#It was inspired from the first pilot episode of the show

[rika-mortis]

I think it would be funny if their reunion basically went like this

[alicentsgf]

It’s mentioned a fair amount that Yellowjackets was inspired by Twin Peaks but I just want to talk about what that might actually mean.

I once saw someone say about that show, "Twin Peaks tells you exactly what it's about every three episodes but people don't see it because there's a horse in the living room." And that's so true for Yellowjackets too. Picture it like a nesting doll. If Twin Peaks was a show about male violence wrapped up in a crime drama wrapped up in comedy wrapped up in a psychological horror, then Yellowjackets is a show about loss wrapped up in a survival drama wrapped up in a comedy wrapped up in a psychological horror. And it's loss in so many forms; loss of the self, loss of innocence, and most of all loss of community.

Yellowjackets, like Twin Peaks, is just a commentary on society but once again "people don't see it because there's a horse in the living room". Or in this case, because theres a schizophrenic teenage prophet who may or may not be communicating with some wild, bloodthirsty, nature god. When the truth is, the horse isn't important. Whether the Wilderness is or isn't real, isn't important.

It's about ego vs id, civilisation vs the wilderness, and innocence vs brutality. The other, "bad" side is always waiting, like Mari talked about, and its something that both exists within us and in our society. Like with Tai, the other side isn't innately bad but if we let it rule things it can become incredibly destructive. There has to be a balance. That's why they're a soccer team. It's a sport that is all about balance. You can split a soccer field in half 8 different ways but you will still always get a full set of 11 players who hold 11 different positions. It's a perfectly balanced, symbiotic community that is built on trust and understanding. The brutality is part of the game too, but theres a balance that comes with the rules and the way the game is moderated and consented to. The message of the whole thing being that community, love, friendship is what saves you. Its when the characters lose these things that they lose themselves, become vulnerable, die. It's why everyone in this show is complicit in the death of their best friend. The writers set the stage with Allie's treatment in the pilot. The whole story in contained within that first episode and ultimately her not being able to come results in a lack of balance within the team. It's why as the show goes on the girls become less and unified in both timelines. Now they've got to the point where they're splitting into factions in one, and talking about having to kill each other to be "safe" in the other.

Shauna's right, it wasn't the wilderness that killed anyone, it was always only them. All of them. When Shauna says "You know there's no 'it', right? It was just us.", its a very similar outburst to the one Laura Palmer's boyfriend has at her funeral in Twin Peaks, saying "All you ‘good’ people – you wanna know who killed Laura? You did! We all did.”, making a point about how the enviroment the town created resulted in her death more than anything else. The person who murdered her was just hand of that enviroment, the way Shauna always seems to be too. She holds the knife, but they all put it in her hand. Every single "sacrifice" to the Wilderness so far has resulted from a group decision to push someone from the team, an idea that started back with Allie before the plane even crashed. And this same attitude immediately doomed them again, because it was Misty’s desperation to hold onto her newfound sense of community and belonging after being ostracised for so long that had her destroying the transponder. “He’s not one of us” about Ben, and “They don’t belong” about the research group. The idea of "the other" used as justification for violence.

Jackie’s death was the most pivotal because she was the death of community. She was the first to be ostracised, the figure that once represented unity between the girls. As we saw at the party, she was the only one who could reestablish balance between them, and they killed her first.

This show is about a lot of things, guilt, grief, sanity, etc, but I do think that actual main commentary is on our current society. Twin Peaks was so fantastical but at its core it was only ever really about the evil that men do and a society that fascilitates it. Yellowjackets in its turn is about the ostracisation of the "other" and how this only hurts us. Weakens our communities. It's not lost on me that at least half the known survivors are able-bodied queer women, and this is a womens soccer team. In the world of womens soccer I would say that's the majority class. I don't think that's necessarily a mistake. The Yellowjackets ostracise people who aren't like them, aren't "useful", don't abide by their religion, and who push back against the status quo. Doesn't that sound familar?

[trinitygirlfailuresantos]

a long long time

jake ‘hangman’ seresin x reader

pictures from pinterest!!

word count: 2.8k

summary: childhood best friends, who always felt a bit more about each other, finally see each other after 12 years. will all their wishes come true at the Seresin holiday party?

warnings: childhood best friends to lovers! fluff!! cheesy goodness!! no use of y/n but reader does uses she/her pronouns! pet names: sweets, sweetheart, darlin, tiny dancer. no looks are given besides an outfit!

an: this is heavily inspired by ‘Its been a long long time’ by harry james! definitely recommend listening to it while reading! can you guys tell i love when people dance together as a form of intimacy? thank you to my friends who have no clue who jake is, who proofread this. & thank you guys for all the love on my other two fics! this is incredibly new to me so to see that people like the stories is really amazing. thank you. likes, comments, and reblogs are deeply appreciated!!

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Growing up, Jake Seresin was always by your side. Jake’s mom and your mom were best friends, meaning the two of you were destined to be in each other’s lives. Of course, you two went through the phases of disgust when one of you thought the other had cooties, but they never deterred your friendship. When you would fall off your bike and cry because you scraped your knee, Jake would immediately be by your side. Jake’s PeeWee football games never had a silent crowd, of course not. Little you would be right there next to his parents, screaming the loudest for him. A dance recital, nervous about your performances? Don’t worry, Jake would be right there in the front row next to both of your families, with a bouquet of your favorite flowers.

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High school hit, and Jake became the star football player who girls and guys alike pined after. You on the other hand were a quiet theater kid, dancing still, and leading the school newspaper. Despite running in different social circles, you two were still attached at the hip. The sharp stares you received from girls who wanted Jake would burn into your head, but you never let that affect your friendship. The free time you two had was spent with each other, taking long drives when you needed to clear your head, watching new episodes of TV shows you both enjoyed, and studying together. There has always been a hint of something more between you two, but out of fear of ruining things, you never made a move. Although, there was a time during your senior year when the possibility of being something more didn’t seem as distant. You two had just taken a long drive to a field in the middle of Texas to watch the sunset. It was then that you two shared your first kiss, and then it was over, and neither of you brought it back up. You knew you had feelings for him. That wasn’t even a question. But those feelings would not outweigh your friendship, you’d rather have him in this way, than in no way at all.

When Jake got into the Naval Academy, you were ecstatic for him. He had been dreaming about getting out of here since you were little tots, and now he had his out. You got into a school an hour away for Broadcast Journalism, and he was just as excited for you. When you told him, he picked you up and spun you around, both of you reminiscing on the days when he would play with his model planes and you would pretend to report every little thing that was happening around you two. Graduation day came and went, and soon you were getting ready to send Jake on his way to Maryland.

“Don’t forget me when you become a hot shot pilot mister.” You said to him with tears in your eyes. He looked back at you with something that could only be described as melancholy and kissed your forehead, “I could never forget you tiny dancer. Plus we can still keep up with each other, and I’ll see you over the holidays!”

You two kept up with each other for the first two years of your college time, but communication became scarce. He didn’t come home for the holidays, you couldn’t blame him though. He finally got out of there, he was doing what he always wanted to do. Communication between the two of you completely went away during your junior year. You’ve kept up with him through your parents and his, and to say you were proud was an understatement.

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It’s been 12 years since you last saw Jake Seresin. You would be lying if you said you didn’t think about him a lot of the time. After you graduated from UT at Austin, you moved back home and started to work at the local news station as an Anchor. Your free time is spent with friends, going out to bars, or just brunch together. They always hound you about finding a guy, “Come on!! You’re single, hot, and an amazing person!” “You can’t just sit here all night, come meet Tyler, I promise you’ll like him! Please?” You knew they had good intentions, with their bright smiles and kind words. So you tried. You would go out with who they wanted you to, but every time, it felt as though something was missing. You knew what was missing, you just didn’t want to admit it. Seasons change but you don’t think your feelings for those

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The holiday season is always your favorite time of year. From October to January, you feel lighter. Walking around to see decorations everywhere, families laughing together, and hot apple cider to warm the now-cold Texas air. Work is busy, but you can’t complain, you love your job. Recently you covered a story about a baker and her husband who had just celebrated the 30th anniversary of their bakery by having the cutest reindeer cookies and a huge cake for everyone who may want a slice.

Tonight is the annual Seresin family Christmas party, and just like every other year, you hold on to hope that Jake will be there. You know it’s a stretch, but you can’t help but be hopeful.

You bought a new outfit just for tonight, a red cable knit sweater, a black mini-skirt with black transparent tights, and black leather boots that went up to your calves. After adding some touch-ups to your makeup, you decided you were ready to go, grabbed your purse, and headed towards the Seresin’s house. It was about a 5-minute walk from your new place, which is quite convenient, and you spent the entire walk with your head in the clouds, daydreaming about the pilot who stole your heart all those years ago.

Walking into the house you spent so much time at as a child, a sense of warmth feels you. The entire house smells like freshly baked cookies, Christmas lights twinkle along the hallway, and the sounds of laughter and soft Christmas music fills your ears. Mama Seresin sees you and you are immediately engulfed in a hug that could probably fix anybody who is on the receiving side of it. “Oh my goodness look at you!!! You get more beautiful each time I see you.” You felt your face heat up instantly, shying away a bit from her kind words. “Thank you mama Seresin. I’m happy to be here again, happy holidays.” She pulled back and had an incredulous look on her face.

“Thank me?? Sweetheart, you are welcome at this house any day, any time. Make yourself at home, tonight should be a wonderful night.” She winked at you and left you standing there in the entryway.

After making your rounds, you grabbed yourself a drink and sat on the couch watching “National Lampoon’s Christmas Vacation” with one of Jake’s sisters. She kept looking over at you with a sly smirk on her face so you snapped, “What is going on with y’all tonight? First your mama winks at me, Elizabeth said she was ‘So excited’ for me tonight, and now you can’t stop looking at me like the cat who caught the canary! So what is going on?” With an exasperated look on your face, you fully turn to look at her. Charlotte just slides off the couch and smiles, “We’re just happy to see you and we are hoping you have a great time tonight.” With the cryptic answer said, she walks away leaving you to sit there in your skepticism.

After an hour or so, everyone has made it and dinner is about to be served. At least you thought everyone had made it, that is until you hear a knock on the door. Mama Seresin rushes to open it, and you lean over the arm of the couch to see who it is. You can’t tell if it's the winter air or who you see standing there, but a chill runs down your spine. In all his glory, Jake Seresin is standing there with several suitcases and a bright smile on his face. Taking him in, you notice he’s grown into himself in the last 12 years, His sandy blonde hair isn’t as long, he’s filling in the brown button-up shirt very nicely, and he’s grown at least 3 inches since you last saw him. He’s still got his cowboy boots on and a smile that could light up a room, so not everything has changed. Finally, you look back up to his face, and you lock eyes with the man who has never left your mind.

You stand, mouth agape, and the two of you finally make your way to each other. You meet in the middle of the entryway, and as soon as his arms are around you it’s like everybody and everything fades away. You stay there in the comfort of each other’s arms for a few more seconds and when you finally pull away, the sounds from the rest of the house fade back in. Looking at each other, you feel a warmth creeping up your neck, the chill from earlier has fully disappeared. “Hi,” you said with a shy smile as you fiddle with the cuff of his sleeve. “Hi sweetheart,” he replies with the kindest smile you’ve ever seen. The moment is broken when someone clears their throat behind you, “Dinner is ready.” You turn and see the Seresin women standing there with smirks across all of their faces. Looking back at Jake you realize he’s got a scowl on his face, and you just giggle a bit. At the sound of your giggle, he looks back at you, the scowl being replaced with a shy smile, “We can talk after dinner?” You nod your head and make your way toward the dining room.

Dinner is the most delicious thing, but you would never expect anything less from Mama Seresin. She always cooks things with love, which makes things 10,000 times better. Once you get turned away from helping with dishes, you make your way outside to get some air. It’s a bit chilly, the backyard is decorated with lights strung across the way, the music from inside the house carries softly across the yard although it’s muffled, and stars are shining so bright in the night sky. You see a plane fly across the sky and you huff out a laugh, realizing your dreams of seeing Jake again, came true tonight. At least you know why the family acted so odd tonight. You take a seat in one of the cushy chairs sat up in the backyard, and stare up at the sky.

Surely Jake didn’t know you were gonna be here tonight, Has he changed a lot? Did he miss you as much as you missed him? Was your pining so obvious to everyone that they sat this up? Your mind starts spiraling with thoughts, and a bit of nervous tension sets in as you sit out there. The music gets less muffled for a second, meaning someone has just opened the back door, but it’s quickly snuffed back out. You don’t bother to turn your head, your mind is busy with so many questions. In your peripheral, you see the man on your mind take a seat next to you. He looks up at the sky and you can feel the nervousness roll off of you both as you sit there.

You turn to look at him, right as he turns to look at you, and you both sit there taking each other in for a second. “So-” “It was-” You both start trying to talk simultaneously and once you realize, you both start giggling. You nod your head to tell him he can go first, and with a shy smile he rubs the back of his neck and says, “It was nice to see you again sweetheart, I was really hoping you’d be here.” That warmth from earlier creeps back up your neck, and you smile softly at him. “I was hoping you’d be here too cowboy.” You both just sit there with smiles, and after a few beats of silence you add quietly, “I missed you.” What you could only call longing, flashes in his eyes, before he smiles at you, “I missed you too tiny dancer.”

The two of you fall into easy conversation. He tells you all about the Naval Academy, and how he is the “best of the best,” which you don’t doubt. Once he sets his mind on something, he doesn’t give up. You learn he’s living out in San Diego, but he constantly misses the Texas skyline. You tell him all about your experience at UT at Austin, and how your job at the local news station is going. You both continue just telling each other what you’ve both missed out on.

At some point, the conversation shifts to relationships. You take a deep breath and ask, “So do you have anyone special waiting for you back in California?” He takes a minute to just look at you before responding, “No sweetheart, I don’t. Do you have anyone missing you tonight?” You let out your breath at the word “no,” and chuckle. “The only person missing me tonight is my fish, Mr. Speckle.” He throws back his head and barks out a laugh at that, before looking back at you with a wide smile. It shifts to a bit of an apprehensive smile before he asks, “Is there any reason? You’re a gorgeous girl who is amazing sweetheart, I’m sure guys are lining up for a date with you.”

You knew you could try and lie to him, but he knows you too well. He would immediately figure you out, so you shake your head and respond truthfully. “I’ve tried over the years. But every single time, it didn’t feel right. Something was always missing. It took me a while to realize what that was.”

“And what was that?” His face is a bit more hopeful now, or maybe you’re just going crazy. After a moment of just looking into his eyes, you turn to fidget with your sweater and finally speak. “They weren’t you Jake.” It came out softer than you thought it would. The silence surrounds you like a suffocating room, and panic starts to claw its way up your throat.

You’re about to apologize profusely when Jake finally speaks. “That’s why I don’t have anyone waiting for me sweets. They weren’t you. The gorgeous girl I’ve known since diapers, who has always been so caring. Who put others before herself. The girl who knows me and my family, and still chooses to be around us.” You stare at him with wide eyes, trying to absorb everything that was just said. Softly, you reply, “I will always choose you, Jake. The boy who didn’t let me go to bed upset. The boy who constantly cheered me on in everything I did. The boy who set his sights on something and chased it. ” Your chest feels lighter, while your heart beats at a lightspeed rate.

Looking at Jake, he has a boyish grin on his face, rubbing the back of his neck again. In the blink of an eye, he is in front of you with his hand held out. You look at him like you’re considering your options for a second, just to make him sweat a bit, but ultimately you take his hand with an affectionate smile. He pulls you close and wraps his arms around your waist, your arms going around his neck, playing with the collar of his shirt. The two of you dance to the muffled music coming from inside, under the twinkling lights of the backyard you’ve spent so much time in over the years. You look up at him to find him already staring at you. He’s got a look of love in his eyes, and you’re sure he sees the same look in yours.

“So can I take you out tomorrow sweetheart? I should’ve asked you that years ago.” He asks with a smirk across his lips. You mirror his smirk as you respond, “You sure can cowboy. We have a lot of time to make up for.” You both slowly lean in, and your lips meet in a short kiss that makes fireworks go off in your stomach. You both pull away, but that one kiss isn’t enough. The two of you share another short kiss, before breaking out into a long deep kiss. He dips you a bit with this one. Everything you’ve ever dreamed of has come true under the twinkling lights. You’ll have to make sure to send the Seresin women some cookies and flowers for planning this.

From inside the house, the Seresin family is silently cheering. They’ve watched both of you pine after each other for so long, they knew y’all just needed a bit of a push in the right direction.

[tinytablepodcast]

Help Us Choose Our Next Game!

We received so many wonderful submissions from the indie ttrpg community of games to play next on Tiny Table. We need your help to narrow them down! We will be taking the top 3 games to Patreon for our patrons in the Mini and Micro tier to vote on.

Reactors and Romance: Reactors and Romance is a rules-light RPG about flirting while piloting a giant robot. You only have one stat, and that is your HEAT 🔥. Your HEAT measures how hot your mech's reactor is getting, and how hot of a pilot you are 😉 Will you fight or flirt your way through battle? Can you keep your mech from overheating? What will it be hotshot?

To Infinity...: Inspired by Alien and The Thing, "To Infinity..." is a tabletop social deduction game where up to 4 players and 1 GM need to escape on a spaceship from an alien monster who killed the rest of the crew. What none of the survivors know is that this isn't just a monster, the alien could be any one of them...

Hellborn Descended: Hellborn Descended is an infernal TTRPG set in a modern Hell, inspired by comics and shows such as Hellboy and Helluva Boss. In Hellborn, players take on the role of sinners, demons, and fallen angels, working together as mercenaries to attain wealth, fame, and power, or gloriously die trying. Check out their kickstarter!

Darkest Hour: Darkest Hour is a horror tabletop game inspired by horror movies of all kinds, featuring a group of monster hunters attempting to put a stop to a malicious supernatural entity in a single night. Over the course of six rounds, known as the Hours, the hunters must use their abilities to establish benefits that will aid them even as the haunt grows in strength and the hunters become less effective. As Blackest Night envelops them, the haunt feels insurmountable -- will the hunters find the haunt's true weakness and destroy it for good, or be whittled down until only a Final Girl remains? Featuring six haunts, six locations ripe for the haunting, and six unique hunter archetypes, Darkest Hour is perfect for one-shots for 2-5 players, and can either be run by a GM, or communally without a GM.

Dawn of the Orcs: Dawn of the Orcs is a GMless dark fantasy worldbuilding and roleplaying game. Play the magical technocrats who create the first orcs as living weapons and tell the story of how the Orcs become their own people. It can be played seriously as a fantasy transhumanist Dr. Strangelove, or as a wacky game of Saruman by committee.

The Trains of the Glorious Republic of the People: The Trains of the Glorious Republic of the People is a tabletop RPG where players take on the roles of a train crew in a fictional 1930s totalitarian state. Your mission is simple: get yourselves and your unique train from point A to point B though things are never that easy on the tracks of the Glorious Republic. The game requires only d6s, pen, paper, and, above all, your loyalty to the party.

Paratype: Paratype takes place in the aftermath of an apocalypse where giant bugs have reclaimed the earth. For humans survival is a challenge-one helped by the invention of a device that grants strange new buggy abilities. Paratype is a game about survival, humanity and so, so many bugs.

Broke Wizards: Broke Wizards is a light, silly game about working class sorcery. Play as students of the prestigious Audment's Academy of the Arcane who must go delving for treasure in order to pay tuition. To cast magic, wizards must use items found around their dormitory as makeshift spell ingredients - and then use their real-life argumentative skills to convince the living force of magic that yes, actually, a dirty shot glass is a great ingredient for casting a spell of water breathing, thank you very much.

RiskTaker: RiskTaker is a GM-less system built around players making big moves with big risks. Each sessions revolves around "The Scene," a climactic event like an episode's final battle in a superhero TV show, or the aftermath of a heist gone wrong. Players take turns either doing exposition scenes to give context to The Scene and built character relationships, or Influencing The Scene, which means they take a decisive action and decide how effective that action will be. But watch out - the more impactful your action, the more things can go wrong, and the more likely it is that they will. But what's a good story without a few Risks?

'til it kills us: in ‘til it kills us, you play as a group of young, reckless queer activists fighting to make a difference in the world. you’re angry, and you’re scared, and rightfully so. not to mention, you’re all a little bit fucked up. whether you’re dealing with issues at home, struggling with mental illness, or just learning to stand on your own two feet, life isn’t easy. but you’re also in love with the world, and with each other, so you keep fighting anyway. it’s the only thing you can do. the only problem is your magic. sure, it protects you. sure, it helps you fight. but you can feel it – feeding on the most unpleasant parts of you. and the longer you have this magic, the more you fear by those feelings. you worry it might be powering but you keep fighting. what else is there? remember what you always said: we’re going to keep on fighting ‘til it kills us.

If you submitted a game to us and don't see it on the list, don't fret! We will be hosting many polls like this and your game is still in consideration. If you game is on here and isn't chosen to move on to our next poll, also don't fret! We may add it on to the next poll again.

[eldar-of-zemlya]

To Boldly Sew: The Creation of Star Trek's Iconic Wardrobe

Gene Roddenberry’s arguments with NASA, costumes crafted from shower curtains, male characters in miniskirts, and why the gold command uniforms were actually green—this is the story of Star Trek’s groundbreaking wardrobe and the visionary work of the man behind it, Bill Theiss.

If you’d like to read the formatted article with easily accessible references, you can also find it on AO3.

During the production of the original Star Trek, the creative team faced numerous challenges, the most persistent being, unsurprisingly, the show’s limited budget. These restrictions had a significant impact on many aspects of the series, including one of its most crucial visual elements: the wardrobe.

Each week, the costume department was tasked with creating original outfits for the show’s characters. Alien civilizations had to look distinct and believable without distracting from the storyline—all while staying within a tight budget. To achieve this, the team employed clever tricks, such as repurposing and dyeing old uniforms, turning garments inside out, and even fashioning costumes from unconventional materials like vinyl shower curtains.

"Sometimes a show will call for 30 or 40 costumes," explained Star Trek’s costume designer William "Bill" Theiss. "And since we film back to back, that means I have to design, get approval from the producers and director, and construct the costumes in six to eight days." [Source]

Commander Spock and Lieutenant Tormohlen don "protective suits" fashioned from shower curtains as they investigate the mysterious death of a mannequin crew member. (Season 1, Episode 4, "The Naked Time.")

Theiss was a key figure in shaping the visual identity of Star Trek’s universe. Over the course of the show’s three seasons, he designed costumes for a wide range of characters, from blue-skinned Andorians to the infamous Orion slave girls, and even the Nazi-inspired inhabitants of the planet Ekos. (Interestingly, the episode Patterns of Force, featuring Ekos, was banned from German television until 1995 due to its controversial themes.) [Source]

Theiss first met Star Trek creator Gene Roddenberry while Roddenberry was developing the show’s pilot. At the time, Theiss had gained attention for his innovative work on the science fiction play The Veldt, based on Ray Bradbury’s short story of the same name. This caught the eye of Star Trek writer Dorothy Catherine Fontana, who introduced Theiss to Roddenberry. By then, Roddenberry had already interviewed over a dozen costume designers but had yet to find someone who could bring his vision to life. Theiss’s creative approach, which often involved crafting unique costumes from unconventional materials, immediately resonated with Roddenberry. Their collaboration would continue for decades, even though, amusingly, Theiss never learned how to sew. [Source]

After the original Star Trek series was canceled, Theiss and Roddenberry remained close collaborators, working together on various projects until Roddenberry’s passing in 1991.

Left: William Theiss adjusts Susan Oliver's costume on the set of the 1965 pilot episode, "The Cage."

Right: William Theiss and Leonard Nimoy on the set of Season 2, Episode 26, "Assignment: Earth" (1968).

When designing Star Trek’s now-iconic multi-colored uniforms, Roddenberry drew inspiration from the color-coded uniforms used on American naval vessels, where quick role recognition was essential in low-visibility environments. As a former military pilot during World War II and later a police officer, Roddenberry had firsthand experience with structured, hierarchical organizations. These influences shaped not only Star Trek’s command structure but also its visual design. [Source]

Each division was assigned a distinct color: engineers, communications officers, and security personnel wore red; medical staff and scientists were dressed in blue; and command officers wore—believe it or not—green. (But more on that later.) All uniforms were paired with dark ash-colored trousers and high boots.

Star Trek is not typically associated with realism, which makes it surprising to learn that NASA was involved in the show’s production, offering advice to ensure it was "scientifically believable." Among their suggestions was the idea that 23rd-century astronauts might wear form-fitting jumpsuits. However, Gene Roddenberry dismissed the concept, humorously referring to the design as “long underwear.”

NBC, on the other hand, had entirely different priorities. The network insisted that female Starfleet officers wear more revealing attire, a demand that clashed with Roddenberry’s vision of a future where women were treated as equals to men. In the first pilot episode, The Cage (1965), Roddenberry boldly dressed female characters in pants—an unconventional choice for 1960s television. However, after much debate with the network, a compromise was reached: miniskirts. Highly fashionable at the time, they were paired with shorts and dark tights, blending contemporary trends with Star Trek’s futuristic aesthetic. [Source]

Captain Pike and a group of serious women in pants protect the heroine from an ass-headed very wise alien. The first pilot of Star Trek, "The Cage" (1965).

Years later, when NBC faced accusations of sexism and objectifying women, Nichelle Nichols, who played Uhura, defended the wardrobe choice in a BBC interview. She explained that the miniskirts weren’t unusual or inappropriate for the era:

“I was wearing them on the street. What's wrong with wearing them in the air? I wore 'em on airplanes. It was the era of the miniskirt. Everybody wore miniskirts.” [Source]

Grace Lee Whitney, who portrayed Janice Rand, echoed Nichols’s sentiment, adding that she “didn't think the women should be in pants” and that she wanted to “look like Flash Gordon” on screen. [Source]

Meanwhile, costume designer Bill Theiss had his own, more subtle approach to creating “revealing” costumes.

“He felt that revealing non-sexual flesh (the outside of the leg, off one shoulder, the back) promised that the viewer would see more — but they never did,” explained screenwriter D.C. Fontana, citing the gown worn by Lt. Palamas in Who Mourns for Adonais? as a prime example. [Source]

Lieutenant Palamas's "ancient Greek" dress from the episode "Who Mourns for Adonais?" alongside William Theiss's original sketch for the design.

When designing the original Star Trek uniforms, Theiss was tasked with creating something that reflected military influences while also looking futuristic and remaining inexpensive to produce. His approach was practical:

“As for where I get my ideas from… well, I don’t get them from my dreams or anything. Mainly, I get them from fabric that I see that’s available; I look for interesting patterns in the material itself,” Theiss once explained. [Source]

For the first two seasons, the Star Trek uniforms were made from velour, a newly invented fabric that was cheap, easy to maintain, and had an appealing sheen under studio lights. However, velour had its drawbacks: it tore easily (as evidenced by Captain Kirk’s frequent shirt-ripping battle scenes...) and shrank significantly after dry cleaning. Since the costumes had to be cleaned after every episode, viewers may notice that the uniforms became progressively tighter throughout the first two seasons. By the third season, velour was replaced with double-knit nylon, a more durable fabric used in professional baseball uniforms.

Left: Kirk's velour shirt from Season 1, Episode 10, "The Corbomite Maneuver." Right: The same shirt in Season 2, Episode 22, "By Any Other Name." Shatner is diligently sucking in his stomach.

This brings us to another interesting aspect of the original velour uniforms—their appearance on screen.

“It was one of those film stock things,” Theiss explained. “It photographed one way—burnt orange or gold. But in reality, it was another; the command shirts were definitely green.” [Source]

So, what color was Captain Kirk's uniform really? In truth, Kirk's uniform—like the rest of the command crew's—was olive green. However, under the bright studio lighting and the quirks of 1960s film stock, it appeared gold on screen. The greener hue becomes more noticeable in scenes filmed on location with natural light. The difference is also evident in photos of the original uniforms on display, such as those taken at an exhibit in Detroit, USA. In one image, taken under dimmer lighting without flash, the fabric looks closer to its true green color; in another, taken with flash, it appears more golden.

Left: Kirk's velour shirt photographed without flash—olive green. Right: Kirk's velour shirt photographed with flash—yellow gold.

This might come as a surprise to Star Trek fans, but it makes sense when you consider that Kirk's alternate uniforms—the wrap-around tunic and dress uniform—were distinctly green. This wasn’t an intentional design difference; those variations were simply made from a different fabric that didn’t react to light the way velour did.

“The problem is that a lot of my work is seen on screen for only two to three seconds, and even then, it might be in bad light or at a bad angle,” Theiss noted. “But then, you can't really justify taking two hours to light and block a scene just to showcase a costume.” The play's the thing, according to Theiss. "That's what it's really all about. It's not about the costumes." [Source]

The color discrepancy of the uniforms became an interesting challenge when animators began working on Star Trek: The Animated Series in 1973. They had to decide whether to depict the uniforms in their originally intended green or the gold shade that had become iconic to audiences.

At the time of Star Trek's release, many viewers were watching on black-and-white televisions, making it impossible for them to discern the true colors of the uniforms. At the Kirk/Spock convention, @kiscon, I spoke to a longtime Trek fan who told me she had no idea what color the uniforms were when she first watched the show as a teen. For those fortunate enough to see the series in color, however, the command uniforms became strongly associated with yellow. As a result, changing the uniforms to their intended green in Star Trek: The Animated Series would likely have confused audiences who had grown accustomed to the gold appearance on screen.

Ultimately, the gold uniform was canonized in The Animated Series and used in all fan materials until the release of the Star Trek feature films. Meanwhile, the trousers—whose color had also been slightly distorted on film—remained their original dark ash shade.

Because of these discrepancies, fans often debate which version of the uniform to follow when cosplaying or creating visual content. Many cosplayers choose to replicate the original olive-colored velour, trusting that proper lighting will naturally recreate the golden appearance seen on screen. Others opt for the now-iconic gold shade, reflecting the way the uniform has been depicted in official materials for decades.

Star Trek: The Animated Series (1973).

Ironically, NASA was right in its assumption that jumpsuits would become the norm for astronauts, and Roddenberry was forced to use them in the first feature-length Star Trek film, 1979's Star Trek: The Motion Picture. The multi-colored shirts were rejected by the studio as too garish, and the miniskirts worn by Uhura and most of the female crew members were already considered a relic of the sexist 1960s by 1979.

William Theiss, who designed the costumes for the original series, was too busy with other projects to work on the film, so Gene Roddenberry brought in a new costume designer, Robert Fletcher, who created the Starfleet uniforms now remembered as the worst in the franchise's history. In an effort to avoid comparisons to military uniforms, the studio opted for muted tones ranging from pale blue to dirty beige and nude shades. The result? The Enterprise crew looked more like spa staff than starship officers, and some background extras in nude-tone bodysuits appeared practically naked on screen. Not only did these uniforms make it impossible to distinguish the characters' ranks and departments, but they were also surprisingly impractical. The suits were sewn onto the actors' shoes, meaning they needed an assistant every time they went to the bathroom.

Star Trek: The Motion Picture (1979).

Luckily for us all, in the next film, Star Trek II: The Wrath of Khan (1982), it wasn’t just Khan who was filled with rage—the cast themselves rebelled and outright refused to wear the dreadful jumpsuits again.

Despite the failure of his design, Robert Fletcher remained as costume designer for the next three films, promising changes. In Star Trek II: The Wrath of Khan, the uniforms returned to a more military style, with the lead actors wearing maroon jackets with overlapping lapels that they could dramatically unbutton if their character was meant to look tired or stressed. If you look closely, you’ll notice that these maroon uniforms were actually redyed and slightly modified versions of the jumpsuits from The Motion Picture. The reason for the maroon color? It was the best shade that worked with the existing fabric from the first film. [Source]

William Theiss, reflecting on Fletcher’s designs, commented:

“Bob Fletcher is a very fine designer, and I mean that very sincerely. We don’t design the same way, and there’s no reason we should—or could. It’s apples and oranges. But my personal feeling is, if you go to a structured, woven fabric and do the kind of tailoring and structuring he’s done, it puts those costumes back, historically, 500 years, with shoulder seams and shoulder pads of that type.” [Source]

Star Trek II: The Wrath of Khan (1982). Everyone turned red with anger.

In Star Trek: The Next Generation, Roddenberry reunited with Bill Theiss, and together they decided to bring back the iconic miniskirts as part of the uniform, but with a twist—they wanted to make them inclusive. In The Next Generation, male crew members were occasionally seen wearing the same miniskirts or “scants” (a hybrid of skirts and pants), reflecting Roddenberry and Theiss’s vision of a future where gender norms no longer dictated clothing choices.

However, the social climate of the 1980s and 1990s wasn’t as receptive to this progressive idea.

“Having both actresses and actors in skirts was meant to diffuse any sexist accusations that might have been associated with designs from the old show,” Theiss explained. “It’s also fashionably probable that, 400 years from now, men would wear skants. Even so, there was usually a problem on the set,” he admits, “because some wisecracks were always made.” Theiss emphasized that he wanted his actors to feel at ease in the designs. “I won’t force an actor or actress to wear something they’re not at least 80 percent comfortable with.” [Source]

While Theiss’s designs were undeniably groundbreaking, he was known to be a challenging person to work with. Constantly preoccupied with time and budget constraints, Theiss had little patience for anyone—whether they were directors, producers, or even Gene Roddenberry himself. He was even less tolerant of people who approached him simply to praise or critique his work, or even just to say hello. His philosophy was simple: “Better to be rude than to delay filming.”

Actors, extras, and costume assistants often recalled how Theiss would dart around the set, frantically hemming, tucking, and adjusting costumes between takes. Many of the alien outfits seen on the show weren’t actually "costumes" in the traditional sense. Instead, they were often assembled from patches, ribbons, scarves, curtains, and wire, with actors being "stitched into" them directly on set. [Source]

For example, Janice Rand's iconic beehive hairstyle was crafted from several wigs braided together over a cone. Grace Lee Whitney, who played Rand, recalls running back and forth between the dressing room and Roddenberry’s office with Theiss, constantly piling on more hair. Each time, Roddenberry would stare at her intensely, then declare, “Higher!” Whitney and Theiss would rush back to add more wigs until the hairstyle reached its iconic height. [Source]

One Smithsonian Institute employee, who worked with Theiss in 1992 while preparing for a Star Trek costume exhibit, recalls combing through the Paramount warehouse filled with racks and boxes of costumes. She was amazed to discover that most of the "costumes" were actually scraps of fabric neatly hung on a single hanger. Yet, when these scraps were sewn, tied, and pinned together, they became the iconic designs we now associate with Star Trek.

Andrea Weaver, one of Theiss’s fellow costume designers on the original series, remembers:

“Bill Theiss was a creative designer. His designs for Star Trek were original, rather than distilled from other sources or redefinitions of previous works. This is what I appreciated about Bill Theiss. I thought he was a truly unique and rare costume creator.” [Source]

William Ware Theiss’s contributions to Star Trek are legendary. His uniforms for both Star Trek: The Original Series and Star Trek: The Next Generation remain iconic, instantly recognizable even by those who aren’t fans of the franchise. His innovative, DIY approach to creating futuristic costumes brought a distinctive charm to the original series and left an enduring legacy.

Here are some of his most memorable designs:

Left: Season 2, Episode 11: "Friday's Child" Right: Season 3, Episode 13: "Elaan of Troyius"

Left: Season 1, Episode 15: "Shore Leave" Right: Season 3, Episode 20: "The Way to Eden"

Left: Season 2, Episode 1: "Amok Time" Right: Season 1, Episode 23: "A Taste of Armageddon"

Left: Season 2, Episode 9: "Metamorphosis" Right: Season 1, Episode 6: "Mudd's Women"

Left: Season 3, Episode 5: "Is There in Truth No Beauty?" Right: Season 1, Episode 15: "Shore Leave"

Left: Season 1, Episode 23: "A Taste of Armageddon"Right: Season 2, Episode 16: "The Gamesters of Triskelion"

Left: Season 3, Episode 11: "Wink of an Eye" Right: Season 3, Episode 8: "For the World Is Hollow and I Have Touched the Sky"

[fanfoolishness]

Here’s a lovely article summing up some of the conversations that happened at last week’s PaleyFest Severance event in Los Angeles, which I attended. However! I also took copious notes because I figured a news article wouldn’t post everything. Here’s what I got, largely paraphrased because I couldn’t write fast enough to get verbatim quotes. Buckle up, this is going to be long!

Watching the finale on the big screen? Utterly insane. Every shot was gorgeous. We had screams almost every time a new character showed up for the first time; uproarious laughter at almost everything Milchick did; shrieking when Lorne kicked Drummond’s ass; howling when Mark Scout accidentally kills Drummond because of the severance transition or when he and the nurse had a screaming match. I know it must have been so gratifying to the cast and team to hear us all losing our minds, especially since they never got to do any premieres between covid and LA fires.

Ben Schwartz (Jean-Ralphio Saperstein from Parks & Rec) was the moderator for the discussion after the episode. We had in attendance Adam Scott, Ben Stiller, Dan Erickson, Patricia Arquette, Tramell Tillman, Britt Lower, Dichen Lachman, Sarah Bock, Zach Cherry, Jen Tullock, Michael Chernow, Ólafur Darri Ólafsson, and Gwendoline Christie. How insane!

Ben introduced each person, but when he got to Tramell Tillman no one came out. “Uh, bathroom?” Ben asked. The other Ben (Stiller) shrugged and said maybe, then mentioned that Tramell had a hard time coming out of being Milchick at the end of S1 and they found him working in a shoe store. (What the hell?) So he warned us Tramell might not be joining us.

Of course, like 10 seconds later Tramell Tillman snuck out into the audience accompanied by like. A 60-person marching band playing the Kier hymn. Because OF COURSE HE DID. He twirled with his baton and white gloves in and out of the aisles while all 3300 of us gave a standing ovation and cheered and shouted our heads off.

Ben Schwartz had a massive stack of prepared questions. He’d toss a paper aside once he was done with it. Of course, being a huge nerd sitting in the back I’d brought binoculars and could see what they looked like. Each page had a massive Lumon logo on the back.

Q: How does it feel to have the episode out in the world without having to keep it secret?

Dan: I don’t know who I am without secrets.

Patricia: I don’t know, I almost preferred the secrets. I liked you all being confused and afraid.

Dan mentioned that Drummond’s accidental death in the elevator had been pitched as a joke when they were all exhausted at the end of the night, and everyone was like “that’s what we’re doing.” Ben Schwartz: “hell yeah!”

Ben Stiller loved hearing and seeing our reactions in the theater. Watching it with us was so special — “to hear real laughs! It’s so exciting for us!”

Q: What was a small writing choice that wound up having a big influence on the show?

Dan: Milchick appeared in the pilot and we weren’t sure about him. We knew he would be like Cobel’s right-hand man, but weren’t sure if he was going to have much of a role after that…

Tramell Tillman got up and stalked halfway off the stage, then came back and sat down, giggling.

Dan (continued): But then he read the line for “You and Petey were one of my favorite office friendships,” maybe in the audition? And it was so good we knew we had to do more.

Dan started talking about the boring basement job he had at the door factory that inspired the idea for severance, but then got a wary look, casting his gaze over the massive theater and its box seats. “I’m worried my old bosses could be here… they might cap me like Lincoln.”

Ben Schwartz’s eyebrows flew up. “Like, Lincoln? Abraham Lincoln? That is too soon, man!”

Q: Are there things on the show you’re planning but haven’t done yet? Like seeds? Don’t tell me what they are, just if they are.

Dan: YESSSSSS. Multiple.

Q: Adam, how did you prepare for… you know… the defiant jazz dance party? You go from Milchick dancing as smooth as silk, my man is going for it, and then… you. What is the thought process?

Ben Schwartz said he was blown away by Adam’s acting in the scene with the Marks conversing with each other. “You had me. How did you prepare?”

Adam made tapes with his phone at home at first. He was dreading the scenes somewhat because there was a fear it might not work. He was most excited for the part in the conversation where oMark “kinda fucks up, gets a little condescending — he gets her name wrong, pushes too hard.”

Ben Schwartz pounced on Britt with a super complex question that could be summed up as what is her process for getting into each character — Helly, Helena, Helena as Helly, Helly in the OTC? Britt got a look like a deer in the headlights and said Zach was gonna answer for her.

Zach: Shrugs. Says for Britt it’s all about vibes. Pulls a pack of trail mix out of his pocket and starts eating it. Then reads off the ingredients and nutritional information. WHY I don’t know but it was cracking my shit up! Britt and Zach then said they had their own podcast starting up about food.

Britt pointed out that Helena hates eggs. However, Helly says the egg bar is actually good. Helly likes eggs. Pro-egg Helly!

They talked about the “cool shit” in Britt’s performance of Helena pretending to be Helly, and Britt and Ben Stiller talked about how impressive the fans were in finding all of the little flourishes she had put in �� the computer button being hard for her to find, the shift in her face in the tent with Irving (fuck I loved that so much, so good).

Q: Sarah, you were 15 when you shot season 2. What was it like to be in a position of authority over these characters - and actors - who were much older than you?

Sarah: it was scary! John Turterro was soooo tall.

Sarah was asked what Ms. Huang might be like in regular high school. Sarah suspected she would still be in band so that she could play her theremin, but she wasn’t sure if she would have friends — “she might need to work on her social skills.” However, she would definitely have a better time than  being at Lumon.

They talked about Dichen’s beautiful Gemma standalone episode and if it was hard having to play 5 innies (Cold Harbor, fear of flying, Christmas, dentist, Ms. Casey). Dichen said it was fairly easy since the crew in hair and makeup and wardrobe did so much wonderful work for each character and she couldn’t really take so much credit for it herself.

Britt, Adam and Dichen talked about filming the final scene. Adam said it was heartbreaking because they were all exhausted and Dichen was really pounding at the door for hours. Britt talked about the love “triangle” but said “If you know me, I love talking about shapes” and compared it to more of a tetrehedron or hexagonal shape. She also wondered if it might be love at first sight for Gemma and Helly! (Hell yes, I love that energy!)

Dichen does think that Gemma was able to make sense of it and understand what happened. She knows she’s severed, she knows her Mark would never not listen to her like that, she’s able to put it together and at the end she’s screaming in desperation to try and break through that barrier, but sadly fails.

Jen and Michael talked about how Ricken and Devon should totally have a multi camera sitcom of their antics. 

Jen was asked why does Devon trust Cobel? Jen’s response was that she is tired of getting angry emails in her inbox about the subject! Per Jen, Devon doesn’t trust Cobel “farther than she can flick her.” But with everything happening to Mark, Mark being in danger, and Gemma being alive, this is Devon’s “flip a car moment” -- she knows it’s this plan or no plan and so she’s going fully ahead.

How did Devon and Ricken meet? At a key party! j/k, they said it’s private. Jen said their relationship was clearly lived in and that Devon and Ricken are well past the point where they fart in front of each other.

Q: Michael, we’ve seen a lot of Ricken with others. What is he like when he’s alone without anyone to impress?

Michael: Michael suspects he’s anxious and worried, and does care a lot about what other people think. He’s kind of lonely, and there’s a real void he’s trying to fill. He really enjoyed Mark and Ricken getting along in episode 7.

Zach’s turn for a solo question. He holds up his bag of trail mix and the audience goes wild. 

They spoke of how Zach is a comedian and was very excited at getting to do the romance work with Gretchen, as this is something he hasn’t been asked to do before. Ben Schwartz said he loves getting to see comedians kick ass at dramatic roles. The proposal was beautiful, but they then veered into wondering what the sexual differences between iDylan and oDylan might be, LOL. 

Zach said that filming both writing and receiving of the letter was an exciting challenge, but enjoyed acting the receiving of the letter most of all.

Everyone agreed that Drummond was scary! Darri was asked for his thoughts on his character. He said Drummond was clearly not the nicest person, and the real him was the monster in the hallway, attacking Mark. He despises many people, thinking they’re beneath him. Darri said that he really loves this cast and it wasn’t fun to be such an asshole to Tramell. (Well, it was a little fun.)

For the fight scene, Adam really did get hurt when his head slammed into the wall. He was supposed to get his arm up as part of the choreography, but it got stuck and his head hit the wall hard. Ben Stiller was immediately worried and had him checked out, but once it became apparent Adam would be okay, Ben said “Well, it looked great!” 

Gwendoline LOVED the fight scene. She wasn’t going to do more combat after Game of Thrones, but when Ben Stiller had this fight scene, she had to do it. “And I found I still have a blood lust.”

Tramell was asked about Milchick in last season vs. this season. He’s moved up, he’s in charge now. Tramell said as anyone who’s been in middle management knows, that just means now you get more shit from both above and below. Milchick’s a very ambitious man and in service of Lumon. But we’re seeing more humanity in him. When he received those paintings -- “Nightmare fuel!” said Tramell. 

Q: Of all the Milchicks we’ve seen -- manager, employee, telling himself to grow, dancing and having fun -- which is closest to the real Milchick?

Tramell, with a knowing, ominous smile: “I don’t think we’ve seen it yet.”

The audience: “WHOOOOOOOA.”

Q: Patricia, how much of Cobel’s backstory did you know before? Did you know she was a genius?

Patricia (loftily): Well, yes.

Q: What do you think was Cobel’s final straw to turn on Lumon --

Patricia (in Cobel’s measured voice): Did I?

Q: What are Cobel’s fun days like? What does she do on her days off?

Patricia said Cobel plays with her dolls and makes her cookies, which aren’t the best. Ben Stiller points out she also de-ices her stoop.

Q: Gwendoline -- what the fuck is with the goats?

Gwendoline: “Everyone’s a goat! No, I can’t say.” She found a huge liberation in not being given anything at all. She also discussed how much she loved the show prior to being cast in it. She would pause the frames and try to zoom in on Adam Scott’s hairline to see if she could spot a wig. She would draw the shades and tell her dogs to be quiet while she watched it.

Once she actually got to set: “I was pathetic. I was a fool. A gibbering wreck. I was over-excited at the vending machine.” She swooned over Britt, had jelly legs around Adam Scott. “The show is so original and has so much depth of heart, it’s a dream.”

They closed out the evening by Ben Stiller and Adam Scott thanking the audience for being there with them, as it was so rewarding to see how the fans really got to respond to the episode.

Sorry for the long-windedness, but I wanted to make sure I got as much as I could for posterity 🙂

[the-mpreg-guy]

Hot take like literally on fire buuuuuuut I think it’s kinda unfair to criticize a tv show especially a fantasy or sci-fi tv show for killing a character in the first episode even if it’s a female character for the male characters’ arcs cause like. I’m sorry but that’s what happens in fantasy and sci-fi and drama and literally every genre. Hell look at Patroclus and Achilles. I think it becomes a problem, and definitely something to be criticized, if that female character is never given any depth or dignity beyond being “the inspiration” or there are no other (important or interesting) female characters or most other female characters are fridged. And yes spn fully does those things sometimes with other female characters! I’m not saying it was perfect with its women, that there weren’t other bad writing tropes used! But like idk imo killing Mary and Jess in the first episode is not necessarily a problem in and of itself, within the span of the first episode—and even the first season, especially considering they kill John at the end too!—because it is a very common literary/media technique that can be applied to any gender. But like maybe I’m missing something, even as a female viewer. So yeahh that’s my hot take lol enjoy or even rip it to shreds if you’d like to!

I don’t know if I have a take on this, because Mary and Jess dying doesn’t bug me personally (esp since the time travel eps take care to flesh Mary out and ALSO John gets to die 23 eps later as a treat) but I also don’t speak for everyone and I’m sure I could find really good takes on why it’s Problemstic™️ that I’d probably agree with. But then again, Supernatural IS unique from other forms of media that fridges characters because, well, everyone dies.

If I’m really gonna dig into it, I think my time is better spent talking about some of the more problematic elements of the show (like the stupid asian porn joke or the underage comments the writers slipped in) than yapping about how problematic the pilot was for doing something pretty typical for the era it aired in. Hell, I’d rather discuss some actual problems with the show that have irl consequences, like the workplace environment some of the actors worked in or the death threats actresses received.

But also like. The show is already aired. We can talk it all to death about how sexist and problematic it is, but at that point who’s even having fun in this fandom. I’d rather just enjoy the show without having to make a disclaimer every two minutes that I understand it has issues.

[aboringredmop]

k still don't know how im gonna post the videos (YouTube? unlisted?someone please help) but I can't sleep so I thought it'd write down whatever I remember happening!

(edit: here's the full recording! )

Becky and Joe walked on stage wearing sunglasses and red leather jackets and threw 3 of the trio plushies into the crowd. didn't get one unfortunately but it's really cool some people got free plushies :)

they made this robot child called the Inspiration Child, who's clearly meant to be a nod to ai (can learn from our show and generate it's own content!)

they explained how they met (and had some dodgy animated retelling), and how they started with small projects like commercials and music videos, until they came up with designs of the trio (and a mysterious fourth fella)

they made the designs first, then made the set, then the song and finally wrote the script for creativity. red guy was just a red mop head with legs at first ("alien squid thing") but Joe put the red guy head on for shits and giggles once and Becky thought it was hilarious so they kept it in the show

they were really not expecting it to blow up, and when Sundance called because they wanted to show creativity Becky thought it was a scam caller lol

they talked about the kickstarter and the credit card fraud kid. the mailed him saying "hey maybe dont do that" but the kid didnt know how to undo it cuz he just found a website full of credit card information and went ham, so Becky and Joe had to contact kickstarter because people were pulling out of the funding because they thought the project was overfunded (kickstarter was very difficult to contact)

they also made (lighthearted) fun of nsfw fluffybird art ((no padlock 😔) "using OUR characters to act out their SICK FANTASIES" - Becky) and theorists, especially because most if not all of the webseries is just them fucking around.

Inspiration Child also says something along the lines of "wow what a cool show with a great message of how corrupt the media is. I hate the media!"

Becky and Joe had these rules to make the show as vague as possible (no pop culture references, no names, no swearing and way too much detail put into small things)(the duck guy drag queen absolutely obliterates the no swearing rule lol)

they talk about the pilot, how they focused too much on the story because they felt like they had to due to it being on the big screen now, and how it ended up ruining the atmosphere and such of the pilot. they did show the entire thing sped up but my phone sucks ass so I could not get it to focus correctly. I'll see what I can salvage so you people can dissect frames of your blorbo you're Legally Not Allowed To See (which is also the official reason we don't get the pilot)

also pilot concept art showed that Mean Steve is in fact just called Key

they showed a whole post-it wall full of ideas for the tv show. don't know how much I got on footage, but what stood out most to me were 2 episodes called Money and Christmas. Joe mentioned "clock in a wheelchair" specifically

also really fun fact. Becky made the Lesley suit during covid, and pretty much threatened Baker into writing a human character into the show to wear it. concept art also shows Lesley with a mask made out of the same fabric, don't know if this was part of the original suit tho

they showed Warrens old models (?). he was gonna be a wayy more ugly looking silicone pug-worm thing y'all got lucky with the bald fuck

lily and todney were directly based off of some cancelled show about two porcelain doll children with panda parents. do not for the life of me remember what it was called but Becky and Joe were very enthousiastic about it (UPDATE: Candy and Andy!)

international release of the show soon!

Inspiration Child talks about what he's learned and sings a little song, then generates his own dhmis inspired content of a cult meeting in a forest at night. the dhmis Discord server called this "potential new content" but I doubt it

3 cultists walk on stage, face the screen backs to the crowd, drop their cloaks and boom! drag queens!!!

they were not mentioned on the site or during earlier parts of the show at all so they were a complete surprise. I asked Becky about it later during the night and she said she really wanted them there, so she asked and they were excited to! hope this means more official content with them soon I love them

they dance to There's Three Of Us, then Duck lipsings the shredder song which turns into a techno remix while Red and Yellow dance during the background

then Duck and Yellow make out while Red tries to undress to the instrumentals of the Fucked Up Part of Creativity but can't get out of his suit on time before the song ends

the drag queens, Becky and Joe and the Inspiration Child walk around during the meet and greet later and I got signatures from all of them! except inspiration child he didn't have thumbs

the drag queens were so fucking funny. Duck adopted inspiration child and loudly yelled at everyone to "GET AWAY FROM MY FUCKING CHILD" (their duck voice is sooo good). yellow stood in a corner staring at a wall for like 10 minutes and red was constantly awkwardly hovering just outside the frames of pictures (and also could not see shit lmao)

Becky liked my shirt! (the one with the melting trio heads) said she handdrew it

I'll post the signatures and some more stuff tomorrow because it is. 5 am

edit Heres the signatures! yellow guys is Italian I think? and means hi I love you :)

(the liyskaen is duck trying to spell my name. they got pretty close)

[phantomwitch16]

Hazbin Hotel Theory: Lilith

I had never posted about Hazbin Hotel before, but I came across a theory about Lilith that I wanted to discuss. I’ve only seen clips, so correct me if I'm wrong. So, anyone who hasn't watched anything or hasn't caught up yet, WARNING: SPOILER ZONE.

At this point, everyone is quite aware of the Lilith/ Eve Theory, where Lilith left or was kidnapped by Eve to explain her disappearance for most of the show and what she was doing in Heaven. I think the theory has some promise, but some things don’t feel quite right.

In the episode where Lucifer first appears, we learn that Lilith and Lucifer seem to have split years ago. We don't know how long ago or the circumstances of the separation, with it pretty much up in the air.

It could be possible that Lucifer’s depression could've gotten in the way of their relationship (similar to his relationship with Charlie), causing some friction. This obviously would give Lilith a lot of responsibility, likely to raise Charlie and inspire the denizens of Hell by herself. We don't know much about what Lucifer does most of the time other than making ducks, keeping Lulu World running and wallowing in his depression.

I don't think that they split up, at least I don’t think that’s the whole story. There have been some odd details regarding Lilith and a few other people within the series that do add to the theory. While it's possible things might have changed during the development of the series, Viv has previously stated that Lilith and Lucifer were a very lovey-dovey couple and I doubt that she would change it. While I think their relationship would have its faults, obviously with their history and trauma, yeah, that was going to happen, but not the stereotypically 'my partner hates me' bs.

Even if they had split up, I doubt that Lilith would have just up and left Charlie without saying anything.

But anyway, since her appearance on the beach with Lute, there have been several theories about Lilith and whether she would be an antagonist or the main one. I disagree, but given how she's been pretty much a mystery for most of the series, with not much being said about her, it’s understandable most would come to this conclusion. But I doubt Lilith would be because Lilith was the one to instil Charlie to help the denizens of Hell so for her to come to disrupt her progress with the Hotel.

This obviously leads to the Lilith/Eve Theory people have come up with by what people have seen and picked apart from the show and the cards that people received before it aired. Now people who have watched the show and been on Twiiter/X or any other social media probs already know the theory, but I'll spell it out for those who don't.

Just before the show aired, people received cards on each character and a few select items in the series. Of these characters was Lilith, but there was something off with it. Instead of seeing a revamp of her original design in the pilot, it's just a close up with her face shadowed.

The image above has Lilith or who we think is Lilith sitting with her hand over her lips and a shadow over her face, only showing a sinister smile. The one thing strikes me about it was the was almost like she know that we know there was something wrong with the image and was telling us to be quiet.

So far in the show, we've only seen her in the portraits that are decorated around the hotel and in Lucifer's ducky workshop. She makes a brief appearance in Charlie’s flashbacks where we don’t even see her face, though this is largely because the attention was focused on Charlie and Lucifer. Here it shows that even her look has remained largely consistent since the pilot.

What truly defines Lilith design is her long wavy hair. But despite it, there is something different about it in the card. It's very long, obviously but as it gets closer to her face, it starts to look more uneven. Or jagged.

But what grabs the attention in the card is the smile. It looks very sharp and angular, very different to the smile that she has in the portraits and in her depiction on the storybook in the first episode.

But we've already seen it somewhere. Just not on Lilith.

Obviously, this isn't a new take. This is a very popular take that nearly everyone has heard.

I like to think that with the reveal, we will get a more factual retelling of what happened when Lilith and Lucifer rather than what came out of the story book Charlie was reading, likely something her mother made for her when she was growing up. Mainly what happened to Eve as they cleverly avoided it. While we don't know if they're going to tackle it, it's likely that they will discuss Eve's life after eating the fruit and her very long life. I think that while Adam was sent to heaven to become one of the exterminators, Eve became one of the first original sinners sent to Hell.

There are several ways they could handle it with it's possible the Eve is starting a little bit of chaos using the knowledge Lilith and Lucifer gave her. With Lilith attempting to stop her alongside Lute and the rest of Heaven.

For what reason? She could've taken up a new identity after death. that identity being called Roo. Or more specifically, the Root of All Evil.

Roo is someone that's been known for since 2019 and someone Viv is excited to introduce since she first drew her, calling her a looming threat amongst the series. Hints of her appearance have been placed throughout the pilot on the tower and on the show. I believe that Lilith, Lute and Eve are working together with Heaven to track down Roo to destroy her hold on Earth or to prevent her from doing something to Hell, Heaven and Earth.

It's also likely that she is the demon Alastor is chained to. Why her specifically and not Lilith? Besides the timeline matching, there is very little opportunity for them to meet. Even though Alastor has made a big name for himself in the Pride Ring, Lucifer has not heard of him, so why would Lilith? But that just might be a Lucifer thing, they probably could've met after one of Lilith's shows or something.

Knowing Alastor as a person, he would've been in a very desperate situation, or maybe he was too cocky like with Adam and picked a fight with her, thinking that she was some random Overlord or low ranking demon who knocked him down and stole his soul. With her having control over him, then he is willing to do anything to get out of their agreement. Whether its to play around and isolate the princess of Hell from her support network, to make her hopes and dreams crumble to dust.

It could be possible Lilith left Charlie and Lucifer to focus on Roo, with it likely that Lucifer knows what's she's up to and tries to shield her from what's happening. But as the hotel gets more popular, Roo's attention is directed to it, thus putting Charlie and all three realms in danger. Lilith would come to Charlie, try to sugarcoat it as best as possible before revealing Roo as a threat. Then when she comes there, Alastor betrays them, but as he is free, has a change of heart and attempts to help.

That's what i think anyway.

[typewritingyip]

First! Get better soon you awesomesauce typewriting fellar!! treat yourself with some warm tea and some rest!

also for the Q/A thingie i got a few question if it doesnt bother u much!

what inspired you to start writing and how did you get here? (as in writing bangers for the TF fandom we love you man)

For arcturus: do you have like an ending or story in mind? do you have scrapped ideas for the ending? (and may we peek??)

On the Arcturus 3 snippet we got the confimation that no texaid is taking place, however do you have other ships planned/ what are the pairings within arcturus? looking at u with googly eyes rn 🥺

ty for reading :3

Thank you so much!

Okay, let’s go in order!

What inspired me to start writing and how did I get here?

I started writing in middle school, not long after I had a major surgery and was in a dire need of an outlet. I mean back then I was writing on my index cards for class and just trying to escape the hell I was living in.

As for how I got here, I graduated from college back in May and sorta realized I hadn’t posted fanfiction in years, I have a few old pieces up on this blog but certainly nothing like Arcturus. I needed an outlet again cause I was spending 99% of my time studying for the LSAT. I never gave up writing, just gave up on posting it for whatever reason. So when this AU came along my sister and I were talking about it, then I started to write things down before it became my beloved Arcturus. If it weren’t for @keferon I probably wouldn’t have posted for another few months cause at the time I was working on a 10 chapter TFA Rock Star AU, which I’ll get back to at some point. This just was so inspiring.

For Arcturus: Do I have an ending or story in mind? Do I have scrapped ideas for the ending?

So, yes, I have an ending in mind. I’ve had this ending in mind for a bit honestly and love it so much, I just hope you all do too. As for scrapped ideas, well.. originally I wanted Red Alert to be human, then forgot and had him show up. I went back to my outline and just about cried. But it’s fine, I’ve made adjustments.

(As for peeking, mayhaps… I do a lot of stuff that I alter to a document in my commonplace book with other characters/my OC to get the ideas moving so maybe.)

Do I have other ships planned/what are my pairs in Arcturus?

Alright, I actually do have TexAid in this. So, the crew of Arcturus One does not know that First Aid is piloting suit 11, and the Arcturus universe of this AU, they’ve taken to calling that suit Vortex just cause he was such a famous pilot and they all know something isn’t quiet normal with that suit or those first generation pilots (they’d all be in their late 40’s early 50’s rn, so Swindle is maybe 46?). First Aid is pilot 3113, he was originally in Arcee’s spot for Arcturus 3 but I personally think that the eating the alien episode happened right before the announcement and things were moved around while he gets a psych evaluation done and the suit is cleaned. TexAid is canon to this AU even if I don’t know the characters well, I hope to understand them more by the time I write stuff for Arcturus 5.

Other ships? Now that’s where I’m having a blast. The obvious ones are Mirage/Hound, Knockout/Breakdown, Jazz/Prowl (they already are dating, just don’t want to make anyone uncomfortable), and Sunstreaker/Bluestreak for sure (maybe Sideswipe too but I’m still debating on how I want to do that/handle that.. idk yet.) We have background MegOp because it’s just a favorite of mine.

Then, we have Arcturus 3, Ratchet/Drift is just, *chefs kiss* to me, so that is happening but at the moment Deadlock is heavily pinning and Ratchet is oblivious. Honestly, most of Arcturus 3 is completely oblivious and I love that for them.

I plan to have other ships, but I think I’m going to hold those cards to my chest, for now.

Thank you so much for your questions! 💜

[billveusay]

I'm at episode 7 of IBO and I'm really enjoying it! So far it's one of the few Gundam shows where I genuinely have trouble finding something wrong with it (the only other one that I can think of is original MSG, at least around the same episode count), besides the usual in media res dive into a complex geopolitical mess that forced me to read the first episode summary to understand what I just saw.

But what I'm finding most noteworthy and funny is how many characters and elements are just "Gundam 00, but properly this time!". Mikazuki is kind of Setsuna with more personality, a jaded child-soldier who always seems half-aware at most of what's going on, Aina is very reminiscent of princess Marina, privileged lady advocating for the rights of an oppressed population who's forced to witness the horrors of war first-hand, then becomes a parent figure to a bunch of war orphans, there's a blonde ace pilot and his boyfriend from middle-management who see the Gundam thrash the ground level grunts, then bump into the protagonist without knowing his identity...

Plus the earth is divided into large economic blocs, and there's a large military peacekeeping force above it all, though the A-laws from 00 were already basically the Titans from Zeta. I'm already enjoying this more than 00 (review coming soon) but it's fun noticing the inspirations.

@wordsandrobots

[fanged-zombi]

Habzin Hotel Rewrite concepts and corrections

I have a lot of little ideas for my rewrite of the series that I feel like sharing and would love to hear some feed back on!

Starting with the Characters:

I like the idea of Charlie being taller than Lucifer, but not the fact that he is just a small guy with Charlie being average height. So I changed Charlie to be pretty big, due to her being born a Nephilim.

I really want to cut down on the amount of characters that we are introduced to and made to interact with, such as the Vee's having an important role from the beginning. I am putting the Vee's in the background as minor characters for season 1, with characters like the rest of the overlords, Husk, Nifty, Sir Pent, and the Angels save for Adam and Lute being saved for later.

I think that Vivziepop made one of the worst mistakes with the first episode by assuming that everyone who watched the show also watched the YouTube pilot, so I would revise the pilot's main premise into part of the episode to make it an easier watch to newcomers. This is mainly to help with the introduction of the main characters as the main show doesn't really introduce them.

Next, the basics of the world building:

In the story book segment of the first episode, it is explained to us how the first sin was done and how sin entered the world, AS WELL as WHT the angels come down to kill the sinners; that being because they don't want to have heaven overthrown. I hate this only because Charlie is the one reading the book to herself, reads the reaso.m for the exterminations, yet when talking to Adam, she states that it's an overpopulation issue. I plan on fixing up the opening segment to keep the story interesting, as a lore dump before the show even starts is honestly stupid, especially if it is a diagetic lore dump that is somehow skimmed over by the main character

Again, reintroducing the main premise of the pilot to help with the world building of hell and the hotel's significance in it

A minor introduction to how heaven functions would also be a good idea, but not going as far as having the cast literally go to heaven. Just enough exploration to introduce how it influences hell and its people.

Lastly, the plot. I don't want to say too much here as I am genuinely writing this with the intention of it being something that fans of the concept of the Hellaverse could enjoy as a separate, inspired media. So no spoilers, just some tid bits:

Once again, (I know, I'm sorry but this is important to me to mention) a rehash of the pilot. You can tell that this bothered me a hot bit when seeing the series (🏴‍☠️ed of course)

Season 1 would be more about setting up the hotel and its characters within it. As well as seeing the influences of hell and how it affects each character

One thing I know I'm definitely keeping is the murder of an angel, but it's going to be more integrated with our main cast than a side character like the original.

Honestly, the plot it mostly going to be about the hotel and the immediate aftermath of the extermination with the characters, with some character building along the way

These are just some of the basic ideas, I will probably go into more detail on each segment in different entries.

Let me know if this sounds cool or if there are things you would personally change, as I am always happy to hear new ideas and see others discussing things like this.

[marbofmoorock]

SuperTheory post about ad implications in the TADC:

Jax seems to think Pomni is incredibly deceptive in this promo, implying she's not only hoping to prey on the viewers through her personality (likely feigning innocence if true), but perhaps is implying his view of Pomni is that her being anxious and afraid asking for help is like a cover for her real personality, which is perhaps ravenous and sadistic beyond the cute nervous visage.

It's an interesting theory, as Jax seems to imply that Pomni is conniving and/or crazy. An evil Pomni would be an interesting twist, especially considering how Pomni is considered to be a good guy by viewers up until now.

Considering her selfishness prioritizing the exit over Ragatha in ep. 1, her rather expert knowledge in understand how glitches work to escape the developer maps under the candy kingdom in ep. 2(she also called it "under the map," which doesn't sound like something someone like Pomni would say if they had no knowledge of their past), unless they were like a programmer or something. Then there's Pomni's creepy stalker tendencies exposed in ep. 4, there is a lot of evidence to suggest that Pomni is a lot more capable than she lets on(and easily missable if we don't pay attention assuming Pomni is just panicking over), adjisting to life in the circus, perhaps even feigning her knowledge of the outside world to convince the other circus members she's as clueless as they are through an orchestrated act of complete panic.

It also reminds me of Goose and how the person in the circus closest to abstraction is someone we'd least expect, saying: "You wouldn't believe me if I told you."

This could mean Pomni is nearing abstraction more than anybody and might be next. Think about it: we have this strong expectation that Pomni is growing stronger mentally through surviving each episode and coming out helping others.

There's this strong implication of her being the main character and having plot armor, unable to be killed off or removed from the show. This would be a perfect opportunity for Goose and her team, as most of the audience is cheering for Pomni in the adventures/episodes. They want to see good things happen to her since she's got this protection being the lead role, but maybe that's a setup. Considering the show is inspired by the tortuous and horrifying novel "I have no Mouth and I must Scream," and the promo openly suggesting the show is a psychological horror, it would make sense to have a twist that takes out the main character to throw the audience through a loop and keep the thrill/excitement via intensifying the horror elements.

Goose also said that Episode 5 would be "The Silly before the Storm." So if Pomni were to abstract, it could happen in one of the later episodes after episode 5.

While the show is arguably about all of them, Pomni has been the main focus as she's the catalyst for the plot, as her arrival after the show theme strongly implies the show is about Pomni, even if the other characters are now part of the show too and were featured first in the pilot.

Or could all of it just be fun theatrics for promotional reasons? I guess we'll see.

So that's multiple theories:

1. Pomni is maybe faking her anxiety and fear as a way to decieve others into thinking she's not as smart or aware as they thought she was (Kind of Like YouTubers that fake mental illnesses for views).

2. Pomni potentially being the next circus member to abstract, and is rather good at acting, much better than the rest of them, despite being assumed safe due to main character syndrome.

3. Bonus: Maybe Kinger is the one deciever, as he could be faking it too, and if we're going by Judas theory(if the feast in the pilot is a reflection of the last supper painting by DaVinci), Kinger might be the deciever, as he sits in the same spot as Judas is from Jesus, as 2nd on the right). Judas could likely also be considered the 3rd, implying Ragatha as the deciever, as Judas kind of leans in his position). She could croak~ (get it, because she was originally supposed to be a frog character lol). Some speculation it is Zooble, as it would be a subversion of the expectation of Judas theory, and Goose is known to throw people through a loop with clues, especially with all of her religious symbols in paintings, then going back to say "Oh, that's just silly art....or is it~?"

Food for Thought.

[tf2heritageposts]

by the way personally this is how i see tf2 canon in terms of “what’s actually canon/the most canon”

inspired by some DCA videos i’ve watched before lol

the first tier is the comics surprisingly. MOST canon comics are the mann co no more as they are the most plot minded and are actually trying to be consistent with the lore and characters. the update comics are a little less canon since they’re more jokey and meant to present the update rather than be apart of the larger narrative (outside of things like blood brothers and whatnot), but still very high in the canonicity

the second tier is the official videos, aka the meet the team series as well as expiration date. expiration date i see as a little less canon than the meet the team videos since it was by all technicalities a pilot and most of the time pilots aren’t entirely canon to tv shows, buuuuut it’s still very high up

the third tier is the OFFICIAL voicelines(i will elaborate more later). yeah the actual game is kind of low in canon scaling. why’s that?

well, the game was initially not made with a story in mind as teamfortress.com/comics says itself, leading to some strange things being said by the mercs themsleves that could be considered out of character in the modern day, such as medic making a reference to nazi germany in one of his control point lines despite the fact he later on ended up being VERY heavily implied to be jewish. on this, voicelines that were baked into the game on its 1.0 release i consider to be way less canon then voicelines done later on, especially after they got actually developed as characters. voicelines made later on that were made with their modern day charizations i consider more canon

the fourth tier is blogposts

these were made purely for humors sake to announce an update or new merch or whatever and often had the writers roleplay as a merc when they wrote it, so it ends up being either extremely uncanon or has info that’s never denied or retconned, such as the mountain range heavy lives in apparently being the Dzhugdzhur mountain range. you can pretty easily take it or leave it with the blogposts

the fifth tier is official valve cosmetics(again i’ll elaborate LATER)

there’s a very big tendency in valve made cosmetics to be wildly out of character for the mercs, such as giving heavy communism based cosmetics despite the fact it’s said clear as crystal in mann co no more #3 that heavy is anti-communist. extremely take it or leave it

the sixth tier is valve made maps, namely the earlier ones

pinkerton himslef has said in a email that some of the things regarding the mann family in maps like mann manor were made in mind as, in his words, “a tf2 version of treehouse of horror”, in reference to the simpsons’ halloween tradition of making distinctly non canon horror based episodes using the simpsons universe, and they are not to be taken as actual canon

the seventh tier is community made voicelines with the newer maps

here i’m talking about the VSH maps specifically. the voice lines were made beforehand before valve made it apart of the offical game and were not done by the original vas nor written by valve. you may say that since valve approved the map that it’s canon but that’s not how it goes. all valve does is port the map into the game, it doesn’t make any alterations period(even if the map is accidentally incomplete in regards to summer update 2024’s applejack). just because valve put it in the game

DOES NOT MEAN ITS CANON

more on this later

the eighth tier is pretty much any valve made thing before 2010 or so

this is the tf2 trading cards that give erroneous backstories to the mercs, this is a statue of medic giving him the name humboldt ludwig(in case you ever wondered where that name came from), this is all of that. basically considered not canon by anyone

and the moment you’ve been waiting for

tier nine: community made cosmetics

valve will fucking approve any goddamn thing if it looks pretty enough. it doesn’t matter if it doesn’t make sense for a character, if the description implies scout is a pedophile, doesn’t fucking matter. distinctly not remotely fucking canon

[electronickingdomfox]

Star Trek TOS ships. Part 2

Continuation of this other post. I list here the TOS alien vessels, as well as ships from the Animated Series. Ships from the movies are here.

Romulan ship

Introduced in Balance of Terror, it appears in The Deadly Years as well. The Romulan ships from The Enterprise Incident, however, are of Klingon design (see below), though the remaster replaced one of these with the properly Romulan ship. They're equipped with cloaking devices and plasma cannons. Although this design is popularly known as a Bird-of-Prey, this name was never used in TOS for the Romulan ships. The early outline of The Search for Spock, where the villains were still Romulans, refers to their ship as a Bird-of-Prey, but it wouldn't be until "Voyager" that this design was named on-screen.

Klingon ship

It makes its debut in Elaan of Troyius, and reappears in Day of the Dove. The Romulans seem to have been using them as well (The Enterprise Incident). Earlier versions of this script specified that this was due to an alliance between the Klingons and Romulans. The remaster introduced Klingon ships in episodes where none was seen originally: Errand of Mercy, A Private Little War and Friday's Child. This model is popularly known as a D7, but this name wasn't canonized until "Deep Space Nine".

Fesarius

The gigantic First Federation vessel, commanded by Balok in The Corbomite Maneuver. It could dispatch smaller pilot ships, as well as tamper with the Enterprise systems.

Tholian ship

Appears in The Tholian Web. Commanded by Loskene, this ship along a second one start weaving an immobilizing web around the Enterprise.

Eymorg ship

Piloted by Kara in Spock's Brain, this vessel used an ion propulsion system. It looks very different in the remaster.

Orion intruder

The ship that follows the Enterprise in Journey to Babel. It also looks quite different in the remaster.

Gorn ship

Only seen in the remaster of Arena, and barely.

Medusan ship

Again, only visible in the remaster of Is There In Truth No Beauty?. Ambassador Kollos' ship.

SHIPS FROM THE ANIMATED SERIES

Bonaventure 10281 NCC

According to Scotty, this was the first ship ever to have warp drive (something that later series obviously retconned). It must have been at least 100 years old, considering the Horizon and Archon had already visited distant planets by that time. It was lost inside the Delta Triangle and thrown into a parallel universe, as seen in The Time Trap. Looks just like a fat Enterprise, if you ask me...

SS Huron NCC-F1913

A freighter commanded by Captain O'Shea, attacked and raided in The Pirates of Orion.

Ariel

A ship commanded by Lt. Commander Markel, and found in orbit around Lactra Seven, in The Eye of the Beholder. Never seen on-screen.

Robot grain ships NCC-61465 and NCC-G1465

Two automated cargo ships that the Enterprise escorted to Sherman's Planet in More Tribbles, More Troubles. They were attacked by Koloth. This design was the inspiration for the remastered Antares and Woden in TOS.

Several Enterprise shuttlecrafts

The animated format eliminated budget problems when it came to showing more ships, so the Enterprise was given a ton of new shuttlecrafts. Among these, there are the ones seen in Mudd's Passion: NCC-1701/4, 9 and 12. Four and twelve seem to be a new model. Also notice the new tubular shuttle in the first image.

Strangely enough, the shuttle Copernicus from The Slaver Weapon is also numbered NCC-1701/12, yet it's not the same as the previous one.

The aquashuttle from The Ambergris Element can sail on water and under it, as well as flying. The registry appears to be NCC-1701/A5 (the "A" probably stands for "aqua")

In the same episode, there's also a scouter-gig sent to rescue the crew, after the aquashuttle is destroyed. Its number appears to be NCC-1701/R6 (the "R" for "rescue"?)

Winston's trading vessel

The ship, apparently piloted by Winston Carter, that sends a distress call in The Survivor.

Cyrano Jones' scout ship

The ship that Cyrano used to escape from the Klingons, in More Tribbles, More Troubles.

Klothos

A Klingon battle cruiser commanded by Kor, that becomes trapped in a parallel universe along the Enterprise, in The Time Trap.

Dramian patrol ship

The ship that Demos (a Dramian alien) uses to pursue the Enterprise, in Albatross.

Traitor's Claw

A Kzinti police vessel from The Slaver Weapon, used to imprison the Enterprise crew.

Orion vessel

The ship that attacks the SS Huron in The Pirates of Orion. Quite different from the one that appears in Journey to Babel.

Phylosian ships

Strange plant-like ships intended to impose peace by the Phylosians, in The Infinite Vulcan.

Pod ship

An insectoid massive ship, destroyed 300 million years ago by an evil entity. Appears in Beyond the Farthest Star.

Antimatter universe ship

Piloted by Karla Five at impossibly high speeds, in The Counter Clock Incident. Originally from an antimatter universe, Karla Five was trying to escape the positive universe by driving this vessel into a supernova.

[thesmilingfish]

So you wanna watch some of Joe Flanigan's non-Stargate work?

I've compiled a list of everything that I could find that's available to stream for free (at least in the US). Just a heads up, a lot of the stuff uploaded to YT is varying quality because it was taped off TV at the time but it's good to be able to see them at all so...

If there are mistakes, links don't work or something is missing, please let me know.

Oh, and I didn't write the blurbs, some of which are pretty awful but as with a lot of you I've not seen everything on the list so I can't vouch for their veracity. No commentary from me this time as I got feedback that it was distracting.

Sites include: YouTube, Tubi, PlutoTV, The Roku Channel, and Plex.

YouTube:

Deadline for Murder: From the Case Files of Edna Buchanan (1995) - Inspired by the the life of Pulitzer Prize-winning, Miami-based journalist, Edna Buchanan, who investigates the murder of a man with ties to the Miami mafia. Stars Elizabeth Montgomery and Dean Stockwell.

A Reason to Believe (1995) - American drama film about a college girl who is raped and struggles to be believed. The film explores the impact of the incident on her friends, family, and community. (Check out this gif set as to why you might want to watch this one.)

Tell Me No Secrets (1997) - Jess Koster (Lori Laughlin) is a young attorney in LA who is being stalked by the serial killer she is prosecuting.

Cupid (1998) - Trevor Hale is attractive, witty, and uncommonly intelligent - and he may be Cupid, the Greco-Roman god of erotic love. Joe is in four episodes (6-9) but the link is to the series playlist.

Man Made (1998) - From gaffsie's YT page: "Another unaired pilot episode. In this one, Joe's character Tom Palmer finds himself recruited by an insanely secret organization." Gaffsie has uploaded this in 5 parts - part one, part two, part three, part four, part five.

Providence (1999) - A cosmetic surgeon returns to her hometown to look after her father and siblings. Joe is in four episodes in the first season (4-8) but the link is to the series playlist.

Profiler (2000) - Dr. Sam Waters is a detective with the Violent Crimes Task Force, a federal agency which often works with the FBI, ATF, and other crime-solving agencies. The series starred Ally Walker and Robert (KOLYA!) Davi. Joe is in four episodes in the fourth season (12-15) but the link is to the series playlist.

Sherman's March (2000) - Pete Sherman (JF) is a city man who gets relocated to the small North Carolina city Durham to help build up a new firm. On the way he struggles to adjust to the new location but hope hits when he meets Becca. Gaffsie has uploaded this in 7 parts - part one, part two, part three, part four, part five, part six, part seven.

First Monday (2002) - Each Supreme Court term begins on the first Monday in October. Currently, the Court's evenly divided between conservatives and liberals. Moderate Justice Joseph Novelli has just joined them. The show follows their cases and lives. Joe was a series regular; the link is to a playlist for all 13 episodes of the show.

Judging Amy - S4 E7 Damage Control (2002) - Amy hears the case of a young boy charged with obstruction of justice for not revealing the name of the man who took pornographic pictures of him.

Tru Calling - S1 E3 Brother's Keeper (2002) - Harrison is accused of killing Andrew (JF), the husband of his new girlfriend, Sarah. Andrew asks Tru for help when he's in the morgue, and the day starts once again. Tru has to prevent Andrew from being killed while she asks herself if her brother was capable of shooting him.

Thoughtcrimes (2003) - Freya McAllister (Navi Rawat), an ordinary teenage girl finds her life is never the same after her prom night when she starts to hear voices. After eight years in soiltary at Brookridge Mental Hospital, diagnosed as a schizophrenic, a Dr Michael Welles (Peter Horton) arrives and explains that she isn't crazy. The voices are not her imagination, she is telepathic. Dr Welles teaches her to control her ability and she is able to regain a somewhat normal life. However Dr Welles works for the National Security Agency and they want Freya to help them in the fight against the danger's to the country's security. Teaming up with agent Brendan Dean (Joe Flanigan) they attempt to foil an assassination plot, however she's been ordered not to reveal her powers to her new partner.

111 Gramercy Park (2003) - Unsold series pilot about wealthy New Yorkers who live in an upscale apartment building, and the various maids, nannies and maintenance people who work for them. Gaffsie has uploaded this in four parts - part one, part two, part three, part four.

Women's Murder Club (2007-2008) - Longtime friends gather off-the-clock to solve cases, despite personal issues. DA Jill has troubled past, ME Claire is dealing with a husband newly in a wheelchair, and tough Detective Lindsay finds herself working under her ex-husband. Joe appears in two episodes - To Drag & To Hold and FBI Guy.

Change of Plans (2011) - Sally and Jason (JF) Danville's life are turned upside down when a tragic accident suddenly names them the caretakers of four young children.

6 Bullets (2012) - An ex-mercenary (Jean-Claude Van Damme) known for finding missing children is hired by a mixed martial arts fighter (JF) whose daughter has been kidnapped.

Metal Hurlant Chronicles - S1 E6 Master of Destiny (2012) - A hero (JF) travels to the end of the galaxy in search of a secret race.

The Bandit Hound (2016) - A lovable dog named Bandit starts stealing cash to help his adopted family, he unwittingly sets them on a collision course with his dangerous ex-partner.

Let Us In (2021) - Emily and her best friend Christopher start investigating the sudden disappearances of several missing teens in their small town. Realizing there might be something deeper happening, the duo come up against forces they can't even imagine.

Tubi:

Tell Me No Secrets (1997)

The Bandit Hound (2016)

Plex:

Sisters (1995-1996) - Follows the lives and loves of four close, but very different, sisters of the Reed family living in Winnetka, Illinois. Joe's in 15 episodes of the last season of the show.

PlutoTV:

CSI Miami S2 E14 Slow Burn (2004) - A slow burn in the Everglades that turns on itself yields a body different than the one Eric and Alex were brought out for, and endangers their lives; Horatio thinks he's found a sexual predator, but now he must prove it.

Stargate Atlantis (2004-2009) - An international team of scientists and military personnel discover a Stargate network in the Pegasus Galaxy and come face-to-face with a new, powerful enemy: The Wraith.

The Roku Channel:

Profiler (2000)