#Japanese motif

[thebotanicalarcade]

Priest's Kasaya with Peony Scrolls and Ritual Buddhist Implements (Known as "Dream Robe")

Unknown 14th Century

Detail showing hand-drawn, gold-painted poppy scrolls.

[miamaimania]

Fluttering through the canvas - Yayoi Kusama's 1980 Butterfly

[divineandmajesticinone]

25 Ji, Akasaka de / At 25:00 in Akasaka (2024) I 1.05

Nagumo Shoma as Yamase Kazuma

[aevris]

anotha one. character i made in 2013

[itdotgirldotcom]

[nuveau-deco]

Crane and Tortoise Box. Japanese origin, dated 1894; medium is silver with gold and lacquer; dimensions: 10.5 cm high. From the Isabella Stewart Gardner Museum collection, accession number: M18e44.a-b

"This crane and tortoise box was designed and produced to be given to guests at the imperial banquet for the twenty-fifth wedding anniversary of the Meiji Emperor and Empress in 1894. Often referred to by the French term “bonbonnière,” the box is decorated with a crane and two tortoises (minogame), historic motifs that convey messages of auspiciousness and longevity across East Asia. …"

(Source: gardnermuseum.org)

[laurasimonsdaughter]

What if Disney adapted the Tale of the Bamboo Cutter?

I am only vaguely familiar with the context of this story, but I don't think I would give it to Disney. While I'm inclined to say that it would be better adapted into Japanese animation, for Disney vibes without involving Disney, I would latch onto the moon celestial aspect and ask the team from Over The Moon to do it. But beg them to pretty please make it all in their 2D storybook style:

This story is a true tragedy, at least from a mortal perspective, and I think these dreamy, romantic visuals would suit it:

A bamboo-cutter discovers a tiny baby inside a shining stalk of bamboo and he and his wife take her in as their own child.

From that moment on he finds gold inside every stalk he cuts has a nugget of gold inside it.

The baby, Kaguya-hime, grows into a young woman in just three months and is so beautiful that even though her parents try to hide her, men start to come from all over to court her.

Five noblemen are put through impossible trials which they all fail to try and win her hand.

The emperor of Japan falls in love with her, but she won't even have him for a husband, even though she keeps writing with him.

Three years pass and in the summer the mysterious maiden begins crying whenever she sees the moon. At last she reveals she is not of the earth but belongs on the moon and will be taken back there, to parents she has by now forgotten.

Her foster parents try to hide her, the emperor even sends guards to keep away the envoys of the moon who come to fetch her, but of course to no avail.

A chariot comes down for her with the rising of the yellow harvest moon. A messenger tells the bamboo-cutter that Princess Moonlight was sent to earth as punishment for committing a grave fault and that they have sent him the gold in return for the good care she received.

He begs for them not to take him and Kaguya-hime tells him she goes against her will and would rather have stayed with her loving foster parents in their old age, but she must go.

Her foster father is not allowed to go with her. She gives him her embroidered robe as a keepsake. When she is given Elixir of Life to drink she even tries to share it with him, but she is prevented.

Finally she writes a letter to the emperor, encloses the rest of the Elixir of Life and gives this to her foster father, asking him to deliver it. Then she ascends into the sky in the moon chariot.

The emperor has her gift bunt at the summit of Mount Fuji so that the smoke can be seen rising from there to this day.

I think a faithful adaptation should keep it a tragedy, but perhaps there could be just a little bittersweet mixed in with the sorrow for the poor parents. Maybe they can hear their daughter singing to them when they look up to the moon. Or perhaps the ending could be made a little less formal and the princess's celestial parents can come down themselves to get her back and to thank her mortal foster parents for all they have done for her. If I were adapting this I would downplay the part of the emperor a bit and really put the focus on the relationship between the moon princess and both her foster parents.

[alfieloveswriting]

Floriography: Resources for Writers

For centuries, flowers, herbs, and other plants have been used to convey meaning, both in life and in literature. Many of the greats, including Shakespeare, Austen, the Brontë sisters, and Steinbeck referred to floral symbolism to delicately weave into their intricate works. Flowers influenced art for generations before us, and with luck, they will continue to inspire artists for generations after us--long after we've become them.

Victorian Floral Code.pdf

Floriography: An Illustrated Guide to the Victorian Flower Language by Jessica Roux

Language of Flowers Wiki

Hanakotoba - Japanese Flower Language Wiki

Ikebana - Japanese Flower Arrangement Wiki

Kate Greenaway's Language of Flowers

Floral Emblem Guide

Plant Motifs In English, Russian, and Tatar (pdf)

Flower Language Myths

Language of Flowers.com

[breezycheezyart]

Surprise! A SECOND pic today! It's Ryou's birthday too! And it's year of the dragon, so it fits 🐉

Please do not repost

[christine-ye]

Kamen Rider Blade character name meanings

I was watching an anime lyric video on YouTube last night and recognized one of the kanji in the lyrics also being used for one of the main characters' names in Blade and ended up falling down a rabbit hole (aka Jisho.org) so I made a guide breaking down the Blade cast's names because 1. when do I ever not think about this show and 2. language stuff is fun to look into (also included Shiori and Kotaro because why not, slight spoilers incoming)

♠ Kazuma Kenzaki (剣崎一真)/Kamen Rider Blade ♠

Kenzaki (剣崎): ken (剣) - sword (spade itself also derives from the Spanish and Italian spada meaning 'sword'); zaki (崎) - small peninsula, promontory

Kazuma (一真): kazu (一) - one; ma (真) - true/truth, reality, genuineness (could refer to Kenzaki's genuine love for humanity and eventually Hajime); both characters together could mean "one truth" (could refer to Kenzaki seeking the one true way to allow Hajime to keep living without having the world be destroyed during the finale) or "one reality" (could refer to the current nature of the Battle Fight preventing Kenzaki and Hajime from seeing each other again despite them defying their fates)

Blade: the main part of a sword whose name is derived from the Old English blæd meaning 'leaf' (also hence why the spade is replaced with the leaf in German playing cards), related to the Suit of Swords (Spades) in the Minor Arcana

♦ Sakuya Tachibana (橘朔也)/Kamen Rider Garren ♦

Tachibana (橘): mandarin orange (specifically the Citrus tachibana, also explains why one of his themed drinks from the Kamen Rider Diner was orange-flavored)

Sakuya (朔也): saku (朔) - new moon (symbolizes new beginnings in astrology, which ties into Tachibana's return to being Garren again after initially trying to quit and his character song literally being called Rebirth), the first day of the lunar calendar; ya (也) - to be (classical form), also a common suffix in Japanese male names

Garren: either a corruption of the English word 'currency' in Japanese or phonetically sounds similar to the French carreau meaning 'diamond' (might be a stretch though), related to the Suit of Coins (Diamonds) in the Minor Arcana

♥ Hajime Aikawa (相川始)/Kamen Rider Chalice ♥

Aikawa (相川): ai (相) - mutuality, togetherness (also phonetically sounds the same as the Japanese word for love, which ties into Hajime's character arc and Chalice's heart motif); kawa (川) - river, stream; both characters together could mean "river of mutuality" or "river of togetherness"

Hajime (始): beginning (ironically contrasts his true role as humanity's destroyer)

Chalice: holy cup or goblet whose name is derived from the Latin calix meaning 'cup', related to the Suit of Cups (Hearts) in the Minor Arcana (also symbolic of Hajime's growing love and humanness throughout the show)

♣ Mutsuki Kamijo (上条睦月)/Kamen Rider Leangle ♣

Kamijō (上条): kami (上) - above, up; jō (条) - article, clause

Mutsuki (睦月): mutsu (睦) - intimate, friendly, harmonious (could refer to Mutsuki learning to control the Spider Undead's power with Tachibana's help); tsuki (月) - moon, month; both characters together mean the ancient Japanese name for January

Leangle: an Aboriginal club/polearm-type weapon, related to the Suit of Wands (Clubs) in the Minor Arcana

💻 Shiori Hirose (広瀬栞) 💻

Hirose (広瀬): hiro (広) - vast, broad, spacious; se (瀬) - rapids

Shiori (栞): bookmark, guidebook (could refer to her role as the gang's resident Undead tracker and Kenzaki's closest ally at BOARD)

🥛 Kotaro Shirai (白井虎太郎) 🥛

Shirai (白井): shira (白) - white (callback to his love for milk mayhaps /j); i (井) - well, town, community (could refer to him befriending and providing hospitality for Kenzaki and Shiori after BOARD kicks the bucket, also farmhouse trio ftw)

Kotarō (虎太郎): ko (虎) - tiger, drunkard (for milk obviously /j); ta (太) - thick; rō (郎) - common suffix in Japanese male names

[felixcosm]

A Mustardseed webweave for @picturemecountingcards

Molly McCully Brown // unknown // solitary-sister // unknown // unknown // Marlon James // Brian Clifford // make me into something (useful) // sign crushes motorist // Boyish - Japanese Breakfast // Francisco de Zurbarán // Safa Sharfudeen

[thebotanicalarcade]

cover used in Buddhist temple sanctuary (uchishiki)

probably 1820's

Deep indigo silk satin patterned with large 16-petal Imperila chrysanthemum (kiku) and the well curb design (izutsu)

[tanuki-kimono]

Hello! I love your blog bc it helps me a lot with writing and crafting. Thank you so much for making it!

Are there any patterns that deal with poison? Either in the pattern or in the dyeing process?

Even if there's not I'm glad you and this blog exist 💗

(anon continues) Poison in the dyeing process, like when green dresses were dyed with copper arsenite and it was extremely deadly.

Or a pattern of someone being poisoned, like a historical/folktale.

_______________________________________

Thank you for your kind words <3 I tried to keep things organized but the subject is huge so my of the top of my head answer is going in many directions. I hope you'll still find what you need :3

I'll briefly cover here dyes and (pigments), poison motifs, real life and supernatural poisonings. Buckle up we've got a long post ahead!

____ ABOUT DYE

Tbh I had to think for a moment because I don't recall major "poison" stories linked to dyes in Japan, be it fictionous or real (yet that doesn't mean none ever happened, especially considering Japan's history of industrial poisonings...).

Most gruesome details in the fabric industries I know of are about the horrific life & work conditions of female laborers in spinning mill manufactures (as in many countries, Japan industrialization process was ghastly...).

If potters and dyers had excellent practical knowledge, chemistry as a science officially started kind of late in Japan as it was not a local interest, and as rangaku (study of Western knowledge) often favored other subjects like medicine or warfare.

So, until the introduction of aniline dyes (not textile related, but this article about the use of synthetic dyes in ukiyoe printing is super interesting), Japanese worked with "natural" dyes, like ai (indigo) which was the most used during Edo period.

As with any ingredient, being natural doesn't equal safety. Some mixtures could be quite potent/foul, and process could be dangerous. Plants and minerals base ingredients could be toxic (cinnabar and orpiments were then used as paint pigments, and lead could be found in make up), as were mordants used to set colors.

If you want to easily overview which ingredients were used to create colors, I recommand browsing [Irocore] which presents colors with explanation in English in their database (pick a color then scroll down).

Not related to poison, but ai (indigo) is traditionally prepared in aigame/enormous floor set jars I find utterly terrifying:

I don't know if this tidbit can help you, but some dyes and mordants actually damage the fabric overtime, leaving them brittle (silk desintegrates after a while which is a huge issue in textile conservation).

____ POISON MOTIFS

Concerning "poison" themed patterns, none would be actually used traditionally on a kimono or an obi beside novelty items ^^;

For example, many plants can be toxic, but I don't see them set as pattern for this property - they'd rather refer to a poem, be a symbol of the passing of seasons etc. Fuji (wisteria) can be quite harmful, yet it's a beloved traditional motif in Japan.

You have much more chances to find pattern with kujaku (peacock) which are thought to be impervious to poison in Buddhism, than say venomous mukade (centipede) or the horrific ômukade (a youkai I covered in a folktale).

Snakes like the habu and mamushi are dangerous, but if used as pattern snakes are most often auspicious and linked to rain dragons or goddess Benzaiten.

If you squint hard, toxic fugu could count as poison pattern, but such a seasonal delicacy as a motif would mostly underline wealth (as those fishes are pretty expensive as they are prepared by specialized chefs), a kind of carpe diem spirit, or just a fun pattern because fugu balloon shape is cute ;)

____ POISON MURDERS

Poisoning was certainly a thing is Japan since ancient times (see kodoku sorcery). Poisons were for example used in some fishing techniques.

I am pretty sure some kuge and buke were disposed of this way - even thought poison was seen as a coward weapon (hence why its supposed to be only used by shinobi/ninja - even if this "fact" is opened to a lot of discussions!).

During Edo period, such murders made up the news and penny dreadful-like illustrated books favored by city dwellers in need of a fright. But those stories didn't pass to posterity beside cheap ukiyoe plates, and were never as popular as some shinjû (double suicides) or ghost revenges like poor poisoned and murdered Oiwa's:

____ SUPERNATURAL POISONINGS

If your poison is both physical and metaphorical illbeing, mushi could be your guys ^^ This term actually covers everything small and crawling, from real worms and insects, to anything inside one's body causing distress - be it a parasite, an unknown illness, an overboard emotion, a curse etc. If you've read/seen Mushishi you've got what I mean:

In fact any illness-causing being could count as poison-bringer. Hôsôkami (smallpox demon) was truly feared by all before vaccination was introduced in Japan.

Finally, continuing the supernatural poisoning trail, best girl is probably legendary fox witch Tamamo no Mae who among other terrible deeds made emperor Konoe fall sick with poisonous miasma (some version of the story attributes the disease to another monster, the nue). I covered a similar murderous kitsune folktale here.

[cherrylng]

There's something that I noticed for some time ever since I've started scanning Japanese music magazines to translate and post them

No, actually, it was WELL before I took that faithful dive to buy a scanner and those magazines

Namely, that over the decades that Musers have bought and scanned those magazines to post the pics that we now circulate online, rarely ANY of them bothered to translate the articles

Like, they just wanted the pics??? And not like the interviews that were done???? The reviews for their discography or live shows?????

I think having been in the Visual Kei/JRock fandoms has spoiled me in the sense that I took translated interviews for granted. And now I'm the one translating these articles for the current generation of Musers and fans of other bands to read and get to know our favourite band again

[nuveau-deco]

Sculpture in the Form of an Iris Growing from a Shaped Waveform Base. Japanese origin, artist and date made unknown, medium is silver. Part of the Freer Study Collection at the Smithsonian National Museum of Asian Art, accession number: FSC-M-34a-c.

(Source: asia.si.edu)

[garbagequeer]

i need to make an excel spreadsheet classifying all japanese breakfast/michelle zauner songs by themes and motifs. no i dont