#Jan Steinberg

[bauerntanz]

Presserat missbilligt

Presserat missbilligt Westfälische Nachrichten, nachdem diese eine Pressemitteilung verwendeten.

In Münster sind die Westfälischen Nachrichten das, was in Osnabrück wie bei uns die Neue Osnabücker Zeitung ist – ein faktisches Monopol. Aus eben diesem Münster schrieb mir jetzt Ralf Heimann vom Online-Magazin RU.MS eine e-Mail. Er schrieb sie nicht nur mir sondern es ist die wöchentliche Rundmail, in dem Aktuelles in und um Münster aufgegriffen wird. Er schriebeb: In [ünster-]Amelsbüren…

[sennettreport]

"This is a thriller for liberals, and a welcome reminder that liberals also love their country. They are equally passionate Americans fighting to preserve our nation, not pretend patriots imagining tiny grievances. They are defending cherished ideals, not undermining them. ...

"Riding the Washington Metro, lost in 'Shadow State,' I almost missed my stop because I was engrossed in Sennett’s taut narrative and thrill-a-minute prose. I slammed the book shut and hurled myself through the doors just as they were closing, quite Rafe Hendrix-like.

"Sitting at gate C32 at Ronald Reagan Washington National Airport, I reached the end of 'Shadow State,' heard an audible sob somewhere, took off my glasses and wiped a knuckle across each eye.

"Frank Sennett’s 'Shadow State' is a smart, lean, action-packed political thriller that pulls you in on the first page and doesn’t let you go until the last, when Sennett promises, 'Rafe Hendrix will return.' Can’t wait." -- Neil Steinberg, Chicago Sun-Times

[mymilovesfashion]

[2023 year in review ~ Vogue Korea #1]

JAN - Cho Guesung, IVE, Lulu - Sua - Yeri (LE SSERAFIM)

FEB - Jennie

MAR - Steinberg

APR - Jimin

MAY - Lila Moss

JUN - RM

[creartistiq-blog]

This undated study is a cut-out canvas, the triangular shape visible at the top, glued to a panel to make a rectangle. It appears to have originally been the lower half of another study depicting the Three Heliades and the River Po, which is in the Stadelsches Kunstinstitut, Frankfurt. This identity of subject here suggests that the younger is the Heliades' brother Phaeton, fallen from the sky, lying next to a sleeping river god, which is confirmed by the jar on which he leans, an attribute of river gods.

River God, c.1735-65, Carle van Loo

Michael Jaffé (1982) considered both fragments to be the work of Rubens himself. As Jaffé later noted (1988), the stretched-out youth is closely related to Rubens's figure of the death of Adonis, c. 1614, former collection of Saul Steinberg, New York.

The other nude is based on a figure from the engraving of Jupiter by Leon Davent after Primaticcio.

In Greek mythology, Phaethon struck by Zeus falls to the bottom of the Eridanus, the mythical river which is none other than the river Po.

Phaethon struck by Zeus, Jan Carel van Eyck (1636-1638).

"Study of two male nudes", by Peter Paul Rubens. (1577–1640) Flemish painter. oil on canvas

[ulkaralakbarova]

Powerful businessman Russ Duritz is self-absorbed and immersed in his work. But by the magic of the moon, he meets Rusty, a chubby, charming 8-year-old version of himself who can’t believe he could turn out so badly – with no life and no dog. With Rusty’s help, Russ is able to reconcile the person he used to dream of being with the man he’s actually become. Credits: TheMovieDb. Film Cast: Russ Duritz: Bruce Willis Rusty Duritz: Spencer Breslin Amy: Emily Mortimer Janet: Lily Tomlin Deirdre Lefever: Jean Smart Kenny: Chi McBride Sam Duritz: Daniel von Bargen Dr. Alexander: Dana Ivey Bob Riley: Stanley Anderson Kenny’s Grandmother: Juanita Moore Giselle: Susan Dalian Clarissa: Esther Scott Governor: Deborah May Newsstand Cashier: Vernee Watson-Johnson Newsstand Tourist: Jan Hoag Sky King Waitress: Melissa McCarthy Gloria Duritz: Elizabeth Arlen Flight Attendant: Alexandra Barreto Hot Dog Vendor: John Apicella Vince: Brian McGregor Mark: Reiley McClendon Herbert: Brian Tibbetts George: Brian McLaughlin Lawyer Bruce: Steve Tom Lawyer Jim: Marc Copage Lawyer Seamus: Rod McLachlan Wedding Guest: Scott Mosenson Governor’s Aide: Brian Fenwick Governor’s Other Aide: Duke Faeger Sushi Chef: Toshiya Agata Josh: Joshua Finkel General Manager: Lou Beatty Jr. Principal: E.J. Callahan Janet’s Husband: Daryl Anderson Best Man: Darrell Foster Security Guard: Michael Wajacs Chef Mike: John Travis Larry King: Larry King Larry King’s Guest: Jeri Ryan Larry King’s Guest: Nick Chinlund Ritch Eisen: Stuart Scott Stuart Scott: Rich Eisen Wedding Singer: Kevon Edmonds Backup Singer: Julia Waters Backup Singer: Maxine Waters Willard Backup Singer: Stephanie Spruill Bridesmaid (uncredited): Tanisha Grant (uncredited): Glüme Harlow Car Driver (uncredited): Paul Moncrief Mr. Vivian (uncredited): Matthew Perry Tim (uncredited): Luigi Francis Shorty Rossi Russ’ Son (uncredited): Gary Weeks Harold Greene: Harold Greene Film Crew: Producer: Hunt Lowry Executive Producer: Arnold Rifkin Producer: Christina Steinberg Director of Photography: Peter Menzies Jr. Producer: Jon Turteltaub Executive Producer: David Willis Assistant Editor: Michael Trent Writer: Audrey Wells Co-Producer: William M. Elvin Stunts: Terry Jackson Utility Stunts: Pat Romano Grip: R. Dana Harlow Orchestrator: Pete Anthony Orchestrator: Jon Kull Stand In: Duke Faeger Stand In: Luigi Francis Shorty Rossi Original Music Composer: Jason White Art Department Coordinator: Al Lewis Digital Compositor: Michael Miller Transportation Captain: Douglas Miller Production Design: Garreth Stover Makeup Artist: Mike Smithson Co-Producer: Bill Johnson Utility Stunts: Eddy Donno Utility Stunts: Manny Perry Stunts: Deep Roy Production Coordinator: Daren Hicks Script Supervisor: Thomas Johnston Supervising Sound Editor: Mark A. Mangini Editor: Peter Honess Editor: David Rennie Art Direction: David Lazan Set Decoration: Larry Dias Costume Design: Gloria Gresham Sound Effects Editor: Richard L. Anderson Supervising Sound Editor: Kelly Cabral Sound Effects Editor: James Christopher Sound Effects Editor: Donald Flick Visual Effects Supervisor: James E. Price Associate Producer: Stephen J. Eads Original Music Composer: Marc Shaiman Second Unit Director: David R. Ellis Utility Stunts: Annie Ellis Stunt Coordinator: Jack Gill Utility Stunts: Matt McColm Utility Stunts: Janet Brady Utility Stunts: Kenny Endoso Utility Stunts: Tommy J. Huff Movie Reviews: r96sk: What a pleasant surprise. I wasn’t expecting to enjoy ‘The Kid’ as much as I did. Bruce Willis and Spencer Breslin team up to solid effect, in a film that produces amusement and wholesomeness. I find the premise very interesting, it’s a cool concept. While they might not executed to 100% perfection, what’s given is entertaining to see unfold. There are some very sweet scenes, also. Willis is, as you’d expect, the best part of this, but I think Breslin does a grand job too. The latter tended to do these sorta roles a lot, but there’s a reason for that as he played them convincingly. Emily Mortimer (Amy) is als...

[tenaciouspostfun]

The Notebook. Theater Review.

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"The Notebook" is based on the 1996 novel of the same name by Nicholas Sparks. The 2004 movie was directed by Nick Cassavetes, from a screenplay by Jeremy Leven and Jan Sardi. In its current Broadway production, the book is by Bekah Brunstetter and the music and lyrics is by Ingrid Michaelson.

The musical has two directors: four time Tony nominee Michael Greif and Schele Williams who is making a Broadway debut. Williams is also going to be directing the highly anticipated "The Wiz" which is opening in April.

In the current musical we get three Noah's and three Allie's... younger, middle and older. For the most part the six are good; I thought that the younger Allie (Jordan Tyson) was woefully miscast. Where Allie came from money, was a proper girl, this younger Allie ex-hued none of that. More like an inner city persona, Tyson was just not believable.

In Brett J. Banakis gorgeous set design we get a wonderful slide movement throughout the two hours fifteen minutes.Equally as effective is the sound by Nevin Steinberg and the costumes by Paloma Young. The effective orange and blue lighting by Ben Stanton too made the mood well in tune with the plot.

The musical for the most part was very similar to the movie, two young people fall deeply in love with one another and even though ten years has gone by, they never stop thinking of each other. The key to the musicals success is that the three different sets of Noah and Allie need to all be effective. Whereas Maryann Plunkett as the elder and Dorian Harewood as the husband are excellent, we get the best interaction between Joy Woods and Ryan Vasquez, the middle aged actors; their singing and body language is captivating. The two are silky smooth on stage! Even though John Cardoza holds up his end as the younger Noah, it is Tyson who is an anchor around his neck. Even though Tyson has a very good singing voice, her Broadway debut falls flat.

The two opening scenes, both first act and second act fire on all cylinders. It is the second act, however, where this show excels. The songs, the pace and the story all come together nicely. Songs like "We Have To Try", "Forever", "It's Not Easy", "I Know" and "Coda" were all well sung songs; the lyrics too were catchy and fit the moment of the plot. The first act too had some nice songs: "Time", "Leave The Light On", "If This Is Love" were most memorable. Having some great moments in the first act, it still didn't compare the the afternoons second act.

For the romantics out there, "The Notebook" is for the most part an entertaining show. The choreography (Katie Spelman) is underwhelming, as is some of the ensemble cast. Allie's parents: Andrea Burns and Charles E. Wallace are not moving in their parts. Burns was much more effective in her role as nurse Lori.Neither actor brought depth as parents to Allie, they were mostly robotic and aloof.

.....................................................................................................................

Next up is Water for Elephants at The Imperial Theatre. This musical is based on the circus and maybe a real sleeper when it comes a show that may just wow the audience.

Since many good shows have opened but unexpectedly closed in a rather quick fashion (Spamelot, Days of Wine and Roses, Shucked), this musical may surprise to the upside.

It seems that shows that aren't unanimously well received, and in Shucked case was, are closing with not spending much time on the great white way.

#Broadway Bob, #Tony Awards, #The Notebook, #New York City.

Words: 605

[denimbex1986]

'…Weekly Commentary: Barbenheimer has burst into the Oscar race with Christopher Nolan’s “Oppenheimer” and Greta Gerwig’s “Barbie” finally landing in theaters with critical acclaim and a possible colossal box office haul.

Of all the movies screened up to this point this year, Nolan’s movie is one of two films that could have all the key ingredients to win the Academy Awards’ most coveted prize. It’ll be a colossal guild player (watch out for the SAG ensemble), and the regional critics could make it a darling during the precursor season. The ongoing strikes could have a ripple effect on films that are dropping in the later months since their teams won’t be able to promote them in the same way as earlier titles…

The submission deadline for general categories is Nov. 18, 2023. Preliminary shortlist voting will begin on Dec. 18, with the results announced on Dec. 21. The voting period will run from Jan. 11-16, 2024, with the official nominations announcement on Jan. 23.

The 96th Oscars will be held on Sunday, Mar. 10.

AND THE PREDICTED NOMINEES ARE: “Killers of the Flower Moon” (Apple Original Films/Paramount Pictures) Dan Friedkin, Martin Scorsese, Bradley Thomas, Daniel Lupi “Oppenheimer” (Universal Pictures) Emma Thomas, Charles Roven, Christopher Nolan “Maestro” (Netflix) Fred Berner, Bradley Cooper, Amy Durning, Emma Tillinger Koskoff, Kristie Macosko Krieger, Todd Phillips, Martin Scorsese, Steven Spielberg “The Color Purple” (Warner Bros.) Quincy Jones, Scott Sanders, Steven Spielberg, Oprah Winfrey “Past Lives” (A24) David Hinojosa, Pamela Koffler, Christine Vachon “Saltburn” (Amazon Studios) Emerald Fennell, Josey McNamara, Tom Ackerley, Margot Robbie “The Holdovers” (Focus Features) Mark Johnson, Bill Block, David Hemingson “Spider-Man: Across the Spider-Verse” (Sony Pictures) Avi Arad, Phil Lord, Christopher Miller, Amy Pascal, Christina Steinberg “May December” (Netflix) Jessica Elbaum, Will Ferrell, Grant S. Johnson, Pamela Koffler, Tyler W. Konney, Sophie Mas, Natalie Portman, Christine Vachon “The Zone of Interest” (A24) Ewa Puszczynska, James Wilson NEXT IN LINE “Dune: Part Two” (Warner Bros.) “Anatomy of a Fall” (Neon) “Poor Things” (Searchlight Pictures) “Dumb Money” (Sony Pictures) “Air” (Amazon Studios) “Bob Marley: One Love” (Paramount Pictures) “The Book of Clarence” (Sony Pictures) “Nightbitch” (Searchlight Pictures) “The Killer” (Netflix) “Barbie” (Warner Bros.) OTHER TOP-TIER POSSIBILITIES “Are You There God? It’s Me, Margaret” (Lionsgate) “Wish” (Walt Disney Pictures) “Napoleon” (Apple Original Films/Sony Pictures) “The Iron Claw” (A24) “Ferrari” (Neon) “BlackBerry” (IFC Films) “Freud’s Last Session” (Sony Pictures Classics) “Challengers” (MGM) “El Conde” (Netflix) “Priscilla” (A24) ALSO IN CONTENTION “Fair Play” (Netflix) “Foe” (Amazon Studios) “Rustin” (Netflix) “Asteroid City” (Focus Features) “Nyad” (Netflix) “A Little Prayer” (Sony Pictures Classics) “Golda” (Bleecker Street) “Next Goal Wins” (Searchlight Pictures) “Memory” (No U.S. Distribution) “Shortcomings” (Sony Pictures Classics) ALL ELIGIBLE TITLES (ALPHABETIZED BY STUDIO)** “A Haunting in Venice” (20th Century Studios) “The Bikeriders” (20th Century Studios) “Beau is Afraid” (A24) “Dream Scenario” (A24) “The Iron Claw” (A24) “Past Lives” (A24) “Priscilla” (A24) “Showing Up” (A24) “When You Finish Saving the World” (A24) “You Hurt My Feelings” (A24) “The Zone of Interest” (A24) “Air” (Amazon Studios) “The Burial” (Amazon Studios) “Cassandro” (Amazon Studios) “Foe” (Amazon Studios) “Saltburn” (Amazon Studios) “Flora and Son” (Apple Original Films) “Killers of the Flower Moon” (Apple Original Films/Paramount Pictures) “Napoleon” (Apple Original Films/Sony Pictures) “Still: A Michael J. Fox Movie” (Apple Original Films) “Across the River and Into the Trees” (Bleecker Street) “Golda” (Bleecker Street) “The Origin” (Bleecker Street) “Untitled Mike Leigh Film” (Bleecker Street) “Suzume” (Crunchyroll) “The YouTube Effect” (Drafthouse Films) “Ruby Gillman, Teenage Kraken” (DreamWorks Animation) “Trolls Band Together” (DreamWorks Animation) “Asteroid City” (Focus Features) “Drive Away Dolls” (Focus Features) “Every Body” (Focus Features) “The Holdovers” (Focus Features) “My Big Fat Greek Wedding 3” (Focus Features) “A Thousand and One” (Focus Features) “How Do You Live?” (GKids) “BlackBerry” (IFC Films) “Monica” (IFC Films) “R.M.N.” (IFC Films) “The Pot au Feu” (IFC Films) “Migration” (Illumination) “Flamin’ Hot” (Hulu/Searchlight Pictures) “The Super Mario Bros. Movie” (Illumination) “Are You There God? It’s Me, Margaret” (Lionsgate) “The Hunger Games: The Ballad of Songbirds and Snakes” (Lionsgate) “John Wick Chapter 4” (Lionsgate) “Joy Ride” (Lionsgate) “Baby Ruby” (Magnet Releasing) “Little Richard: I Am Everything” (Magnolia Pictures) “Master Gardener” (Magnolia Pictures) “The Stones and Brian Jones” (Magnolia Pictures)

“Untitled Ernest Cole Documentary” (Magnolia Pictures) “Ant-Man and the Wasp: Quanumania” (Marvel Studios) “Guardians of the Galaxy Vol. 3” (Marvel Studios) “The Marvels” (Marvel Studios) “Bottoms” (MGM/Orion) “Boys in the Boat” (MGM) “Challengers” (MGM) “Creed III” (MGM) “Landscape with Invisible Hand” (MGM) “The Nickel Boys” (MGM) “Untitled Cord Jefferson Movie” (MGM) “The Eternal Memory” (MTV Documentary Films) “The Delinquents” (Mubi) “Fallen Leaves” (Mubi) “The Settlers” (Mubi) “Unclenching the Fists” (Mubi) “Anatomy of a Fall” (Neon) “Eileen” (Neon) “How to Blow Up a Pipeline” (Neon) “La Chimera” (Neon) “Longlegs” (Neon) “Mothers’ Instinct” (Neon) “Perfect Days” (Neon) “Robot Dreams” (Neon) “Chicken Run: Dawn of the Nugget” (Netflix) “The Deepest Breath” (Netflix) “El Conde” (Netflix) “Fair Play” (Netflix) “The Killer” (Netflix) “Leave the World Behind” (Netflix) “Leo” (Netflix) “Maestro” (Netflix) “The Magician’s Elephant” (Netflix) “May December” (Netflix) “Miraculous: Ladybug & Cat Noir: The Movie” (Netflix) “The Monkey King” (Netflix) “Nimona” (Netflix) “Nyad” (Netflix) “Pain Hustlers” (Netflix) “Rebel Moon” (Netflix) “Reptile” (Netflix) “Rustin” (Netflix)

“Society of the Snow” (Netflix) “Stamped from the Beginning” (Netflix) “About Dry Grasses” (No U.S. Distribution) “Banel Et Adams” (No U.S. Distribution) “The Bastard” (No U.S. Distribution) “Black Flies” (No U.S. Distribution) “The Breaking Ice” (No U.S. Distribution) “The Burti Flower” (No U.S. Distribution) “Caste” (No U.S. Distribution) “Club Zero” (No U.S. Distribution) “Firebrand” (No U.S. Distribution) “Four Daughters” (No U.S. Distribution) “Goodbye Julia” (No U.S. Distribution) “Hopeless” (No U.S. Distribution) “How to Have Sex” (No U.S. Distribution) “If Only I Could Hibernate” (No U.S. Distribution) “Il Sol Dell’Avvenire” (No U.S. Distribution) “Jeunesse” (No U.S. Distribution) “L’Ete Dernier” (No U.S. Distribution) “Le Regne Animal” (No U.S. Distribution) “Lee” (No U.S. Distribution) “Les Meutes” (No U.S. Distribution) “Memory” (No U.S Distribution) “Monster” (No U.S. Distribution) “The Mother of All Lies” (No U.S. Distribution) “The New Boy” (No U.S. Distribution) “The Old Oak” (No U.S. Distribution) “Omen” (No U.S. Distribution) “The Passion of Dodin Bouffant” (No U.S. Distribution) “Rapito” (No U.S. Distribution) “Rein a Perdre” (No U.S. Distribution) “Rosalie” (No U.S. Distribution) “The Settlers” (No U.S. Distribution) “Simple Comme Sylvain” (No U.S. Distribution) “Terrestrial Verses” (No U.S. Distribution) “Trans Los Angeles” (No U.S. Distribution) “Untitled Diane Warren Documentary Project” (No U.S. Distribution) “Bob Marley: One Love” (Paramount Pictures) “Mission: Impossible – Dead Reckoning Part One” (Paramount Pictures) “PAW Patrol: The Mighty Movie” (Paramount Pictures) “Teenage Mutant Ninja Turtles: Mutant Mayhem” (Paramount Pictures) “Transformers: Rise of the Beasts” (Paramount Pictures) “Please Don’t Destroy This Project” (Peacock) “Elemental” (Pixar) “Camp Hideout” (Roadside Attractions) “Chevalier” (Searchlight Pictures) “Magazine Dreams” (Searchlight Pictures) “Next Goal Wins” (Searchlight Pictures) “Nightbitch” (Searchlight Pictures) “Poor Things” (Searchlight Pictures) “Strangers” (Searchlight Pictures) “Theater Camp” (Searchlight Pictures) “The Book of Clarence” (Sony Pictures) “Dumb Money” (Sony Pictures) “The Equalizer 3” (Sony Pictures) “Kraven the Hunter” (Sony Pictures) “No Hard Feelings” (Sony Pictures) “Spider-Man: Across the Spider-Verse” (Sony Pictures) “Freud’s Last Session” (Sony Pictures Classics) “A Little Prayer” (Sony Pictures Classics) “The Miracle Club” (Sony Pictures Classics) “Persian Version” (Sony Pictures Classics) “Shadya” (Sony Pictures Classics) “Shortcomings” (Sony Pictures Classics) “Teachers Lounge” (Sony Pictures Classics) “They Shot the Piano Player” (Sony Pictures Classics) “Ferrari” (Neon) “Cocaine Bear” (Universal Pictures) “The Exorcist: Believer” (Universal Pictures) “Fast X” (Universal Pictures) “M3gan” (Universal Pictures) “Oppenheimer” (Universal Pictures) “Aquaman and the Lost Kingdom” (Warner Bros.) “Barbie” (Warner Bros.) “Blue Beetle” (Warner Bros.) “The Color Purple” (Warner Bros.) “Dune: Part Two” (Warner Bros.) “The Flash” (Warner Bros.) “Wonka” (Warner Bros.) “Indiana Jones and the Dial of Destiny” (Warner Bros.) “The Little Mermaid” (Walt Disney Pictures) “Wish” (Walt Disney Pictures) ** This official list is incomplete…'

[yusuke1234]

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[heldinhishands]

the younger girls still think about love as arrows through hearts; and please, girls; I know about love; I know what it is; just tiny motors whirring in one's saddest, darkest parts;

"Killers" by Susan Steinberg in American Short Fiction Volume 22 Issue 69

[marvelousmrm]

Tales of Suspense #73 (Lee, Thomas, Steinberg/Austin, Jan 1966). When Happy is kidnapped, the Armored Avenger steps into a modern chivalric knight’s adventure tale. Confusingly, the credits don’t identify who contributed what work, so it feels like a collaborative effort by the whole bullpen to find some new territory for Tony to explore.

[drumhunter267]

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[musicals-and-more]

2019 Tony Nominations!!!

I am so excited to watch James Cordon host the 73rd Annual Tony Awards on June 9th!!!

BEST MUSICAL

Ain't Too Proud

Beetlejuice

Hadestown

The Prom

Tootsie

BEST PLAY

Choir Boy

The Ferryman

Gary: A Sequel to Titus Andronicus

Ink

What the Constitution Means to Me

BEST PLAY REVIVAL

Arthur Miller’s All My Sons

The Boys in the Band

Burn This

Torch Song

The Waverly Gallery

BEST MUSICAL REVIVAL

Kiss Me, Kate

Rodgers & Hammerstein's Oklahoma!

BEST ACTOR (PLAY )

Jeff Daniels, To Kill a Mockingbird

Paddy Considine, The Ferryman

Bryan Cranston, Network

Adam Driver, Burn This

Jeremy Pope, Choir Boy

BEST ACTRESS (PLAY)

Annette Bening, Arthur Miller’s All My Sons

Laura Donnelly, The Ferryman

Elaine May, The Waverly Gallery

Janet McTeer, Bernhardt/Hamlet

Laurie Metcalf, Hillary and Clinton

Heidi Schreck, What the Constitution Means to Me

BEST ACTRESS (MUSICAL)

Stephanie J. Block, The Cher Show

Caitlin Kinnunen, The Prom

Beth Leavel, The Prom

Eva Noblezada, Hadestown

Kelli O'Hara, Kiss Me, Kate

BEST ACTOR (MUSICAL)

Brooks Ashmanskas, The Prom

Derrick Baskin, Ain't Too Proud

Alex Brightman, Beetlejuice

Damon Daunno, Rodgers & Hammerstein's Oklahoma!

Santino Fontana, Tootsie

Best Book of a Musical

Ain't Too Proud – The Life and Times of the Temptations

Dominique Morisseau

Beetlejuice

Scott Brown & Anthony King

Hadestown

Anaïs Mitchell

The Prom

Bob Martin & Chad Beguelin

Tootsie

Robert Horn

Best Original Score (Music and/or Lyrics) Written for the Theatre

Be More Chill

Music & Lyrics: Joe Iconis

Beetlejuice

Music & Lyrics: Eddie Perfect

Hadestown

Music & Lyrics: Anaïs Mitchell

The Prom

Music: Matthew Sklar

Lyrics: Chad Beguelin

To Kill a Mockingbird

Music: Adam Guettel

Tootsie

Music & Lyrics: David Yazbek

Best Performance by an Actor in a Leading Role in a Play

Paddy Considine, The Ferryman

Bryan Cranston, Network

Jeff Daniels, To Kill a Mockingbird

Adam Driver, Burn This

Jeremy Pope, Choir Boy

Best Performance by an Actress in a Leading Role in a Play

Annette Bening, Arthur Miller's All My Sons

Laura Donnelly, The Ferryman

Elaine May, The Waverly Gallery

Janet McTeer, Bernhardt/Hamlet

Laurie Metcalf, Hillary and Clinton

Heidi Schreck, What the Constitution Means to Me

Best Performance by an Actor in a Leading Role in a Musical

Brooks Ashmanskas, The Prom

Derrick Baskin, Ain't Too Proud – The Life and Times of the Temptations

Alex Brightman, Beetlejuice

Damon Daunno, Rodgers & Hammerstein's Oklahoma!

Santino Fontana, Tootsie

Best Performance by an Actress in a Leading Role in a Musical

Stephanie J. Block, The Cher Show

Caitlin Kinnunen, The Prom

Beth Leavel, The Prom

Eva Noblezada, Hadestown

Kelli O'Hara, Kiss Me, Kate

Best Performance by an Actor in a Featured Role in a Play

Bertie Carvel, Ink

Robin De Jesús, The Boys in the Band

Gideon Glick, To Kill a Mockingbird

Brandon Uranowitz, Burn This

Benjamin Walker, Arthur Miller's All My Sons

Best Performance by an Actress in a Featured Role in a Play

Fionnula Flanagan, The Ferryman

Celia Keenan-Bolger, To Kill a Mockingbird

Kristine Nielsen, Gary: A Sequel to Titus Andronicus

Julie White, Gary: A Sequel to Titus Andronicus

Ruth Wilson, King Lear

Best Performance by an Actor in a Featured Role in a Musical

André De Shields, Hadestown

Andy Grotelueschen, Tootsie

Patrick Page, Hadestown

Jeremy Pope, Ain't Too Proud – The Life and Times of the Temptations

Ephraim Sykes, Ain't Too Proud – The Life and Times of the Temptations

Best Performance by an Actress in a Featured Role in a Musical

Lilli Cooper, Tootsie

Amber Gray, Hadestown

Sarah Stiles, Tootsie

Ali Stroker, Rodgers & Hammerstein's Oklahoma!

Mary Testa, Rodgers & Hammerstein's Oklahoma!

Best Scenic Design of a Play

Miriam Buether, To Kill a Mockingbird

Bunny Christie, Ink

Rob Howell, The Ferryman

Santo Loquasto, Gary: A Sequel to Titus Andronicus

Jan Versweyveld, Network

Best Scenic Design of a Musical

Robert Brill and Peter Nigrini, Ain't Too Proud – The Life and Times of the Temptations

Peter England, King Kong

Rachel Hauck, Hadestown

Laura Jellinek, Rodgers & Hammerstein's Oklahoma!

David Korins, Beetlejuice

Best Costume Design of a Play

Rob Howell, The Ferryman

Toni-Leslie James, Bernhardt/Hamlet

Clint Ramos, Torch Song

Ann Roth, Gary: A Sequel to Titus Andronicus

Ann Roth, To Kill a Mockingbird

Best Costume Design of a Musical

Michael Krass, Hadestown

William Ivey Long, Beetlejuice

William Ivey Long, Tootsie

Bob Mackie, The Cher Show

Paul Tazewell, Ain't Too Proud – The Life and Times of the Temptations

Best Lighting Design of a Play

Neil Austin, Ink

Jules Fisher + Peggy Eisenhauer, Gary: A Sequel to Titus Andronicus

Peter Mumford, The Ferryman

Jennifer Tipton, To Kill a Mockingbird

Jan Versweyveld and Tal Yarden, Network

Best Lighting Design of a Musical

Kevin Adams, The Cher Show

Howell Binkley, Ain't Too Proud – The Life and Times of the Temptations

Bradley King, Hadestown

Peter Mumford, King Kong

Kenneth Posner and Peter Nigrini, Beetlejuice

Best Sound Design of a Play

Adam Cork, Ink

Scott Lehrer, To Kill a Mockingbird

Fitz Patton, Choir Boy

Nick Powell, The Ferryman

Eric Sleichim, Network

Best Sound Design of a Musical

Peter Hylenski, Beetlejuice

Peter Hylenski, King Kong

Steve Canyon Kennedy, Ain't Too Proud – The Life and Times of the Temptations

Drew Levy, Rodgers & Hammerstein's Oklahoma!

Nevin Steinberg and Jessica Paz, Hadestown

Best Direction of a Play

Rupert Goold, Ink

Sam Mendes, The Ferryman

Bartlett Sher, To Kill a Mockingbird

Ivo van Hove, Network

George C. Wolfe, Gary: A Sequel to Titus Andronicus

Best Direction of a Musical

Rachel Chavkin, Hadestown

Scott Ellis, Tootsie

Daniel Fish, Rodgers & Hammerstein's Oklahoma!

Des McAnuff, Ain't Too Proud – The Life and Times of the Temptations

Casey Nicholaw, The Prom

Best Choreography

Camille A. Brown, Choir Boy

Warren Carlyle, Kiss Me, Kate

Denis Jones, Tootsie

David Neumann, Hadestown

Sergio Trujillo, Ain't Too Proud – The Life and Times of the Temptations

Best Orchestrations

Michael Chorney and Todd Sickafoose, Hadestown

Simon Hale, Tootsie

Larry Hochman, Kiss Me, Kate

Daniel Kluger, Rodgers & Hammerstein's Oklahoma!

Harold Wheeler, Ain't Too Proud – The Life and Times of the Temptations

Special Tony Awards for Lifetime Achievement in the Theatre Rosemary Harris

Terrence McNally

Harold Wheeler

Special Tony Awards

Marin Mazzie

Sonny Tilders and Creature Technology Company

Jason Michael Webb

Regional Theatre Tony Award

TheatreWorks Silicon Valley

Palo Alto, CA

Isabelle Stevenson Tony Award

Judith Light

Tony Honors for Excellence in the Theatre

Broadway Inspirational Voices – Michael McElroy, Founder

Peter Entin

FDNY Engine 54, Ladder 4, Battalion 9

Joseph Blakely Forbes

Congratulations to all the nominees and especially to Hadestown leading with 14 nominations!!!

[popculturebrain]

Best Musical Ain’t Too Proud—The Life and Times of The Temptations Beetlejuice Hadestown The Prom Tootsie

Best Play Choir Boy by Tarell Alvin McCraney The Ferryman by Jez Butterworth Gary: A Sequel to Titus Andronicus by Taylor Mac Ink by James Graham What the Constitution Means to Me by Heidi Schreck

Best Revival of a Musical Kiss Me, Kate Rodgers and Hammerstein’s Oklahoma!

Best Revival of a Play Arthur Miller’s All My Sons The Boys in the Band by Mart Crowley Burn This Torch Song by Harvey Fierstein The Waverly Gallery by Kenneth Lonergan

Best Performance by an Actor in a Leading Role in a Musical Brooks Ashmanskas, The Prom Derrick Baskin, Ain’t Too Proud Alex Brightman, Beetlejuice Damon Daunno, Oklahoma! Santino Fontana, Tootsie

Best Performance by an Actress in a Leading Role in a Musical Stephanie J. Block, The Cher Show Caitlin Kinnunen, The Prom Beth Leavel, The Prom Eva Noblezada, Hadestown Kelli O’Hara, Kiss Me, Kate

Best Performance by an Actor in a Leading Role in a Play Paddy Considine, The Ferryman Bryan Cranston, Network Jeff Daniels, To Kill a Mockingbird Adam Driver, Burn This Jeremy Pope, Choir Boy

Best Performance by an Actress in a Leading Role in a Play Annette Bening, Arthur Miller's All My Sons Laura Donnelly, The Ferryman Elaine May, The Waverly Gallery Janet McTeer, Bernhardt/Hamlet Laurie Metcalf, Hillary and Clinton Heidi Schreck, What the Constitution Means to Me

Best Book of a Musical Ain’t Too Proud, Dominique Morisseau Beetlejuice, Scott Brown and Anthony King Hadestown, Anaïs Mitchell The Prom, Bob Martin and Chad Beguelin Tootsie, Robert Horn

Best Original Score (Music and/or Lyrics) Written for the Theatre Be More Chill, Joe Iconis Beetlejuice, Eddie Perfect Hadestown, Anaïs Mitchell The Prom, Matthew Sklar and Chad Beguelin To Kill a Mockingbird, Adam Guettel Tootsie, David Yazbek

Best Direction of a Musical Rachel Chavkin, Hadestown Scott Ellis, Tootsie Daniel Fish, Oklahoma! Des McAnuff, Ain’t Too Proud Casey Nicholaw, The Prom

Best Direction of a Play Rupert Goold, Ink Sam Mendes, The Ferryman Bartlett Sher, To Kill a Mockingbird Ivo van Hove, Network George C. Wolfe, Gary: A Sequel to Titus Andronicus

Best Performance by an Actor in a Featured Role in a Musical Andre De Shields, Hadestown Andy Grotelueschen, Tootsie Patrick Page, Hadestown Jeremy Pope, Ain’t Too Proud Ephraim Sykes, Ain’t Too Proud

Best Performance by an Actress in a Featured Role in a Musical Lilli Cooper, Tootsie Amber Gray, Hadestown Sarah Stiles, Tootsie Ali Stroker, Oklahoma! Mary Testa, Oklahoma!

Best Performance by an Actor in a Featured Role in a Play Bertie Carvel, Ink Robin De Jesús, The Boys in the Band Gideon Glick, To Kill a Mockingbird Brandon Uranowitz, Burn This Benjamin Walker, Arthur Miller's All My Sons

Best Performance by an Actress in a Featured Role in a Play Fionnula Flanagan, The Ferryman Celia Keenan-Bolger, To Kill a Mockingbird Kristine Nielsen, Gary: A Sequel to Titus Andronicus Julie White, Gary: A Sequel to Titus Andronicus Ruth Wilson, King Lear

Best Choreography Camille A. Brown, Choir Boy Warren Carlyle, Kiss Me, Kate Denis Jones, Tootsie David Neumann, Hadestown Sergio Trujillo, Ain't Too Proud

Best Orchestrations Michael Chorney and Todd Sickafoose, Hadestown Larry Hochman, Kiss Me, Kate Daniel Kluger, Oklahoma! Simon Hale, Tootsie Harold Wheeler, Ain’t Too Proud

Best Scenic Design of a Musical Robert Brill and Peter Nigrini, Ain’t Too Proud Peter England, King Kong Rachel Hauck, Hadestown Laura Jellinek, Oklahoma! David Korins, Beetlejuice

Best Scenic Design of a Play Miriam Buether, To Kill a Mockingbird Bunny Christie, Ink Rob Howell, The Ferryman Santo Loquasto, Gary: A Sequel to Titus Andronicus Jan Versweyveld, Network

Best Costume Design of a Musical Michael Krass, Hadestown William Ivey Long, Beetlejuice William Ivey Long, Tootsie Bob Mackie, The Cher Show Paul Tazewell, Ain’t Too Proud

Best Costume Design of a Play Rob Howell, The Ferryman Toni-Leslie James, Bernhardt/Hamlet Clint Ramos, Torch Song Ann Roth, Gary: A Sequel to Titus Andronicus Ann Roth, To Kill a Mockingbird

Best Sound Design of a Musical Peter Hylenski, Beetlejuice Peter Hylenski, King Kong Steve Canyon Kennedy, Ain’t Too Proud Drew Levy, Oklahoma! Nevin Steinberg and Jessica Paz, Hadestown

Best Sound Design of a Play Adam Cork, Ink Scott Lehrer, To Kill a Mockingbird Fitz Patton, Choir Boy Nick Powell, The Ferryman Eric Sleichim, Network

Best Lighting Design of a Musical Kevin Adams, The Cher Show Howell Binkley, Ain’t Too Proud Bradley King, Hadestown Peter Mumford, King Kong Kenneth Posner and Peter Nigrini, Beetlejuice

Best Lighting Design of a Play Neil Austin, Ink Jules Fisher and Peggy Eisenhauer, Gary: A Sequel to Titus Andronicus Peter Mumford, The Ferryman Jennifer Tipton, To Kill a Mockingbird Jan Versweyveld and Tal Yarden, Network

[multifandomsimagine]

Movie Masterlist

A Dog’s Purpose

Ethan Montgomery

Baywatch   // **NOT WRITING FOR THIS ANYMORE**

Matt Brody

Book of Life

Joaquin Mondragon

La Muerte

Manolo Sanchez

Maria Posada

Xibalba

Bullet Train 

Ladybug

Lemon

Maria Beetle

Tangerine

The Son

The Wolf

Bumblebee  // **NOT WRITING FOR THIS ANYMORE**

Charlie Watson

Fantastic Beasts and Where to Find Them

Newt Scamander

Flipped 

Mark Baker

Matt Baker

Grease

Betty Rizzo

Danny Zuko

Frenchy

Jan

Kenickie

Marty Maraschino

Sandy Olson

Grease Live

Betty Rizzo

Danny Zuko

Doody

Frenchy

Kenickie

Sandy Young

Hotel Transylvania

Jonathan "Johnny" Loughran

Mavis Dracula

How To Train Your Dragon Series

Ruffnut Thorston

Tuffnut Thorston

Ice Girls

Darcy

Jumanji (2017 & 2019)

Alex Vreeke / Jefferson “Seaplane” McDonough

Bethany Walker 

Jurassic World

Owen Grady

Zach Mitchell

Labyrinth

Jareth the Goblin King

Sarah Williams

Mamma Mia Series

Bill Anderson

Donna Sheridan

Harry Bright

Rosie Mulligan

Sam Carmichael

Sky Rymand

Sophie Sheridan

Tanya Chesham-Leigh

Monster Tucks

Trip Coley

Murder on the Orient Express

Helena Andrenyi

Rudolph Andrenyi

Night at the Museum Series

Ahkmenrah

Nick Daley

Ocean’s 8

Daphne Kluger

Debbie Ocean

Lou Miller

Nine Ball

Old Guard

Andy / Andromache of Scythia

Booker / Sebastian Le Livre

Joe / Yusuf Al-Kaysani

Nicky / Nicoló di Genova

Nile Freeman

Pitch Perfect Series

Barden Bellas

Beca Mitchell

Das Sound Machine

Emily Junk

Jesse Swanson

Kommissar

Pieter Krämer

Stacie Conrad

Sandlot

Benny Rodriguez

Scary Stories to Tell in the Dark

August "Auggie" Hilderbrandt

Charlie "Chuck" Steinberg

Ramon Morales

Ruth "Ruthie" Steinberg

Stella Nicholls

Scouts Guide to the Zombie Apocalypse

Ben Goudy

Carter Grant

Denise Russo

Sky High

Layla Williams

Warren Peace

William “Will” Stronghold

The Invitation 

Evelyn Jackson 

Grace

Lucy Billington

Viktoria Klopstock

Walter De Ville

To All the Boys I’ve Loved Before

John Ambrose

Josh Sanderson

Lara Jean Covey

Peter Kavinsky

[neglectedrainbow]

my tony awards list!

here are my choices for which show should win what award! i was gonna compare what i think should win vs. what i think will win, but i honestly have no idea what the american theatre wing is gonna be doing so...

my thoughts:

best play -- choir boy

best musical -- hadestown

best revival of a play -- the boys in the band

best revival of a musical -- oklahoma!

best book of a musical -- the prom

best original score -- hadestown

best lead actor in a play -- adam driver, burn this

best lead actress in a play -- heidi schrek, what the constitution means to me

best leading actor in a musical -- brooks ashmanskas, the prom

best leading actress in a musical -- eva noblezada, hadestown

best featured actor in a play -- brandon uranowitz, burn this or gideon glick, to kill a mockingbird or robin de jesus, the boys in the band (i love everyone in this category)

best featured actress in a play -- ruth wilson, king lear

best featured actor in a musical -- jeremy pope, ain’t too proud

best featured actress in a musical -- amber gray, hadestown

best scenic design of a play -- jan versweyveld, network

best scenic design of a musical -- rachel hauck, hadestown

best costume design of a play -- ann roth, gary: a sequel to titus andronicus

best costume design of a musical -- michael krass, hadestown

best lighting design of a play -- jan versweyveld & tal yarden, network

best lighting design of a musical -- peter mumford, king kong

best sound design of a play -- eric sleichim, network

best sound design of a musical -- nevin steinberg & jessica paz, hadestown

best director of a play -- ivo van hove, network

best director of a musical -- rachel chavkin, hadestown

best choreography -- camilla a. brown, choir boy

best orchestrations -- michael chorney & todd sickafoose, hadestown

totals:

hadestown -- 9

network -- 4

choir boy -- 2

the prom -- 2

burn this -- 2

what the constitution means to me -- 1

to kill a mockingbird -- 1

king lear -- 1

ain’t too proud -- 1

gary: a sequel to titus andronicus -- 1

king kong -- 1

oklahoma! -- 1

[bowsetter]

Crypto and Real Estate Were Built for One Another

Whether buying, selling or tokenizing real estate, the property market and blockchain are deeply intertwined. As the purchase of property has become possible with bitcoin, so has the wider potential of blockchain technology to transform the industry. The convergence of real estate and cryptocurrency is no longer the stuff of idle speculation, but a growing sector that has already begun to bear fruit.

Also read: Buying and Selling Property With Bitcoin Is More Complex Than It May Seem

From Buying It With Bitcoin to Tokenizing It: The Evolution of Real Estate

“Few assets, except for possibly fine art, are more illiquid than real estate,” observes Marvin Steinberg, explaining the conditions that prompted the property industry’s tokenization. The founder of STO advisory firm CPI Tech continues, “If you’ve got a $10 million waterfront development and you want to sell it, you’ve got to find another buyer with $10 million to spare. There aren’t a lot of people with that level of funds on hand. However, take that development, tokenize it, split it into 10 lots, and now you only need to find buyers with $100K to spare. If you need to free up funds at short notice, you don’t have to offload the entire development; now you can liquidate one of those shares, and can even buy it back at a later date.”

The cross-pollination between blockchain and real estate can be traced back to at least 2013 when Ragnar Lifthrasir created the International Blockchain Real Estate Association (IBREA). As a purely educational resource, IBREA may not have grabbed many headlines in its own right, but it indicated that interest between these sectors was already fomenting. That mutual curiosity took some time before it developed into keys and coins being swapped, but when it did one of the trailblazers in the market was Bitpay.

In January 2017, the COO of Bitpay, Sonny Singh, reported that in one property purchase in which the company had been involved, the seller made an extra $1.3 million. As Singh explained it, the property was valued at roughly $4million, but after completion, the price of BTC rose from $750 to $1,000, making the seller a tidy 25%. The rest of 2017 proved to be a good year for the company, which processed $20 million worth of real estate deals. Apart from Bitpay, the bull market of 2017 also saw co-living project The Collective accept bitcoin deposits from September, and in October a London mansion was advertised for £17 million, exclusively for purchase in bitcoin.

Tokenized Real Estate Was Built on a Foundation of Bitcoin

In the U.K., property developer Go Homes began selling new properties in bitcoin by December 2017, with the first sold to a bitcoin miner for £350,000 in Colchester. There were some added complications to completing the purchase in cryptocurrency as Solicitor Adrian Toulson explained to The Telegraph: “The Land Registry agreed in principle that the price could be recorded in bitcoin, but the buyer may well choose to use pounds, simply because calculating any capital gains tax may prove very complicated.”

That sentiment was shared by Natalia Karayaneva, the CEO of real estate management blockchain Propy. As Karayaneva told news.Bitcoin.com in Jan 2019: “The main issue we’ve experienced is exchanging large amounts because sellers, very often, want to get paid in fiat.”

The proposed Goldwynn development

The takeaway is that purchases for real estate have been entirely possible in bitcoin for some time, but not without some degree of complication as the law and other institutions have played catch up to technology. As the number of successfully completed purchases has grown, however, the foundations have been laid for the next generation of bitcoin property purchases. Only this week, the developers of Goldwynn, a major new development in the Bahamas, announced they would be accepting cryptocurrency including bitcoin cash. Prices for the luxury beachfront condos range from around $500K to $4M.

The Emergence of Tokenized Real Estate

As the broader crypto industry has moved from ICOs towards IEOs and STOs, the way in which blockchain projects interact with legacy industries has also changed. This is particularly true of real estate. As Marvin Steinberg explains it, “Real estate is very capital intensive. The cap rate, as it’s known, is the ratio of Net Operating Income to property asset value. If you can lower the cap from a five down to, say, a four, that’s extremely attractive. Given the ability for tokenization of real estate to lower capital costs while increasing liquidity, it was natural that this should become the first industry where security tokens gain a foothold.” He adds:

In the future, I think we’ll see everything from sports stars to even entire sports teams going down the same route, but bricks and mortar are seen as safer assets for tokenization: they’re physical, they’re easy to value, and now they’re also easily divisible into shares that can be tokenized and traded.

Crypto-Property Deals Aren’t Always What They Seem

Despite real estate being successfully traded for bitcoin by a number of individuals and companies, some projects have failed to deliver on their initial promises. In September 2017, Aston Property Ventures announced it would develop a $300 million, 1,500-apartment complex in Dubai. The project, the brainchild of dubious British entrepreneurial duo Michelle Mone and Doug Barrowmen, was touted by Mone as “The first-ever development to be priced in bitcoin.”

Michelle Mone, depicted on Equi.Capital

Initial reports from the duo indicated high customer interest, with Mone announcing that 50 of the 150 properties available for bitcoin holders were already sold as of February 2018. However, despite showing all the early indications of a success story, the project, which was slated for completion in the summer of 2019, remains incomplete and was reported as ‘suspended’ by Blockonomi in April. Coming from the same businesswoman who made a royal mess of her ICO – and then raged at news.Bitcoin.com for reporting the matter, this is perhaps no surprise.

Despite the ignominy of a number of much-vaunted crypto property deals, blockchain and real estate continue to plow the same furrow. Security token platform Harbor has already tokenized $100M of real estate, with the promise of plenty more to come. What began as an experiment – exchanging bricks and mortar for bitcoin – has evolved into a burgeoning industry, with crypto at its core.

Why do you think real estate and crypto are so intertwined? Do you think the tokenization of property will become a growing trend? Let us know in the comments section below.

Images courtesy of Shutterstock.

Did you know you can verify any unconfirmed Bitcoin transaction with our Bitcoin Block Explorer tool? Simply complete a Bitcoin address search to view it on the blockchain. Plus, visit our Bitcoin Charts to see what’s happening in the industry.

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