#Journey to China

[zoecolection]

Mêi Hóuwáng en París 2024

Un corto animado creado por Shanghai Film Infinity para las olimpiadas 2024.

[m1nsur0]

[JTTW OC: 智平] “分桃” The Shared Peach

Originally an act of courtship, Wukong would always share a peach with the Violet Dragon, taking a single bite to ensure it was of high enough standard for him. No matter how many years pass, most mornings spent together begin with the Monkey King passing a peach with a bite taken out of it to his lover.

[fuckyeahchinesefashion]

cover: 云宫迅音yun gong xun yin （cr: 安迪原声吉他）

Journey to the West Opening Theme / Immortal Sound Above Cloud Palace) — Xu Jingqing (许镜清)

[mixedupmojo]

Weird isekai idea that I had that I just wanted to realise into the wild.

Ok so you know how there are multiple stories out there about reader getting transported into the world of journey to the west and then ending up tagging along as the pilgrims make their way west. Here's the thing most of the time these story's take place once the group has already been assembled or the reader ends up meeting Tripitaka first.

So here's the thought what if reader meets Wukong before the group has a chance to get together. Let me explain.

So imagine reader has just arrived in a strange new world and they have absolutely no clue where they are or how they got there and are freaking out really badly. So they start calling out to see if there is anyone nearby that can help them and after a good few minutes of wandering around and shouting for help they suddenly get a reply. Relived they rush towards the voice, only to find that the person that was calling to them wasn't a person but a monkey that looks to be trapped within the rock of a mountain. And it only takes them a second to realise that this isn't just any monkey but thee monkey, the monkey king, Sun Wukong himself and somehow they've been transported into the story of journey to the west. Their internal crisis soon gets interrupted as Wukong starts asking if they wouldn't mind helping him out with his situation. Knowing the story not to mention what Wukong's capable of they immediately disagree much to Wukong's outrage. At Wukongs outburst they go to leave but that’s when they realise that they still have no clue where they are and what's worse no idea who could help them except for maybe Tripitaka so they resolve to wait for him much to Wukong confusion. Realising that it might not be a good idea to tell him that they are not exactly from this world they stick with the hopelessly lost excuse. which Wukong responds with that he would be happy to help them out if they let him out which is an obvious no so things quickly devolve into a stale mate.

Days go by and they end up talking a lot, with Wukong casually trying to convince them to take off the seal every now and then and them always refusing. But as the days go by the more anxious and worried reader gets after all they have no idea at what point in the story they are and it could very well be a hundred year before Tripitaka will eventually show up. Food and shelter are also a worry as they've managed to get by due to it being summer and there is plenty to forage and a small cave nearby that they've been using for shelter but they know it won't last forever. but most of all they really, really want to go home they miss their family their friends they miss their life. More time goes by and day by day reader and Wukong bond even more to the point where the monkey king has actually grow quite fond of them and cares quite a lot to the point that he starts helping them out in what little ways he can. He even stops constantly trying to get them to remove the seal on the mountain only occasionally asking every now and then and its usually only after he see them struggling, instead he's taking the time to ask them about themselves and find out more about them and in return he tell them about himself usually stories of his glory days. eventually they come clean about the fact that they are not from this world and how they have no idea how they got here or how to get home, breaking down a bit as Wukong resolves to help in any way he can. Then one day it happens completely unprompted reader suddenly get up and start walking away at first Wukong doesn't think anything of it as they often leave to look for food and other such things but as the hours go by and they've yet to come back Wukong starts to worry think that something bad might have happened to them before he gets the horrible thought that they might have just finally got sick of waiting and left him. Stewing in his thought the monkey king slowly growing more and more enrage and heartbroken at the potential betrayal. when suddenly he can feel it, he can feel the mountain shift and he realise what they have done. It's after another few hours pass that he hears them running down the mountain catching a quick sight of them as they run past him. it doesn't take him long to realise that they are getting a safe distance away and he waits a few more hours before he finally breaks free. Meanwhile your despriatly trying to catch your breath as you watch the entire mountain explode chunks of rock flying in all directions and your barely able to make out a reddish orange blur coming towards you before your enveloped in a bone crushing hug.

Thus beings their own journey to find a way to get reader home.

I dunno I just really like the idea of Guanyin or Tripitaka turning up and Wukong not being there and all of haven freaking out because the monkey king is on the loose and no one has any idea where he is.

[toffee-beans]

So how about that new octonauts show huh

[yebreed]

Dragon Kings of the Four Seas

Renowned Shanghai painter’s Dai Dunbang (戴敦邦) 20th century illustration for the Chinese Ming dynasty classic “Journey to the West” (《西遊記》) attributed to Wu Cheng'en (吳承恩).

[generalcornetto]

[niteshade925]

April 12, Xi'an, China, Daci'en Temple/大慈恩寺 and the Giant Wild Goose Pagoda/大雁塔 (Part 3 - History):

The entrance to the Xuanzang Memorial Hall:

Xuanzang/玄奘 (602 - 664 AD; birthname Chen Yi/陈祎) was a famous Chinese monk, scholar, and translator who journeyed throughout Central Asia and India to bring Buddhist sutras from India and translate them into Chinese. He was also the founder of the Consciousness-Only School/唯识宗 of Chinese Mahayana Buddhism.

A statue of Xuanzang in the memorial hall:

Xuanzang's 17-year journey from Chang'an (Xi'an) to India and back drawn out on a map. The route he took to India is in red, and the return route he took back to Chang'an is in green. On his way he traveled through many kingdoms in Central Asia and India, and he would later compile his experiences into the work known as Records of the Western Regions/《大唐西域记》. This work is still very important for historians and archaeologists studying Central Asian and Indian history, because it gives locations of important sites, such as the ruins of Nalanda monastery (phonetically translated as 那烂陀寺 in Chinese) in modern day Bihar. The Ming-era novel Journey to the West/《西游记》 was also very loosely based on this work; more specifically, the novel was based on folk tales about Xuanzang's travels, which was in turn loosely and partially based on Xuanzang's experiences recorded in this book.

(Metal?) wall murals and a giant wood relief depicting Xuanzang's early life and his journey to India and back (generally viewed in order from left to right since it's a continuous narrative):

Biography of the Tang Dynasty Buddhist Tripitaka Master Xuanzang of the Great Ci'en Temple/《大慈恩寺三藏法师传�� (alternatively translated simply as "The Life of Xuanzang"), written by Xuanzang's disciple Huili/慧立 in 688 AD.

An artifact not strictly related to Xuanzang: Ritual Confession of Mercy Temple/《慈悲道场忏法》, a Buddhist repentance work/忏文 written for Emperor Wu of Liang (464 - 549 AD) for the purpose of conducting a "ritual of transcendence" (called 超度; I could not find an English translation for this so this is my own translation) for the emperor's deceased wife. This particular version was printed in Ming dynasty in 1608.

Ceiling of the memorial hall, decorated with Sanskrit characters:

The second exhibition hall also has wall murals and a giant wood relief, this time depicting Xuanzang's life after returning to China:

Xuanzang has stated that the purpose of his journey was to bring back Buddhist sutras in their original Sanskrit, so that the integrity of the original texts may be better preserved in future translations and a more faithful interpretation of the sutras may be achieved. When he returned from India in 645 AD, he brought back with him 657 Buddhist texts in Sanskrit, and with support from Emperor Taizong of Tang, he proceeded to translate these texts into Chinese with his team of translators.

Daci'en Temple still preserves less than 20 leaves of the original palm leaf manuscript/贝叶经 brought to China by Xuanzang. I didn't get to see these artifacts myself, but just for reference, here are some potato quality pictures I've found online:

Below is a part of a (Ming-era? Not sure) printed copy of the Mahā-prajñāpāramitā Sūtra (《大般若经》 or 《大般若波罗蜜多经》 in Chinese), which was translated into the Chinese text seen here by Xuanzang and his team:

Part of Complete Translations by Master Xuanzang/《玄奘法师译撰全集》:

A view of the exhibited part of the collection of works that were either by Xuanzang or written about Xuanzang. Being an aspiring translator myself and knowing that these were works connected to a great translator who lived 1300+ years ago, there is just a feeling of awe here that can't be described properly in words...

There's also the twin steles associated with Xuanzang at the foot of the Giant Wild Goose Pagoda. The stele on the west (below left) was written from right to left, composed by Emperor Taizong of Tang Li Shimin/唐太宗 李世民, while the stele on the east (below right) was written from left to right, and was composed by Emperor Gaozong of Tang Li Zhi/唐高宗 李治 (the two emperors are father and son). The calligraphy for both steles was provided by Chancellor Chu Suiliang/中书令 褚遂良. Both steles gave an account of Xuanzang's life and praised him for his achievements, and both were erected in 653 AD. Since I didn't go into the pagoda, I didn't see these two steles (I believe one of them isn't at the pagoda anymore? It might be at Beilin Museum now), so here are pictures of the ink rubbings from Open Museum (open in new tab to view the full image):

And finally, some fun souvenirs from the gift shop! These are tiny incense pellet holders topped with the twelve zodiac animals

A funny greeting card that translates to "And We miss you too" (朕 is a first person pronoun used exclusively by emperors to refer to themselves; today many people use 朕 to jokingly refer to themselves)

[asiandramasource]

LU YU XIAO as SHANG GUAN QIAN YU SHU XIN as YUN WEI SHAN

in 云之羽 My Journey To You (2023), dir. Guo Jingming

[xiaolanhua]

LU YU XIAO and CHENG LEI Harper’s Bazaar China photoshoot

[heymeowmao]

一念关山 | A Journey to Love E6 ° asshole cat energy

[feli026]

IGOR NOOOOO IGOR DONT DIE IGOROROROFOFOOF

Oh nvm peepaw Niru on the rescue

[fuckyeahchinesefashion]

Beauties in 1986 chinese drama Journey to the West西游记

yutujing玉兔精 jade rabbit spirit

zhizhujing蜘蛛精 spider spirit

chang'e嫦娥 moon goddess

jin bi bai mao shu jing金鼻白毛鼠精 Golden nosed white haired mouse spirit

nv er guo guo wang女儿国国王 The Queen of Women's Kingdom 

[hi-people54]

Part 10 of asking octonauts related questions until season 5 comes out

Do you think octonauts journey to china will come out in English?

Mine: yes but we might have to wait a while

[balkanparamo]

Zhong Biao - Journey to the West, 2015

[sunfloraas]

The monkey king