#vogue cs

[black-is-no-colour]

Dita Von Teese, photographed by The Morelli Brothers for Vogue Czechoslovakia July 2023

[aestheticjunkyard]

Meerle Haket by Julia Morozova for Vogue CS July 2024

[themakeupbrush]

Carmen Dell’Orefice for Vogue CS

[voguecovers]

Vogue Czechoslovakia, December 2024

Chinese super model Yilan Hua, photography and concept Luka Booth

❛ Yilan wear Dior. Styling Veronica Bergamini. Publisher Michaela Seewald. Head of content Danica Kovarova

[mymilovesfashion]

[2024 year in review ~ Vogue CS #1]

JAN - Alessandra Ambrosio

FEB - Celeste Fitzpatrick, Michaela Hlavackova

MAR - Monica Bellucci, Nyakong Chan; Georgia Palmer (digital)

APR - Dalton Dubois

MAY - Heather Kemesky, Jasroop Kaur Singh, Pam Lucas, Krystyna Pyszková, Helen Beard

JUN - Fernando Lindez, Filip Hrivnak, Luna Passos

JUL - Ashley Graham, Maaike Klaasen, Sabina Jakubowicz

AUG - Celine Goebel, Janine Suarez, Tereza Petržilková, Vendy Dušková, Josef Dostal

SEP - Gwendoline Christie, Steinberg

OCT - Nathy Peluso, Delilah Belle, Róisín Murphy

NOV - Hannah Motler, Sonya Mohova

[othergaywarbler]

Dianna Agron for Vogue CS: July 2023

[cliquemodels]

Petra + Richard for VOGUE CS 11/23 ph. Hana Knizova

[noriahvoods]

Aweng Choul wearing Viktor & Rolf for Vogue Czechoslovakia and photographed by Abdull Artuev

[somethingimworkingon]

“You had to be there”: in conversation with Albert Watson for Vogue CS, April 2023

Carmen Dell’Orefice photographed by Albert Watson, Vogue CS, April 2023

“You had to be there,” says Albert Watson. The legendary Scottish photographer is talking me through his shoot with the every-bit-as-legendary Carmen Dell’Orefice, the original supermodel, who makes her Vogue CS debut this month at the tender age of 91.

In one particular picture, Carmen, statuesque in opera gloves and giant shades, appears to be rising like an Art Deco Venus out of a red and white mosaic cloud, yards of Lever Couture dress pooling below her. How, I want to know, did he make her look so – well, so tall? “There’s a ledge that she’s standing on at the back of the elevator,” Albert explains – “we shot in a freight elevator” – next to the makeup area at the photographer’s studio in New York. Despite the fact that she is “very fragile: two people had to escort her onto the set, if she’s standing for any more than five minutes she gets vertigo,” Carmen remains, clearly, the eternal, consummate professional. “Once she was on the set,” Watson continues, “once that flash went, she [said] to herself, ‘Ok Carmen, pull yourself together, let’s go!’ She would laugh, give a little something [special] for every shot.” She may not have been actually levitating, but some kind of magic appears to have been happening. Not a gesture, not a moment was wasted. “There were sometimes just five frames – click, click, click, click – done.”

The very idea of a nonagenarian with vertigo posing in dark glasses and couture several feet off the ground, in an elevator, is dizzying, and Watson is candid about the challenges. Early ideas discussed with the team in Prague included a shoot with a Surrealist theme. The immense depth of Watson’s knowledge, his decades of experience – not to mention his great gift for storytelling – are evident as he explains to me, in detail, how a Surrealist-influenced shoot would work, how the model would move, how long the shots would take, how the photographer would conduct the sitting. He mentions the Vogue masters Horst and Erwin Blumenfeld, as well as Welsh theatrical photographer and set designer Angus McBean. But then: “I had a coffee with Carmen a week [before the shoot]… She is beautiful, people looked at her as she left the coffee shop… [but] she is fragile,” and he knew that this shoot needed to go in a different direction. “As far as conceptualising it, I knew that my energy was best served to pour energy onto Carmen, to make her feel good about the shooting. If I had a 20-year-old model I could pour my energy into the concept – but you have to accept this is Carmen, a 91-year-old, and that’s kind of remarkable.” And, in the end? “It was fabulous!” Albert says, warmly. “She is a wonderful person” – as well as a part of fashion history. He describes the project as “photographing somebody from another era, even before my time. She pointed out that when I first picked up a camera she had already been working as a model for twenty years – and I’ve been a photographer for fifty years!”

Albert Watson is 81, and has shot over a hundred Vogue covers. He started working with the magazine in 1976 (Carmen appeared on her first Vogue cover, aged 15, in 1946). Born in Edinburgh, Watson retains a soft Scottish accent, despite having lived in the US since the seventies. “I started off at art college as a graphic designer,” he says. Impressively, the fact that he was born blind in one eye seems never to have held him back. “As a craft subject I had two years of photography.” He then spent two years studying film at the Royal College of Art, but it was photography which was to dominate his career. Early test sessions for Max Factor in Los Angeles brought him to the attention of magazines, including Vogue, and his first celebrity image, of Alfred Hitchcock holding a dead goose for the Christmas 1973 issue of Harper's Bazaar, set the stage for a career in A-list portraiture. From Steve Jobs to Bill Clinton, Mick Jagger to Queen Elizabeth II, Watson has photographed many of the most famous faces of our times, as well as hundreds of actors, musicians and other celebrities.

Going back to the Vogue CS cover story, “I approached the shooting like it was portraiture,” says Albert. “My preparation in this case was that it had to be minimal, treating Carmen as a celebrity [rather than] a model, [where we] catch glimpses of the fashion.” I mention that some of the shots have a feel of Irving Penn, some of the styling, the hats and fascinators, reminds me of Lilian Bassman photographs. Albert doesn’t disagree. “You could sense, when you photographed Carmen, a little bit of a thread going all the way backwards to the 1990s, the 1980s, the seventies, the sixties and into the fifties. You could feel that [history] from her, the way she projects it.”

Carmen Dell’Orefice photographed by Albert Watson, Vogue CS, April 2023

As well as shooting portraits, fashion, and covers for magazines including GQ, Rolling Stone and Details, Watson has photographed major ad campaigns, directed TV commercials, and shot film posters and album covers. He also keeps up a steady stream of personal work, including still life and even landscape photography. You’ve shot so many different kinds of subjects, I say: do you have different mindsets for different kinds of photography? Do you feel differently when you’re shooting different subjects? “I do!” This is a good moment to point out that Albert is also an educator, a teacher of photography students. His Masters of Photography series covers everything from “The importance of casting and hair & makeup” to “Photographing sand dunes.” He tells me about taking time off between fashion shoots to travel in the north of his native Scotland, which in turn leads a fascinating discussion of his methodology when it comes to preparing and conceptualising photo shoots.

“I’m not a landscape photographer,” he says, “but I always wanted to spend six weeks just doing landscapes, no faces in front of me. [In 2013] I went to the Orkney Islands to do ‘portraits’ of the standing stones there. I went to the Isle of Skye [with] a book of paintings by Degas.” While Degas is famous for his Impressionist studies of ballet dancers and jockeys, Watson took a book of his less well-known landscapes. “I was fascinated by the fact that he would paint a rather boring hill – if I was standing behind Degas and took a picture of it [with a camera] and showed it to you you’d go, ‘Ok, it’s a picture of a hill,’ whereas if you look at the Degas painting you say, ‘Wow, what a beautiful painting.’ The thing is that Degas is doing an interpretation of what he sees in front of him, and I’m taking a picture… so I get an exact copy of what’s in front of me.”

Watson talks about how two photographers shooting the same landscape may end up with the same image, whereas two painters rarely will. He’s describing the need to push photography, beyond simply recording what is in front of the camera. “You have to try and control the landscape,” he says, “don’t let the landscape dominate the final image.” Some of his endeavours seem almost like Buddhist meditations – spending three days, ten hours a day, photographing reflections caused by the wind on a Scottish loch, for instance. Or getting up every day at 4.30am to be on the road by 5.30am, when it was still dark, to do “a series of pictures in a beautiful kind of forest, using the headlights of the cars as lights going through the forest.”

Carmen Dell’Orefice photographed by Albert Watson, Vogue CS, April 2023

Watson’s landscape photography isn’t simply an endurance test – even though “I chose October deliberately because the weather was bad!” He approaches it with as much professional preparation as any of his commissioned work: “I had two assistants with me, to make me very efficient, and able to quickly get up a mountain to take a picture, and quickly down.” He also uses it a way of reflecting deeply on the meaning of the images. “I wrote down a lot of things that were connecting landscapes to an emotional response.” On Skye he was musing on “Lord of the Rings, Game of Thrones, Victorian romantic paintings” and when I ask him about how he keeps track of all these ideas, all these concepts, projects, he replies, “I’m taking notes all the time. I have a diary with me, and I’ve a diary by my bedside. Sometimes I wake up in the morning with an idea, go to sleep get an idea…” He talks about jotting things in a little notebook – “Landseer [the nineteenth century English animal painter and sculptor], some of the German Romantic painters from the 1860s, 1880s.”

On Skye, he also spent time taking pictures of the landscape specifically to manipulate them later – “shooting for a computer,” as he calls it. In his eighties, Watson still has a strong interest in innovation, and is unfazed by technology. His Instagram account, @albertwatsonphotography, is beautifully curated (“my son does that, he does a great job”) and has a strong following, but Watson is shrewd about the platform, well aware of what generates likes and what doesn’t. “With Instagram you have to be careful. Instagram is kind of a false reading of how popular your work is.” A combination of old and new, published and unpublished work, the account is also an educational tour through five decades of image-making, an excellent resource for photographers, students, designers and photography lovers alike. I ask him to talk a bit more about his own resources, and what kind of advice he offers to younger generations today. Unsurprisingly, Albert has a wealth of brilliant insights on the topic.

“I always say to younger photographers: ‘preparation,’” he begins. “They immediately think, ‘must charge the batteries in my camera!’ But it’s nothing to do with that. It’s conceptual preparation… When I’m preparing a shooting, I’ll go through a lot of books.” Watson admits, “the one thing that amazes me that young photographers don’t use nowadays… [is] books.” He talks about how books can be a source of ideas and inspiration, even if you end up taking things in a different direction than originally planned. A book is like a road map, but you don’t have to follow it faithfully: “It’s like you head out from London to go to Cornwall and you end up in Wales – the important thing is the book gets you out of London!”

His book collection is “about 30% photography, 70% art. That is a major difference,” he points out. “You’d imagine for a photographer it’d be 92% photography. But there are books on art, architecture, Frank Lloyd Wright, books on the Maya, the Aztecs… a complete collection of [seventeenth century English architect] Vanbrugh drawings, Michelangelo drawings...” With thousands of volumes at his disposal – “I have five libraries in my apartment” – it’s also important not to get overwhelmed. Or overburdened on set. Albert’s trick is to use the iPhone to snap images from his library and collect them in albums on the phone to use as reference, especially when travelling. It’s an elegant solution, as practical as it is contemporary.

Watson himself has been the subject of several books, from the educational (Creating Photographs, from the Masters of Photography series), to the spectacular (Kaos, a dazzling career overview published by Taschen in 2017 in a limited edition priced at £2,000). His work has also been featured in catalogues from scores of exhibitions. Watson, The Maestro, at Hangaram Art Museum, Seoul Arts Center through March 30, 2023, is his first retrospective in Korea and his largest exhibition to date in Asia. Meanwhile, those hauntingly beautiful images from the Isle of Skye can be seen in an online exhibition at the virtual gallery, CameraWork.de.

I ask if there any books he would recommend? “One of the best things for photography students, and design students,” he says, “is photography catalogues from [auction houses] Christie’s, Sotheby’s and Phillips – Phillips does nice big ones” (as both a photography lecturer and former Phillips art director, I’m delighted to hear this.) “You can buy these things [on Ebay] going back fifty years,” Albert points out. “For thirty bucks you’ve got a thousand images by classic photographers! It's a great teaching tool.”

Our interview is nearly over, there’s just time for one last question, so I ask what motivates him – to teach, to experiment, to plan, to shoot – “What inspires you to keep doing what you’re doing?” Albert laughs. “I’m addicted to photography!... I always found the technical side of photography a pain in the neck, so I was never enthusiastic about that, but I did realise that if you want to be a photographer you have to have to bite the bullet, do your homework. I’m glad I did, because working hard on things like lighting, it opens creative doors for you. You can solve things quicker if you know how to light.”

[pattyblom]

Vogue Czechoslovakia March 2023

Aweng Chuol on the cover wearing Spring 2023 Couture Viktor & Rolf

[black-is-no-colour]

Dita von Teese, photographed by The Morelli Brothers for Vogue Czechoslovakia July 2023

Pt. II

[sappho-am-i]

Ashley Graham Vogue CS

[themakeupbrush]

Carmen Dell’Orefice for Vogue CS

[mymilovesfashion]

[2023 year in review ~ Vogue CS]

JAN - Bente Oort, Ismael Savane, Teo Bates

FEB - Carmen Kass

MAR - Aweng Chuol, Maty Drazek

APR - Carmen Dell'Orefice, Daphne Groeneveld

MAY - Alida Aciu, Debra Shaw, Lily Vander Meeden, Roberta Pecoraro

JUN - Luna Bijl, Tereza Maxová, Burak Oymen, Karolina Kurkova

JUL - Diana Agron, Fan Bing Bing, Dita von Teese, Marie Tomanova

AUG - Elle Macpherson

SEP - Abbey Lee, Alyda Grace, Amanda Murphy

OCT - Driver, Karolina Capkova, Michaela Kocianova

NOV - Giselle Norman

DEC - Daniela Kocianova

[lecsainz]

ׄFORMULA ONE MASTERLIST

( requests are OPEN || back to nav || back to main masterlist )

˒ ⌕ second f1 masterlist

fluff ಇ | smut ✧ | angst ✶ | sad ʚ | sugestive 𑁤

CL 16 ✶ CHARLES LECLERC

˒ ⌕ one shot

runaway bride: you were nervous before your wedding and realized your true feelings for your best friend charles.

love notes: you and charles spend a cozy morning together, enjoying breakfast and a sweet moment at the piano.

winning hearts: charles and you, a new driver on the grid, form a strong bond as you both pursue your dreams in motorsport.

stuck in the elevator: you and charles find yourselves stuck in an elevator.

always be here: after crashing during the quali at the miami grand prix, charles is devastated, but finds peace and comfort in your presence.

remind me: you and charles have been friends since childhood and end up dating when you're older.

big dream: y/n and charles's daughters, rylee and amelie, wish for a baby brother, leading to lighthearted conversations and laughter during a family lunch in monaco.

meeting of families: where charles becomes enchanted upon meeting carla's older sister during a family dinner. → PART TWO

saturday morning: the one where you decide to look for your boyfriend around the apartment after not finding him in bed.

home sweet home: you're charles' girl, and he catches you groovin' solo in the crib you both share.

˒ ⌕ smut

yacht experience: you're on a yacht with other drivers, and charles can't get your body out of his mind from the previous night, leading to him and you having sex in the yacht's cabin.

dress: you and charles are attending a gala event, and he can't hide how much the dress you're wearing drives him crazy. the night ends with the two of you having hot sex in the hotel room.

shower heat: charles and you engage in a shower sex, where he skillfully uses the showerhead to bring you to climax.

lust to love: coming soon!

honeymoon: the one where you and charles have sex for the first time after getting married.

just ride: the one where you decide to surprise and tease charles by riding him on the balcony of your apartment while he's on a call with his engineer.

you're mine: the one where you decide to tease charles and he ends up getting jealous.

sunset: charles being turned on by your sundress.

˒ ⌕ smau

hollywood rumors: the one where you recently broke up with actor dylan o'brien, sparking rumors of a potential new relationship with a formula one driver.

met gala interview: the one where you getting ready for the met gala and preparing for an interview with vogue and you receive questions about your secret boyfriend.

wedding to remember: you and charles, along with your daughters amelie and rylee, get ready to attend a friend's wedding where the twins will be the flower girls.

high infidelity: the one where you're famous and end up raising suspicions of cheating on your boyfriend carlos with charles, his teammate.

main thing: the one where you're an actress and a mom, and rumors about you and charles surface. → PART TWO

been mine: that one where you and charles have been friends since childhood and end up together.

˒ ⌕ fake text

this toxic twisted rush: the one where you get abandoned on your anniversary with charles and end up discovering his true colors.

sleepless: the one where charles can't sleep before a race day and ends up sending messages to his girlfriend.

interview distractions: the one where you're charles' girlfriend and decide to tease him a bit during an interview.

˒ ⌕ headcanons

i really like your curls i like a lot ಇ

˒ ⌕ blurbs

happy birthday love ಇ

perfume ಇ

CS 55 ✶ CARLOS SAINZ

˒ ⌕ one shot

she’s a bad bad girl: that one where the media makes up stuff about your relationship with carlos but he ain't gonna let that shake our relationship.

smooth operator ✧

˒ ⌕ smau

instagram stories: carlos and you had been keeping their three children out of the public eye for a while, but accidentally revealed them in a social media story.

bésame: the one where you are carlos' latina girlfriend and you exchange cute posts on instagram

˒ ⌕ blurbs

good night babe: the one where you are insecure about sleeping at the same bed as your boyfriend, carlos.

amor a la ventana: where you're the next-door neighbor of carlos, and he invites you to dinner.

LH 44 ✶ LEWIS HAMILTON

˒ ⌕ smau

we keep this lowkey: the one where harry styles' younger sister is seen with lewis and everyone starts commenting about a possible romance between them.

˒ ⌕ headcanons

˒ ⌕ blurbs

late night drive: the one where you are lewis, go out for a car ride at night.

KR 07 ✶ KIMI RAIKKONEN

˒ ⌕ blurbs

melting the iceman: the one where you see your husband taking care of your son and feel that you couldn't be happier as you are.

PG 10 ✶ PIERRE GASLY

˒ ⌕ one shot

hotel room: where the hotel mistakenly switches room keys, and pierre ends up in christian horner's niece's room.

bathroom incident: pierre takes his sister to a race, and you get trapped in the paddock bathroom.

LN 04 ✶ LANDO NORRIS

˒ ⌕ one shot

back to december: lando reunites with his ex-girlfriend in the paddock with another driver.

˒ ⌕ fake text

sweatshirts: the one where you steal lando's sweatshirts.

miss you: the one where you're lando's girlfriend and, because you miss him so much, you decide to go see him at a race.

date with my bestie? the one where you're best friends with lando but due to adult life, you end up drifting apart

miss you: the one where you're lando's girlfriend and, because you miss him so much, you decide to go see him at a race.

˒ ⌕ smau

triangle: the one where you're toto wolff's daughter and everyone wants to know who your boyfriend is.

˒ ⌕ headcanons

dating with lando norris

DR 03 ✶ DANIEL RICCIARDO

˒ ⌕ one shot

sister's support: you decide to accompany daniel to a race for the first time and end up being invited on a date.

tattooed: the one where you're a tattoo artist, and Daniel comes to your tattoo studio.

football game: the one where you're the younger sister of the kelces and you go to a travis game and end up meeting daniel ricciardo.

˒ ⌕ smau

mystery affair: the one where you, a famous singer, finds yourself in the midst of rumors when photos of her with lando and pierre surface, and no one expects the true identity of her mysterious man.

falling for you: that one where you're a famous singer, and daniel comes to your show, and you exchange love declarations on social media.

MV 33 ✶ MAX VERSTAPPEN

˒ ⌕ smau

my brother's friend: the one where you're charles' sister and dating one of his friends, max.

˒ ⌕ one shot

foolish: where max has feelings for you but he's with kelly, and when he finally acts on it, it's already too late.

MS 47 ✶ MICK SCHUMACHER

˒ ⌕ smau

they're talk- talk- talking about: the one where you and mick have been dating for a while without the media knowing and you start interacting more on social media

SB 05 ✶ SEBASTIAN VETTEL

˒ ⌕ one shot

winter visit: the one where you go on a super chilly winter holiday date with your boyfriend for a mini getaway to meet his parents.

OP 81 ✶ OSCAR PIASTRI

˒ ⌕ blurbs

ON THE GRID ✶ READER DRIVER

˒ ⌕ one shot

sneezes and strategies: where you have a sneezing attack during a race.

fangirl moment: before a race, you encounter one of your favorite singers in the paddock, who happens to be your fan.

from pit stop to push-up: you go to the gym "of your own free will" with lando.

˒ ⌕ driver!reader x fabio quartararo

secret crush: you receive a message from motogp rider fabio quartararo aand become the subject of jokes about your little mishap from the entire grid.

date night: part two is a secret crush, where you go on a date with fabio.

[chosomindslave]

What artist does the JJK characters listen to?

Summary: stated it the title

Genre: very informative

Satoru Gojo🧿: 100% rod wave. idk what be wrong with Gojo but I just feel it in my CORE he listens to rod wave vigorously. Trust whenever Ijichi is chauffeuring you two you’re either gonna hear Turks and Caicos or Heart on ice… something is wrong with him seriously…

Suguru Geto🐵: mfer don’t listen to music 😞. He prolly only hear it as monkeys making their distinctive sounds…

Kento Nanami🥖: The Jacksons… (Michael Jackson, Janet Jackson, etc) idk Nanami gives off grown man vibes but not grown man Kevin Gates vibes. I could see him listening to Janet Jackson, or even En Vogue… yk he’s really just that bitch. He probably listens to artists like Joe and Jon B also, you never know, but I can say one thing for sure , HE HAS TASTE

Choso Kamo🩸: it’s really whatever Itadori is listening to at the moment, he doesn’t have an exact preference

Yuuji Itadori👊🏽: Ice Spice, IKIK ITS CRAZY BUT PLSSD don’t sit there and tell me Itadori wouldn’t be walking down the hallways at Jujutsu high saying “like what let’s keep it a buck” NO SERIOUSLY, or “im still shaking ass in the deli” LMAOOOO

Megumi Fushiguro🐕‍🦺: Guns N Roses… look man he had a hard life LMAO but still then yk he just gives off the type to like Rock music, I can see him liking pierce the veil also…

Nobara Kugisaki🔨: SZA , she’s definitely a scissor girly. But even still then I do think she also listens to artist like Ariana Grande. Yesss kwueen

Yuta Okkotsu🗡️: before Africa, most def YONCÉ, but after coming back from Africa all mf hear is war sirens . What the fuck did Gojo have him look for THAT BITCH IS PTSDIFED lord somebody save Yuta

Maki Zenin🦚: girls generation. Idk after I seen that mfn edit with her and Kugisaki I just KNEW she was an snsd fan. BESIDES look at the way she dressed in the movie, and me ready to risk it all for her. SNSD APPROVED

Toge Inumaki📢: Sukihana, Sexy Red and Cupcakke. Look man, this mf a troll you think his top three artists aren’t the cuntiest of all time? His impulsive thoughts take over each time. Just know he ain’t a freak but he listen to nasty asss songs, cs why are you listening to somebody talk about eating niggas ASS?

(tumblr wouldn’t let me add in a gif for him FUCK YOU)

Panda🐼: Lana Del Rey: look man Panda is all about is aesthetic, you can’t tell me mf don’t be having his lil ciggy hanging out his mouth, looking out the window playing Summertime Sadness NEXT