#Jones Act

[choppedcowboydinosaur]

It's interesting that libertarian economists and Puerto Rican communists agree that Jones Act sucks.

[faultfalha]

As the President of the United States, it was my duty to visit the Philadelphia Shipyard and talk about the importance of clean energy jobs. The shipyard has been in operation since the early 1800s, and it's important that we keep these jobs in America. The people of this country need good-paying jobs, and the shipyard is a proud example of the type of industry we need to be focusing on. I was happy to see the workers here, they are the backbone of our economy.

[bruceandmary]

I think doing voice for animation is... is probably acting in its most purest and ancient form. It's a bit like... the Greek form of acting, in the ancient Greek. where they had masks on. In our case, the mask is the animator's drawings, you know.

The Making of the Lion King.

Rest in peace, James Earl Jones.

[black-in-kansas]

Watch "The Obscure Law that Killed U.S. Maritime Shipping" on YouTube

[the-geeky-fangirl]

yes i know heartstopper is "cringe" and yes I know you think it's not that deep but you've endured years of cringe oversexualized shows about high schoolers where the gays are delegated to sub plots I'm sure a few hours of queer people being safe and happy and loved won't kill you so please shut the fuck up

[missabnormal]

The electric grid in Puerto Rico is unstable and after Hurricane Fiona, hundreds of thousands of clients do not have electricity, including hospitals, homes with bedridden patients and water reservoirs. Many of these buildings have generators, but they are running our of diesel. Right now, there’s a cargo ship off the coast of southern Puerto Rico that has barrels of diesel it wants to deliver to Puerto Rico . . . but it’s not a ship under the United States flag. Because of the 1920 Jones Act, Puerto Rico is not permitted from letting non-American cargo ships from anchoring in the coasts of Puerto Rico, regardless of what those ships may have onboard. Puerto Rican people have been dying because they had no choice but to use candles in the night, and have ended up burning their entire house down. More people could die if hospitals and the water reservoirs run out of diesel. But American imperialism dictated more than a hundred years ago that Puerto Rico cannot let non-American cargo ships anchor in their coasts, and Puerto Rican should pay double, if not triple, the price for any product that American cargo ships have. 

The non-American cargo ship is currently trying to get a waiver from the Jones Act from the United States federal government, but there’s a time limit--this cargo ship can’t stay anchored off the coast of Puerto Rico forever. How many more years will Puerto Rico have to endure this colonialist law that has been crippling the Puerto Rican economy for decades?  

[neat-crows]

So I've been re-watching dr who for the first time ever rn, with a friend who's never seen it before, so I'm seeing all these episodes for the first time since I was 13 and picking up on a LOT that I never noticed before, and holy shit the tenth doctor is SO WEIRD to Martha Jones, and nothing exemplifies that more than the sontaran stratagem/the poison sky.... like..... he is SO weird the whole way down.

When they first see each other again their introduction directly mirrors Jack and The Doctor's in Utopia

"Doctor" "martha Jones" laugh and hug

"doctor" "captain Jack" laugh and hug

And then! they have a normal interaction!!! WIN he asks how her family is and how she is, and they're smiling and genuinely seem like friends very happy to see each other!

And then.... donna drops the fiance bomb.

He turns with a look of.... almost anger? disbelief? and asks WHAT MAN?? Then martha explains who he is and the doctor....

he looks? upset? and then like, resigned? AND THEN martha admits that her fiance is kind of similar to the doctor, and then donna asks "Is he skinny?" and his reactions

is to make a face like "yeahh" AND START NODDING????? like he's taken Martha's admission to mean she's with a man that's just like him, and honestly seems a bit smug over it, and then when Martha says no-

he looks so taken off guard and betrayed ??????????? BRO we are less than 5 minutes in..............

He then proceeds to be tetchy with her, and to be fair this is mostly because of her involvement with unit, and his discomfort with how militaristic she's gotten - which I think comes both from anger at himself for how he's changed her, and also discomfort that she's no longer "his" Martha, she's changed, and he doesn't know her as well anymore.

he tells her off, he's snide and judgmental, he won't even look at her until she tells him to, and he's honestly bitchy - Until she explains herself, and tells him off for being so judgmental, i also think his line "oh so it's my fault" is very telling because..... it literally is? like yes, you put her in situations where she had to become harder and more used to violence......... and he KNOWS it. He's doing what he did all through series 3, which is feel guilty or bad and then take it out on Martha (that's for another post though) until she stands up for herself (get his ass!!) and then when she's finished she looks at him

determined, but eyes darting back and forth waiting for his reaction, on some small level hoping for his approval

and only THEN does he start to smile, and he tells her "that sounds more like Martha Jones." she's back to feeling like she's still his (to him, Martha is acting incredibly normal and platonic). The doctor has always had a weird possessiveness with Martha, going all the way back to their first episode where he hand picked her, and in this second of her looking for his approval, he feels that again, and he IMMEDIATELY started flirting again - please go watch the scene it boggles my mind how fast he switches.

I also want to be clear, Martha isn't flirting back, she's acting extremely normally. She's clearly taken the time away from him to get over, not only romantic feelings, but any anger as well. She seems to have come to terms with how she feels with everything that happened, and she loves and cares about him, but she's not naive to his faults - I also don't think she even picks up on him being weird to her in this scene. She's no longer in tune with his every mood swing, she's not here to fix him, or cater to his needs, and so she no longer notices these small moments from him.

AND THEN.... the clone.

He never flirts with the clone. The ONLY time, is the very first time they interact, before he's realized something is wrong.

he calls her over to come with him, and his face is honestly way too close to hers. bro is a menace. but then, maybe 2 minutes later, he immediately clocks that this is not Martha.

he realizes there has to be a spy and only has to consider for half a second before he turns and asks about her family, he's already realized she's acting a little off, and the second she answers he's 100% certain.

and he gets MAD. he tells her Donna went home because she's not like her, she's not "a soldier" clearly a shot at the sontarans, but also another subtle test, the real Martha wouldn't let that slide, and he wouldn't say that to the real Martha. He continues saying Avanti, instead of Allonse-y, which is interesting, because he already knows. He's not doing this to confirm his suspicions, he's doing this as retaliation. To confirm to himself he knows Martha better than this fake, he's toying with her. BUT. He doesn't go to save Martha.

The next episode, the doctor's daughter, he refuses to accept the label of soldier, but Jenny rightfully points out that he strategizes like one And this is one such moment. He knows Martha is a clone, he's mad and upset, he could go save her right away, but he doesn't. He doesn't because it serves him best to allow her to keep shutting down the nuclear launch.

It reminds me a lot of when Cassandra possessed Rose in New Earth, he played a long for a little bit, but that was just to figure out what was happening. He IMMEDIATELY tried to fix it, I just wonder if it was any other companion if he would have done this. If it was Donna would he have left her for so long? even if it was strategic? it's this weird conflict the doctor has now that he's very very protective and a bit possessive, but he also treats her like an equal on the battlefield, and it's a weird... trust? he has in her to take care of herself.

I kind of don't want to call it trust because that sounds too positive, but I don't know another way to phrase it, but it's a forced independence and self sufficiency.

but then, he finally goes to save her

He goes and cradles her face gently, and NOTABLY says "good, still alive" MEANING HE DIDN'T KNOW??? and still left her for that long...

but he holds her gently, and fully ignores the clone. He has his back to her, and then proceeds to taunt her. He tells her he clocked her right away because of the pupil size, thin hair, and he says she smells. but we know this isn't true.

Sure maybe those physical traits are true, but that's not how he figured it out, we saw how he did it, he clocked on because he knows Martha so well, but he can't admit that. He can't admit that he knows her just as much as she knows him, just like he couldn't tell Rose he loved her.

He is so deeply angry at this clone, he makes fun of her, he yells at her, he looks at her likes she's nothing

This is his face when he kills her. He doesn't talk to her, or even TRY to save her. And we know she is alive, she has memories, and her own thoughts and feelings, and the doctor kills her while gloating because of his immense anger for hurting Martha. An anger that is also guilt.

he does not speak to her like a person (which directly leads into his treatment of Jenny in the next ep).

Parallel that to how Martha treats her, they talk about their family and she even calls the clone Martha. She really is a doctor in a way ten tried and often failed at.

And then at the end, Donna asks Martha to come with them, and she says no, and that she's happy at home, but she's better for having traveled and come back.

And the doctor looks at her

With an obvious sadness, but also acceptance. He clearly wants her here, with him, but I think he's finally come to accept that that'll never happen, and he needs to let her go.

Edit: I Like their dynamic(mostly) This is not an anti tenmartha post Him being a freak is compelling

[odinsblog]

Thank you for everything, James. Rest in power, King.

[mushroomgrenade]

So this actually took a month to record, just cause I had to always leave mid recording cause I GET SO SAD DAMMIT-

The whole episode is 19 minutes long, please check it on YT!

Replica series by @kathaynesart

ARC 4 - Probing - 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 -

[anthurak]

Okay, but just the contrast in writing/performance between Jaune and Ruby in their different breakdowns.

Miles is giving Jaune this very up-front, very overt, very traditionally dramatic ‘man losing his mind out of isolation and guilt’ performance. He shouts, he screams, he makes big, attention-getting monologues and outbursts where he lays out all his pains and torments for the audience to hear. Again, all in what we’d call a very ‘traditionally’ dramatic fashion.

Meanwhile, Lindsay is giving Ruby this very restrained, grounded, visceral, far more raw and ugly performance. Ruby is generally quiet and restrained until something sets her off. She doesn’t shout or scream but instead lashes out with things she’s been holding in all this time seemingly at random. She’s not ‘explaining’ what or how her problems are, she’s just VENTING. Because that’s all she CAN do right now.

And it all works brilliantly with both the characters AND what the scene needs to accomplish.

I think from a character perspective, Jaune is making these big, overt dramatic breakdowns in a subconscious attempt to GET attention, as an unconscious cry for help. Specifically, because Jaune is deep down DESPERATE for absolution. He’s become so consumed by guilt over what he did to Penny that it’s now taken over everything he does, and deep down he’s desperate for someone or something to absolve him of that guilt.

But whereas Jaune is dealing with something recent, relatively speaking, what we’re seeing with Ruby is simply the result of coping mechanism she’s been using to compartmentalize, manage and repress her trauma likely her entire life, which has LONG since been pushed past it’s limits, FINALLY breaking down. What we’re seeing start to come out is likely a LIFETIME of repressed pain and trauma. Which ironically she CAN’T let out nearly as obviously as Jaune is doing because she’s still trying to keep it in. Because she doesn’t know HOW to be open with her pain.

And putting Jaune opposite Ruby in this episode only serves to exacerbate Ruby’s problems. Because Jaune’s far more overt and obvious breakdowns just end up drawing the attention of Weiss, Blake, Yang and even the audience AWAY from Ruby’s already subtle and restrained breakdown.

Until it’s too late and Ruby simply checks out entirely.

[hedgehogoftime]

Legendary actor James Earl Jones has passed on to today. Rest in Peace

[phoenixyfriend]

Have a silly thought:

Scooby Doo started in 1969.

Daphne is frequently interpreted as having a strained relationship with her parents, but also coming from wealth, and being able to rely on that wealth to some degree.

A minor can be added as an 'authorized user' to a parent's credit card, but cannot have their own until age 18 (raised to 21 without cosigner in 2009).

It was illegal for women to have their own credit cards without a male cosigner (parent or spouse) until 1974.

Daphne wants a credit card, that she can pay for from her trust fund, or from money made solving mysteries, that her parents can't actually look at and see purchases on.

Daphne marries Fred for Legal Lending the second they turn 18 in like 1970, along with a host of other "Daphne is the money manager for the Mystery Gang but isn't legally allowed financial independence, so Fred just cosigns everything for her and then lets her do whatever she thinks is best" reasons.

[ghost-in-the-corner]

Harrison Ford and Ke Huy Quan at the 2023 Academy Awards

[nastasya--filippovna]

David Tennant Characters as Textposts a masterlist.

Special dedication to @davidtennantgenderenvy , @consanguinitatum and @ivankaramazov07 , the No.1 DT hoes (affectionate) fans on this site.

P.S Crowley gets a separate one because they're my special babygirl

[ducktracy]

i don’t have a greater commentary or more streamlined means of posting this other than i. NEED. “you poor unsanitary old underprivileged mongrel you” and “you pathetic, sallow creature you” on my blog for easy access. i laugh out loud every time i so much as think about it. Mike Maltese’s writing is a force to be reckoned with (as is the entire Charlie Dog filmography)