#Jang Hee Bin

[mysageukinbio]

Jang Hee Bin (2002), Episode 57 complete!

Subtitles on D-Addicts

[velummortis]

Jang Hee Bin Ramble

@ longtime followers, you thought you'd seen the last of this, did you?

Anyway, so it's been my unhinged desire to see every version of Jang Hee Bin since I was 12. I'm proud to tell my 12-year-old self that I've seen in more-or-less completion:

Kim Ji Mi's 1961 Jang Hee Bin [eng sub]

Nam Jeong Im's 1968 Femme Fatale, Jang Hee Bin

Lee Mi Suk's 1981 Women of Legend: Jang Hee Bin

Jeong Seon Gyeong's 1995 Jang Hee Bin [eng sub]

Lee So Yeon in 2010 Dong Yi [eng sub]

Kim Tae Hee in 2013 Jang Ok Jeong, Living in Love [eng sub]

Currently watching 1988's 500 Years of Joseon: Queen Inhyeon and the 2002 version. Slide 2007's Shadows in the Palace and 2012's Queen Inhyeon's Man and all I have left to see is 2016's Jackpot and 2005's drama special How Sad it is, to be Forgotten!

Watching the 1981 version is like watching college students use clairvoyance to select future talents to shoot inside their $1.50 set complex and slapping on Court music. As in, the actors are carrying the show. The 1995 version improves on the 1981 in almost every way while using the same script but now comes with an unhinged energy best seen in the random montages and subsequent baby-throwing.

I don't have any impression of the '88 version yet but the 2002 is everything 12-year-old me hoped for, although a little dry at times. Everyone's seen the other versions from 2010 forward so I need not elaborate there. Still waiting for someone to find footage of the 1971 daily drama in some abandoned warehouse or something.

[palaceoftears]

Hi! Recommending Jang Hee Bin (1995) as another Palace intrigue! https://www.tumblr.com/mysageukinbio/190262367230/just-a-small-appreciation-post-for-sbs?source=share

Hi, thanks for the rec! It totally looks like my type of thing so I hope I can watch it some day 💗

[k-star-holic]

Kim Hye-soo unveils her 17-year-old Teen Stadium years of beauty admiration

Source: k-star-holic.blogspot.com

[anemoiawithatouchofobsession]

(I forgot I had written out the entire lore of this drama)

----

Fictional sageuk drama script idea : "우정가", a tale of 5 young gisaengs (entertainers) who form a pseudo-idol group together. A tale of friendship, trust and music.

A gisaeng was a mostly female entertainer in the Joseon era. Belonging to the lowest class of citizens, the *cheonmin*, they were trained in fine arts, needlework and medicine, sang, danced, and entertained through poetry and prose, as well as sometimes sold their bodies to the higher classed (yangban) men, for a living, or worked at the royal court as courtesans.

In this fictional drama, I want to see 5 young girls from different backgrounds of the Joseon society try and break the glass box they were held in as gisaengs through friendship, wisdom and innovation. Now I do not claim this historically accurate at all - which modern sageuk even is? - but come on, there has to be *some*one that must have rebelled at least a little bit. I know they were punished. But still.

Timeline wise, I would want to set this in the later Joseon era as the three tier system of the gisaengs (일패 - rank one to 삼패, rank three) would exist by then. To be exact, let's say during the reign of Sukjong of Joseon (1674 - 1720). I personally feel like it would be fitting to put a story of women in an era where politics was deeply influenced by the women of the palace. And if the name "Sukjong" doesn't already ring a bell, the name " Jang Ok-jung", a.k.a. "Jang Hee-bin", or "Royal Consort Hee of the Jang family" will definitely ring a bell for Kdrama lovers. Often nicknamed "Joseon's femme fatale", this concubine of King Sukjong wrote her name in history by her beauty, greed, power hunger and her tragic ending. She has been portrayed in popular media more than 10 times as the lead role, by prolific actresses such as Yoon Yeo-jung, Jeon In-hwa, Jung Sun-kyung, Kim Hye-soo and Kim Tae-hee. It wouldn't be wrong to call Jang Hee-bin one of the most famous women in Joseon history.

With that in mind, I want to set the story in this era. Also, as someone who's head deep into "Ladies Of The Palace" (SBS 2001 traditional sageuk about the life of Joseon politician and former gisaeng herself, Jeong Nanjung), I want more female-oriented stories! So I decided this main cast is going to be just women.

My old Sageuk script, revised! ----- Madam Jung : Where is Yoo-hwa? She should have been here by afternoon. 유화가 어디냐? 오후까지 왔어야 했는데. Myeong Ae: She's in the palace today I think the Prince has taken a liking to her. 유화가 궁에 있아옵니다. 세자저하께서 언니한테 관심이 생겼다는 소문을 들었아옵니다. Madam Jung : I see. I hope she doesn't get swayed by the Prince to stay at the court. 그리하구나. 세자저하께 교태전에 남아있으라는 말 안듣게... Mi Hee : Why? If the Prince likes her, she might receive a lot of money. And maybe she will become his concubine! 왜 그렇습니까? 세자저하께서 언니를 좋아하신다면, 돈을 받고, 어쩌면 저하의 첩이 될지도 모릅니다! Madam Jung : Not every gisaeng's path leads to the court. Yoo-hwa is too naive to get into politics, and is too skilled to be an entertainment to the Royal family. 모든 기생들의 길이 궁까지 가야 할 필요 없다. 우리 유화가 너무 흔들리기 쉬워서 궁정과 정치에 멀리서 있어야 해. 또한, 왕실의 오락거리일뿐이 되기에는 얘가 너무 숙련되어있는데. Jin Yi : I've heard that the Consort Hee of the Jang family is a very greedy woman. Yoo-hwa would suffer a lot if she gets in that woman's way. As someone who has seen her since she was young, I am worried. 장씨 희빈마마께 욕망이 많은 여자라고 들었어요. 유화는 그 분에게 방해가 된다면 큰 고통을 겪게 될 건데. 얘를 오랫동안 보는 분이라서 걱정이 ���옵니다. Jang Sook : Consorts are always greedy. I don't understand why. The court is splitting like a watermelon, the nation is being attacked on the shores, and these women give birth to four of five babies for what? For the land they receive? For their son to be the next king? So they can be the Queen Dowager and order their own son and the court around? 빈궁들은 항상 욕심이 많군요. 왜 그런지 이해하지 않아. 우리 궁정은 수박처럼 갈라지고 있고, 우리 나라는 해안에 심한 공격당하고 있는데도, 이 여자들은 무엇 때문에 계속 4명이나 5명의 아기를 낳습니까? 받는 땅을 위해서요? 아들이 생기면 그 불쌍한 아이가 다음 왕이 되기 위해서요? 대비가 되어 아들과 궁정을 명령할 수 있기 위해서요? Madam Jung : (raises hand) We are no one to judge someone else's situation and decisions in life. All we can do is live with it and give the children an example of how to,nor how not to, lead life. 우리는 다른 사람의 상황과 결정을 판단하는 사람이 아니다. 우리가 할 수 있는 것은 우리대로 먹고살고 우리 아이들에게 삶을 사는 방법에 대한 예를 드는 것일뿐이다.

Madam Jung : Cheon-geum-ah? 천금아? Cheon-geum  : Yes, mother 네, 어머님 Madam Jung : You are the closest to the age of 16 among the training gisaengs. Am I right? 여기 아이들 중에 16세 넘은 아이 너냐? Cheon-geum  : True, mother. 맞사옵니다 Madam Jung : Then, have you decided on a gisaeng name yet? 그럼, 기생이름을 선택했느냐? Cheon-geum  : No, mother. 아니옵니다 어머님 Madam Jung : Why so, when I have reminded you mamy times? 몇 번 말을 했던게요, 그럼 왜? Cheon-geum : (stutters slightly, in a quieter voice) I- I intend not to take on a gisaeng name, mother. 저- 저는 기생 이름을 생기는 생각이 없아옵니다, 어머님 Wol-hyang : (looks at Eui-hye with a look of worry) Madam Jung : May I know the reason? 이유를 좀 전할할 수 있을까? Cheon-geum  : (voice becoming more firm) My mother gave me a name that I think is fitting to me. I want to be a heavenly lyre player even when I'm a gisaeng. Please understand this young girl's wish, mother. 이 소녀의 애미는 저에게는 잘 어울리는 이름을 지으셨다고 생각을 하느니, 기생이 되도 지금 이름대로 천상의 거문게���으로 유명하고 싶은 이 소녀의 순한 마음을 이해주십시오 Soon-ryeon : (leans over to Wol-hyang and whispers) when is her birthday? In how many months? 얘 생일 언젠데? 몇월? Wol-hyang : ( noticing that Madam Jung jas noticed Soonryeon whispering, signals with her hand, 2 fingers. SR gives a look of "well, whatever" and continues eating.) Madam Jung : (slightly angry) So you think these reasons give you the freedom that your friends don't have? What makes you think you have a choice? 그럼 네 친구들이 없는 자유가 네가 갖고 있는 줄 알았느냐? 선택이 있는 생각을 어떻게 들 수 있느냐? Cheon-geum : (quiet but firm) None of the other girls were born to a gisaeng and raised to be one. I have never known anything else but being a gisaeng. How can I change my name? 다른 얘들은 기생의 몸에 타어나지 않았고 기생이 되기 위해 키웠던 게 아니옵니다. 이 소녀는 기생의 삶 밖에 모른데, 어떻게 온 인생이 담긴 그 이름까지 버릴 수 있는 겁니까? Madam Jung : (breathes in sharply) Listen here, child... 아이야, 한 번 들어봐 Mi-hee : (signals to Madam Jung to let her deal with it) Cheon-geum-ah, think again. All of us have gisaeng names. 천금아, 또다시 생각해보렴. 우린 다 기생이름은 있다. Hwa-myeong : I am also the daughter of a gisaeng. I know that you're proud of your name, but I'm sure your mother would appreciate it if you followed the tradition. 저도 기생딸이라서 이름이라는 것에 대한 자랑스음 아주 잘 알아. 그래도, 우리 기생민의 전통을 따라하면 좋겠다. Myeong-ae : ... it is, in the end, what she did too. It wouldn't be wrong to do so. 천금양 어머니도 결곡엔 그렇게 했느니, 니 잘못이 아니라단다... Hwa-myeong : You think it would be disrespectful to your mother, isn't it? 이름을 바뀌는 것은 어머니에게 무례할 거라고 생각을 하냐?? Cheon-geum  : (nods timidly) Mi-hee : I can assure you, it isn't. In fact, I'm sure your mother, if she were here, would tell you to leave your pride behind and do the same as all your seniors, and be a honourable gisaeng. You understand? 장담할건대, 그렇지는 않아. 천금애미께 여기 계셨다면, 자존심은 버리고 모든 선배들과 똑같이 하고, 훌륭한 기생이 되라고 말씀하실 거예요. 이해했나? Cheon-geum  : (lowers her head at the sudden interjection of the seniors, embarrassed) I understand. I will think about it. 알겠아옵니다. 생각을 할 겁니다. Madam Jung : Lift your head up. I will give you time until the day before your 17th birthday. Have you understood? 고개를 들어라. 17번째 생일의 날까지 시간을 줄게. 알아들어시게. Cheon-geum  : Yes, mother. 네, 어머님

Jang Sook : Madam, isn't it commonplace to name the girls as soon as they enter the gyobang? 마님, 평소에는 이런 소녀들에게 교입할때 기생이름을 지우는 것은 맞습니까? Madam Jung : You are right, Mrs. Jang. But I feel like a child should be able to enjoy her name before having it taken away from her. 맞는 말씀이십니다.그렇지만, 이 아가들이 자신의 이름과 그것의 뜻을 알고 즐기는 시간을 주고 싶다고 생각하옵니다. Jin-yi : This gyobang really seems like the only one in the kingdom to do so. 온 왕국에서 이 교방은 이것을 하는거 유일한 것 같죠... Jang Sook : I have heard of another gyobang in the Pyongyang region, where they allow the girls to choose which field they study in, isn't that good too, madam? 평양쪽 또다른 교방에서 교입하는 소녀들에게 각자의 공부의 길을 선택하는 것을 허락하는 게 들었는데, 그리하는 것도 좋아하지 않습니까? Madam Jung : I disagree with that. I know that some of the best gisaengs especially in dancing and singing have come from that gyobang, but the gisaengs there lack an all-round education. A gisaeng should be able to do anything. 아닙니다. 저 교방 출신 기생들은 특히 무용과 창으로 아주 유명하지만, 모든 필요한 실력을 갖이지는 아니다. 기생이 모든 게 잘할 수 있어야 됩니다. Myeong-ae : I agree, mother. There is no reason a gisaeng who excels at poetry would also excel at dancing. 동의하옵니다, 어머님. 시를 잘 쓰는 기생은 무용을 잘 할 리 없네요. Soon-ryeon, Eui-hye and Hwa-jung : (look at  Wol-hyang with a smile, almost as if taunting her for her two left feet.  Wol-hyang lets out a sigh and stuffs her mouth with rice) Mi-hee : (notices  Wol-hyang, smiles) Mi-soon-ah (referring to Myeong-ae by her gisaeng name) , to realise you're wrong, you don't need to look far. 미순아, 잘못의 말씀을 했던 게 이해하기 위해 멀리서 보지마오. Wol-hyang : (even more embarrassed, she cowers and keeps on stuffing rice into her mouth) Mi-hee : I'm sitting right here, am I not, mother? 저 여긴 앉아 있지 않으나요, 어머님? Wol-hyang : (surprised at the sudden relevation, looks up) Madam Jung : I remember. 기억하단다. Mi-hee : (continues) There were days I practiced until my legs bruised, and I thought of Yoo-hwa (Yi-rin's gisaeng name) and cried, because I wasn't even as good as her toenail when it came to dancing. 유화의 발끝만큼도 춤을 못출 수 있단 것을 생각하며 울었고, 제 다리가 다쳤을적까지 연습하는 나날들이 있었군요 Myeong-ae : (laughs) And weren't there days I made the floor wet with my tears, as my voice cracked at all the songs, Geum-wol? 나도 노래할때 이상한 소리가 내서 내 눈물로 바닥을 젖은 날들이 있었다, 기억하나, 금월아? Hwa-myeong : I remember crying while playing the drums - I hit my head with a drumstick. (laughter erupts across the room) . I got a big red boil on my head like an egg. It's practice, practice and again practice, that made us to be as skilled as we are. (turns to Wolhyang) There's no need to worry at all. If there is a will, there is a way. 나는 복을 치다가 울었던 기억이 난데요 - 복에 내 머리를 부딪쳤다고... 이마가 겨란처럼 빨갛게 부어올랐어요. 역시, 연습, 연습 그리고 연습이 우리를 이렇게 만들어. 월향아,너 걱정하기가 필요없다. 너 이젠 마음 먹었으니 길이 발견될테니. (Wolhyang : bends her head, half in shame, half in relief. The seniors and Madam Jung smile, and everyone continues eating)

[gabrielokun]

[passionforfiction]

Queen of Tears

This series is not perfect, but it is still good. It has a solid storyline, and great characters. Hong Hae In and Baek Hyun Woo have been married for 3 years and the love that had united them at the beginning seems to have disappeared in their distance and silence after a miscarriage that broke their hearts. When Baek Hyun Woo finally has the courage to present the divorce papers to Hong Hae In, she tells him she has a tumor and doesn't have much time left. His decision to stay with her gives them an unexpected chance at finding that love that had united them once. Family interactions between their very different families questions dynamics and help characters grow.

I like the fact that they didn't take the easy way out with our main antagonist. The story in itself is really good and I loved it, however, production was a bit careless with details that were too big to miss: Hae In's operation - how can a person with a brain tumor have a surgery with her hair intact. Or Hyun Woo's neck injury suddenly disappearing in a second, ext. These kind of details show some careless oversight. But we can forgive them - we laugh it off and keep watching to see what happens next.

I liked it and recommend it.

[taekwondolifemagazine]

Two (2) From Well Go USA

June 22, 2024 (NYC)– Two (2) from Well Go USA.   A Look at Two new international films, originating in South Korea,  distributed by Well Go USA, and hitting digital on June 25th.   Here is a synopsis and review of these Well Go USA Entertainment releases. HOPELESS Synopsis:       After spending his entire childhood in a town riddled with crime and violence, a teenage boy saves up his money in…

[namjhyun]

DRAMA REVIEW | Queen of Tears (2024)

Queen of Tears strongest point are the performances, directing and cinematography, there's no doubt about this. Scriptwriter Park Ji Eun has a talent for teaming up with great talents, particular actors, and that's in my opinion the main reason why her drama are usually so successful. She manages to write really interesting and endearing characters, and put them in entertaining situations that grasp the attention of the viewer.

The casting director did a particular excellent job on this one because every single character was cast to perfection, every actor and actress fitting into the role as if it was written for them.

I am fascinated by the way scriptwriter Park Ji Eun has managed to mix genres in one drama, because Queen of Tears is a dark comedy, makjang, comedy, romance and melodrama all in one. This screenwriter is not stranger to making a successful and entertaining kdrama, but if you are looking for something that will dwell into the deeper reasons as to why the leads' marriage crumble, logic and cohesive editing, this story might not be for you.

Queen of Tears strongest point is the way both families come together, learning to respect and love each other but apart from that the drama is developed at a surface level. The scripts lean hard on the other genres which is perfectly fine but there were times when I was frustrated at the desiciones being made, the complete waste of time when the families are running against the clock to save one of their own AND the family's business, etc. This is when I think Queen of Tears is a lot like other Park Si Eun's kdramas: they start strong but run out of material towards the second half of the episode, almost as if she introduce a bunch of plotlines with proper solutions to a few of them.

Overall, I found Queen of Tears to be a really entertaining watch to disconnect from reality.

[junkobato]

Upcoming Kdrama December 2023 💚

1/12: My Man is Cupid with Jang Dong Yoon, Nana, Park Ki Woong. 16 episodes; rom-com, fantasy. Trailer

1/12: Sweet Home 2 with Song Kang, Lee Jin Wook, Lee Si Young. 8 episodes; horror, sci-fi. Trailer

2/12: Welcome to Samdalri with Ji Chang Wook, Shin Hye Sun. 16 episodes; rom-com. Trailer

4/12: Night Has Come with Kim Woo Suk, Choi Ye Bin, Lee Jae In. 12 episodes; thriller, mystery, horror. Trailer

9/12: Maestra: Strings of Truth with Lee Young Ae, Park Ho San, Lee Moon Saeng. 12 episodes; music, thriller, mystery. Trailer

15/12: Death's Game with Seo In Guk, Park So Dam, Go Youn Jung, Kim Ji Hoon. 8 episodes; thriller, fantasy. Trailer

20/12: Like Flowers in Sand with Jang Dong Yoon, Lee Joo Myung, Kim Bora. 12 episodes; rom-com, youth. Trailer

22/12: Gyeongseong Creature with Park Seo Joon, Han So Hee, Wi Ha Joon. 7 episodes; Action, Thriller, Historical, Sci-Fi. Trailer

30/12: My Happy End with Jang Nara, Son Ho Jun, So Yi Hyun. 16 episodes; thiller, psychological. Trailer

What a great way to end the year!

*REBLOG FOR UPDATES*

[seouldramaspot]

Queen of Tears: A Compelling Dive into Love and Crisis

"Queen of Tears" (Korean: 눈물의 여왕) is a 2024 South Korean television series that captivates audiences with its intricate portrayal of a married couple navigating a tumultuous crisis. Written by the acclaimed Park Ji-eun and co-directed by Jang Young-woo and Kim Hee-won, the series stars the powerhouse duo Kim Soo-hyun and Kim Ji-won. Airing on tvN from March 9 to April 28, 2024, and available for streaming on TVING and Netflix in selected regions, this drama has not only captured hearts but also shattered viewership records.

The narrative centers on Hong Hae-in, a third-generation chaebol heiress, and Baek Hyun-woo, a lawyer from a rural background. The series delves into their complex relationship, highlighting the challenges and rekindling of their love after three years of marriage. This emotional rollercoaster is set against the backdrop of the Queens Group's corporate world and the humble rural village of Yongdu-ri.

Cast: The cast of "Queen of Tears" brings the story to life with their compelling performances:

Kim Soo-hyun as Baek Hyun-woo, a lawyer and Hae-in's devoted husband.

Kim Ji-won as Hong Hae-in, the ambitious CEO of Queens Department Store.

Park Sung-hoon as Yoon Eun-sung, a savvy investor and Hae-in's university acquaintance.

Kwak Dong-yeon as Hong Soo-cheol, Hae-in's younger brother and CEO of Queens Mart.

Lee Joo-bin as Cheon Da-hye, Soo-cheol's wife.

Supporting roles feature a robust ensemble, including Kim Kap-soo, Lee Mi-sook, and Jung Jin-young, enhancing the series' depth with their stellar portrayals of Hae-in's and Hyun-woo's families.

Park Ji-eun, after the monumental success of "Crash Landing on You," returns with a gripping storyline in "Queen of Tears." The series, co-produced by Studio Dragon, Culture Depot, and Showrunners, underwent meticulous preparation. The first script reading was conducted in March 2023, and filming spanned several months, capturing the scenic beauty of South Korea and Germany. With a hefty budget of ₩56 billion (US$48.95 million), the production quality is top-notch, boasting exquisite cinematography and elaborate sets.

The original soundtrack, curated by music director Nam Hye-seung, is a melodic journey that complements the series' emotional tone. Featuring artists like BSS, 10cm, Heize, and Crush, the OST has struck a chord with fans. Notably, Kim Soo-hyun lends his voice for the first time in a decade, adding a personal touch to the series' musical landscape.

"Queen of Tears" has been a ratings juggernaut, achieving a nationwide rating of 24.850% for its finale, making it the highest-rated series in tvN's history and the third highest-rated series in Korean cable television. Critics and audiences alike have lauded the series for its engaging storyline and stellar performances. Forbes highlighted its unique approach of starting with "happily ever after" and then exploring the complexities of maintaining it. NME's Tanu I. Raj praised it as a "whirlwind office romance" with a comic undertone, awarding it 3 out of 5 stars.

The series' global appeal is evident from its performance on Netflix's Global Top 10 TV (Non-English) category, where it ranked seventh shortly after release. With 373.2 million hours watched over its broadcast run, "Queen of Tears" has left an indelible mark on viewers worldwide.

"Queen of Tears" is a masterful blend of romance, drama, and corporate intrigue, underscored by exceptional performances and a captivating soundtrack. It stands as a testament to the creative prowess of its makers and the enduring appeal of K-dramas on a global stage. Whether you're a long-time fan of Korean dramas or a newcomer, "Queen of Tears" is a must-watch that promises to take you on an unforgettable emotional journey.

Honest comment:

For me when I watch it I know it will be a success since the chosen cast for the series is one of the great actors and actresses they done their part amazing and it touch people's hearts and for me some parts are predictable but it is still a masterpiece a story of people in a marriage it is so relatable to others who are married and they capture all the married people and the teens imagination of having a great husband for them in the future. Story is great I love it and it is worth to watch all of it was a mixed emotions and I can't spoil it so watch it!!

[mysageukinbio]

Women of Legend: Jang Hee Bin (MBC, 1981)

Episode 14 - Queen Inhyeon meets the Special Court Ladies

[velummortis]

Reposting my JHB95 fanvid bc why not

[dear-indies]

Hey, how are you? First of all, free palestine!!

Thank you for your beautiful work, I'm always learning more about and spreading the word with my friends. I don't know if I can ask you for this, but I'm looking for korean fcs in their 35~40's or more.

Women:

Amerie (1980) African-American / Korean - is pro Palestine!

Kim So Yeon (1980) Korean.

Ali Ahn (1981) Korean.

Song Hye Kyo (1981) Korean.

Yoo In Na (1982) Korean.

Kim Min Hee (1982) Korean.

Greta Lee (1983) Korean.

Jamie Chung (1983) Korean.

Catherine Haena Kim (1984) Korean.

Seo Ji Hye (1984) Korean.

Lee Da Hee (1985) Korean.

Jung Eun Chae (1986) Korean.

Song Ha Yoon (1986) Korean.

Han Hyo Joo (1987) Korean.

Han Eu Ddeum (1987) Korean.

Song Hae Na (1987) Korean.

Ryu Abel (1988) Korean.

Men:

Gong Yoo (1979) Korean.

Jang Seung Jo (1981) Korean.

Miyavi (1981) Korean / Japanese.

Lee Dong Wook (1981) Korean.

Hyun Bin (1982) Korean.

Son Suk Ku (1983) Korean.

Kim Jae Wook (1983) Korean.

Yoon Jong Hoon (1984) Korean.

Yoon Hyun Min (1985) Korean.

Jake Choi (1985) Korean - is sexually fluid.

Song Joong Ki (1985) Korean.

Yoo Ah In (1986) Korean.

Han Geon Yu (1986) Korean.

Eugene Lee Yang (1986) Korean - is gay - is pro Palestine!

Seo In Guk (1987) Korean.

Joel Kim Booster (1988) Korean - is gay and has bipolar disorder - is pro Palestine!

Jung Hae In (1988) Korean.

Park Seo Joon (1988) Korean.

Lee Shin Ki (1988) Korean.

Yim Si Wan (1988) Korean.

Ok Taec Yeon (1988) Korean.

Ahn Bo Hyun (1988) Korean.

Non-binary:

Charlyne Yi (1986) Yuki, Kapampangan Filipino, Korean, Mexican, Spanish, Irish, French, and German - non-binary (they/them).

Hope this helps, anon!

[mystarmyangel]

[POLL] 231121 Daily Sports Korea 10th Anniversary Poll - Favorite Celebrity Ranking

[231121 Daily Sports Korea 10th Anniversary Poll - Favorite Celebrity Ranking]

Full list: 1) Yoo Jae Suk (8.8%) 2) IU (2.9%) 3) BTS (1.9%) 4) Nam Goong Min (1.6%) 5) Lim Young Woong, YoonA (1.3%)

Followed by: -Choi Boolam (1.2%) -Lee Hyori (1.2%) -Jo In Sung, Lee Byung Hyun (0.9%) -Kim Hye Ja, Lee Young Ae, Hyun Bin (0.8%) -Ahn Sung Ki, Han Hye Joo, Ma Dong Seok (0.7%) -Kang Hodong, Song Hye Kyo, Gong Yoo, Han Sun Kyu, Jang Dong Gun (0.6%) -Karina, Kim Hye Soo, Cha Taehyun, Lee Seojin, Song Kang Ho (0.5%) - Park Bo Young, Suzy, Han Gain, SHINee, Kim Sung Kyu, Cha In Pyo, New Jeans, Jang Yoon Jung, Choi Min Sik (0.4%) -AKMU, Shin Ha Kyun, Taeyeon, PSY, Cha Eun Woo, Ahn Yujin, Shin Dong Yup, Lee Soon Jae, Jun Jihyun, Sol Kyung Gu, Han Jimin, Han Yeseul, Kim Ho Joong, Park Eun Bin, Ji Sung, Jennie, Kim Woo Bin, TVXQ, Shin Min Ah, Super Junior, Kim Tae Hee, Kang Dong Won, Lee Seung Chul, Go Doo Shim, Cho Yong Pil, Tak Jae Hun, Shin Hye Sun (0.3%)

*Survey conducted from 3 to 8 Nov on 1,003 people above 18 years old living across the country. The survey method is a mobile web survey, and the sampling error is ±3.1% points with a 95% confidence level.

Source: Link

[anemoiawithatouchofobsession]

@anotherkdramablog I was sitting the whole damn night yesterday wondering what the hell jhb95 was - is there a 90s drama I don't know? And then it suddenly hit me JANG HEEBIN 1995!!!!!! lmao that's true though, Jung Sun Kyung was a feast in that role and its crazy that was the first time I heard of her. But since there were quite few Jang Hee Bins in the 90s they had to find someone who actually wanted to do it LMAO

Also yes you have to watch Sandglass. It's not just a drama or pop culture it's literally a piece of actual culture and uts crazy to be able to watch it on YouTube (SBS has it uploaded).