#Jeremy Fenske
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Crow's Wood
Art for The Elder Scrolls: Online
Art by Jeremy Fenske
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Palia by Jeremy Fenske
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I just recently started watching the Harry Potter series and I knew Dumbledore's (Michael Gambon) voice sounded familiar and it finally dawned on me that it's the same actor who voices The Prophet in The Elder Scrolls Online.
Concept art by Jeremy Fenske! He does a lot of artwork within the gaming industry, but here are some others he's done for Zenimax studios.
#the prophet is such a cool character btw!!#and i love michael gambon's voice i could listen to it all day#professor dumbledore#eso#the prophet#harry potter#michael gambon#jeremy fenske#concept art
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hi everyone!! my wrist is too sore to draw today, so instead i thought i'd share some of my favorite csp assets + how i like to use them! i also linked some procreate brushes at the end of the post!!
lineart brushes:
SU-Cream Pencil: i swear by this brush and i use it very often!! if you lower the pen density and use a gradient map over it when coloring your drawing, it has a nice effect. that's what i did in this drawing here! i also use this brush like i would draw on paper, so as a sketching tool. recently i've been enjoying blending it for shading. the pics below are drawn on one layer; left is more manga style while the one on the right is from a WIP of my singer sargent study, so it can be used for more realistic styles pretty well!
Found Pencil: another pencil brush that feels really nice to use, created by @/pigpenandpaper.
PS style brushes: a recreation of photoshop's (i believe) default brush. very versatile and also blends well!
analog wind variant pen: a nice pen that i like to use for lineart that is intended to have a bit of a sketch look.
zakutoro real g-pen: i used it for the lineart of this piece. although, it was drawn before i started using 600dpi in my works, so the lower resolution might make it look a bit unclear.
sets of rough pens: great for manga lineart with a rougher vibe; some of them have varying line weight.
coloring brushes:
zaku brushes: very nice and painterly mixing! i definitely recommend it for those who like to leave their colors a bit unblended.
softie marker: as the name implies, it's very soft! i like to use it for blush in chibi illustrations.
analog watercolor brushes: realistic-looking watercolor brushes. i recommend using it with csp's default paper textures, or those i linked below!
993 coloring pen: it's very soft and watery, though it can be made more solid by adjusting the paint density. i actually think it works very nicely for lineart too.
rock dog pen: another soft marker brush i like, that i once again also use for lineart and doodles.
thick coating brush set: recommended for paintings that show brush strokes.
cartoon cloud: don't let the name narrow your vision!! this has to be one of the BEST brushes for painting in my opinion, and of course it's great for clouds and explosions but so so much more!! and it's FREE try it try it!!
decoration/miscellaneous brushes:
neon pen
paper textures
symmetry move brush
close and fill without gaps
rope brush
sphere fisheye guide
flash balloon
speech bubble set: a lifesaving collection for comic artists!! dimensions and line weight can be adjusted by using the operation tool.
gradient map to use in color mode at 15% and another gradient map to use at 20%: the percentage refers to the opacity of the gradient map layer, but they are just the creator's recommendation and i tend to actually increase it. to use gradient map efficiently, i recommend putting all your colors (and lineart if you want) in a folder. then, right-click the folder, select "new correction layer" and then "gradient map". this allows you to modify the gradient map without worrying about affecting the original colors in case you decide not to use it in the end. to import a gradient map from your downloaded csp assets, click the wrench icon next to the name of the gradient set that's currently in use, then select "add gradient set".
you'll also notice that the creator recommends to use their gradients in "color mode". of course, this is also only a recommendation and i suggest trying as many layer modes as you like! to change a layer's mode, simply highlight the layer and click on "normal" (the default mode) and csp will display the available modes.
fruit ninja gradient map: fun to use if you want really drastic/vibrant colors! the names of the gradients are cute too, as you can see in the above screenshot!
BONUS: jeremy fenske's free photoshop brush pack: these aren't csp brushes per se, but they can be imported into the program! excellent for environments, i recommend watching fenske's video on how he uses the brushes to get a clearer picture since there are so many in this pack!!
BONUS 2: my good friend clem has a few brush packs for procreate that are ideal for painting,decorating drawings, and y2k-inspired illustrations, i definitely recommending checking out her shop!
in conclusion i hope this post can be helpful to you!! i tried to explain how to use the brushes as best as i could, but feel free to let me know if anything is unclear!! i hope you will enjoy using them! :D
#clip studio paint#clip studio paint brushes#csp#csp brushes#procreate#procreate brushes#brushes#tutorial#art tutorial#sort of hehe
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Your art is always so pretty and I love the variation in color, lineart, it really reminds me of traditional painting and doodles. I was wondering if I could ask what brushes you use?
Thank you so much! I use a mix of some Photoshop and CLIP-only brushes. Most came from rather giant brush packs so I can't say which ones exactly but I hope these will be useful! These ones include a lot of textured dry brushes, as well as ones made for specific details (ie. fur, skin, trees, buildings, etc.) and more.
Jeremy Fenske FREE Photoshop Brush Pack
Sergey Kolesov FREE Photoshop Sketch Brushes
One huge brush pack
Specifically for my watercolors though, I've only used CLIP's default watercolor brushes: wet wash, wet blotting ink, and watery ink for coloring and dry ink for lines every now and then.
For pencil brushes: this, and this for CLIP.
I'd say download and experiment as much as you can! And mess with the brush settings if you can, sometimes the default setting just won't click with you at the moment.
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An orphaned boy raised by underground creatures called Boxtrolls comes up from the sewers and out of his box to save his family and the town from the evil exterminator, Archibald Snatcher. Credits: TheMovieDb. Film Cast: Archibald Snatcher (voice): Ben Kingsley Eggs (voice): Isaac Hempstead-Wright Winnie Portley-Rind (voice): Elle Fanning Fish / Wheels / Bucket (voice): Dee Bradley Baker Lady Cynthia Portley-Rind (voice): Toni Collette Lord Portley-Rind (voice): Jared Harris Mr. Trout (voice): Nick Frost Mr. Pickles (voice): Richard Ayoade Mr. Gristle (voice): Tracy Morgan Herbert Trubshaw (voice): Simon Pegg Oil Can / Knickers (voice): Nika Futterman Fragile / Sweets (voice): Pat Fraley Clocks / Specs (voice): Fred Tatasciore Sir Langsdale (voice): Maurice LaMarche Sir Broderick / Male Workman 1 / Male Workman 2 (voice): James Urbaniak Boulanger / Male Aristocrat (voice): Brian George Female Aristocrat (voice): Lori Tritel Shoe / Sparky (voice): Steve Blum Female Townsfolk 1 / Female Townsfolk 2 (voice): Laraine Newman Background Boy (voice): Reckless Jack Baby Eggs (voice): Max Mitchell Film Crew: Screenplay: Irena Brignull Director: Graham Annable Adaptation: Anthony Stacchi Novel: Alan Snow Music: Dario Marianelli Animation: Travis Knight Screenplay: Adam Pava Animation: Stephen Bodin Animation: Malcolm Lamont Animation: Matias Liebrecht Animation: Brian Leif Hansen Animation: Payton Curtis Animation: Joon Soo Song Animation: Adam Lawthers Animation: Shane Prigmore Animation: Chris Tootell Animation: Kyle Williams Animation: Mike Hollenbeck Animation: Danail Kraev Animation: Kristien Vanden Bussche Animation: Adam Fisher Animation: Anthony Straus Animation: Sean Burns Animation: Mael Gourmelen Animation: David Vandervoort Animation: Dan MacKenzie Animation Supervisor: Brad Schiff Animation: Kevin Parry Adaptation: Phil Dale Producer: David Bleiman Ichioka Animation: Jon David Buffam Animation: Rachelle Lambden Animation: Gabe Sprenger Animation: Philippe Tardif Animation: Ian Whitlock Animation: Daniel Alderson Animation: Charles Greenfield Animation: Jason Stalman Casting: Mary Hidalgo Line Producer: Matthew Fried Sculptor: Toby Froud Visual Effects Coordinator: Jeremy Fenske Choreographer: Nicole Cuevas Visual Effects Coordinator: Claudia Amatulli Sculptor: Benjamin William Adams Set Designer: Emily Greene Additional Editing: Ralph Foster Visual Effects Editor: Todd Gilchrist Set Designer: Carl B. Hamilton Sculptor: Scott Foster Production Design: Paul Lasaine Production Coordinator: Jocelyn Pascall Editor: Edie Ichioka Art Direction: Curt Enderle Editorial Coordinator: Dave Davenport Art Department Coordinator: Zach Sheehan CG Supervisor: Rick Sevy Music Supervisor: Maggie Rodford Music Editor: James Bellany Songs: Eric Idle Visual Effects Supervisor: Steve Emerson Costume Design: Deborah Cook Production Manager: Dan Pascall Additional Writing: Vera Brosgol Post Production Supervisor: David Dresher Editorial Manager: Trevor Cable Visual Effects Supervisor: Brian Van’t Hul Additional Editing: Christopher Murrie Director of Photography: John Ashlee Prat Set Designer: Polly Allen Robbins Visual Effects Producer: Annie Pomeranz Sound Re-Recording Mixer: Ren Klyce ADR Voice Casting: Barbara Harris Gaffer: James WilderHancock Modeling: Paul Mack Publicist: Maggie Begley Sound Re-Recording Mixer: Tom Myers Production Design: Michel Breton Prop Designer: Alan Cook Animation: Paul Andrew Bailey Assistant Art Director: Phil Brotherton Executive In Charge Of Post Production: Ben Urquhart First Assistant Director: Samuel Wilson Layout: Daniel R. Casey Layout: Simon Dunsdon Orchestrator: Geoff Alexander Set Dresser: Duncan Gillis Third Assistant Director: David J. Epstein Animation: Anthony Elworthy Animation: Dan Ramsay Animation: Jan-Erik Maas CG Animator: Carolyn Vale Digital Compositors: Daniel Leatherdale Digital Compositors: James McPherson Foley Editor: Thom Brennan Production Illustrator: Ean McNamara Sound Effects Editor: David C. Hughes Finance: Erin Baldwin Finance: Jason Bryant CG Animator: Jeff Croke Con...
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#based on novel or book#duringcreditsstinger#parent child relationship#stop motion#Top Rated Movies#unlikely friendship
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Jeremy Fenske
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Was tagged by @lioness--hart a bit ago to share my lock screen, last song listened to, last saved image, and last photo taken
youtube
This is a detail from this painting:
Last song was Marine Song 2001 from the Animal Crossing soundtrack, which can be listened to here:
My last saved image is this magnificent creature
And the last picture I took was of this other magnificent creature
#thanks for tagging me!#i always mean to do these things but then i forget#hopefully napoleon makes up for the delay#me bitching#Youtube
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Whenever people ask me why I draw, I have an hard time answering it. While the impact of my life experiences and the result of it being a declining mental health sure plays a big role in why I draw the things I do, the reason of me drawing is not that deep at all. In fact...if I had to describe it with one word it is fun. Passion even.
I never really cared for likes and how many people look at my art. Likes and Follows are just metrics that cause stress for myself and also might lead into me playing a role, slowly loosing the focus of who I am and what I stand for. But who is my art for?
First and for-most I make the art for me. For the pure joy of creating. It is a satisfying feeling to move your pencil or digital pen across a canvas, slowly creating a world that you imagined or dreamed of. To use Symbolism to tell stories. To capture feelings that are difficult to express with words. And secondary. My Art is made for people who stop by and take time to look at my work. Maybe getting inspired by them to pick up a paintbrush and draw themselves. But also for the people who want to sit down and feel stuff from time to time. People who either want a good laugh, a good cry or something inbetween. People who like to dream. Or people that are openly willing to talk about mental health cause this topic ties like a red line across my work. (if it's not leaning towards the dreamy, playful side of course)
The image you see here is a visual representation of the image above. I called it "Passion". The Drawing process was quite interesting, as it originally started to be an artwork which should capture my view of "AI" . How AI could be a good thing but unfortunately that technology fell into the hands of some greedy people which only cause harm with it. But I think I should keep that topic for another day. As an Artist, I must admit that I'm a bit tired of this whole AI talk.
Anyway...
The more I worked on it, the further away it went from it's core idea to a point where I had no idea what I was doing. This was one of the reasons why I was a bit unsure of posting it on social Media but a friend encouraged me to do so, as she said "This Artwork really made her feel something that she cannot describe. And that more people should see it" so here we are. Trying not to be shy about it.
The Program i used to paint this was Photoshop. And in case anyone want to know which brushes I used: I mainly used the Ahmed Aldoori Brushset , some brushes by Jeremy Fenske as well as the Kyle Webster Brushes for the effects)
You also find my work here:
Cara
Instagram
TikTok
#art#art on tumblr#digital art#personal art#digital painting#surrealism#stylized#illustration#digital illustration#poppies#flowers#emotional
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not my art
Deviantart
privy by itsdanfango
Artstation - by Sarah Kate Forstner Troll Forest An environment piece for a client brief as part of my Masters at Teesside University
Artstation - by Jeremy Fenske Fishing Hut
not my art - chriskin.tumblr
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Brushes
WHAT BRUSHES DO YOU USE?
The brushes I use are linked down below ⬎
►Doodles - Diana Mamol: PS.
►Alt Sketch (Robin Sketcher) - Gravityvyne: CSP.
►Sketching (Artemus) - Artemus: CSP.
►Sketching & Thick Lineart - Mugz: CSP.
►Lineart - Spriggiestuff: CSP.
►Black Hair - Vegalia: CSP & PS.
►Everything - つあ: CSP.
►Color Blocking - つあ: CSP.
►Blending - Rompi: CSP.
►Alt Blending - CPS default pesn& brushes_Ver.1.10.9: CSP.
►Shading - Sean(Sketches): CSP.
►Redering - Teacupballerina: CSP.
►Alt Rendering - Dr. Hupper: CSP.
►Painting - Paolo Limoncelli: CSP.
►BG Details - Jeremy Fenske: CSP.
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Reaper's March
Concept art for The Elder Scrolls: Online
Art by Jeremy Fenske
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Forgotten Wings by Jeremy Fenske
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Link and the Forest Temple
Art by Jeremy Fenske || IG
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Link and the Forest Temple - Created by Jeremy Fenske
Prints available for sale at his Society6 Shop.
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The Art of Jeremy Fenske
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