#It doesn't have to be a main story thing either

[vidavalor]

<<I would also not accept Crowley hate. I just never see it.>>

Same. Yeah, it doesn't exist. A lot of people's internalized issues at work, if you ask me, as to why there's only hate for Aziraphale when there shouldn't be hate for either of them.

<<I think for that to work, you have to take Crowley as the protagonist of the story and Aziraphale as an -- um, adjunct? romantic interest? Rather than seeing them as 2 equal players in the story.>>

If you want to get really technical about it? From a writing standpoint, Aziraphale is the main character because it's his story arc we're following the most throughout the story. He is the character who will under go the most change from chronological start-to-finish in the story. He and Crowley are two halves of a whole, though, so it's a little tricky and they're closer to being co-main-characters than you might get in other stories. Inside the story, though, the characters are definitely equal partners, and I agree that it's irritating to not always see that reflected in attitudes towards the characters.

The funny thing is, though, that people who think Crowley is the sole main character are showing that they don't really know what one is and are just focused on Crowley. For reasons. I wouldn't presume to know why, exactly, but I suspect that they are likely of 'want to fuck him even though he's fictional and subconsciously hate the main character who gets to' variety. Also shows how little they know the character as Crowley would not. care. for it. if he were to learn that they were disparaging his angel.

<<the Edinburgh minisode, that make it look like Aziraphale is still toeing the Heaven line and he is the only one who still (in 1827!) has learned nothing>>

Yeah, that attitude in people is showing that they're not really putting together the minisode, imho. Aziraphale struggling with conflicts of what he's supposed to be according to Heaven versus who he really is are not the same thing as Aziraphale being on the side of Heaven. He's never been on the side of Heaven. He gave away his sword in Eden. He lied and miracled to save Job's kids. He's been badass since the start.

I think it's also a feature of some people not seeing that Aziraphale is kind of dryly bitching about his job to Crowley in 1827 more than he is actually disagreeing with Crowley and Elspeth. He lives on Earth. He knows how lunacy Heaven's ideas about things are. He's complaining to Crowley about what he's up against and getting some reassurance in Crowley's wtf that's crazy! response that he's not alone in thinking so. The moment that he learns that Dalrymple isn't just a ghoul but someone who wants the bodies for greater good reasons, Aziraphale is happy to throw over whatever Heaven nonsense he's supposed to at least pretend to believe to help. He'll always do what he can to help. It's just all very tiresome that people think Crowley is perfect. He's not always right. There also isn't always a "right" at all.

<<such as the way the f15 was shown (many people do not sense any real threat from the Metatron, don't get the "able to see/hear what's happening in the shop", don't see anything weird about Crowley letting Aziraphale go off with the Metatron, etc.>>

Yeah, this... 😂 My favorite wtf interaction that I've had here on the Tumblr Dot Com is the person who told me that Aziraphale and Crowley weren't worried about being spied on in The Final 15 and when I pointed out things like... Aziraphale, looking out the window at Our Villain, doing the downward hands of "not right now" at Crowley, and trying to get him to stop talking? I was told-- kid you not-- that he just turned his head.

The closet is a theme of the season and there's an entire foreshadowing plot with the Nazi Zombie Flesheaters about Crowley and Aziraphale being spied on through the window and people who cannot make simple connections enough to understand what's happening, so... how's that for irony? There's a whole plot about people being unable to make connections... about which this person couldn't make a connection.

I agree to some extent that it's designed to appear a certain way, with particular emphasis on Crowley acting out of character, but it's not so cloak-and-dagger that we can't see that something is amiss. The number of people who don't seem to see Crowley as acting out of character by letting Aziraphale go alone with The Being Claiming To Be The Metatron amazes me. It should be the primary question to come out of that scene. This is what we were saying above, though-- they are too focused on precious demon got his feelings hurt to notice that there is something really, really wrong with precious demon. He just sat there and let Aziraphale go alone with someone who had tried to kill him and he'd never do that of his own free will and that's somehow not the biggest point of discussion?

But this is also the same problem as most people just believing without question that it's The Metatron at the door. Sure, it might be, but they definitely gave us a laundry list of clues that suggest we should at least be questioning it. Five angels cannot recognize him and he has to get a demon to identify him but that's not Satan? Really? After a whole season of "who are you" in every other scene? And all the minisodes being about Hell? Even if it's not, the point is that it's all very weird and many people are just taking what's happening as if nothing is weird, which I find to be... well, weird.

So many people think that The Metatron was legitimately offering Aziraphale a job and everything was on the up-and-up and... why would he ever do that? He'd never offer Crowley to be restored as an angel, either. That'd collapse Heaven and Hell in a day as every demon then would demand their own status as demons reviewed. They think this is The Metatron and they still believe him, even though he just tried to murder Gabriel? I was so surprised to see the number of people who don't think Aziraphale is in any danger here and think he just got promoted when the whole season seems like it's building towards something quite different but we'll see what happens in The Finale.

The gods of the Disc have never bothered much about judging the souls of the dead, and so people only go to hell if that's where they believe, in their deepest heart, that they deserve to go. Which they won't do if they don't know about it. This explains why it is so important to shoot missionaries on sight.

Eric, Terry Prachett

[gunpowder-gemini]

Hi I have many many thoughts on Dandadan and where specific characters are going in the story, so incoming ramble posts lol. I've got thoughts on Okarun, Turbo Granny and Kinta specifically.

WARNING: SPOILERS FOR THE MANGA THROUGH CH. 175

First up: Okarun!

So obviously he's lost his turbo granny powers bc he's a good boy who keeps promises, but him having yokai curse powers is like, half the concept of the manga right? (The other half being Momo getting powers due to alien abduction). So clearly, he's gonna get them back because we can't just have one of our two main characters permanently sidelined. The question is just HOW.

I'm pretty sure Turbo Granny is gonna come back, she's a major supporting character and she had a whole little montage panel of Reasons To Stay despite her saying she has none but I'll get into that in a different post lol. HOWEVER! I don't think she's gonna give Okarun her powers again. I mean, they're HERS. And she just spent all that time getting them back why would she give them away again? So Okarun can fight? She can use her powers way better than he can, so if they're needed SHE'LL use them.

I think Okarun is gonna develop his own spiritual powers like Momo's.

In the recent chapters it's gone out of the way to highlight how ridiculously fit Okarun is now. Like, SUPER fit. Most obviously in the fitness tests, where he blew everyone out of the water:

But also in the fight against the pygmies he easily kept up with Aira, who was in her yokai form at the time.

Which I mean, it makes sense that he got fit - he's been fighting for his life as an after-school hobby lol. Obviously continually training to handle Turbo Granny's powers AND fighting things would result in him getting incredibly fit. But they've like REALLY emphasized it these past few chapters. It feels like they're really calling attention to it, you know?

But that in and of itself isn't the real reason I suspect he's got his own spiritual powers. It's actually because he can enter Empty Space.

So per the Serpoians, Empty Space is something aliens create that only pulls in humans with high spiritual power so the aliens can capture and study them. It's why once Aira got her acro silky powers she could enter Empty Space.

Okarun's high spiritual power wasn't his, it was Turbo Granny's. He was able to enter Empty Space because he had her power, but without it he's just a normal kid. So once he gave it back he should be unable to enter Empty Space. And yet:

He's gets pulled into Empty Space to fight the pygmies. He himself calls that out as strange! He shouldn't be able to! He doesn't have Granny's power! But there he is! So he must still have high spiritual power!

I think he spent such a long time with Turbo Granny's full power inside him, utilizing it so frequently, that it changed him. Either it awakened latent spiritual power within him or left behind an imprint of itself, I'm not sure lol. But I think he's developed his own version of Turbo Granny's power. I think it'll be a bit different from her, but still similar (I don't think they're gonna give him a completely different power ya know?). I suspect it'll come with a cool form change to his yokai form, like a costume upgrade lmao.

Furthermore, I think this happened because of the Danmanra arc. During that arc, in the final fight against the Fairy-Tale card, Okarun went all out three times.

He's never been able to do that - it's been kinda implied it would kill him. But through the ~power of love~ he managed to pull it off, and I think it is going to have an effect/consequences. I think this moment here changed him in some way, and it might be the catalyst for him developing his own version of Turbo Granny's powers.

Further to that point is Count Saint-Germain. He cornered Okarun, got him to yield and clearly intended to take his powers, but didn't.

I suspect it's because he wanted Turbo Granny's powers, but Okarun no longer has them. I think he either doesn't know Okarun has his own powers, or he does know and is waiting for Okarun to properly awaken them before he takes them. I'm like 90% sure the Empty Space in the pygmy fight was caused by him. Empty Space is pretty clearly outlined to be an Alien Thing and while the pygmies are spirits/yokai/whatever, Count Saint-Germain is probably an alien given his affiliation with the Kur. AND he was the one who gave Keiko the knife and the mission to steal Momo's power. Since Okarun got pulled into that Empty Space, if pretty boy here didn't know Okarun has some hidden spiritual power, he sure does now.

Either way, Okarun yielding to him here is definitely a Chekov's gun that's gotta fire at some point, and I've got theories on that but I'm gonna save them for my post on Turbo Granny lol.

Anyway TLDR; I think Okarun has his own superpowers like Momo now and we're gonna see them awaken in this arc.

Thanks for reading!

[raven-at-the-writing-desk]

So... twst anime—

I feel I should be much more excited than I actually am. Don't get me wrong- I am excited ( for Leona animated content ) to see how they'll handle some things- but apart from the worries you listed, I just... I know this sounds a little gatekeepy but an anime will mean more ppl will know and talk about the story and I fear that they won't go into the game/other content and thus have a limited opinion on characters/events and misunderstand them. Basically I fear that characters will be even more mischaracterized than they already ( sometimes ) are by the current fandom 😭 ( specially Leona- gunshots )

[Referencing this post!]

I feel like there's for sure been mixed reactions to the recent anime news. The general consensus is excitement, but occasionally I've also seen skepticism or worries that the anime won't be as good as the long period since the initial announcement would have had us believe. That's to be expected; we won't know the quality of the anime until we watch it ourselves.

Mmm, there's that age-old sentiment again 😅 The thought of, "More people will be exposed to Twst because of this; I'm worried they will misunderstand the story/characters." It always seems to make a comeback whenever a new major piece of Twst media is announced... It happened when the official EN localization was announced too. People were jumping to conclusions and worrying that the influx of "EN-only" folks and/or a sub-par localization would lead to newer fans not seeing the story and characters the same way as the JP side did. I'll repeat what I said back then (as I think the same logic applies), along with a few additional points/expansions, as are relevant:

As you've said, mischaracterization happens, even now. This is normal in fandom, and it doesn't necessarily make fandom a "bad" space. Variation in thought is a normal human thing in general and I don't think it should be discouraged. If everyone thought the exact same way, life would be boring and we would have a limited number of ideas circulating.

This thinking sort of presupposes that the Twst fandom is currently without issues (or has few of them) and that it is the growth of the fandom that will cause problems. From experience, I can tell you that fandoms always have their toxic pockets. Fandoms growing larger just exposes more of those pockets because, statistically speaking, with more bodies present, there's a higher chance something will come to light, be it a personal squabble, a cultural difference, actually serious allegations, etc. It's a natural part of a fandom's lifecycle.

How other people interpret the story/characters should have limited or no bearing whatsoever on your own enjoyment. It does not erase your own views on the story/characters either. If you find that your concerns about others are becoming overwhelming, I'd encourage you to take a step back and think about what in this fandom makes you happy.

I feel that the mentality I mentioned earlier stems from an "us versus them" mindset. We're viewing current Twsties as the "in" group and everyone else as the "out" group... when, really, I think it might be healthier to perceive the "out" group as potential Twsties. Like... instead of fearing them as strangers coming in to "taint" the fandom, let's try to think of them as "friends we haven't met yet". After all, these anime-first or anime-only Twsties could end up being your next buddy, someone cool you meet at an event, a Twst content creator you enjoy, etc. Try to reframe your thinking!

Lastly!! We have no idea how the anime will go. They might not make it solely the main story just because it’s a manga adaptation. The team might have weaved in vignettes/event stories or bonus content exclusive to the anime which helps flesh out the characters.

I think that about wraps up my thoughts. I hope that helps alleviate some of your concerns. Hang tight, keep an open mind, and pray that the L*ona content in the anime is good 🤡

[fluffyglass]

ok here is the official frankie fluffyglass ceo of wigglefunny explanation of the plot of Something Ain't Right (this will be LONG)

It takes place a bit after The Cost of a Snack (as evidenced by Shelda having a new snakified leg), and starts out with Wambus internally monologuing about how he knows what the journalist (whom I'll be referring to as Stranger or "the stranger" for the rest of this post) did to Gramble, that specifically being feeding him bugsnax in his sleep. However, if you've read COAS I'm certain you recall that Wambus was not there and did not see what Stranger did. So how does he know they did it? The answer might surprise you: he doesn't.

Wambus is projecting. In the past (before the events of the game, and even before the events of The Fight), Wambus fed Gramble bugsnax. This is represented by the repeated motif of Kweebles rather than Strabbys. While in the present Gramble has a Strabby arm, when Wambus fed him bugsnax, he had a Kweeble arm instead. On the third page, when the stranger turns around and has Wambus's face, this is Wambus's conscience reminding him of what he did.

Wambus then turns to denial, asking himself different ways Gramble could have become snakified. Sleepwalking, lying about it, et cetera, but Wambus knows these aren't realistic. He knows what he (and by his own extension Stranger) did. Stranger being lit in red and Wambus being lit in green represent the respective bugsnax they gave Gramble. Also from this point on, Wambus isn't snakified, showing that the following events all take place in his mind rather than in reality.

Gramble's body being covered by black squares (which I'll refer to as censors) is Wambus's mind trying to block out things he doesn't want to see. Stranger showing up out of nowhere is kind of just an outlet for Wambus to incite his own self hatred. He hates and wants to kill the stranger for what they did, because he hates what he did in the past.

Throughout the ensuing fight, Stranger and their dialogue is censored. Why? Because Wambus isn't fighting the stranger. It's a reenactment of another horrible thing he did to Gramble in the past, that being The Fight. The censored dialogue is what Gramble said during the fight (which is irrelevant to the story), mirrored by Wambus parroting his own dialogue from then as well. That's why some of the dialogue doesn't seem to fit (see "Not when you've hurt so many", and him cutting himself off from saying "Weepy little rancher").

Then is the Big page, the only clear memory of the entire comic. He's blocked out so many things, but Wambus is never able to unsee the look of horror on Triffany's face when she witnessed The Fight. He's not looking at Gramble. He doesn't want to see Gramble. He can only clearly recall the instant he knew he was Guilty. Guilty. Guilty.

The following page is mostly a blur. He sees Triffany (with Filbo hiding behind her; the two of them lie to cover this up later by calling it a fight rather than a one-sided assault. Also I'll mention that Gramble was so out of it that he can't remember The Fight either, so literally nobody can contradict the lie), then he sees Gramble, and then everything is drowned out by the knowledge that He Is Guilty. The last panel shows him waking up (now snakified again, this is real) in horror. Triffany next to him is censored because he can't stand to think about her face, looking at what he did.

Ummmm yeah that's basically the story of Something Aint Right. Other stuff that didnt fit anywhere else is the main pop colors being Blue and Orange which are Wambus and Stranger's fur colors, and Gramble's hat eyes always staring at Wambus.

This is the official explanation of a weird surreal art piece I made that is supposed to be speculative but I love talking about my own work too much to keep it that way.

Something Ain't Right - Bugsnax

[rocksibblingsau]

The TBT got me thinking about the movie's writing again, so here's some thoughts. Clay being the only one to get an on-screen apologize doesn't make any sense narrative wise.

When you look exclusively at what's implicitly canon (so no 'he was at the tree that whole time' headcanons, even if they make some sense), Clay is the least in need of apologizing compared to the other three. Bruce is slightly more in need of apologizing than him because he was the second eldest and second to leave, but this point is not about him, it's about how it should have been either JD or Floyd (ideally it would be all of them apologizing actually, but again, not about that rn)

John Dory is practically the main force behind the movie's plot and emotional conflict, so we're talking about him first. John Dory in the movies, well, he kinda sucks a lot of ass. During the Brozone days, he was very bossy, overbearing, lowkey emotional/verbally abusive and the first to leave them all while being the oldest and implied to be their only caretaker outside of their elderly grandma. And even though some people give Clay and Bruce shit for how they behaved towards JD during the Rhonda fight scene, they were RIGHT, he was being bossy and a dick during that scene, and while all the bros were at fault about how they treated Branch during it, he was also the worst of them (like he was the only one who not only denied they would stay together after saving Floyd, but also actually made fun of Branch for even thinking so). And that is without mentioning how he got the the three of them trapped later in the film in the stupidest way possible.

This is NOT to say that he is some kinda of unredeemable abusive monster, no, even if its not said out loud in the movie, its left pretty implicit that he had his reasons for acting the way he did and that he was under a lot of stress himself running the band and caring for his 4 younger brothers while likely being a kid himself during the Brozone days. BUT, after all that, it feels so strange to have the time for one singular apologize apparently and to not give it to HIM of all people. He giving Branch the lead during the Family Harmony is the only thing he does that implies he changed his way after ALL of that, even Venner gets more redeemable qualities than that!

It just makes his storyline feel incomplete honestly, like the movie only bothers to drop slight hints that this man doesn't completely suck and then turns around and both doesn't build up further on those hints AND doesn't make him do anything to redeem himself with Branch and any of his other brothers.

And if for whatever reason it wasn't going to be John, why not Floyd??? I don't even care that much that we don't get a reason for why Floyd never went back, its kinda even implied that he never intended to come back and was just trying to comfort Branch by lying, but again, if you're going to set aside time for one-on-one apologizes after everything is set and done, why not use it for tying up one of the main story points set in the begging of the movie.

Is like they even forgot that they set up Floyd promising to come back and never doing so, because as far as I remember (could be wrong tho), after the introduction, Branch only refers to Floyd as "the only one who said goodbye". With for Branch's character makes sense really, but for the narrative feels plain unsatisfactory. It sets time aside to set up out loud that something was supposed to happen and it never did (crucially affecting the trajectory of the main character's life) and it just... never brought up again. No excuse, no Im sorry for that actually, no anything. Instead we get Clay, which in the movie, has no special relationship or plotline with Branch compared to the rest whatsoever, being the one that gets to have on-screen closure. Why?????

In conclusion, the movie could have an 100% better script and tighter emotional conclusion if they had just let the writers have two even ONE extra rewrites. But not, instead we get two plotlines that likely will never get resolved because got forbid this franchise actually has a proper continuity between films yippeeeeee

(Im truly sorry for this ramble, I just have too many thoughts and too little friends that even know what Trolls are, and by too little I do mean actual zero. Hope you enjoyed it at least, if not, Im sorry again)

I agree that Clay was the one Troll who had a good reason he never got to go back and visit or anything. It was definitely weird that he was the only one who apologized for never getting to see Branch grow up, but I think it says a lot about his character that he did.

[jonathan-cranes-mistress-of-fear]

Genuine question, as someone who has characters of my own: how do I get over my embarrassment for having OC’s? I’d never make fun of someone for having them, but whenever it comes across my dash (especially if it’s ship art) I can’t help but… (for lack of a better word), cringe. I love people being creative but it feels like I can’t get over the backlash against things like that.

It's something you have to unlearn, and that's not always easy. I think as a whole, most fandoms are not OC friendly unless it's something like a videogame in which you create the main character from scratch. Most people will stick to already established characters, because that's easy to write. Very few are brave enough to make their own story.

Firstly, l'm going to discuss comics, this is a world of many worlds. DC as example has so many universes, and there's no way I could name them all. I think many of them are numbered, and fans who create their own usually make a numbered or named verse. Like, Codotverse! (if Codot can put his whole voice out there, you can do it too, btw)

Personally, I think the open ended-ness of comic worlds is a positive for fandom. It makes it so anyone can tell a story and despite it being fannon, it's really no less canon than what's in between the pages. Comic writers themselves can't get things straight half the time, heck I've been known to nit pick comics because they forget some fact about Jonathan that SHOULD be well known.

Now, lets talk OCs. The fact is, and this probably sounds mean, people would rather read about Scarecrow or Riddler then -insert Hench character for shipping here-

The reason is as stated above, it's easier to get into. They know what to expect. And unless this OC is someone you've been talking about for years and they have curated their own mini fandom within the fandom, most ARE gonna scroll by. That's sad, I know.

BUT that doesn't mean you should quit or be embarrassed about an OC. People can come to love them, but this usually takes effort and dedication on your part. You are the one and only author and content creator of this OC. Nobody else is gonna make content for them without insensitive. That means you gotta talk talk talk, and draw draw draw, then write write write. MAKE them care. People can very easily come to love and OC,. and i know this for a fact because I used to have my own and I always got asks, people wanted to draw them, or write stories, etc.

The thing is, you gotta embrace being potentiality embarrassing. If you don't take a step forward and put yourself out there, who will? This sounds very internal for you, and it's literally something that is taught to the youngins of fandom very quickly. Fandom, as a whole (think big here) will squash or despise anything that isn't palatable. And what is palatable? that changes often. Usually, fandom is a progressive space but that doesn't mean each and every sect doesn't have issues. Big issues that are spread between a lot of fandoms include misogyny and fetishization. This is why you sometimes see creators and fandom goers attacking canon female love interests and OCs. This is also why you see a huge influx of men being shipped together and any mention of either man loving or having a relationship with a woman is often erased. These two things go hand in hand quiiiite a lot actually. Just, a thing to watch out for and think critically about.

In the end, it boils down to making your audience care amongst a sea of easy to read and already palatable content. You gotta swim against the current. Make a space for yourself, provide something that doesn't exist yet. (for me, it was hi res comic scans)

Basically, don't let the haters win.

[katboykirby]

Okay 🤷

I'm coming from the standpoint of someone who has both worked in the mobile game industry on the writing/game development side of things, and also as someone who personally knows and regularly speaks to staff at Solmare. All I'm doing is offering the perspective that comes with having that experience.

You personally seeing lots of posts about a particular topic, because it's a popular point of discussion in your circle, does not mean that the topic is popular or widely discussed outside of your circle. I'm not saying that no one is having these discussions, but I absolutely promise you that it's not as many people as you seem to think. And like, that's fine? Not sure why that's even an issue or anything, but okay?

Again, "this is badly written" is completely subjective. Your personal opinion on a piece of media is obviously fine, but it's not in any way universal or objective. To be honest, it's kind of a weird choice to even bring up because (in addition to it's subjectivity) it's simply not all that related to the original point that was being discussed? This specific post is about people being upset over optional monetization in the game, not about story quality. That's absolutely a conversation that can happen, but it's not the point of THIS post?

I don't know where I've been defending Solmare? In my original post I literally outlined multiple points of feedback and criticism, and examples of what I think they could have done differently and what they can still stand to improve. I also link directly to the contact page for their Support Team specifically so people can easily send their own feedback.

Ultimately, my main point was this: the new feature isn't perfect and Solmare could have done several things differently that would have improved the rollout and made people happier. BUT, it's also not the atrocious garbage fire that people are treating it as. There's harassment and abuse being sent to the official OM accounts, multiple people are saying that "everyone should boycott Solmare" and just overreacting in general. Which is a lot of drama over what is, essentially, a pretty standard and inoffensive item bundle being added to the shop.

The new feature is very normal for live service mobage (especially gacha) and "optional paid bonus content" is EXTREMELY common in this genre of games. In-app purchases for goodies and extra fluff exist in basically every gacha game ever, and OM isn't doing anything different. Obviously it's totally okay to not like it! And if you don't like it, you can just totally ignore it. It doesn't impact the game either way.

You're paying $30 and getting a long Devilgram story, a character phone call, exclusive premium artwork, and a stack of 300 DP on top. That's all. It's not mandatory, it doesn't lock any actual game progression or Main Story behind a paywall. It's just a totally optional goodie bag in the shop that you can completely ignore if you don't want to buy it. It's more than fair to criticise the pricing scheme, but some players are acting like the gave devs personally hacked into their bank accounts and stole their life savings.

Anyway, I'm probably not gonna keep replying like this because this post has gotten ridiculously long, lol. You're more than welcome to DM me if you wanna keep discussing stuff, but I might just disable reblogs because I wasn't expecting this post to get so much attention.

Going to play Devil's Advocate (ha) here for a moment, as someone who has experience working in the industry & game development:

Remember, every single time that any new feature is added to the game (even if that new feature is "just a new artwork and phone call") it means that Solmare is -

Paying artists for the new artwork

Paying writers for the new scripts

Paying the voice actors to record the new voice lines

Paying the game devs, coders, debuggers, etc, to actually implement the new feature into the game without breaking anything

Paying for QA

Paying the translators for all the different language versions (Obey Me is currently available in 4 different languages)

Paying the localisers for all different language versions

Etc, etc

This is all on top of the monthly costs of keeping a live service mobage like OM running smoothly. Anything that isn't paid for by the players is being operated at a loss. This isn't a flaw with OM itself, this is a fact that exists on an industry-wide level.

Secondly, while any concerns about the price are entirely valid, I think that a lot of people are glossing over an important point - Solmare is not charging you $30 for a Date Ticket. Solmare is charging $30 for a BUNDLE, which includes the Date Ticket as well as 300 DP. So this is similar to all the other sales bundles that have been rolled out in the past.

And the price is consistent with the standard price for DP in Akuzon. It has always been about $30 for 300 DP, so the price has not actually changed or been increased. This is an optional, $30 bundle for 300 DP that essentially includes the Date Ticket as a bonus for free.

You're totally justified if you don't want to spend $30 on this. I'm definitely not arguing that. While I think that this feature isn't as bad as some people are saying (I never would have expected any new features to be totally free) I do think that Solmare could have rolled this out in a better way than they did.

I think that most, if not all, of the complaints would disappear if they simply offered different bundles for different price tiers. This is something they've already done in the past, even! Just give people alternatives, like...

$1.39 for the Date Ticket by itself

$10 for 100 DP + Date Ticket

$20 for 200 DP + Date Ticket

$30 for 300 DP + Date Ticket

And so on. I think this probably would have alleviated many people's concerns, and would have made the new feature more accessible for more players.

Now, I don't think that harassing the official Twitter account is the way to go about communicating your thoughts. There's a difference between genuine constructive criticism/feedback given in good faith, and needlessly rude hate comments. "Fuck you, hope your game goes broke" doesn't help anybody, and will only make Solmare less likely to listen to the EN fandom. They've dealt with a lot of harassment from Western fans before, including death threats, and you aren't communicating anything useful or constructive by sending hate to the EN social media account.

Solmare has a Support team that you can email, if you have feedback and you actually want to reach the JP game devs. If you want to let them know that you want other/more affordable options for the new Date Ticket feature, this is the best way to do that. Just remember to be civil, since harassment and hate mail are extremely likely to simply be thrown out before it reaches the hands of anyone in charge.

[seiji-the-ice-drake]

The Rose fucking gentrified Osprey Cove

I suppose that makes sense. I wonder what's going on with the ninjas

Oh....

Well, at least the bright side is that you can enforce a "No refund" policy and keep the gold

[sukibenders]

Racism and misogynoir are so apparent in fandom, especially when it comes to shipping because why is it when a white male, sometimes female but I see it more with the former, character is on screen with a love interest, particularly woc, especially if they're black, and even with all the emotional scenes or just moments where they look at one another in ways different from the rest, it's met with "No, they aren't dating/the show is not going to put them together" but let the other love interest be white as well and suddenly it all makes sense? Heck, the examples I mentioned above don't even have to exist between the latter for some to STILL go and believe this rhetoric (eg. some Jace and Helaena shippers because, even if these two only interacted with a dance but yet we see Baela console Jace, after he seeks her out, apparently it's to far fetched to believe that Jacela could be a thing?!)

Sometimes it could be a headcanon that, largely, would make sense (and oftentimes was birth due to lack of respect that the poc characters could have been given by the writers *cough* TVD *cough*), and yet you'd still have people dismissing it left and right and spewing hate. At a HEADCANON! And I'm not saying that just because the other person in the ship is poc that you have to ship them, I'm not, but it's very apparent to many poc fans in fandom that unless the characters are swapping spit and doing the nasty, the possibility of them being viewed in any romantic lens feels too much of stretch even though their white counterparts don't have to jump through the same loops.

[greenerteacups]

Hi GT,

Forgive me if this is a stupid question, but I absolutely love the recs you've given (you've introduced me to tomione, and I love it!) and I was wondering if it's possible to give you some recs in return? There are some books and fics that definitely have dramione / got vibes, and I was wondering if I could share them with you!

So glad you've enjoyed them! Feel free to rec me anything you want. I've read most of the classic recs in terms of fic and adjacent content (Cruel Prince et al), but I'll try anything that's well-written. My tastes run towards weird and/or audaciously creative stuff, and I can forgive a lot of weaknesses in plot on the grounds of (1) ambition or (2) character work. My turnoffs are instalove, protagonists who can't fail, and most Y/A (I'm not a hater, I swear, I just need characters who can say "fuck" when their leg gets chopped off.)

I'm also a fan of weird and fucked-up dynamics.(Wuthering Heights was my favorite book for a while, and as a teenager I wrote an AU in which the book ends on a long sex scene where Heathcliff fucks Cathy's ghost and then immediately gets murdered by Catherine 2.) Obviously, I am very normal.

[dangans-ur-ronpas]

i read 'the gender of mona lisa' and i feel. both extremely seen and yet incredibly infuriated

[kisskissgotohell]

i just wanna point out that, like. it's okay to disagree with the main character. just because they're the pov of the story doesn't mean they're infallible or that their word is law? you can like that character that tried to kill the mc. you can think the mc made the wrong choice. you can forgive things that the mc would never forgive, or choose not to forgive things that the mc does, because you're not the main character. you are the reader of the story, and just because you can't change it (and it's not the author's responsibility to capitulate to fans) doesn't mean you can't form your own opinions about it. it's fictional! that's the point! have fun with it!!

[todayisafridaynight]

I still remember Yakuza Movie Majima and how kill happy he is compared to his in-game self. Like every scene of him either the regular Kiryu Chan stuff or him killing a dude every other minute 😂😂😂😂😂😂 If we get a Yakuza 3 adaptation with the same director, maybe Mine would get the “ten times more unhinged than canon treatment”

it's SO funny just how unapologetically violent he is, i wouldn't be surprised if movie majima is the direct cause for the majima everywhere system in kiwami 1 honestly

a 'more unhinged' mine sounds like a nightmare considering he's already Like That on his own

[arolesbianism]

Shakes the bars of my cage I need to draw soooo bad I need to draw I need to draw let me draw I have to draw I need to draw I must draw (<- has been too sick to be on electronics much and doesn't like doing traditional art)

[autumnrory]

i do think sometimes need to remember when something is an issue in fanon and that canon is not necessarily Like That

[elumish]

I've been reading Iron Flame by Rebecca Yarros, and it's gotten me thinking about how worldbuilding is multilayered, and about how a failure of one layer of the worldbuilding can negatively impact the book, even if the other layers of the worldbuilding work.

I don't want to spoil the book for anyone, so I'm going to talk about it more broadly instead. In my day job, one of the things I do is planning/plan development, and we talk about plans broadly as strategic, operational, and tactical. I think, in many ways, worldbuilding functions the same way.

Strategic worldbuilding, as I think of it, is how the world as a whole works. It's that vampires exist and broadly how vampires exist and interact with the world, unrelated to the characters or (sometimes) to the organizations that the characters are part of. It's the ongoing war between Earth and Mars; it's the fact that every left-handed person woke up with magic 35 years ago; it's Victorian-era London except every twelfth day it rains frogs. It's the world, in the broadest sense.

Operational worldbuilding is the organizations--the stuff that people as a whole are doing/have made within the context of that strategic-level world. For The Hunger Games, I'd probably put the post-apocalyptic nature of the world and even the existence/structure of the districts as the strategic level and the construct of the Hunger Games as the operational level: the post-apocalyptic nature of the world and the districts are the overall world that they live in, and the Hunger Games are the construct that were created as a response.

Tactical worldbuilding is, in my mind, character building--and, specifically, how the characters (especially but not exclusively the main characters) exist within the context of the world. In The Hunger Games, Katniss has experience in hunting, foraging, wilderness survival, etc. because of the context of the world that she grew up in (post-apocalyptic, district structure, Hunger Games, etc.). This sort of worldbuilding, to me, isn't about the personality part of the characterization but about the context of the character.

Each one of these layers can fail independently, even if the other ones succeed. When I think of an operational worldbuilding failure, I think of Divergent, where they took a post-apocalyptic world and set up an orgnaizational structure that didn't make any sense, where people are prescribed to like 6 jobs that don't in any way cover what's required to run a modern civilization--or even to run the society that they're shown as running. The society that they present can't exist as written in the world that they're presented as existing in--or if they can, I never could figure out how when reading the book (or watching the film).

So operational worldbuilding failures can happen when the organizations or societies that are presented don't seem like they could function in the context that they are presented in or when they just don't make any sense for what they are trying to accomplish. If the story can't reasonably answer why is this organization built this way or why do they do what they do then I see it as an organizational worldbuilding failure.

For tactical worldbuilding failures, I think of stories where characters have skillsets that conveniently match up with what they need to solve the problems of the plot but don't actually match their background or experience. If Katniss had been from an urban area and never set foot in a forest, it wouldn't have worked to have her as she was.

In this way (as in planning), the tactical level should align with the operational level which should align with the strategic level--you should be able to trace from one to the next and understand how things exist in the context of each other.

For that reason, strategic worldbuilding failures are the vaguest to explain, but I think of them like this: if it either 1) is so internally inconsistent that it starts to fall apart or 2) leaves the reader going this doesn't make any sense at all then it's probably failed.