#Jill Faust

[riveramorylunar]

I have to say all these characters from SpellAstra are hot like um excuse me please...... Making me have a gay panic right now

[nitrateglow]

Spooky Season 2024: 6-11

Targets (dir. Peter Bogdanovich, 1968)

Targets follows two parallel stories that eventually intertwine. The first involves elderly horror star Byron Orlock (Boris Karloff), disillusioned with his professsion and the real-world violence around him, and intent on retiring from film. The second involves Bobby (Tim O'Kelly), a disturbed young man obsessed with guns who goes on a murder spree. Both points converge at the drive-in premiere of Orlock's newest film.

Targets caught me offguard. The violence in the story involves a mass shooter and so it has a lot of real-world parallels. The killings are presented in a matter of fact way, without spectacle or blood geysers. It makes all of it feel more real and upsetting, especially since we've seen our share of Bobby-like killers over the decades.

My youngest sister watched this one with me and kept calling Karloff's character "Babygirl" and that isn't wrong. Though crabby and cynical, Byron is really charming and likeable. The arc he undergoes is really powerful, particularly as it pertains to his relationship with his secretary Jenny (Nancy Hsueh).

Though the tensions of the late '60s are a major part of Targets, it also deals with the gulf between the old school horror movies represented by Orlock and the more violent fare of the dawning New Hollywood era. I feel like there are just so many layers here. I really need to rewatch it. It's a fascinating movie and I would highly recommend it.

The Phantom of the Opera (dir. Dwight H. Little, 1989)

Modern singer Christine Day (Jill Schoelen) is sent back in time to a previous life as an aspiring opera singer in 1880s London. Her mentor is Erik Destler (Robert Englund), a disfigured composer who made a deal with the devil that left him immortal and embittered. He also has a habit of skinning people and then stitching the flesh on his ugly ass face. The opera management wants to build up another diva's career at the expense of Christine's. Erik doesn't like this. People start getting killed.

The 1989 The Phantom of the Opera is such a mixed bag, but I enjoy it anyway. The script is a mess. It frames the story with this weird time travel/reincarnation/isekai plot that doesn't add up to anything. It introduces interesting concepts-- like the relationship between Christine and Erik reflecting Erik's own deal with the devil-- without fleshing them out. Also-- and if Letterboxd is anything to go by, I'm in the minority-- I'm not crazy about Jill Schoelen's Christine, though I think that's more due to the way Christine is written than how she plays the role.

But then you have the glorious production design, stagebound but dripping in gothic candlelight and late Victorian grime. Best of all, you get Robert Englund's Erik Destler, one of the best onscreen Phantoms of all time.

I love how Englund's Erik is both an excitable schoolboy, almost squealing with delight while Christine kills it at Faust, and a violent, vengeful monster who doesn't take his will being defied lightly. I like the skin-grafting angle for the mask and that Erik ventures out into the London underworld at night. These are all fresh elements and I wish they could have been combined with a tighter, more focused script.

Still, this is a fun movie.

Murders in the Zoo (dir. A. Edward Sutherland, 1933)

A zoologist (Lionel Atwill) is pathologically jealous of his younger wife (Kathleen Burke), and so starts killing any perceived rival to his possession of her. Very pre-code violence ensues.

I'm going to be blunt: this movie did not live up to the hype. A lot of pre-code fans vouch for it as the nastiest horror film of the era. That is likely true. The first thing we see is a man getting his mouth sewed shut, a bit of nastiness that would shock in a recent film, let alone one from 1933. There are some gruesome killings throughout.

Too bad the story is sluggish and dull. There's a lot of corny comic relief that stops the action dead. The direction is flat. It's definitely not a movie I can see myself revisiting. There's barely anything there to sustain interest beyond the occasional creative murder-- no atmosphere, no anything.

Other than the murders, the only thing that stood out to me was Kathleen Burke as the tragic wife of the crazy zoologist. Burke is best remembered as Lota the Panther Woman in Island of Lost Souls. Her career fizzled out quickly, which is a shame because she has great presence and no shortage of talent.

The Black Room (dir. Roy William Neill, 1935)

In a Tyrolean town, an ancient prophecy swears that the ruling house will be destroyed when twins are born and the younger brother kills the older. So when the baron is presented with twin sons, he does everything he can to prevent the prophecy, such as sealing up the Black Room where the murder is supposed to occur. The boys grow up different as can be: the older brother Gregor (Boris Karloff) is cruel and sensual, abusing the locals and his own power, while the younger Anton (also Karloff) is gentle and kind. Despite his twin's sweet nature, Gregor is still concerned for his life and his continued domination of the town. He hatches a devious plan to cheat fate, but can he?

For some reason, I thought I had seen this movie long ago, but apparently not. What a delightful gothic story this is! It's filled with all the old school tropes played straight: an ancient prophecy, a lecherous nobleman preying on innocent maidens, a torture chamber filed with corpses, a dark and gloomy castle. There is a subtle sense of grim humor throughout, but it never descends into parody when it easily could have.

If you've ever doubted Karloff's capabilities as an actor, this movie should remedy that opinion. He plays two distinct characters, and at one point, gives a performance within a performance. All three performances feature their own unique body language, line delivery, and business. It's astonishing throughout.

Equally impressive is the direction from Roy William Neill. Best known for helming the Basil Rathbone Sherlock Holmes movies, his direction here is so dynamic and impressive, not in the least stagey or inert.

One last thing: for a post-Production Code movie, it has a surprising amount of violence and sexuality. Gregor is clearly using the local women for his sexual gratification before murdering them, and his interest in Marian Marsh's lovely aristocratic girl is 100% carnal. There's a pit full of corpses and we get to look into it rather than have its presence alluded to offscreen. It's all nasty stuff. It really feels like the filmmakers got away with a lot, even if it seems tame by modern standards!

The Bells (dir. James Young, 1926)

Innkeeper Mathias (Lionel Barrymore) hopes to become burgomaster of his village. He hopes endless credit and free drinks will sway the populace to support him, but this comes close to killing his business and destroying his family. Desperate, he murders a wealthy guest, destroys the body, and uses his pilfered gold to pay off all debts and influence his way to power. However, both the crushing guilt and a mesmerist (Boris Karloff) with mind-reading powers threaten to expose him.

This is one of those movies that has a great premise, but the execution is very underwhelming. The filmmakers waste a lot of time on the romantic antics of Mathias' pretty daughter and goofy comedy. It's like they were timid about leaning more into the gothic, distressing elements of this dark story and it makes the film drag.

Still, Barrymore is good, especially once he commits the murder and starts going all Telltale Heart. But the best thing in the movie is definitely Boris Karloff. He had been in movies since 1919 and it wouldn't be until Frankenstein in 1931 that he became a star. But it's safe to say, The Bells gives Karloff his first standout role.

Karloff's character doesn't show up a lot, but he is the biggest threat to Mathias' power. Though his Caligari cosplay is hilarious (for real, the filmmakers didn't even TRY to hide the Caligari influence), he has this creepy shit-eating grin that really leaves an impression.

Is Karloff enough to make this worth watching? Eh, I don't think so. There are far better silent thrillers you could be watching.

The Sorcerers (dir. Michael Reeves, 1967)

Elderly Professor Montserratt (Boris Karloff) and his wife Estelle (Catherine Lacey) use a mind control procedure on young stud Mike Roscoe (Ian Ogilvy). Able to experience everything he feels and to control his behavior if they wish, the two vicariously experience the thrills of Swinging London through their test subject. However, Estelle gets drunk on power and starts using Mike to engage in multiple crimes, including murder.

This movie was hyped to me, so maybe it's partially my fault I was so disappointed by the end result. With the exception of Estelle, the story lacks compelling characters. There's no sense of pathos to Mike's victimization and downfall because he's bland as hell and passive, a deadly combination if you want me to give a damn about your narrative.

Everything about this movie feels drab, both the visuals and the filmmaking itself. Big setpieces like the hypnotism scene or the telepathic motorcycle ride are supposed to be kinetic and exciting, but they just feel like the product of an enthusiastic amateur. I've seen low budget movies that have real personality and verve despite their lack of resources (see Blast of Silence), but The Sorcerers just feels cheap and uninspired in every way. I struggled to finish it even though it wasn't even an hour and a half long.

It's a shame because I like the central premise: two elderly people use this device to vicariously experience the fast life of swinging London. But it's done so poorly. It's hard to believe director Michael Reeves' next film would be the masterful Witchfinder General.

[twistedtransgender03]

Short Intro Post

🖤 Name: Faust

💜 Pronouns: He/Him

🖤 Age: 21

💜 Fave genre: Numetal

🖤 Interests/hobbies: Illustration, printmaking, alternative music culture, horror, DIY clothing and textile art

💜 Favorite bands/artists: Korn (my bias lol), Jack Off Jill, Limp Bizkit, Three Days Grace, Slipknot, KMFDM, Buck-Tick

That's all until I can think of some more creative stuff to write lol :P

[little-strawberry100]

☆Masterlist☆

Read Rules

The Wolf Among Us

Bigby Wolf- None Yet...

Snow White- None Yet...

Nerissa- None Yet...

Yuurivoice

Bittersweet Trio-

Plushie Alphonse?

Time With Your Boys

Can We Be Polyamorous?

Road Trip!

Alphonse- None yet...

Seth- None yet...

Finn-

Poem Of Love

Charlie- None yet...

Auron- None yet..

Faust- None yet...

Jack- None yet...

Redacted Audio

David- None yet...

Asher- None yet...

Milo- None yet...

Sam- None yet...

Vincent- None yet...

Gavin- None yet...

Lasko- None yet...

Damian- None yet...

Huxley- None yet...

Guy- None yet...

Ollie- None yet...

Elliot- None yet...

Aaron- none yet...

Ivan- None yet...

Escaped Audios

Jean Dipeitro- None Yet...

Alfonso Villabla- None yet...

Benjamin Rasmussen- None yet...

Ashley- None Yet...

Jäger- None Yet...

Crow- None Yet...

Ivan- None Yet...

Titan A.E.

Cale Tucker- None Yet...

Akima Kunimoto- None Yet...

Resident Evil

Leon S Kennedy- None yet...

Chris Redfield- None yet...

Rebecca Chambers- None yet...

Jill Valentine- None yet...

Spree

Kurt Kunkle-

Are We Famous Yet?

Free Guy

Keys Mckeys- None yet...

Millie Rust- None yet...

Assassins Creed Black Flag

Edward Kenway- None yet...

James Kidd / Mary Read- None yet...

Red Dead Redemption 2

Arthur Morgan- None yet...

John Marstion- None yet...

Sadie Adlar- None yet...

Mary-Beth- None yet...

Charles Smith- None yet...

[horrorslvt]

★ ── Character masterlist.

Halloween.

Michael Myers.

Laurie Strode.

Corey Cunningham.

Allyson Nelson.

The Texas chainsaw massacre.

Thomas Hewitt.

Bubba Sawyer.

Scream. (1 & 4)

Billy Loomis.

Sidney Prescott.

Tatum Riley.

Stu Macher.

Charlie Walker.

Jill Roberts.

Final destination. (3 & 5)

Wendy Christensen.

Julie Christensen.

Kevin Fischer.

Ian McKinley.

Erin Ulmer.

Lewis Romero.

Ashley Freund.

Ashlyn Halperin.

Olivia Castle.

Peter Friedkin.

Succession.

Kendall Roy.

Roman Roy.

Shiv Roy.

Lukas Matsson.

Nate Sofrelli.

Until dawn.

Josh Washington.

Sam Giddings.

Chris Hartley.

Ashley Brown.

Matt Taylor.

Emily Davis.

Mike Munroe.

Jessica Riley.

Orphan: First kill.

Gunnar Albright.

Tricia Albright.

The boy.

Brahms Heelshire.

Lords of chaos.

Øystein "Euronymous" Aarseth.

Varg Vikernes.

Bård "Faust" Eithun.

Batman.

Batman / Bruce Wayne. (Keaton, Bale, Pattinson)

Catwoman / Selina Kyle. (Pfeiffer, Hathaway, Kravitz)

Penguin / Oswald Cobb. (Farrell)

Scarecrow / Jonathan Crane (Murphy)

Jennifer's body.

Jennifer Check.

Anita "Needy" Lesnicki.

Colin Gray.

[potangena44]

MY INTRO HIIIII!!!!!

(⁠≧⁠▽⁠≦⁠) ! ! !

my name is ace, my preferred pronouns are she/they but i don't mind he

filipino

i like to draw and write! i'm also on ao3 under the same username

multifandom but i primarily post about co09 / jeffery

my other interests are: lobotomy corporation, library of ruina, limbus company, dandadan, genshin, homicipher, creepypasta, v4-11 hall-a, hypmic, mcr, ptv, sws, fob, p!atd, mili, and others idk i forgot

characters i RLLY love: jeffery, scaramouche (wanderer), okarun, momo ayase, rin sawaki, helen otis, angela, jill stingray, yi sang, all of the patron librarians from ruina, faust, karen, emily, angelica

other stuff:

spontaneous posting •v•

i really like fau/sang

jeffery, netzach, and chesed selfshipper

REALLY BIG ptv fan

tags:

art tag: #floor of arty

writing related tag: #floor of literaturey

yap tag: #floor of general stuff

jeffery tag: #jeffery <333

ao3 link (only contains jeffery/reader fics for now)

(⁠*⁠´⁠ω⁠｀⁠*⁠) . . .

[loosesodamarble]

BC Next Gen OCs Favorite Drinks

Here we go, we're talking drinks now. There's so many that it was a little hard to keep them all unique so there are some repeats and some that are variants of each other.

Fausts

-Sterling: limeade -Dawn: sour lemonade -Dusk: sweet lemonade -Sirius: black coffee (no sugar or cream) -Merel: cinnamon hot cocoa -Vivian: strawberry milk

Roulacases

-Caelum: rose tea -Raphael: horchata

Adlais

-Silver: yogurt drinks -Clara: cappuccino coffee (with lots of extra cream)

Silvas

-Aecor: iced tea -Fleuriana: iced coffee -Chalivas: black tea (no sugar or cream) -Soleil: cola -Skylar: vanilla cola -Elana: orange cream soda -Eirlys: Earl Grey tea -Ferro: chocolate milk -Aimee: coconut milk -Naru: hot chocolate -Filomina: cranberry juice

Hearthas

-Maris: crimson orange juice (without magic run through) -Neave: crimson orange juice (with lots of magic run through) -Petrus: fruit punch

Deomines

-Remus: lime water -Romulus: apple cider -Fantasia: almond milk

Yamis

-Saki: shincha -Ann: sobacha -Kenzou: wasabi ginger ale -Kai'ichi: ginger beer -Shigehiro: konbucha

Cresswells

-Daniel: fruit smoothie -Jill: mint and cucumber water

Elves

-Avery: root beer -Elfrieda: dandelion tea -Alfred: egg nog

Others

-Leoray Vermillion: water -Cynthia Enoteca: mugicha -Jesse Voltia-Swing: hard candies dissolved in lemon-lime soda (chaotic little gremlin) -Kohaku Shirazaki: ginger tea with honey

[shadica]

Faust was a good boy and I'm furious someone took advantage of his death and vet bills to scam my sis in law. If you can help please do. Re-blogs are appreciated.

[ohc-and-the-music-tapes-archive]

About “Major Organ and the Adding Machine” album

(fragments from 'Endless Endless' by Adam Clair, 2022)

transcript:

One of the zanier things that grew out of this period was Major Organ and the Adding Machine. The entity produced one self-titled album, though it’s not entirely clear who that self is. It was created with no intention to release the album to the public, though that happened long after it was finished. The album is also not the most highly regarded in the E6 catalog. It’s easily one of the weirdest, though, and given how it came together, it serves as a remarkable document of the time period and community, like some kind of Dadaist Polaroid. The stream of unselfconscious is evidence that even without commercial ambitions of any kind, folks were still doing their thing, trying to entertain themselves and one another. 

The project began a cover of “What a Wonderful World” that Julian, Jeff, and Jill Carnes recorded together for a Kindercore compilation of Christmas music released in 1997. The Louis Armstrong original is a song most people have heard so many times that it’s basically white noise, but the Elephant 6 rendition has its own feel. Of the trio’s contributions to the song, Jill’s vocal melody hews closest to the familiar, but her creaky timbre weaves in and out of Julian’s ethereal saw like a frog clambering through a thicket of swaying cattails. Jeff’s verse in the middle is modulated just to the point of peculiarity, and a haunting tape loop from his homemade sound effects library undergirds the entirety of the two-minute track. 

Julian submitted the track under the name Major Organ and the Adding Machine and then lent the name to the project that emerged next, a bunch of songs that came together via an exquisite corpse–style sharing of tape. No one seems able to recall the exact origins, but it basically came about like this: one person would compose the beginnings of a song and put it to tape—maybe a fractured, looping guitar riff or a surreal lyric—and pass it off to someone else, who would then add sound effects or some percussive toy piano and pass it to someone else, who might add a bass line or instead decide to cut the whole thing up and rearrange it. Each person would add bits and pieces and then pass it to the next person, until a song was ready to collapse under its own weight. The tapes were passed around for years, each song swelling into maximalist oblivion as much from divination as from intentional composition, without anyone guiding the process or even keeping track of it. Eventually, there was an album’s worth of material.

[...]

Griffin Rodriguez: When we did the recordings for Major Organ, it was just like any other day. “We’re going over to Julian’s to do some recording. Julian has a track for you to play on. Bring your bass.” It was always very impromptu and in the same spirit as all the other records. They would just invite you over and you’d play an overdub. 

John Fernandes: Everyone kind of inspired each other. On the Major Organ project, everyone would kind of bring in things, and someone would say, “Hey, I’ve got a bass line for that.” We’ve never really talked about it. I’m not even sure if we’re supposed to be talking about how “we” did it.

Kevin Barnes: In the best way, it was a collaborative project. Everybody seemed to be contributing equally and making everything better. It was never getting worse because somebody laid some stupid tracks on it. It was like, “Whoa, this song is so much cooler now, and it was already cool.” I wrote that song  “Madam Truffle.” I don’t remember who got it, but they sped it up really fast, and there’s this extra cool stuff Eric added. 

Julian Koster: But we weren’t doing it to put it out. That was the thing. It entertained us to no end. It made us all laugh when we listened to it. It was just so funny and weird and fun. We all loved the Boredoms and Faust and Stockhausen.

[...]

Most of the recording happened in 1998 or thereabouts, and the album was released to the public in 2001. The finished product is every bit as eclectic and bizarre as anything else in the Elephant 6 catalog, and even more opaque. [...]  Absolutely nothing had to be distilled into something accessible, because no one expected it to have an audience that wasn’t in on the joke. No one expected it to have an audience at all, beyond the people who made it. If the spirit of their weekly potlucks could be transposed into a record, it would be Major Organ and the Adding Machine.

[unaloid]

i played guilty gear for the first time and my friend jill was going thru the characters with me, and i was like "umm not leo he's not cute, i dont want to play anyone who's not beautiful" and she was like "right and you are the person who finds faust attractive,"

-_-

[sweetdreamer215]

Book Club update:

Hi Sorry its been a while since my last update on the book club list of Books we read and where we are so far: This isn't to say we haven't been reading, we have (though a little slow at times), I'm just bad at writing the review XD When my friend Shelby and I started: 1. Sex Wizards - Initiation by Althea Faust(Review is up) 2. One Dark Window by Rachel Gillig - (Review is up) [I read Two Twisted Crowns its not part of our club though, and that review is up as well] 3. Ballad of Songbirds and Snakes by Suzanne Collins - [I read the original hunger game series before this 1st review is up but the others are not] 4. Stone and Sky by Z. S. Diamanti - review not up 5. Just Stab Me Now by Jill Bearup - review not up 6. Foxglove King by Hannah Whitten - review not up 7. Fourth Wing by Rebecca Yarrow - review not up 8. Christmasland by Anne Marie Meyer - review not up 9. Iron Flame by Rebecca Yarrow - review not up Things that we are currently reading 1. A Court of Thornes and Roses by Sarah J. Mass- currently reading (my first time reading this Shelby's second) Debating on our moods we may read Onyx Storm by Yarrow next or the next Mass book, we really haven't decided, and it is Shelby's turn to choose (tbf I have bought some of the books and gifted them for our book club fully meaning for us to read them on a my choice time and Shelby has decided no we need to read them during her choice). I'll keep you posted on what Shelby chooses! (I think it may be my turn in reality it doesn't matter)

[mario-19]

Nueva página de mi cómic Pintura y videojuegos. Espero que os guste. New page from my comic Painting and video games. I hope you like it.

"The Anatomy Lesson of Doctor Nicolaes Tulp" by Rembrandt, and Faust from Guilty Gear.

"A bar at the Folies Bergère" by Édouard Manet, and Jill Stingray from VA-11 Hall-A.

Detail of "The Geese of Meidum" and the goose from Untitled Goose Game.

The hands from "The Creation of Adam" by Michelangelo Buonarroti, and Master Hand and Crazy Hand from Super Smash Bros.

Bison from Altamira Cave, and Joe and Mac from Joe & Mac: Caveman Ninja.

"The Fable" by El Greco, and Murder Monkey from Dark Deception.

[ulkaralakbarova]

In 1863, Mississippi farmer Newt Knight serves as a medic for the Confederate Army. Opposed to slavery, Knight would rather help the wounded than fight the Union. After his nephew dies in battle, Newt returns home to Jones County to safeguard his family but is soon branded an outlaw deserter. Forced to flee, he finds refuge with a group of runaway slaves hiding out in the swamps. Forging an alliance with the slaves and other farmers, Knight leads a rebellion that would forever change history. Credits: TheMovieDb. Film Cast: Newton Knight: Matthew McConaughey Rachel: Gugu Mbatha-Raw Moses Washington: Mahershala Ali Serena Knight: Keri Russell Daniel: Jacob Lofland Sumrall: Sean Bridgers Lieutenant Barbour: Brad Carter Miss Ellie: Jane McNeill Prosecuting Attorney: Gary Grubbs Jasper: Christopher Berry Amos Deason: Joe Chrest Quitman: David Jensen Injured Soldier: Kurt Krause Confederate Color Guard: Carlton Caudle Freedman 1: Martin Bats Bradford Matthew Yates: Matt Lintz Mary: Kerry Cahill Annie: Jessica Collins Confederate Soldier: Juan Gaspard Junie Lee: Liza J. Bennett Polling Station Clerk: David Maldonado Schoolgirl: Serenity Neil Chester: Lawrence Turner Mrs. Deason: Lara Grice Col. Robert Lowry: Wayne Pére Farmer 1: Jim Klock Town Folk: Emily Bossak Sergeant: P.J. Marshall Third Man: Ritchie Montgomery Stillman Coleman: Mattie Liptak Aunt Sally: Jill Jane Clements Col. McLemore: Thomas Francis Murphy Old Man: Johnny McPhail Lt. Barbour: Bill Tangradi First Man: William Mark McCullough Edward James – Cotton Field Worker: Sam Malone Boy at Alice Hotel: Kylen Davis Farmer 2: Will Beinbrink George: Troy Hogan Confederate Soldier: Cy Parks Ward: Dane Rhodes Second Woman / Yeoman Farmer: Lucy Faust Yeoman Girl: Stella Allen Older Coleman Brother: Cade Mansfield Cooksey Maroon (uncredited): Tahj Vaughans Davis Knight: Brian Lee Franklin Film Crew: Casting: Debra Zane Production Design: Philip Messina Costume Design: Louise Frogley Editor: Juliette Welfling Producer: Jon Kilik Supervising Art Director: Dan Webster Editor: Pamela Martin Director of Photography: Benoît Delhomme Producer: Scott Stuber Executive Producer: Oren Aviv Set Decoration: Larry Dias Writer: Gary Ross Executive Producer: Robert Simonds Executive Producer: Robin Bissell Art Direction: Andrew Max Cahn Sound Re-Recording Mixer: Paul Hsu Executive Producer: Wang Zhonglei Executive Producer: Stuart Ford Prosthetics: Gary Archer Foley: Marko Costanzo Makeup Department Head: Nikoletta Skarlatos Executive Producer: Wang Zhongjun Co-Producer: David Pomier First Assistant Director: Eric Heffron Assistant Costume Designer: Meagan McLaughlin Foley: Eric Milano Second Unit Director: Garrett Warren Visual Effects Editor: Gershon Hinkson Executive Producer: Michael Bassick Makeup Artist: Kris Evans Executive Producer: Bruce Nachbar “B” Camera Operator: Jerry M. Jacob Executive Producer: Matt Jackson Additional Camera: Michael Watson Executive Producer: Christopher Woodrow Hairstylist: Felicity Bowring Casting: Meagan Lewis Music Editor: John Finklea Executive Producer: Jerry Ye Set Designer: Randall D. Wilkins Still Photographer: Murray Close Sound Re-Recording Mixer: Mike Prestwood Smith First Assistant “A” Camera: Chad Rivetti Special Effects Coordinator: David K. Nami Hair Department Head: Jules Holdren Key Hair Stylist: Melizah Anguiano Wheat Set Costumer: Adriane Bennett Costume Supervisor: Carlane Passman Prosthetic Makeup Artist: Matthew O’Toole Visual Effects Producer: Lisa Beroud Key Hair Stylist: Theraesa Rivers Executive Producer: Russell Levine Additional Camera: Greg Morris Set Costumer: Tom Cummins Art Department Coordinator: Wylie Griffin Supervising Dialogue Editor: Branka Mrkic Visual Effects Supervisor: Kelly Port Second Assistant “C” Camera: Griffin McCann Set Costumer: Lisa Magee Wigmaker: Khanh Trance Art Direction: Chris Craine Gaffer: Bob Bates Original Music Composer: Nicholas Britell First Assistant “C” Camera: Wade Whitley Co-Producer: Diana Alvarez Second Second Assistant Director: Marvin Williams “A” Came...

[dstrachan]

'Views From The Edge' - w/c 6th May 2024

Estelle ‘American Boy’

Alston / Kirk Overdrive ‘American Stranger’

The Choir Of Westminster Abbey & The Choir of His Majesty's Chapel Royal, St James's Palace & Choristers from Truro Cathedral Choir & Choristers from Chapel Choir of Methodist College Belfast & Octet from the Monteverdi Choir & Andrew Nethsingha ‘Byrd: Prevent Us, O Lord, T 207’

London Symphony Orchestra & Barry Wordsworth

‘Beethoven 9th: Ode an Die Freude (Ode to Joy)’

Ebony Buckle, Bobby Eccles, John Steele, Philip Granell & Cormac Byrne ‘Silver Dagger’

American Gypsy ‘Birth Control & Beer’

The Sensational Alex Harvey Band ‘Boston Tea Party’

MC Chippy feat. Mc Cruzy T & Fat B ‘Bradford Boy’

Chain Ripper ‘Bayonet’

Faust ‘Knife’

Colin MacDuff ‘For All We Know’

Elis MacFadyen ‘Dark Side Of Town’

Anita Abram ‘Gravity Running’

Aoede ‘Gravity’

Pixie Lott ‘Gravity’

Suddyn ‘Gravity’

David Bowie ‘Don’t Bring Me Down’

Jill Scott ‘Hate On Me’

Hilary Duff ‘Haters’

Jennette McCurdy ‘Don’t You Just Hate Those People?’

Taylor Swift ‘Mean’

L7 feat. Joan Jett ‘Fake Friends’

Toby Keith ‘How Do You Like Me Now?’

Not Now Norman ‘Why Don’t Ya Like Me!’

Hatcham Social ‘Shut Your Mouth’

Lou Reed ‘Caroline Says 1’

Tanita Tikaram ‘Twist In My Sobriety’

Belle 'Fluorescent Light'

Groove Armada feat. Saint Saviour ‘I Won’t Kneel (Beaumont remix)’

Kala Chng ‘Lights Out’

[mission-impossible-ligne-version]

VOIR!! film — Mission: Impossible: Dead Reckoning Partie 1 Streaming-VF gratuit en ligne Version

REGARDER 🔴✅👉 https://bit.ly/3XwLvGa

Mission impossible : Dead Reckoning, partie 1 ou Mission : Impossible – Bilan Mortel Première Partie au Québec (Mission: Impossible – Dead Reckoning Part One) est un film américain réalisé par Christopher McQuarrie et dont la sortie est prévue en 20231. C'est le septième film de la série Mission impossible

Synopsis

Regarder Mission : Impossible - Dead Reckoning Part One (2023) : Film complet en ligne gratuit Ethan Hunt et son équipe du FMI se lancent dans leur mission la plus dangereuse à ce jour : traquer une nouvelle arme terrifiante qui menace toute l'humanité avant qu'elle ne tombe entre de mauvaises mains . Alors que le contrôle de l'avenir et du destin du monde est en jeu, et que les forces obscures du passé d'Ethan se rapprochent, une course mortelle autour du monde commence. Confronté à un ennemi mystérieux et tout-puissant, Ethan est contraint de considérer que rien ne compte plus que sa mission, pas même la vie de ceux qui lui tiennent le plus à cœur.

Fiche technique

Titre original : Mission: Impossible – Dead Reckoning Part One Titre français : Mission impossible : Dead Reckoning, partie 1 Titre québécois : Mission: Impossible – Bilan Mortel Première Partie Réalisation : Christopher McQuarrie Scénario : Christopher McQuarrie, d'après l’œuvre de Bruce Geller Direction artistique : Marco Furbatto Décors : Gary Freeman Costumes : Jill Taylor Photographie : Fraser Taggart Montage : Eddie Hamilton Musique : Lorne Balfe Production : Tom Cruise, Christopher McQuarrie et Jake Myers Production déléguée : David Ellison, Dana Goldberg et Don Granger Budget : 290 millions de dollars Pays de production : Drapeau des États-Unis États-Unis Langue originale : anglais Genres : espionnage, action Durée : 163 minutes Dates de sortie : France : 12 juillet 2023 États-Unis : 14 juillet 2023 Classification : États-Unis : PG-13 (certaines scènes peuvent heurter les enfants de moins de 13 ans - Accord parental recommandé, film déconseillé aux moins de 13 ans) Distribution Tom Cruise : Ethan Hunt Simon Pegg : Benji Dunn Rebecca Ferguson : Ilsa Faust Ving Rhames : Luther Stickell Vanessa Kirby : Alanna Mitsopolis / « la Veuve Blanche » Hayley Atwell : Grace Pom Klementieff : Paris Frederick Schmidt : Zola Mitsopolis Shea Whigham : Jasper Briggs Henry Czerny : Eugene Kittridge Esai Morales Rob Delaney Charles Parnell Ivan Ivashkin : XO Indira Varma Mark Gatiss Cary Elwes : Denlinger

Production Genèse et développement En janvier 2019, Tom Cruise annonce que les septième et huitième films de la franchise Mission impossible vont être tournés « back to back » (à la suite), toujours avec Christopher McQuarrie comme réalisateur et scénariste. Tom Cruise annonce dès lors que les films sortiront aux États-Unis le 23 juillet 2021 et le 5 août 20222,3.

Attribution des rôles En février 2019, Rebecca Ferguson confirme sa participation au septième, après avoir été dans les deux précédents opus4. En septembre 2019, Christopher McQuarrie annonce sur son compte Instagram que Hayley Atwell a rejoint la distribution5. Le même mois, l'actrice française Pom Klementieff signe pour apparaitre dans ce film et sa suite6.

Simon Pegg confirme son retour en décembre 2019. Shea Whigham signe ensuite pour les septième et huitième films7,8.

En janvier 2020, Nicholas Hoult rejoint le projet. Il est ensuite annoncé que Henry Czerny va reprendre son rôle d'Eugene Kittridge, présent dans le premier film9,10. Vanessa Kirby annonce également son retour11.

En mai 2020, à la suite du report du tournage en raison de la pandémie de maladie à coronavirus, il est annoncé que Nicholas Hoult s'est désengagé du film, pris par d'autres projets. Il est remplacé par Esai Morales12.

Angela Bassett confirme son retour en décembre 2020, avant de se raviser quelque temps plus tard en raison des restrictions de voyages liées au Covid-1913,14.

Tournage Le tournage devait débuter en février 2020 à Venise. L'équipe se rend ensuite à Rome15,16. Cependant, à la suite de la pandémie de coronavirus, le tournage en Italie est suspendu17. Il redémarre quelques semaines plus tard dans le Surrey, en Angleterre18,19. En juillet 2020, après un nouvel arrêt, l'équipe est autorisée à tourner au Royaume-Uni. Le tournage a lieu dans les Warner Bros. Studios Leavesden20. L'équipe est ensuite autorisé à tourner dans le comté de Møre et Romsdal en Norvège21. Plus tard, une impressionnante cascade à moto est tournée dans l'Oxfordshire. Elle a nécessité six semaines de préparation et est l'une des plus chères réalisées au Royaume-Uni22.

Les prises de vues reprennent en septembre 202023. En octobre 2020, de nouvelles prises de vues ont lieu en Norvège : Preikestolen, Stranda et Rauma24. Le 26 octobre 2020, la production est en Italie mais est stoppée car 12 personnes sont testées positives Covid-19.

En décembre 2020, lors du tournage à Londres, un enregistrement audio de Tom Cruise, s’énervant contre le non-respect des protocoles anti-Covid de certains membres de l'équipe, est dévoilé25. Fin décembre 2020, Variety annonce que le tournage principal devrait se terminer aux Longcross Studios26. En février 2021, après des prises de vues à Abou Dabi27, l'équipe retourne à Londres pour quelques retouches et reshoots. Il est par ailleurs annoncé que la production renonce à enchaîner avec le tournage du 8e film, comme cela était initialement prévu28.

En juin 2021, le tournage est à nouveau suspendu pour deux semaines en raison d'un membre testé positif au Covid-1929. Le tournage reprend son cours en août 2021[réf. nécessaire] et s'achève définitivement le 11 septembre 202130.