#It would have be funny with any other character but not this one

[vidavalor]

<<I would also not accept Crowley hate. I just never see it.>>

Same. Yeah, it doesn't exist. A lot of people's internalized issues at work, if you ask me, as to why there's only hate for Aziraphale when there shouldn't be hate for either of them.

<<I think for that to work, you have to take Crowley as the protagonist of the story and Aziraphale as an -- um, adjunct? romantic interest? Rather than seeing them as 2 equal players in the story.>>

If you want to get really technical about it? From a writing standpoint, Aziraphale is the main character because it's his story arc we're following the most throughout the story. He is the character who will under go the most change from chronological start-to-finish in the story. He and Crowley are two halves of a whole, though, so it's a little tricky and they're closer to being co-main-characters than you might get in other stories. Inside the story, though, the characters are definitely equal partners, and I agree that it's irritating to not always see that reflected in attitudes towards the characters.

The funny thing is, though, that people who think Crowley is the sole main character are showing that they don't really know what one is and are just focused on Crowley. For reasons. I wouldn't presume to know why, exactly, but I suspect that they are likely of 'want to fuck him even though he's fictional and subconsciously hate the main character who gets to' variety. Also shows how little they know the character as Crowley would not. care. for it. if he were to learn that they were disparaging his angel.

<<the Edinburgh minisode, that make it look like Aziraphale is still toeing the Heaven line and he is the only one who still (in 1827!) has learned nothing>>

Yeah, that attitude in people is showing that they're not really putting together the minisode, imho. Aziraphale struggling with conflicts of what he's supposed to be according to Heaven versus who he really is are not the same thing as Aziraphale being on the side of Heaven. He's never been on the side of Heaven. He gave away his sword in Eden. He lied and miracled to save Job's kids. He's been badass since the start.

I think it's also a feature of some people not seeing that Aziraphale is kind of dryly bitching about his job to Crowley in 1827 more than he is actually disagreeing with Crowley and Elspeth. He lives on Earth. He knows how lunacy Heaven's ideas about things are. He's complaining to Crowley about what he's up against and getting some reassurance in Crowley's wtf that's crazy! response that he's not alone in thinking so. The moment that he learns that Dalrymple isn't just a ghoul but someone who wants the bodies for greater good reasons, Aziraphale is happy to throw over whatever Heaven nonsense he's supposed to at least pretend to believe to help. He'll always do what he can to help. It's just all very tiresome that people think Crowley is perfect. He's not always right. There also isn't always a "right" at all.

<<such as the way the f15 was shown (many people do not sense any real threat from the Metatron, don't get the "able to see/hear what's happening in the shop", don't see anything weird about Crowley letting Aziraphale go off with the Metatron, etc.>>

Yeah, this... 😂 My favorite wtf interaction that I've had here on the Tumblr Dot Com is the person who told me that Aziraphale and Crowley weren't worried about being spied on in The Final 15 and when I pointed out things like... Aziraphale, looking out the window at Our Villain, doing the downward hands of "not right now" at Crowley, and trying to get him to stop talking? I was told-- kid you not-- that he just turned his head.

The closet is a theme of the season and there's an entire foreshadowing plot with the Nazi Zombie Flesheaters about Crowley and Aziraphale being spied on through the window and people who cannot make simple connections enough to understand what's happening, so... how's that for irony? There's a whole plot about people being unable to make connections... about which this person couldn't make a connection.

I agree to some extent that it's designed to appear a certain way, with particular emphasis on Crowley acting out of character, but it's not so cloak-and-dagger that we can't see that something is amiss. The number of people who don't seem to see Crowley as acting out of character by letting Aziraphale go alone with The Being Claiming To Be The Metatron amazes me. It should be the primary question to come out of that scene. This is what we were saying above, though-- they are too focused on precious demon got his feelings hurt to notice that there is something really, really wrong with precious demon. He just sat there and let Aziraphale go alone with someone who had tried to kill him and he'd never do that of his own free will and that's somehow not the biggest point of discussion?

But this is also the same problem as most people just believing without question that it's The Metatron at the door. Sure, it might be, but they definitely gave us a laundry list of clues that suggest we should at least be questioning it. Five angels cannot recognize him and he has to get a demon to identify him but that's not Satan? Really? After a whole season of "who are you" in every other scene? And all the minisodes being about Hell? Even if it's not, the point is that it's all very weird and many people are just taking what's happening as if nothing is weird, which I find to be... well, weird.

So many people think that The Metatron was legitimately offering Aziraphale a job and everything was on the up-and-up and... why would he ever do that? He'd never offer Crowley to be restored as an angel, either. That'd collapse Heaven and Hell in a day as every demon then would demand their own status as demons reviewed. They think this is The Metatron and they still believe him, even though he just tried to murder Gabriel? I was so surprised to see the number of people who don't think Aziraphale is in any danger here and think he just got promoted when the whole season seems like it's building towards something quite different but we'll see what happens in The Finale.

The gods of the Disc have never bothered much about judging the souls of the dead, and so people only go to hell if that's where they believe, in their deepest heart, that they deserve to go. Which they won't do if they don't know about it. This explains why it is so important to shoot missionaries on sight.

Eric, Terry Prachett

[sparrowlucero]

i enjoy ur bird abode thoughts! I was a genuine enjoyer of the show when it was airing, I’m no die hard fan though and love to see ppls personal takes on the overall story/plot. Im curious if you also would agree or have any thoughts on the impacts The Mouse’s cancellation had on the shows ability to be more than it was? srry im not super eloquent with my words, but basically ur response to that ask got me wondering if part of the reason the show like genuinely wasnt all that ground breaking or unique in the end plot wise (other than the villain faces consequences in the end ig) as far as YA/Teen animation goes, was because of The Mouse’s inability to let the writers flesh out the show before gutting it? i have a negative bias toward The Mouse franchise and obviously dont know anything about how writing a show under the eyes of a franchise that big would work, its just smth that rattles around in my head and wanna know what u think!

Well to an extent, but I think it's much more the effect the studio had on how the owl house started out as rather than it not getting a full season at the end - It didn't escape my noticed that the show was initially announced as being a "horror comedy" when it doesn't really seem like either, especially by the second season, and yeah, the original pitch bible is obviously aiming for that much more than the show proper is as it goes along (and is honestly seems quite a bit more funny, weird, and dark, with an overarching plotline about a giant bug being used to religiously suppress people, eda able to cure her curse by killing luz, and one of the major characters being a teen boy awoken from a sleeping curse who ends up being a weird little bigot because he's from the 13th century, among other things)

(side note, i just noticed they actually specifically describe the thing i assumed the show was gonna be about here. huh.) but ultimately the bulk of the show that was actually made seems very influenced by a writing team that was genuinely interested in making a tropey YA fantasy story rather than just being mandated to. I mean even in what aired you can see the show sort of settle in ways that feel less like studio interference and more like, you know, art students creating their ideal fantasy show, like how King is clearly Eda's roommate who's funny because he looks like and sounds like a little dog despite being an adult man at the beginning but by the end they've made him her adopted sad backstory son who's explicitly a child. While I think a third season would have made the show as it existed better, because they clearly didn't get to finish the plot they wanted to (frankly to the point where some major aspects of the show are a bit confusing, I'm still not sure what a grimwalker is), I don't really fault the show for that but also don't think that hypothetical season (which pretty clearly would have been mostly about the magic school teens going to normal school) would suddenly flip around into something that I personally found interesting and subversive. Nor should it, really; again, it being Queernorm Harry Potter thing is clearly the intended appeal of the show, it's not really a flaw but just not a genre I'm personally interested in when compared to what I initially expected the show to be.

HOWEVER I will say they robbed little weird girls of their representation and that can't be forgiven

[dorabellingham]

Both

warning: none

characters: jude x jobe x fem!reader

summary: when he introduces you to his family, but it seems like the younger brother doesn't have the expected reaction

request: yes

may contain spelling and translation errors!

It was a sunny Saturday in Birmingham, and the weather was perfect for the lunch Jude had been planning for weeks. He was eager, though he wouldn’t admit it, to officially introduce you to his family. Until now, they had only known you through a few stories and videos that he had shared with them with enthusiasm. Today would be different. Today they would meet the woman who had stolen his heart.

You were visibly nervous as you adjusted your simple but elegant dress in the rearview mirror.

—They’re going to like you, babe. —Jude said, squeezing your hand gently. —You’re amazing, Y/n. It can’t be any other way.

—I just… want to make a good impression.

You replied, your eyes betraying a hint of anxiety.

Jude smiled, leaning in to kiss your forehead.

—You’re going to be perfect, as always.

As soon as you arrived at the Bellingham house, you felt the warmth of the welcome. Denise was the first to wrap you in a tight hug.

—We finally met the girl Jude talks about so much!

She said, smiling warmly.

Mark, on the other hand, was more reserved, but kind. He shook your hand firmly, silently nodding his approval. You felt relief course through your veins.

Then Jobe came. At only 16, he seemed less at ease than the rest of the family. Tall and with the same unassuming smile as your boyfriend, he kept a slightly stiff posture as he greeted you.

—Hi, I'm Jobe. I've heard a lot about you!

He said, his voice slightly shaky.

You smiled, warm and spontaneous.

—I hope good things, Jobe!

The younger brother blushed instantly, looking away.

—Oh, yes, of course. Good things, lots of good things.

Jude watched the interaction closely, his smile fading slightly. He knew that look on his brother's face —it was the same one he used to give you in the first few months he'd known you.

During lunch, you quickly won over everyone at the table. You had funny stories and a light-hearted manner that charmed your in-laws. Even Jobe, who was usually more reserved, laughed at your jokes.

—And then Jude tried to cook for me once. —You said, laughing. —He even burned the water!

The table erupted in laughter, and Jude shook his head, feigning indignation.

—Okay, it was just once, and I was trying to impress.

—Well, it seems to have worked.

Denise commented, smiling at you approvingly.

Jobe, on the other hand, remained quieter, but his eyes were constantly on you. Every time you looked at him or asked him something directly, he would visibly blush, stumbling over his words to answer.

—So, Jobe, how are trainings going? Jude talks about you a lot.

You asked with genuine interest.

Jobe choked slightly on his water.

—Oh... they’re good. Well... intense, but it's... it's nice, you know?

Jude narrowed his eyes, watching the interaction carefully. When you leaned over to pick something up and accidentally brushed against your brother-in-law's arm, your younger brother's face turned red and that bothered the older Bellingham.

Later, while you were talking to Denise in the kitchen, Jude pulled Jobe out into the backyard.

—So, what's going on, huh?

Jude asked, crossing his arms.

—What do you mean?

He answered, trying to sound casual.

—You know exactly what I mean. The way you look at Y/n. —Jude stepped forward, his expression serious. —She's my girlfriend, Jobe.

The boy raised his hands in defense, his face still flushed.

—I... it's nothing, right? I just think she's... nice, that's all.

Jude narrowed his eyes, assessing his brother.

—I hope so. Because I love her, and I won’t let anyone, not even you, ruin that.

Jobe sighed, shoving his hands in his pockets.

—I wouldn’t do that, Jude. You know that. Just… relax, okay?

He finally nodded, but still kept a warning look on his face.

—Okay, just remember: Y/n is my girl.

Later, while Jude helped his mother clear the table, you found Jobe alone in the living room. He looked uncomfortable, fiddling with his phone as if he wanted to avoid eye contact.

—Jobe, is everything fine?

You asked, sitting down next to him.

He glanced at you quickly and then looked away.

—Yeah, sure, Y/n. It’s fine.

You smiled softly, touching his arm lightly.

—Look, I know Jude can be a little… protective sometimes. But he only does it because he cares.

He finally looked at you, his eyes revealing a mix of emotions.

—You’re amazing. Jude is lucky to have you.

You blushed slightly, surprised by his sincerity.

—Thank you, Jobe. That means a lot.

When Jude entered the room, he saw you smiling at Jobe and his brother looking at you with an admiration that was hard to ignore. He immediately approached, putting his arm around her waist.

—Everything okay here?

Jude asked, his tone casual, but his eyes fixed on his brother.

—Yeah. —He replied, standing up quickly. —I’m going to help mum in the kitchen.

When he left, you looked at Jude, confused.

—He’s acting weird, huh?

Jude sighed, squeezing your waist.

—He’s just… a little shy. Nothing to worry about, babe.

But deep down, Jude knew he would have to keep an eye on Jobe for a while. After all, his girl was irresistible – even to his younger brother.

[satsuha]

i'm always really interested in how the characters call each other in japanese games, so i laid out a few differences between the japanese and english versions of some ace attorney games that particularly interest me. this isn't meant to be an exhaustive list but it did get really long 😭

i highlighted english nicknames/etc in blue while japanese nicknames/etc are orange just to make reading a little easier

AA1-2

while only playing the english version i liked that maya called phoenix nick, it's a nickname that makes sense and phoenix is annoying to say and write anyway (lol) but the reason maya gives for this nickname in english is that it's what larry uses for him, which pales in comparison to maya in the japanese version opting for how mia used to call him: naruhodo-kun.

to me, this is a LOT more meaningful and informative than the english nickname because it not only is evidence of how much maya heard about phoenix from mia using that nickname, it also gives us a glimpse of maya's personality and her relationship with phoenix. -kun is an honorific that's usually used for either male classmates or for teachers/superiors to use with their students/subordinates. maya falls into neither of these categories with phoenix, but it also lines up with how she acts like the boss of the office a lot of the time. SO LIKE... ultimately the nickname nick just does not hold up in terms of both maya's reasoning for using it, and phoenix's apprehension at her calling him that... which i just think is a shame!! in the same vein, this nickname is passed down to pearl, and again you see phoenix having a Reaction to it which makes sense considering it's funny that a kid is calling him naruhodo-kun...

i don't only want to talk about changes in english that i don't prefer, so i also want to mention that i'm very impressed that they managed to get phoenix and edgeworth referring to each other by their surnames in english to sound natural... because it's also exactly what they do in japanese except there, the idea of male friends using their surnames with each other is a very very normal thing. i AM torn on the fact that in japanese larry also refers to the two of them by their surnames, which means all 3 of them are on equal grounds in that respect. AT THE SAME TIME... english makes larry's "nick" and "edgey" work so well that i really can't say we missed out with this localization, but i do like the relationship between these 3 so i do like that the japanese is indicative of it too :)

AA4

i'm skipping ahead to aa4 because trucy's also a very interesting localization to me... the first time i played aa4 i felt like trucy wasn't sufficiently differentiated enough from maya's character which is like. debatable but those were my initial thoughts anyway. in japanese though she uses third-person pronouns (calling herself by her own name, minuki) which is VERY distinct from maya. there are a number of ways to interpret this choice but i like the one that indicates that it's part of her stage persona. aside from that though, she also has a very normal nickname for apollo (odoroki-san, with -san indicating general politeness) while polly is um well canonically the name of a parrot LOL

i do find it pretty interesting that the above exchange is the first instance trucy uses the polly nickname, because it's entirely different in the japanese version. phoenix says "if this onii-chan over here can't help you..." to which trucy responds by saying "how could you, onii-chan!" this exchange is hilarious to me because phoenix referring to apollo as an onii-chan is pretty normal? it's common to refer to any young man as that and in this case he's also referring to apollo from trucy's perspective. but trucy DIRECTLY calling apollo onii-chan (brother) is just so funny because HERE it's a lot closer to how an actual younger sister would refer to her older brother; there's a difference between saying "this onii-chan" and just "onii-chan". now i'm not saying this was direct foreshadowing because onii-chan is also used between close friends/acquaintances but like... the possibility is there.

AA5

now onto simon because i don't actually have a problem with the localization making him a british weeaboo i think that's really funny but i DO wish the nicknames he uses for the defense attorneys were more... appropriate? the honorific -dono that he uses in english does complement his samurai look but it's usually used in contexts where there's some respect involved, which is... not simon's intention in japanese. i'm admittedly not too familiar with the nicknames he uses in japanese; he uses "[kanji] no ji", while using a kanji from phoenix/apollo/athena's surnames. by searching it in japanese, i'm finding answers that it was medieval slang used by men usually in red light districts and such, and was used to refer to those with equal or lower status to oneself but never to those of higher status. this is kinda the opposite of what -dono is which is used for those of equal or higher status!!

i also find it pretty amusing that despite him using the first kanji in phoenix's name; 成 (turn into, grow), he uses the second kanji in both apollo and athena's names; 泥 (mud) and 月 (moon) respectively. i can only imagine that he did this because the first kanji in their names; 王 (king) and 希 (rare, hope) respectively, were too positive/complimentary for him? LOL

AA6

now i want to to talk about apollo in aa6 because NNGNRHGH i'm not normal about this one. because like, similarly to what i said up there about phoenix, edgeworth and larry's relationship, it's completely normal for close male friends to use their surnames with each other. phoenix, being apollo's boss, refers to him as odoroki-kun (mirroring how mia and maya call phoenix). trucy uses odoroki-san, indicating general politeness and athena uses odoroki-senpai, because he's her senior in their workplace. clay uses odoroki (no honorific), which is the same "level" as phoenix/edgeworth/larry's relationship.

a male character never being referred to as their first name is pretty normal, which is also the case in the aa games. franziska calls edgeworth by his first name reiji which is SUPPOSED to stand out because it's notably impolite/informal for someone who is younger than him, which suits the idea of her thinking of herself as the elder sibling. for additional reference, phoenix is only referred to by his first name by dahlia/iris; ryuu-chan ("feenie" equivalent) and desiree; ryuuichi-kun ("nicky boy" equivalent). so apollo is referred to exclusively by his surname, because there isn't anyone who's associated with him who would feasibly use his first name.

THAT IS. UNTIL we meet datz who is the first (!!) character to use apollo's first name in japanese. this moment doesn't stand out in english because i KNOOWWW datz uses the AJ nickname which is very cute but he doesn't actually use that nickname the first time he indicates that he knows apollo in case 6-3!! phoenix's momentary confusion here is also explained because while he obviously knows apollo's full name, he's never heard anyone refer to him with it!!!

so phoenix's thoughts in japanese here were originally "housuke... wait, that bracelet! that's odoroki-kun!"

dhurke and later nahyuta (during the last moments of the 6-5 trial) also refer to apollo with his first name, which is... really nice!!! they're family!!!! i mourn the fact that this distinction isn't visible in english because most characters just call him apollo but it's special in japanese... it's only dhurke, nahyuta and datz who use his first name.... i'm normal i promise

funnily enough i sort of have the opposite issue with nahyuta, who is generally referred to as prosecutor sahdmadhi in english but nayuta-kenji (prosecutor) in japanese. i'm assuming this is because his name is written with his given name first unlike japanese names, so they just used his given name instead of his surname...? unfortunately we don't have an example of any other foreign prosecutor as reference (i'm excluding van zieks here because they DO use his surname but it's also an entirely different time and place) but i prefer the english here since it also makes it stand out when apollo, dhurke and datz (with yuty hehe) use his first name with him.

but then again... rayfa also refers to him as prosecutor sahdmadhi in english, but just calls him nayuta in japanese. there aren't a lot of characters rayfa refers to by name but generally she's either overly polite (with ga'ran and inga) or overly impolite (with phoenix and apollo). it makes sense that the way she calls nahyuta is a little unique, since he's of lower status than her but not enough to get a rude nickname fdjhja... and then of course at the end of the game she tries to call him onii-(chan? san? sama? we just don't know) which nahyuta interprets as oni (demon) i think the localization here is really impressive actually. they somehow managed to seamlessly fit braid head into the mix of barbed head and horn head (both nicknames that refer to their hairstyles) while braid also begins with the same letters as brother... anyway i think i slightly prefer that rayfa (and ga'ran) call nahyuta by his first name rather than by his prosecutor title, it's indicative of their higher status because of the lack of an honorific but by the end of the game it fits in with the idea of them all being family...

TGAA1-2

you would think that because tgaa opted to leave japanese honorifics in the dialogue that there wouldn't be any differences in how the characters refer to each other but there are... first of all kazuma and ryunosuke are once again male friends who refer to each other by their surnames without an honorific in japanese, but the english has them use their first names with each other instead. i can understand this change because characters using only their surnames with each other feels oddly distant in english, and while it worked for phoenix and edgeworth's relationship it definitely doesn't suit kazuma and ryunosuke's.

additionally, the way susato calls ryunosuke was also changed from naruhodo-sama to naruhodo-san. this is... also an interesting change since it requires the player to have some basic knowledge of japanese honorifics but for some reason decided to change it anyway, despite the fact that susato also uses -sama with kazuma... one thing to note is that susato does use kazuma's first name instead of his surname like she does with ryunosuke, which helps indicate their closer relationship despite her still showing respect with the -sama honorific. in that sense naruhodo-san feels like an interesting middle ground because she's still using his surname but doesn't seem to view his position with her as equal to kazuma's? i assume that was the intent of the localization, similarly to how the way kazuma and ryunosuke call each other was changed to indicate closeness to the english-speaking player

--

anyway while i do prefer the original japanese version most of the time, my general view of original vs localization is like wow! two cakes! i might prefer one of those cakes more, but the english version usually provides enough that i like that both canons exist. because of this i can't agree with the idea that all localization is bad nor the side that believes the original doesn't matter because you're engaging only with the english side of the fandom. both are good and can reveal interesting things about the characters, story and setting!!

and thank you for reading if you got this far 🙇 i'm not an expert at japanese so i try to do my research and use multiple sources to get a better view of things, so please let me know if i got anything wrong! i also recommend checking out this post if you haven't seen it already since it's where i got some pointers on the trucy and simon segments

[lesfir]

Astarion and Vampire Supremacy. In general and in romance.

In DnD, vampires are huge supremacists. They consider themselves superior to any undead and certainly superior to mortals. All mortals are cattle to vampires.

In Baldur's Gate 3, this trait is also present in vampire culture.

In Astarion there seems to be almost no such things… Or they are not emphasised - as I think they are. In my opinion we should have explored his different traits.

Vampire Supremacy is one of them.

Astarion was an Upper City noble and the chances that he wasn't arrogant towards the "lower classes" are very low. Zero for me. So he was already familiar with supremacism very well. Add to that the loss of his status and the hierarchy of the coven in which he became a slave. That's something.

We barely have conversations with Astarion about vampire culture: what does it mean to be in "vampire coven"? How vampires relate to the mortal world? And what does he like about the vampire world? It's more shadowy moments.

Here I found a few.

Part 1. Details in the story.

EA 9 patch, Act 1 - the grove, after killing Nettie. It's one of those cut out scenes with little companion comments and reduced to a one line or remade. Shadowheart had it too :< Now:

Act 2 - after killing the strange ox. Act 3 - Astarion as Lord says his stuff :D

This word: "spook" cattle/sheep... It's same edge of his character.

In Act 1, you'd think he thinks all "weak" people are sheep. That's true, too. Nettie has lost, she's dead and she's a sheep, but somewhere around here in the grove there will be a hunter for him and Tav - they have to go.

In Act 3, the path of evil, Astarion demonstrates this line deeper and more vividly. In Act 2, it still sounds like something funny, comical. Yes, yes chickens, oxen and people. But these are food animals - and that's not such a joke to Astarion.

To put it in perspective in Act 1 all his companions is a snack. He discusses with Tav what they would taste like. Here's the synopsis for that scene:

Synopsis: Astarion is staring at the other companions around the campfire. He's friendly and affable, but his mind is on his hunger. He starts to wonder what the others taste like, although he's MOSTLY joking. In the end he decides to remove himself, before the conversation gets too real. Mostly a joke that could become something serious.

Vampiric arrogance, predatory nature.

Vampires are clever hunters - their arrogance towards mortals comes in many forms, from food to merry carnage to lust. Basically, they use whatever gives them profit and pleasure.

He might not eat Laezel, but watching Lae and Shadowheart fight is entertainment for him.

Looks fun, but the nature of it is dark. It can be taken ironically, but he really enjoys watching brutal fighting and generally killing. It's a trait. Deserves its own post.

WYR_SmugglersCave_PAD_Suggestions He do hope. It's also relevant to mortals. Corrupt people with power are as parasitic creatures as vampires. Instead of blood, it's gold, work, and entertainment in an wicked way that damages people.

In this I notice the metaphorical nature of vampirism in Astarion's character. As an example of corruption I recall Astarion's little remark when we kill the two ogre-lovers of the barn.

The insignificance (who cares about two ogres) and again the comicality of the situation, the way Astarion smiles as he opens the barn is legendary. Kind of hides it a little bit and takes it away from the thought…

Somewhere in Baldur's Gate someone is paying gold to watch fights, and it's unlikely these fights have civilized rules. And it's doubtful that such a entertainment would only apply to ogres. The fighting pits at Baldur's Gate. Who knows if Astarion was interested in that when he was mortal. I headcanon that he was. He was extremely corrupted and it's deep in his personality.

Here is this telling facet, Astarion's interest in such burtal things, which are as much in the shadows as gremlin remarks, yet there is exactly "evil" in this one. This part of that aspect: The arrogance of the Noble and the Vampire. More points about treating people like cattle. There is a moment in Act 2 - and I have absolutely no idea where it is. SHA_Mausoleum_PAD_MakeshiftVessel Players find a vessel with a half-formed humanoid shape gestating inside and reacts accordingly. The being is just inert flesh and cannot speak. How to trigger: Interact with S_SHA_Mausoleum_MakeshiftVessel.

Where is that thing? I can't find.

In good companions, this is a cause for concern. In general the place where they found it contributes to very unpleasant thoughts. A mausoleum in the shadow lands of Sharr, where a necromancer and the chosen of Myrkul struts around. Well, Astarion too, as you can see... finds a downside. Hunting people is fun and keeps you in the spirit.

It's a good idea to check all the phrases in Astarion's Original throughout the acts. Maybe there's more.

I watched the epilogue of Lord Astarion Original and in a conversation with Minthara (hah, who else?)

And it's wild. It's literally all about the people. :D

We have a few to choose from for rpg's. And given the line about sports… I really don't think Astarion will be buying "food" very often. Or that pale arse is lazy after all and his hunt is a park in the city. And when he should be setting up his power web in the city, he's too busy for hunting.

Can you imagine him wanting to hunt and get some air, but he's got some lordish business in the halls until late in the evening.

Part 2. In Romamce.

This part departs from such direct things as blood and the predator's attitude towards people. It becomes more sensual.

I would say this trait of supremacism is slightly visible, but not over people, over mortality in a greater sense, when Astarion turns Tav: he emphasises the strength, sharpness. Better.

The morning after the turn.

He has a point. The last time he was mortal, he was killed.

Astarion as Lord does the same with God Gale Original mentioning immortality as - strength, lack of illness and youthfulness. love this one

His vampiric arrogance over Tav perhaps visible only in the first act. He didn't really care. Tav became his fun, his lust, and his way to survive. Then Tav is the first person to care about him in dozens and dozens of years of slavery. "Blood bags" and such are a bit of dark humour, so it might have been true in another life, but he and Tav are far from it, they're the first person he's cared for in decades of loneliness. His perception of mortality as something that makes a person more vulnerable is his trigger (among others) for turning Tav into a his kind. But since he's not in such a hurry in the end of mortal Tav, I'm guessing: it's his euphoric state after the ritual, where his spire for the castle of vampire happiness is to be with Tav forever. He chillin' about it, afterward. Tav's immortality is a nice thing he'd like, but okay it can wait. So. Tav... they're special. The two of them are special. Astarion elevates Tav and himself above the others. We are Better.

Camp. Vampire ambush.

When the camp is ambushed by spawns. If Tav proposes the idea that the world is actually a wonderful place that can accept him - he argues with them. But approves of all three different reactions. Also then Astarion says the word "forever" in regards to their relationship, to Tav.

This "forever" part is deep in Astarion. According to the artbook (The artbook is EA era, which is still sold with the game though, and the story doesn't contradict anything) So according to the artbook Astarion was obsessed with eternal life, forever youth, forever being. It extends to his feelings - it's needed forever. It's very sensual, but also very greedy and… painfully understandable - it's such a simple feeling to make something nice continue for as long as possible.

If Tav is on the same page as Astarion and tends towards the "only loved ones matter, we're special" mindset. You'd think it was his trick-manipulation to perform a ritual, praise Tav for supporting his idea of supremacism and get what he so reasonably needs. He's certainly glad that Tav has similar ideas to him, and he'll definitely support that. It doesn't depend on his goals still - his "we are better" is very direct and deep in his personality.

Italicized. Here we are. That's one of the key thoughts in his character. That's the focus. This trait is further seen in Astarion as Lord - he says "We", "Ours". The man even says it in Latin. Aeterna amantes.

New in patch 7, takeover of the Absolute:

This part is already moving away from vampirism. This one is very layered. We are because he finally found someone he can trust. We are because we are parts fated to complete each other. We are because he's not alone in the world anymore.

Along with vampirism, his Noble Lord status plays a role here again. We are the mighty, above and we rule.

It's an easy and very simple fit to vampirism - we are better and we are forever.

He's also incredibly proud of himself, that he can give something to Tav, can protect them. He's been under Tav's protection the whole journey. Undead outcaster in Faerun, they regard mortals as cattle, and mortals regard them as monsters. That's why there are monster hunters. Vampire spawn he was allowed to stay in the group and he was dependent, he couldn't be a leader. In the romance he felt he had nothing to give, he was getting Tav into trouble with a powerful true vampire. He was counting the seconds until they finally decided to leave him…

In the romance, vampirism plays into the fact that Astarion is very much immersed in thoughts of eternity together. This emotionally intense and fragile moment: "I don't want to lose anything", comes from the very moment he lost: his status, the sun, his life. Not gonna happen again. Vampirism in the romance have fun one too: -- wealth - these two literally wear the most expensive clothes on the Sword Coast. -- shared powers - he is going to be in charge -- fights and challenge is for Tav- warrior, Astarion likes to spill some blood -- pleasure - of various kinds, from bed to blood.

The end result is an amalgamation of his: -- his personality with, well, a pretty intense dark triad. I would say character image instead of personality. Because the personality is itself. But the character will always submit to the idea - recall that his core is a balance of evil and fun. And evil in DnD is eogism, immorality, narcissism, harming others for fun and personal goals and all that. These dark parts in irl personality can spoil the balance. That's why psychology is for people. Not for characters who will eventually never go against their core. (even if all psychology reference books say otherwise). -- vampirism - the desire for blood and a predatory attitude -- desire for status and power as noble -- force as magic -- forever -- and share it all with love A little bonus at the end. Animation 3 patch. Subtle process.

This scene is much improved in colours in patch 7. But I still like the original faces. He looks so much like a fox >:3

[jweekgoji]

[BW] Yandere!Dinobot/Reader [hcs/thoughts]

tw/tags: heat cycle, yandere themes, mentions of stalking, jealousy, possessiveness, a tinyy bit suggestive. word count: ~700 a/n: born to obsess over underrated characters forced to yap about the popular one (but I'm joking, I love them all, I'm just sad that Beast Wars is not talked about as much as other shows).

some quick thoughts in between requests because if I don't express it now, i will forget about it.

okay hear me out on...yandere Dinobot. I know Beast Wars is not really popular in the fandom, but oh my god, this ugly handsome man

we all saw that maximals/predacons share those animalistic traits that are connected to their beast modes. Rattrap likes to chew on scrap, Cheetor acts like a cat and even meows, Tigatron considers white tigers as some kind of family; Tarantulas and Blackarachnia have that rivalry for obvious reasons (bad for him).

it would be funny if they also had some type of cybertronian heat cycles.

even though Dinobot is heavily influenced by Jurassic Park velociraptors, I still feel like he'd act like a big bird rather than a lizard. or something in between, of course.

Yandere!Dinobot is overprotective and snappy as hell, to the point he considers even other maximals as a potential danger to you. Unlike more rational bots, Dinobot has no shame at all. It would cost him an arm and a leg to admit it to you, but he's actually jealous. Of what? There's no need to find any reason to explain his behavior once the season starts.

Yandere!Dinobot is vocal; he will growl, hiss and snap his teeth at anyone who tries to approach his mate. All maximals know that it's not the time to come near the two of you, but the unrespectful predacons...I'm a sucker for duos, their possibilities, and to imagine the dynamic between Megatron/Dinobot, both trying to court the poor reader.

But once the two of you are alone, I can see him having those rare moments where Dinobot lets himself relax. Most of the time he's in a constant state of alert, the dangerous mix of his primal instincts and  that warrior code of his just tells him to take you somewhere far-far away, so no maximal or predacon will get you. So maybe he can rest just for a little with you next to him. Dinobot definitely makes soft purrs, even to his own surprise.

Yandere!Dinobot is a stalker. Maybe, when it's just the start of the relationship between the two of you, he will try to somehow justify it, at least. Like, “I am just testing your skills, a true warrior must be always alert. You don't know when the predacons attack you next” , but the more you grow closer to him, the more he lets himself be a tiny bit warmer to you “You should not wander off alone. Stick closer to me”.

Read it, and don't forget a little personal nickname he has for you, which he adds at the end of the sentence.

It will also be funny to imagine Dinobot being a little too invested in building a nest. It also gets more awkward if your beast mode is some far different species. Why would he need to collect your stuff from your room? And why is he so adamant about you always staying in his room? He is holding you so tightly that you practically have no chance but to stay. So clueless!

“Is that [...] from my quarters?”

“Just be quiet and start recharging, you irresistible fool!”

Dinobot himself is a little embarrassed too if you start asking too many questions. He doesn't like being all vulnerable, even though he trusts you very much to know that you will never make fun of him. His own mind is clouded with not so innocent thoughts, and it actually becomes a big problem when he tries to focus on his training or fighting.

I don't think Dinobot would try to attract you with those silly dances reptiles/birds do to impress their mates, but when he is in his beast mode, you can definitely notice his tail wagging just a little bit when you're around. Rattrap probably picks on it faster than you and teases Dinobot about it until the two start fighting again.

[mrpenguinpants]

Me, rattling the bars of my enclosure, dying and in pain. I'M DONE. I usually try to get commissions done within 3 days but I got violently sick out of nowhere.

More writer's notes under the cut:

I feel like most of my single-character one-shots are quite different from my headcanon fics. But this one especially feels way out there. Magnolia (my previous Dottore-only fic) has a somewhat similar vibe, but this one feels like I doubled the existential crisis.

Honestly, I don’t know how to feel about it—which is bad since this is a commission. Thankfully, the commissioner liked it, so we’re safe. Or maybe they were just being really nice to me lol. Either way, I hope they did. I initially planned to use the Ayato fic as a guideline, and I kind of did since this fic follows the same structure. But somewhere in the middle, that plan went out the window.

I think I’m physically incapable of writing Dottore without the relationship dynamic feeling completely doomed. Quite literally, it’s an “I’d follow him into Hell, but I sure wish he’d stop going there” vibe. Plus, my interpretation of Dottore is so different from any other character that I was genuinely worried when the same commissioner came back to me. I was like—do you know what you’re asking for? Because I’m about to crack open a philosophy book for this guy. I even took a German word for the title just to satisfy the pretentious bullshit I associate with when writing Dottore. Even with 4,000 words, I feel like I didn’t explore the relationship dynamic enough to fully convey the serene yet doomed tone I was aiming for. But I’m glad most readers, being the smart people they are, picked up on it.

I think my downfall was the music I was listening to—real bittersweet tracks that probably seeped into the writing. I’ve also taken a lot of liberties with his characterization since we don’t know much about the original Dottore. Personally, I imagine he’d be calm and patient. In the Genshin manga, Dottore (Beta) comes off as much more unhinged, while in the Sumeru Archon quest, Omega seems calmer and more composed. So, I assume the original, technically the oldest, would be the most mellow yet hollow of them all.

Oh, and I have to mention this: the (possible) shade of Dottore’s hair is literally called Air Superiority Blue. That’s way too funny not to bring up. I was going to go with Light Blue Slumber (since I’m trying to build a theme around characters’ hair colors), but it felt a bit lame. So, I looked up Dottore’s hair color and found Air Superiority Blue, but that sounded lame too. Then I changed it to Bitter Blue Slumber, which I didn’t like either, so it became Bitter Slumber. Finally, while writing this, I went looking for a word that captures "bittersweet nostalgia," since that’s sort of the relationship dynamic I wanted to convey (not entirely, but close). And wow, Reddit came through. Someone had already asked the same question, and someone else suggested the word Torschlusspanik. I explained its meaning in the fic, but it’s such a perfect word. So yeah, that’s why the title ended up being what it is. Rip the slumber-title continuity.

Ttorschlusspanik [ Commissioned ]

[ Hcs for Dottore where the reader is very sleepy/sleep-deprived and is constantly falling asleep in battle, on dates, or maybe during research and experiments! ]

Word Count: 4k

Ayato Ver: Pale Blue Slumber Semi Part 1: Low Battery Warning [Masterlist]

Thank you so much for commissioning me! You’re so sweet, and I truly appreciate the tip, but I can’t accept this level of generosity. Please let me know if I went under the word count. Also, thank you for your patience—I got really sick this week and am still recovering.

Torshlosspanik. noun. 1. A desperate feeling that something desired is fading, missing, or being taken away. 2. A feeling of frustration when something one has is departing.

A slumbering figure, a nearly empty desk, and foreboding fabric are the greeting signs to the infamous lab. It’s ironic, really. The concept that the Doctor’s domain comes with a “receptionist” setup stationed in front of imposing steel doors, giving the illusion that this place is as normal—and as morally sound—as any other doctor’s office. At best, it’s laughable to think anyone would believe this place accepts patients willingly, let alone frequently enough to require check-ins. Yet, a shabby but sturdy wooden desk stands innocently in the corner of the entrance, its chipping edges lined with plastic chrysanthemums and white lilies. The artificial flowers are faded, their colors dull from years of neglect, as if mocking the very notion of hospitality. Behind the desk sits an equally worn-down office chair, large enough for someone to curl up in. Its fabric is stained and frayed from years of misuse, the cushion lumpy and barely holding its shape but still useable. All for a receptionist, if you can call them that, who spends more time asleep than actually working as an employee in this most unlikely place. Legs curled up on the seat, arms crisscrossed over the knees in a fetal position. A chin tucked towards the chest, hidden from the view of passersby. Back facing toward prying eyes, leaving only the pronounced slouch of their spine visible, an angle practically begging to develop scoliosis. But the most harrowing detail isn’t the position. It’s the unmistakable black-and-white fur coat draped over them like a blanket, the fabric’s presence carrying an air of authority and fear. A coat only gifted to the Eleven Fatui Harbingers. The desk itself is of no help either. There’s no clipboard, no pens, no paper-nothing that could even remotely resemble the tools of an actual receptionist. It’s an empty stage prop, barely held together by the weight of its own absurdity. And yet, for all its flaws, it stands as the gateway to a place no one in their right mind would willingly step into.

No one dares attempt to wake you. Successfully doing so is practically a death sentence, especially if you go whining to Dottore about the unprompted “alarm clock.” He has a reputation for ensuring the offender never makes a sound again. The only ones bold enough to try and emerge unscathed are his fellow Harbingers, though even they tread lightly when it comes to disturbing your slumber. It’s both impressive and deeply concerning how much of a deep sleeper you are. The bustling footsteps of agents pacing outside the lab, their sharp voices discussing assignments, don’t stir you. The deafening clangs of machinery, coupled with the revolting squelches of severed monster parts being dissected, fail to trigger even a flicker of awareness. Not even Tartaglia’s incessant yammering, loud enough to make glass shudder, elicits so much as an irritated swat from you. Instead, you remain in a state of unyielding sleep, utterly detached from the chaos around you. Your peculiar habit has become such a fixture in the lab that the staff barely remember you exist. You sit perched at their entrance and exit, as still and silent as a gargoyle guarding a forgotten ruin. To them, you are little more than part of the backdrop. A slumbering figure whose presence is a curious mix of ominous and benign.

While it's obvious that the answer to rousing you is to find Dottore himself, or one of his segments if he isn’t around, the interesting part is how you wake up. You're not immune to the initial dizziness that comes with awakening. When you finally open your eyes, blinking the sleep away from your eyelashes, you’re always disoriented. Your eyes feel glazed over, as though you’ve gone blind from keeping them closed too long. Yet, there’s always a common theme: you always reach out toward the nearest blue object. Whether it's an odd trinket or a test tube of acidic liquid, your hand automatically tries to grab it and pull it close to you. It’s part of the reason your desk is stationed outside the lab, away from anything potentially dangerous hidden behind heavy steel doors. Artificial blue has been on the rise lately. Luckily, in nature, blue is very rare. Less than one in ten plants has blue flowers, and even fewer animals are blue. Unfortunately, the biggest nuisance has blue eyes—dead as they are. Tartaglia may not like the doctor, but he does like you. Maybe it’s because your sleep demeanor can be categorized as cute, or maybe you remind him of the simple life in an organization that’s so uptight. Regardless, that little fox has been clawing at the wooden legs yapping for attention. It's only made worse you don't bother to dissuade him, only indulging in his playful antics. It's led to many, many, lectures from one particular segment.

It's fascinating watching how each segment interacts with your sleepy demeanor. While each segment has varying features and appearances, under the same clothes and mask, they would be indistinguishable if they stood still and never spoke. The only true way to discern them is through their actions and mental processes. Hence, it's easy to tell who is who by the way they go about holding you.

Omega is by far the least attentive or affectionate toward you. Perhaps it’s because he’s the most selfish of them all. There’s still an ongoing debate over whether his dislike for you stems from the fact that you stand in the way of fulfilling his desires or if his ambitions extend beyond simply overtaking the divine gaze. Or perhaps the divine gaze isn't actually his goal in the first place. Either way, it’s two sides of the same coin. When it’s Omega’s turn to fetch you, he does so as if you were any other patient. Completely beneath him. One arm rests behind his back, while the other holds a piece of paper clenched tightly in his hand. His mouth is set in a firm line as he gazes down at your slumped form. Although the air around him is calm and silent, it doesn’t take a genius to know that if he could get away with it, he’d drag you through the halls by your hair. Alas, that kind of act would get him permanently disassembled, so he settles for unceremoniously flipping you upright. The arm resting on the small of his back is removed and curls under your stomach. With one swift motion, you’re treated like one of Signora’s shopping bags. The sight of a limp body folded in half under an arm that surely digs into the stomach is the best way to know if it’s the Omega segment or not.

Beta, on the other hand. Beta. That maniacal and neurotic freak adores you but couldn’t care less about you. His research typically focuses on fusing humans with machinery to create “better versions” of themselves, and he fully believes in that philosophy. You would look so much better if he were allowed to be your sole care provider. If your drowsiness were caused by a medical condition like heart disease, asthma, pain, or a nerve condition, he could simply replace them, and you’d be perfect. If it were a mental issue, well, he’d love you no matter how unresponsive you might be. It wouldn’t be much different from you being asleep anyway. When it’s Beta’s turn to fetch you, he does so with a waltz. He walks purposefully toward your desk. Loud and firm, his hands fisted at his sides with unrestrained glee, swinging in time with each step. Even with a mask that obscures most of his face, it’s clear to see the overexcited grin stretching across his lips. It’s almost like there’s static buzzing in time with his artificial heart, fuzzy yet electrically sharp. There’s no fanfare, as soon as he’s within arm’s reach, he grabs the nearest piece of skin and hauls you out of the chair. By some miracle, you’re always still asleep from the rough handling, which is more than enough for Beta to wrap his other arm around your waist. Your chests press together, and he swings your body to and fro in his mad dance. The sight of a limp body dragged into a dancing plague that’s surely pulling your stiff joints out of place is the best way to know if it’s Beta or not. Beta has been recently banned from coming within a six-foot radius around you. 

The original Dottore, Zandik, is a unique case. All of the segments originated from him but at different points in time. However, they are still parts of his thoughts and mannerisms. There really is no order in which the segments are ranked, as they can’t compete with each other. What’s more pointless than trying to beat yourself? You’ll still lose in the end. Zandik is a strange mix of every segment yet none at all. When he wants to see you, he does so slowly, with all the time in the world. His methodical steps echo lightly on the concrete floors of the lab, his arms still at his sides yet loose enough that the slightest wind could blow them away. It’s as eerie as it is tranquil. Everything about the original whispers of restrained patience—that when he arrives at the front of your desk, he simply waits. Usually, it takes you hours or even days to wake up on your own, but when it’s Zandik standing at the edge of your daydream, your eyes slide open. Small ripples in the pond. You’re still lethargic, blindly feeling your way back into your body as your eyes ricochet off the walls until they land on blue. A weighted hand reaches out to grab that ashy blue, and another hand meets your fingertips.

It would be cute if it were anyone else. The sight of a man with curly light blue hair, carrying a bundled-up figure dressed in a white coat with a fluffy black collar, legs dangling from either side of his waist while his hands rest on the lump’s presumed back and thighs. It would be so cute indeed, if it were anyone else but Zandik. But for him, it only looks lonely, despite the two of you pressed together.

The moments when you're awake only happen on two occasions: either you just happened to wake up at that time, or it’s check-up day. What kind of doctor would Dottore be if he didn’t conduct physicals for his only patient who manages to live long enough each year? The check-ups happen twice a week, always two days apart. Never past two days of separation. Ever. Your exact relationship dynamic with Dottore remains as obscure as ever as to why he cares so much. Whether you’re old friends who knew each other before Dottore set foot in Snezhnaya or even when Dottore was called a different name. Or maybe a dead lover resurrected as a zombie in the pursuit of selfish greed and glorious progress; both are possible options. The zombie theory at least explains why you’re constantly drowsy. The staff have never seen you eat anything before, and with the abundance of... zombie food, it's not outlandish as much as it is disgusting. The old friend theory would explain why you can stomach being around someone who can fly off the handle at any moment. The most willing yet unwilling patient. No matter how often Dottore has to wrestle you upright, only for you to slump back asleep the next second, he never loses his temper. If he has to strap you into a straitjacket and hang you from the goddamn ceiling to keep you sitting with a straight back, he will. But by no means will he get anything more than slightly miffed. If he has to force-feed you your medicine because you’re too loopy to remember how to swallow, he’ll shove his fingers into the back of your throat with nothing but a blank smile. The only good thing about your sleep-deprived state is that you’re probably so out of it that you can’t feel discomfort. It saves on using the limited supply of anesthesia the lab carries.

Dottore, for lack of a better word, is displeased with your constant need for sleep. He is deeply frustrated with each check-in and the stagnation of your results. For him, bad results are no different from good ones—they’re still a means of moving forward. Something that will tell him which direction to take rather than wandering around aimlessly in the dark. But in your case, there are no significant changes, as if everything he’s done has been for nothing. He could have closed his eyes and spun a wheel for the same results. The day before your check-in is always the calm before the storm because the staff knows that when the next day comes, they’d better keep their heads down or risk losing them. No one is quite sure if your sleepiness stems from mutated genetics or if it’s a side effect of being around Dottore for too long. Stir-craziness and breakdowns are common in the lab, whether among "patients" or "employees." Everyone eventually goes mad, cooped up within the same cell-shaded walls and working under possibly the worst boss imaginable. Add to that the fact that the Fatui don’t believe in “mental health” days, and with no coping mechanisms in sight, it’s unfair to expect anyone to function effectively. Most people eventually devolve into screaming or manic episodes. Perhaps your escape is more literal. A peaceful retreat from reality through sleep. You’re not even sure why you’re constantly sleep-deprived, especially when you spend more time slumbering than awake. At first, you thought you might be narcoleptic or taking the wrong pills; a diagnosis from scratch must take a long time, right? That was until Dottore bluntly called you an idiot. He told you it’s a bad habit to self-diagnose every minor inconvenience. You should let him do all the thinking and simply listen to him. And truthfully, with the haze clouding your mind, it’s too difficult to think clearly anyway. So, you nod and do as you’re told. It’s easier that way.

It doesn’t happen often, but it occurs more than it should, considering who Dottore is and the reputation he holds. If you wish to cross him, you’d better make it count—because it’ll be your last. He’s in the middle of a meeting with Pantalone, arguing over the lab’s finances when a frantic knock interrupts. Apparently, there’s been a scuffle at the entrance of the lab. To Pantalone's knowledge, there aren't any guards or any agents stationed at the doors except for that sleepy receptionist. Perhaps the doctor's staff finally had enough and decided to take their anger on someone who couldn't fight back? Pantalone's not a good enough person to not find amusement in the situation, infinitely curious as to what Dottore's reaction will be to all of this. Whatever the banker decided to gamble on, his expression doesn't twitch as he follows behind his fellow Harbinger as they walk leisurely through the halls, as if the world has come to a standstill. It’s almost amusing that when your life is potentially on the line, he suddenly decides to take a midday stroll. The only indication of his amusement is the slight shake in his shoulders, hinting at a silent laugh. Dottore punches in the lock code and throws open the steel doors before the automatic switch can activate, slipping through as soon as the gap is wide enough. He stops at the shabby wooden desk that’s now gained a few new dents.

This time, you’re curled up on top of the table, your office chair thrown across the room. Broken. It’s no matter, he’s been meaning to replace it anyway. The chair is just another expense to add to his name. He collects you into his arms effortlessly, and you instinctively sink into the familiar hold. A quick scan from head to toe confirms that you’re unharmed, save for a few strands of hair out of place. Behind him, Pantalone lets out a noise of approval as he surveys the scene. In the center of the room stands a robot with a striking design. A star-shaped frame with six triangular segments forms a perfect symmetry. Glowing cyan cores illuminate the metallic structure, positioned at its center and edges. The intricate details combine sharp, crystalline elements with mechanical precision, radiating an aura of both elegance and menace. As expected of the Doctor. Pantalone can’t help but wonder where this machine was hiding when Signora ventured to Inazuma. Perhaps if it had been deployed then, she might have returned in one piece.

Although Dottore no longer needs to sleep to survive, there are times when, as he passes by your sleeping form, he’ll pause. He stands still, staring for what feels like an absurd amount of time, meticulously detailing and recording every breath you take within a single minute. It’s always 17. Sleep occupies about one-third of a person’s life, a significant portion of time that, in Dottore's mind, could be devoted to something useful. Something productive, instead of wasting it frolicking in dreams that neither matter nor will change anything. Yet, even he can’t deny that, occasionally, a break from reality can serve as a fragile bandage over a wound that refuses to heal. A fleeting comfort in an otherwise relentless existence.  

It’s as awkward as it is unnatural. Despite his title as "The Doctor", his hands weren’t designed for gentle touches of flesh and bone. Yet he tries. His fingers twitch involuntarily as he tilts your body to the side, just enough for him to slide in beside you. Carefully, he rests your body against his shoulder. He expects you to jolt awake, his shoulder is bony and hardly a suitable place to rest your head, even when compared to the flaky cushion of the office chair you’ve somehow grown fond of. But you don’t. Of course, you don’t. You simply lay there, your head nestled against his shoulder as if it were the most natural thing in the world. No protests, no shifting away, just stillness. The transfer of heat begins, as described by the laws of thermodynamics. Hotter, faster-moving molecules collide with cooler, slower ones, transferring energy in a quiet exchange. No fireworks, no blaring alarms, just the science of touch, as mundane and profound as ever. Zandik dares to lower his chin, letting it rest lightly against your head. His mask doesn’t obscure the quiet moment, though he can feel the unnatural curve of his lips twitching upward ever so slightly. Down here, in the deepest layers of the lab, not even the howling winds of Tsaritsa’s snowstorm can reach. It’s eerily quiet, save for the rhythmic sound of your breathing. For a moment, he wonders what it would be like if you woke up now. If your half-lidded eyes would squint at him in confusion, or if you’d simply close them again, surrendering to the haze of sleep. But you don’t stir. Instead, he lets himself linger, suspended between an unusual warmth and the cold detachment of his own thoughts

"Breaks" are not something you can indulge in down in the labs. The closest the staff ever got was when one of the Harbingers passed away, and even then, it lasted only half a day before they were right back to work. Still, if you ask nicely, Dottore will nod toward an empty seat, silently giving you permission to make yourself comfortable. You take the opportunity to describe the dreams you’ve had while Dottore tinkers away in the background. You talk about a train whose tracks stretch far into the stars, far beyond the snow-obscured sky you glimpse through the scarce, frosted windows scattered about the lab. Sometimes, you dream of a whimsical city filled with cute shops and tiny bunny-like robots waddling through fissures in space. You’re certain he isn’t really paying attention, his hands busy with instruments, and his focus locked on his latest project. Sometimes, you suspect he forgets you’re even in the room despite your rambling. A small part of you wants to stamp your feet and pout like a child. After all, you’re only awake for a few fleeting hours each week, and even then, all he can think about is his experiments. His endless, obsessive tinkering. The man’s only "hobby" is experimentation, and you wonder if he’s even capable of entertaining anything else. At least Omega and Beta would give you some attention. Omega might tell you to be quiet with that dismissive tone of his, while Beta would enthusiastically scribble down every word you say, his excitement unnerving yet oddly gratifying. Still… your gaze drifts toward Zandik’s back as he works, the muscles beneath his coat shifting subtly with each precise movement. You pull your knees up against your chest, wrapping your arms around them as you rest your cheek against your folded arms. For a moment, you simply watch him in silence, the quiet hum of the lab filling the space between you. Eventually, your eyes grow heavy, and you let them slip shut. A faint smile tugs at your lips as you wonder where your dreams will take you this time. You wonder if Zandik would come with you.

On the rare occasion that Dottore chooses to sleep of his own will, most likely due to substances that induce drowsiness and force his body into a state of rest, it’s always a remarkably uneventful night. He doesn’t dream anymore, nor does he wish to. Dreams, like the past, serve no purpose to him now. On certain days, if he concentrates hard enough, he can faintly discern whispers from the other segments he's created. However, they are nothing more than distractions, a cacophony that only aggravates his already meticulous mind. When he wakes, it’s as though he hasn’t truly slept at all. His eyelids parted smoothly, his pupils sharp and alert as if no time had passed. Yet there is an unusual sensation, warmth. Dottore does not run warm, and the lab, built for functionality rather than comfort, certainly doesn’t harbor it either. He turns his head, curiosity fleeting, and finds you huddled against his side. Your arms are wrapped around his waist in a loose embrace, and your face is pressed against his chest, seeking solace in his stillness. The white coat with its black feathered collar, the one you wear more often than he does, is draped across your body, serving as a makeshift blanket. His hands remain clasped on his stomach, and he realizes with mild irritation that he can’t move without risking the possibility of waking you. For a moment, he lingers. The seconds on, and his mind races ahead to the tasks awaiting him. The pursuit of progress waits for no one, not even himself. Every moment spent lying in this bed feels like a year’s worth of lost discovery. 

With calculated precision, he shifts. His movements are methodical, almost robotic, as he carefully bundles you in the coat, ensuring the hood doesn’t cover your face and obstruct your breathing. In a single fluid motion, he lifts you into his arms as he rises from the bed. He spares a brief glance at your sleeping form, red eyes devoid of emotion. Your breathing is steady at 17 breaths per minute—a rhythm he has memorized and measured countless times before. Still as serene as ever. But then, for just the faintest of moments, his gaze softens, almost imperceptibly, before he turns his attention back to the work that never ceases to call for him. What a peaceful way to escape the world, the thought as cold and clinical as his expression.

---

Hi, thank you for reading! I'll reblog this with further writer notes but I wanted to include the research bits in order of appearance. I can't guarantee the full accuracy but I hope I didn't get anything wrong.

Chrysanthemum & Lily

In many Asian cultures, especially in China and Japan, chrysanthemums are symbolic of death and mourning. In China, the flower is closely linked to the Day of the Dead, and in Japan, it is used in funeral rites. While in some contexts chrysanthemums can symbolize longevity or fidelity, their association with death makes them unlucky in certain circumstances, especially when given as gifts or during celebrations.

Lilies, especially white lilies, are often associated with death and mourning, particularly in Christian symbolism, where they are linked to funerals and burials. While lilies also symbolize purity and rebirth in other contexts, their frequent appearance in funeral arrangements.

Head-Down Position

The sleep position reader takes is a parody of the Head-Down position of babies in their third trimester. The head-down position (cephalic presentation) is the most common and ideal position for birth, where the baby’s head is facing downward, towards the birth canal. This allows the baby to navigate the birth process more easily.

Dancing Plague

Also called the Dancing Mania, this refers to a series of events in the 16th century where groups of people, primarily in Europe, suddenly and uncontrollably began dancing for extended periods, sometimes for days or weeks, often to the point of exhaustion, injury, or even death. The most infamous and well-documented outbreak of the Dancing Plague occurred in 1518 in Strasbourg, then part of the Holy Roman Empire (modern-day France).

Algorithm of Semi-Intransient Matrix of Overseer Network

The robot Pantalone sees is the early concept art for ^ but also known as the "Tomb Guard of the Desert King.".

17

The number 17 is considered unlucky in Italy because of its association with the Latin word for 17, which is "XVII". Rearranging these Roman numerals gives the word "VIXI", which means "I have lived" or "I am dead" in Latin. This gives the number an ominous connotation, as it can be seen as a symbol of death or misfortune.

Honkai Star Rail & Zenless Zone Zero

Yes, reader was describing these two games as their dreams lol.

[kaoskuantico]

I hate Act III, sorry. All the second season was too rushed and some characters that didn't deserve a happy ending got it, and those who have been suffering got the worst ending.

Acts I and II were good, but III is the worst.

In case someone hasn't seen Act III yet, ARCANE ACT III SPOILERS

No one cares but here's a list of the things I hated:

Too rushed, I think we needed another season BEFORE this one

WTF Caitvi sex scene IN JINX'S CELL, RIGHT AFTER SHE LEFT. That's so disrespectful and stupid, Vi wasn't in the right state of mind, as much as I love Caitvi, putting that scene there was a mistake

I'm sorry but I also hate Timebomb (I'm a Lightcannon shipper, which is funny because Lux doesn't even show up in Arcane, but one can dream though fanarts)

Jinx surrendering (why we didn't even get a flashback scene?) and being imprisoned like a dog. Yet the enforcers were never punished

Vi not listening to Jinx telling her MULTIPLE TIMES to get out of there, and because of her, Jinx sacrifices herself (yes, I know she's most likely alive. But that brings my next point:)

Jinx not getting a happy ending at all. She lost everyone, right when she was about to get rehabilitated, Isha dies right in front of her. And we didn't get any Sevika dialogue with her, not even trying to save Jinx (Sevika surely didn't know, but at least a scene where she looks for Isha and Jinx???)

The final scene where Vi is only seen with Caitlyn. Yes, I knew they'd end up together and they deserve it, but what about everything that happened? Losing all her family? Learning to fight just to lose everything and everyone? Ekko not talking to Vi at all after the war? Vi not mourning Jinx?

Why make Jayce and Mel be together if they were going to forget about it and act like it didn't happen? (I prefer Jayvik, but that's another story)

Jinx saving Caitlyn, but apparently that didn't matter at all. Jinx killed her mother, yes. But enforcers killed countless of people, including Jinx and Vi's parents. Even if Jinx surrendered, why put her in that isolated jail? That was Caitlyn's grief acting

Honestly I don't know why Isha had to sacrifice herself, I feel it was too unnecessary, just to traumatize Jinx even more and kill Warwick again.

I wanted to see more of Vi, of her life in prison and before their parents died (besides Vander's memories). But they put too much focus on Caitlyn and the Caitvi

Caitlyn (and every enforcer) didn't get punish at all for their crimes. Caitlyn became a dictator because Jinx killed her mother, but countless of children saw their own parents be murdered in front of them, and now they're the bad guys for attacking back? Mind you, at least Jinx aimed her weapon to the Council, the people who oppressed them. But Piltover kills civilians like nothing, putting CHILDREN in jail. At the end, they end up like the good guys, giving Zaun a seat in the Council. When they should have fought for it, making Piltover pay for everything they've done. Which brings my next two points:

Zaun is never set free, it's still part of Piltover

Following the previous point: Caitlyn becomes a dictator, Viktor a cult god who almost destroys the world. But Jinx is so unredeemable???

Vi accepting Cait immediately, as if act I didn't happen. I understand they wanted to make Caitvi canon, but it was too rushed.

The 'good timeline' being like that because Vi died???? WTF the enforcers wanted a name, ANYONE to put the blame on, so the Council could 'make an example'. And now suddenly everything is okay? The abuse from Piltover is gone? But even if that were true, it's sad it would take Vi's death so peace could exist

Cait put Jinx, a traumatized, suicidal and schizophrenic girl in an ISOLATED CELL.

In a more relaxed note, I hate the design of Powder in the other timeline. I have to admit I absolutely love Jinx's design, with her bang and long braids but damn I expected a Powder with a single braid and a better sense of fashion xd

I understand Ambessa was behind everything, she was using Caitlyn recent grief to manipulate her. But she never apologized, her actions can't be erased, she said it herself.

I'll probably keep updating the list for a few days.

[acesw]

Knowing our Arcanists 6: Bkornblume

Welcome to entry six of my series: "Knowing our Arcanists"! This is a series in which I introduce and tell the stories of our fellow characters in Reverse: 1999. Today's character is: Bkornblume!

Bkorn's got a funny nickname, since its just a mash-up of blue and kornblume. (cornflower) However, she's got quite the short yet nice story, so I'll at the very least make it worth. Lets get started.

Bkornblume is a German arcanist born in the 1980's, born on February 9th. While I have no direct understanding of her arcane skill, I can at distinct that her skill involves sound, and is able to hear smaller sounds (like whispers) that are usually left unheard in the bigger melody.

She's a spy who works under the Ministerium für Staatssicherheit, known in English as the Minister of Security, or more commonly known as the "Stasi." They were the state security and secret police of East Germany, who placed eyes everywhere in the former state.

East Germany has been known for its oppressive rule and its insistence for uniformity. The Stasi were meant to maintain state authority at the time but it was notoriously known as being one of the most oppressive police states, overlooking the lives of the state's civilians with intense surveillance, torture, and intimidation.

Most will conform, some will not. Of course, Bkornblume was not one of the people who wanted to immerse in her part of the role in this era. She's merely a listener who does her job as one.

Bkornblume grew up in Berlin, becoming part of the Stasi and is well-known for her arcane skill. She doesn't enjoy this job very much, but she also does to some degree as she's a good listener. She'll leave a bit of unheard commentary about everything she'll hear.

Her daily life tends to be just her listening and transcribing, but it can be said that she enjoys distracting herself and tends to delay her travels to work to take in the scenery. She's also spied on too. But she feels that she would be more uncomfortable if there weren't any eyes on her.

At one point, she had purchased her scarf (and the elk brooch that came with it) in a shop that was closing down. While not remembering the price, it costed a month's salary "and a funny joke which was rarely heard in East Berlin."

Bkornblume is a conformed and optimistic individual. However, she holds a quiet rebellion in her heart, dreaming of a world where everyone can practice freedom of speech. But with a colourful dream far away because of the dull walls around her, she'll only ever do the little things that she could do in her job. Calling for help, making that commentary, but especially endlessly writing. Even then, she's aware that she can't change everything in one go, so she'll try step by step as she speaks out for others.

It can't be denied that Bkornblume spent most of her time "alone," but she enjoys having those eyes on her. She would have wondered if she were dead if not. Like I said earlier, she's greatly optimistic in everything she does, and even believes that she's some sort of "undiscovered radio host." She wishes to become one in the future to comfort others in late nights. Bkornblume hopes that she's at the very least observed and acknowledged.

She's also a greatly mundane and relaxed person, enjoying the simplicity of life and even interacting with simple "contraband" that never really seems to be harmful, like flowers.

Bkornblume finds admiration in the pieces of wildlife that bloomed from old cracks, identifying them time to time such as cornflowers and chrysanthemums. She'll always find some in the most niche places and will share where to find them.

The cornflowers—kornblume in German—are why she took up her current nickname, as she had wanted to distinguish herself from the "countless other unfeeling names" like SCH KA/#.

She empathizes with others greatly and wishes to help them directly, but she can never cross the monitor to take action now can she? She'll shift around the stories of other people in her reports, and no beneficiary ever thinks twice about it as her reports are detailed and easily convincing. Her kindness reaches quite far despite her ways of wanting to express it being a little unethical.

She'll hear anything and everything meant to be hidden away, but hopes for a free world and will choose to grant peace and freedom to the innocent and defiant against such oppressive control.

[heartfullofleeches]

ITS MY BIRTHDAY TODAY🎉🎉🎉🎉 I was wondering how my favorites would wish me a happy birthday, Tobi, the cafe, host, static, the supernatural harem and the fast food, if that’s too many you can shorten it but I really wanted to have some of my favorite characters from my favorite writer congratulate me on my special day! BTW I’m the one who sent the Prince leash ask, I don’t know if you got it but I accidentally did it anonymously

(The Cafe was a bit too much for me to get this out to you the same day, but I hope you like this regardless! On the bright side, I did get your Prince ask and am working on that too. Happy birthday, chief!)

Tobi:

Has never had a birthday himself, but they know what they are and their significance to humans other regular people. Tobi's the kind of guy to surprise you with presents year round, but as your birthday rolls around they keep items you've had your eye on in their back pocket to gift you on your big day.

Its too embarrassing for them to give you in person, but Tobi creates a collage of all their favorite pictures of you to put up somewhere in your bedroom. Tobi loves baking and cooking so a homemade breakfast, dinner, and your treat of choice would be on the top of their list of surprises for you.

Host:

"Looks like it's a special someone's birthday- Those only come around once a year, you know? If - that's how you want it, anyway."

That time already? Time is a tricky thing for Host to wrap his head around. He could've sworn the last one was just yesterday. It hardly matters. Everyday could be your birthday- Contenstants come and go, but you'll always be his star.

That would, of course, wear the novelty of it all thin. Host is more than happy saving the pinnacle of his gratitude for you as his co-host for that one day. That day's contestants better be too if they want to leave with all the parts they came with intact.

Which is his funny way of saying they won't get any cake.

Static:

"Happy birthday to you.... Happy birthday to you...."

Hunts for every variety of birthday song they can find to serenade you with the second daylight bleeds into your room. Static's disappears predating your birthday can swiftly be explained by the trinkets they bring you, majority centered around the shows and movies you've watched together it knows you adore most.

They'd attempt to rope you into another movie night with you in full control of the remote since it's their favorite way to bond with you - and it's optimal cuddle time.

Supernatural Harem:

"Baron, must you make everything a challenge?"

"Piss off! I left enough room for you two to put your names on the cake.... Maddox more importantly than you, but still."

"We appreciate the consideration, but... Where are we supposed to write "happy birthday"?"

Nothing like waking up on your big day to your Demon husband roommate swearing today will be the day he slaughters your Angel husband roommate. Luckily, your Grim Reaper spouse roommate has the expertise to ķeep you soothed until things cool over long enough for all of them to prepare breakfast for you.

Baron stalks you around to shower you with mandatory birthday kisses- only to get pouty when he's done before noon and continues well past the age you're turning. You'll be older than all three of them by the time he's through.

Maddox, as usual, fills their journal with sketches of you to unveil at the end of the day. Their art skills is the only thing they're proud of in themselves and monetary possessions don't hit quite the mark they're trying to reach when it comes to presents they like to give. If you're a gamer/a fan of stuffed animals they'll pick up a couple so they can use them when you're away and they miss you.

The first birthday you celebrate with Alasdair has to be one to remember. He's watched you from the sidelines for years and now it's finally his chance to do what he's always wanted. It may be a tad selfish of him in hindsight, but he'll pull you aside the day before or after to enjoy a relaxing evening with just the two of you.

Fast Food:

"Code C! I repeat, Coqde C - The clown is loose!"

Birthday? Well you can't expect to have a celebration without the designated party planner, can you? As everyone closes up the restaurant early to commemorate your big day, Twister hoovers over the crew to insure everything goes swimming. The Janitor follows behind it with their trusty spray bottle to keep the clown in check - its the only excuse they have not to give their present to you by hand because they're too embarrassed.

The bathroom Succubus would insist on you opening her gifts to you first - if a certain goat wouldn't pout over it all day as a result. The ballpit hands shower you with all the shiny items lost in their depths. The Storyteller reads you the tale of someone who's birthday happens to fall on the same day - where nothing bad occurs and the universe smiles kindly in their favor.

The ice cream machine ghost whispers in the ears of customers they'd better wish you a happy birthday or be prepared to have dairy filled nightmares

[fallen--starlight]

hi tumblr user if-you-soul i need to preface this by saying i was actually discussing the god awful mischaracterization this fandom inflicts on HMS with my besties & opened tumblr to look for your reblog of that soul fanart saying "YOU fell for the character's facade that was meant to be dismantled by the viewer!" & got hit w this & it MADE MY DAY. i fucking love this album to death & im a soul fictionkin so these things drive me up a fucking wall

cccc is pretty straightforward while also being purposefully vague & left up to interpretation in many areas but soooo many people take interpretation to twisting the narrative until its no longer what it was & it makes me ask myself did we listen to same tracks here?? where are yall getting these things from???? this got rly fucking long so im adding a cut here voilá

when people talk abt the mischaracterization in the fandom its usually focused on heart & mind so im INSANELY glad to see someone talk abt the soul shit. cause what kinda crack are people on?? he never threatens to harm h&m except for at the end of TSE where he is... having a mental breakdown? have people forgotten what it's like to have a breakdown??? you say shit you dont mean bc you're splitting at the seams & falling apart. there is no point in the entire album where soul is portrayed as manipulative/entitled/evil/violent/abusive/erratic, which are descriptions a surprisingly large amt of ppl seem to subscribe to? HE'S A VICTIM !!!! & im so glad you said it! i too have been in a kind of middleman position to parties fighting with each other & its insanely detrimental to one's mental health & had me at an incredibly low point so yeah TSE feels deeply personal to me & soul's character in general (waves in soul kin again LMAO), drives me bonkers how ppl describe him.

mind WISHES he was unfeeling. heart calling him an automaton freak doesnt mean he doesnt feel! it means that he just PUSHES AWAY & REPRESSES EMOTION, or at least tries to. like one has to really emphasize that everything between the heart acoustic & the soul eclectic has mind clearly displaying rage & bitterness & all kinds of emotions. even the end of TME says "maybe my existence might be by design, a simple fact that he'll refuse to see" like bro says its a maybe & then immediately claims its a fact yall are falling for his facade so hardcore its not even funny atp. the way people treat heart is borderline gross, he is NOT an uwu baby innocent boy that doesnt know anything & ppl infantilize him so much idek why. heart represents emotion- ALL emotions. & you're right! emotions are so fucking draining & exhausting at times, especially if you're mentally ill! all this weird portrayal of evil mind & innocent heart is so ?? can i quote TSE with neither is wrong yet neither is right. all 3 of them are neither good nor evil. they're people. they're human. the album really emphasizes this a lot.

the juno incident & RoE in general is made to be a much bigger deal by the fandom that it really is. applies to more than one thing in cccc but RoE takes the cake tbh. & yeah! whole is an entirely fanon thing lololol like im pretty fucking sure even chonny jash has said this someway or another. what we call whole is literally just...chonny. i think ppl took dream's "when harmonia shines, atlas beholds her" & RAN. & honestly i like whole hcs but this brings me to another thing: i really feel like cccc fans come up with so many hcs & interpretations for the album that they forget what the canon is in favor of their fanon. there's so much shock gore & gore in general for lowkey no reason in here </3 its so much & for what. fanon is awesome like everyone should be free to do whatever but i do wish ppl would Remember Canon a bit more & separate their hcs from it more. along with the gore. where are yall getting all this insane amount of gore & violence from. i feel like any violence alluded to in the album is more metaphorical than it is physical bc emotions can be felt violently. internal violence. the album is abt the never ending cycle of mental illness getting better & then getting bad again & so forth as a natural part of life & accepting yourself in those moments.

tl;dr u r so correct & i couldnt agree more & you've voiced the way i've felt abt this fandom for ages we lost the fucking plot & kept running anyways lets pause & find it again thank you so much for sharing ur yapsesh with us

Mischaracterization in the CCCC fandom: a yapsesh (alternative title: Erm... What the Gore is Going On?)

Hi. Woaw. I'm actually making that post I talked about.

So. One thing I've noticed in the CCCC fandom is this weird fixation on gore, torture, violence, etc. Usually a level of graphic content that makes your average horror flick look... pretty tame!

Don't get me wrong, I enjoy horror! I even think a horror story based around psychological conflict similar to CCCC could work well!

But is it just me, or has this fandom COMPLETELY lost track of what the characters are like in the source material?

Like. Let's be real. Nowhere in the album does Soul do gruesome surgeries on Mind, nowhere does Mind go ripping people to shreds like Doomguy, et cetera. The closest thing we have to an implication of violence is what most of us call the "Juno incident"- as even "tines stabbed through eyes" is clearly a metaphor with the next line: "that the sides have condemned."

Im gonna talk ab the characters themselves under the cut

I feel the biggest victim of this mischaracterization is Soul. In the album he's... kind of a victim, really. He toughs out being dismissed and fought over and pushed aside and outright dehumanized for so, so long. Are we seriously just... going to characterize him based solely on his lowest point in TSE? Spring and a Storm and Mucka Blucka are also songs where he's present- along with his presence in Just Apathy that the fandom seems to outright deny to keep their characterization of him as some violent, abusive monster. (Which, again, is quite literally never alluded to! He's honestly kind of a victim, if anything!)

Ohhkay. Next topic. Mind. Oh boy I have thoughts on how people characterize Mind.

He's not emotionless. If you believe this, you've fallen for his stoic facade. All of his songs are just. So full of so much rage. Maybe even a little bit of grief and sadness and fear, masked by said rage. He isn't some emotionless robot- (Heart calls him an automaton as an insult, but that's another rant.) and honestly it feels like such a disservice to such an interesting character with so much unexplored depth to portray him as such.

Heart. Oh boy. Where do I start. Heart what did they do to you.

Heart is the emotional side, yes, but that isn't just some... smol innocent uwu baby who cries all the time. Emotions aren't small and cute and timid. They're INTENSE and PASSIONATE and EXHAUSTING. Strong emotions leave you so, so drained, good OR bad. This is so much more interesting than portraying him as some "uwu hai dere!!" type of character. Which is nowhere in the album.

Whole is hardly even a character. Soul worshipping and praying to whole is fanon.

This fandom's weird obsession with creating shock gore and one-upping each other in a violence competition has spiraled pretty far out of control, and it's honestly crazy. How do you go from an album about internal conflict to violence that would make even the cast of Resident Evil cringe? Brah.

Final notes uhhh. Soul is a victim who got pushed to his limit, not an evil heartless abuser. Mind is angry and unstable and hurt, not some emotionless robot. Heart is the entire emotional spectrum, not some innocent baby. Ok i . I think that's all. Have a good one

[max--phillips]

Okay here goes

First, the spoiler free stuff:

Ridley Scott knows how to make a fucking film.

If I don’t see fics of Acacius x reader x Lucilla I will begin biting

If you are going in it for Pedro, I will warn you his character is very important but kind of… idk, shallow is too strong of a word, but not very fleshed out. I don’t think that’s an issue in the greater scheme of the movie though, it makes sense in the plot and doesn’t feel out of place or bad in the universe.

If you are going in it for Paul Mescal, you will not be disappointed.

Please watch the first movie first. The story will not make any fucking sense if you don’t.

Just the right amount of flashbacks and footage from the first movie . Chefs kiss

Ridley Scott really said “all emperors and tyrants are nasty little freaks with terrible vibes”

Oh also if you’re squeamish about gore and stuff like. It’s a movie about gladiators so set your expectations accordingly. There is an instance of a disembodied head used as a prop. So y’know

Okay, spoilery stuff below the cut

Arishat was hot :( rip

Monkeys at the beginning? Terrible. 0/10 did not enjoy that. Also did not enjoy seeing and hearing Mr. Mescal BITING ONE

I love Ravi I would watch a whole movie just about him tending to gladiators’ wounds quite frankly. Give me that story

We love to see bisexuality on screen (even though that wasn’t a social identity at the time but we’re not here to talk about that) what with the concubines and drunk as fuck Macrinus

Speaking of drunk as fuck Macrinus: that whole scene was so fucking funny. They’re like that meme about people getting high. You know the one

Speaking of Macrinus—Denzel Washington stole the show. When TIME magazine pushed a story to me today headlined “Gladiator II Belongs to Denzel Washington,” I was like, pshhhh, nah. But it really does. It’s not about him? But it’s his fucking show.

The politics . THE POLITICS

It feels a little heavy handed right now but that wasn’t probably how it was intended, given it was made before. Y’know. The election. But the whole dream of Rome being a place where everyone is equal and cared for but you can only whisper it or it’ll shatter? Yeah.

Oh, right, Acacius: that dude is so tired he does NOT want to be there. Let him go home to his hot wife. Alas, his hot wife is the way she is and like… no good deed goes unpunished.

And I fucking called it with my text post a few months ago. Two (2) movies now where Denzel Washington (either directly or indirectly) kills Pedro Pascal. Brilliant

Admittedly selfishly I would’ve liked to see more of him. But it felt like the correct thing in the context of the story. If he didn’t die then, if he wasn’t the inciting event for the uprising of the people of Rome, it wouldn’t have made sense and it would’ve just been fan service and “look, we got Pedro Pascal!” at that point.

I would’ve liked to see a more in-depth exploration of the change in relationship between Lucius and Lucilla—it seems like they went from Lucius screaming at her to get out to them hugging it out without any real development between the two of them specifically. Obviously a lot had happened in the world of the movie at that point but nonetheless

Macrinus shooting Lucilla was his Icarus moment. There was no coming back from that. “But what about Geta” “but what about Caracalla” no. It was Lucilla. If she’d gotten got by the praetorian guards or something else, it would’ve been fine. But because it was Macrinus there was nowhere he could go from there other than [checks notes] getting his hand chopped off and then gutted in a dirty irrigation ditch.

Remember kids, the people in power who are causing all of the things going wrong in the world have names and addresses and are mortal <3

Also another takeaway from the movie: imperialism, religious extremism, ableism, and authoritarianism will be the end of us all <3

Anyway. Good movie. Can’t wait to watch it again in my own home with subtitles so I can actually like… process everything everyone was saying LMAO and take better reaction notes.

I’m still sitting in the theater parking lot it’s been like 30 minutes LMAO okay thanks for coming to my tedtalk or whatever

[dseval]

What are your thoughts of CrossDust? What dynamic you think they have?

Permission to yap about CrossDust??

Short answer: funny i like both of them they should kiss

...Long yapping ahead (there's yapping about my Murder Sans interpretation, then there's also CrossDust. It's long.)

I'd like to first clarify that my interpretation of Dust may be different compared to many (I think, at least). Since I base his character on the canon information from Ask-Dusttale and fangames— particularly Evan Streblow's Dusttale (if you don't know, it's the one with the psychotic HAHAHAHAHAHAHA and "We're gonna have a MAD time!")

I also slot in some headcanons (and self-projections, can't help it) and some character adjustments because I think canon Murder is extremely difficult to work with, especially in the context of shipping and anything else this fandom does with him in general.

But just the gist of it so you all don't have to read that much (I can go on for ten more paragraphs. I'm obsessed with this guy):

I'll use the names Murder and Dust interchangeably and within different contexts. I like to think Murder is a front that Dust puts on— an apathetic murderer who finds emotions difficult to feel, someone who always lies to get his way, a sociopath. While Dust is quiet, honest, and more contemplative. It's mostly Murder who interacts with others.

Murder and Dust aren't necessarily two different people. Ultimately, Dust directly influences Murder's choices, and Murder may disappear one day once Dust feels content.

His hallucinations aren't only Papyrus, he also hallucinates about others although Papyrus is the most often. And these hallucinations speak different things according to the state he's in. Murder's hallucinations would encourage him to hurt more. While Dust's would induce guilt.

Murder is a very focused person, not afraid to take the lead, and he hates it when nothing happens. Dust on the other hand is content just doing nothing.

Murder finds love absurd. Dust too, but he entertains the thought of it.

Murder and Dust both think words are silly, insincere, and can change meanings, so they are more action-oriented.

He's demisexual. That's a headcanon.

And if anyone has any different interpretation of Murder/Dust Sans, that is absolutely okay and amazing. Dusttale is a very hard AU to actually get into (all the informations are scattered). Plus, there is nothing wrong with fanon. I think it's great, I like fanon. I sometimes like fanon more than canon.

Now CrossDust.

For their general dynamic, I think it's very difficult for them to get together. They just go back and forth between something and nothing. They have like... The slowest of slow burns.

I'd like to implement the entire Underverse thing. Remember how Cross stole Classic's soul? Apparently, Sanses across different alternate timelines can share a memory. So Geno knows Cross stole 'his' soul. Killer also acknowledges this and says to XChara that they stole 'his' soul.

So technically to Murder/Dust— Cross also had stolen 'his' soul (And Murder would've had felt all Cross's pain while at it, too). I think Murder would find it hilarious that Cross brought literally every single innocent AU into his problem. Dust would feel like Cross's plans are ridiculous, but since it's XChara's plan, and XChara is the human, Dust wouldn't even question it.

In a way, they share SOULs once, even if indirectly. Murder/Dust knows probably a lot about Cross. But Cross didn't know who the hell this guy is. Either way, with that in mind. Murder probably didn't have a good first impression of Cross. Dust might empathize with him, since Cross also committed a genocide in order to 'make things better' which is also Dust's reasoning. Cross might learn about Murder's actions later— but cannot judge Murder/Dust for it.

They are very similar. Kindred souls in a way. They went through similar struggles but they turned out to be completely different people. Because Cross in his entire life is under control, while Murder acts on choice. Because Cross knows what he did is horrible and he'll carry that sin to the grave, while Murder justifies his actions.

Cross is too trusting (he doesn't trust easily now), too seeking for approval, he doesn't know what to do if no one orders him. Murder thinks he himself is enough, Murder thinks he is the hero, he doesn't need anyone else.

Cross thinks Murder is a bad person, an absolute jerk. Murder likes to toy with him, probably also uses Cross to his advantage. Murder can either try to hurt Cross, or will try to win his favour. But can Cross judge him? Not really, hell, I don't think Cross even noticed if Murder did manipulate him. Low-key toxic these two.

But then there's the private moments, the intimate moments where Dust shed the front that is Murder. Where Dust is sincere; he doesn't talk, but the way he gazes and acts towards Cross is honest. And although reluctant, maybe Cross desires to bring that side out of him more.

It's both difficult for them to trust. But eventually Dust will learn that Cross cannot lie— Dust will trust words again. Eventually Cross realizes that he's not the only one hurt, and he can find a home in others, he can choose to find a home.

Cross will find it frustrating how Dust shuts himself down. Dust would find it frustrating how hard Cross tries for him. But eventually, Dust would learn to no longer front himself up with Murder. Cross would need a signal from Dust that what he's doing is okay and perfect before they can advance further.

They'll care about one another.

Eventually, they'll trust each other.

In a relationship sense where they're both happy and recovered, though. I think both of them like cuddling. Dust still had a hard time with words, but he knows how much it means for Cross to have words of affirmations, so he would praise Cross a lot. Cross knows Dust is as restless as he is, so he makes sure they both have a full schedule with a lot of things to do.

All in all, they're comfortable with each other. And that's enough, really.

(i almost yapped for ten more paragraphs but I think this is enough for now sksksksk)

Dust Sans by Ask-Dusttale

Cross Sans, Underverse, & XTale by Jakei

Mentioned characters: Killer Sans (by Rahafwabas), Geno (by loverofpiggies/CrayonQueen)

[proship-culture-is]

Proship culture is being annoyed at how antis always try to dictate what someone is allowed to do or not in fiction..

"Uhmmmmm, you're not allowed to enjoy that in fiction because [insert any reason]."

I find something very concerning here, and it's antis using the words "you CAN/CANNOT."

And I ask them: who are you to police what others do with their imagination and freedom of speech? Now that’s something antis actually can’t do because, the very moment they attempt to dictate what someone can or can’t create in fiction, they’re contradicting the very concept of freedom.

You know where there are actual laws policing what people think, say, or do as art? Totalitarian dictatorships, like communist countries such as North Korea. Having freedom of speech means people are free to think and say whatever they want, as long as they don’t break any law.

I’ve been an OC creator since I was 6 or 7 years old. And I’ve been a WWII OC creator since I was 13. I currently have a bunch of WWII OCs. These OCs include Nazis, Soviets, and even more controversial characters. Of course, I don’t support Nazis or communists. And of course, I don’t condone WWII. The reason I have these WWII OCs is because I like history. And it’s genuinely funny to me when antis come up to me and say I’m not allowed to make WWII OCs. Antis always say, “Making Nazi OCs makes you a Nazi!” They also talk about how fiction genuinely harms people.

Any type of fiction such as books, games, shows, ect, do not harm people. You know who used to think books harmed people? The people of Nazi Germany. Those who worshipped Hitler. Yes, that’s correct. The people that antis are comparing me to are the ones who believed what antis believe and try to force others to follow: the idea that fiction harms people. The Nazis genuinely thought fiction (books, in their context) harmed people, so they decided to burn them because they didn’t agree with them.

As a person born and living in Austria, it’s incredibly insensitive and disturbing to be called a Nazi, especially considering Hitler was Austrian too. Not to mention how incredibly dangerous it is to water down the meanings of words. I don’t condone Hitler’s actions or support his ideology; therefore, I am not a Nazi. I’m just an OC creator who finds WWII history interesting.

I’ve had people telling me that my OCs are illegal because Nazi topics are taboo in Austria. And as someone who actually lives in Austria and meets Austrians every day: They’re not. My OCs would be considered illegal if they portrayed Hitler or Nazis in a positive light, which they do not. My Nazi OCs are portrayed as villains. They are portrayed as the bad people. Therefore, my OCs are not illegal. I’ve talked to Austrian adults who are educated about this topic. They all agreed my OCs are fine as long as they don’t romanticize or glorify Nazis - which, again, they do not. If non-glorified Nazi-themed fiction were really illegal in Austria, I wouldn’t be able to watch shows with Nazi characters on TV. All books containing Nazi characters would be banned. All the video games with Nazi tanks and planes would be illegal to play. Guess what? They’re not. Because it’s fiction.

To the antis seeing this: be not so quick to dispense judgment about who can or can’t do things. You may not want to find yourself, in the near future, with fingers pointed at you simply because you told people to stop enjoying something just because you don’t like it. Also, stop harassing people. Their fiction didn’t do anything to you. You just can’t handle people having harmless fun.

I’m sorry for the long text. It’s just that, as an autistic OC creator with a special interest in WWII, it’s sickening to me that I get called a Nazi for simply having fun with my fictional characters. I’m just so tired of antis dictating what others can and cannot do. I genuinely appreciate everyone who took the time to read this.

☆

[spnfanficpond]

SPN Rewatch: FanFic Edition

Our goal is to rewatch the show with fanfic writing in mind. We want to look for all the places in canon where we could add a scene, show a scene from a certain character’s point of view, or change something to make things turn out differently. (We may also critique what the show writers did; that seems inevitable.)

Episodes we're discussing: 3.11 Mystery Spot and 3.12 Jus in Bello

What time will it be for you:

UTC - Saturday 22:00

Los Angeles - Saturday 2pm

New York - Saturday 5pm

London - Saturday 10pm

New Delhi - Sunday 3:30am

Melbourne - Sunday 9am

Who’s invited? All Pond members, including Turtles! You don’t have to be a writer to have an opinion on the episodes that could inspire a writer! Everyone has valuable opinions about the show and could spark conversation and inspiration.

Where will we meet? In the discord server.  (You must be a member to be in the Discord server. Not a member? Fill out this form here.) There is a special channel for us to chat in so we don’t disturb other chats happening at the same time.

How does it work? On our own, whenever we have time, we all watch two episodes of SPN. At the appointed time, we all get together and chat about them. Although we have several questions to consider and creative ideas for you to do if you want, there is no pressure to actually have answers to these questions or have created anything prior to the chat. Didn’t get to watch them? No biggie! We’ve all watched these episodes enough that we can probably talk about them without rewatching them!

More info under the cut!

What questions should we consider while we watch? We have a few questions you can keep in mind while you’re watching the episodes:

Are there any “fanfiction gaps” in this episode? Any places between scenes where a juicy story could happen? (For example, one scene ends at night, but the next scene begins during the day, and what did they do with all of that time?)

How would the episode be different if you changed one thing? What is changed is up to you. It could be as complex as a character making a different choice, or as simple or silly as someone wearing a funny hat throughout part or all of the episode.

What about this episode would you like to see happen differently? How would making that change affect future episodes?

List any parts of each episode that you think could be jumping-off points for a fic. Like, in the pilot, how did Sam meet their friend who was in the bar with them?

How would the episode be different if there were another character involved like a reader insert character?

Do any of the themes we've already discussed in The Archive (See the bottom of the doc under the heading "Thematic docs") show up in this episode? Does this episode bring up any new themes we should be watching out for in the future?

What else can we do before the chat? You can add any notes you have about the episodes we'll be discussing to The Archives! In addition, besides just discussing the fanfiction possibilities in every episode, we also want to encourage you to create things centered around the episodes we’re discussing and share them with the rest of us. Things like:

Write some meta about some part of the episode. What does this episode show us about one or more of the characters?

Write a fic based on the episode. Share a link to your fic in the discussion and we can talk about it!

Make a playlist that you feel reflects the mood of the episode.

Make some art or a photo collage or edits to go along with the episode.

We look forward to seeing everything you create! Be sure to tag us so we can reblog your work!

Have questions about this or anything else? Send us an ASK or send a private message to one of the admins below!

Admins:

Michelle - @mrswhozeewhatsis

Marie - @mariekoukie6661

MJ - @thoughtslikeaminefield

Mana - @manawhaat (Founder and Admin Emeritus)

[elenasalvatore1]

God, I'm so tired of reading this nonsense about sisterhood and Hermione's maternal affection. Harry was always a leader, which definitely does not apply to Hermione's attitude as a mother, he considered Ginny a younger sister and behaved the same way towards her. Ginny looks like Harry's mother, and she has all the worst traits of James in her character. She is the sister of Ron's who like brother t Harry. She is the daughter of Harry's surrogate family. It is in Harry-Ginny that there is more of a brotherly-sisterly relationship. Just because Hermione cares about Harry doesn't make her a good mother or sister.

2 how funny it is to read that "anonymous" is offended by negative words about Hinny. As an Harmony fan, I can say one thing, we are not looking for your nonsense, but it constantly appears on our recommendation board. And yes, if I don't like hinny, I will talk about it under any post that is recommended to me. 3. It's funny to read about the lack of understanding attributed to the Harmonians. There are much more actions and conversations between Harry and Hermione in the texts of the books than the awkward Hinny and the toxic Romione can dream of including in themselves. And quite a number of essays have direct quotes from books. There is nothing good about book hinny - consumer superficiality and hormonal lust. 4. Again, fans of Hinny and Romione beat their chests just because it's canon. How pathetic it looks. Usually, the argument "this is canon appears when fans simply do not have any other arguments." This is the canon only because Rowling took it into her head to write like that, in order to fulfill her desires, but this does not make the couples believable. Moreover, it is for the sake of preserving Rowling's original idea that they are in the epilogue together does not give any advantage compared to other ships. There is no one happy couple in the epilogue. In fact, the argument "this is canon" looks very childish. Rowling is the author she could easily make a pair of Harry/Molly, Hermione/Lucius, Ron/Umbridge and that would be canon. But it would also be absolute nonsense. So I wonder if the fans of the canon would also shout at every step that this is the canon? This argument simply demonstrates one thing, that such fans simply refuse to think critically, evaluate the real pros and cons of the ship, preferring to believe the words of the author that it is correct

Wow, harmony lovers are so salty that the pair they love would rather choose Weasley siblings than each other is hilarious. It makes them so salty that they have this need to go onto hinny posts and shit on the ship. The lack of reading comprehension that blogger showed was hilarious 😂. I’m not sure what they were trying to achieve, but they just made themselves and their ship look beyond stupid. Harry was never interested in Hermione, and Hermione was never interested in Harry. Ron thinking something was between them made both of them cringe because they thought of each other as siblings. Harmony shippers are so insecure LOL

I simply ignore them , if they don't like it it's their problem and point of view.

I'm not worried about their opposite opinion other than my one , if they don't like Harry and Ginny together it's totally indifferent to me but for their unfortunate it's canon just like Ron and Hermione are.

About Harry and Hermione's friendship i simply love their bond because their friendship is one of the things I admire in the Wizarding World. The fact that a boy and a girl can love and admire each other so much without romantic attachment is really thoughtful. People mostly bend the relationship of a boy and a girl as close as Harry and Hermione towards love affairs. The friendship of Harry and Hermione proves that such pure friendship exists in the world.

Hermione's love for Harry is just too beautiful. I don't know, but I see it as almost maternal. She gave him advice from girls and made him eat his meals (healthy meals, not too many sweets because they are bad for his teeth) and would do his homework, I'm sure she sent him to bed when it was getting late and he was still playing chess in the common room. She would be extremely protective and if a student said something mean about Harry (like spreading a stupid rumor about him being secretly happy about Cedric's death because he can now date Cho) she would make them wish they weren't born because no one messed with their brother newest. As if she took on the role of big sister, but as the two have no biological parental figure in the magical world (yes, there are Molly, Arthur and Sirius and Lupin , but they do not live with them on a daily basis), she feels like she has to take on that role too. Lucky that Ron was always there to help her raise her younger brother and stop her when she was going too far.