#Joel Oulette

[chaneilkular]

JOEL OULETTE as Wesley Don't Even 1x06 "Stinky and the Man's Battle of the Bands 1998"

[geryrrs]

Joel Oulette as Hanh in Avatar: The last Airbender

[natlacentral]

gordoncormier_official Hey guys! Im supper exited to finally anounce we got the go ahead for not just season 2, but for seasons 2 & 3! I wanna give a huge thank you to the fans for all the support, and to all cast, crew, and all of the people at Netflix who made this show possible. It has truly been an amazing life time experience, and I’m extremely grateful to get to spend the next few years of my life working on this show. Thank you guys all so much, and see ya soon!

[activefancaster757]

𝙆𝘼𝙇𝘼𝘿𝙄𝙉 𝙎𝙏𝙊𝙍𝙈𝘽𝙇𝙀𝙎𝙎𝙀𝘿: 𝘑𝘖𝘌𝘓 𝘖𝘜𝘓𝘌𝘛𝘛𝘌

𝘿𝘼𝙇𝙄𝙉𝘼𝙍 𝙆𝙃𝙊𝙇𝙄𝙉: 𝘋𝘈𝘝𝘌 𝘉𝘈𝘜𝘛𝘐𝘚𝘛𝘈

𝙎𝙃𝘼𝙇𝙇𝘼𝙉 𝘿𝘼𝙑𝘼𝙍: 𝘚𝘈𝘠𝘓𝘖𝘙 𝘉𝘌𝘓𝘓 𝘊𝘜𝘙𝘋𝘈

𝘼𝘿𝙊𝙇𝙄𝙉 𝙆𝙃𝙊𝙇𝙄𝙉: 𝘒𝘈𝘐 𝘔𝘖𝘠𝘈

𝙎𝙕𝙀𝙏𝙃-𝙎𝙊𝙉-𝙎𝙊𝙉-𝙑𝘼𝙇𝙇𝘼𝙉𝙊: 𝘈𝘕𝘛𝘏𝘖𝘕𝘠 𝘊𝘈𝘙𝘙𝘐𝘎𝘈𝘕

𝙎𝙔𝙇: 𝘌𝘓𝘝𝘈 𝘎𝘜𝘌𝘙𝘙𝘈

𝙅𝘼𝙎𝙉𝘼𝙃 𝙆𝙃𝙊𝙇𝙄𝙉: 𝘍𝘙𝘌𝘐𝘋𝘈 𝘗𝘐𝘕𝘛𝘖

𝙈𝙀𝙍𝙄𝘿𝘼𝙎 𝘼𝙈𝘼𝙍𝘼𝙈: 𝘓𝘌𝘌 𝘉𝘠𝘜𝘕𝘎-𝘏𝘜𝘕

𝙈𝙊𝘼𝙎𝙃: 𝘋𝘈𝘒𝘖𝘛𝘈 𝘉𝘌𝘈𝘝𝘌𝘙𝘚

[skylessknights]

GET TO KNOW ME: ♡ favourite underrated tv show - Trickster

There was a time when we were all family. Witches, Ancient, Tricksters. Cycle and balance...harmony. You're called ancients? Why do you want my son? Your son? The son of a trickster and a witch. I've never seen that before.

[steve-needs-a-hug]

this is how they look at each other btw </3

[elparaisodetlaloc]

[haveyouseenthisseries-poll]

[fictionaltrvlr]

the second quarter quell

it becomes clear that almost everything in this pretty place - the luscious fruit dangling from the bushes, the water in the crystalline streams, even the scent of the flowers when inhaled too directly - is deadly poisonous. […] the fluffy golden squirrels turn out to be carnivorous and attack in packs, and the butterfly stings bring agony if not death. - catching fire chapter 14

cutouts

[girasois]

joel oulette; please, like or reblog ♡

coloring by the lovely @loviestudio ♡

[sasukelandia]

YOUR NAME: Based on the proposed Native American remake (x)

Kiawentiio as Mitsuha Miyamizu Joel Oulette as Taki Tachibana

[chaneilkular]

JOEL OULETTE as Wesley Don't Even 1x02 "Welcome to the Band Office"

[thetzar]

Via Instagram

Joel & Shayla Oulette Awesome Sibling Bond Time.

[natlacentral]

ciccozzidesigns Avatar The Last Airbender Season 1

For Your Consideration - Guild Awards 2024 Best Make-up - Children and Teen TV Program

Animation to Live Action Make-Up Designs. Includes Air Nomad Tattoos, Zuko Burn Scar, Bald Caps, Pates, Teeth, Prosthetics, Ravages of War, Blood, Dirt, injuries. Hand Laid Facial hair, Lace pieces, Custom Patterns and Pieces. Burns, Death Make-ups, Out of kit Fx.

Love and thanks to my amazing crew: Key mkup @debbie.lelievre Key mkup @ceilidh13mkup Makeup Artists @alannahnicole@alipavlinovich@ashley_pilkey@gittestudio@foreverpuff Fx makeup extraordinaire @vickimakeupfx

Special thank you to the hair dept. @juliemchaffie@wigcamp@lyric_abode@sandidh and the talented costume designer @fks_designs.

SPFX makeup houses: @amazingapeproductions@mastersfxstudios@schminkenfx

Special thanks for your consideration @muahs_awards@iatselocal706

[pluckyredhead]

I was watching the new avatar TV show, and all I could think was that Joel Oulette should play Koryak when James gunn reboots aquaman.

They've got him in a long wig and he looks uncannily like Koryak in the panels you've shared.

*googles*

Oh my GOODNESS.

[moorheadthanyoucanhandle]

EVERYTHING EVERY TIME ALL IN ONE PLACE

Playing wide in the multiplexes right now:

Here--A spot in a living room in an upscale eastern Pennsylvania suburb--that's the title locale of this latest from Robert Zemeckis. It's our static vantage point for, essentially, the whole movie, looking across the room through a picture window that offers a view of the big brick colonial-era house across the street. 

We see the view there before it was a living room--long, long before. As in, we see it during the extinction event that ended the Cretaceous Period, sixty million years ago. We see it as a woodland make-out spot for indigenous lovers (Dannie McCallum and Joel Oulette), and as a burial site. We see it as part of a dirt road leading up to the aforementioned historic manse, which once was occupied by William Franklin (Daniel Betts), estranged Loyalist son of Benjamin (Keith Bartlett).

After the house is built, we get glimpses of the lives of its early 20th-Century inhabitants, like an enthusiastic aviator (Gwilym Lee) whose wife (Michelle Dockery) frets about his flying. They're followed by a whimsical inventor (David Fynn) and his sexy flapper wife (Ophelia Lovibond). This guy is trying to perfect a reclining chair; his working title for it is "Relax-y-Boy." And we see the house's early 21st-Century occupants, an African-American family; Nicholas Pinnock and Nikki Amuka-Bird are the parents, and Anya Marco-Harris is the beloved housekeeper.

But the movie's main focus is the midcentury family that takes the place over after WWII: Dad (Paul Bettany), a combat veteran and a seething, disappointed functional alcoholic, his sweet, quietly unfulfilled wife (Kelly Reilly), and his oldest son (Tom Hanks), an aspiring artist. The son gets his beautiful girlfriend (Robin Wright) pregnant, so there goes both art school and her college dreams. They move in with the parents, and stay for decades.

So the movie packs in a lot of history (and prehistory), a lot of longings fulfilled and unfulfilled, and cultural references ranging from the Spanish flu to the Spanish Inquistion sketch from Monty Python. But I'll admit that when I realized we were going to be parked in one place for the whole thing--I went in not knowing this--I panicked for a moment.

I needn't have worried. Zemeckis has always been a skillful showman, and while the audacious experiment of Here is by no means an unqualified success, it certainly never bored me. The script, by Eric Roth and Zemeckis, is based on a 2014 graphic novel by Richard McGuire, and Zemeckis employs comic-book techniques like overlapping inset panels to interweave the various timelines and bounce them off each other thematically. It's an impressive and confident exercise in narrative, and it does carry a cumulative emotional punch.

There are downsides, however. The fixed point of view means that the actors tend to seem a bit far away from us a lot of the time, and when they are brought up into the foreground it somehow feels forced. Zemeckis may have been worried about this distancing too; Alan Silvestri's music, though pretty, is ladled on a bit thicker than it should be, as if to telegraph what we're supposed to be feeling.  

Much more jarringly, though, the people in Here often have an ersatz, CGI "Uncanny Valley" look to them. The leads were taken all the way back to teenaged through some sort of real-time computer tech, and while the results are tolerable, they aren't perfected in realistic terms.

It must be admitted, however, that Hanks and Wright transcend this limitation, especially Hanks. The other actors sometimes feel like cyber-phantoms, but Hanks is so vibrant that he can project his humanity right through the program. And after Apollo 13, Castaway, Captain Phillips and Sully, it's also a relief to see the poor guy stay put.