuki deserves to get some revenge on Kamoshida for what he did. They bring him into the palace and, sure enough, after seeing just how Kamoshida treats not just him, but the whole school, he awakens out of pure anger and desire to be a hero for once.

He's much more jokey than canon, usually opting to make hilariously bad puns and occasional innuendos. He also has no idea about anything involving the real world.

^Yuuki: "I'm inside her heart-shaped-box." ^Futaba: "You know what that means right?" ^Yuuki: "No actually I just know it's a song-" ^Makoto: "JESUS FUCKING CHRIST YUUKI!"

He's just about as awkward as he is in canon, but rather than being treated like shit for it, his awkward jokes are usually just met with a slight pat on the shoulder and a comforting "......we'll work on it, sweetie" from Sumire or Makoto.

He still creates, opens, and monitors the phansite on his downtime. Futaba and Sophia usually help him with how often the requests get backed up.

Even though some of his jokes end up falling flat, he's still really good at coming up with zingers on the spot. The thieves have dubbed him as "The official phantom-comedian", to the point that he, Akira, Futaba, and Sophia all collectively come together to annoy the shit out of Goro

His persona is Geronimo of the Bedonkohe band of the Chirihacua Apache, an American-Indian shaman who fought against Spanish soldiers after his family was murdered. He was said to have converged with a spirit to become immune to bullets, and it took all of 5,000 U.S. soldiers to drag him back to the San Carlos reservation, which he escaped later again

Geronimo fucking loves Yuuki's stupid-ass jokes and will always be his #1 fan, but despite Yuuki's quips, Geronimo knows he's hiding a lot of pain from what he went through with Kamoshida, so he always encourages his other self to admit there's nothing wrong with being upset or afraid because of the circumstances.

Akira Amamiya - The Emperor

Codename: Ghoul

Persona: Brutus

The pupil of Madarame who writes poems, plays, and dables in art which Madarame, of course, plagiarizes from him.

The thieves hear about how Akira is the only pupil who has not left Madarame from another source, and they try to ask him about the plagiarism and accusations of abuse. Akira, of course, denies all of it, but the thieves can see that there's something in his eyes begging for an escape from his situation.

Things pretty much proceed as they do in canon with Madarame's palace, but rather than the whole "Nude painting incident", Sumire pretends to go on a date with Akira at his shack so Goro can sneak in and open the necessary door to help their progress. Madarame comes home, Akira has a panic attack, and they discover the room with the supposedly stolen painting and it's copies before dipping into the metaverse to escape the security.

The painting that Akira is obsessed with isn't the Sayouri, but rather, a self portrait of his father. Akira, of course, has no idea until Madarame's shadow reveals this at the end, but it explains Akira's fascination with it.

Even though he is a gifted painter, he is much more interested with acting and script-writing. He is 100% a gayass theater kid who joins Yuuki's bad jokes to give people headaches.

He is the king of random talents and parlor tricks; he can do a hand stand walk, write and type with his feet, he's very good with sleight of hand tricks, and can even use throwing knives to catch flies.

He's personality is pretty much that of Gomez Addams, he's a hopeless romantic who flirts with anyone and anything that moves, and is constantly down to do the weirdest shit for his loved ones.

His persona is Brutus, the trusted ally of Julius Caesar who later joined a conspiracy to end his life for the benefit of Rome. He realized that Caesar was a dictator and decided to side with his own lofty ideals and morals. He is best known for his role in the Shakespearean play: 'The Tragedy of Julius Caesar'.

Akira often consults Brutus whenever he faces a complicated situation that requires thinking of things from a different perspective, Brutus, being a master of rationalization, is always there to give Akira a push in the direction that will certainly benefit him in the long run, even if Akira doesn't like it.

Sophia Ishiki-Sakura - The Star

Codename: Rogue

Persona: Peter Pan

A 10 year old girl whose abusive mother was run clean-over by a truck 10 months before the events of the story-(not Ichinose). She spent the last several months being tossed around the abysmal foster care system until she ended up at the Ishiki-Sakura household with Futaba. When she moves in, Futaba's meta-nav pings in on a "semi-palace" that has begun forming.

The thieves begin brainstorming ideas on how to help Sophia, then Goro chimes in with: "Why don't we just help her confront her shadow?" and the rest of the team's like: "...what?". So Goro gives the gist that, theoretically, someone can change their own heart by directly confronting their shadow. The thieves decide they have no other choice to prevent Sophia from becoming fully distorted, and bring her into the semi-palace.

Things happen, Sophia awakens to her persona on the 2nd visit with the help of her shadow, but the semi-palace doesn't disappear. The thieves learn that the semi-palace is actually ruled by a cognition, (similar to canon Futaba), she confronts it and is able to change her own heart. After everything is said and done, she basically twists the thieves arms until they allow her to become a permanent member.

Sophia becomes much happier after her semi-palace is destroyed, up until then she was the poster child for gifted kids who were forced to grow up too fast. Her shadow and persona helped her tap into her inner child, now she gets a lot more enjoyment from being so smart, while still acting like a dumbass kid sometimes.

She goes to Shujin with the rest of the thieves, she was actually smart enough to skip a few grades and go straight to being a first-year.

She's basically the thieves collective little sister. Sumire and her bond over being neurodivergent and stim together, Makoto takes her out for rides on her motorcycle, Futaba is actually her sister and they bond over making immature jokes, Akira and her have actually started a club within the thieves for trauma dumping about abusive parents, and Yuuki and her bond over a shared experience with being sheltered and needing to learn more about real life.

As for her and Goro's relationship...

^Goro: "I've only had Sophia for less than a day, but if anything happened to her, I would kill every shadow in Mementos and then myself."

Her persona is Peter Pan, the forever child who resides in the fantastical world of Neverland, where he leads the group of lost boys and learned magic from sprites. His childishness is meant to be depicted as negative, but here is something to be said for seeing even life itself as another grand adventure.

Even after the thieves take her in as one of them, she still has a lot of trouble with allowing herself to act and play like a little kid, Pan is usually the one to help her indulge in those things she feels ashamed of. He acts like the reverse version of impulse control, encouraging Sophia to enjoy herself with dumb fun instead of trying to live up to her reputation as a gifted kid, Sophia of course, is grateful and tries to listen to his advice.

Haru Okumura - The High Priestess

Codename: Vigilante

Persona: Calamity Jane

She takes the place of Kobayakawa's lap dog, but not by being the student council president, she is simply encouraged by most people in her life to "-have good connections early on." Most of the pressure she experiences comes from her father, who is no stranger to cooking the books.

Unlike canon Makoto, she is much more reluctant to blindly follow the orders of the teachers, but she feels as though she doesn't have a choice in regards to what she does. Mostly in the fact that Kobayakawa has close ties to her father, and threatens to speak to him unless Haru spies on the new transfer student he's obsessed with trying to expel.

Haru befriends Sumire under false pretenses, but goes back on her spying when she learns that Kobayakawa has a personal connection to a local "mafia" and has been exploiting the student body for a long time now. So she goes to Sumire and the thieves to come clean, as well as ask them to change the principal's heart.

Eventually, the thieves need Haru's help with proceeding through the palace, in doing so, she awakens to her persona and begins working towards earning the thieves' trust once again.

Once she gains their trust, she officially joins the thieves as a valued friend. They all forgive her fairly quickly once they proceed further in Kobayakawa's palace

She's slightly more unhinged than she is in canon, constantly saying the most out-of-pocket shit you've ever heard.

^Haru: "Do you think stabbing someone in the dark could be used as a legal loophole for assault?"

She and Goro are absolute besties in this AU. They constantly shit talk random people behind their back, especially the people whose hearts the thieves have changed. She also does this with Sumire and the "Principal Humpty-Dumpty" joke.

She and Ann have a secret "shit-talking-tea-date" that nobody else is allowed to know about. They talk about the stunts pulled by the other thieves.

If Makoto is the fresh-outta-jail mom, Haru is 100% the sassy aunt who encourages her nieces and nephews schemes in an effort to mess with the mother. In most cases, Haru usually just sits back and watches the chaos while calmly sipping a cup of tea.

Calamity Jane was an old West heroine who got her name for her reckless nature on the battlefield, as well as being known for riding straight into an enemy ambush to save her ally. She was a heedless, foul-mouthed, and heavily opinionated woman who made her name famous with her sharpshooting skills.

Whereas many of the thieves directly consult their personas for help, Jane acts more like a spectator with a bucket of popcorn while Haru hilariously flails around without contributing anything to creating a solution. If Jane is really feeling like a nuisance, she will interject with the most batshit things at the worst times.

^Haru: *Taking a test and trying to remember the answer* ^Jane: "Pssst-I think the answer is 25..." ^Haru: ".......this is an English test, Jane..."

Yusuke Maruki - The Hermit

Codename: Prophet

Persona: Paimon

Maruki's son whom he adopted in secret after the suspicious death of Yusuke's mother.

Things happen in a similar manner as canon, medjed threatens everyone, Futaba tries and fails to find a way to stop them, Yusuke contacts them under the alias of "Avra" saying that he can help them track down the one responsible for the threats if they change the heart of Yusuke Maruki.

Sumire investigates, finds out about Yusuke's story, and her and the thieves agree to change Yusuke's heart for him.

His palace takes the form of haunted catacombs, with a cognitions of the men in black suits being the true rulers, while his shadow is an imprisoned spirit who's desperate for freedom.

Sophia proposes that since the circumstances are similar, they could just bring Yusuke into his own palace to confront this shadow like she did. Goro interjects, saying that Sophie's semi-palace was no where near as large or dangerous as a full-blown palace, meaning that things are more likely to escalate poorly.

Yusuke comes in on his own during the thieves' heist, he awakens, and the team has a brand new navigator on their side.

Even though he is similar to canon Futaba with hacking skills, he has much more of an occult aesthetic rather than being a super-nerd. He simply picked up coding and hacking as a hobby when he ran out of books to read.

He's still as eccentric as ever, constantly joining Akira in being a drama queen about everything. He 100% knows how to commit to the bit.

Somehow he is even more deadpaningly hilarious than canon. Contending with Haru for saying the most out-of-pocket things, causing people's heads to turn.

^Futaba: "Why do you always say the most outta-pocket shit?!"

^Yusuke: *Deadly serious voice* "It would appear that the pocket has barely been opened at this point..."

His persona Paimon is the ninth spirit listed in the Ars Goetia, as well as a revered king of hell. Said to be a master of "all matter of secret things", he will bestow his conjurer with otherworldly knowledge whenever summoned.

Jane is a spectator who enjoys Haru's lighthearted suffering, and Paimon is a spectator who constantly wants to bash his head against a wall for all the things Yusuke is clueless about. He constantly has to put up with an antisocial teenager who can't so much as read a subway map correctly, despite living in Tokyo his whole life. Paimon is also forced to suffer second-hand embarrassment when his other self unknowingly drops the ball when talking to people.

Ann Takamaki - The Empress

Codename: Knight

Persona: St. Jeanne d'Arc

A friend of Sumire who has suspected her of being a phantom thief ever since the incident with Kamoshida, and later, the Principal. She later came to Sumire requesting that she change her mother's heart.

Instead of Okumura being the one who exploits workers and is involved with the mental shutdowns, Ann's mother is the CEO of a small-scale conglomerate who plans on ascending into politics.

Ann has known Sumire for a good minute, so she trusts her when it is resealed that she and her friends are the phantom thieves, but Ann still wants to see a change of heart in-person so she knows whether or not it is as justified as they say. It also helps that Ann has been hearing the faint voice of her persona over the course of a few months, so Sumire believes she can help with the awakening process.

The exact details of how the thieves prove their methods to Ann will be revealed later on, but the bottom line is that the thieves encounter another semi-palace that they need to take care of as quickly as possible.

Unbeknownst to the thieves, Ann has been very close to having an awakening and forming a semi-palace for several months, and she is beginning to reach the end of her rope. This all culminates in her trying to wrestle her own shadow to death whilst her persona tries to stop her.

When all the madness ends, Ann awakens, she helps the thieves destroy the semi-palace of their target, and she agrees to go forward with the plan to change her mother's heart.

She and Sumire bond over their conjoined "trans girl swag". She's pretty good with helping Sumire out with any lingering dysphoria that she's not comfortable about sharing with the rest of the thieves.

She has a weekly shit-talking session with Haru which usually happens over tea and sweets. They basically just talk about the stupidest things that the other thieves have attempted that week.

She and Futaba often unite to sow chaos amongst the group, they plot, they scheme, and then they make some popcorn to watch the chaos.

Her persona is St. Jeanne d'Arc, the woman in charge of flying the French flag before battles during the 100 years' war. Despite the fact that she had no formal position in the army, she was always found on bravely rushing to the battlefield, she was even known to give the troops tactical advice during meetings.

Jeanne is Ann's biggest enabler whenever she wants to have some harmless fun, basically, her favorite thing to say in response to Ann's ideas is: "Do it." But she also helps Ann come to terms with the fact that she needs to take responsibility and take things seriously.

Ryuji Sakamato - The Justice

Codename: Crook/Black mask

Persona(s): Nezumi Kozo/Maximilien

Takes the place of the culprit behind the mental shutdowns and rampage incidents, as well as taking the role of being the traitor who works with the conspiracy Shido runs.

His story is similar to canon Akechi, his mother was a prostitute who was killed by Shido one night. Ryuji, instead of becoming a detective, decided to become an extremist dedicated to bringing Shido, and the entire Japanese government, to it's knees.

He willingly signed up for some unethical cognitive psience research experiments so he could get close to Shido, there were other people who underwent the training, but Ryuji was the only one that actually survived long enough to gain his powers.

He climbed his way up the ladder until finally getting an audience with Shido, and he offered to become his hitman for the same reasons as canon Akechi. By this point in his life, Ryuji had become so jaded by everything he's been through, that he's convinced himself that everyone he killed needed to die for the greater good.

Ryuji's main cover story is that he's a justified rebel who uses graffiti art and peaceful protests to speak out against corruption, not only does this help him publicly detest the phantom thieves, but it helps Shido's reputation when they publicly join together around the election time.

He's not quite as irredeemable as canon Akechi, but when it does come time for him and the thieves to reunite in the 3rd semester, it basically boils down to: "YOU ARE GOING TO BE A GOOD PERSON! AND YOU ARE GONNA LIKE IT!!!"

During his "redemption" phase he still has to get over the fact that he's very cynical in how he views the world, as well as people in general. His philosophy is that since everybody has a shadow self, that means everyone is automatically at least a little evil.

He and Sumire have more of a "frenemies" type of relationship rather than the homoerotic undertones of canon Akechi and Joker. They insult and antagonize each other constantly, but Sumire is the only one Ryuji will allow it with, if it were anyone else insulting him, he's break their spine.

His "false" persona, Nezumi Kozo, was the "rat kid" who plagued noblemen across all of Japan during the Edo period. Even though his status as a vigilante is widely debated by historians, many folk songs and Kabuki plays portray him as an outlawed hero of justice.

His "true" persona is Maximilien, the man who was credited with leading the French reign of terror, which ended up being the most violent time of the French revolution. He encouraged the peasants and common folk to go on an execution spree against all royals, nobles, and anyone suspected of corruption. Ironically, he himself, was executed in July of 1794.

Nezumi Kozo started out as nothing more than a farce Ryuji created to help him get closer to the phantom thieves, a way to conceal his true nature. As the thieves helped him mentally recover from...everything, Nezumi seemed to gain consciousness, becoming his own separate entity from Maximilien and showing that Ryuji is on the right path and is dedicated to being better.

Maximilien is sort of like Ryuji's reluctant assistant who knows that what's happening is wrong, but is trying his best to support his friend in the hopes he will make the right choice in the end. As Ryuji becomes more distorted with the need for revenge, Maximilien talks to him less and less, and eventually Ryuji doesn't hear or see him unless he summons him in the metaverse.

Maximilien and Nezumi have a lot of friction when they need to share the space within Ryuji's heart, at first it's like the classic "angel and devil" situation. Luckily though, the two manage to work things out and work together to do their best for helping Ryuji becomes his best self.

That's all I'm going to be doing for now, I do plan on making bios for Morgana as the hope and Zenkichi as the charity, plus all of the confidants in royal, but I need to save that for another time.

This took way too long for me to make, but I'm very proud of it.

I do plan on making this full-blown story on ao3, and I'm working on the prologue right now. Hopefully I'll be able to start publishing chapters soon.

Until then,

Farewell bozos

[leelreallylikespersona]

Decaying Godhood (Persona AU)

I've been rambling and throwing ideas for this AU for a good bit now, here's a much more cohesive post about it!

Shoutout to @the-squeege and @artekai for discussing ideas with me, it was super helpful o(*°▽°*)o

Spoiler warning for P3, P4, P5/P5R, P5S, and P5T!

So let’s meet the main characters and their arcana!

Nyx (Tower)

Ryoji (Death)

Izanami (Empress)

Izanagi (Emperor)

Yaldabaoth (Devil)

Satanael (Justice)

Emma (High Priestess)

Salmael (Lovers)

Azathoth (Hermit)

Adam (Strength)

I’m omitting Pandora, Nyarlathotep, Clockwork God, and Enlil since I haven’t played the games they’re from… I don’t know enough about them to include them properly.

I’m scrapping the usual typings and giving (almost) everyone new typings… mostly because I have no idea who I’d apply fire, wind, etc to, none of these guys scream any particular element. I’m still working out the typings but what I know for sure so far are the “typeless” ones:

Adam: Strictly physical attacks

Azathoth: He is strictly a healer in this, and has no offensive attacks

EMMA: Navigator, can occasionally use almighty attacks

I’m leaning toward making their typings relating to humans, somehow.

As for the plot, at least a quick summary of what I’m thinking so far… all of humanity has come to a standstill. As in, time has stopped progressing for them. However, effects of leaving a living thing out to the elements are still occurring. In other words, humans are kind of just rotting away. It’s a very slow, magic mixed with organic decay kind of process that’s going on here. The appearance of this rot becomes more and more obvious as our group of unlikely heroes progress.

The gods, with the exceptions of Nyx, Thanatos, and Izanagi are dead, so how does this work? For this AU, none of the final bosses really die… their physical forms are abolished and their concepts are left to wander a nothingness, endlessly reflecting on what they’ve done. For Adam’s case, he stuck with Maruki until he died, then he took on a human form and lived among people for many years. Now would be a good time to mention that this takes place years after the events of P5S, so any human characters are long gone.

Let’s start from the beginning of the AU. It focuses on Nyx, Ryoji, and both P3 protagonists. These four are kind of just in a white void. Ryoji is able to move freely, he can see, he could leave too, but doesn’t want to leave Minato and Minako. They’re depicted as statue-ish figures, with a few features a deity would have. Their positions after the events of P3 caused them to go from humans to some sort of gods themselves. They are still mostly human though, this is important for the start of the plot.

Nyx’s sealing is visualized here as having been chained to these two. Until now, she couldn’t move, she was paralyzed along with having actual restraints. Therefore she couldn’t see, her eyes were forced shut. She couldn’t speak either. She could hear though, and the only thing she could do was listen to Ryoji speak to Minato and Minako. Some days, he’d talk to them as if they were still around. Other times, she could hear him mourn. Initially, she didn’t understand it at all. Sure, that’s her kid, and she cared about him somewhat, but she didn’t understand why he’d cry about them so much. There’d be times too, where Ryoji would talk to her, usually it would be him saying he wishes she could understand humans like he did, or sometimes he’d yell at her. Over the course of years and years, Nyx comes to understand Ryoji’s feelings… somewhat, anyway.

This brings me back to the chains she has. Now, all of the sudden, she can see and move again. And these chains, which were once really short, are now much longer, allowing Nyx to walk pretty far from them. This happening is meant to show Minato and Minako’s humanity being affected by the Rot, which is causing them to lose their grip on Nyx.

Upon hearing some movement, Ryoji is quick to become aggressive, but Nyx is still disoriented from suddenly being able to see and speak again, so she doesn’t return any hostility. You can imagine the arguing taking place as they try to figure out what’s happening. After a while, they realize they are able to see into the human realm. That’s when they notice the state of humanity.

Of course, they don’t notice the Rot yet. These two are the first to venture into the human realm to investigate what is going on. It’s mostly Ryoji that wants to figure things out, he takes Nyx with him to keep an eye on her.

This brings me to the motivations of each of the characters… Ryoji going out of his way to help humans makes sense. He did live as one, and made a lot of friends who he cared a lot for. For others, they hate humanity (cough Yaldabaoth), so why’re they here? Simply put, after humans rot away, the realm of gods is next. Also worth mentioning, everyone now has a humanoid form (if they didn’t have one already), so this is something of a second chance for these guys too.

I’ll go through each character:

Nyx: After spending years only listening to Ryoji talk to the twins and voice his affections for humanity, she gains a better understanding of them and obtains a sense of self (much like how Thanatos/Death became Ryoji during P3). She feels like she owes it to Ryoji to help him now.

Izanami and Izanagi: After the events of P4, these two really didn’t feel like doing anything else… Izanami was unable to do much anyway. They are later dragged out of the realm of nothingness they were hanging out in. Izanagi’s time with Yu makes him far more inclined to help out, Izanami is a little heartbroken that after the Investigation Team proved humanity’s worth, they fell into this state.

Satanael: He ditches the Phantom Thieves after Yaldabaoth is taken care of, and left to go cause minor bouts of chaos, nothing too drastic. He doesn’t outright try to end humanity, he just likes “poking fun”, so when everything comes to a standstill, he’s alarmed. Satanael is more neutral compared to everyone else, he does care about mankind, not to the extent that Ryoji and Azathoth do, though. He doesn’t hate them either, so he (probably) helps them for a selfless reason.

Yaldabaoth: For sure is only saving humanity so he also doesn’t rot away. Perhaps by the end, he’s changed a bit, but now that he’s given a physical form again, who knows what he’ll get up to.

EMMA: Upon being defeated, she spent her time watching over Sophia and Ichinose. She chooses to help humanity because of how well the PTs treated Sophia.

Salmael: Toshiro’s anxiousness rubbed off on him a bit… As the god of stagnation, this halt in humanity seems like it’s his doing, but it isn’t. He ventures out thinking that he somehow accidentally did it, and is horrified by the Rot..

Azathoth and Adam: These two genuinely care for humanity, their motivations are completely selfless. While Azathoth can suspend his emotions, Adam spent more time with Maruki, living as a human for years, so he’s much more emotional over the whole situation.

None of these guys are able to have Personas, but are able to “summon” their deity forms as an extension of themselves (so there’s a split-consciousness situation happening). Awakenings are still required for them to be able to do this, though, similar to Persona awakenings.

This ability requires one to first of all realize that their status and power as a god is due to humanity’s perception of them, but then they also must accept that. Only then they can “break free” of their restricted humanoid forms to use their more powerful forms. These forms look similar to their in-game designs, but there’ll be some differences, as I want to give them fun new(ish) designs…

Acquiring this ability is much easier for some than others… Ryoji and Adam as an example, are really quick to accept this once they understand the idea initially, but then a few others refuse to accept that humans are responsible for their power.

As for enemies, Shadows are present due to humans being unable to pass properly. For major bosses, the Rot left some human bodies as empty husks that became aggressive. These husks are attracted to the power the gods have.

Some side characters I also want to include… Jose and Sophia run the shop that provides weapons and other equipment! There’s also the Velvet Room that has specifics I’m trying to figure out… I might make Yu and Ren the attendants.

I think that’s all I have for now! I’d still like to figure out the order in which each god joins the team… It starts with Ryoji and Nyx, Salmael probably second since he’s already out investigating (he can be the navigator before Emma joins), then it’s either Adam since he’s also around, or Emma. This is still a wip! So if anyone has any comments or anything, feel free to send an ask! I'm already doing some doodles for this so hopefully I'll have some art for it soon (❁´◡`❁)

[hartz4toare]

🕋Introduction🕋

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“I’m not a princess.”

Toare/Hamuko/Kotone, MINOR

She/Her + It/It’s

AroAce, Fictoromantic/sexual, Pan

Artist, Writer

🕸️🐺🕸️

Fandoms

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•Persona (3,4,5 + Spin-Offs)

•The Walten Files

•TADC

•Helluva Boss

(I don’t support Vivziepop.)

•Hazbin Hotel

(I don’t support Vivziepop.)

•Dark Deception

•Kitty is Not a Cat

(Just got Into it)

•One Piece

(Just got Into it)

•My Little Pony

•Minecraft: Story Mode

•Poppy Playtime

•Zoochosis

•Creatures of Sonaria

•Wings of Fire

• We Bare Bears

•Deltarune

•Finding Frankie

•Happy Tree Friends

✨⭐️✨⭐️✨⭐️✨⭐️✨⭐️✨⭐️✨

“A lot of anger in it.”

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F/Os

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Main F/Os:

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Takaya Sakaki (Persona 3)

-Husband

Jin Shirato (Persona 3)

-Husband

Chidori Yoshino (Persona 3)

-Wife

Shinjiro Aragaki (Persona 3)

-Boyfriend

Akihiko Sanada (Persona 3)

-Boyfriend

Familial F/Os:

Ken Amada (Persona 3)

-Little Brother

Futaba (Persona 5)

-Big Sister

Friend F/Os:

Nyx (Persona 3)

-Friends(?) w/Benefits

Tohru Adachi (Persona 4)

-Friends w/Benefits

Takuto Maruki (P5 Royal)

-Friends w/Benefits

Izanami (Persona 4)

-Friends w/Benefits

Shuji Ikutsuki (Persona 3)

-Friends w/Benefits

Shadow Joker (P5 Strikers)

-Close Friend

Pharos (Persona 3)

-Close Friend

Koromaru (Persona 3)

-Best Friend

“Not a cutie girlfriend- Oh no, Don’t you know?”

DNI List

💣🧨💥💣🧨💥💣🧨💥💣🧨💥💣

•Doubles

•Pro/Com shippers

•NSFW Blogs

•Anti-Therian, Furries, LGBTQ+

•Anti Self Ship

•MAPS, Z00s, Etc

•Bigots

“Flashy rhymes coated with spangles, Add some sounds in it times wangles, Three dots connect to rectangles, Just like music sounds connect to rambles!!!”

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