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diminuel · 3 months ago

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Crocodad analysis~

I've finished my reread of Impel Down and Marineford and spent most of today typing up this Crocodile analysis applying Crocodad theory ;3

Under the cut I went through Iva's threats, what info we have on when they met and what Iva might have done for him, then I go on to track Crocodile across the battlefield of Marineford. It's just text, no images, but it does have the chapters mentioned so you can go check it out.

I tried to structure these 3000 words a bit but don’t expect a clean essay.

Also, there is nothing new under the sun, I'm sure all of his has been said before by Crocodad scholars, I'm just sorting through it for myself.

(Disclaimer: I read an English scanlation so there’s a chance that there is a mistranslation or missing nuance.)

Iva’s powers

I'm generally someone who likes to work within the parameters provided by canon. But in terms of Iva's power I have been letting fandom (which displays an interest in a more real world depiction of transitioning) guide me more than canon. But Iva’s powers are not a reflection of the real world (other than maybe wishes that it could be so easy), neither do they even try to be.

Iva says that they can rework a person from the "inside out" (chapter 538) and there doesn't seem to be much of a limit to what they can do to someone’s body, apart from the cost of the healing powers.

If we go with the idea that Iva used their powers on Crocodile, it's likely that it would have been an instant effect. Therefore, the potential switch from female to male would have been complete and it would have been a one time application of Iva’s powers. Since we know what Crocodile looked like as a child, we know that they did not completely change his appearance.

The blackmail

When Luffy protests the suggestion that they free Crocodile, Iva says that they knew Crocodile “a little (…) back when you could still call him a rookie” (chapter 540) and that they are aware of one of Crocodile’s weaknesses which they will use against him/ reveal if he betrays them. Let’s first look at this secret weakness.

Since I have seen it mentioned before, I checked out the vivre card information that has been provided by thelibraryofohara (https://thelibraryofohara.com/2019/01/12/vivre-card-databook-vol-5-all-the-new-information/) in the January 2019 card releases. I quote:

“[Crocodile]’s got a “weakness” when it comes to his past that he can’t oppose. He definitely owes something that Ivankov gave him.”

I don’t know if the word choice is a matter of translation but it is rather ambiguous. That weakness is in quotation implies that it is most likely not an actual physical weakness like his weakness to water. Instead, it might be comparable to how Dragon calls Luffy his weakness. Additionally, what does “oppose” mean in the context of a weakness? Does it mean that if Iva revealed it, he would have no chance to refute it. Does it mean that the weakness is of such a nature that Crocodile would do what he can to avoid Iva from saying it? Maybe both? Considering the context the threat was uttered in, this would mean that he will not betray Iva and Luffy’s interests. (Which he doesn’t. When he goes off to attack WB and Luffy stops him, he calmly states that they had an arrangement (chapter 557). While Luffy forbids him from touching WB, Iva doesn’t threaten him into obedience, so Crocodile does pursue his attack on WB once Luffy is gone.)

Continuing with the vivre card quote, there’s also the fact that Crocodile owes something that Iva gave him – which can either mean that Iva gave him something that he’ll have to give back or that Crocodile has something that he only has thanks to Iva. I assume it’s the latter. What could Iva possibly have to give to Crocodile more than 20 years ago that Crocodile doesn’t want to be known (and can expect not to be known unless Iva shares it)? And, maybe more importantly, is it something that Iva can take back?

I am going to say yes, a reveal of the secret might as well come with Iva taking back what he has given Crocodile. Considering that Crocodile in prison has pretty much nothing but his hook, we can assume that what Iva gave this young pirate just starting out, was something to do with their powers. A change to his body in one way or another which of course means that Iva can undo it, revealing things about Crocodile that he doesn’t want to be known.

Considering what we’ve seen Iva’s power do, it does not take a big stretch of the imagination to wonder if he might have been a girl in the past. There’s of course the option that Crocodile has always been a boy, aware of his transness from the beginning. But even if that wasn’t the case, there are other reasons to want to change. The seas of One Piece are tricky to navigate and while there are successful female pirates, we have also been shown certain limitations and prejudices. How was it nearly 30 years ago, when Crocodile was just starting out? When there were pirates such as WB who would not have women on his crew? What did other men’s limited faith in a girl’s capabilities do to a teenager who wanted to chase her dreams? But that’s another layer of speculation. Let’s just assume that Iva gave Crocodile the body he now has.

Timeline

The complete female to male switch makes sense with Iva’s skills as I’ve mentioned above, but the timing is arguably tricky for Crocodad purposes. To repeat: Iva knew Crocodile “a little (…) back when you could still call him a rookie” (chapter 540). It’s unclear to me whether Iva’s comment that they know Crocodile “a little” is meant to be taken as an understatement and they do know each other well or if we should take it at face value. But even the offered time “when you could still call him a rookie” is very vague.

If they only knew each other when Crocodile was a rookie, then Iva would most likely have used their powers on Crocodile back then, turning him before he had properly ended up on the marine’s radar and before he could have had Luffy. What exactly counts as Crocodile’s rookie years isn’t particularly clear. At this point in the manga we do not know anything about Crocodile – his age, how long he’s been a Warlord, when he used to be a rookie, etc. However, we do know now that he became a Warlord in his 20s and challenged Whitebeard and lost to him shortly after (SBS, Volume 78). So his rookie years must refer to the time before that where “similar to Luffy (…) Crocodile's name spread across the seas with incredible momentum.” (SBS, Volume 78) It’s possible that at that time, due to the vastness of the ocean and the slower spread of news, people in general did not know what he looked like (even 30 years on it took a while for all the Strawhat crewmembers to get recognizable bounty posters). Due to that it’s possible that the meeting with Iva could have taken place during the time that he was gaining fame, but before he really got on he marine’s radar enough to make him a Warlord in his early 20s.

Interestingly (for me), around the same time as Crocodile’s was starting out, Iva and Dragon gained notoriety with their Freedom Fighter group (according to the Wiki’s timeline, it became the Revolutionary Army after the Ohara Incident, when Crocodile was 24), so it is likely that when Iva and Crocodile knew each other, Crocodile also met Dragon. (He might even have been part of the Freedom Fighters, but I think if his name was spread across the sea in connection to the Freedom Fighters, a link between Crocodile, Iva and Dragon would have been mentioned or taken into consideration by Sengoku. Sengoku did know of the history between Crocodile and WB and thought it would work in their favor. If he knew about a potential connection between Crocodile and Luffy – via Iva and Dragon – he would have been more wary I assume.)

As an aside, how did they even meet? Did Crocodile hear about Iva’s powers and seek them out? Was their meeting purely by chance and Crocodile seized the moment?

Long story short, if Iva only knew Crocodile while he was still a rookie and used their powers on him then, it would have been years before Luffy was conceived.

However! One could argue that Iva did not have the same control over their powers 20 years ago as they do now, so that the change was mostly external, affecting how Crocodile presented without changing him “inside out.” Which would still have meant that he could get pregnant if Dragon and Crocodile continued seeing each other (or at least saw each other one more time, 19 years ago.)

Now, since Crocodile at Marineford is somewhat of a part 2 of the Crocodile theories, I kept my Crocodad goggles on.

A look of Crocodile’s movement across the battlefield

One of the main arguments for Crocodad are his actions on the battlefield. Judged by the reactions of the other characters, all of Crocodile’s actions on the battle field of Marineford apart from his attack on WB are surprising.

The reason we are given by Crocodile for joining the prison break is that he wants to take Whitebeard’s head. (Crocodile could have escaped from the holding prison, but chose to go to Impel Down instead. However, Iva claims in chapter 538 that Crocodile isn’t too happy about ending up in level six.)

We know from the above mentioned SBS that Crocodile challenged WB shortly after he received his Warlord title. During this battle Crocodile was “completely and utterly crushed by him.” Whether that defeat is the main motivation to challenge him is unclear.

Just like he announced, the first thing that Crocodile does after posing for a group shot, is to go straight for Whitebeard’s head.

So far so predictable.

What are often seen as hints for Crocodad is a series of events that go like this: Dragon is revealed to be Luffy’s father (chapter 558). Everybody and their pet clown gets to have a reaction shot to that, but Crocodile does not. Crocodile is one of the first after Luffy to charge into the plaza after they’ve got the siege walls up and stops Ace’s execution (chapter 566.) He orders Daz to protect Luffy and one Daz is down he himself stops Mihawk from attacking Luffy (chapter 570). After Ace’s death he steps in between Akainu and Jinbei, making Luffy’s escape possible (chapter 578). He eventually joins a line of Whitebeard pirates to protect Luffy.

Now, Crocodile’s change of plans doesn’t present as an instant switch the moment Sengoku announces who Luffy’s father is. While he might have had an off-screen “oh shit, that’s my baby” reaction, it didn’t immediately make him drop everything to protect him.

I do of course believe that Luffy IS his baby because I find joy in that, but I generally see Crocodile as a pragmatic character. On one hand there is Luffy, a reckless but resilient kid that shares his blood (that he spilled and Luffy used against him) that is charging across a battlefield with a group of people protecting him. On the other hand here is Whitebeard right in front of him and other than the baby that has slipped out of his fingers, he held on to that grudge for 20 years.

Tracking Crocodile across the battlefield leaves plenty of gaps, but it still offers insights into why he changes direction. I’m presenting it here and then we can think if this hurts or helps the Crocodad agenda.

Tracking Crocodile

As mentioned the first thing we see him do on the battle field is to go for Whitebeard who is on the ship next to them. Luffy stops him and then he is approached by Whitebeard pirates, their weapons drawn. Luffy then leaves and takes the point of view away with him. When we see Crocodile again, two chapters after the reveal that Luffy is Dragon’s son, he is on the ice in front of Whitebeard’s ship. He must have been pushed back or retreated to join up with Daz, as they are fighting off masses of WB pirates, trying to get closer to the man himself. After he sends a lot of them flying with a sandstorm he is stopped by Yozu. The force of the attack makes him fly back (he is injured and loses his cigar) where he lands right next to Doflamingo. The man is of course not passing up the opportunity to be chaotic – he stops Yozu and asks Crocodile to join up with him which Crocodile rejects (chapter 560 – 561). When we next see him he is fighting off some invisible force (most likely more WB pirates) but at least he has a new cigar.

When WB is stabbed in chapter 563 he is still on the ice in front of WB’s ship. He has an agitated reaction, revealing that he has lost to Whitebeard in the past (“I didn’t lose to such a weak man!!!”)

Even though Sengoku tries to get the other fleets under WB’s command to turn against him, WB proves his integrity and power. And he also gives a speech about how even if he is attacked by his son, he still loves him and he also explains that the son does not bear the sins of the father. It is either this absolute display of love and appreciation of his sons no matter whose blood they have and what they do OR it is his display of power and integrity that Crocodile reacts to, visibly distressed, but no longer showing the explosive shock and anger of his previous outburst (I’m not horrible at reading facial expressions but I’m not great at describing them. Look for yourselves in chapter 563). Also, following right after the panel showing Crocodile’s face we get Whitebeard thinking to himself: “A “weak man,” am I…? What an insolent man… I’m only one man, with one heart… And you’re the same… They call me a demon and a monster… But I won’t always be the “strongest” out there…!!! If I can bring one young life into the future, isn’t that enough…!?” And then he joins the battle.

He now focuses on bringing that young life into the future (saving Ace) and this is the point where Crocodile’s unusual actions start. After a talk about unconditional love for his sons and the statement that protecting a son is worth much more than being the strongest. Could Crocodile too have decided that protecting Luffy (his son?) and Luffy’s interests is more important than his grudge against Whitebeard?

The answer seems to be yes, because in chapter 566 he is the first one to follow Luffy across the siege wall and into the plaza where Ace’s execution was supposed to happen. And he stops it after Luffy is pushed back by the Admirals. The reason he gives to Sengoku for his unexpected action is that he “wants to wipe the smile from your faces.” After Doflamingo chops off Crocodile’s head they engage in a fight.

It is after Luffy uses conqueror’s Haki, which again seems to confirm his relation to Dragon, WB gives the order for everyone to support Luffy in chapter 570. Whether Crocodile has chosen to follow Whitebeard’s lead or if he is acting for himself, he gave Daz the order to protect Luffy. Daz stops Mihawk’s attack and once Mihawk cuts him down and goes for Luffy again, Crocodile is there to stop him and allow Luffy to continue one. He must have shaken off Doflamingo in the meantime.

And then Ace and Whitebeard die (chapters 574 and 576 respectively).

And while the battlefield descends into further chaos and Luffy is unable to protect himself, we get a panel of Crocodile (chapter 577), apparently standing still in the chaos that is around him. He does not seem to face the same way as the retreating WB forces or the Warlords and Pacifista in pursuit of the retreating pirates. Maybe he is looking at Whitebeard one last time.

And then he’s off, apparently crossing the entire battlefield in an instant to stop Akainu from dealing Luffy the killing blow. And after that he gets physically between Akainu and Jinbei and Luffy before he sends them flying out of reach with his sands (chapter 578.) He yells the order for someone to grab them and get them to a ship, followed by one of my favourite lines directed at Jinbei who has tasked himself with protecting Luffy: “If you want to protect something, do it right!!!” Since we generally speculate that Luffy’s parents (or Dragon at least) chose to sacrifice their chance of raising Luffy in order to protect him from exactly what is happening on this battlefield, that line suits the Crocodad theory well. Whether Crocodile left behind his child to protect it from being punished for the sins of his fathers or if he left him behind because a child would get in the way of his ambitions, right in this moment protecting Luffy is all that matters.

He then joins a group of Whitebeard pirates, forming a protective barrier against Akainu. Akainu taunts them that all of them are willing to give their lives for Luffy. Marco repeats what Whitebeard thought earlier: they will see this boy off into the new age.

All of these actions could also simply point towards Crocodile maybe having been part of Whitebeards crew at one time, but the timeline has some difficulties. It does not seem like anyone who is on the crew now treats him like they knew him or at one point cared about him like a brother. We have also not seen Crocodile or someone who looked like him in the Wano flashbacks. Teach, who joined when he was 12 (and Crocodile would have been 18) doesn’t seem to know him as a crewmate either. If he ever was on WB’s crew, he would have left as a young teenager. (And as a sidenote, WB was an old-fashioned guy, he did not want any women on his crew apart from medical staff. This would not have been a good environment for Crocodile if he had been a girl before meeting Iva. And he clearly was making a name for himself as a rookie without being attached to WB’s crew.)

It could also symbolize how great of a pirate Whitebeard was that even Crocodile, bearing a grudge against him, shows him respect by following his orders. But that seems a little bit boring to me.

That said, I do think a Crocodad reading of his actions is rewarding.

After this battle we also get to see Crocodile read about Luffy’s actions so he clearly is interested in him now. And there’s this great exchange between Daz and Crocodile in chapter 593 where Daz comments that Luffy’s scars take a while to fade which Crocodile takes as a comment on his own (old) wounds. Crocodile insists that his scars are “fully healed” and that he’s ready to return to the New World now. He has put the old wounds of his youth to rest, he is ready to return to tackle the New World once again.

And maybe any wounds and scars left on him regarding Luffy’s birth have started to heal too. The kid will be fine.

If you read through all of this you have my respect X’D

And if you have comments, additions and objections let me know~

#One Piece #Crocodad #meta #sort of #long post

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kanmom51 · 2 months ago

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Dear Kanmon I'm writing to you because you know how to count and because I miss good jikook analyzes. after AYS they seem unnecessary, but they are satisfying. like putting together a puzzle. When I watched Jimin's choreography for Stuck with you for the hundredth time, I wondered if the part of the song he was dancing to was chosen on purpose. And I discovered that the dance starts exactly at 1:18 minutes into the song.

Hey love.

JM's dance to Stuck with you was just wow wow wow.

youtube

Your ask got me looking. And at first I went to the MV and lyrics YT clips and it just didn't align, so I was ready to give up.

But then I went to the actual streamed song on Spotify, and low and behold, you are so right.

Like wtf?

I am lost for words.

But you know what, if we're already doing this, then let's go down this rabbit hole...

I'm just going to throw myself down there, because you got me looking @jimjunkgfc.

Let's do this. Hold on to your seats, because this is going to be a bumpy ride folks.

The clip was released by JM on his IG account on 18.11.23.

Hmm.. do you see what I am seeing?

We have a combination of very interesting numbers here.

Just looking at the numbers, no math required.

If you take the 1,1 and 8 out of it you are left with the also very known Jikook combination of 123.

So, in the date alone we have 11-8 and 123.

The whole thing with the 123 theory is that we think we know where it originated (might have meant something to them way before but that's the first time it's mentioned) - Festa 2014 JM's profile Just one day MV at 1:23 min. represents him best. JK was by his side while filling out that profile. Since then we have had song recommendations ending at 1:23 min., posts timed at 12:30 or 1:23 am, posts on January 23rd etc. We know there is very possibly something going on with that sequence of numbers, but what it is exactly or more so, what it means to them exactly, we don't know.

Songs stopped at 1:23 min.

Post dated Jan 23 - 123

2017

2019

Using time stamps:

Posted 31 Jan 2019, time stamped 12:30 am KST.

18 Feb 2019 1:23 am KST

Again, the time stamp on going live - 12:03 am KST.

Bonus...

Like I said, we don't know exactly what it means, but it sure does mean something because it just keeps intentionally re-appearing.

And it somehow made it's way into this one once more.

Interesting.

Rabbit hole I said?

Let's continue then...

How long exactly is JM's dance clip, you ask?

1:23 min.

What in the actual fuck?

So, let's sum it up, why don't we?

We have a clip released on a date that gives us the combination of all the numbers for us to easily see 11:8 and 123.

And then we have JM dancing to a song that starts at the 1:18 min. mark and dancing for 1:23 min.

11-8

123

Yeah, clearly all a coincidence.

#Jimin #JM #JM Stuck with U #Jikook 11-8 #jikook #kookmin #minkook #jikook 123

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piosplayhouse · 1 year ago

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I too watched the hbomberguy video and went straight to Twitter, whereupon I found that James Somerton had mentioned danmei in one of his videos and it made everyone mad, so I went looking and. yeah here's a full transcription of his just completely incorrect coverage of cql and mdzs from "Hollywood's (Gay) China Problem" so you don't have to watch it and give him views:

"The 2019 fantasy series The Untamed, featuring an unlikely bond between a man with magic powers and a stoic prince, started an online craze over the pair's implicit romance, but the show's promotion focused on its portrayal of Chinese traditional culture, a push consistent with Chinese communist party propaganda.

The show was... Queerbait-y. But the novel on which it was based [shows a picture of the fanmade cover for The Grandmaster of Demonic Cultivation made by fan translator team Exiled Rebels] certainly was not. That featured a very explicit love story between the two main characters, but was self-censored when adapted to meet the censorship guidelines of the Xi Jinping government. But it didn't matter. Like so much queerbaiting before, people saw through the weak veneer of heterosexuality. They "took the bait", so to speak. The series has accumulated a total of 9.5 billion views in China as of this summer, and had also received an international release via Netflix. It was described as a global phenomenon, taking off like no BL series before it, making its way all around Asia and with the Netflix deal, all across Europe and North America as well.

Tencent, the Chinese streaming platform it originated on, saw 2.6 million new subscribers to the service when it was released. And WeTV, an app that lets you watch BL content anywhere in the world, saw growth of 250% while the show was airing. In January of 2020, the cast members planned to embark on a multi-city, worldwide fan meeting tour. Cities included Bangkok, Singapore, Tokyo, Seoul, Macau, Kuala Lumpur, Toronto, Los Angeles, New York... But it was cancelled due to COVID-19.

Even the Chinese government has endorsed it. The overseas popularity of these romantic sword-wielding heroes is often highlighted in Chinese media coverage focusing on the massive overseas streaming numbers and its ability to build a growing appreciation of the charm of Chinese culture."

#hbomberguy #james somerton #cql #mdzs

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chlochette-sunde · 11 days ago

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Know your Destiel/Cockles history: a calendar

As a newcomer on Tumblr and on the Supernatural fandom, I first had trouble following all the past events that were regularly reminded and celebrated.

On this very special day (December 14th, European time), the following post is an attempt at listing those events, focusing on Destiel and Cockles (with a hint of Jenmisheel). Feel free to advise me for more (or less) dates!

Acknowledgement: The idea came from @youchangedmedestiel who also contributed to the content. The present post would never have been possible without @livebloggingmydescentintomadness 's Cockles masterlist. Color code: Destiel / Cockles

Honorary periodic event: FIMMF (Finger In My Mouth Friday)

January

12th: "Mish. Dee." (2021) - 1

16th: Broadcast of 15x09 “The Trap” (2020) - /

17th: ‘Isn't the season you met Misha?’ ‘Taste the rainbow’ JaxCon (2016) - 1

18th: The abandoned Jenmisheel podcast (2022) - 1

24th: Dean's birthday + ‘Jensen's the horse’ HousCon (2015) - / + 1

February

2nd: Broadcast of 12x10 “Lily Sunder Has Some Regrets” (2017) - /

14th: Destiel wedding anniversary (2021)

16th: Broadcast of 12x12 “Stuck in the Middle (With You)” (2017) - /

26th: ‘Which is funny, because so do I’ JIB11 (2023) - 1

28th: ‘Misha's been working out’ ‘He has though, hasn't he?’ NashCon (2016) - 1

March

1st: Jensen Ackles' birthday (1978) - 1 2 3 4

18th: Danneel Ackles' birthday (1979)

20th: Broadcast of 8x17 “Goodbye Stranger” + Gag reel (2013) - / + 1

23rd: Broadcast of 7x17 “The Born-Again Identity” (2012) + Broadcast of 15x13 “Destiny’s Child” + Gag reel (Jensen's infamous fart joke) (2020) - / + 1

April

1st: Mishapocalypse (2013) + Mishapocalypse 2.0 (2023) - 1 2 + 3

10th: “When Harry Met Sally” JIB2 (2011) - 1

13th: Season 15 EW Photoshoot (2020) - 1 2

15th: Broadcast of 5x18 “Point of No Return” + Gag reel (blowjob+‘we’re missing the gay angel’+‘confetti it’s a parade’) (2010) - 1 + 2 3 4

15th: Bishagate 2.0 NJCon (2023) + Misha’s Cas essay (2022) - 1 2 + 3

23th: Bishagate ‘I’m all three’ NJCon (2022) - 1

25th: ‘I happen to be straight’ (2022) - 1 2

27th: Broadcast of 12x19 “The Future” (2017) - 1 2 3 4

28th: ‘Balls deep’ CR8 (2024) - 1

29th: Broadcast of 6x19 “Mommy Dearest” + Gag reel (2011) - 1

May

6th: Broadcast of 6x20 “The Man Who Would Be King” (2011) - /

7th: First release of 'Watching Over Me' (2021) - 1

19th: Straddlegate JIB10 (2019) - 1 2 3 4

21st: Jensen's bear underwear reveal JIB8 (2017) - 1

23rd: ‘Okay babe’ (2021) - 1

24th: Misha tenderly rescuing Jensen+’We like you the best’+Hitch scene JIB5 (2014) - 1 2 3

26th: ‘It’s not a subtext. It was clear text.’ PurCon8 (2024) - 1

27th: ‘I talked to Jensen and Danneel this morning because I couldn’t sleep’ PurCon7 (2023) - 1

June

July

1st: ‘I miss my blanky’ + ‘I love you’ VS ‘I need you’ (2021 (yes, on the same fucking day)) + ‘Also, Cas is gay.’ (2023) - 1 2 3 + 4

14th: 'Destiel is Cockles Fault' Day SFCon (2024) - 1

24th: ‘Wow, that was really informative. Thank you.’ SDCC (2011) + ‘How do you know’ SDCC (2016) - 1 + 2

August

9th: Destiel fanfics first ship to reach the milestone of 100,000 stories 'I have to admit, I like being on top' (2021)

13th: ‘I’d love to do a Western…slash romcom with Misha’ VanCon (2017) - 1

17th: Cockles day at sea (2015) + ‘I would probably choose to be the car, because Dean would ride me all day’ SPNDEN (2018) - 1 2 + 3

18th: Destiel winning TV Choice Best Chemistry (2015) - 1

20th: Misha Collins' birthday (1974) - 1

September

8th: Release of "Some things I Still Can't Tell You", poetry book by Misha Collins - Men in the Woods (2021) - 1

13th: First broadcast of Supernatural (2005) - /

18th: Broadcast of Lazarus Rising, first appearance of Castiel (2008) + First release of Jensen publicly singing 'Angeles' (2012) (+Bonus: Jensen serenading Misha at JIB11 (2023)) - 1 + 2 3 4

24th: Broadcast of 5x03 “Free to Be You and Me” (2009) (Bonus: reference of ‘personal space’ at SFCon (2024)) - 1

October

11th: Danneel Ackles, sharing a picture of Jensen, reading "Some things I still can't tell you" by the fire, Misha tagged on his heart (2021) - 1 2

13th: Broadcast of 12x01 “Keep Calm and Carry On” + ‘You're poking me’ Gag reel (2016) - 1

16th: ‘He’s like an angel plushie’ DenCon (2021) - 1

20th: ‘I can say whatever I want because Danneel is in love with you' HCCB (2024) - 1

21st: Broadcast of 10x03 “Soul Survivor” + ‘Aloha cowboy’ Gag reel (2014) - 1 2

23rd: ‘I should have said ‘I love you too’ and hugged him’ VanCon (2022) - 1

28th: Broadcast of 11x04 “Baby” (2015) (Bonus: reenactment of the CasDean scene at JIB7 (2016))

November

5th: Broadcast of 15x18 "Despair" - Destiel's anniversary (2020) - /

8th: ‘Homosexual declaration of love’ Darklight Online Con (2020) + 'I live it' (2021) - 1 (no official proof because the panel has mysteriously been deleted from social medias around the 26th) + 2

11th: Broadcast of 10x05 “Fan Fiction” (2014) - /

12th: Broadcast of 9x06 “Heaven Can't Wait” (2013) - /

16th: Broadcast of 13x06 “Tombstone” (2017) + ‘Release the tapes!’ Day (2020) - / + 1

19th: Broadcast of 15x20 "Carry on" -> Last episode of Supernatural (so far 🕯🤞🏻) (2020) + Misha sharing by mistake (?) “The epic love story of Jensen Ackles and Misha Collins” blog (2013) - / + 1 2

24-25th: 'y yo a ti' (2020) - 1

24th: ‘His ferret goes other places’ (2024) - 1

26th: Misha having to live stream and do PR during Thanksgiving, in mid divorce, following 'y yo a ti' (2020) - 1

December

1st: Danneel sharing a post to promote "The Adventurous Eaters Club", featuring Jensen and their kids (2019) - 1 2

5th: ‘I love you, not like a brother, but like a lover’ CCXP (2024) - 1 2

6th: ‘Cas was supposed to have his arm around Dean in the bar’ CCXP (2024) - 1 2

14th: Cockles anniversary (2009) + Introduction of 'Eyes Like The Sky' beer (2020) - 1 2 3 + 4

19th: Jenmisheel holiday package (2017) - 1 2

#cockles #destiel #destiel is cockles fault #misha collins #jensen ackles #happy 15th anniversary #let's celebrate!

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idontliekmondays · 1 month ago

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the halifax mass shooting plot or der untergang

what was this? who planned it? where?

the halifax mass shooting plot was the idea that lindsay souvannarath, james gamble, and randall ’randy’ shepherd came up with to commit a mass shooting at a shopping centre in halifax, nova scotia, on valentine’s day.

more on who

lindsay souvannarath was 23 years old when she was arrested. she was born in chicago, illinois, on january 9, 1992, and lived there up until the time of the planned shooting. she pleaded guilty to conspiracy to commit murder and was sentenced to life in prison with no chance of parole. she’s still serving her sentence, and her most recent request for appeal in 2019 was denied.

james gamble was 19 years old at the time of his death on february 12, 2015. he was born in halifax, nova scotia, on august 6, 1995. there doesn’t seem to be much information available about what was done with his remains after death.

randall ‘randy’ shepherd was 20 years old when he was arrested on february 13. he was born in victoria, british columbia, on july 4, 1994. shortly after his birth, he and his family moved to halifax, nova scotia. he pleaded guilty to conspiracy to commit murder and was sentenced to 10 years in jail. he was released due to statutory release in 2021 after serving seven years and four months; however, he was ordered to stay off the internet and was to live in a halfway house in nova scotia.

how did randy and james meet?

both randy and james attended a high school located a short distance outside of halifax, which is where “they met and bonded over metal music, horror movies, marijuana, and a shared fascination with death and morbidity, often focusing on school shootings and mass murders.”

both were described as having increasing mental struggles following up to the incident.

as time passed, james considered committing a mass killing in halifax. he asked randy to be his partner in crime, who refused but continued to be a willing audience to his ideas.

how did lindsay meet them? what was her relationship with james like?

on december of 2014, james began to follow lindsay because of a “justgirlythings” meme she had posted onto her tumblr. it was captioned “not being able to live without your best friend” and was edited to have the columbine library photo underneath. they started messaging on facebook after this and formed a friendship quickly.

court documents state lindsay and james would repeatedly claim that they were adopting the personas of eric harris and dylan klebold, respectively. lindsay even said she felt the spirit of eric harris was taking over her body at times. they would refer to each other as reb and vodka and often speak of going “nbk” and quote passages to each other from the journals of the columbine shooters.

they also had a similar taste in music and lindsay introduced him to national socialist black metal.

their friendship blossomed into something more sexual that included sending nudes and sexting as they began to plan the shooting and then into something romantic as james began to show a lot of affection and attachment.

they expressed that they believed they were fated to each other and that their destiny was to commit this massacre and to die together. they “just felt like their relationship was destiny.”

the preparation

one of the first things they did was start thinking of possible locations. lindsay left most of that up to james. he came up with various ideas, such as a hospital, a library, and an elementary school, all of which lindsay disagreed with because she thought they would send the wrong message.

one location she ended up agreeing to was a mall.

“it was kind of this symbolism of western decadence and the modern world in general. just the idea of this place where people go to consume. it seemed like it would be a protest against capitalism, against consumerism, against greed.”

“i believe it was the film dawn of the dead that had zombies attacking the shopping mall, and it was supposed to be like this metaphor for our modern society and how obsessed with consumption it is. so i thought that would be perfect.”

in february of 2015, james and randy went to the halifax shopping centre and filmed videos of where the shooting was planned to happen. these were referred to as their “basement tapes.”

in one of these videos, they discussed how the temporary walls in the food court might block some of the shots, and randy stated that if at least one person from his high school was killed, the attack would be worth it. in another one of these, james calmly stares into the camera and says, “you're lucky i couldn’t get any more bullets.”

the plan

the mass shooting was to take place on valentines day, february 14, at the halifax shopping centre food court. the shopping centre was chosen with the intention to cause “mass panic.” (the date of the shooting was switched due to price increases on tickets. the original date was february 1st. james had the idea to change the date to valentines day because there would be more people in the food court and the time and he believed it would be more shocking.)

lindsay would travel by air to halifax to meet james on february 13.

james was to shoot both of his parents before lindsay arrived.

they would both then spend the night together in the gamble residence.

randy hoped to be shot and killed by james the same evening as a form of assisted suicide. (lindsay was not involved with this part of the plan). james wanted randy to make a video recording of the shooting instead of committing suicide.

the next day they would begin the shooting in the food court, which was the area they believed would provide them the most cover.

they were going to go into the food court bathrooms, change outfits, get their weapons and come out and open fire.

they were going to start the shooting by throwing molotov cocktails into the food court. (randy was to provide six bottles for the molotov cocktails.)

james was to arm himself with his father’s lever-action hunting rifle along with a hunting knife.

lindsay would be armed with his father’s single-action 16-gauge shotgun.

each was to wear previously selected death outfits that, in many ways, were chosen to pay tribute to the columbine shooters.

they wanted to shoot as many people as their ammunition allowed.

they were going to save their last bullets for themselves and “just like columbine” they would kneel facing each other and shoot themselves on the count of three.

what actually happened

the morning of feburary 12, 2015, lindsay snuck out of her family home and began the trip to halifax. she described herself as “very eager, very excited, very very thrilled to be leaving home.”

james then faltered in his plans to murder his parents and sent lindsay a facebook message that read, “i’m going to have to wait until tomorrow to kill them” and “you’ll have to stay at randy’s for the night.”

the same day of february 12, crime stoppers received an anonymous tip. a summary of the tip is as follows:

two people are posting on social media sites that they plan to shoot up the mall in halifax, nova scotia.

the two people are obsessed with school shootings.

a female is to leave chicago on a delta airlines flight to meet up with a male who has weapons for them to use.

the female is asian, known as lindsay, last name unknown but begins with “s”, she is approximately twenty-three years old, born 01-16-92 and is 5’3’’ tall and weighs 90lbs. lindsay has black shoulder length hair, which is dyed red right now and she wears brown framed glasses;

lindsay is friends with the male, james gamble;

lindsay has multiple social media accounts such as a facebook under the name “lindsay shubniggurath”, a tumblr account under the name “cockswastika”, and skype account under the name “thenewheresy”.

the male is james gamble, white male, nineteen years old, born 08-06-95, and is described as very skinny with dark brown hair parted to one side;

james gamble lives in halifax, nova scotia;

the anonymous source has not met james gamble in person;

james gamble is lindsay’s friend from online;

james has several social media accounts such as a facebook account under the name “james gamble” and a tumblr account under the name “shallowexistences”.

the canadian border services agency was contacted and issued a lookout to their agents to identify anyone who might match the description of the female.

soon officers arrived at the gamble residence in timberlea, nova scotia. james was contacted by telephone and suggested to exit the residence, which he agreed to do. instead, he committed suicide by shooting himself in the head with a single bullet from his father’s hunting rifle.

as previously agreed on, shepherd arrived at the stanfield international airport by city bus to pick up lindsay. he messaged lindsay and reiterated that james was behind on schedule killing his parents and that she would have to stay with him for the night.

lindsay landed in halifax at midnight, february 13th. at 12:10am she presented herself to primary immigration and spoke to a CBSA agent. the national lookout did not raise a flag at the time.

the CBSA agent was concerned by lindsay regardless. she communicated to him that she flew to canada on a one way ticket, had only $33, and did not know where her boyfriend lived. the agent thought that she may have been attempting to bring drugs into canada and noted that “she had very bad teeth and her complexion was very bad with scars on her face. this made me think that she may be on drugs.”

the agent directed lindsay to a secondary immigration examination as well as a secondary customs inspection.

she was questioned at secondary immigration by an agent. the agent questioned lindsay and confirmed that she didn’t know where she was going, had a small amount of money, and did not have a return ticket. lindsay communicated that she was in halifax to have a “memorable” valentine’s day weekend with her boyfriend who she had previously met online. she further communicated that randy was at the airport to pick her up, which was confirmed by CBSA officials.

the contents of her luggage were searched. she had little with her, aside from some makeup, her death outfit, and two books on serial killers.

while she was being dealt with by agents, officials reviewed the national lookout and determined that lindsay may be the person of interest.

police soon arrived at the airport and quickly arrested both randy and lindsay.

their online trail

they left a steady trail of posts referencing the planned shooting. there was a playlist posted on lindsay's tumblr blog to “cement the aesthetic” along with countless other posts hinting towards their plan. lindsay also queued her manifesto to post on her blog after the shooting.

my main source

#tccblr #i took inspo from that one kim veer post for formatting this

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kukuandkookie · 3 days ago

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The end of 2024 has proven that 2025 seems to be a huge year for donghua and I’m gripping everyone to give all these donghua besides just the most popular ones a chance!!!:

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Link Click, Yingdu arc: releasing December 27, 2024

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Nezha 2, sequel to Nezha 2019 aka Nezha zhi motong jiangshi, confirmed for January 2025

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To Be Hero X, likely April 2025 release (I hope people will also support the version with Chinese VAs! 🙏)

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Lord of the Mysteries, 2025 summer release—accompanied by more good news: the novel has officially entered the British Library and it will also be translated into English by Yen Press

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False Memory, series version, confirmed 2025 release

I am making this post because False Memory just released its new trailer and I am very much so looking forward to it! The series started as an indie short before growing into a bigger thing, much like Fog Hill of Five Elements and The Legend of Luo Xiaohei and Alita’s Trial. We’ve thus been waiting a couple years for news so this is really exciting, especially after it recently got a Twitter account!!

Bonuses:

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Ya She, released a couple months ago but late enough into 2024 I’d still love for more people to check it out!

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Scissor Seven, another one that’s had its newest season out for a while now, but I assume that for those who have Netflix, it hasn’t been officially English subbed or dubbed yet. We’re also still getting trailers for its game!:

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I Am What I Am 2, released Dec 14, 2024 in China!

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Reminder that Mo Dao Zu Shi is now on Crunchyroll! They may have removed it from Tencent’s donghua YouTube channel for this, so definitely go support it if you do have Crunchyroll!

Some children’s donghua have also recently released, including news of the new Balala the Fairies season and the other magical girls show, Rainbow Crew! The latter is confirmed for an official release in English.

The Yi Ren Zhi Xia game is also coming soon to global, and Fox Spirit Matchmaker even updated their OP recently after quite a long time of silence.

And speaking of silence, even the long-awaited SVSSS donghua saw some movement recently!?

Now if I could get a confirmed 2025 release for White Cat Legend season 3 (and maybe God Troubles Me and Lie Huo Jiao Chou and Fei Ren Zai and All Saints Street and The Legend of Luo Xiaohei and Wo Jia Dashixiong Naozi You Keng etc…)), I could die a happy man (gender-neutral)—after watching all of these newly released donghua shows and films and seasons, of course ahaha. 🙏

For more news and info on donghua, you can check here:

There’s a bunch of new donghua information in the above document that came from 2024, even though they don’t have official release dates yet! Including but not limited to:

The announcement and PV of Call-Up Girls, based on a baihe manhua

The announcement of a Nirvana in Fire donghua, based on the danmei novel with a famous cdrama adaptation (with the manhua having recently gotten an official English license via Aloha Comics)

Trailer and announcement for 《向火而生》, based on Shui Qian Cheng’s danmei novel Blazing Armour

More announcements for Jing Wei Qing Shang, based on the popular baihe novel

Trailer for The Story of Rong Song, a spin-off of the famous Big Fish and Begonia movie

and many, many more…!

Hope everyone can join me in watching more donghua for 2025!! :D

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gotta-winwin · 1 month ago

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make my dawn interview ~ 2019 special cut ᰔᩚ

cyana's masterlist

make my dawn special release interview

interview format / comments might be wonky on phone

INTERVIEWER: Hello everyone, today we're joined by Korean Boy Band SEVENTEEN! How are you guys feeling today?

S.COUPS: We're feeling great!

DK: Yes~ Very good.

INTERVIEWER: That's good. We're here today because you're releasing your sixth mini album You Make My Dawn! (claps) Congratulations!

SVT (as a whole): Yes~ Thank you!

INTERVIEWER: Please introduce the album to our viewers -

JOSHUA: (raises his hand quietly) I can do that - Our sixth mini album titled You Make My Dawn will be released in January, and it had six tracks with unit tracks as well! Please show it lots of love~

INTERVIEWER: And I noticed we have a new addition to the group since last comeback, would the new member please introduce herself?

CYANA: (flushed) Hi everyone~ My name is Cyana, I'm part of the vocal unit for SEVENTEEN. (smiles and waves)

INTERVIEWER: Having a female member is new for the industry, what are your thoughts on being the first ever female idol in a boy group?

CYANA: (pauses, looking at the others for help) Well... I'm happy to be able to break boundaries, I think it's an interesting idea that's worth pursuing. SEVENTEEN's an amazing group already and I hope to be able to add that that.

S.COUPS: Cyana's been a valuable member of our team as we prepared this upcoming album. She's earned her place here.

INTERVIEWER: And how did the rest of the group feel at the sudden change? I'm sure it was a shocking thing to adjust to.

HOSHI: We were all surprised, but excited. SEVENTEEN's known for being experimental when we need to be, and we thought this opportunity would add to our group even more.

INTERVIEWER: (nodding) And Woozi, how do you feel with Cyana's addition as the group's main producer? How has her addition changed the way you guys work?

WOOZI: (hesitating) It was an adjustment we all had to make, like any other circumstance where you work with new people. She fit well in our songs and I was happy to try out new combinations for harmonies. Her addition unlocks a whole new area of possibilities.

INTERVIEWER: I see. (flipping her script) Fans have showed much discourse over the new addition to the group, going as far as saying Cyana will bring bad publicity to SEVENTEEN. Cyana, what's your reaction to all this?

CYANA: (frowning slightly) I- um, I haven't been online much while preparing for my debut and comeback, but I suppose any negativity is expected. People are often skeptical of new things.

INTERVIEWER: And does that deter you in any way?

S.COUPS: I think we can move on to another-

CYANA: (putting a hand on his knee) It's okay. No, it doesn't deter me in any way. I'm only working harder to prove that new things can be great things as well.

DK: Ya! SEVENTEEN will be even greater with Cyana.

INTERVIEWER: That's very brave of you. Now, we'll enter into a rapid fire question segments of questions fans have left on our online forum. Dino, who would you pick - Jeonghan or Mingyu?

DINO: Jeonghan.

MINGYU: Wow, not even a moment's hesitation, huh.

INTERVIEWER: S.Coups - favourite member?

S.COUPS: Jeonghan.

INTERVIEWER: Wow, Jeonghan's quite popular. Cyana, most attractive looking member?

CYANA: (caught off-guard) Umm... Vernon? I don't know. (panics)

INTERVIEWER: Another one for Cyana - what's it like living with the boys? Any TMIs?

CYANA: It's all very normal. (lowkey judging the questions) It's like we're roommates. No TMIs.

INTERVIEWER: Another one for Cyana - who would you date out of-

S.COUPS: (cuts her off) I think that's enough for now- (pointing behind the camera at staff) They're telling us that time's up.

JOSHUA: So sorry~ (waves at the camera) We've got to do our goodbye, hyung.

S.COUPS: Say the name!

SVT (as a whole): SEVENTEEN!

S.COUPS: This has been SEVENTEEN, thank you so much for watching.

INTERVIEWER: (just a bit pissed) Yes, this has been SEVENTEEN, their new mini album You Make My Dawn comes out soon, please look forward to it!

︶⊹︶︶୨୧︶︶⊹︶︶⊹︶︶୨୧︶︶⊹︶︶⊹︶︶୨୧︶︶⊹︶︶⊹︶︶୨︶

COMMENTS:

wonwootiddies why'd they focus more on cyana then the album?? fatherscoups they all look so uncomfy wtf dksunshine look at scoups tryna do damage control cyanagotu shouldn't they ask more questions about the album? ⭒ woowwow no fr we got nothing but sexism ⭒ milkcans everything was good until she brought up the hate comments like ik this was filmed awhile ago but caratland is basically over the hate now? svtfan123 as a fan i hate cyana but as a girl- she doesn't deserve this just ask abt the bloody album bro

author's note: short cute (not so cute ig) interview post today! at least majority of caratland is (kinda) on her side now... bigger update soon!

#seventeen ot13 #seventeen imagines #svt imagines #svt #svt fluff #seventeen #seventeen 14th member #idol oc #idolverse #female idol #seventeen blurbs #svt carat #cyanawritings

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doyoulikethissong-poll · 7 months ago

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The Sweet - The Ballroom Blitz 1973

"The Ballroom Blitz" is a song by British glam rock band The Sweet, written by Nicky Chinn and Mike Chapman. The song reached number one in Canada, number two in the UK Singles Chart and the Australian Chart, and number five on the US Billboard Hot 100. It remains an enduring favourite, with more than 90 million streams on Spotify alone by the end of 2022. "The Ballroom Blitz" was inspired by an incident on 27 January 1973 when the band were performing at the Grand Hall in Kilmarnock, Scotland, and were driven offstage by a bottling. The song appeared on the US and Canadian versions of Desolation Boulevard but never appeared on a Sweet album in the UK, other than hits compilations. The initial guitar and drum riff of the song has similarity to a 1963 song by Bobby Comstock called "Let's Stomp".

An early cover of "The Ballroom Blitz" was by the Les Humphries Singers in 1974, the first German single to reach #1 in New Zealand. The Damned covered it in 1979, which featured Lemmy from Motörhead on bass guitar, and Tia Carrere did a cover on the soundtrack to Wayne's World in 1992. In 2020, industrial metal band 3Teeth released Guns Akimbo, a two-track set that included a cover version of "The Ballroom Blitz", which was previously featured in the 2019 action comedy film Guns Akimbo.

"The Ballroom Blitz" received a total of 84,2% yes votes!

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#finished #high votes #high yes #high reblog #low no #70s #the sweet #english #o1 #o1 sweep #popular

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acealistair · 6 months ago

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Dragon Age: The Veilguard GameInformer Article Transcribed

I saw some people lamenting that they had no way to read the GameInformer article, and while MVP dalishious posted screenshots of the article here, I figured that might be a little difficult to read, plus people with screen readers can't read it of course. So I've gone ahead and transcribed it! Full thing below the cut!

As a note, I transcribed it without correcting any typos, capitalization errors, etc. that the article itself had (as much as it pained me, omg the author capitalizes so many things that shouldn't be and vice versa). There may be some typos on my part as I did this as quickly as I could, so apologies in advance for any you might encounter.

I have also created a plot-spoiler-free version of the article for those who would like to learn more about the mechanics of the game without learning more plot info than they want!

Throughout my research and preparation for a trip to BioWare’s Edmonton, Canada, office for this cover story, I kept returning to the idea that its next game, Dragon Age: The Veilguard (formerly subtitled Dreadwolf) is releasing at a critical moment for the storied developer. The previous installment, Dragon Age: Inquisition, hit PlayStation, Xbox, and PC a decade ago. It was the win BioWare needed, following the 2012 release of Mass Effect 3 with its highly controversial and (for many) disappointing ending. Inquisition launched two years later, in 2014, to rave reviews and, eventually, various Gameo the Year awards, almost as if a reminder of what the studio was capable of.

Now, in 2024, coincidentally, the next Dragon Age finds itself in a similar position. BioWare attempted a soft reboot of Mass Effect with Andromeda in 2017, largely seen as a letdown among the community, and saw its first live-service multiplayer attempt in 2019’s Anthem flounder in the tricky waters of the genre; it aimed for a No Man’s Sky-like turnaround with Anthem Next, but that rework was canceled in 2021. Like its predecessor, BioWare’s next Dragon Age installment is not only a new release in a beloved franchise, but is another launch with the pressure of BioWare’s prior misses; a game fans hope will remind them the old BioWare is still alive today.

“Having been in this industry for 25 years, you see hits and misses, and it’s all about building off of those hits and learning from those misses,” BioWare general manager Gary McKay, who’s been with the studio since January 2020, tells me.

As McKay gives me a tour of the office, I can’t help but notice how much Anthem is scattered around it. More than Mass Effect, more than Dragon Age, there’s a lot of Anthem - posters, real-life replicas of its various Javelins, wallpaper, and more. Recent BioWare news stories tell of leads and longtime studio veterans laid off and others departing voluntarily. Veilguard’s development practically began with the COVID-19 pandemic in 2020. When I ask McKay about the tumultuousness of BioWare and how he, as the studio manager, makes the team feel safe in the product it’s developing, he says it’s about centering on the creative vision. “[When] we have that relentless pursuit for quality, and we have passion and people in the right roles, a lot of the other stuff you’re talking about just fades into the background.”

That’s a sentiment echoed throughout the team I speak to: Focus on what makes a BioWare game great and let Veilguard speak for itself. Though I had no expectations going in - it’s been 10 years since the last Drag Age, after all, and BioWare has been cagey about showing this game publicly - my expectations have been surpassed. This return to Thedas, the singular continent of the franchise, feels like both a warm welcome for returning fans and an impressive entry point for first-time players.

New Age, New Name

At the start of each interview, I address a dragon-sized elephant in the room with the game’s leads. What was Dragon Age: Dreadwolf is now Dragon Age: The Veilguard. Why?

“These games are reflections of the teams that make them, and as part of that, it means we learn a lot about what the heart and soul of the game really is as we’re developing it,” Veilguard game director Corinne Busche tells me. “We quickly learned and realized that the absolute beating heart of this game is these authentic, diverse companions. And when we took a step back, as we always do, we always check our decisions and make sure they still represent the game we’re trying to build.”

Dreadwolf no longer did that, but each member of BioWare I speak to tells me The Veilguard does. And while I was initially abrasive to the change - lore aside, Dreadwolf is simply a cool name - I warmed up to The Veilguard.

Solas, a Loki-esque trickster member of the Elven pantheon of gods known as the Dread Wolf, created the Veil long ago while attempting to free the elves from their slave-like status in Thedas. This Veil is a barrier between the magical Fade and Thedas, banishing Elven gods and removing Elven immortality from the world. But players didn’t know that in Inquisition, where he is introduced as a mage ally and companion. However, at the end of Inquisition’s Trespasser DLC, which sets the stage for Veilguard, we learn in a shocking twist that Solas wants to destroy the Veil and restore Elves to their former glory. However, doing so would bring chaos to Thedas, and those who call it home, the people who eventually become The Veilguard, want to stop him.

“There’s an analogy I like to use, which is, ‘If you want to carve an elephant out of marble, you just take a piece of marble and remove everything that doesn’t look like an elephant,’” Veilguard creative director John Epler says. “As we were building this game, it became really clear that it was less that we were trying to make The Veilguard and more like The Veilguard was taking shape as we built the game. Solas is still a central figure in it. He’s still a significant character. But really, the focus shifts to the team.

“[We] realized Dreadwolf suggests a title focused on a specific individual, whereas The Veilguard, much like Inquisition, focuses more on the team.”

Creating Your Rook

Veilguard’s character creator is staggeringly rich, with a dizzying number of customizable options. Busche tells me that inclusivity is at the heart of it, noting that she believes everyone can create someone who represents them on-screen.

There are four races to choose from when customizing Rook, the new playable lead - Elves, Qunari, Humans, and Dwarves - and hundreds of options to customize your character beyond that. You can select pronouns separately from gender and adjust physical characteristics like height, shoulder width, chest size, glute and bulge size, hip width, how bloodshot your eyes are, how crooked your nose is, and so much more. There must be hundreds of sliders to customize these body proportions and features like skin hue, tone, melanin, and just about anything else you might adjust on a character. Oh, and there’s nudity in Veilguard, too, which I learn firsthand while customizing my Rook.

“The technology has finally caught up to our ambition,” Dragon Age series art director Matt Rhodes tells me as we decide on my warrior-class Qunari’s backstory, which affects faction allegiance, in-game dialogue, and reputation standing - we choose the pirate-themed Lords of Fortune.

Notably, instead of a warrior class, we could have chosen mage or rogue. All three classes have unique specializations, bespoke skill trees, and special armors, too. And though our Rook is aligned with the Lords of Fortune faction, there are others to choose from including the Grey Wardens, Shadow Dragons, The Mourn Watch, and more. There is some flexibility in playstyle thanks to specializations, but your class largely determines the kind of actions you can perform in combat.

“Rook ascends because of competency, not because of a magical McGuffin,” BioWare core lead and Mass effect executive producer Michael Gamble tells me in contrast to Inquisition’s destiny-has-chosen-you-characterization.

“Rook is here because they choose to be, and that speaks to the kind of character that we’ve built.” Busche adds, “Someone needs to stop this, and Rook says, ‘I guess that’s me.’”

Beyond the on-paper greatness of this character creator, its customizability speaks to something repeated throughout my BioWare visit: Veilguard is a single-player, story-driven RPG. Or in other words, the type of game that made BioWare as storied as it is. McKay tells me the team explored a multiplayer concept early in development before scratching it to get back to BioWare basics. The final game will feature zero multiplayer and no microtransactions.

Happy to hear that, I pick our first and last name, then one of four voices, with a pitch shifter for each, too, and we’re off to Minrathous.

Exploring Tevinter For The First Time

Throughout the Dragon Age series, parts of Thedas are discussed by characters and referenced by lore material but left to the imagination of players as they can’t visit them. Veilguard immediately eschews this, setting its opening prologue mission in Minrathous, the capital of the Tevinter Empire. Frankly, I’m blown away by how good it looks. It’s my first time seeing Veilguard in action and my first look at a Dragon Age game in nearly a decade. Time has treated this series well, and so has technology.

Epler, who’s coming up on 17 years at BioWare, acknowledges that the franchise has always been at the will of its engine. Dragon Age: Origins and II’s Eclipse Engine worked well for the time, but today, they show their age. Inquisition was BioWare’s first go at Ea’s proprietary Frostbite engine - mind you, an engine designed for first-person shooters and decidedly not multi-character RPGs - and the team struggled there, too. Epler and Busche agree Veilguard is the first RPG where BioWare feels fully in command of Frostbite and, more generally, its vision for this world.

We begin inside a bar. Rook and Varric are looking for Neve Gallus, a detective mage somewhere in Minrathous. The first thing players will do once Veilguard begins is select a dialogue option, something the team says speaks to their vision of a story-forward, choice-driven adventure. After a quick bar brawl cutscene that demonstrates Rook’s capabilities, there’s another dialogue choice, and different symbols here indicate the type of tone you can roll with. There’s a friendly, snarky, and rough-and-tough direct choice, and I later learn of a more romantically inclined “emotional” response. These are the replies that will build relationships with characters, romantic and platonic alike, but you’re welcome to ignore this option. However, your companions can romance each other, so giving someone the cold shoulder might nudge them into the warm embrace of another. We learn Neve is in Dumat Plaza and head into the heart of Minrathous.

Rhodes explains BioWare’s philosophy for designing this city harkens back to a quick dialogue from Inquisition’s Dorian Pavus. Upon entering Halamshiral’s Winter Palace, the largest venue in Dragon Age history at that point, Dorian notes that it’s cute, adorable even, alluding to his Tevinter heritage. If Dorian thinks the largest venue in Dragon Age history is cute and adorable, what must the place he’s from be like? “It’s like this,” Rhodes says as we enter Minrathous proper in-game.

Minrathous is huge, painted in magical insignia that looks like cyberpunk-inspired neon city signs and brimming with detail. Knowing it’s a city run by mages and built entirely upon magic, Rhodes says the team let its imagination run wild. The result is the most stunning and unique city in the series. Down a wide, winding pathway, there’s a pub with a dozen NPCs - Busche says BioWare used Veilguard’s character creator to make each in-world NPC except for specific characters like recruitable companions - and a smart use of verticality, scaling, and wayfinding to push us toward the main attraction: Solas, attempting to tear down the Veil.

All hell is breaking loose. Pride Demons are rampaging through the city. Considering Pride Demons were bosses in prior games, seeing them roaming freely in the prologue of Veilguard speaks to the stakes of this opener. Something I appreciate throughout our short journey through Minrathous to its center below is the cinematography at play. As a Qunari, my character stands tall, and Rhodes says the camera adjusts to ensure larger characters loom over those below. On the flip side, the camera adjusts for dwarves to demonstrate their smaller stature compared to those around them.

This, coupled with movie-liked movement through the city as BioWare showcases the chaos happening at the hands of Solas’ Veil-break ritual, creates a cinematic start that excited me, and I’m not even hands-on with the game.

Eventually, we reach Neve, who has angered some murderous blood mages, and rescue her from danger. Or rather, help… barely. Neve is quite capable, and her well-acted dialogue highlights that. Together, Varric, returning character Lace Harding, who is helping us stop Solas and is now a companion, Rook, and Neve defeat some demons. They then take on some Venatori Cultists seizing this chaotic opportunity to take over the city and other enemies before making it to Solas’ hideout. As we traverse deeper and deeper into this hideout, more of Solas’ murals appear on the walls, and things get more Elven. Rhodes says this is because you’re symbolically going back in time, as Minrathous is a city built by mages on the bones of what was originally the home of Elves.

At the heart of his hideout, we discover Solas’ personal Eluvian. This magical mirror-like structure allows the gang to teleport (and mechanically fast-travel) to Arlathan Forest, where Solas is secretly performing the ritual (while its effects pour out into Minrathous).

Here, we encounter a dozen or so demons, which BioWare has fully redesigned on the original premise of these monstrous creatures. Rhodes says they’re creatures of feeling and live and die off the emotions around them. As such, they are just a floating nervous system, push into this world from the Fade, rapidly assembled into bodies out of whatever scraps they find.

I won’t spoil the sequence of events here, but we stop Solas’ ritual and seemingly save the world… for now. Rook passes out moments later and wakes up in a dream-like landscape to the voice of none other than Solas. He explains a few drops of Rook’s blood interacted with the ritual, connecting them to the Fade forever. He also says he was attempting to move the Elgar’nan and Ghilan’nain, part of the Evanuris or Elven gods of ancient times, to a new prison because the one he had previously constructed was failing. Unfortunately, Solas is trapped in the Fade by our doing, and these gods are now free. It’s up to Rook to stop them; thus, the stage for our adventure is set.

The Veilguard Who’s Who

While we learned a lot about returning character but first-time companion Lace Harding, ice mage private detective Neve Gallus, and veil jumper Bellara Lutara, BioWare shared some additional details about other companions Rook will meet later in the game. Davrin is a charming Grey Warden who is also an excellent monster hunter; Emmrich is a member of Nevarra’s Mourn Watch and a necromancer with a skeleton assistant named Manfred; Lucanis is a pragmatic assassin whose bloodline descends from the criminal House of Crows organization; And Taash is a dragon hunter allied with the piratic Lords of Fortune. All seven of these characters adorn this Game Informer issue, with Bellara up front and center in the spotlight.

The Lighthouse

After their encounter with Solas, Rook wakes up with Harding and Neve in the lair of the Dread Wolf himself, a special magical realm in the Fade called the Lighthouse. It’s a towering structure centered amongst various floating islands. Epler says, much like Skyhold in Inquisition, the Lighthouse is where your team bonds, grows, and prepares for its adventures throughout the campaign. It also becomes more functional and homier as you do. Already, though, it’s a beautifully distraught headquarters for the Veilguard, although they aren’t quite referring to themselves as that just yet.

Because it was Solas’ home base of operations, it’s gaudy, with his fresco murals adorning various walls, greenery hanging from above, and hues of purple and touches of gold everywhere. Since it’s in the Fade, a realm of dreams that responds to your world state and emotion, the Lighthouse reflects the chaos and disrepair of the Thedas you were in moments ago. I see a clock symbol over a dialogue icon in the distance, which signals an optional dialogue option. We head there, talk to Neve, select a response to try our hand at flirting, and then head to the dining hall.

A plate, a fork and knife, and a drinking chalice are at the end of a massive table. Rhodes says this is both a funny (and sad) look at Solas’ isolated existence and an example of the detail BioWare’s art team has put into Veilguard. “It’s a case of letting you see the story,” he says. “It’s like when you go to a friend's house and see their bedroom for the first time; you get to learn more about them.” From the dining hall, we gather the not-quite-Veilguard in the library, which Busche says in the central area of the Lighthouse and where your party will often regroup and prepare for what’s next. The team decides it must reach the ritual site back in Arlathan Forest, and Busche says I’m missing unique dialogue options here because I’m Qunari; an Elf would have more to say about the Fade due to their connection to it. The same goes for my backstory earlier in Minrathous. If I had picked the Shadow Dragons background, Neve would have recognized me immediately, with unique dialogue.

With our next move decided, we head to Solas’ Eluvian to return to Arlathan Forest and the ritual site. However, it’s not fully functional without Solas, and while it returns us to Arlathan Forest, it’s not exactly where we want to go. A few moments later, we’re back in the Arlathan Forest, and just before a demon-infested suit of mechanized armor known as a Sentinel can attack, two new NPCs appear to save us: Strife and Irelin. Harding recognizes them, something Dragon Age comic readers might know about. They’re experts in ancient elven magic and part of the new Veil Jumpers faction. The ensuing cutscene, where we learn Strife and Irelin need help finding someone named Bellara Lutara, is long, with multiple dialogue options. That’s something I’m noticing with Veilguard, too - there’s a heavy emphasis on storytelling and dialogue, and it feels deep and meaty, like a good fantasy novel. BioWare doesn’t shy away from minutes-long cutscenes.

Busche says that’s intentional, too. “For Rook, [this story’s about] what does it meant to be a leader,” she says. “You’re defining their leadership style with your choices.” Knowing that Rook is the leader of the Veilguard, I’m excited to see how far this goes. From the sound of it, my team will react to my chosen leadership style in how my relationships play out. That’s demonstrated within the game’s dialogue and a special relationship meter on each companion’s character screen.

Redefining Combat Once More

Bellara is deep within Arlathan Forest, and following the prolgoue’s events, something is up here. Three rings of massive rocks fly through the air, protecting what appears to be a central fortress. Demon Sentinels plague the surrounding lands, and after loading up a new save, we’re in control of a human mage.

Following the trend of prior Dragon Age games, Veilguard has completed the series’ shift from tactical strategy to real-time action, but fret not: a tactical pause-and-play mechanic returns to satiate fans who remember the series’ origins (pun intended). Though I got a taste of combat in the prologue, Veilguard’s drastic departure from all that came before it is even more apparent here.

Busche says player complete every swing in real-time, with special care taken to animation swing-through and canceling. There's a dash, a parry, the ability to charge moves, and a completely revamped healing system that allows you to use potions at your discretion by hitting right on the d-pad. You can combo attacks and even “bookmark” combos with a quick dash, which means you can pause a combo’s status with a dash to safety and continue the rest of the combo afterward. It looks even cooler than it sounds.

Like any good action game, there is a handful of abilities to customize your kit. And, if you want to maintain that real-time action feel, you can use them on the fly, so long as you take cooldowns into effect. But Veilguard’s pause-and-play gameplay mechanic, similar to Inquisition’s without the floating camera view, lets you bring things to halt for a healthy but optional dose of strategy.

In this screen, which essentially pauses the camera and pulls up a flashy combat wheel that highlights you and your companions’ skills, you can choose abilities, queue them up, and strategize with synergies and combos, all while targeting specific enemies. Do what you need to here, let go of the combat wheel, and watch your selections play out. Busche says she uses the combat wheel to dole out her companions’ attacks and abilities while sticking to the real-time action for her player-controlled Rook. On the other hand, Epler says he almost exclusively uses the combat wheel to dish out every ability and combo.

Busche says each character will play the same, in that you execute light and heavy attacks with hte same buttons, use abilities with the same buttons, and interact with the combo wheel in the same way, regardless of which class you select. But a sword-and-shield warrior, like we used in the prolgoue, can hip-fire or aim their shield to throw it like Captain America, whereas our human mage uses that same button to throw out magical ranged attacks. The warrior can parry incoming attacks, which can stagger enemies. The rogue gets a larger parry window. Our mage, however, can’t parry at all. Instead, they throw up a shield that blocks incoming attacks automatically so long as you have the mana to sustain it.

“What I see from Veilguard is a game that finally bridges the gap,” former Dragon Age executive producer Mark Darrah, who left BioWare in 2021 before joining the Veilguard team last year as a consultant, tells me. “Uncharitably, previous Dragon Age games got to the realm of ‘combat wasn’t too bad.’ In this game, the combat’s actually fun, but it does keep that thread that’s always been there. You have the focus on Rook, on your character, but still have that control and character coming into the combat experience from the other people in the party.”

“This is really the best Dragon Age game that I’ve ever played,” he adds, noting his bias. “This is the one where we get back to our roots of character-driven storytelling, have really fun combat, and aren’t making compromises.”

Watching Busche take down sentinels and legions of darkspawn on-screen, I can already sense Veilguard’s combat will likely end up my favorite in the series, although admittedly, as a fan of action games, I’m an easy sell here. It’s flashy, quick, and thanks to different types of health bars, like a greenish-blue one that represents barrier and is taken down most effectively with ranged attacks, a decent amount of strategy, even if you don’t use the pause-and-play combo wheel. Like the rest of the game, too, it’s gorgeous, with sprinkles, droplets, and splashes of magic in each attack our mage unleashes. Though I’m seeing the game run on a powerful PC, which is sure to be the best showcase of Veilguard, Epler tells me the game looks amazing on consoles - he’s been playing it on PlayStation 5 and enjoying it in both its fidelity and performance modes, but I’ll have to take his word for it.

Pressing Start

The start or pause screen is as important to a good RPG as the game outside the menus. Veilguard’s contains your map, journal, character sheets, skill tree, and a library for lore information. You can cross-compare equipment and equip new gear here for Rook and your companions, build weapon loadouts for quick change-ups mid-combat, and customize you and your party’s abilities and builds via an easy-to-understand skill tree. You won’t find minutiae here, “just real numbers,” Busche says. That means a new unlocked trait might increase damage by 25 percent against armor, but that’s as in-depth as the numbers get. Passive abilities unlock jump attacks and guarantee critical hit opportunities, while abilities add moves like a Wall of Fire to your arsenal (if you’re a mage). As you spec out this skill tree, which is 100 percent bespoke to each class, you’ll work closer to unlocking a specialization, of which there are three for each class, complete with a unique ultimate ability. Busche says BioWare’s philosophy here is “about changing the way you play, not statistical minutiae.”

Companion Customization

You can advance your bonds by helping companions on their own personal quests and by including them in your party for main quests. Every Relationship Level you rank up, shown on their character sheet, nets you a skill point to spend on them. Busche says the choices you make, what you say to companions, how you help them, and more all matter to their development as characters and party members. And with seven companions, there’s plenty to customize, from bespoke gear to abilities and more. Though each companion has access to five abilities, you can only take three into combat, so it’s important to strategize different combos and synergies within your party. Rhodes says beyond this kind of customizable characterization, each companion has issues, problems, and personal quests to complete. “Bellara has her own story arc that runs parallel to and informs the story path you’re on,” Rhodes says.

In Entropy’s Grasp

As we progress through the forest and the current “In Entropy’s Grasp” mission, we finally find Bellara. She’s a veil jumper, the first companion you meet and recruit in-game (unlike Neve, who automatically joins), and the centerpiece of this issue’s cover image. Because our mage’s background is Veil Jumper, we get some unique dialogue. Bellara explains we’re all trapped in a Veil Bubble, and there’s no way out once you pass through it. Despite the dire situation, Bellara is bubbly, witty, and charming.

“When designing companions, they’re the load-bearing pillars for everything,” Rhodes says. “They’re the face of their faction, and in this case [with Bellara], their entire area of the world. She’s your window into Arlathan Forest.” Rhodes describes her as a sweetheart and nerd for ancient elven artifacts. As such ,she’s dressed more like an academic than a combat expert, although her special arm gauntlet is useful both for tinkering with her environment and taking down enemies.

Unlike Neve, who uses ice magic like our Rook and can slow down time with a special ability, Bellara specializes in electricity, and she can also use magic to heal you, something Busche says Dragon Age fans have been desperate to have in a game. Busche says if you don’t direct Neve and Bellara, they’re fully independent and will attack on their own. But synergizing your team will add to the fun and strategy of combat. Bellara’s electric magic is effective against Sentinels, which is great because we currently only have access to ice. However, without Bellara, we could also equip a rune that converts my ice magic, for a brief duration, into electricity to counter the Sentinels.

As we progress through Arlathan Forest, we encounter more and more darkspawn. Bellara mentions the darkspawn have never been this far before because the underground Deep Roads, where they usually escape from, aren’t nearby. However, with blighted Elven gods roaming the world, and thanks to Blight’s radiation-like spread, it’s a much bigger threat in Veilguard than in any Dragon Age before it.

I continue to soak in the visuals of Veilguard with Arlathan Forest’s elven ruins, dense greenery, and disgusting Blight tentacles and pustules; it’s perhaps the most impressive aspect of my time seeing the game, although everything else is making a strong impression, too. I am frustrated about having to watch the game rather than play it, to be honest. I’m in love with the art style, which is more high fantasy than anything in the series thus far and almost reminiscent of the whimsy of Fable, a welcome reprieve from the recent gritty Game of Thrones trend in fantasy games. Rhodes says that’s the result of the game’s newfound dose of magic.

“The use of magic has been an evolution as the series has gone on,” he says. “It’s something we’ve been planning for a while because Solas has been planning all this for a while. In the past, you could hint at cooler magical things in the corner because you couldn’t actually go there, but now we actually can, and it’s fun to showcase that.”

Busche, Epler, and Rhodes warn me that Arlathan Forest’s whimsy will starkly contrast to other areas. They promise some grim locations and even grimmer story moments because, without that contrast, everything falls flat. Busche likens it to a “thread of optimism” pulled through otherworldly chaos ravaging Thedas. For now, the spunky and effervescent Bellara is that thread.

As we progress deeper into the forest, Bellara spots a floating fortress and thinks the artifact needed to destroy the Veil Bubble is in there. To reach it, though, wem ust remove the floating rock rings, and Bellara’s unique ability, Tinker, can do just that by interacting with a piece of ancient elven technology nearby. Busche says Rook can acquire abilities like Tinker later to complete such tasks in instances where Bellara, for example, isn’t in the party.

Bellara must activate three of these in Arlathan Forest to reach the floating castle, and each one we activate brings forth a slew of sentinels, demons, and darkspawn to defeat. Busche does so with ease, showcasing high-level gameplay by adding three stacks of arcane build-up to create an Arcane Bomb on an enemy, which does devastating damage after being hit by a heavy attack. Now, she begins charging a heavy attack on her magical staff, then switches to magical daggers in a second loadout accessed with a quick tap of down on the d-pad to unleash some quick attacks, then back to the staff to charge it some more and unleash a heavy attack.

After a few more combat encounters, including one against a sentinel that’s “Frenzied,” which means it hits harder, moves faster, and has more health, we finally reach the center of the temple. Within is a particular artifact known as the Nadas Dirthalen, which Bellara says means “the inevitability of knowledge.” Before we can advance with it, a darkspawn Ogre boss attacks. It hits hard, has plenty of unblockable, red-coded attacks, and a massive shield we must take down first. However, it’s weak to fire, and our new fire staff is perfect for the situation.

After taking down this boss in a climactic arena fight, Bellara uses a special crystal to power the artifact and remove it from a pedestal, destroying the Veil Bubble. Then, the Nadas Dirthalen comes alive as an Archive Spirit, but because the crystal used to power it breaks, we learn little about this spirit before it disappears. Fortunately, Bellara thinks she can fix it - fixing broken stuff is kind of her thing, Epler says - so the group heads back to the Veil Jumper camp and, as interested as I am in learning what happens next, the demo ends. It’s clear that even after a few hours with the game’s opening, I’ve seen a nigh negligible amount of game; frustrating but equally as exciting.

Don’t Call It An Open World

Veilguard is not an open world, even if some of its explorable areas might fee like one. Gamble describes Veilguard’s Thedas as a hub-and-spoke design where “the needs of the story are served by the level design.” A version of Inquisition’s Crossroads, a network of teleporting Eluvians, returns, and it’s how players will traverse across northern Thedas. Instead of a connected open world, players will travel from Eluvian to Eluvian to different stretches of this part of the continent. This allows BioWare to go from places like Minrathous to tropical beaches to Arlathan Forest to grim and gothic areas and elsewhere. Some of these areas are larger and full of secrets and treasures. Others are smaller and more focused on linear storytelling. Arlathan Forest is an example of this, but there are still optional paths and offshoots to explore for loot, healing potion refreshes, and other things. There’s a minimap in each location, though linear levels like “In Entropy’s Grasp” won’t have the fog of war that disappears as you explore like some of Veilguard’s bigger locations. Regardless, BioWare says Veilguard has the largest number of diverse biomes in series history.

Dragon’s Delight

With a 10-hour day at BioWare behind me after hours of demo gameplay and interviews with the leads, I’m acutely aware of my favorite part of video games: the surprises. I dabbled with Origins and II and put nearly 50 hours into Inquisition, but any familiarity with the series the latter gave me had long since subsided over the past decade. I wanted to be excited about the next Dragon Age as I viewed each teaser and trailer, but other than seeing the words “Dragon Age,” I felt little. Without gameplay, without a proper look at the actual game we’ll all be playing this fall, I struggled to remember why Inquisition sucked me in 10 years ago.

This trip reminded me.

Dragon Age, much like the Thedas of Veilguard, lives in the uncertainty: The turbulence of BioWare’s recent release history and the lessons learned from it, the drastic changes to each Dragon Age’s combat, the mystery of its narrative, and the implications of its lore. It’s all a part of the wider Dragon Age story and why this studio keeps returning to this world. It’s been a fertile franchise for experimentation. While Veilguard is attempting to branch out in unique ways, it feels less like new soil and more like the harvest BioWare has been trying to cultivate since 2009, and I’m surprised by that.

I’m additionally surprised, in retrospect, how numb I’ve been to the game before this. I’m surprised by BioWare’s command over EA’s notoriously difficult Frostbite engine to create its prettiest game yet. I’m surprised by this series’ 15-year transition from tactical strategy to action-forward combat. I’m surprised by how much narrative thought the team has poured into these characters, even for BioWare. Perhaps having no expectations will do that to you. But most of all, with proper acknowledgement that I reserve additional judgment until I actually play the game, I’m surprised that Veilguard might just be the RPG I’m looking forward to most this year.

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