#It works well enough on large parts of things but detail work kinda has to be done by hand

[wobinofylisse]

@mauveadagio is really cool and did the line art for this a while back. I needed a new keyboard image and some warming up in my art program so here we are~

[that-weird-thing-in-the-woods]

Sup I’m back to feed you gremlins 

🏺⚔️💗Aphrodite Danny and Ares Phantom💗⚔️🏺

So if you’re been here long enough you’ll realize this as one of my first ever au and for some of my newer readers I’ll explain but before I do I just have to say Danny and Phantom are two very different people and now I can explain let’s go

After a few months after Danny being ‘Phantom’ Danny starts to feel… protective of himself???  Which is weird but ok it’s probably his imagination but over the course of a few weeks it gets weirder not bad weird but weird nonetheless like when he goes ghost it feels like he’s not really the one in control of his body and sometimes when the other ghosts get to rough with him he can hear a voice yell but not really being able to tell what its saying and Danny like Danny do is just kinda ignoring all this stuff because it feels nice..? Like being in a protective hug and knowing the person hugging you will kill for you if it makes you happy and all is well

and good until his parents see him transformed in to phantom they knock him out and bring him to their lab and after a few weeks jazz finds out what is happening ( Maddie and Jack told her that they had Danny go to something I didn’t really know what they would say ) And get him out of his restraints and turns on the portal or well try’s to because at that moment Maddie and Jack and a whole fight goes on well Danny is trying to get the portal working and Maddie unfortunately gets a good shot at Danny as he turns it on and causing him to get thrown in and it makes the portal ( that has enough energy to take out this universe ) and it does that exact thing it takes out Danny OG universe (✨ANGST✨ and not that Danny knows that right now ) considering Danny is knocked TF out again but this time it feels different like he unconsciously knows whatever is holding him will protect him with their whole core….

And Danny wakes up a few weeks later [ he really needs to stop passing out it’s starting to get annoying ] and looks around the room? Well it looks like a room it’s big and spacious it also looks a Greek temple bedroom with large marble pillars that indicate windows { you get the image} and now that Danny looks around he sees that his laying on a frankly to big bed and it has a large canopy with fabric as Danny looks around someone enters the room and leans against the wall and looks at Danny with a soft smile and as Danny looks in their direction he sees…Phantom but he looks different he’s wearing Greek style armor [and looking HOT in Danny’s eyes so he’s a blushing mess for a hot minute] and as he makes eye contact with Phantom it feels like he and Danny have known each other for as long as they’ve existed and a few shenanigans happen and would you look that that a couple who are deeply in love with each other.

And for what Danny and Phantom are they are the New Ancients of Love and Protection respectively {yes I’ve decided to change Danny to the Ancient of love}

And Now to what inspired this thing in the first place and that would be the God Games song it goes to hard anyway if you listened to it you can tell Athena has to convince the gods to let odysseus go and I thought “ what if I turned this into dc X dp and what tf is this??” Proceeds Down the rabbit hole that is pitch pearl and now you all have this word vomit I call a post and before I ramble even more let’s get to the DC part before this gets to long

Now for the DC part someone gets on the bad side of one of the Ancients and gets got and now the JL has to convince some of the Ancients you know like ( clockwork, frostbite, pandora etc) and of course Danny and phantom are there as the Aphrodite and ares part of the song. And that’s all I can think of the DC first the moment now on to the details of Danny and Phantom

For Danny I’m thinking something like this

Looking all majestic and shit ( also just imagine that his hair is black)

Also just a pic of phantom and Danny

They have the healthiest relationship you’ll ever see

And also if you want to make this as mom Danny you can have Dani and Dan as Phobos and Deimos just ima thought { forgot to add this in the beginning }

Anyway I hope you guys like this { P.S will add more if I feel like it} byeeee

[gabrielsbubblegumbitch]

this may be hard to answer because we don’t actually know the characters too well yet, but what do you think vox and val actually *love* about eachother? it seems like it’s more than just sex between them, and i’m curious to know what you think their relationship is like outside the toxic or sexual parts

Anon, to me it is not hard to answer at all, I think about it constantly 🩵❤️ of course all I write is based mostly on my headcanons and interpretations.

So... What Vox loves about Valentino? First and foremost, he makes him feel free. Vox is very self-conscious; he has a lot of internalized shame that he tries to cover with his grandiosity and fake smile. Valentino is unapologetically himself, and no matter how annoying it can be, Vox admires it. He's like the least judgmental person, and except for his temper tantrums, he's quite chill. Vox can't handle something? Val doesn't care; he still thinks his boyfriend is smart and will figure shit out eventually. Vox discovers he's into some weird, socially unacceptable kink? Great, they can try it. Vox rambles for hours about sharks? Good, he has a passion; Valentino likes people with passion, he will listen, he likes his voice anyway. Vox, who has spent his whole life crafting this perfect narrative about himself, cherishes the opportunity to feel comfortable enough with other people (a lot of these things apply also to his friendship with Velvette) to act like an absolute idiot around them.

Also, I think Valentino can be a really amazing boyfriend - he can be funny, charming, and mindful of the other person. That's his whole thing; he deals with desires, and that's why people get addicted to him so quickly. In most cases, it inevitably ends with him taking absolute control over the other person and becoming abusive. But Vox is his partner, so he gets just those nice bits because Valentino knows he wouldn't be able to put him down like he did with Angel. Not that he'd want to; he likes having a partner who's equal to him, whom he can break only if he allows him to do so (yes, my reading of them is very BDSM-ish, don't @ me). Valentino wants to be loved, he loves the idea of love, surrounds himself with hearts but at the same refuses to adjust to societal norms in the way that makes him unlovable; every person he ever loved (in his mind, his obsessive desire equals love) rejected him eventually after he revealed his true nature to them. But not Vox. Vox accepts him as broken as he is, and despite all his toxicity, Vox is reliable, he's the most stable part of Valentino's life. He has the patience to deal with his mood swings, he can always find the solution when Val messes something up, he's willing to accept all the attention Valentino wants to give him, and he supports his passions (ruining lives, making weird porn and abusing people).

Essentially, their love is largely about finally finding the other person who is as bad as you are, who accepts you no matter what and helps you grow (become an even worse person).

And some additional things:

Valentino really likes how smart Vox is. He himself is impulsive and acts instantly on his urges because violence is always an answer so he's kinda impressed when Vox presents him with some elaborate plots.

Vox loves Valentino's creativity, aesthetic, and attention to detail. He really likes nice things, but he lacks the ability to understand the nuance that is necessary for creating art.

They both enjoy each other's sense of humor.

Vox really likes that Valentino is kinda dumb? He can take care of him, and he likes taking care of people because it allows him to prove himself as The Best Boyfriend. He doesn't necessarily gets the idea of unconditional love, so the fact that he has an opportunity to earn it makes him feel more secure in their relationship. That's also why he loves spoling Valentino with gifts which is perfect because Valentino loves being spoiled.

Valentino likes being a little silly when he's with Vox. At work he can't manage people with his competence, so he does it with fear. But yelling and throwing people around is exhausting; he sometimes wants to bedazzle his gun while watching some trashy reality TV and bitching about his hard day at work. It's okay because Vox is also a little silly.

Valentino generally helps Vox live life more. He helped him come out of the closet (in my headcanon Vox for his whole life struggled with internalized biphobia); shows him that emotions other than anger are acceptable and don't mean weakness; even small things like always insisting on getting nice meals (while Vox could live his whole life on black coffee and rice) or decorating their apartment with fancy yet useless stuff.

They're both power-crazy maniacs, so the idea of being with someone who is widely desired by others and could destroy them if they wished is just so incredibly hot.

Vox | Valentino | What they hate about each other

If you liked these you should definitely check out my fic

[karoochui]

What im hearing is:

Little crow feet outside my window bcs im feeding them- that’s besides the point!

Is there magic??? His shovel looks magic and they look magic

And do give me every detail you are thinking of for the series even if its in the distant future or not that relevant but you want to share

Crows!! Cute!! Also sorry i didnt get to this sooner my laptop BROKE (still broken but usable) and my mom and i have been looking for someone to fix it. Ive been drawing with it sparingly to be careful.

YES there is magic. Of course im still working on this storywise but im getting characters designs n whatnot done right now. Dynamics n stuff. BUT i do have some refs i made before my laptop broke.

I like to draw out certain stuff so that it helps with descriptions in the future; i have the worst memory so it helps to be able to do so. (More beneath cut)

Im so excited for moon's shadow form. Oh my god. Its probably my favorite thing right now.

Fun thing about it is that in this form he can touch you but you cant touch him. Something something you can be cast in shadow but you cant take it off yk? He's still light sensitive like this though, so if the area hes in isn't dark enough or he's hit with anything too bright he just reverts back. At that point he'd just have to rely on normal hand to hand stuff and his sand lol. The shadow form is just better for sneaking and speed. Really, he's some amalgamative idea of the sandman and boogieman. I thought it fit well with his whole "naptime attendant gone wrong" thing.

Sun's design, however, is more like if you mixed a cowboy, wizard, and gravedigger together. I made it a while ago on a whim with no intention behind it but then i ended up thinking "ykw would be so awesome".

The hat dips to cover the crescent side of his face (not intentional on his part) to symbolize his resentment towards moon and how he basically damned him to an hourglass. His eyes are easier to see bc of this which could seem more trusting (eyes are the window to the soul or whatever), but the thing is thats not normal for him (as we know) so it's meant to make him look suspicious and looming to 4th wall viewers. There's also the fact that i just thought it was cool too.

He also doesn't get a second form. Moon's sneaky and weird so i thought it would fit to give him some freaky thing iykwim. Sun, however, is a pretty "in your face" kinda guy, so his look and fight style is more extravagant and boisterous. Lots of swinging amd yelling and boom bang zap! Despite the showiness he's actually a longer range fighter. Mainly because unlike moon, thousands of years ago, he wasn't often one to get violent with his hands. His weapon is just obnoxiously large too though.

They are still one animatronic and their transformation is still triggered by light. Instead of an AI chip though (which is still in there but long dead), they live through the work of a soul. They're still physically inorganic but as far as spiritually they're as close as they're gonna get to being human. Their life and functionailty is derived from the magic itself, not the machinery. Like if for some reason they lost all their magic they'd just drop dead from a battery life long since drained.

The hourglass has a carousel-like design to it purely as reference to moon's level in Help Wanted 2.

Sorry for rambling so much but this is what i've got for you so far! I have a general idea for the plot but im tryna to make it more than what it is rn, so i dont wanna share too much of that just yet in case i change or completely toss away an idea.

[l0stfoster]

I have never felt more loved in my life thank you for loving me and the autistic tendencies this au has brought out of me 🫶🫶🫶 - paul anon

While we’re at it can we hear more abt the ritual/when paul got the markings? And when darry saw them for the first time how did that play out ??

Also, i saw what he was mfing reading in that one doodle you cant hide from me. Is there ever a time where Paul tries to get rid of his powers and what happens ?? Does he succeed (which I hope he does NAWT)?? Does he fail?? Does he get caught ?? Like i need details its all im thinking about

I need you to know how quickly the grin on my face appeared when I read this. It was instantaneous, immediately a little smirk. Ohhhh how I've been waiting for this one.

There's a LOT of typing because Paul's lore stuff was one of my favorites to create, so everything is below the cut as usual. Though, just to be safe as well. Your question isn't being answered in order, cutting it up a bit differently. The first two questions have little drabble kinda answers with their bullet points, 'cause I had felt silly.

// mentions of child abuse, ritualistic self-harm, and implied passive suicidal ideation

⎯⎯⎯⎯⎯⎯

When Darry saw Paul's markings for the first time, how did that play out ??

Paul's scars weren't exactly something Darry had been unaware of. More specifically, it had always been the pair of scars horizontally along Paul's forearms that he'd gotten adjusted to seeing. He made his own assumptions. He never asked about them, either, since Paul made his contempt for them clear each and every time he made it a point to keep them covered. He was always in their old football letterman jacket or any other thing that would keep them out of people's view. Darry could argue that he'd never even seen the male without a shirt on, as well, even if they didn't cover the scars themselves. So, when he'd idly kept his eyes on Paul as the male changed; he'd been completely startled (and admittedly, a little panicked) at the large, complicated marking practically branded into his boyfriend's back. The thing that bothered him the most, though, was that it looked too neat for Paul to have done it himself. "..How'd you get that scar on your back?" Darry didn’t know what response he’d expected. Maybe for Paul to wave him off, dismiss it as he always did whenever a sensitive question came up. Maybe this was something all witches had, something that proved their connection to it which needed to be hidden because he'd grown up on the side of the tracks that would've had him killed for it. What he wasn’t expecting was the hesitation, let alone the quiet answer he'd been given. “-I.. don’t know.”

- Darry, unfortunately, didn't get any answers the first time. Paul avoids the conversation real hard every time Darry asks, but this is the one thing Darry doesn't want to drop, just because it seems to freak Paul out so bad. - He only finds out what it is because he snoops a liiiiittle bit (Paul is VERY private with his witchcraft) and connects the dots himself. - The reason Paul's just as confused is because he avoids looking at the mirror or himself at all costs. When he looks for too long, he sees his parents staring back at him; and he hates it. Avoiding it flat-out means he doesn't have to ask himself why he hates it. - Darry recognizes it's magical. Hell, being a fae, he could probably sense any kind of magical connection to it if he tried hard enough.

⎯⎯⎯⎯⎯⎯ Can we hear more abt the ritual/When Paul got the markings?

Paul doesn't remember when he got the ritual carving on his back, at least, he doesn't at first. It seems that's part of the point when he goes digging through his books, looking for anything familiar to the markings on his skin. The answers he does get just leave him more confused; they're not supposed to pair together. All those runes, the apotropaic symbol- it's all stuff that directly aims to hinder his power, to hide it; and it certainly worked, because the last thing he can even recall about his curse before it surfaced once more was his mom's face, twisted in disgust and oh. Oh. It dawns on him fast; the memory floods his mind way too quickly while pieces connect. He'd always wondered why they owned a book about blood magic when witches didn't specialize in that; his mom didn't even seem to use it, she never used her powers much as it was. As he stares at the pages listing the meaning of all the symbols that adorn his back, he realizes two things. The first thing is that this wasn't in the books, this was made for one reason; originally made with malicious intent. The second thing is that he thinks he knows why the ritual knife he knows always looked so familiar. "This is for your own good." How cruel is it to find out your own mother willingly mutilated you in an attempt to restrain your power?

- Yeah, Paul's mom carved the marking into his back and used her own magic to put his own into remission. She had to make it herself, as no witch would want to take away their own power; hence it not being in the book. - The worst part for him is that he can't bring himself to hate her for it. If anything, it makes him hate his power worse. If his mom hated it enough to do this, then it has to be horrible. - This is how he realizes blood magic might be able to get rid of his power btw </3 - Remission is the only way to hide them without full removal, but the fact that he's always with the cursed now means it wouldn't work. Hence why the rumble awakened it again, because he was surrounded by them. - The ritual carving is part of why he can’t channel his power to its fullest potential, due to actively having the scar of something that was meant to restrain him. - It still holds its effects sometimes, there’s days when Paul’s absolutely incapable of using his powers bc the carving’s ritual was to prevent him from doing it in the first place, and so despite his magic showing back up, it’s still trying to clamp down on it. - As far as he knows, there's no way to reverse it. It's carved into skin, he'd have to be able to get rid of that scar. It'd weaken once his mom dies, though, but that's far in the future. - He likely takes the ritual knife to his own back to "ruin" the carving reading, but even that's not a guarantee to work.

Is there ever a time when Paul tries to get rid of his powers and what happens?? Does he succeed?? Does he fail?? Does he get caught??

- Paul, so far for what we've got written, has tried to get rid of his powers twice via blood rituals. - The first time was while he still lived at home, but the intent for it was a bit different. He wasn't trying to get rid of them permanently at the time, instead he was more focused on trying to mute them to a point where he could control them easier; as his magic is directly tied to his emotions during the early days and his parents grew increasingly pissed the more they showed themselves. - He was also very new to blood magic and the rituals involving it; if he'd started smaller it might've gone better, as a ton of witch rituals, spells, and even potion work require a blood sacrifice-- but this was the first thing he attempted. He went in completely blind, and it. Didn't work out, which is probably for the best. - He needed a LOT of blood for the ritual, hence why the scars on each arm are large and long; he was going to make sure it worked, even if he was being really stupidly careless with the approach-- and then his dad walked in before he finished the ritual. - A reoccurring theme you'll notice is that Paul's (blood heavy) rituals get interrupted before he finishes; they're very focus heavy and the slightest interruption can ruin it. He thinks he's just fucking up the ritual by doing something wrong or not offering enough of his blood. - Anyways, Mr. Holden, being an asshole, was more pissed off by the mess Paul was making; his mother mirrored that emotion, but her anger was because he failed the ritual. She doesn't care that he's actively bleeding out, she's upset that he couldn't successfully contain himself. - As seen in the doodles in here beneath the cut, Paul had to patch himself up; a trip to the hospital would require an explanation or Paul would be framed as suicidal, and god forbid their reputation be effected. He could've probably healed himself to make it easier to at least manage, but his father insisted he had to live with the consequences- and the scars. - Paul's fully forced to hide 'em as well, they're "disgusting" and "something he should be ashamed of"

- The second time, was after he moved into the Curtis home. - I've already made it very loud and clear that Paul carry's a lot of guilt, including generational due to the fact that his great-great-whatever-the-fuck-grandmother was the one who caused the curse. He's fine with his curse for a good bit after easing into the greasers, but watching how their treated makes that guilt grow worse. Sure, HE didn't make the curse, but he's related to the person who did. - A part of him thinks that, if the bloodline ends with him, it'll free the next generation as well. This is why he's so careless with blood rituals even when they're not in the attempt to get rid of his power. Either he successfully gets rid of the curse, or dies trying. In the long run, both options eliminate the bloodline. - (It's good to note this wouldn't work, by the way. The curse is set over Tulsa, and nothing would happen if the witch's bloodline ended. The guilt’s just convinced him that he’s directly apart of why it still exists; and his mom pushed that narrative as well.) - So, after finding out what his mom did to him and learning the fact that he can create his own blood magic spells; he looks into that for a more.. permanent solution to ridding himself of his magic. - Paul does not know the curse is tied to his life force. - He's long since had his own area for all his witchy shit at the Curtis house, since his witchcraft does usually require a bit of privacy (focus related, and he just feels weird being watched doing it) so it was merely a matter of shutting himself in. They're lucky he doesn't know a locking spell - The same thing repeats as it did the first time. - Darry's the one who walks in on him, because Johnny got death flashes about it. - In contrast to Mr. and Mrs. Holden, though, Darry nearly has a fucking aneurysm. He knows absolutely nothing about this blood magic stuff, meaning he's walking in on his boyfriend with his arms cut open, the air heavy with magic, and goddamn how the fuck is Paul not dead because that is so much fucking blood. He thinks it's some kind of self-harm thing (and it technically is, because there's much smarter ways for Paul to get his blood without almost killing himself.) - Paul tries to go "I can explain" but Darry's picking his ass up and dragging him inside - Darry's absolutely horrified, he's so fucking shaken and so is Paul; not because of what he's done, but because he hates that he's freaking out Darry like this. - It's a rough night for both of them.

- Timewing proposed the idea that Paul considers trying again, but he ends up looking at Darry and being soft after thinking abt what could happen just like "..I couldn't do that to him. I've hurt him enough." - Which is very silly we enjoyed it. - If Paul did succeed he would NOT have died immediately. He'd just progressively get weaker and weaker until, inevitably, he doesn't wake up.

Long ass paragraphs I apologize.

[flower-boi16]

I would like to ask what your opinion is on MDHWrites's blog, or some of his most comprehensive takes criticizing the show at large, for he's covered a lot of ground. What is your regard for his opinions, if you have seen it.

The second I saw this ask pop up in my inbox my thought was "should I even answer this?". On one hand, I would like to express my opinions on Writes' TOH takes since I have er...strong feelings about some of them, but on the other hand part of me still feels a bit iffy about it.

For my 200+ followers who don't know who tf this anon is talking about; MDHWrites is a tumblr user who makes a heavy amount of posts critisizing TOH, he's kind of the most well-known TOH critic on this site, at least in the TOH critical commuinity (and yes, TOH has a critical commuinity).

I remember once randomly stumbling across Writes' blog when I was new to tumblr and first discovered that critical tags were a thing and I started reading some of his posts. I don't remember exactly what all the posts I read said but I do vaguely remember some of the points Writes' made in the posts.

This was at a time where I kinda just accepted critisicm of things I liked rather than actually thinking about the validetly of the takes, and since Writes' posts sounded proffesional enough (and because I went on the toh critical tag and watched videos critisizing the show WAY too much) I think I kinda just forgot why I liked the show in the first place...? I know that sounds weird but I first watched TOH when I was 13 (I'm 14 now) and my analysis skills were still developing at the time.

A couple of months later after I rewatched The Owl House and fell back in love with the show leading me to grow an attatchment to it that was stronger than ever before I thought back to Writes' posts and decided to revist his blog and read a handful of posts out of curiosity to see what his points were. And...I thought going in that there might be some good points about the show but...I can't really say I agree with any of his takes.

While I don't Writes' TOH takes are Lily Orchard levels of infuriatingly media illiterate, and Writes' doesn't look like a bad person...I don't think his TOH takes are that good. They sounded professional at first but everytime I think about them I notice more holes. That's all I'm going to say. I don't want to cover Writes' TOH takes in detail because I know some might alert him of this post, he'll see it and I'll end up starting an argument I don't really want that.

I guess I'll just say that I think his comments about the understood scene in the posts I read feel like he completely missed the point of it. The scene is meant to be a moment of realization for Luz of what she truely wanted, it's not intended to be a "character finish" and just because she realized what ultimately wanted doesn't mean that her self-loathing and guilt of helping Belos is just going to go away.

He even goes as far as to say it doesn't matter to Luz as a character in his post about filler in TOH, where he labled several episodes that are extremely important for outside context as "filler" by the standards of the general commuinity that complains about Amphibia's filler (that post is a whole other can of worms that I don't want to get into) which is just....baffling.

I could also get into things like Writes' takes on Luz's depression arc or his post about Waffles or his post about grom factor (a fan comic by moringmark) but again I don't want to say anymore things here beyond that.

I just don't agree with most of the takes that Writes has on the show. I will say sometimes he makes interesting points like his post about why the boiling isles woulden't work as a setting to a sequel series which does raise some valid points and his analysis of Boscha's "redemption" on my post that he reblogged was fairly interesting (though his reasons for Luz reaching out to the collector not making any sense weren't valid to me) but overall I don't care for his TOH takes.

[awakenedsalamander]

Alright, so I’ve obviously given Mage and Vampire some attention. It’s about time I talk about Werewolf: The Apocalypse, you know, round out the “big three.”

Truth be told, I have kind of a love/hate relationship with Werewolf, though that kinda implies it’s an even split of things I enjoy and things I don’t, but that’s not quite correct.

A more accurate breakdown of my feelings would be something like:

- 60% stuff I really love and appreciate

- 20% stuff I go back and forth on

- 15% stuff I dislike but can tolerate (pretty standard for WoD)

- 5% stuff I really, truly, passionately loathe

And it’s honestly that last 5% that I struggle with most. To be clear, a lot of the WoD games have things in them I don’t just dislike, but find sincerely objectionable or harmful. (A certain Vampire sourcebook, the title of which I can’t even comfortably write out, immediately comes to mind.) But I get past those things, because 1) no work of art is morally flawless, and your tastes as a hobbyist or audience member are not your ethics as a human being and 2) a lot of that stuff is from the older editions and has largely been divorced from the game.

So what’s different about Werewolf?

Well, some of it lies in point 2— there are things in Werewolf that are bad and (barring the controversy of 5th Edition’s lore changes, which is a whole other kettle of fish that I’d rather not dive into right now) are still part of the game. Improved somewhat? Absolutely. But the ugliness of some choices still haunts the game.

The ways Werewolf: The Apocalypse talks about native peoples, from Indigenous Australians to First Nations Americans, is a big example. I don’t feel it prudent for me to go into those details, if only because I think it’s not my lane and voices from those cultures should really lead those discussions, but the game has a very weird attitude toward indigenous groups— at one recognizing their history and the atrocities they’ve come through with respect, while still finding ways to exoticize that history, and appropriate much of it. To say nothing of the ways in which it feels comfortable speaking over indigenous groups, even in matters of their rights.

That’s just one example. There’s the way Werewolf conceptualizes ethnicity and ancestry in general, which is weirdly archaic in places despite seemingly trying to criticize that view. There’s its approach to disability and bodies that differ from an assumed norm, which as many have observed can sometimes come across as genuinely eugenicist on occasion.

And of course, the game is about monsters— you’re not meant to agree with the Garou on much of their beliefs, and you’re meant to engage with those very real issues and wrestle with the right way forward.

And honestly? That last part— the reality of the issues at hand— that’s what makes the bad parts of Werewolf so hard to look past. You know, the other games in the World of Darkness deal with real world issues, but they do so in a fairly abstract way. Like, sure I can and do identity the Technocracy of Mage with destructive and cruel systems of power in the real world, but like… there isn’t actually a league of hypereconomists using secret math to influence the fate of the world. That’s just an exaggerated and metaphorical way to engage with the problems at the heart of a late-capitalist world.

But Pentex? Pentex is basically real. The Apocalypse in Werewolf: The Apocalypse is climate change. It’s happening now. When the game tells you that you need to Rage against the dying of Gaia… that’s almost as literal as it gets. And that makes its fumbles, its mistakes, and yes, its deliberate offenses, harder to swallow. The stakes are high enough that when things are wrong, it really hurts.

But… let’s also acknowledge: The reality I’m talking about it? It’s what makes that 60% stuff I like so amazing. The lows of Werewolf are hard to stomach, but the highs are just… exhilarating.

Like, Werewolf is a game that says, “You see the state of the world? You see its monstrous past? Its insidious present that only hides the horror? Do you see the doomed future its on a crash course with? Let’s take it, and let’s rip it to fucking shreds. It these tyrants and thieves want to kill the world, then we’ll kill them first, if that’s what it takes. If the Apocalypse happens, it happens on our terms, on the terms of the people being victimized and shoved to the margins. You and I? We’re gonna build a better world or die trying. All our anger might ruin us, but we have to try. The consequences of our actions are dire, but we don’t go down without making the bastards work for it. Not without a fight.”

And fuck, when the game is saying that? It’s priceless.

In fact, this has all been too down on Werewolf as a whole. I want to get my problems with the game out front, just to acknowledge them and keep space for the critique and change that they demand, but at the end of the day, I am a Werewolf: The Apocalypse fan (if one with a lot of notes). I want to do something a little unusual and show you an outline for an Apocalypse chronicle I haven’t yet had the chance to run, to show you what I love about the game.

So, stay tuned for a glimpse into that later— a glimpse into “Blood Ripples Out.”

[brassharrier]

Hey everybody! Since I've recently crawled out of my cave of not doing minis stuff for too long, I've realized that a few skills have gotten rusty. Even some of the basic stuff has fallen out of my head at some point. To make the best of a slightly poo situation I've decided to get some of my journey to rediscovery logged online to share with people who may be new to the hobby or just looking for a new perspective on an established process. That's enough rambling for now. Behold! My first FSteaktorial: Basing with Coffee!

Paying for hobby sand can feel kinda silly, but sometimes that super fine gravel can look a bit off. This is extra true if you're working with smaller scale minis like Battletech. One common solution is used coffee grounds. Right of the gate, how coarse or fine the grind is will change the look. Fine grinds will look more like sand or dirt while coarse grinds will look rockier. I'm particular to a fine grind for most applications and I'd suggest it as a good starting point to work from.

Preparing the ground(s):

Prepare and pour your coffee as normal. Once you're done simply dump your coffee grounds into a hard container or surface in as thin of a layer as possible. Usually large food containers or a baking sheet will do. Let it dry for a day or two before putting it in a container for storage or application. I'm partial to empty spice shakers for most fine basing/flocking materials. You can put the coffee grounds away once they're dried without extra treatment. The process of making coffee will pull most of the oils out and the hot water will clean it up for you.

Preparing your adhesive:

Gluing the ground down is super easy. Grab an old brush that's flat and appropriately scaled to your intended model and base. The glue itself is just a watered down PVA. PVA is just your generic craft glue. You've most likely used it as a kid during whatever arts and crafts you've done. You'll want to add a drop or two of water at a time and mix thoroughly until it's a bit thinner than most minis paints out of the bottle.

Applying your adhesive:

Simply take your brush, scoop on some of the thinned glue, and apply it to the base. One thing to note is that glue isn't paint. For our purposes, you'll want a healthy layer. Don't worry, after a day it will dry solid. You don't need to apply perfectly either. The glue will take some time to dry and can be wiped off easily to clean up the edges of the base and model. Be sure to immediately rinse your brush thoroughly in water unless you want one giant bristle.

Applying the coffee/basing:

This is the satisfying part. Grab your shaker, handful of coffee, or application method of choice and give the base a nice healthy layer. Once you can't see the glue, tap off the excess and set it aside to reclaim or put it back in your applicator for use. Don't wipe off the excess just yet. Make sure the model is over a different surface and wipe the excess glue/coffee and wipe your cleaning tool (probably your finger) on a paper towel. This is important to avoid getting glue in your supply of basing material.

Letting the glue dry:

No, really. Let it REALLY dry. It's tempting to want to start putting paint to model, but the glue needs to be completely dry. You don't want to risk both brushing your fresh basing off the model and getting coffee lodged in your bristles.

Enjoy!

You're done with basing for now! Remember to blow off the excess coffee dust. You can add extra detail with rocks and bits, prime, whatever you want at this point. Even with just a quick prime, single base color, and a quick dry brush you'll get great results. Congratulations on your new awesome looking base, saved money, and even a teeny tiny effort of reclaiming waste! It's surprisingly durable as well due to the glue hardening.

[kijosakka]

dramaturgy; celebrity manhunt, pre-london -- im going to make it easy on myself and skim through pre-london first, as the most divergence in this AU happens during and after the fact. part of pre-london is the pre-season itself, the celebrity manhunt special.

so action comes and goes, noah gets out of the season and remains as chris’ PA for the year break. in that time, months before it actually happens, chris finds out about the new season (with producer word both pushing for ‘more drama/engagement’ or smth along those lines, and *noahs actual involvement this time).

while something something contracts might prevent him from just outright telling noah, i’d imagine that he’d all but say there’s going to be a new season and heavily imply that noah wont be able to get out of it this time. not only that but he also implies that maybe noah should give opening up to people on the show a chance,, cause, yk, hes about to be stuck on a jet with them,, for weeks,,

of course, noah is pissed at first. but in so many weeks or whatever he begrudgingly accepts it and just resolves to throw it like usual. as for the ‘opening up to people’, he lands on owen.

owen was nice enough, genuine to a fault and the person least likely to use any of noahs bare slivers of vulnerability against him. hes safe.

[*noahs involvement within the show as something that the viewers are very interested in. he could be ratings gold and they know it.]

now im a little bit torn over the whole ‘chris’ assistant’ bit; similar to the awakeathon i would imagine it might just be missing entirely and he would be fired before the fact. or it could happen, as a way to give his on-screen character some information. as a ‘look everyone, i have Depth. stop prying into my life please’

either way, whatever. *total drama dirtbags show up, chris locks them out of the venue, they dont win any awards, bus chase etc.

^ note here, per usual noah comes off as his usual uncanny self around the cast. sierra is there as well, im sure thats Something for her. however he does take notice of one (1) alejandro burromuerto, recognizing him and focusing on him. < this comes back during introductions, where he notes his behavior towards the cast.

[*total drama dirtbags existed as the original ‘new TD season’ that noah found out about and worked on for a little bit before he finds out that it was not in fact a real show and a coverup for something else (a grab for an extra contestant for WT) < hence, he knows josé from interviews/auditions he helped with, but doesn’t know alejandro since he decided one brother was Enough]

^ and just for extra clarity on the TDD thing bc ive kind of muddled it, say noah finds out about dirtbags, helps out whatever. and then the news breaks that its a fake phish for a new contestant for an actual show — fine enough, he’s already behind the cameras, so he can just stay there, right?

no, actually. its kinda just slung at him that he has to be part of the cast (smth smth his job is threatened under ‘contractual obligation’ like its not wildly unconscionable). and he is soooo pissed off, so incredibly angry at the circumstances he’s landed himself in somehow.

< but he is aware that he cant just bottle everything up because it will spill over; chris said he needs something to his character, so maybe he can funnel his anger into playing the game a little more. as the most outlet he’ll get before he can throw it and just be done with the show entirely.

^ and then,,, alejandro.

while the actual events of pre-london remain largely unchanged, his dynamics are changed with the presence of four different variables: alejandro, izzy, owen, and sierra.

alejandro i’ll get into more later with a longer post detailing what they think of each other mutually, but im gna touch on alejandro a little; with picking off team victory and believing heather is the only person who’s noticed his facade, he just,, doesnt really distinguish noah as a threat worthy of focusing on.

^ throughout the game and the events of, he does single noah out as the most tolerable of all his teammates but doesnt offer much intrigue beyond that until *new york. (to note, he’s a lot more comfortable with [oblivious to??] noahs detachedness than the rest of the cast since that empty demeanor is p common among whatever diplomatic events hes been a part of)

izzy is someone who’s character i established mostly in the long post i had about her?? but it is worth mentioning now though that she does stick very close by to noah throughout her time on the show, and routinely interacts with him where most of the cast had given up trying altogether.

^ it builds,, a kind of rapport between her and noah?? in some way after the fact he’d recognize it as a nice, ‘i-want-to-know-more-about-you-and-also-befriend-you’ thing, but during he reacts more like a yowling cat tbh. he’s built up this reputation and facade that make people stay away from him, and now izzy wants to stick around him and threaten his defense mechanism? no thanks. (< further reasoning for why he belays insults towards her during WT under the guise of his own facade)

owen is a special case — in the bus chase before the season, noah took the time to sit by him and build up the proper beginnings of a friendship, which owen is thrilled about < during his time on island, owen was really fond of noahs quips and ‘just wished he would open up a bit more!!’,, he thinks some friends would b good for him and hes right

^ and again, owen is noahs safest option to 'endear' himself to the audience with a friend. hes so genuine and understanding of where noahs projected character falls flat, and like izzy keeps interacting and wants to interact with him where the rest of the cast gave up (and noah the person becomes very fond of owen and the reprieve their friendship offers him very quickly)

and finally,,, sierra. i actually want to talk more about the Audience as an entity in this AU in a later post and sierra ties into that heavily. as established, noah is the one cast member she just doesn't know anything about. of each blog she runs dedicated to each member of the show, his is the emptiest; the most baseless. being in proximity with the man of mystery is exciting!

^ noah still comes off as very uncanny valley to sierra and his detachedness is immediately clear. but the key difference to her and and cast is that she has the Audience perspective --- he's intriguing moreso than offputting. (and also theres definitely Something there about the meta-analysis of panopticon as an in-universe topic and how sierra would relate/connect that once it becomes clear to the cast why noah acts as he does)

[*new york (same time space as the aftermath?) as the moment when sierra prattles off information about the cast but comes up with nothing on noah that his own interest is piqued just a liitle bit, and he starts building a proper relationship up with noah as the straightmen to the cast. < also come after london is something he looks back on as a Hmm. moment wondering what noah knows about himself.

^ alejandro does believe their rapport is one-sided bc of his own facade, which i want to mention simply bc he's wrong. it is no-sided. both of them r faking.]

now getting to the episodes themselves -- minor changes/additions:

in the yukon, he doesn't try to cuddle bridgette

^ also in the yukon, he shivers less visibly than the cast (think when in cold weather you get those microtremors that really fucking hurt after a few seconds). this is only because it feeds into the android joke-turned-conspiracy for the folks watching on the aftermath set

in new york, he was not actually asleep in the carriage nor did he explicitly pretend to be. he just Kept Quiet when heather did her thing

in germany, he doesn't go up to alejandro when he falls off the platform, but he does prompt owen to ask something along a similar line [to his canon ones]

in the amazon, he's the one to point out owens absence

in paris, the line of 'this totally works on my dog' he changes to smth like 'totally works on dogs',, for his own exercise of privacy really

in the space of the jamaica aftermath, he again disappears from the rest of the cast à la playa des losers save for owen. owen gets a hello during mealtimes and hes the only one.

and finally, the episodes of 'significant' development with noahs intrigue in alejandro:

beginning before any real events of the show during introductions

^ kicked off in germany similarly to canon, emphasized by newfoundland and the grab for DJ's alliance

and cemented completely [his interest in unmasking him] in jamaica, continuing onward with london around when he discovers that alejandro is acting skittery towards him because of his own suspicions

[doobnnoob-tf2]

hai hai! It’s keys! Been a while!! But keys has been reading and ruminating in silence for a long time and keys have missed asking you things! So here’s one, if it hasn’t been done before, key’s brain is a little fuzzy, but what kinda jewelry would the mercs wear (if they could and would?)

thank u!!

-keys

Scout: he likes to say he'd wear it all, but in the end he starts complaining about how he doesn't like how it feels. he doesn't like the necklace on his neck, doesn't like how the ring makes his fingers sit, doesn't like how he constantly would have to readjust a bracelet. he just likes the attention it gives him having it on

Soldier: he loves simply necklaces but very large and gaudy rings and would be more than happy to deck himself out in both. the problem is, by the end of the day they'd be missing and he'd have no memory on where they went

Pyro: they're allergic to any metal other than gold, but they don't like the look of gold. so they just wouldn't choose to wear anything in the end. they love metals that oxidize into a vividly different color, like copper, and would happily wear stuff like that if it wouldn't cause them to break out

Demoman: he would wear as much as he can, everywhere he can if he was able to. but he also thinks it would be too much. but he doesn't care. he flips back and forth between whether he'd wear jewelry or not. at the very least, he would wear one necklace.. and maybe that'll turn into two, and then a ring as well, and then..

Heavy: he doesn't think anything would fit him is the issue. but that doesn't stop him from writing down very detailed notes on a ring he would love to have for himself. something with stones to represent each of his sisters and their mother. but it also has a thick, blunt part underneath so he can put in some extra damage when punching someone by spinning the ring around while not damaging the stones

Engineer: he will never admit it to anyone, but he thinks bracelets are cute. he also would never wear one because he works with machinery and that is a disaster waiting to happen. he doesn't want anything dangling off it, just a very simple chain would be good enough for him

Medic: he doesn't only because he has a hard enough time keeping his birds from playing with his glasses. he can't imagine how much worse it'd be if he were wearing a ring or forbid a necklace. if he could though, he would have a ring on every finger

Sniper: he's simply not a jewelry guy. anything he would wear - if he absolutely HAD to - would be very simple and plain and not flashy in the slightest. he wouldn't count it as jewelry, but he likes to wear bracelets or necklaces made from / containing animal teeth

Spy: he has a lot of jewelry set aside for certain disguises of his, so he wears it somewhat frequently. but in his off time, he chooses not to wear it. it's more of an association thing for him, that if it's on he needs to be playing a character

[clairedaring]

Hi, I've seen your blog and it appears to me that you've watched a lot of gdh movies. So I was wondering this: what is your top 5 gdh movie? I, for my part, have only watched two so far: oh my girl ! and you, me and me which is one of my favorite movie this year so far.

it brings me to tears (happily) whenever someone talks to me about GDH films ಥ_ಥ so here are my favorite GDH films (in this order as of this moment, no. 2 to no. 5 interchange from time to time depending on my mood)

1. Bad Genius (2017) and Bad Genius: The Series (2020)

So whenever I'm asked about GDH, the first film I instantly recommend would be Bad Genius. Because not only is Bad Genius imho THE film that puts GDH on the map, I think it has a lot of influence on Thai cinematic works, and to some extent television works.

Essentially, Bad Genius is a story about Lin, a straight A student who team up with her friends to pull off a large scale cheating scheme on an SAT-like exam. It's a heist thriller drama that definitely leaves me feeling stressed out as hell as if I was there in the testing room with those students.

I know it's kind of a cheat to also add this, but whenever I recommend Bad Genius, I also must recommend Bad Genius: The Series which is a 12 episode series that serves as a more detailed+sequel version of the film. I love this series because the young actors of the series gave me a fresh take on the characters I already know and loved so I had a great time falling in love with all of them again. The series fixed a few plotholes/qualms I had with the cinematic version as well as an extensive background story on Bank (played by Nonkul Chanon in film, Jaonaay Jinjett in series), my favorite character from this franchise so Bad Genius: The Series is the one work I cannot recommend enough.

One of the things I love about the series as well is that it also maintained the exact same vibes and cinematography like color-grading, camerawork...

2. OMG! Oh My Girl (2022)

I am a sucker for 'seemingly unrequited love' and 'right person, wrong time' tropes so this film really hit ALL the spots for me at its release.

Stylisticaly speaking, I absolutely love the Wes Anderson-esque zoom-in-from-afar shots for comedic effect. many stellar comedic moments where i laughed out loud. I think the humor in this film is poignant, accompanied by great comedic timing from both leads.

One of the highlights of Oh My Girl aside from the many subversions to romcom clichés, I like how Guy (the ML played by the incredible Sky Wongravee) was a morally grey protagonist and that the film isn't afraid to call out his problematic "nice guy" facade. He's a self-aware jerk and I genuinely love his self-awareness.

3. One For The Road (2021)

So I didn't watch this at release and it took quite a while before I gathered the determination to sit down and watch this on Netflix on a late rainy evening. Little did I know, I would soon be crying screaming bawling my eyes.

One For The Road is about Aood (Ice Natara) who enlists his estranged friend, Boss (Tor Thanapob) on a road trip to return items to his exes before he dies.

If I had a nickel for every time GDH wanted to give me a selfish, jerky male protagonist, I would have like four or five nickels but it's crazy that it's happened so many times (formulaically one would say) and here I am still empathizing and crying over these kinda jerky male protagonists.

The soundtrack was just brilliant. To quote a review I once wrote, the director, the music score and composer were truly out for blood with the soundtrack for this movie and they did it. This film is a good example of how important soundtrack and film scores are to elevate the narrative being told.

There are so many things to praise about the production but if I had to choose one thing, it would be the excellent mise-en-scene of this film. Every shot is dazzling, intentional and fill with metaphors. It was truly beautiful.

4. Not Friends (2023) 

So I went into this thinking it would be Thai take on Dear Evan Hansen but I was so glad that it wasn't the case even though there are similarities.

Not Friends continues to deliver GDH's classic "selfish jerky male protagonist" with Pae (Anthony Buisseret) who just transferred to a new school in his last year of high school. Seeing no chances in getting into university through the entrance exam, Pae decides to enter a film contest by making a film about Joe (Jump Pisitpol), his seat mate who recently passed away.

The film had me bawling my eyes out in theatres by the end. I love that there were a lot philosophical questions like how much we value a friend's worth in the film. If you like Baipor/Anthony tandem in You & Me & Me, Not Friends is a must-watch for this acting duo reunion.

5. The Con-Heartist (2020) 

So for the last spot, I debated a lot between two romantic comedies (both starring Baifern Pimchanok), The Con-Heartist (2020) and Friend Zone (2019). I recently rewatched the former and was reminded by how much I love the zany humor in this film so she gets the last spot.

The Con-Heartist is about Noina (Baifern Pimchanok), who is in debt because of her ex-boyfriend so she hires a con artist, Tower (Nadech Kugimiya) to help her get revenge against her ex-boyfriend by swindling him.

Even though it's billed as a romantic comedy, I think it's more comedy-leaning compared to Friend Zone but I love the comedic moments the two leads, Baifern and Nadech. พี่ไม่หล่อลวง by BamBam is the OST song for the film and it has never left my Spotify Wrapped for the last 3 years 😭

+bonus: How To Make Millions Before Grandma Dies (2024)

This is the first GDH film from 2024 and although it comes out in like two weeks, I can feel it's going to dethrone one of the films in my top 5 list for sure. If you're thinking of going to watch something at the cinema soon, I hope you consider checking out Lahn Mah this April!

I hope you give one of these GDH films a chance. I love watching GDH films because although they can have different directors/team of scriptwriters, they always end up with certain similarities (be it cinematography or screenplay or characters). While not all GDH films are incredible masterpieces but out of the Thai production houses for films, I would say GDH 559 (and its predecessor GTH) has the most solid record of having strong and compelling cinematic works.

[geraldmariaivo]

that’s one fucked up butterfly

So i have no clue whether or not this counts as a vague one-shot or an overly-detailed story idea. Either way, here’s the spaghetti my brain fed me today.  ————

Jason has been hungry. Like, really hungry. Granted that’s not weird because this lifestyle does that to a person, but it’s more than usual. It’s also kinda weird because he’s been picking up food more often…as Red Hood. Outside of Crime Alley. Something about the confusion and fear of the cashier as a known crime lord who usually stays inside his turf casually plops down and pays for a brick or five of guava paste, containers of butter, and various other sweets, fruits, and other normal foods is just so satisfying in a way he can’t put his finger on.

But he doesn’t really think about that, because by the time it’s a notable trend, there’s something more pressing to think about. Namely, the fact that it’s been getting harder to move in a my-muscles-and-joints-are-stiff-and-achey-because-I’m-not-letting-myself-heal kind of way. This also isn’t super surprising considering the, well, everything about his lifestyle. It was bound to catch up with him sooner or later. It got more pressing when the ganglion cysts started popping up. He got as many important things out of the way as he could, and took a break. It only took the immediate repercussions of pushing himself so much finally rearing their ugly head, but he did it.

Except two weeks in, and it’s gotten worse. He does stretches, drinks plenty of water, makes sure he eats enough fiber and nutrients, but nothing works. He just keeps getting increasingly stiff. And it doesn’t help that the cysts keep popping up (yes, he checked them out with Dr. Thompson, and they don’t seem to be anything other than his body pitching a fit about being beat up on). It isn’t until Steph and Cass visit the safehouse during lunch and tell him point-blank that he’s eating like a speedster that he takes a good hard look at the kitchen and his trashcan that he realizes he did, in fact, just pack away a whole pizza, a very large fruit&veggie smoothie, and was on his way to scarf down a bowl (pot) of pasta that would feed half the bats, plus the cheese, sauce, and meatballs he was in the process of cooking.

It takes too much arguing, and bribing him with Alfred’s cookies, to get him to come to the cave for more thorough examinations.

This, unfortunately, does fuck-all. His blood pressure indicates that he’s stressed but fine, his nerves and reflexes are working fine, and when they did finally get him to get actual scans and take samples, they all turned up negative except for slightly elevated brain activity and a higher body temperature than usual, not even enough to be a serious fever. The cookies were the only good part of going, in Jason’s opinion, because nothing changed from how it was going before. In fact, the period where he didn’t eat anything so he could go in for scans seemed to only make the aches, pains, stiffness, and cysts worse.

The fatigue was to be expected, considering how hard it was for him to move around, and the fact that whatever was going on was clearly taking a lot of energy. It also aligned pretty well with the expected fatigue from people with similar ailments….right up until Jason was suddenly conking out for hours at a time. This was, understandably, very alarming for everyone, especially Jason.

One night when [insert reason for everyone to be out of the cave here, probably the aftermath of a breakout from Arkham or something], things went from bad to “what the FUCK is going on?!?” Namely, because between the time they left to when they got back, Jason was effectively entombed in a weird cocoon of stone-like green shit, and whatever it is, it’s interfering with any and all of the equipment they were using to monitor his vitals.

Of course this sends everyone into a panic, and Bruce is extra freaking the fuck out. He tries to get this off of Jason any way he can short of dropping the cocooned Jason from a skyscraper. Chipping away at it? Didn’t work. Laser cutter? No. Acid? Nope. Sealing some of it in a container with water to see if it would even begin to dissolve? Nothing. Clark is off-world with J’onn, none of the lanterns are available, and as much as Bruce hates turning to magic for anything, none of the JLD will be able to stop by in less than a week.

So the bats wait. They can’t do anything else other than try to find out what’s happening and how to fix it.

And then, one day, there’s a crack. And another. And another. Given that Jason’s under 24/7 surveillance at this point and they’re actively looking for any signs of activity, it’s not long until everyone who can drop whatever they’re doing arrives at the cave. It takes a while for any of the cracks to be big enough for them to get a grip or pry this stuff off of him, but they manage. They manage, piece by piece, and what spills out -anyone who’s been near a Lazarus pit could tell you- is Lazarus water. Lazarus water, and Jason.

Jason, probably coughing and spitting up glowing green goop, does eventually crawl out. After the initial fretting and checking for damage, he gets cleaned up, and he seems fine. Further observation indicates that other than some minor stiffness from being in the same position for days, he’s healthy.

For a bit, everything seems fine. Everyone is still on edge from whatever the hell all that was, but there doesn’t seem to be anything wrong with him, other than having a somewhat more even temper, and being more likely play nice on the comms during patrols.

Of course, this is until he falls through a couch while reading, and is found struggling to get up as his arms phase in and out of the floor.

————

For anyone who’s confused, this is a Halfa!Jason story(?) plot(?), and the basic premise is that Jason’s core had been forming for a long while now, but hadn’t been fully formed yet due to a lack of lots of good ectoplasm. The emotions he’s been absorbing from living in a city, and especially the fear he’s been getting as Red Hood and during rogue attacks, has been really helping out though, and has allowed his forming core enough strength to mostly filter out a bunch of the nastiest gunk left over.

Unfortunately Jason was constantly in danger, and his core wanted time to focus on finishing itself, as lots of newly formed cores do. So it geared up to spend a lot of energy on this (hence eating so much -sustaining the squishy human body while his core is using so much energy is important), but quickly “realized” that Jason wouldn’t stop going out and getting injured on his patrols for anything short of a medical situation of “this is going to affect my immediate future if I don’t treat this now” scale. So it did, and then when it was ready to actually buckle down and go for it, it gathered up the nastiest ecto it could find, and used it to make a protective barrier around him so that A) he couldn’t go anywhere and get himself injured, and B) anything that might want to snack on or harm a vulnerable core with a currently very vulnerable body would be repelled by the sheer nastiness of it.

And when it was over, out came a fully-formed halfa!Jason!

Good luck with those new powers, buddy.

[sillygoofyqueer]

Ideas have been spinning around in my brain for awhile now and you can disregard all of this if you want but I have WAYYYY too many characters with excessively detailed backstories and your little character has been sparking ideas for me. So! I have lore ideas and here they are (these ideas may/may not overlap a little with my own stories but not enough that you can’t do what you want):

I was thinking your oc (the wispy one with the colors n stuff) came to be as a result of the remains of dead gods. Morbid, but it happened a little like a star forming from the dust of other stars. So over time all these remains out in the universe just started coming together and suddenly there’s a whole being! And obviously this being has no idea about anything. It kinda just… is. For a long while at that. It kinda just floats through space while sightseeing the galaxy.

It quickly learns it’s pretty much indestructible but at the same time getting caught in a star’s gravity hurts so not gonna do that again if it can avoid it. It also learns that it can do some pretty weird stuff (not that it knows it’s weird yet) like adjust certain things like light and energy. It can change shape at will too. It’s not all powerful and does need rest after some of these things but for a while it toys with things.

Eventually they fall to a planet. A planet with life. A planet with… other conscious beings apparently! (What we know is earth!) It’s curious but also nervous. So it watches. Mimics other life forms. Learns. It figures out how to read and write and talk both from osmosis and from seeing elders teach younger. This is not limited to humanity either. Anything from certain animals to insects and to an extent, plants!

Once they start feeling confident enough, they try blending in either human society. This… admittedly doesn’t go well. It is clear that they look too different to properly fit in and people tend to either stare or scream.

One thing leads to another and they accidentally get in trouble with what is essentially the supernatural police. After many, MANY long hours things get sorted out and they get brought to some higher tier gods to get informed about… well, everything. It is upon meeting the other gods that they realize, they don’t have a name. So they make one up on the spot. Four.

They end up trial and erroring a lot of things over time (under a lot of supervision) and find they have an inclination towards writing and reading. To discuss with other people and have fun. They also learn that they can suck the dye out of shit and annoy people with that fact. It is very fun and the dye tastes yummy so… (the ability is mostly because they’re made up of the remains of dead gods and that’s what large parts of the universe is made of. Thus, if they focus, they can adjust or even take in that energy for themself)

Once Four really starts understanding how society and stuff functions they try again to fit in with society. And it works! Sure, they have to give the excuse of “cosplay” when their disguise fails a little too hard but whatever. So sometimes they just go to the human realm to mess with people and hang out. For the most part tho, they hang around the heavenly realms and fantasy worlds and send out stories/fanfics using their phone no matter where they are.

(Have I written too much? Absolutely. I hope you enjoyed my oc brainrot tho. Because my brain has not shut up since I started drawing)

(Also amazing job on losing hope, I will be screaming abt it in ur inbox soon, it’s just I’ve felt a little like death warmed over lately)

Sorry, I didn't want this to leave my inbox because then I could look at it constantly and giggle and kick my feet every time I thought of it, like a selfish little monster teehee. I can't believe you like my little sona so much!!! This is all canon to my little character now, you created a whole backstory for them and it makes me sob every time I think about it, you're a sweet little MONSTER, GOD- I am sobbing. Violently. How are you feeling? Are you feeling a little better? Because that's so relatable that's how I'm feeling right now, teehee

[valeriefauxnom]

He Is the Messiah!

...Or prophet, whatever, but I found it funny the sheer amount of room intrusions Euden has to deal with that kick off events.

Like, there's Chronos, to which he's either too sleepy to care about or desperate or too used to random dragons of his invading that he isn't all that panicked after the initial 'who's there' at having a little dragon promising time travel to him in his room. You know, as one does.

In fact, he's rather quick to just kinda go 'okay, and?' at Chronos instantly pointing out all those deep regrets and how he keeps it separate from everyone, which might be kinda creepy in a 'how do you know that?' sort of way.

Fittingly, Rage of Chronos kicks off in a similar way, though Euden definitely seems to be a bit more shy to strange voices in his room spewing odd things at night, but still not quite the level of hostility I would expect.

Also, in retrospect, Grimnir was kinda speedrunning the main plot there in his opening monologue!

"Child borne of the rift 'twixt fates" could be a reference to his true true origins as a part of Xenos since Xenos likes floating about the rift between worlds and Euden was floating about there, too, since both Morsayati and Xenos were. "Inheritor of altered life"...yeah, that too, since he's a nice mixture of baby blood and still-living demon lord flesh plus whatever other things Finlorda might have decided to throw in the BuildaHeir pot.

"Blood-sworn yet bloodless", well, he's pactbound with the dragonblood he did inherit from baby!Nedrick, but has no true 'bloodline' as a standard human would. Lastly, "mutation in causality's design" might be a reference to the fact that this world's Euden is explicitly an anomaly how he's gotten so far for any number of reasons. Then, later, there's the 'transfigured prince', which either might just be Grimnir referencing his shapeshifting or the fact he's a hunk of demon flesh coaxed to look like Nedrick if he were a healthy normal human baby.

Darn, Grimnir, why couldn't you have spoke in plain English a bit sooner? Rage of Chronos came out in April 2021. At latest, that's the first part of chapter 19 that was out! I do not know if they were actually planning the entire monologue to be so relevant, since I think I recall the three writers for Dragalia largely worked separately on their own arcs, but that's uncanny. Very uncanny. All that in two sentences.

That aside, he's still a bit too nonchalant. Nothing like hearing that dramatic monologue and just rolling over and going back to sleep.

Neither of these times were the first, either.

Skyborne Spectacle, for example, starts with Euden having a dream vivid enough and concerning enough that he gets the gang to go to a presumably distant Peng Lai, likely more at the eastern shore of South Grastea since Taiwu is out east too and it's a former colony. Or as Notte puts it: "Heck, we actually came here in the first place because we were warned to do so in some spooky dream."

Imagine that conversation. "Hey guys, I had a dream that this one town on the other side of the continent is in trouble. Mind checking it out just to be sure? ...No, I don't think I'm paranoid. I know it sounds like I am, though."

Imagine the reputation all these kind of things spark, even just the one time, since goodness knows Notte was more than happy to parade around the fact that they were here because of a dream. Sure, sure, there may have been more 'mundane' magic at hand since Xu Fu was purposefully trying to reach him, but details tend to get caught up in the mix. All the average townsfolk probably hear is that this one band of New Alberians came to town because their leader 'had a dream of disaster' coincidentally around their New Year's celebrations and was right.

Perhaps there was some good old conspiracy theories popping up that the Prince was clairvoyant or a prophet like Verica or something and that's how New Alberia's been kicking against all odds for so long! Why settle with one prophet when you can have MORE?!

Honestly, I could almost see this bringing its own sort of trouble to Euden. He seems prone to nightmares, a tendency that even carried over to the comics (though they generally featured more...benign? nightmares of Celliera transforming Luca into TooBuff!Luca). What are the odds that this dream isn't indicative of a problem, provided that it isn't over something that was based in the past and already occurred? That's a fast track to needless anxiety and stress right there.

Even aside from that, having anyone honestly think you're able to predict the future is its own nuisance. The attention might be fawning at first or just desperate to hear more predictions, but it can just as easily turn to hatred for not 'sharing' the foresight he's obviously been having and thus letting x disaster occur.

So yeah. They probably should've invested more money into securing Euden's room from time-traveling dragons and strange men, even if it'd only likely weed out an assassin or two in reality since those two aren't...normal home invaders. Let Euden sleep in peace 2023

[sootyships]

For all of this, it's important to keep in mind that the City must by necessity be wholly self-sufficient and that there is no mass production.

The fabrics used by the factions are natural fibres that could be cultivated in the region even without greenhouses: Hemp, linen, wool, perhaps even nettle. Jeans are made of hemp, t-shirts are made of linen, etc. In-universe, these things are everyday enough not to warrant mention. (Canonically they do have cotton but cotton is so resource-intensive! Ugh!) Leather, obtained as a side product of meat production, is used extensively, particularly in shoes. Rubber is produced from the latex of rubber root dandelion. Elastics and rubber soles are used in apparel to a limited degree, because rubber has so many other more pressing uses.

Shoes tend to resemble a cross between current shoes, moccasins and mukluks. They're typically leather, quilted fabric or felted wool. The soles are usually leather, but can also be rope, braided fabric or sometimes other materials.

Dyes used are exclusively natural dyes which can be obtained from local wild sources or sources cultivated by Amity. Erudite may have processed such dyes into more potent forms or even created synthetic dyes from available resources, but, for the most part, the factions use Amity's dyes.

Abnegation's clothes are generally not pure grey, but drab blue-greys, green-greys and grey-browns. They also use some undyed, unbleached fabrics. (Unbleached linen is greyish.) Erudite clothes are indigo blues, but also violets and turquoises. Dauntless clothes are dark, with some more colourful details. (I do like the idea that the movies introduced, with colours used to indentify an individual's rank at a glance. At my brigade, the tradition was for conscript leaders to wear the lower jacket strings cinched while privates were only allowed to cinch the waist strings, allegedly so leaders could be identified even at some distance 🤔 Who knows.) (I kinda wanna say that Dauntless clothes stain their skin because I'm terrible--) Candor clothes play with the contrast of bleached white and dyed dark--obviously, for them, the dark fabric must be very colour-fast. Amity uses the widest range of colours and shades; practically everything not explicitly claimed by the others.

Undergarments are made of natural fibres. Undershirts, underskirts and longer underpants are often used to protect the outer clothes due to their value.

In Candor and Erudite, the prevalent bra style resembles a bullet bra(!). In Dauntless, the most common bra style is a sorts of sports bra, in line with the active lifestyle, though the style is fairly different from what we're used to (non/low-elastic, uses fastenings). They're also common in Amity, though all bra styles—including bralessness—are well represented. In Abnegation, simple Kestos-style bras are used. Large-chested individuals may use the same sports bra style used by Dauntless and Amity because it is also shape-obscuring.

Aprons! Are! A! Must!

Abnegation and Amity weave their own fabrics; the other factions largely employ the Factionless to weave their fabrics for table scraps.

Amity are artists, and as such, their fabrics are woven works of art. Amity prefer to discard as little fabric as possible when patterning, and instead using gathers, drawstrings and belts for shaping their garments. Wrap skirts are common, as are "shapeless" dresses and tunics cinched with the aforementioned methods. Amity also embroider and bead their garments. Nalbinding, crochet and lacemaking are popular. (Not knitting, simply because I want the yarnworks to have a different look. We can imagine it's some new future technique :') ) While the hippie vibe the movie went for makes sense, Amity are also the resident homesteaders & cowboys and should dress accordingly.

Dauntless wear some body armour while on the job. Back in the day, when they patrolled the Factionless areas, it was most likely that they'd have run-ins with sharp objects rather than projectile weapons, so their armour tends to reflect that. While the armour is standardised, it has essentially spread into the fashion of the faction, leading to them preferring to wear vests with closures on the sides and other clothes reminiscent of the same silhouette. Studs, small metal plates, rings woven into leather straps, quilting, woven fabric straps and stitch-and-slash are all methods employed to achieve clothing that can take a beating. In general, cutting and tearing already damaged clothing in an artistic manner is an aspect of Dauntless self-expression. DIY, even in the absence of skill, is everyday. Trousers almost always have reinforcements on the knees. Skirts tend to be shorter than among other factions; if you run the risk of stepping on the hem while running up stairs, the skirt is too long.

Abnegation clothing resembles those of current modest religious movements: the Amish, Orthodox Jews, modestly dressing Muslims, et cetera, all in Abnegation grey, of course. Clothes cover from the collarbones the the elbows and knees. Women's clothes are typically made of structured fabrics to facilitate camouflaging the details of the body. Simple, utilitarian styles of hair covering are fairly common, particularly among married women. Abnegation may use visible mending techniques which add texture, though not colour, to their clothes. While the mending may be visible, it is not to be attention-grabbing.

Each faction has its own strategy for handling transfers' old faction's clothes. In Erudite and Candor, the clothes are collected to be used as payment to the Factionless. In Dauntless, the clothes store has a collection box; clothes are dyed dark with usually black walnut and iron water and given to Dauntless artisans to create new Dauntless clothes with. In Amity, old clothes may be kept or given to an Abnegation representative on Visiting Day to be donated to the Factionless. In Abnegation, old clothes are, of course, donated to the Factionless.

[fantasy-anatomy-analyst]

DnD 5e goblins and bugbears

are these designs racist? Well, as I am white, I can't really say I'm the expert on this particular concern, and I don't think I've ever seen anyone else point it out, so take this with a grain of salt.

They probably aren't intentionally racist designs. They do make me feel uncomfortable. I haven't finished my redesign for them yet, but I wanted to get this post started since I have other big projects to get to and if I just go straight to those, I will continue to forget about this one. So let's get started!

(image description: the official dnd 5e art for goblins and bugbears. They're related species, though the bugbear is much taller and covered in fur, while the goblin is very small and mostly hairless. they both have large triangular ears and a rounded hook nose with no bridge. The goblin has very yellow skin, the bugbear has very orange fur, and both have red-yellow eyes with flared eyebrows. Their weapons and armor look a bit scrappy, with bones and spikes and metal studs all over the design. notes on the image will be explained below. end description)

the fur color can probably be given a pass because it's fur, but the goblin's skin is so yellow. By itself, I don't think that would be enough to call it a bad design choice, but it is a little odd. what really makes me suspicious are the face shapes, especially the nose and eyebrows. And also the armor. There's not much armor, and it doesn't look like an exact match for any specific type of armor. Honestly I think it's a mix of inspirations, since the bugbear's leather skirt thing does look more like typical roman-inspired battle skirts. but there's enough going on with layered panels and metal studs, mixed with hide and bone and spikes for that "primitive" flair, that I do wonder a bit.

I gathered a few images that these designs reminded me of, as a visual reference.

(image description: both images contain screenshots of the huns from the animated disney Mulan film. The first image also shows old samurai armor and mongolian armor. the armor all has similar designs of layered metal and/or leather with metal studs all over it. The second image contains close ups of the goblin and bugbear faces with the animated film hun characters for comparison. They do all have similarly flared eyebrows and eye colors, as well as some similarities in the nose designs. end description)

Just, kinda makes me uncomfortable. Feels like someone should have double checked their work a bit before finalizing these monster designs. It's not blatant enough to be like, really on purpose, I don't think? I could be wrong, I very well may be missing some details. But the similarities to the hun designs alone are enough to make me say "oh gee, this doesn't seem right." Honestly, I think it's part of a larger trending problem with monster design. There are just some visual features that get used as the universal indicators that these creatures are Evil by nature. These features typically include some form of hooked nose, "primitive" armor, weapons, and clothing, and facial shapes that are angular and blocky, with a very heavy brow.

as a result of these common "evil" visual features, it's kind of inevitable that humanoid monster designs will end up feeling racist in some manner. It's much easier to avoid accidental racism with more animal or insectoid monster designs, but everyone always wants sapient-ish enemies they can use as cannon fodder, with even more humanoid final bosses. So they default to these visual traits again and again, because those are just the visual traits that have always been used. So it's an ongoing issue. Heck, if I tried to design evil humanoids from scratch for a job, I'm sure someone above me would request edits to give them the more obvious "evil" traits so they look more scary and intimidating. this is an industry problem more than an individual one. I hope I've helped point it out here, so more people can recognize it and add their own commentary.

I am also working on a redesign for these, in as close a stye match as I can manage. here's a WIP sample:

(image description: in the first image, a sketched redesign of the goblin and bugbear. Their noses and ears have been altered to look more bat-like, with prominent fleshy ridges on the noses that stick up away from the face. In the second image, the goblin is mostly finished with new colors and altered armor. It is now wearing a short leather wrap with strands of leather or hide hanging off the belt, alongside the arm bracers and leg bracers that were already there. Its skin is now a pale grey color and its hair has been redone as short bristly fur, with facial whiskers on the brow and chin. The bugbear has not been repainted, but it has been cut up and repositioned in preparation for the repaint. end description.)

fixed the poses while i was at it, making the goblin a little more dynamic and the bugbear a little more balanced. They're cave dwellers, so i went further with the bat-like features and the pallid complexion like other cave dwelling creatures have. It's going to take a while to repaint these, so this WIP will have to do for now. I hope it shows how a similar art style can be maintained while also making the designs a little more interesting and not so reliant on racist features.