#It doesn't make a lot of sense when considering his character | Explore Tumblr posts and blogs

spotaus · 1 day ago

Text

yipppeeee!!!!

Skipping a bit, but yes!! A lot of why Nightmare trusts who he does and makes rash decisions across his rule (and why he can be so confident, and that his paranoia is usually silly stuff) is because of that emotional empathy!! I think he probably had several sessions with Ccino (or even Killer for that matter, though both of them are very convincing liars) where he basically played two truth and a lie to see if he could parse out and recognize how his magic was sensing lies vs. truths! So, by the time the more pressing folks, Cross and Error, come along? Night is very very confident he can tell the truth from lies, and recognizes that Error isn't lying.

Even though it's *technically* not the truth, considering he does have Geno and Fresh, but in his current mindset, those two aren't his family anymore, and Nightmare can recognize the grief and conviction and assumes his family might have died, so he ignores that nagging feeling of something being off because it's not a lie. (And he's like. 100000% blindsided with the Geno reveal- because??? Error has no family, what are you doing? WHAT DO YOU MEAN THAT"S YOUR BROTHER????)

The bit about the payment really is so chill too, because Error's a very stationary monster (doesn't really feel a rush to go anywhere new, he likes this home!!) and Nightmare has been really reallly good about providing him with everything he could want or need, so it just turns into Error having the sweetest idea EVER. And ofc he recruits the other into it!! I like to think they meet up in the war room while someone (probably Dust, because he's the least helpful for romance atp) hangs with Night and distracts him. And Error and the others start planning and budgeting and brainstorming. And across the table Ccino gives Killer one of those looks like 'Don't you dare let them out of your sight' and Killer gives a look back like 'Duh'. And it's just so lovely of all of them and a good distraction from the chaos that's been happening at that point!

With Night that's 100% the energy I want to go for! He's very much willing to sacrifice himself (no shocker, considering his palm scar + the whole prophecy thing) for those he cares about! And, unfortunately, Error is exactly the demographic he was hoping to avoid influencing, because! Like your said! The Ccino thing! But he does well, and even though it still might not be the best anyone's ever done it (Night is NOT a parent, and Ccino can't raise a whole second kid) but Error comes out of it so so happy and confident and decently adjusted, so who is anyone to judge?

For Dream and Blue I really wasn't sure lol, but I feel like it'd just be the perfect pair of people to really manage it. Night wouldn't want to put that sort of responsibility onto his Knights (he loves and trusts them, but only one of them (Horror) had a semblence of a healthy childhood, minus the famine ofc. And 2/4 were criminals. Dream on the other hand? He and Blue care so deeply about the people, on a 1 to 1 basis, and like u said Dream can still feel emotions, so if there were any places his check-in crews felt were sketchy, he could pop in and figure out if it's just a kid acting up, or if something was really wrong and needed fixed! (Also I can totally picture that Night wouldn't be above asking for this one thing from Dream between his adventuring dreams, considering all he's done. He doesn't think Dream needs to pay any debts to him ofc, siblings help siblings, but it'd be nice to have support. So, Dream helps! And where Dream goes, Blue goes, because they are inseperable :] )

Mhm! I love the ideas of when a character in a place of power is made to put a vulnerability out there in the hopes that they can get to the people before their enemies turn them against them. With Dream's disappearance and his time in the camp, it's a ticking timebomb before people think Nightmare is falling ill, or unfit to rule, or try to stage a coup that will get a lot of people hurt unneededly. He trusts that his Knights can defend him from any physical attacks, so he has to hope and pray that the actions and the voices of the people he had helped so far were enough to carry him through. (And largely, they were!) (And yeah, it helps that Error is like super duper committed to lingering around. Like. He is THERE. In the same way Blue and Dream were so obviously a couple, Night and Error are the ones who show very little pda so everyone is just like 'kiss already!!!' when they've been courting for like. Half the year already lmao.)

And for those who disappear. Well, Night never ordered any killings. However, Killer is fairly trigger happy, and Dust hates flying rumors and loose ends. They have free will :]

Oughhh. This Dust bit is what consumed me earlier- So, I think that for his narrative I'm going to take a route that will follow more closely the idea that Dust's parents were decent people just trying to help him! (Very much going with the His Soul needed more Magic and so the magic was woven into a Spell itself, connecting to the Weather- so thank you for that!) So. Dust was raised outside of Nim's kingdom, probably just in the neighboring one. In an unassuming town, and, for the fun of it, let's say his family is like. The medieval equivalent of middle-class. Surviving, but not exhorbanently thriving. His parents loved him and his brother dearly, but Dust was weird. He was born... let's say early. His soul was missing a LOT of magic that he'd need to live, but somehow, through a lot of careful watchin, he lived. He wasn't sickly, but he was very very frail, and tinier than anyone expected him to be, especially when his parents were both taller. Then came along Papyrus when he was young. With his health being dangerous, his father wanted a back-up heir just in case, and so his brother, Phantom, was born. Perfectly healthy. And the brothers were super super close. (Think, normal canon Paps and Sans, where Dust is 'lazy' thanks to his obnoxiously low magic/hp while Phantom carries him around, jokes with him, treats him just like any other monster.) And when Dust is in his mid-teens, his magic suddenly starts declining rapidly. Like, his growth spurt just. Sapped what little extra magic he had that was keeping him out of a comatose state. And so his parents used emergency funds to get him help from a mage they'd been speaking to. Finding that natural basis of magic (storms) to ground Dust's magic somewhere and let him draw from it.

And it worked, and Dust survived. But anytime he'd be distressed, silently or not, it'd bring a storm to town. A storm which started ruining crops. Started flooding businesses. Sweeping away a few herd animals once. Ad Dust couldn't figure out how to control the latent amount of magic that had been gifted to him in order to make this spell a part of his being. No matter how hard he tried, it seemed that so long as there were natural storms, his emotions and magic would elevate right with it. His last straw was when his storm struck his brother with a lightning bolt, downing more than half his hp and leaving a nasty singe scar along his shoulder and arm bones. He couldn't stand to hurt his family anymore, and looked into the rumors of the neighboring kingdom. A place with no storms, no rains, nothing. That should be impossible, so it was definitely magical, and he swore to his family that he was just going to find work, send money back to them, and stop causing them so much trouble. (None of them wanted him to leave, least of all Phantom)

So he went, and he found that the moment he crossed the land border, that the storm which had been literally following him since he left his home? Yeah, it full-stopped. He still had immense amounts of magic for his little body, sure, but the storm was gone. His plan had worked. So he finds work, accidentally gets recruited by the black market (because they think he's a weak lil baby), proves himself and accidentally starts running a branch of said black market because he's strong, and he has a strong will to live and survive, and send things back home so his family knows he's safe.

And then, when Nightmare takes over and stops doing the rituals? At this point Dust has had time to do the proper training to control his magic, control the spell without the consiquences of the storms being immediate (only mustered through vague dampness in a room before). But when Night lets loose that good weather spell, and good chunk of the storms are because Dust is learning to put all of his practice into use. And he is a LOT of pent up emotion. He's just lucky noone with magic senses as good and Night were around him at the time to pin things on him. And by the time he's caught, he's much much better at consealing it, and it is indeed why he needs the 4 magic dampeners!!!

Anyways yeah. I think there should be a side-story where Dust goes to visit them, or asks Night to invite them to the castle, maybe both but the visit home first, and just. Dust insisting Nightmare come with (not much is important to him, but he fears if he comes back like he is, that if he gets rejected, he might not take it well. Plus he wants to introduce his King (his other little brother) to his family so they know he's been safe for a good chunk of time). And like. He gets there to town, and before they even get to the house, his brother is outside working with like. Sheep or something. And there's the start of a drizzle completely fueled by Dust's fear and happiness at seeing his little brother all grown up, for the first time in almost 15 years. And Phantom looks up, super confused at the light rain because it had been sunny before, and then he looks around and spots Dust and there's this moment of utter confusion, then recognition, then *Dust* approaches and they have this sad but happy reunion. Phantom ushers Dust (and Night, without much question) to the house and his parents are older, but still alive, and life just enters their eyes when they recognize their little boy. Their son. Alive and seemingly well. (Nightmare is glad he got to be there to see Dust with his family, and though he has this moment of worry, acceptance, that Dust might just choose to stay? Dust proceeds to tell his family how important it is that he stay with Nightmare, how much he's grown, how much he's been able to grow. Etc. (Also Phantom is Dust's best-man at the Dustedafterdeath ceremony. Because like. idc how unrealistic, these poly losers are getting married- Also Killer is jealous he doesn't get to be best man.)

Okay sorry I got really off-track there lmao- But!! I love the idea that Dust has this supportive family who he had to close himself away from in order to keep them safe, because they'd do anything to keep him alive and happy, and his self worth was NOT high enough to let them keep going like that.

Oh!! And I like to think Dust's soul has something wrong with it visually. Like. I think Dustedafterdeath all have weird souls. Geno still has his ripped apart lil sliver, I think Reaper's is a pure black (ironically the only part of him that can really be touched without technicalities) and Dust? I like to think that his is maybe his original soul (tiny and white) physically sown into a larger, spell-based mimic of a soul that is a dull sort of gray (also plays into his name, because sometimes he sheds his own dust from the magic having to recycle his cones faster, like humans w/ dead cells). So He's like. Super super not a fan of having it even remotely messed with.

Okay NOW I'm done!!!

You are SO right!!! Fresh wouldn't take the parasite trying to drag him back lying down. He thought his little brother was dead, he grieved for him!! He needs to hug his brother right this second, right now! Shut up parasite!!!

Oh the parasite would be so so confused (I love the idea of the shock from the storm spell-) and it's try to flee immediately because whatever that is is nasty, and owie, and ouchie, and evil! And Fresh is actively trying to fight against it. He needs to get to Error! (Probably a very visual and very outward expression on Fresh's end. Like, The parasite pulls him back and makes him move super unnaturally and he's so fed up that he like. Is just fighting for control and jittering and flinching and trying his best to convey to Error that this is NOT him. Because he hand Geno never told Error the full story! They wanted to protect him until he was older! And. And then he ran away when he was young.

And dude, yeah, Geno would be super cautious ur on point. Definitely thin, thin ice. They're only next to each other in the room because Error asked them both to be there (and also maybe Ccino and Nightmare) because they mean a lot to him. Geno would recognize it, and have to choose his battle very, very wisely. He can't risk excluding Dust, but he can't risk letting Error think that Fresh hates him.

Now that I'm thinking about it. It'd be SUPER funny if Fresh was so persistent in trying to get to Error, and Dust's magic hurt so much to ambiently consume? That the young spirit learns for the first time how to shut off its ambient magic consumption. And when it does it's like a switch is flicked and Fresh just like faceplants for a second, letting the weirdness of the lack of magic consumption process, before he ignores it and rushes to Error. (It's a problem for him to figur out later, to explain later, but for now it's gone and that means he can be near his brother again! The paraite figured it out like 5 years too late, but it happened-) And Fresh just bowls him over into a bear hug (and Error braces himself for it so it's less painful and explosive than usual, but even as he does start to feel it, he refuses to let go of Fresh, so it's a mutual hug).

Dust really did pull them with his magic swag <3 (especially if I keep this last bit in, because then he Supports Error, made Geno rethink his harmful habits, and speedran a learning curve that would've taken the parasite a century in the first 5 minutes of meeting Fresh-)

Waughhhhh Ccino looking out for Error!!!! This works so well too because. Well. Everyone in the castle was forced to grow up too soon. Night for.. obvious reasons. Ccino for... also obvious reasons. Killer being the true orphan of the group (gonna expand on this in a post later-). Horror having to work sooner in youth to help provide food. Dust and his weird magic issues. Cross being a literal child soldier. None of them got to be kids, and most of them hardly think about it! Nightmare and the others, though not intentionally, are treating Error like an adult already, because it's all they know. And here's Error, a kid, and Ccino takes the chance to make sure Error knows that he can be a kid. he can be silly, and pursue his interests, and. Ohhhh. Like you said he's not the mage *yet*. He has years before any sembelance of responsibility falls on his shoulders. he has plenty of time. And this time Error seems relatively well adjusted, with few pressures, and now a decent, multiple-person support system. He can focus on being a positive force in Error's life, andd still enjoy himself! (Almost like letting his own inner lil kid out! To listen to Error and maybe even learn from him? Invested in the idea that Ccino learns to crochet or smth from Error. A nice hobby for him! (I could see him being the king of making lil stuffed animals. Makes a Cat for Killer. Horse for Dust. Leaves them on their beds with a nice lil note like "Hi, Just Ccino, it's not a bomb :]".)) And yeag about Ccino just really, really making sure Error knows he's wanted, but also that he can leave if he changes his mind.

Okay I'm done but!!! Ough Ancha as always ur points were so so tasty!!!!

New Age AU (Error's Wacky Wild Plan)

Hi guys. So. Crazy Story. The crisis that stopped me from working on my banner art actually catapulted me into writing this drabble finally! (Also the wonderful @ancha-aus was also a life-saver and helped me hammer out a few plot points for this installment <3)

Currently my only context for this drabble is that Error is tiny, and ran away from home because Geno moved to Reaper's kingdom to make money to send back home, and Fresh spent too long away on his trip. Error was expelled from his magic academy and came home to an empty house, so he left! Now he's been on the road for about a month? Nightmare has been ruling for about 6-ish years now, almost 7.

(Hello @mutzelputz and @papiliovolens hi guys!!!)

The town was bustling.

Error had been through a lot of towns since he’d left. Big ones, small ones, ones he was convinced weren’t even towns at all, just a few barns in a general closeness to one another who decided they needed to call themselves something besides the outskirts. Those people had been particularly hostile to his passing through.

And, lately, they’d been really weird. People staring at him when he’d walk on the streets, or pass by shops. When they saw he had money from a different kingdom (he didn’t even realize he’d left his own, but he figured it meant he was on the right path) they’d squeeze their faces like they bit a lemon and hastily take his coin. Like it was cursed, or something. They were lucky it wasn’t cursed, honestly. He could probably figure out how to do that.

This town, though, was filled so full with people that he imagined they couldn’t look at him weird if they wanted to.

People were riding horses, chatting in the streets, all sorts of stalls and merchants were peddling goods, and he was almost positive he could hear music lifting down the street over the general drone. He couldn’t remember the last time he’d run into a place so busy. He’d always been told to stick to the side, out of the way, out of danger.

He didn’t have to listen to that anymore. Though, he did skirt the crowds. The mass of people seemed all too willing to bump shoulders or elbows with each other in the early morning sun, and the last thing he wanted was to have his magic act up in a crowd. He’d done well so far.

Every booth, every merchant, every passerby seemed jubilant, ebbing and flowing. It was like some sort of party.

That was, until, Error spotted it.

A big building, something that Error recognized only vaguely.

It was an amphitheatre.

Geno had taken him to see one once. Or, at least, the ruin of one. It hadn’t been too far from their home, and it was pretty abandoned and lonely. Plants had crawled up its walls, stones had fallen off in chunks, animals seemed to have deemed its high windows a perfect spot to build nests. It had been breathtaking, and ancient.

This one? Seemed perfectly in-use.

The walls were all in-tact, stones, an easy to look at grey, smooth and covered in little intricate carvings. Spells, he had to imagine, in some language he didn’t know. Curtains hung over the huge arched entrances, and heavy gates seemed to be lifted, the spikes at the base loomed over the heads of every passerby.

He couldn’t help but marvel. Was this a restoration, or maybe it was new. Some sort of imitation. Regardless, he found that his feet carried him to one of the entrances, which stood largely empty aside from some folks who looked strikingly like guards.

Two of them stood, long spears in-hand. They both stood stock still as Error approached, and didn’t move a muscle as he passed them. They were strange, definitely different. Not at all the town guard he was familiar with.

The inside of the theatre was even more impressive. Rows and rows of stands seemed to line up either side. Huge tapestry hung from the high arches past those seats, and down the runways of the bleachers, all a bright teal and dark navy blue. They seemed fancy, and much newer than the curtains which had hung in the entrance.

Beyond the walkway where he stood, was a set of stairs which led down a level or so, before it leveled out into an open space. Sandy, and very flat. It seemed like there were people there, too. A much smaller crowd, but still a crowd nonetheless.

Error was almost amazed he’d not been stopped by someone yet. Whatever was going on seemed important, and so far in his experience, people did not like him sticking his nose into important business.

With that in mind, he decided he’d stick to the entryway for now. He leaned his bag up against the wall and watched from a position where the sun still shadowed his form. He was often grateful for his miscolored bones. It made hiding in the dark a whole lot easier.

It took a bit for him to really process what he was watching in the morning light.

There were four people sat on a sort of raised box toward the front of a stage. A huge stage, raised up off the sand with wood slats. They had a long-table before them, and quills and ink jars in-hand. Well, three were sitting. One was standing. But the point is, they were all watching the stage very attentively.

On-stage there was… basically nothing. Only a simple backdrop Error had to imagine was there at all times, because it looked like it was coated in sand, even from the distance where he stood.

A person would enter the stage, the people sat on the box would speak to them, and then there was a flare of magic. Another. Another. And then they were dismissed.

It wasn’t until he really bothered to think about what magic was being cast that he realized those were extremely simple spells being used. Levitate, Create Water, Mimicry. Or Flame, Gust, Light. All just three easy spells, and then they were off-stage. That was taught magic. It gave him memories of his entrance exam to his school. He’d been way overqualified to get in, Geno taught him after all…

But, no, this didn’t feel the same. There were plenty of people who seemed to stumble at spells they didn’t recognize, or who couldn’t muster a simple breeze. Then others who were very old and obviously skilled. Obviously they found the three spells to be child’s play. Like Error would. This was no entrance exam, so what-

“Hey, pipsqueak, what are you doing there in the dark?” A voice startled him, and it took all of his willpower to avoid jumping away from its origin.

Error twisted rapidly, just in time to avoid the thrust of an elbow in his direction.

There was a monster there. Three, actually. Two lizards, both bright green and tropical, and one who looked more like a dragon. The green one closer to him must have spoken, because he laughed at Error’s flinch.

“Why are you bothering me?” Error shot back haughtily.

The lizard seemed to grin at the response.

“Oh, so we’ve got a feisty little small fry here? Thinks he’s scoping out the competition?” The dragonish one hissed, voice deep.

The other green one tittered a giggle, “So cute! I can’t believe the King really decided to let just anyone try out for Royal Mage.”

Oh…

The lizard before him seemed to take this silence as a weakness, and reached out quicker than Error could react. A flick to the middle of his forehead.

Error winced and pulled away, back and into the arena. He grit his teeth and clutched his skull, where at the same moment the lizard jumped back and shook their hand in the air a bit. His magic had reacted poorly again, and while it was better than it used to be, it still stung like 5 wasps touching down and stinging the same point all at once.

“Little freak.” Was all the monster hissed, before he fled. His two friends moving on behind him in confusion. Approaching the line to the stage.

Error stood there in the sun for a moment, rubbing at his forehead until the pain was more of a numb static.

If anything, he appreciated the little run-in with those wanna-bes. Now he knew exactly what this was, and why it had felt so familiar to him.

The Mage Trials.

Geno had to go through them, and he’s been very thorough about his every single detail while doing it. Even though he was the best mage Error had ever known, he’d still stressed and wrote page after page of plans and spells and had placed them into a folder that felt thicker than an encyclopedia. Geno had always been the only one of them who bothered studying. Fresh couldn’t go to school anymore, and Error… Well, Error didn’t need to.

Thinking about it, Geno had been very quiet about it, but Error had looked into his folder a few times. Just out of curiosity. It’d been split into three rounds, something Geno had said was standardized. The first was a test of someone’s basic magic skills, the second were more complex spells which the mage has practice in, and the third, the one that had given Geno the most grief, was the personal spell round. In the last one, there were no restrictions to what someone could do, so long as they had done the work themselves, and that it mostly used magic.

If he was right, and he usually was, then this was the first round. Eliminating those with nothing but a hope and a prayer in their pocket before they got embarrassed before the one looking for the Mage in the first place. In this case, whoever this kingdom’s king even was.

In just a few moments, Error had decided.

This was how he’d prove himself.

The line was already starting to get longer, and he didn’t want to be here until nightfall in a queue. He dusted off his scarf, his shoes, his bag, and set off into the bright sun to secure his place in this contest. No prep. No warning. Just with his raw skill and what he’d learned so far. Nothing could possibly go wrong.

Finally.

Error felt like it had been hours in the warm sun before he was finally up next.

He’d been watching, of course. Watching as the people before him were passed or failed. It was just as he’d expected, and he couldn’t help but be a bit giddy as the two green lizard who’d bothered him earlier both failed. Though their dragonish friend had passed, it was still enough of a victory for him.

Along with that, he noticed that the three people sat were all in robes of nobles. Something the wealthy and lofty would think to wear in a blazing hot arena all day. The one standing, though, was wearing all black. A hood was over his head, but Error thought he might be some sort of cat-monster. Very stone faced, very still. The only time Error had seen him move was seemingly to veto whatever choice the other three were making. He thought it was interesting.

That didn’t matter, though.

Based on what he’d seen, these people wouldn’t have any qualms with his magic. He was much better than half the people who’d already been passed, and knew he could keep him calm up on the stage. It’d be just like his entrance exam.

He watched as the monster who’d gone before him, a skeleton who was twice his height and twice as animal-ish, bowed gratefully to the people on the boxes, the evaluators, and exited. She’d passed fairly easily, Error thought. Though, her focus seemed elsewhere based on how shaky the hold on her last flame had been.

“Next!”

The call was shrill, and Error had heard it over a hundred times already today, but this time it bounced in his ears as he lifted himself up the steps and strode onstage.

If he’d thought about it, he would’ve tried to find a place to stache his bag, but it was too late for that, and frankly he didn’t trust it not to get stolen once it was out of his sight. Not with how busy the city seemed.

When he was stood in the center of the stage, he looked out across the way to the evaluators. They seemed closer up here than they did when he was on the ground. Interesting.

“First spell,” The person on the far left called, though Error could tell now that it was a voice projection spell. So they didn’t strain their vocal chords, “ Levitate.”

That was simple. One of the first spells he’d been taught as a kid.

His eyes skimmed briefly, there had been a few props on stage that he only noticed once he was closer that were meant to be used with this sort of spell, but Error wasn’t for that. Instead, he muttered the words under his breath, outstretched a hand, and felt his magic reach out around him. Beyond the stage.

There… There was a barrier of some sorts, pushing back against his magic, between himself and the evaluators. He furrowed his brow and urged his magic forward. He didn’t have to break through it. He just. Had to- His magic felt like it was looping and wriggling like a worm through the dirt, but when it broke through on the other end, it felt so much more clear. He could feel a potent magic there, something raw and wet, like the air before a storm.

That didn’t matter, though. None of it did, because he was on a mission. His magic finally found its target, the stacks of ink bottles which the middle evaluator had just before their parchment. The magic latched on, and Error finally allowed himself a grin as he tugged his hand upwards. They floated calmly into the air, three of them, and did a quick spinning motion, before settling back down just where he’d found them.

He didn’t catch the looks on the threes faces, but he had to imagine they were priceless. He was more focused on letting the spell dissipate and preparing for the next.

It took a moment, before, “Second Spell,” They said, “Create Water.”

Another easy one.

Error held his hand out again, though this time his palm faced the sky rather than the ground. At the mutter of his words, he could feel the water manifesting. Tiny droplets leaking from his fingers and into the air above his open palm, where he let it gather into a nice, easy sphere.

It hovered, and for this one he could see the nods from the three evaluators. The fourth, the cat monster, didn’t move an inch. A good sign.

Error, after a breath, moved the orb of water and simply set it on the stage floor. If he had to release it, he didn’t exactly want to get his clothes wet. That orb tended to shoot outwards when he released it, and the water would go everywhere.

“Third spell,” They must’ve been contented with his simply setting down the water, for they continued, “Flame.”

Ah, one of his favorites. He was never very good at it, of course, but it was certainly very fun. If nothing else it’d be a taste of his raw power.

He rolled up his hanging sleeves, quickly using strands of string to wrap them in place, before he picked back up the water orb in one hand. With the other, he faced his palm toward the side of it, and spoke the words for the flame spell.

The heat gathered in his wrist, and all at once shot out of his palm, like a cannon blast. The heat was intense, and Error laughed quietly to himself in pure elation as the fire did exactly what he was hoping. All at once, his glasses fogged, and a burst of steam blew past his face, off to the exiting side of the stage. He’d evaporated his orb, no longer needing to risk someone seeing him fumble with it and soak himself.

He let the fire die after a few second, and quickly grabbed the hem of his scarf to wipe down his glasses from the fog left behind on their surface.

The moment the red rims were back on the bridge of his nose, the voice spoke up again.

“Name?”

Error cleared his throat, before calling back his name in response. Just the first one, the last one didn’t matter anymore.

There was another few breaths of quiet, before,

“Age?”

Error hadn’t heard them ask anyone else for their age, but he figured they’d noticed. How strong and talented he was at such a young age.

He puffed up his chest when he announced, “Twelve!” to the arena.

There were a few muffled murmurs from the line, but Error was too busy grinning across the way at the evaluators as they seemed to talk amongst themselves.

He was ready to hear the word that would mark him to continue. The next part was tomorrow, after this round was concluded and the king arrived. He’d heard about it in the line while he was waiting.

One of the evaluators lifted their gaze back to him. Opened their mouth.

“Disqualified.”

That.

Huh?

Error must’ve visibly glitched at the response, because one of the evaluators seemed to flinch. Ever so slightly.

“How come?!” Error called back, reservations immediately fleeing his mind.

How could they disqualify him? He hadn’t heard them do that to literally anyone else so far today.

The evaluator on the far right spoke up, “Too young. Now please move off the-”

Error might’ve let his mouth speak before his mind, if he hadn’t seen the way the mysterious cat monster seemed to slink forward. A simple tap to the evaluator’s side and they stopped mid-sentence, attention drawing to the person.

He waited with balled fists. Hoping, against it all, that this person was using his mighty veto powers to get him his passing review.

“The Knight wishes to speak to you further.” They said, when the person, the Knight, took a step back. “Exit the stage.”

Mm.

This was his chance. This was his moment. He was being allowed to move on, he was sure of it. It had to be.

He practically scrambled off the stage and down the steps, and found that the Knight had closed the distance very quickly. He gestured silently for Error to follow him off to the side of the arena, seemingly outside of the voice spell’s range, as the noise of magic and calling for the next viewer seemed all muffled and contained.

Something Error noticed about the guy, now that he was right beside him walking along, was also that he wasn’t a cat monster. No, he had some sort of mask shaped like a cat. Black spots painted on black fur, with piercing white eyelights hidden in the darkness cast by his black hood. A cloth mask covered the lower half of his face, so Error would’ve had no idea what kind of monster he was, if he hadn’t left his hands uncovered. They were grey and grimy, but they were most certainly bones.

The other thing he noticed, was the magic. That damp, airy magic was no-doubt from this guy. It practically enveloped the both of them until they were stood in the shade of the wall separating bleachers from arena floor.

“You said you’re twelve?” He finally asked, shifting on his feet to look at Error.

The last thing he noticed, which only happened once he was able to look past the aura, was that. Well. He was a bit taller than this guy. Not by much, but there was certainly something stark about having to look a bit downwards to meet his eyelights.

“Yes, I am.” He claimed proudly, still convinced this was to be his ride to the top.

The knight seemed to skim him with his eyes. Surely taking in Error’s clothes, his bag, his glasses, the weird bones. Though, it didn’t feel pervasive.

“Impressively strong for a kid,” He praised loosely, “And probably talented in spells if the nerds were any indication.”

His voice was quiet and raspy, but Error had no problem listening to it. This strong and very cool guy who was called a ‘knight’ was praising him. This was much better than getting yelled at by his professors. Much.

“Does that mean I passed?” He asked impatiently.

He needed this. He needed this.

The guy’s eyelights lingered on his face a bit, and it was then that Error finally noticed how virtually unreadable this guy was. Impossibly quiet, posture unmoving, all facial features shrouded in shadow and covered by masks?

“I’m not sure what kingdom you’re from, but you’ve got to understand that the folks up there didn’t say no because you’re bad. They said no because the king made a new decree. “No soul under the age of 16 shall be put to work under the crown.” They’ve gotta take it seriously, just like everyone else has to follow the new rules about their own shops and businesses.” He said evenly, eyelights never leaving Error’s face. “You’re a couple years too early is all.”

It felt like he’d been shoved into a ditch, and he could already feel his right hand starting to tremble with the beginnings of a glitch. He was furious! How could they possibly say no to him because of some stupid rule about his age?

“No!” He exclaimed, trying to bite back the distortion on his voice, “I’m not going to just walk away. If I could just move on to the next round, they’d see I’m different! I’m not some weak little baby!”

He clenched his fists, driving his jittering one forcefully into his pocket.

The knight didn’t even flinch at his declaration.

“They’ve already seen that.” He said easily. “Listen to me. Error, right?”

Error hesitantly nodded.

“Error, ‘m sure that if my Lord saw you in action, he too would agree that you are very strong and resourceful.” The knight said, and Error hated that it sounded earnest. “But, he set that law into place for very good reason. If by any means those folks back there were to let you through, to pass you, and you made it before the king next round? They’d have committed treason, and I’d have their souls on the end of my bone in three seconds flat.”

His voice was hard and serious, and Error held strong as a loud crack echoed out beside the knight. A bone raised from the ground, sharp and jagged on the end, absolutely radiating magic.

“Do you really want their blood on your conscience, just so that you get sent away by the King anyways?” The knight offered.

Error hunched his shoulders a bit, and he felt his static worsen as he let his eyes linger on the bone. Yes. He muttered inside his head. He wanted to scream it at the man before him. Tell him that this was his one golden chance to prove himself.

But to who? He would ask, and Error wouldn’t be able to say it. It’d be a wasted sentiment and wasted time and wasted lives just for his temper tantrum.

“...No.” He bit out meekly.

He stood there, feeling a familiar shame creep up his spine. The knight made no move to leave, though he did let his bone disappear. The ground looked untouched from where it had split out of. Just more sand. Sand that was getting into Error’s bones. That he’d have to clean out later. Swinging in his hammock, lonely and moping.

“Heh,” The chuckle was almost inaudible, and Error was almost ready to let his distress turn back into rage, but, “Better kid than I was.” The Knight mused into the open air.

He seemed to shift his stance again, and Error took a half step back.

“You’ve got your life ahead of you, kid. Don’t let this keep you down. Take the road less traveled by or whatever.” He said then, waving a hand loosely before him.

Error stared at him, trying to even his breath, before he had an idea.

“The other two rounds will be here, right?” He asked, voice still harshly stuttering and screeching. The Knight seemed unbothered.

“Yeah. Planning on sticking around to watch?” The knight questioned, though it felt more like a warning.

Error nodded in agreement without hesitation. “If these geezers can get the job, I need to see what kind of tricks they have up their sleeves.” He agreed.

That earned another little chuckle, before the knight looked back to the stage.

Up in the center was a new mage, a human who seemed to be making a pretty wild wind that was whipping the sand around, bothering the people in line behind him. Error heard the knight make a scoffing noise, before turning back towards the stage.

“Go hang around somewhere else for a while, why don’t you? I have to go make sure those nerds don’t pass that guy.”

Error didn’t even get to say a farewell before the Knight was off.

It seemed like every stride he teleported a bit further, building speed until he stopped cleanly up on the pedestal. Just in time for the sandstorm to die down.

Error didn’t want to walk away from this, he didn’t, but staying would only waste his time. It only took a few more seconds, to watch the knight nudge the evaluator and hear the muffled call of ‘fail’ ring out across the arena before he was turning tail and moving out of the sandy paradise, back into the bustle of the living city.

It was impossible to miss it. The sounds of celebration as the monarch entered the town.

Error could see the royal carriage from his perch, an old temple tower that had at some point lost its bell. It seemed untouched, birds nests and cobwebs, so he’d set up a hammock and a little makeshift shelter inside using his strings just before night fell.

He’d snatched some food from the town as dusk was setting in, and he’d been comfortably whittling away the dark hours, working hard on his plan.

With the King officially in town, that meant the second round would be starting up shortly, taking the numbers of who would be in the third round down by hundreds. He hoped the king was stingy about it. He hoped that dragonish monster would stumble on his spell and turn someone into a frog.

The thought humored him, and he cackled quietly to himself from his makeshift room.

The sun was high again, and he was only a part of the way through. His spells required a lot of his magic to be woven into them, and while it was much much faster than what he’d heard was the usual, it was still difficult to make.

Weaving the blue strings from his sockets, to his fingers, around his fingertips, and into the shapes he needed. It was monotonous, and boring by all accounts, but with every strand there was a new flow of power. A new pump of adrenaline into Error’s soul as he recognized his creation becoming more potent. Intent, intent, intent, every loop and knot was filled to the brim with it. His frustration sat at the core. Much more volatile and destructive than his usual intent, but it would serve him well if he wanted this plan to go well. Around it was his determination. The strings woven in with a sense of stubbornness which refused to let go, like a snake swallowing its prey whole. This would compress the first layer into a proper state. Let it coil and coil and coil until it burst. It’d be big, and loud, and send out that message he so desperately needed to be heard by the king.

Skipping the second round would probably hurt him in the long run, but… That knight had said he’d have to kill those people if he showed his face in round two. So, he’d just appear in round three instead, and make up for missing the second one. A final act, of sorts.

He’d have to be at this all day to make the time crunch. The orb was hardly as big as his palm, not nearly big enough. Though, he had wasted time making the shelter and finding food. He’d just have to skip a couple meals to make up for it. He didn’t really need to eat that much anyways, he’d known that for years. He just tried to make an effort when he smelled something tasty.

He knew he could manage.

It was late in the night when Error finally started on the outer layers. Those which would be filled with his patience, so that the potent insides would not be sensed as he moved with it among the many magic users.

The town had begun to line the streets with torches and party as the stars arrived. No doubt celebrating those who would be at the third and final round tomorrow. The ones who would be competing to become the new Royal Mage.

To Error? Every single moment down there was dedicated to him. They just didn’t know it yet.

The morning came, and Error only had a few more layers.

By the time the sun was almost in the center of the sky above, he had finished it, and carefully tucked it into his backpack. He unraveled the strings and carefully wrapped them, shaping them, changing them into a thin net with long ends. This was shoved into his jacket sleeve, the ends clutched tight in his hand.

It took him hardly any time at all to get to the arena, and he was early.

Good.

He settled himself up in the stands, as close to the stage as he could get. Many people seemed to be staying outside the arena, sticking to the streets, but there was still enough of a crowd in the bleachers that Error had to be careful as he worked his way along the edges. He needed to be closer. Closer…

There.

He stood at the railing behind the stage.

From here, he could see the line to the left, and he could see the people who had finished lingering on the other side. None of them spoke to each other, only standing about, icily, waiting for the rest to finish so they’d know which of them was chosen, and who was not. Error had to imagine that these folks were just as lame and boring as the seniors from his old academy. No fun at all.

He waited, so, so patiently, for the next few people. The last few.

Though he couldn’t see the spells themselves, he could certainly feel the pressure coming off of them. The control that they’d need to balance it. How much it might’ve drained their energy to do it just once. He was attuned to that sort of thing, he had to be.

His assessment was that all of these last few folks weren’t bad, but they were no match for Error’s raw talent.

Each spell cast seemed to tick away at Error’s patience, until it finally happened. The last mage went on-stage. It seemed there had been 15 of them.

He’d have to make 16, then.

It felt like a blur as he jumped the rails and let his strings carry him across the open space, much to the shock of the few who had been watching the competitors from around him. The blue lines snatched at the wooden supports of the stage, and he swung right over top, landing a bit messily in the center of the stage.

He didn’t have time to look at everything. All he knew was the crowd was much larger than last time, that there was a shout of ‘Hey!’’ from somewhere to his left, and that the box across from the stage now held only three people. Monsters. One Error recognized, the knight in shadows who’d spoken to him. The other two he didn’t know, but he had to assume the one in the middle, tall and imposing, and dark, with an eyelight the same colors as the tapestries, was the King he was looking to impress. That was all he needed to know.

“M’lord, my name is Error!” He called out across the sand, and in one motion he shrugged the bag off his shoulders and used his strings to tug the orb out of its canvas body. “I want to prove that I’m more capable than any of the adults who just went before me! I could be your mage!” He would be the mage.

The orb sat cradled in Error’s hand for only the briefest moment, before it was inside the little net he’d made. He swung it in circles. Again. Again. Again.

He had to be fast. He had to do this quick.

Error spent one last moment, extending his reach through his strings, muttering words and igniting an intangible spark.

For a brief moment, he watched as the King seemed to ease forward. A hand now raised, seemingly calling off his knights, who had been almost in motion.

He released the orb directly upwards, momentum carrying it up.

Up.

Into the blue sky. Practically into the sun.

Error watched it rise above him.

Only.

“Shit.”

His calculations must’ve been off. He must’ve added a layer too many, or maybe he released it a swing too soon. But he could tell that it wouldn’t clear the top of the arena.

Maybe if he had a few more seconds he could’ve used strings to boost it. He could’ve sent a magic gust to lift it further.

Not the case.

He watched as the orb detonated, just like it was supposed to.

The wave moved horizontally through the air, and swept across the air above the arena so quickly that it sucked the sand from the top layer and threw it against the tall walls. Error’s footing slipped, and he stumbled to his knees on the stage as the wind whipped and tugged the heavy curtains into the air current as well.

It was an almost invisible force, Error had to imagine anyone without a solid grasp of magic would entirely miss it as it spread out.

He winced as it finally reached the edges of the arena, where he had just barely managed to fall short of clearing.

As the magic passed over the stone and mortar, he saw as it fell. Not in chunks, but crumbled like dust into fine particles. The upper half of every arch at the top of the grand amphitheatre, turned pitch black, then wasted away.

He hadn’t meant for it to come in contact with anything. It wasn’t supposed to do anything but harmlessly wave over everyone’s heads. As a show of his strength. That was all.

Error could only think back to when this had happened before. When he’d accidentally exploded Geno’s favorite mug while metering the strength of his strings. When he’d broken the wheel of a carriage passing through the woods with a wayward slingshot blast. When he’d broken all ten of the large windows in the lecture hall of the academy when he failed to complete a spell the way it was written. When he’d done it too well.

As he rose to his feet, he half expected the nagging voice of his older brother to be there, chastising him for not being more careful, before taking him home and making him dinner.

It wasn’t that, though.

He watched out across the sand. The king had his head tilted only slightly, looking up at Error’s lofty mistake. At the clean cut where stone now met unbothered air. His knight, the one in all black, was leaned ever so slightly towards him. They must’ve been speaking. Or, at least, the knight was.

About Error, he had no doubt.

He stayed in place, watching, swaying a bit with the residual force of his own spell lingering in his fingertips. Every instinct which told him to run and to hide were smothered and stamped out by the ligering fact that he had nowhere to go. Without his brothers, there was no one to help him. He knew it.

Even in front of this crowd. These mages. This King and his knights. He couldn’t bring himself to move offstage. Some part of him, deep down, childishly wanted the King to announce that he was impressed. To parade him offstage and let him experience what Geno had. Let him know why Geno left.

The King’s single eyelight swam back over to look at Error in the silence.

Error felt like the world had stopped.

It hadn’t.

There was a clattering of armor and rustling of fabric, suddenly loud in his ears, and he had no time to react as everything came rushing in all at once.

Hands. Heavy, gloved hands. Two sets, two hands each wrapped one of his upper arms, and immediately lifted him off the ground. Into the air.

Pain flooded into his bones from his soul, like twin lightning strikes, trying to singe the bone and the magic in its core. The pressure wasn’t much, his mind knew that, but his body usually didn’t listen to him. He tried desperately to hold it in. The rampant part of his magic that had been hurting him since he could remember. That made it hard to touch anyone. To shake hands. To hug his brothers.

“Let go!” He pleaded, though he wasn’t sure if his voice made any sense. Fresh always told him they couldn’t tell what he was saying when his voice got too bad.

More pain. He kicked his legs at the open air, and tried to muster control over his strings, just for a moment, but he couldn’t. He couldn’t focus.

And all at once it stopped.

Error’s feet were on the ground again, though that promptly became his knees again as he swayed and wavered in the sudden aftermath of his active magic dying down. Receding back into his soul. Because it didn’t need to ‘protect’ him anymore.

He spotted then, as his vision returned to something aside from the gloves or the sky, that the King was no longer in his throne. In fact, there was a heavy, encompassing, magical weight behind him now. Somewhere very, very close-by.

He took a deep breath, grounding himself.

“We are taking a recess.” Announced a booming voice. Very nearby. It was deep, and felt almost the same as the projection spell from two days prior. Then, more quietly, “You will leave the boy to me. Go ensure no one was injured, then manage the crowd. I’ll make my choice tomorrow at sunrise.”

The second bit felt quieter, an edge to the tone that Error didn’t quite like. Considering he must be the boy in question.

It was a moment, a few muddled ‘Yes, my king’ s, before Error found a pair of boots stepping before him. His head swam as he looked upwards.

The King, he figured that had to be him, was dark. Very dark. Like a living, dripping, shadow. Magic seemed to be all he was made of, an aura radiating from him. Dripping off his back into long slimy worms, twitching as they sat near the ground. He wore a fancy cape, too. One with huge gold clasps on his shoulders, one was shaped like the moon.

Error looked to his face last. In hindsight, something that could’ve been very, very bad. He was met with a dripping face. Skeletal. The place where his right socket should’ve sat was covered in that dark substance. The other hollow, with that bright cyan orb staring right back at him.

“Can you stand?” His voice came easily, and Error braced himself.

Could he?

He had to, he didn’t want to be touched again.

Error took another breath, and managed to rise silently to his feet.

“Good,” the King said once he was standing, “Follow me.”

It was an order he didn’t dare refuse.

Error found himself in an odd position.

He’d been given time to sit and recover from his magic’s outlash, and now he was sat in a room beneath the bleachers of the arena alongside the King and that knight he’d met before. The other one was guarding the door, he thought.

It’d been silent for a while, and it was almost expected when the silence was finally broken.

“You said your name is Error, correct?” The King asked, and Error gave a nod of yes. He forced himself to meet the King’s gaze.

“Dust says that you’re only 12, and our people disqualified you in the first round. Is that right?”

Error nodded again.

“And Dust even explained to you why you were disqualified?”

Another nod. It seemed he’d at least made an impression on the knight. Dust.

The King tilted his head ever so slightly to the side, eyelight holding Error’s tightly.

“Then, I’ll ask, what brought you to think this was a good choice? To try and become Royal Mage above any cost it might bring?” The king asked, and Error was surprised to find it was a shockingly gentle tone. “Your home, your family, your life. You are so young, why put it all on the line like this?”

Oh.

It was almost funny. Was this whole thing because the king was some sort of charitycase? So disillusioned by his perfect life that he couldn’t even think of the hardships any random kid could go through? He almost grinned at that, barely keeping his mouth from twitching in a mix of frustration and humor.

“I wanted to prove myself,” He muttered, “And besides, becoming the Royal Mage would be great.”

He waited, waited for the King to inhale, to say something, before,

“I’m an orphan.” He spat, finally. “Family abandoned me, house is left behind, expelled from school. I don’t want to keep wandering.”

It was basically the truth. This was his big break. His one last chance before he became a hated little vagabond. Maybe even a criminal. Maybe he’d have to go on the run for the rest of his life, live as a nomad. Join a caravan. Those people got stopped a lot though, kingdoms didn’t like them. He’d probably explode some city’s bakery by mistake and get put in jail for-

“Wait!” Error suddenly exclaimed, breaking free of his thoughts, “Am I in trouble? Am I going to jail??” He asked then.

His worries slammed to a grinding halt and he stared wide-eyed at the two before him. Geno had always told him not to go making his big stuff near town, because if the guard caught him he wouldn’t be able to bail him out. He’d end up in jail. Of course, it’d never happened back then because he was always fast enough. Always smart enough to get out of dodge when he broke something or made poor decisions. Here? Here he hadn’t run when he had the chance.

The King stared at him, his one eyelight nearly mirroring Error’s in surprise at the question.

“I mean,” he started, “You’re young. If I wont let you work for me, I wouldn’t dare put you in prison either.” The King stated, “Though, you did do quite a bit of damage to the theatre.”

Error watched him break eye contact finally and look over his shoulder to the Knight stood there. He’d been silently watching Error too.

When he had no insight, The king seemed to heave a sigh, and the shadowy extra limbs which draped around him twitched.

“You’re sure you have no family? No home?” the King asked him again, and Error nodded.

The king muttered something under his breath, and shot the Knight another look. The knight shrugged.

“I… Will not employ you. Though, I do see talent in you, Error.” the King said carefully, a bit slower in his words than he had been up until now. Almost… unsure. “I will, however, extend to you the title so that you may conduct…” He waved a hand before himself, as though searching for a word, “ You may conduct independent research. If you accept, of course.”

“You would be free to resend your acceptance at any moment, no strings attached, and may take any work you complete along with you, and any pay you receive would be given to you after your 16th birthday, if you stay that long.” He added, “I’ll have to rewrite the contract, but-”

“I accept!”

Error couldn’t help himself. He was so excited he could puke. The last thing he’d expected was to pull this off. This shitshow of a scheme actually got him the job? He could scream. He could jump up and down for joy. He didn’t, he sat eagerly and tense in his seat instead, but he could’ve.

The King seemed to hesitate, for a few breaths, before relaxing. He stood, and offered a hand out slowly to Error.

Error stood too, grinning. He could manage this one. He could do it.

It was brief, but he grasped the King’s hand and shook it firmly.

“Dust, will you help Error locate his belongings, and escort him to wherever he is staying tonight? I’ll send Cross to swap with you a bit later. We’ll reconvene in the morning just before sunrise.”

#new age au #Sorry for dumping like all of Dust's loose lore into the thang. but this feels like a relevant time haha!#I also decided the gang has various amounts of living family. Killer has none. Horror has All. Dust has All. Cross has none. And it makes #the dynamics interesting because Night only knows about 2 of these situations. (He never pressed Cross or Dust for information.)#Okay no more tag rambles my post part is long enough haha- Hope you're having a good one and that ur feeling better!

29 notes · View notes

deconstructthesoup · 4 months ago

Text

One thing I absolutely adore about Dead Boy Detectives is the immaculate costume design. Specifically, how it perfectly encapsulates who the characters are, both as a whole and who they are in the moment.

From the very first scene of the show, we know immediately that Edwin is a bookish, somewhat stuffy guy from the Edwardian era who attended a boarding school, and Charles is a punk from the 1980's who's most likely the wildcard between the two of them, just going off of the way that they're dressed. Both of them have distinct color schemes and different styles, but the general shape of their outfits is actually relatively similar---both of them have collared shirts (Edwin's dress shirt, Charles's polo), something over those shirts (Edwin's vest, Charles's suspenders), a jacket of some kind (Edwin's suit jacket, Charles's flannel thing), a longer overcoat (Edwin's traveling coat, Charles's peacoat), something around the neck (Edwin's bowtie, Charles's necklace), slacks, and nice shoes. They're distinct, yet matching, two clearly defined separate characters yet part of a set.

Edwin's prim, proper, buttoned-up personality lends itself to the way he dresses throughout the season---in the first episode, he only dresses down when he's in the office with Charles, aka his safe place and his safe person, and he doesn't really dress down like that again for a good long while after getting stuck in Port Townsend (though, if my memory serves me correctly, he does take off the suit jacket while watching TV with Niko). But in episode six, he's changed up his usual look for a cozier, casual-looking sweater and a little bit of collarbone, and in episode seven... well, he's in his nightclothes, and he's about as open, raw, and vulnerable as you can get. Edwin's color scheme is also predominately blue, which lines up nicely with his logical and practical, yet deeply sad and closed off personality, and the only time he really wears anything other than his normal blue-and-brown outfit (willingly, that is) is when he's in that green sweater in episode six. And, uh... all I can say is that it's quite telling how blue and green---or, well, teal---are the main colors of the gay/mlm flag.

Charles, by contrast, dresses down a lot, and that makes a lot of sense when you consider the fact that unlike Edwin, he feels comfortable pretty much anywhere. On any given episode, he goes from wearing his peacoat to just wearing his flannel to ditching the flannel to not even wearing the freaking polo---though, again, the latter is something that only happens when he's in the office with Edwin. Safe space, safe person. And, well, plenty of people have analyzed Charles's polo shirt going from red to burgundy to black over the course of the series, and there being a little bit of red under the collar of his coat that's only visible when Edwin fixes it, and then it goes back to burgundy, and then it's red again when Edwin's out of Hell... for good reason! It's color symbolism at its finest! Not to mention, the red and black not only perfectly contrasts Edwin's color scheme, but it also lines up with Charles's personality---he's a rebel, he's hotheaded, he's bold and brash and loud... and yes, he's angry, but he's also so, so loving.

When we first meet Crystal after she loses her memories, her outfit choices feel very deliberate. They're stylish and vaguely trendy, they're arty and a little bit witchy---pretty fitting for a psychic who's also a showbiz kid, even if she doesn't know that last part. But all of her clothes appear thrifted, or at the very least vintage, and the patterns and the general vibe all feel natural and comforting. Her makeup's always fairly simple, her hair's either down or up in a couple of cute space buns... overall, this Crystal looks like the kind of person who'd make you tea when you're in a bad mood, who'll listen when you just need to vent, and who may not always know the right thing to say but will understand what you're going through. But when we see her in the flashbacks, her clothing's flashy and prioritizes high-end trends over comfort, she's either got her hair up or has it straightened, and she not only has dramatic makeup, but acrylics. This is a girl who talks shit about you behind your back, who's bitter and cynical and wants everyone to feel the same way, who makes up for the lack of love and stability in her life via material things. It's also worth noting that Crystal's color scheme has a lot of purple, which is a color that connects to wealth and luxury, but also creativity and magic---which, yeah, fits her two conflicting sides pretty damn well.

You cannot talk about Niko Sasaki without talking about her outfits, and the meaning behind each of them has already been talked about at length. However, one thing that really stands out to me is that the reason they're so iconic isn't just because of the monochrome color schemes, but because they're out there. They're weird, they're eclectic, they're a little mismatched in style sometimes, and they're so unapologetically her. Niko wears heart-shaped sunglasses, unironically. Everything about the way she dresses speaks to how, even though she's a recovering shut-in who initially doesn't want to be perceived, she's still very sure of who she is.

Jenny's design, like Charles and Edwin's, is a design that gives you the key information you need the minute she first appears onscreen. The dark makeup, the silver jewelry, the leather apron, and the hairstyle all point to a person who's tough, doesn't take anyone's shit, and has long since given up on caring what other people think---in other words, she's a badass. But the butterfly tattoo hints at a softer side, a side that we see time and time again throughout the series as she shows that she cares about Crystal and Niko, and even the boys... eventually. Also, Jenny's design is perhaps one of the most clearly queer-coded in the series, to the point where her being a confirmed lesbian is pretty much a no-brainer.

Esther's design oozes camp, from top to bottom. The fluffy coat, the bustier, the boots and the cane and the everything, speak to a woman who's kept with the times and yet has seen it all. There's really not a lot I can fully say about her design, other than what Charles has already said: "She looks like a witch... like, kind of a sexy witch, who smokes a lot." (Or maybe I'm just tired and running out of steam at this point, idk, I love Esther's design and I can't really put it into words.) It's also pretty fitting that her color scheme has a lot of yellow in it---after all, she's always striving for more, so what better color for her than the color of gold?

Everything about the Night Nurse's design speaks to a woman who follows rules and discipline above all else, from the pantsuit to the pinned-up hairstyles to the tie to the heels. She's also the most muted out of the main cast in terms of color, dressing mostly in browns, dull greens, and duller browns---and while I don't have a lot to go into detail about there, I feel like that's kind of a symbol of her narrow-minded and bureaucratic worldview.

And the animal characters... Jesus Christ, I fully forget that they're all being played by human actors. Tragic Mick dresses like a man who's always spent his life by the sea, layered denim and all, and it's never a stretch to see this sad, bushy-bearded, baggy-clothed fisherman and imagine him as a walrus lounging on a beach. Monty, at first glance, seems to only wear black, which would be perfectly fitting for a crow, but when he's in better lighting, you see that he dresses in layers of red and blue, calling to how he envies Charles and Edwin and clearly longs for something more---and this might just be me, but I think that even though his outfits seem fairly normal at first glance, they feel kind of like a costume for Monty more than anything else, like he's trying to emulate a teenager that he's seen on TV more than someone in real life.

The Cat King fits this just as well, with all of his outfits aligning perfectly with whatever his cat form is at the time---when he's a fluffy ginger, it's always sequins and fur coats and clothing pieces that are specifically designed to take up space and call attention, and when he's a black shorthair, it's sleek styles and shiny leather and pieces that are designed to cut an intimidating yet more subtle figure. And while I could go into detail about all of those, what really stands out to me is how clearly queer everything is---more than Jenny's alt lesbian attire, more than Esther's campy coat and corset. From the very first scene he's in, he's wearing a skirt, and it looks natural. Nothing about the way the Cat King presents himself is exaggerated, nothing about the way he dresses is played for laughs---he's flamboyant and feminine and flirty, and he looks so fucking hot while he does it. It's gorgeous.

So... yeah, uh, all the awards for the Dead Boy Detectives costume designers!

#dead boy detectives #dead boy detectives analysis #costume design #edwin payne #charles rowland #crystal palace #niko sasaki #jenny green #esther finch #the night nurse #tragic mick #monty finch #the cat king

2K notes · View notes

hellotailor · 4 months ago

Text

armand’s costumes are such an interesting data point re: his nebulous sense of identity.

when analyzing any costume, there are always many factors to consider: the setting, the character’s personal taste and economic constraints, storytelling concerns like tone and genre, etc. with armand, we also need to remember that he’s 500 years old and violently disconnected from his human origins. everything he wears has an element of disguise, selected to blend into a new environment.

armand was enslaved as a child in 16th century delhi, and barely remembers his mortal life. unlike louis - who can return to new orleans after 80 years and reconnect with his past - armand has no home to return to. his whole backstory, even his name, is rife with traumatic subtext, leaving him with an obsessive need for structure and control. this adds an extra layer of meaning to costuming choices that initially seem like straightforward menswear.

armand’s 1940s wardrobe is very put-together - primarily three-piece suits and coats that make him look wealthier and more formal than louis, who is purposefully dressing down. most of these outfits are tailored to bulk up armand's frame, leaning into the "maitre" persona. and like his business-casual dubai wardrobe, he always leaves his collar open. when i interviewed costume designer carol cutshall, she described this as a symbolic power move, signalling that he's an apex predator who doesn't need to protect his throat.

my personal interpretation is that while armand clearly likes to look good, he has a complicated relationship with attractiveness. he doesn't always want to draw attention. his color palette is shadowy (black, grey, brown, olive green), and he’s much less flashy than the other Théâtre vamps. however when he’s feeling confident and flirty, he becomes more of a power-dresser - for instance his hunting outfit with the big coat and sunglasses, or his habit of wearing kohl.

interestingly, most of armand's 1940s costumes set him apart from the coven. the Théâtre vampires dress like cabaret performers, embracing a lot of period-specific styles. by contrast armand is more timeless and neutral. in fact, due to the relatively minor changes in men's suits over the past 100 years, there's a lot of overlap between his wardrobe in the 1940s, '70s and 2020s:

the rest of the Théâtre squad share an unofficial uniform of boldly clashing monochrome patterns with pops of bright color. meanwhile armand has a very plain wardrobe, emphasizing the image of him as a businesslike authority figure surrounded by zany artistes. he only wears subtle stripes on a few occasions in the '40s, reflecting the recurring prison motif we see in lestat's trial suit and (most famously) the dubai penthouse bedroom:

if we ask the question, "what does this person like to wear?" there are easy answers for lestat, louis and claudia. we understand their tastes, and the motives behind them. but armand is more enigmatic. we can recognize through-lines in his wardrobe, but his "taste" is dominated by whatever role he's currently decided to embody, whether that's a parisian theater director or a real estate mogul in dubai.

the times when he appears to have the most fun with clothing are when he steals a pair of sunglasses from his human dinner (!) and when he's pretending to be rashid. in other words, when he's explicitly performing for an audience. "real armand" is still a mystery.

(i may write more about armand's dubai wardrobe later, but for now, you can find all of my iwtv costumes posts on this tag!)

#armand #iwtv #interview with the vampire #assad zaman #costume design #iwtv costume design #1940s #iwtv meta

3K notes · View notes

skarabrae-stone · 3 days ago

Text

Yeah, I think with Cattermole it's less class snobbery than like... suitability snobbery? Intelligence snobbery? I think Cattermole's class sounds similar to that of other students, but she's clearly not SUITED to academia, and therefore doesn't deserve to be there. Like, her mind isn't fit for it. And I think that fits in with the sense of bio-essentialism that I definitely get from Sayers-- Gaudy Night has a lot of discussions of women's nature vs man's nature, but there's also very much a sense of intelligence as an inherent quality that you either have or you don't, or that you only have a certain amount of. When Harriet is talking with the Dean about Mary Stokes/Attwood, the Dean says that Stokes "had a head like a day-old chick. Very precocious, but no staying power"-- as if Mary had a certain amount of intelligence that she basically used up and ran out of. I definitely agree that the "provincial university" statement is meant to be demeaning, and show that Cattermole isn't in her proper place.

I think the "one's proper job" is another aspect of combined classism/bio-essentialism, but I also think Sayers has a point if you don't carry it too far. I certainly don't hold with the idea that there's one job that a person is fitted for by birth/class/intelligence, and I also think the idea that you can't make a fundamental mistake about your "proper job" is foolishly simplistic. But I also think that there is merit in the idea that you can't force yourself into liking or being good at a role simply because you want to like it/be good at it, or because you think you ought to. Plenty of people make themselves unhappy by trying to be someone they're not (again, not in the class sense, but in the sense of trying to change who they are as a person in order to mold themselves to someone else's expectations)-- which obviously is not the whole of what Miss De Vine is getting at in that conversation, but it's the part I actually agree with. :D

The class thing is also interesting to me because at the same time that Sayers has a horror of social climbers, she also has Parker marry Lady Mary, which would definitely have been seen as social climbing by outsiders. Correct me if I'm wrong, but my impression is that police of that time were considered more working class-- and though Parker is Chief Inspector, I seem to remember that he worked his way up the ranks, rather than being appointed. I guess maybe it's different because we know that Parker is doing it for love rather than status?

And then there's Bunter, who is extremely important to Wimsey, but is of course still "just" the valet-- but he's obviously intelligent, and Harriet and Wimsey both clearly have a lot of respect for him. Wimsey seems like he doesn't care very much about class at all, and there are several times when he jokes about Bunter being the one who insists on the formalities due to their respective ranks. Gerald and Helen are much more precious about rank than Wimsey, and are portrayed as being unreasonable and snobbish. So it seems like there's a certain level where Sayers thinks the classes SHOULD mingle, and there's no problem with it-- but then obviously, the Annies of her stories aren't included in that.

I wonder if Sayers' background would lead her to see those of her own class as more or less equal with the higher ranks, whereas she might have seen those in the classes below hers as more markedly inferior. Or maybe she intended an anti-classist message through characters like Parker and Wimsey, but her own biases might have blinded her to the prejudices she was reproducing through the way she portrayed side characters.

Edit: I almost forgot Sayers' hatred of socialism/communism, which is more apparent in some of the other books (I think Clouds of Witness and Strong Poison)-- so that's another aspect of the whole "people should know their proper place/do their proper jobs" thing.

I just re-read Gaudy Night, and it's interesting how it feels very relevant and very dated at the same time. There's so much discussion about a woman's "place" and whether a woman can (or should) still have an intellectual life/job outside her husband if she's married, and it seems like many of the academic women in the story feel on some level that they have to choose one or the other. On the one hand, this debate, again, feels very dated in an era where most women do have jobs regardless of whether they're married or not. On the other hand, women still are frequently expected to put their families before their jobs, while men are usually not; and women are still frequently expected to sacrifice their own careers and interests for the sake of their families, while men are usually not.

The "question" of whether women belong in academia no longer seems to be a question in mainstream culture, but women in academia still don't get the same amount of respect or opportunities as men. And while British and American society no longer demands that unmarried women remain celibate, I think there is still a great deal of discomfort at the idea of women who choose to remain single, and with the idea of voluntary celibacy in general.

It's also interesting that the Senior Members of the college (all women) seem to more or less jump to the conclusion that the college "poltergeist" is expressing some kind of psycho-sexual frustration born of celibacy and academic isolation, when in fact it's someone seeking revenge. It seems like even though these women have been in academia/running the college for decades, they still harbor some insecurity over the legitimacy of their profession and lifestyle.

And then, of course, there are the casual mentions of eugenics and the one woman who thinks execution is wrong and that murderers should be used for scientific experiments instead (because that's more humane somehow??). There's also the instance where one of the porters (who is otherwise very likeable) says that Britain needs "a Hitler" who will put women in their proper place. Interesting times...

Idk, Gaudy Night fascinates me because there's SO MUCH going on in it that even on my second read, I think there's a lot that I'm probably missing. The various philosophical debates in it make me really curious about what Dorothy Sayers' own views were.

#gaudy night #dorothy sayers

18 notes · View notes

tizeline · 11 months ago

Text

Presenting: The AU I accidentally created OOPSIE!! 😬😬😬

And yes, I know, it's another Seperation AU, and yes YES, I KNOW, they're a bit overdone at this point, bUT LISTEN!! That's precisely how I ended up in this situation!!!

So there's a lot of Seperation AUs exploring a lot of different scenarios with the turtles being raised, well, seperately. I've seen quite a few of them at this point, and despite whatever the combination is when it comes to turtle + parental figure, I'm sure I'm not the only one who has noticed a pattern of specifically Donnie often being raised by a villain. Which makes sense, he has a tendency to put on this evil-mad-scientist-act in the show, so of course a lot of us want to see what Donnie would actually be like as a proper antagonist. But that just made me think think of the opposite possibility, of Donnie being the singular good guy while his brothers are all bad guys. Mind you, I'm sure SOMEONE must've thought of this concept before me, but I haven't seen it! So here we are!

In this AU (which doesn't have a name so don't ask!) Splinter only managed to yoink Donnie during The Incident™, so he ended up an only child, while Raph, Leo and Mikey were raised by Draxum. I also imagine Draxum being at least a decent dad considering the circumstances, so the kids he raised ended up with pretty similar personalities to what they have in canon.

Because of that we get Hero Donnie who acts all villainous cuz he's a total theaterkid, and Villain Raph, Leo and Mikey who act all heroic cuz they honestly believe they're doing the right thing in literally destroying all of humankind and as a result developed an intense case of main character syndrome.

Anyway here's some references-

I don't know how far I'll explore this AU. I fully intended to just make like one or two posts rambling about the basic concept, but when I was drawing these images my brain went into full Brain Blast mode and I started coming up with a bunch of other ideas so uh... we'll see how this turns out later I guess haha

6K notes · View notes

after-witch · 6 months ago

Text

Bookworm [Yandere Mahito x Reader]

Title: Bookworm [Yandere Mahito x Reader]

Synopsis: Mahito doesn't like that you have an interest in a book character.

Word count: 1787

notes: yandere, kidnapped reader, mentions of other people being tortured/killed, supreme self indulgence of the highest order

“Who is the smiling man?”

The silence that had existed between the two of you was broken by a question that made you flinch. Well, why not? Mahito has been quiet all morning--and afternoon, actually, which perhaps should have startled you more than his sudden words.

But you were too happy to enjoy some quiet (you would never say “peace and quiet,” not down here, not with him); all too happy to curl up in your haphazard nest on the floor with some books that took you away from this place. Away from Mahito.

Who was, of course, still here. Lounging in his hammock with a pile of books sagging down the netting.

You couldn’t tell exactly what he was reading from down here--you probably needed new glasses, a subject you were certainly not going to bring up with Mahito, who might reiterate his offer to “fix” your eyes. It looked like a bundle of pages stapled together. Maybe he went to the library and printed off obscure articles to read again.

“Hey,” he calls down, and the first hint of worry begins to prickle on your arms at his uncharacteristically serious tone, “Answer me.”

Your mind stutters, tries to put one word in front of the other, and make sense of it all.

The smiling man? The smiling man, the… ah. From Small Spaces. The otherworldly supernatural entity who lives in a world behind mist and has a penchant for making deals with people for their greatest wishes.

It’s not your fault that you haven’t thought about him in ages. It’s not like you had copies of your books with you, and the fun you had with imagining him in an endless number of scenarios had fallen by the wayside considering your circumstances.

It’s hard to daydream about worlds behind mist and cornfield servants when you’re watching people be turned into grotesque experiments that had them, sometimes quite literally and loudly, begging for death.

Mahito is looking down at you now, staring expectantly.

“He’s a character,” you say, fidgeting on the floor. “From a book series.” You look down, flip a page in your book, although you haven’t finished reading the last one, and ask, casually as you can muster: “Why?”

Mahito, up above, flips a page. You can hear the wobble in the paper--not a bound book, that’s for certain. And there’s some low, primal sense that shivers through you which says, plainly, that he’s actually reading whatever’s in front of him.

“You write about him a lot.”

Oh.

Low, slimy dread filters into your stomach. Thick and gelatinous, resting at the bottom of your belly like an unwanted slug.

“I… don’t know what you mean,” you say, voice only half-there, because while you are apparently stupid enough to lie to Mahito’s face, you’re not stupid enough to think he’ll believe you.

You are just stupid enough to think that he won’t know exactly how deep your interest in this particular character goes; before Mahito took you, you thought about him all the time. You’d take walks and daydream about him, write story after story; you’d even commissioned fanart of him, because it wasn’t like there was a plethora of fanart for a character from a middle grade horror book.

Mahito huffs out a sigh. Quick and short, it sends a shock right down your stomach.

“Get you a man,” he starts, and confusion buzzes through your brain until he continues. “Who is an otherworldly entity that is so petty when an 11 year old beats him that he traps her in another world, leaving her to a fate worse than death, and laughs until he cries about it.”

You wrote that. There’s a vague memory of when you posted it--after you’d taken a walk, you think, and reread your favorite parts in the books for a few hours. But the way Mahito says it makes it sound--you don’t know how to explain it. Like saying the words out loud almost pains him; they come out clipped and bitter.

Bitter? But why?

He doesn’t stop there. He reads something else, voice getting higher, almost mocking the way you talk. And that bitterness is still there, a thread continuing through every syllable.

“What if we kissed in the corn maze before you turned me into a scarecrow servant whose soul slowly gets dried out and useless and in the end you feed it, crunchy and tasteless, to your hellhound.”

He takes a breath. Then--

“One particular aspect of the Smiling Man’s cruelty that I truly adore is that he can make people feel understood. He can make them feel like he cares, like he’s lending a listening ear, like he’s wanting to help them out and make them feel nice.”

Another breath--and he continues, again and again, reading your posts. Quoting your stories. Listing off the titles, the imagine posts, everything you’ve said about him.

All the while, bitter and mocking, his voice raising now and then in an imitation of your own.

Then he gets to the last page of his clearly self-created tome and stares down at you, waiting, expectant.

And you… you actually glare up at him.

Because you're scared, sure. You’re always scared in some way, when you’re with Mahito. But there’s something else too, something that digs its way out of the rot in your gut and sticks up a petulant middle finger.

How dare he do this. How dare he take something that was yours and make it his; put it in his mouth and sneer over it.

“Have you been--” Your mouth sticks together, refusing to let you accuse him of what you know he’s been doing. Stalking your online profiles. “That’s… that’s private,” is what you finally mutter, cheeks feeling hot and that half-buried petulance pushing you forward. “It’s not any of your business.”

“Private?” He mutters the word softly, cradling the sound.

And then--

Mahito doesn’t often move fast around you. He prefers to be slow, languid. Calculating. You think it’s because that terrifies you more.

But now, in a moment, he goes from being slouched in his hammock to leaping down and crouching right in your face--there’s sudden pain in your head, and you realize he’s grabbed your hair and yanked it back.

That metaphorical middle finger sinks back down into the slimy gut sludge.

“Not from me,” he says, low, a warning. “Not for you.”

This is all it takes for tears to prick inside your eyes.

Mahito’s lips quirk up. Just a little. Just enough for you to notice.

“You’re going to cry already? I didn’t even do anything.”

Your eyes dart up and back, towards where he’s currently gripping your hair hard enough for it to sting.

He sighs through his nose. “This isn’t anything. You know that. Don’t be childish now.”

But--he lets go of your hair, and doesn’t grab for you when you scoot backwards on your blanket nest. Instead, he plops himself down, crossing his legs and resting his chin on his elbow.

You don’t speak. You don’t want to, and you don’t know what to say. Sometimes it’s better to be quiet around Mahito, so he doesn’t get ideas. Although he comes up with them on his own just fine, even if you try to stay silent.

It’s Mahito who breaks the silence.

“Why do you like him so much?”

How silly, to feel embarrassed right now. With the creature in front of you, and what he can do. But that’s what makes your cheeks burn: embarrassment.

“I don’t know,” you mumble, because while you are stupid in so many ways, you’re still smart enough to know he wants an answer. “I guess I just like antagonist characters sometimes.” Well, most of the time. But it’s better to keep that from Mahito, if you can.

Mahito’s lips quirk here and there while he thinks. Then he looks at you with something like genuine confusion.

“You say that you like how awful he is. The awful things he does. So…” He tilts his head a little. “You should like me. Right?”

Your fingers pick at the loose threads of your clothes. Your eyes don’t meet his entirely--they flick up and down, from your legs to his face.

“It’s not the same thing,” is what you come up with. But how to explain that to a curse?

Mahito frowns.

“I don’t understand.” No bitterness, no pouting. A simple statement of fact.

“He’s not real.” You swallow against the minefield that all of this is making you step through, hoping you’ll avoid them. “But you are. That makes it different.”

Mahito leans forward, grabbing your wrists, pulling you closer to him with a yanking, childish gesture.

“So you should like me more,” he says, a slight pout in his tone. “Because I can really do those things.” His eyebrows raise, and you swear you can hear a buzzing light bulb go off. “I could turn someone into a scarecrow for you.” He smiles, sudden, excited. “Do you want me to find some school children to torment?”

“No!” Your voice cracks. There are brief images in your mind--the people he’s tortured and killed, experimented with, before you were here and while you’re here and probably after you’re dead and gone--and you shake them away.

Mahito’s eyebrows furrow. He groans and rolls his eyes backwards until they are entirely white, not in mockery or an attempt to scare you, but in irritation. Fingers squeeze your wrists briefly and let go, and you stay quiet, trying to fight your urge to cry, until Mahito slowly rolls his eyes back to stare at you.

His gaze flicks over you, until he catches your eyes with his.

“You won’t write about him anymore.”

You don’t take a moment to answer this time.

“I won’t.”

“You won’t read those books anymore.”

“I won’t,” you stay. “I haven’t. I--don’t even have copies anymore.”

Mahito smiles, a little. Maybe it’s a good thing you never asked him to find you a copy, a thought which had been a brief temptation a while back.

And then he leans in closer again, until his nose touches yours.

“You won’t think about him anymore,” he says, quiet, solemn. Not an order but a matter of fact.

You don’t answer. You swallow against a bitter taste in your throat; you swear, sometimes, that the sludge in your gut is real and tries to make its way out sometimes.

Mahito presses his nose against yours until it starts to hurt.

“You won’t,” he says again, this time more to himself. “I’ll make sure of it.”

#yandere mahito #yandere jjk #mahito x reader #smiling man #look two obsessions in one!#afterwitch writes

901 notes · View notes

undreaming-fanfiction · 8 months ago

Text

Established Steddie, they have been living together for over a decade, did their best to heal their wounds from the Upside Down and learn to enjoy life again. It's not easy but they do it.

When the Lord of the Rings movies come out, it's actually Steve who suggests watching them to Eddie. He really tries engaging with Eddie's passions, but his focus is not the greatest when it comes to books. That doesn't mean he doesn't listen to Eddie ramble about them though - he knows all about hobbits, second breakfasts, the culture of smoking in the Shire...Eddie admires a lot of characters from the books, but ever since experiencing the Upside Down fuckery, he actually admits that the hobbits had a point. Good food, even better company and good tobacco? What else does one need? It also inspires Steve a few years later to prepare a full day of hobbit-inspired meals for their trilogy marathon when the extended editions come out. But this is about their first time watching the movies.

They both go to the movie theater excited. Steve is familiar with most of the characters, including Eddie's self-admitted crush on Aragorn. And Steve can see why, he can see so much good in all the members of the fellowship. After the first movie, he's wiping his eyes because Boromir deserved better. Eddie has a lot to say about what was lost in adaptation, but Steve knows Eddie loves those movies and would cut off his only remaining nipple before missing the next ones.

The Two Towers have Steve rooting for the ents and he feels strangely touched about how everyone underestimates Pippin, yet it's him who gets the ents to march. He really can't pick a favorite character. He can't wait for the third movie.

They go to the premiere of the Return of the King with Eddie. They secretly hold hands in the last row, and Steve watches the ride of the Rohirrim with bated breath. He clenches his hand in Eddie's when Theoden gets gravely injured, but then Éowyn is there and...oh.

He is staring slack-jawed at the scene. Éowyn's large, terrified eyes, the towering frame of the Witch King. Her posture was fearful, crouched, but still she faced him. And something surfaces in his head, something he's long forgotten.

He's unusually queit when they come back home, he still loves the rest of the movie, almost cries at "my friends, you bow to no one,", then definitely cries at Frodo leaving the Middle Earth. But there is still that something and Eddie can sense it. When they're falling asleep together, Eddie finally asks him. And Steve's had enough time to process what he felt.

"When Éowyn faced the Witch King...it reminded me of what it felt like. I mean, for the first time. I know it's stupid because saw so much unnatural shit, but...it's the first time that I have hard time forgetting," he admits quietly. "She reminded me of me in 1983 so much. I had no clue what I was getting myself into. I thought I'd do the right thing, but then I had a gun pointed at me, they both had blood on their hands...and then it appeared."

Eddie doesn't speak, he only holds Steve closer.

"It was so tall. I remember that petal-like mouth, those teeth, but mostly...I remember the crippling fear. I felt absolutely terrified. I couldn't move. There was even a moment when I thought of running away, but...I couldn't leave them there. Seeing someone go through something similar and being praised for being a hero...it makes me think. I used to be so ashamed for freezing in that moment. For even considering running away. But Éowyn...she was like me." There's awe in his voice and warmth, relief. "She had no idea what she was getting into. She froze. She didn't do everything perfectly and gracefully like Legolas or something, but when it mattered...she did what she had to."

He holds Eddie tighter and asks, almost shyly: "Will it offend you that I think she's my favorite character? Not Aragorn or Sam?"

Eddie just shakes his head and drops a kiss to Steve's hair. "Nah. She suits you well. And you're both amazing."

And if it becomes a silly endearment in their household, that Steve is sometimes called the Shieldmaiden of Hawkins? ("I'm not a maiden, Eddie!" "I'm not calling you a shieldboy or shieldbachelor, Steve!") Then Steve feels a hint of something that he thought he'd renounced, but now, for the first time he feels it's deserved - pride.

#steve harrington #eddie munson #stranger things #steddie #steddie drabble #lord of the rings steddie #not proofread I'm sleep deprived af

1K notes · View notes

bijoumikhawal · 5 months ago

Photo

there's people who don't consider what Tain did to Garak to be abuse at all. They consider it "normal" in line with how mafia families and such act (which, someone may note, is still abuse in those cases too), and say that Garak's closet story is a lie- despite the fact that Garak tells Ezri about it without realizing that it was unusual or bad at first. He doesn't use it as a sympathetic ploy to distract her, he seems genuinely shocked and later, annoyed that she thinks that was abusive (or at least that she thinks his abuse is impacting him now).

everybody talks about tain, and with good reason, but nobody ever talks about mila. we don’t see her very often, but these interactions just reek of abuse.

(even if “you shouldn’t be involved” was meant to be concerned/affectionate as abusers sometimes are, garak’s reaction and immediate “if it’s no trouble that is” interjection is very telling, imo.)

#I think raising your kids with the intent of being cops/spies/assassins/torturers is abuse tbh because without like #Hitting them or neglecting them you're raising them with a violent ideology where they will probably kill people #And it's at least emotionally abusive even if you don't have them actually doing that under age (child soldiers are bad for a reason)#And plenty of people DO think Garak started working for the Order before he was an adult though it's ambiguous #And people also consider if Garak honeypotted and like. Your dad picking people for you to fuck in that context is sexually violent #Both on your part and the fact that honeypotting is sexually violent towards the 'fly' esp if you're gathering blackmail #But just canonically. Tain probably locked Garak in a closet as punishment. Tain raised Garak to be a killer and a spy.#Tain took Garak’s feelings about love and service and twisted them until Garak NEEDS to be serving Cardassia and NEEDS to please Tain #And even at a young age was injuring himself in order to get Tain's approval #(Unless you think that's a lie too)#People have a tendency to handwave anything Garak says that they don't vibe with as 'he's a liar who lies'#Including things Garak says in moments where him lying does not make sense in context with occams razor #And there is no pay off or hint indicating the lie #And it feels so fucking lazy. The 'it was all a dream' of character interpretation #Why would Garak and Tain by lying about that day in the country when Tain is on his deathbed and thinks they're alone #By that point he's even admitting Garak is his son. Why would Tain be lying. How is it more satisfying if he's lying.#That's setting aside the fact that Garak does lie a lot- but most of the time his lies are fucking absurd and a smoke screen for him #Blatantly telling the truth and making it sound like another silly lie #Garak tells the truth a lot too. You need to actually understand the rhythm of a character!#I need to find that spy analysis podcast I listened to because I found their point that Garak actually doesn't lie as much as people think #Really interesting

357 notes · View notes

asidian · 5 months ago

Text

One thing I haven't seen talked about is Crystal's character arc, and specifically the way the timing of it interacts with Charles' arc. They stumble over each other in the worst possible way en route to their respective character growth, and from a narrative perspective, it's absolutely genius.

I'm going to preface all this by saying: none of this is a criticism of Crystal. Part of what makes her such a dynamic, refreshing character is that you don't get to see women in fiction written the way she's been written. You don't get to see women with her flaws that aren't throw-away mean girls or villains. You especially don't get to see women with her traits who learn and grow and become better people. So yeah, I'm going to talk about Crystal's character flaws. No, this isn't Crystal hate. We love our girl in this house. Okay? Okay. Let's start.

Crystal's character arc, at its heart, is all about her learning to be a better person because she has good influences that love and support her for the first time.

When the show starts, Crystal is not a nice person. She's abrasive in a way that's specifically designed to push people away. She's used to getting her own way, and it shows. She's used to having no meaningful connections with anyone, and it shows. She's breathtakingly selfish, in the very literal sense of the definition. She is focused on her self. Her problems are front and center to her; everything is about what she needs, and what she wants, and how she's struggling.

Jenny calls her out very early on. In episode one, Crystal is complaining about the boys, and Jenny, for all her cynicism, strikes right at the heart of the problem. She tells Crystal, "Everybody is always thinking about themselves, all the time." People only care about their own problems. And she says, correctly, that that's what Crystal is doing, too.

This moment is a revelation for Crystal. For the first time, she considers what her behavior looks like from another person's perspective. As she says, she gets mad at herself over it, and that awareness allows her to do something selfless for the first time in the series. She takes a step back and insists that instead of focusing on her problems, they go to help a little girl. It's a big moment for her.

But importantly, she's not done growing as a character here. She's only just getting started.

On my first watch through, I didn't realize how often, over the next few episodes, Crystal redirects things to her problems during conversation, but it's quite a lot. She's still focused on herself – selfish, in that most literal definition of the word. The issues most important to her are her issues. She's starting to learn to think about other people, but she's not there yet. The process is still underway.

Which brings us to Charles.

Charles' arc is a different sort of self-reflection. He's terrified that he's a bad person the way his father was and the way the boys that killed him were.

During the course of the show, he gets systematically stripped of his confidence and made to feel helpless, and just like Crystal needs outside influences to help her reach a more stable place, Charles does, too. He desperately needs reassurance that he isn't everything he's afraid he is.

But my goodness, the timing in their arcs is such a trainwreck when you put them together, and it is brilliant.

Let's start with the Devlin House.

Crystal has some amazing character growth here. She displays genuine concern about Charles, makes an attempt at comforting him, and learns to work with Edwin even though she still doesn't particularly like him at this point.

Charles, meanwhile, is beginning to fall apart. He's just had the worst night of his afterlife. He's been viscerally reminded of how helpless he is. He couldn't stop the Devlins from being killed over and over, just like he couldn't stop his own father's abuse. He messed up his attempted rescue so badly that he was completely out of commission until the case was finished. He managed to help not one single thing. He made no impact at all. He couldn't help those girls any more than he was able to help himself, while he was still alive.

So they get back to the butcher shop, and what do we see? Monty immediately coopts Edwin. Niko doesn't know what's happened because she wasn't there and Charles has been all fake smiles with her. And Crystal goes off with Niko, leaving Charles to flounder on his own in the wake of everything. She's still learning how to support other people. She isn't there yet, and it's extremely on display in this moment.

Then we get the lighthouse episode, and they both get put through the wringer here. Crystal gets her hopes and expectations jerked around by the Night Nurse in the very worst way, and Charles gets hit with a whole pile full of trauma. All that helplessness wells to the forefront again. Combined with being forced to relive some of his worst memories and the desperation to keep Edwin safe from hell, Charles lets himself act on his anger for once.

And what does he get in the aftermath? Horror.

Everyone who cares about him is horrified by what he's done. Edwin goes so far as to call it extreme. They don't know the half of it, of course; they haven't seen what the Night Nurse just put him through. But in this moment Charles is at his absolute lowest, and all he sees is confirmation that he's exactly as terrible as he thinks he is.

That's why Charles shrugs off Edwin's attempt at comfort, here. When he needed to be able to do something to protect Edwin and also himself – when he needed to believe that he could be better than what his father always was – all he sees is the confirmation from the people he cares about most that when push came to shove, he really is a bad guy.

Then comes the aftermath. And this moment is such a brilliant, awful clash of both of their character arcs. It is so delightfully messy.

Because Charles starts to open up to Crystal here. He starts to lay himself bare, the way he ends up doing with Edwin in episode 5. He's on the verge of admitting something that he's been worried about for literal decades. He tells her, "I've been angry for such a long time."

And what does Crystal do? She's still in the midst of her own character growth. She's still struggling to support other people. She's still learning how to. In a lot of ways, though she's made progress already, she's still that selfish girl that Jenny called out in the very first episode.

And she shows it here it with the absolute worst possible timing. No sooner has Charles started to talk about what's bothering him than she cuts in with her own problems. She's tired of riddles and spirits and demons and not knowing who she is. And the look on Charles' face. The moment when he visibly sets aside his own problems, because Crystal doesn't need any more disasters on her plate? It's heartbreaking. You can actually track the subtle change in his expression there. The actor does a phenomenal job.

And then comes the kiss. And what spurs it? Crystal saying she needs something real.

This moment isn't about light-hearted attraction, the way the earlier flirting is. It's Charles setting aside what he needs – comfort and reassurance and a moment to talk through the things that have been tearing him apart – to give her what she says she wants. He can't even feel it. And Crystal isn't far enough along in her character growth here to realize how selfish she's being. Like Jenny said way back in episode one, she's only thinking about herself.

And then comes the absolute unmitigated disaster of episode 5.

Straight out the gate, Charles leans in for a kiss. From his perspective, they have something together; there's affection there. Charles "I think I'd miss kissing" Rowland, who has been starved for meaningful physical contact for thirty years, is not in a hurry to give this up.

But Crystal is fresh out of a nightmare where she conflates Charles with her abusive ex. She withdraws; she calls what they had a distraction. She cuts it off almost as soon as it's started, so focused on her own worries here that she misses how damn fake Charles' smile is, to cover up that he's coming to pieces.

To be clear, she's absolutely not in the wrong here. It is 1000% her prerogative not to jump into a relationship again while she's still struggling to work through what happened with David. But the arc of her narrative is still early enough that she does it all without so much as the awareness that her focus on her own issues has hurt Charles terribly.

And then the episode really kicks off, and both of them are in shambles in very different ways.

Crystal is projecting her issues with David onto Charles. She has a lot of history, and David seems as though he's exactly the right sort of toxic to leave lasting a lasting impact. But Charles hasn't done anything to deserve her assumptions, and he takes the brunt of her temper here and throughout the episode.

Charles is desperately projecting onto the dead jocks. He very badly wants them to be good guys, because he sees himself in them and he needs himself to be a good guy. He snipes back at Crystal for the very first time in this episode, and he does it in the worst way possible, accidentally prodding her where it will do the most damage.

They're both hurting. They both say some truly painful things to one another.

She does not need to hear that she has unsorted hangups about David still plaguing her while she's unable to move past them. He desperately does not need anyone to tell him that he has rage issues while he's still struggling to think of himself as a decent person.

They apologize, in the end. They start to move past it.

But it's telling that Charles doesn't try to open up to Crystal again. He goes to Edwin instead, even though Edwin is the one who called his actions regarding the Night Nurse extreme. He gets the reassurance he needs so badly; he gets the connection he was looking for with Crystal from Edwin, instead. (I have a lot of thoughts on why Charles initially tries to open up to Crystal so quickly, but it is very much an aside, and this is already extremely long, so it will have to wait for another write-up.)

But the important thing here is, Edwin is the one to offer Charles what he needs to overcome the self-doubt eating him alive. Edwin provides the physical affection Charles was seeking in the form of that long-overdue hug. Edwin is the one who's able to reaffirm for him that he's not just a good guy, he's the best person Edwin knows.

And for all intents and purposes, Charles' major character arc ends here.

Charles has a few last little moments to go on the path to rebuilding his own self-image, after this, but for the most part his concerns have been resolved. He saves Crystal in episode 6 and Edwin in episode 7, proving to himself that he's able to make a difference in the face of overwhelming odds. He's not helpless, no matter what the Night Nurse told him; he can be a force for good in the world. By the end of the series, his crisis of self-doubt seems to have been largely overcome.

But it's the conversation with Edwin at the end of episode 5 that really allows him to work through his most pressing issues. Edwin is there to help support him when he stumbles. Edwin provides him the comfort he was looking for while Crystal was too worried about her own problems to notice how badly he needed the help.

Crystal, meanwhile, still has a ways to go after episode 5. The last three episodes are where she does her most important character growth.

In episode 6, she learns some hard lessons about keeping secrets and letting people help and appreciate you even when you can't offer them anything in return. And Charles, importantly, is there for her every step of the way. He consistently offers her physical and emotional support. He models for her, in a very real way, what it looks like to have someone prop you up when you need the help.

And in turn, Crystal steps in to save the boys. She's the big damn hero at the end of this episode.

The breakthrough continues into episode 7. She's so intent on helping to get Edwin out of hell that she literally goes to face her own demons, not for herself for once – not for her own purposes or needs or wants – but because she wants to help someone else.

And episode 8, at long last, brings her to the culmination of her character arc.

Crystal is at her absolute lowest here. Her family, the people who were supposed to love her unconditionally, didn't even realize she was gone. Her precious memories, that she's spent the entire series trying to regain, have showed her that she's not the person she hoped she would be. She's overwhelmed enough that she means to flee, to cut herself off from her new friends entirely.

Then the boys get kidnapped. And just like that, she makes up her mind.

For the first time since the start of the series, she sets aside her most important issues in order to let what other people need take precedence. She disregards all of her own personal concerns and focuses instead on others. She's finally stepped out of those selfish impulses that Jenny calls her out on, all the way back in the first episode. She's finally learned how to support other people when they need it.

Crystal has finally figured out how to be there for others, despite having troubles of her own.

It's a lovely arc, and it's beautifully done.

Charles' is just as touching.

And god damn, but it was a brilliant narrative choice to have their character arcs line up in exactly the wrong way.

#dead boy detectives #dbda #dbda spoilers #charles rowland #crystal palace #edwin payne #meta commentary

645 notes · View notes

alastors-antlers · 9 months ago

Text

a brief take on the whole "Alastor's smile is permanent" discussion

hello all!

I've seen a lot of people theorizing lately that Alastor actually smiles all the time because his smile is magically, physically fixed onto his face. All of this seems to come from the fact that he's practically grimacing rather than smiling during the scene where he breaks down in ep8:

As well as this frame of his deal with Charlie: (lower res sorry)

I will say, I do like some of the implications of this theory. The sheer spite of his creditor forcing him to smile as an addition to their deal, almost like a sort of forced silence, is a neat concept. It's fun and dramatic. Plus, of all things, of course Alastor would claim the "smile at all times" policy and make it his own to pretend that it was his decision all along lol.

To be fair, though, I don't think we even need any magical compulsion to explain why he's smiling while he's having a mental breakdown. Actually, if we assume magical compulsion, I think we lose a bit of dimension from Alastor's character. (No judgement to anyone's take though, of course -- I just think this works in the direction of his established characterization, but obviously all personal takes <3)

Hear me out:

Alastor's persona is not just for others to see.

"A smile is a valuable tool, my dear. It inspires your friends; keeps your enemies guessing; and ensures that whatever comes your way, you're the one in control."

That makes sense given what we know about him. If he's always smiling, he seems like he has it together. You can't read him very well, especially not when he's actively trying to keep up appearances.

Now consider that when you think about ep8's fight with Heaven, we see that he's already been through so much in this one day.

He fights an army of angels, presumably not even at his own whim (if we go by his blurb about freedom in the Finale song); he loses to Adam, who he considers sloppy and mediocre; his staff, which we can assume holds some part of his power, is snapped; he comes close to being Angelic-power-killed; and to top it all off, he knows that others watched him get injured and then apparently die or flee, all of which would ruin the public image that he's trying to maintain. It wouldn't even be unreasonable for us to assume that he knows Vox was watching, given that Vox kind of has eyes everywhere.

In a moment like this, in the finale, you could say that Alastor has lost (at least on some level) everything that we know matters to him. He doesn't have access to all of his magic, and it's limiting him. He's reminded that he doesn't have freedom or control over his own destiny. He certainly has taken massive hits to his powerful, composed persona. But he's desperate, and furious, and terrified, and clinging on.

That's why he's smiling.

It's not that he can't stop because he physically can't. It's that he can't stop because to him, the smile is the last thing that is still within his power. When there are so many moving parts that he can't predict what happens to him next, he can control how he responds to it. In these last fragments of autonomy, there is solace.

He needs to keep telling himself that he has it together and that he'll eventually scheme his way free, that there's a solution, that he won't be in chains forever; because letting his pretense slip would be admitting that it's all starting to actually get to him. That maybe this time, he doesn't have an escape plan.

In addition, if you read his interactions throughout the series, we also see something else: Alastor's reputation is of paramount importance to him. At multiple points throughout the series, when others disrespect him by discounting his power or presence, he gets visibly annoyed. And in the battle, we see a glimpse of the part of his personality he seems to be trying to leave behind - a normal Alastor, who's just some guy from Louisiana. No transatlantic accent; no unflappable malice; no sharp wit waiting at the ready. Maybe even unremarkable.

Dropping his smile - arguably the most prominent part of his brand - would be admitting that in reality, he's not the Radio Demon of legend that he aspires to project. And if he doesn't have that... where would he be?

#alastor meta #alastor analysis #hazbin hotel #hazbin alastor #alastor #alastor hazbin hotel #hazbin hotel alastor #hazbin alastor meta #hazbin meta #hazbin alastor analysis #bro I love this guy so much

901 notes · View notes

tsukii0002 · 5 months ago

Text

My demons' periods cycles. By Mc

Note: these are purely my headcanons at the moment, they are based on animal ethology and behaviours that I think would suit each character depending on their personality and Lore. I would love to read your headcanon in case you have them.

Warning: Long text. Possible grammatical errors. It's written as if Mc was writing for themself.

Hey, it me Mc, the best human. Here is a compilation of the behaviours of my demons during their periods, cycles, for practical day to day use. It wasn't easy but I sat them down and got to talk to them, with a little effort I now know what they need. So now I am ready to assist them during these complicated times and be prepared in case I find a dead goat on the porch as a tribute.

Lucifer, Mammon & Levi || Satan, Asmo, & Beel || Belphie, Barbatos & Diavolo || Simeon & Raphael

Belphie

It could be said that he is the one that best keeps his schedule.

During his period he still sleeps a lot, the only difference is that he has short periods of high activity.

He can stand the light well. In fact, he will often ask you for a spell that simulates sunlight to sleep under.

During his cycle, most of Belphie's body is covered with soft fur, although some parts of his body such as the end of his tail or chest is a denser fur (perfect for sleeping) where spotted patterns can be seen.

His horns and ‘claws” harden and his pupils become horizontal (Little cow boy).

He sheds a lot of hair and his claws grow, but he is too lazy to groom himself. So wherever he is there will be fur everywhere.

To get him to groom himself, you will have to tell him that you will help. Sometimes, he strokes you simulating the action of brushing the fur (so I think that if he wasn't the avatar of sloth he would groom his companion).

Belphie does not build a nest as such, but rather a kind of fort with all kinds of blankets, pillows or stuffed animals, he steals them from his siblings to feel safe, although he won't admit it.

He usually does it in the attic to be quiet, although your room is also one of his favourite options.

Belphie becomes possessive and somewhat capricious, he won't be shy about asking you to spoil and pamper him. Lucifer says he is always like this but it has gotten worse since you offered to help.

Before his period, Belphie will go a couple of days without sleep, which makes him very irritable. Is this the equivalent of hormones?

During his period Belphie's appetite neither increases nor decreases, but he needs to change his diet to high-energy items because of his periods of activity.

He will want you to feed him but he will not feed you.

Belphie can talk, although slower than normal. He will communicate most things to you with puppy calf eyes. He knows how to use his weapons, sly cow.

He produces pheromones and marks everything with them, without you noticing.

This pheromones are not very strong but have a unique scent. He is a bully and sometimes goes around the house spreading them to annoy his siblings.

Belphie likes you to always be rubbing him, in any moment, always looking after him. He gets very touchy.

One thing he will do a lot is lick and bite you gently. Sometimes he expects you to lick him back, my tongue is not ready for that Belphie.

Belphie's courtship consists of little taps to get your attention and release a special kind of pheromones, if you stay close to him he will consider the courtship a success and proceed to groom you insistently (so he can do it >:v)

You can be a bit naughty and get up, just to give it back to him, but come back quickly or he will cry.

The sense that develops the most during hir cycle is his smell, mostly to detect the presence of other people nearby.

His temperature rises a lot, but he won't give up blankets and other warm things. Prepare ice packs for you, not for him.

Belphie's purr is not very loud, it's more of a chest vibration, he's super cute when he purrs, but don't feed his ego.

He doesn't mind everyone knowing he's on his period and will make it everyone's problem.

Belphie: Mc… Mccccccc!

Mc: *worried* What's wrong?!

Belphie: *stretching his arms out* I'm on my periodooo, cuddle me.

Mc: *stifling laughter* Why should I?

Belphie: Eeeeh? *pouting* I'm on my period and you're not going to spoil me? How cruel.

Mc: *cuddling up next to him* You're such a spoiled brat.

Belphie: *cuddling up against them* Yeah, yeah, whatever you say *smiling*.

Belphie: *sleeping with hs shirt pulled up*

Mc: *observing the spots on his fur* Humm *drawing the shapes of the spots with their finger*

Belphie: *shrinking back*

Mc: Soft…

Belphie: *balling himself up into a ball* It tickles..

Mc: *smiling* A cute little cow with a cute little coat~

Belphie: *blushing still in his sleep* Stop…

Belphie: *courting Mc*

Mc: *getting up to go get something, without noticing it*

Belphie: …*his eyes fill up with tears*

Mc: Belphie??!!!

Belphie: Do you still love me?

Mc: Of course I love you,

Belphie: Then don't ever do that again… *biting their arm*

Mc: Ouch

Diavolo

Get ready to go underground. Diavolo nests in a cavern. There is a large underground cavern under the palace for this precise purpose.

Diavolo can go through his entire cycle without sleeping, but likes to do it, curled up in his nest just for the fun of it.

He can tolerate light, but only if strictly necessary.

You can find out a lot about Diavolos' period because the cycles of the royal are well documented.

Diavolo's scales harden and although black, they glow golden in the light and the golden scales double in size.

His pupils tear he's such a big lizar. And ornamental patterns are spread all over the skin.

Diavolo's grooming is complex and laborious, at first he didn't want to, but now he is the one asking for your help.

The scales on the wings, body and tail moult almost every day and it is advisable to keep his skin moisturised. If it gets too dry its can crack.

He needs to sharpen its claws and teeth, usually against rock walls.

Diavolo nests in its cavern, always high up, never close to the ground (you won't be able to get out of it without help).

This nest is surrounded by all kinds of treasures did you think the riches of the kings of Devildom were in the palace? No, most of it is in the cavern, accumulated generation after generation.

Very territorial, during his period almost all the employees of the palace must leave him. Also his sense of protection is increased, he will not leave you alone, he will not.

Diavolo's pre-heat consists of very constant feverish moments. But it is easy to detect that the cycle is approaching because of Barbatos.

During his period his appetite and voracity increase, he needs to hunt often, animals and beasts, but also souls trying to escape from the Devildom among other things (he takes the opportunity to go hunting when you sleep).

He will try to feed you, mouth to mouth, but seeing that it don't work, he will switch to giving you small pieces.

Diavolo in his demonic form can generate fire, not only with his magic. Because of your reluctance to eat raw food he started to ‘cook’ it with this fire.

Can speak on very specific occasions, the rest of the time he is non-verbal. His growls are literally demonic, sometimes it scares you and it is very sad to see his expression of guilt :(

As royalty, Diavolo has one of the strongest pheromones in Devildom, many demons are sickened by them (Ha, human insensitivity mode on), he consciously marks everything, especially his mate.

The only way to calm the dragon is direct physical contact, stroking its complex ornaments and wing membranes with your fingers It's like a game to be honest

Press on the muscles of its wings and neck and you will have it completely entranced. He has spent a lot of time alone during his periods and is in need of contact. Initiate physical contact and it will be pure happiness.

And most importantly, show reassurance, it makes him feel insecure to think that you are there against your will.

Diavolo's courtship is a ritual. First it will show off its grandeur by lighting up its scales and perform a nuptial flight where it will display its wings and ornaments.

After this he will look for the rarest prey to give them to you (the day he brought you a baby unicornia you almost fainted, thanks to Barbatos, you were able to get the baby out of there). Finally, he will try to dress you up with all kinds of treasures and jewels to ‘be a couple’.

All his senses are heightened, especially sight and smell.

There is a rumour that he sees everything that happens in Devildom. Which is a lie because you've seen him run into a wall when he's looking beyond it.

Diavolo's temperature increases a lot, despite the coldness of the cave (You slept on his chest because he's super warm? Yes, That from then on he always wanted you to sleep on top of him? Also).

Diavolo's purr is deep and loud. It will resonate throughout the cave, and will usually purr when you are paying attention to him.

Diavolo: *clearly worried*

Mc: *caressing his scales* What's wrong?

Diavolo: Mmmm *looking around*

Mc: *sighing* I'll tell you again, I'm here because I want to, because I want to take care of you, is that so hard to believe?

Diavolo: wrapping them in his wings Thank you…

Mc: *returning the hug* Anytime.

Diavolo: *placing a pearl necklace on their head*

Mc: *sitting on his lap* Dia...

Diavolo: *placing several precious stones on their chest *

Mc: Diavolo, dear.

Diavolo: *holding up a golden tiara to put on them*

Mc: *filled from head to toe with treasures* Diavolo, this is too heavy, it doesn't- stop, please.

Mc: *caressing a fairy that Diavolo has brought them as food*

Diavolo: *staring at the fairy*

Mc: Don't even think about it, if you burn the fairy, I'm out of here.

Diavolo: * indignant dragon sounds *

Mc: It's true... I can't leave here without you, but if you touch the fairy I'll get angry.

The fairy: *about to have a heart attack*

Barbatos

He doesn't sleep during his cycle, no matter how much you bowel, no matter how much you insist, he won't sleep. It is normal to wake up and find him watching you with his eyes wide open.

Light hurts him, during his period his skin becomes sensitive and burns very easily.

Barbatos' skin becomes very pale with a mucous covering. His tail elongates and ridges appear on his back, forearms and legs.

His horns also develop a membrane between their branches.

Its pupils lighten to the point of seeming to disappear, but then return to colour when it is alert. Sometimes you get the sensation that he stops blinking.

To groom himself, barbatos needs a lot of water. During his cycle he will create all kinds of water springs, (he is one of the few demons who can consciously use his powers).

He's not a big fan of you helping him or watching him, he doesn't consider his appearance the most pleasant for a human.

He usually nests in his room, but sometimes opens portals to hidden parts of Devildom or even the human world, the latter more so since you started helping him. He creates a burrow, underground or among roots.

Although he occasionally goes out, he prefers to stay in his den.

Barbatos is dangerous, and possessive, he prefers loneliness with the sole exception of his mate, he is not territorial, I think because no one in their right mind would go near Barbatos during his period.

During his period Barbatos gets headaches, because he sometimes loses control of his powers and timelines overlap in his mind. The only thing you can do in these cases is stay by his side and comfort him :(.

Barbatos doesn't seem to need food. But for pleasure he sometimes devours curious prey (souls, blood of mystical creatures, cursed plants...).

He can talk without any problems, but he doesn't talk much. He prefers to attract attention with caresses or small bites. It is easy to interpret his silences.

During his period, Barbatos generates a lot of pheromones but does not mark. He has no sense of territory and prefers to stay close to his mate all day to avoid others approaching.

At the beginning of the period he will be reluctant to physical contact, he'll keep his distance, partly because of his appearance and partly because of fear of his behaviour. But little by little he will ask for more contact.

Don't touch him if he doesn't ask for it and make sure your hands are always wet or cold because even if he seeks your warmth, the normal temperature of a human could overwhelm him. Good thing we know magic, thanks Solomon.

Barbatos' courtship consists of a kind of lullaby, a humming, in which his skin glows slightly in a beautiful colour, quite frankly it is very mystical and magical. If it sees that you don't get disturbed it will hug you and swim with you for a long time (use magic, use it, or it will give you hypothermia).

Barbatos' senses are completely heightened, nothing escapes his awareness, but this is detrimental because very loud sounds, light or even physical contact can harm him. There are far more stimuli than millennia ago so this is yet another reason to isolate himself.

His temperature drops drastically, but he doesn't seem to have any problems with it.

Barbatos' purring is almost inaudible, you have to be very close to hear it. But it is quite easy for him to purr even though you won't notice it.

Barbatos is feeling quite vulnerable because he hasn't had his period for centuries so he is unfamiliar with his own reactions, and feels lost, although he will never admit it.

Give him confidence, by now, you are a master in demon periods.

Mc: Barbatos, my dear *peeling an apple*

Barbatos: *cuddling on Mc's lap* Hum?

Mc: Is there a reason why you chose one of the most remote places in the human world to spend your period?

Barbatos: … no

Mc: It's not so the brothers can't find me, is it?

Barbatos: … no…

Mc: *stifling laughter* Okay.

Mc: *gently stroking his back* How are you feeling?

Barbatos: *laying down next to them* It… hurts...

Mc: I'm sorry I can't help you *gently pouring water on his forehead.

Barbatos: You're here… that's more than well enough.

Mc: Give me some time and I'll find a way to calm those migraines.

Barbatos: *smiling* I'm sure you will….

Barbatos: I have to say I had forgotten what it was like to live ‘a period’.

Mc: I wonder why you've had them again after so long.

Barbatos: *smiling* It's because of you

Mc: Me?

Barbatos: *shrugging theur cheeks and rubbing their forehead against his * Yes, until you came there was no one who could be my potential mate, and my body knew it. Just like it knows you're here now.

Mc: *blushing* Those words count as courting? because they're working.

If you have made it this far, thank you very much 🩷

812 notes · View notes