#Irvin Rapper
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365filmsbyauroranocte · 22 hours ago
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Another Man's Poison (Irving Rapper, 1951)
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aaliyahunleashed · 1 year ago
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#OnThisDay Saturday, September 14th, 1996
Aaliyah attends the 6th annual MTV ROCK N JOCK Basketball charity event at the Bren Events Center in Irvine, California.
There are two teams; Bricklayers (who is the traditional winning team) and the Violators; Aaliyah was on the Bricklayers team. The first half of the game, the Bricklayers team was dominating with a score of 42-16. The second half came in really close, 94-90 (Bricklayers winning).
The two teams consisted of music figures (such as rap artist Warren G, R&B; singer Aaliyah, and Spinderella, the deejay for rappers Salt-N-Pepa), Actors (such as Linda Fiorentino of “The Last Seduction,” and Nicholas Turturro of “NYPD Blue) and even Olympian Lisa Leslie along with Harlem Globetrotters Paul “Showtime” Gaffney and Arnold “A-Train” Bernard.
The event raised $50,000 for the Ronald McDonald House Charities, which supports 170 houses in 13 countries.
Please visit and follow @aaliyahunleashed for more great fan material!
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lmjupdates · 2 years ago
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Lauren Jauregui Says She Wrote Her New Song 'Trust Issues' About Feeling 'Unhealed' from a Breakup
Jauregui tells PEOPLE about the vulnerable new song and its music video, inspired by the visual for Mariah Carey and Boys II Men's "One Sweet Day"
By Jack Irvin
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Lauren Jauregui knows it can be hard to move on from a relationship and into the next.
On Friday, the 26-year-old singer-songwriter released her new single "Trust Issues," written about her struggle to enter a new relationship shortly after her 2019 breakup from rapper Ty Dolla $ign, alongside a vulnerable music video depicting its creative process.
"'Trust Issues' is really just an exploration of having trust issues," Jauregui tells PEOPLE with a laugh. "It's pretty straightforward. I'm talking to a potential lover, somebody who's trying to connect with me in a relationship way, but this is fresh off a breakup."
Crafted during a writing retreat in Bali, during which she also wrote her previous single "Always Love," the new song finds the Fifth Harmony alum resisting a new romantic partner despite feeling interested.
"I've got trust issues and I know we all do / But I think I'm too wounded to dive in, and that ain't fair to you," she sings on the downtempo track. "Tired of bein' used and maybe that ain't you / But I can't take a chance when I'm damaged."
"I felt like exploring the fact that all of us have trust issues, and we be getting into things that we don't need to be in yet," explains Jauregui. "So, this is me processing that and being like, 'Hey, I have trust issues, and I know everybody does, but I don't think it's fair for me to try to engage with you because I'm unhealed right now.'"
"It's just me chilling with my guitarist and my engineer, creating a song," says Jauregui. "It's inspired by Mariah Carey and Boys II Men's 'One Sweet Day' video of this behind-the-scenes, raw, authentic, straightforward vibes, 'cause I feel like that's what the song gives."
Shortly before releasing the new song and music video, the "Lento" performer, who's now in a relationship with dancer Sasha Mallory, wrapped a sold-out arena tour of Latin America. Marking her second time headlining concerts as a solo artist, she felt the experience was "mind-blowing and beautiful."
"I felt very grateful and very blessed," Jauregui recalls. "On my way to Argentina, which was the first show, I had this whole moment with myself on the plane where I just cried and felt such deep gratitude."
She continues, "I had this flash of myself as a kid, choreographing dances in my room and performing them for my family. I just realized, 'Damn, I'm really doing this. I really get to do this myself, and people are showing up for these shows — thousands of people are coming to see me in countries that don't even natively speak English, but feel connected to me.'"
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johnbrownnn · 1 year ago
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Yikes! Former Dallas Cowboys player Michael Irvin is exposing his rapper son and calling him a “poser!” He also reminded him about his upbringing and said, “You grew up in a gated community your whole life.” RELATED: Ja Morant’s Dad Addresses His Son’s 25 Game Suspension: ‘He Got In Trouble Because Of His Decisions’ On the latest episode of Skip Bayless‘ FS1 show ‘Undisputed,’ Dallas Cowboys legend and Hall of Fame wide receiver Michael Irvin was speaking with Bayless about controversial NBA player Ja Morant, who has seemingly been wasting away his talent by getting into back-to-back legal trouble with guns and slapping the faces of those who have believed in and supported him as he made his way to the NBA. While offering his thoughts on Morant, Irvin made a comparison with his own son, whose birth name is Elijah but raps under the moniker Tut Tarantino. According to Irvin, his rapper son raps about a life that he hasn’t quite lived; so, he called him out and reminded him exactly how he grew up his entire childhood — “in a gated community.” RELATED: Memphis G.M Says He Doesn’t Care About Ja Morant’s Apology For Two Gun Incidents: ‘Ja Has To Prove It’ In a clip going viral from the ‘Undisputed‘ episode, Michael Irvin says, “I got a son. He raps. His rap name is Tut Tarantino.” He added, “If you ever listen to some of his raps. I’m like, ‘Oh my god.’ Where does this come from, son? You grew up in a gated community your whole life. But he’s rapping my life. Because we romanticize and fantasize about that old ‘thug life,’ ‘ghetto life,’ and all of that stuff. When we used to work to get away from. Now, we’ve gotten to a place somehow where we’re running back towards it. In the music, in everything.” The former Cowboys player continued, “In the days I was coming up, all of those guys that you see that Ja Morant’s hanging around, those guys were still around us [too], but they were like, ‘Get out of here. Stop doing this. You’ve got a chance to make it out of here the right way.’ So those guys would try to tell you to stop being in these neighborhoods, stop hanging out, and go do what you have to do. But, it’s not like that now. The guys are more hanging on and want to go with guys… And they’re tearing up careers.” RELATED: 50 Cent Proudly Reacts To Chris Tucker Recalling How Much Michael Jackson ‘Loved’ 50’S 2003 Hit “In Da Club” Now, this isn’t the first time that Michael Irvin has publicly expressed his sentiments recently shared. During an appearance on the ‘Dan Patrick Show‘ back in 2019, Irvin was confused about his son’s rap career, and he called him out for flaunting a fake persona then. At the time, the former Cowboys player said, “He raps about some of the hardest stuff in the world. I say to him, ‘Son, you grew up in a 20,000 square foot. gated community! Where does this stuff come from?’ I worked hard to get you out of this, and you’re rapping right back to it. What is going on? It blows my mind!” RELATED: Dave Chappelle Jokes About Kanye West & Kyrie Irving’s Anti-Semitism; & Talks Herschel Walker & Donald Trump On ‘SNL’ #Socialites, be sure to check out the post below, then leave us your thoughts in a comment after! [embed]https://www.youtube.com/watch?v=BMKhT6yaXAk[/embed] [embed]https://www.youtube.com/watch?v=wapd9WabczY[/embed] [embed]https://www.youtube.com/watch?v=AZeOolnsbSc[/embed] Source link
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benandstevesposts · 4 years ago
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MAN WANTED IN CALIFORNIA RAPPER MURDER ARRESTED IN OKLAHOMA
Man wanted for murder of CA. Rapper arrested in Blanchard Okla. according to court records. Attorney Irvin Box says "Isaiah Reupena is in McClain County jail accused (along w/ an accomplice) of killing Melota Lasi Jr, aka Cutty Banks, outside of CA. mall
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the-penandpaper · 6 years ago
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Akala - Akala's Great Reads EP29. The History of White People  His series on YouTube gives a brief review and summary of reading recommendations. Check it Here!
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lovepeacenslander · 6 years ago
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FAMOUS DEX FLASHES FANS AT CA CONCERT
FAMOUS DEX FLASHES FANS AT CA CONCERT
The rapper Famous Dex allegedly pulled a gun on UC Irvine students after the concert he was playing at the university was canceled because of his stage diving.
In a video posted to social media, a man appearing to be Dex, whose real name is Dexter Gore Jr., can be seen waving a gun at a group of students who had surrounded his car following the canceled show on Friday night.
Campus police also…
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mpworld · 4 years ago
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El chuloputismo en el Rap Game. Pt1 Intro.
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Hablar sobre chuloputismo, como subcultura, realidad social y fuente de inspiración para artistas de rap, es inevitable a la vez que fundamental para sentar las bases de este microblog, porque no se puede empezar la casa por otro sitio que no sea el barrio en el que se encuentra esa casa.
Si queremos entender que malevola relación ha tenido el proxenetismo con la cultura rap hay que preguntarse: ¿por qué razon un chuloputas iba a ser alabado e interpretado en cantidad de canciones pertenecientes a un estilo de música (rap) que había nacido para exponer las señas de identidad de la poblacion afroamericana?. ¿Por qué usar un altavoz como la música para hacerse eco de algo tan horripilante como las artes de un embaucador de mujeres?
Pueden ser varias las causas que hayan provocado esta aceptación del chuloputas como un personaje que ha servido de alter ego durante décadas a Rappers y trappers. Quizá el interés de la indústria cinematográfica por retratar los guetos decadentes y sus protagonistas obligados a buscarse la vida en la época del blaxploitation pudo influir , quizá tambien ayudara la afición de una sociedad aburguesada y apatica a sobresaltarse con el relato descomunal deotras realidades más sucias y acorraladas.
Más alla de sí las causas son esas u otras, lo que es absolutamente cierto es que hubo alguien que impulsó esta corriente, Iceberg slim aka Robert Beck, nacido Robert Lee Maupin el 4/8/1918 en Chicago. Chuloputas y escritor.
Comenzó a ser proxeneta a los 18 y ejerció su oficio hasta los 42, adoptando el apodo de "Iceberg Slim" en el camino. Se dijo que le dieron el apodo después de estar parado en un bar bebiendo whisky imperturbable mientras una bala disparada en un tiroteo desatado a su alrededor, atravesaba su sombrero. Sin duda, esto es un mito, aunque el hecho de que se le atribuyera es revelador. Lo más probable es que el nombre fuera una referencia mundana a la crueldad de su proxeneta y su complexión delgada.
Tras varias visitas a la prisión abandono el puterio y se mudó a California en la década de 1960 para seguir la vida de un escritor, cambiando su nombre de chulo por el de Robert Beck, el apellido adoptado que pertenecía al entonces esposo de su madre.
Slim admitió que una de las razones por las que dejó de ser proxeneta y se convirtió en escritor fue su miedo a ser explotado por prostitutas más jóvenes.
Con el psudonimo de Robert Beck escribe su primer libro "PIMP, memorias de un chulo" descrita como una "novela autobiográfica" publicada en 1969 por Holloway House.
En palabras de Irvin Welsch, escritor de Trainspotting y seguidor confesó de Iceberg Slim, el cual descubrio su oficio de escritor tras leer "Pimp" y "Trick Baby", otra novela de Robert Beck: "este (iceberg slim) hizo por los chuloputas lo mismo que Jean Genet hizo por el homosexual y el ladrón y William Burroughs hizo por el drogadicto: articuló los pensamientos y sentimientos de alguien que había estado allí".
Y eso es lo más importante de "Pimp, memorias de un chulo", su retrato, basado únicamente en las tan proclamadas por los Rappers experiencias propias, de la teatralidad hiperreal de los proxenetas y la descripción escrupulosa de ese submundo. Eso es lo que hace que sea considerada la obra canónica del subgenero "Street lit".
Cuando años más tarde y durante una entrevista se le preguntó si se había logrado su objetivo declarado de salvar a los jóvenes de la clase de vida que el mismo había vivido, fue brutalmente directo: "No. Ellos racionalizan. Piensan que serían más hábiles que yo. Es casi imposible disuadir a los jóvenes que ya están envenenados en la calle porque casi sin excepción no tienen otro recurso que pensar que son más hábiles que Iceberg ".
Gran parte de la sensibilidad del rap y el hip-hop deos 90 hace que las palabras de Slim fueran tristemente proféticas. Muchos raperos jóvenes vieron como su misión (impulsada comercial y socialmente) era proyectar personajes más geniales, duros y despiadados que Slim.
Robert Beck ha sido pese al ostracismo mediatico, uno de los escritores mas influyentes de nuestra época. Beck, y escritores como él, han proporcionado confianza a otros artistas en la busqueda de su propia voz.
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365filmsbyauroranocte · 2 days ago
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Another Man's Poison (Irving Rapper, 1951)
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aaliyahunleashed · 4 years ago
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Saturday, September 14th, 1996: Aaliyah attends the 6th annual MTV ROCK N JOCK Basketball charity event at the Bren Events Center in Irvine, California.  
There are two teams; Bricklayers (who is the traditional winning team) and the Violators; Aaliyah was on the Bricklayers team. The first half of the game, the Bricklayers team was dominating with a score of 42-16. The second half came in really close, 94-90 (Bricklayers winning). 
The two teams consisted of music figures (such as rap artist Warren G, R&B; singer Aaliyah, and Spinderella, the deejay for rappers Salt-N-Pepa), Actors (such as Linda Fiorentino of “The Last Seduction,” and Nicholas Turturro of “NYPD Blue) and even Olympian Lisa Leslie along with Harlem Globetrotters Paul “Showtime” Gaffney and Arnold “A-Train” Bernard. The event raised $50,000 for the Ronald McDonald House Charities, which supports 170 houses in 13 countries. 
(Images from Google search, @aaliyahpl_ and @favouritethingsbyazzizz ) Source: https://www.latimes.com/archives/la-xpm-1996-09-15-me-44167-story.html
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sagehaleyofficial · 5 years ago
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HERE’S WHAT YOU MISSED THIS WEEK (2.12-2.18.20):
NEW MUSIC:
·         New Found Glory announced a co-headlining tour with Simple Plan, with support from Knuckle Puck. The tour kicks off at Jannus Live! in St. Petersburg, Florida, on May 29 and ends at Stubb’s in Austin, Texas, on June 28.
·         Four Year Strong unveiled the video for their new song “Learn to Love the Lie,” the third track from their upcoming fifth studio album, Brain Pain. The song comes soon after the announcement that they would be hitting the road with fellow band Silverstein this spring.
·         You Me at Six dropped a new single titled “Our House (The Mess We Made),” through which all of the proceeds will go toward Australian bushfire relief. The last new song we had from the British band was the single “What’s It Like” in August 2019.
·         Hayley Williams of Paramore dropped a raw footage lyric video for “Simmer,” her first single off her upcoming solo release Petals for Armor. The singer originally released the song in early January with a darker official music video.
·         Asking Alexandria unleashed a brand new song titled “They Don’t Want What We Want (And They Don’t Care).” The band first teased the song on February 11 on their Twitter account.
·         Falling in Reverse released a special song and video titled “The Drug in Me is Reimagined,” keeping the same lyrics as the original song for which it’s named. The band is currently on tour with the bands Escape the Fate and The Word Alive.
·         Billie Eilish released a new song “No Time to Die,” which will be used as the theme for the new James Bond movie. Rumors of her participation on the film’s soundtrack began as early as January.
·         During the NME Awards, YUNGBLUD revealed the release date of his upcoming album. He also said there would be a new song coming “Imminently” before discussing his love for Robert Smith of The Cure.
·         Justin Bieber and Post Malone released a new track titled “Forever” off the former artist’s latest album Changes, which also features rapper Clever. In January, TMZ said that sources close to Bieber reported that Post Malone and Travis Scott collaborated on the album.
·         SWMRS and FIDLAR teamed up for a cover of The 1975‘s track “People” off of their upcoming record Notes on a Conditional Form. The cover also comes along with a visualizer video with many black and white photographs of the bands.
·         Set It Off released a new song, “One Single Second,” after previously revealing the songs “So Predictable” and “Catch Me If You Can.” The band is currently finishing up their headlining dates with Capstan.
·         Halsey‘s new single “You Should Be Sad” received a remix from EDM producer Tiesto. The remix provides an upbeat electropop feel to the song’s country-inspired twang for the perfect combo.
·         All Time Low declared their first album in three years, titled Wake Up Sunshine, which is due for release on April 3. The album announcement comes after several teasers that began last month.
·         Ozzy Osbourne revealed the tracklist for his upcoming album Ordinary Man, which features a new collaboration between him and Post Malone. This follows the pair’s first collab, “Take What You Want,” also featuring Travis Scott.
TOUR ANNOUNCEMENTS:
·         My Chemical Romance announced another show at the Eden Project in Cornwall, UK, scheduled for June 16. The Eden Sessions made the announcement on February 12 via their Instagram account, ahead of the band’s official announcement.
·         In This Moment frontwoman Maria Brink recently covered Billie Eilish and Radiohead during her solo set on the ShipRocked cruise. The festival took place from February 1 to 6 and included sets from Asking Alexandria, Ice Nine Kills, Beartooth and more.
·         The lineup for the Chain Fest Festival was announced, featuring bands such as Jimmy Eat World, Taking Back Sunday, Circa Survive, Saves the Day, Anberlin, Glassjaw, Cartel and Acceptance. The event will take place at the FivePoint Amphitheater in Irvine, California.
·         Matty Healy of The 1975 declared the band will no longer be playing festivals where the lineup doesn’t have equal gender representation. Out of the 90 acts that were revealed for this year’s Reading & Leeds Festival, only 20 of them feature women.
·         The Pretty Reckless announced they will embark on a headlining tour this spring, which will be their first tour in almost three years. It was also confirmed that their new album, Death by Rock and Roll, is now finished.
·         Poppy performed a medley of her songs at WWE‘s “NXT TakeOver: Portland” event yesterday. She played the tracks “Fill the Crown” and “Anything Like Me” while sporting an avant-garde outfit.
OTHER NEWS:
·        Jeffree Star released his highly-anticipated “Blood Lust” palette last week, which consists of 18 new shades. The packaging features a velvet exterior along with a never-before-seen jewelry clasp opening.
·         In what may be an attempt to help Birds of Prey’s less-than-impressive opening weekend numbers, Warner Bros. changed the name of the film to Harley Quinn: Birds of Prey. The film brought in $33 million in revenue in the U.S - lower than the anticipated $50 million.
·         Cartel’s Facebook page updated its cover and profile photo to a new blue logo, sending fans into a frenzy and sparking reunion rumors. The logo also appeared on a new Instagram account, which was just launched recently.
·         The lawsuit between late rapper Juice WRLD estate and the band Yellowcard has been put on hold, due to no one being appointed as the executor or the late rapper's estate. Therefore, the case cannot continue until then.
·         A super Twenty One Pilots fan launched a project to create a Blurryface musical. However, just short of two weeks after its announcement, the fan in question received a cease and desist order for the project.
·         Neck Deep revealed that they added a new member: longtime collaborator and big brother of frontman Ben Barlow, Seb Barlow. They also announced that they launched an official app, as well as invited fans to an event titled “Sonderland.”
·         Machine Gun Kelly launched a new merchandise line for his 2019 album Hotel Diablo for Valentine’s Day, which included a vibrator appropriately titled the “Lil’ Devil.” The vibrator comes in a sophisticated red packaging that reads “Let’s get wild.”
·         In a new interview with Entercom, Hayley Williams revealed that she anticipated that there will be more Paramore shows in the future. “And there will be more Paramore shows. Yes. Confirmed,” she stated.
·         Real Friends and its lead singer Dan Lambton announced that they have parted ways, with posts from both parties uploaded on Valentine’s Day to their respective social media outlets. Both Lambton and the band said that the split was mutual.
·         Pierce the Veil is supporting the Australian wildfire relief with a new shirt dedicated to the animals affected by the fires. The shirt is a long-sleeve taken from one of their Australian tour laminates, used on their last tour of the country.
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Check in next Tuesday for more “Posi Talk with Sage Haley,” only at @sagehaleyofficial!
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lazyenemytiger-blog · 4 years ago
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Fauci to have first "substantive discussions" with Biden transition officials
https://rabbidamdama01.medium.com/jupiter-and-saturn-will-form-the-first-double-planet-in-800-years-3a37999e9293 https://medium.com/rabbidamdama01/jupiter-and-saturn-will-form-the-first-double-planet-in-800-years-3a37999e9293 https://rabbidamdama01.medium.com/hospitals-desperate-to-hire-nurses-and-doctors-amid-pandemic-surge-9eabc39dccd1 https://medium.com/rabbidamdama01/hospitals-desperate-to-hire-nurses-and-doctors-amid-pandemic-surge-9eabc39dccd1 https://medium.com/tysonvsjoneslivestream/wind-driven-bond-fire-explodes-in-silverado-canyon-near-irvine-thousands-evacuated-516e0282fb42 https://tysonvsjoneslivestream.medium.com/wind-driven-bond-fire-explodes-in-silverado-canyon-near-irvine-thousands-evacuated-516e0282fb42 https://tysonvsjoneslivestream.medium.com/second-shot-no-shows-could-undermine-covid-19-vaccination-efforts-69767deb84e6 https://medium.com/tysonvsjoneslivestream/second-shot-no-shows-could-undermine-covid-19-vaccination-efforts-69767deb84e6 https://jonesvstysonlive.medium.com/at-102-years-old-new-york-woman-beats-the-coronavirus-53c4b0feaa89 https://medium.com/jonesvstysonlive/at-102-years-old-new-york-woman-beats-the-coronavirus-53c4b0feaa89 https://jonesvstysonlive.medium.com/a-covid-vaccine-can-save-america-a5009cc7ac91 https://medium.com/jonesvstysonlive/a-covid-vaccine-can-save-america-a5009cc7ac91 https://maradonamaragese.medium.com/newsmax-and-oan-face-two-other-significant-hurdles-to-competing-with-fox-43aa2374db22 https://tasikhasobai.medium.com/when-this-crushing-feeling-returns-each-year-i-turn-to-my-loyal-fans-394293e9d733 https://pagolpolapain1.medium.com/as-i-like-to-say-democracy-is-pretty-cool-we-should-try-it-some-time-8c8c12175c33 https://bomikhors.medium.com/not-every-story-on-medium-is-free-like-this-one-ba074bbc423f https://ginibuzzrokskisd.medium.com/ https://ginibuzzrokskisd.medium.com/egypt-releases-human-rights-campaigners-after-international-outcry-e1c6254f279 https://ginibuzzfotka.medium.com/ https://ginibuzzfotka.medium.com/south-african-rapper-da-l-e-s-releases-new-single-elon-musk-ac81217bde30
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dustedmagazine · 4 years ago
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Dust Volume 6, Number 8
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Angel Olsen
Now half a year in the pandemic, we’re starting to see the emergence of quarantine records, whether in the trove of reissues hastily assembled to stand in for new product or home recorded projects made with extremely close friends and family or albums that are conceived and written around the concept of isolation. Music isn’t real life, exactly, but it lives nearby. And in any case, it’s still music and can be good or bad whether it’s been unearthed from a forgotten box of tapes, recorded at home without collaboration or side people or technologically gerry-rigged so that distanced partners can work together. So, as long as you all are making music, we will continue to listen and find records that move us, as the world burns all around. This edition’s contributors included Patrick Masterson, Andrew Forell, Tim Clarke, Jennifer Kelly, Bill Meyer, Jonathan Shaw, Justin Cober-Lake and Ray Garraty. Enjoy.
+ — #playboy (Deluxe Edition) (self-released)
#playboy (deluxe edition) by +
One of the most genuinely confounding records I’ve heard this year comes courtesy SEO-unfriendly artist + aka Plus Sign fka Emanuel James Vinson, a Chicago rapper, city planner and all-around community activist who spends his time helping with the city’s Let’s Build Garden City initiative when he’s not making music (which is frequent, by the way — take a look at the breadth of that Bandcamp discography). The concept with #playboy, originally released in April but deluxed in late May, is simple: Two kids find a music machine called #playboy in their basement and start tinkering with it. Its childlike whimsy is conveyed in the song titles (“Getting the Hang of It,” “Wake Up Jam (Waking Up)”) every bit as much as it is in the music, with occasionally grating indulgences, the odd earworm and a brief appearance by borderless internet hip-hop hero Lil B that makes perfect sense in context; the kindred spirit of that community-building cult auteur is strong here. You may wind up loving this record or you may wind up hating it, but I can promise you this: You’ll be thinking about it and the artist behind it long after it’s over.
Patrick Masterson
 Actress — Mad Voyage Mixtape (self-released)
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I once suggested Darren Cunningham mucks about with his music because he can’t help himself. That was about six years ago on the occasion of his purported “final” album Untitled; with the benefit of hindsight, we can see he was (like so many others, to greater or lesser consequence) just pulling our leg with that PR. Hell, he’s released two albums worth of music in July alone: The first was the mid-month surprise LP 88, which follows in the vein of his acclaimed high period as an often brilliant, occasionally frustrating patchwork of submersible beats best played at high volume with a low end. The second came at the end of the month in an m4a file shared the old fashioned way on a forum via Mediafire link, nearly an hour and a half long, and per the man himself, “All SP-303, sketchbook beats, recorded this past week [the first week of July] straight to recorder or cassette.” It feels very much like a homespun Actress mixtape and is probably best thought of as livelier accompaniment to 88 but, even still, there’s no noticeable drop in quality — once Actress, always Actress. If headier lo-fi beat tapes are your beat, this will slot comfortably in line.
Patrick Masterson
  bdrmm - Bedroom (Sonic Cathedral)
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Hull five-piece bdrmm play a satisfyingly crepuscular version of shoegaze on their debut album Bedroom. Ryan Smith, his brother Jordan on bass, guitarist Joe Vickers, Danny Hull on synths and drummer Luke Irvin combine the widescreen sound of Ride with a cloak of gothic post-punk. Like the late, lamented Girls Names, bdrmm find a sweet spot where atmosphere and dynamics either build to euphoric crescendos or bask in bleak funereal splendor. Bedroom seems deliberately sequenced from celebration to lament. “A Reason To Celebrate” evokes Ride at their most anthemic, the tripping staccato driven “Happy” summons the spirit of The Cure of Seventeen Seconds before the pace drops for the second half, the songs become quieter and darker as the band finds a more personal voice. “(The Silence)” is an ambient whispered wraith of a thing, “Forget The Credits” impressively mopey slowcore. bdrmm don’t always transcend their influences, but this debut is an atmospheric treat if your taste runs to the darker end of the musical buffet.
Andrew Forell  
 Circulatory System — Circulatory System (Elephant 6 Recording Co.)
Circulatory System by Circulatory System
Nearly 20 years after its initial release, the excellent eponymous debut album by Will Cullen Hart’s psychedelic chamber-pop band Circulatory System gets a long overdue vinyl reissue. While his previous project, the undeniably great Olivia Tremor Control, tended to lean more towards classic psych-pop’s traditional tropes — hard-panned drums, loads of disorientating tape effects, wonky harmonized vocals — Circulatory System taps into something utterly uncanny. Both Signal Morning (2009) and Mosaics Within Mosaics (2014) have their moments, but this is front-to-back brilliant, conjuring a sublime atmosphere of reflective estrangement. The music is a thick, grainy soup of shimmering instrumentation, from the eerie (“Joy,” “Now,” “Should a Cloud Replace a Compass?”) to the joyful (“Yesterday’s World,” “The Lovely Universe,” “Waves of Bark and Light”), but part of the album’s magic is the way everything flows into a seamless whole. As is vinyl’s tendency, the rhythm section really comes alive here, the fuzz bass and tom-heavy drum parts booming out, with plenty of vivid details in the mix swimming into view. A worthy reissue of an essential album.
Tim Clarke
 Cloud Factory — #1 (Howlin’ Banana)
Cloud Factory #1 by Cloud Factory
Cloud Factory, from Toulouse, France, overlays the serrated edges of garage pop with a serene dream-pop drift. It’s an appealing mix of hard and soft, like being pummeled to death by pillows or threatened gunpoint by a teddy bear. “Amnesia,” for instance, erupts in a vicious, sawed off, trouble-making bass line, then soars from there in untroubled female vocals. Later, “No Data,” punches hard with raw percussion, then lays on a liquid, lucid guitar line that encourages middle-distance staring. None of these songs really up the ante with memorable melodies, sharp words or that intangible R’NR energy that distinguishes great punk rock from the so so. Not loud, not soft, not great, not bad. Cloud Factory resides in the indeterminant middle.
Jennifer Kelly
 Entry — Detriment (Southern Lord)
Detriment by Entry
Nuthin fancy here, folks. Just eight songs — plus a flexing, fuzzing intro — of American hardcore punk. Entry has been grinding away for a few years now, and Detriment doesn’t advance much past the musical terrain the band marked off on the No Relief 7-inch (2016). That’s OK. The essential formula is time tested: d-beat rhythms, overdriven amps and Sara G.’s ferocious vocals delivering the necessary affect. That would be: pissed off, just this side of hopeless. Detriment sounds like what might happen if Poison Idea (c. 1988) stumbled into a seminar on Riot Grrrl; after everyone got tired of beating the living shit out of one another, they’d make some songs. “Selective Empathy” is pretty representative. Big riffs, a breakdown, and more than enough throaty yelling to let you know that you’re in some trouble. You might recognize the sound of Clayton Stevens’ guitar from his work with Touché Amoré — but maybe it’s better if you don’t. This isn’t music for mopery. Watch out for the spit, snot and blood, and flip the record.
Jonathan Shaw  
 Equiknoxx — VF Live: Equiknoxx (The Vinyl Factory)
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There’s nothing like a little roots music to get you through the sweltering summer heat, and this early July mix by Gavin “Gavsborg” Blair (half of forward-thinking Kingston dancehall unit Equiknoxx) was a personal favorite of the past month for hitting that spot. The group tends to throw curveballs at the genres it tinkers with, and Blair’s mix highlights why they’re so good at it: The crates run deep. Spanning everything from legendary producer and DJ Prince Jazzbo to in-house music fresh out the box (e.g., “Did Not Make This For Jah_9” was released in late May), Blair sets the mood and educates you along the way. Like everything else these cats do (and that includes the NTS show — support your independent radio station!), it’s hard not to give the highest recommendation.
Patrick Masterson  
 Ezra Feinberg — Recumbent Speech (Related States)
Recumbent Speech by Ezra Feinberg
Knowing that Ezra Feinberg is a practicing psychoanalyst, it’s tempting to read meaning into the name of his second solo album. But be careful to think twice about the meaning you perceive and ask yourself, is it the product of Feinberg on the couch or your own projection? His choice to name one of the record’s six instrumentals (there are voices, but no words) “Letter To My Mind” certainly suggests that there’s an internal dialogue at work, but the music feels most like a layered deployment of good ideas than an exchange of intrapsychic forces. The synthesizers shimmer and cycle like something from a mid-1970s Cluster record, resting upon a pillow of vibraphone and electric piano tones, which in turn billow under the influence of undulating layers of drums. Feinberg’s guitar leads are bright and pithy, like something Pat Metheny might come up with if he knew he was going to have to pay a steep price for every note he played. Ah, but there I go, projecting an implication of adversary process where there may be none. Might it be that Feinberg, having spent a full work week immersed in the psychic conflicts of others, wants to lay back on the couch and exhale? If so, this album is an apt companion.
Bill Meyer  
 Honey Radar — Sing the Snow Away: The Chunklet Years (Chunklet)
Sing the Snow Away: The Chunklet Years by Honey Radar
Jason Henn of Honey Radar has a solid claim at being his generation’s Bob Pollard, a prolific, absurdist songwriter, who tosses off hooky melodies as if channeling them from the spirit world. His least polished material glints with melody hidden beneath banks of fuzz, whispery and fragile on records, but surprisingly muscular in his rocking live shows. This 28-song compilation assembles the singles, splits, EPs and bonus tracks Henn recorded for Chunklet between 2015 and the present; it would be a daunting amount of material except that it goes down like cotton candy, sweet, airy, colorful and gone before you know it. Like the Kinks, Henn has a way of making strident rock and roll hooks sound wistful and dreamy. In “Lilac Pharmacy,” guitar lines rip and buck and roar, but from a distance, hardly disrupting Henn’s placid murmur. “Medium Mary Todd” ratchets up the tension a bit, with a tangled snarl of lick and swagger, but the vocals edge towards quiet whimsy a la Sic Alps; a second version runs a bit hotter, rougher and more electric, while a third, recorded at WFMU, gives an inkling of the Honey Radar concert experience. A couple of fine covers — of the Fall’s early rant “Middle Class Revolt” and of the Monkees rarity “Wind-Up Man”— suggest the fine, loamy soil that Henn’s art grows out of, while alternate versions of half a dozen tracks hint at the various forms his ideas can take. It’s a wonderful overview of Honey Radar so far, though let’s hope it’s not a career retrospective. Henn has a bunch of records left to make yet if he wants to edge out Pollard.
Jennifer Kelly
 Iron Wigs — Your Birthday’s Cancelled (Mello Music Group)
Your Birthday's Cancelled by IRON WIGS
As an adjective, “goofy” had gotten a bad rep in hip hop. Anything that is unusual, inventive and not in line with “keeping it real” is immediately stigmatized as goofy, weird, nerdy and bad. Iron Wigs is goofy but hold the pejorative connotations. Chicago representatives Vic Spencer and Verbal Kent team up here with Sonnyjim from the UK to do some wild rhyming. They collaborated before, but Your Birthday’s Cancelled is a complete, fully fleshed project, masterfully executed from start to finish. Instead of the usual gun busting you get a fist in the ribs. Instead of drug slinging, a blunt to activate your rhymes. Each member of the group has a distinctive delivery which makes you to listen carefully for every verse, no skipping. It’s a relief to listen to rap artists who don’t pretend they’re out in the streets while they’re at home enjoying a favorite TV series. The standout track here is “Bally Animals & Rugbys” with Roc Marciano dropping by for a verse.
Ray Garraty  
 Levinson / Mahlmeister — Shores (Trouble In Mind)
Shores by levinson / mahlmeister
Jamie Levinson and Donny Mahlmeister’s Bandcamp page indicates that they’re based in Oak Park, a suburb of Chicago. This goes further towards explaining their association with Trouble in Mind Records, which is located in the same county, than their music, which brings to mind something much further north. The duo’s music is mostly electronic, with modular synthesizers setting the pulse and sweeping the pitch spectrum while lap steel guitar adds flourishes and a shruti box thickens the textures. The album is split into two, with each track — one is named “Ascend,” the other “Release” — taking up one side of a 50-minute cassette. The first side trundles steadily onwards, and the second seems to bask in a glow to that never totally fades. Since there’s no “Descend,” it’s easy to imagine this music sound tracking a drive into the Canadian north, the journey unspooling under a sky that never darkens, its progress towards Hudson Bay unhindered by other traffic or turns in the road. Perhaps that’s just one listener’s fantasy of easy social distancing and escape from the present’s grim digital glare into a retro-futurist, analog dream. But in dreams we’re free to fly without being seated next to some knucklehead with his mask over his eyes instead of his mouth, so dream on, dreamers. This tape is volume one of the Explorers Series, Trouble in Mind’s projected program of limited edition cassette releases.
Bill Meyer
 Klara Lewis — Ingrid (Editions Mego)
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Klara Lewis’s latest recording shows a narrowing of focus. Previously she seemed to be trying ideas and methods on for size, investigating ambient electronics or hinting at pop melody without completely committing. Given the approach to music modeled by her father, Graham Lewis of Wire and Dome, she probably does not feel the need to do just one thing, and that’s a healthy angle if one wants to stay interested and flexible. But there’s also something to be said for really digging into an idea, and that’s what she has done here. Ingrid is a one-track, one-sided 12.” Burrowing further into one-ness, it is made from one looped cello phrase, which gets filtered and distorted on each pass. The effect suggests decay, but not so much the gradual transformation of a William Basinski piece as the pitiless abrasion of a woodworker going over a plank with sander. The combination of repetition and coarsening hits a spot closer to one that Tony Conrad might reach, and that’s an itch worth scratching.
Bill Meyer
Luis Lopes Humanization 4tet — Believe, Believe (Clean Feed)
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The cruel economics of contemporary creative music-making favor an ensemble like Humanization 4tet. At a minimum, the filial Texan rhythm section of Stefan and Aaron Gonzalez (drums and bass respectively) and Lisbon-based duo of Rodrigo Amado (tenor saxophone) and Luís Lopes can each count on having the other half of a band on the other side of the Atlantic. But any project that’s on its fourth record in a dozen years has more going for it than the chance to save on plane tickets. For the Portuguese musicians, it’s an opportunity to feel an unabashedly high-energy force at their backs, as well as a chance to drink from a deep well of harmolodic blues. And for the Gonzalez brothers, it’s the reward of being the absolute right guys for the job; it has to be a gas to know that the heft they put into their swing is so deeply appreciated. While Lopes’ name remains up front, everyone contributes compositions, and everyone gives their all on every tune.
Bill Meyer  
 Joanna Mattrey — Veiled (Relative Pitch)
Veiled by Joanna Mattrey
This solo CD, which closely follows a collaborative cassette on Astral Spirits, is only the second recording with Joanna Mattrey’s name on the spine. But Mattrey is no newcomer. The New England Conservatory-trained violist has been playing straight and pop gigs for a while. If you caught Chance the Rapper on Saturday Night Live, Cuddle Magic with strings or a host of classical gigs around New York City, you’ve seen her. But if black dress and heels gigs pay her bills, improvised music nourishes her heart. And if sounds raw enough to scrape the roof of the world nourish yours, this album is new food. The premise of Veiled is finding veins of concealed beauty concealed, and that search impels Mattrey to tune her viola to sound like a horse-haired Tuvan fiddle, clamp objects to the strings and blast her signal through some satisfyingly filthy amplification. And whether it’s a slender tune or a complex texture, the reward is always there.
Bill Meyer
  Angel Olsen — “Whole New Mess” single (Jagjaguwar)
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Everyone processes a breakup differently (though, to be fair, that’s probably less true now than ever). For Angel Olsen in 2018, it meant retreating to The Unknown, a century-old church in Anacortes, Washington, that Mount Eerie’s Phil Elverum and producer Nicholas Wilbur made into a recording studio. What ultimately came from those sessions was All Mirrors, but Whole New Mess is a chance to revisit that album (fully nine of these 11 songs are ones you’ve heard before; only the title-track and “Waving, Smiling” are new) in a more intimate framework — just Angel, a guitar, a mic and her reverberant heartache. The most cynical view to be taken here is that it’s a stopgap capitalizing on people’s vulnerability amid a pandemic quarantine, but it could also be a corrective for the bloat of All Mirrors, a record I listened to once and haven’t thought about since. Late Björkian excess doesn’t suit her nearly as well as the light touch delivered herein, and your interest will similarly hinge on how much Whole New Mess sounds like the old one.
Patrick Masterson   
 Ono — Red Summer (American Dreams)
Red Summer by ONO
Ono, the long-running noise-punk-poetry-protest project headed by P Michael Grego and travis, tackles the Red Summer of 1919, evoking the brutal race riots that erupted as soldiers returned from World War I. During that summer, conflicts raged from Chicago to the deep south, as white supremacists rioted against newly empowered returning Black veterans and an increased number of Black factory workers employed in America’s northern factories. Ono captures the violence—and its links to contemporary race-based conflicts—in an abstract and visionary style, with travis declaiming against an agitated froth of avant garde sound. “A Dream of Sodomy” lurches and rolls in funk-punk bravado, as travis declaims all the nightmarish scenarios that haunt his nocturnal hours, while “Coon” natters rhythmically across a fever-lit foundation of hand-drums, mosquito buzz and flute. “26 June 1919” wanders through a blasted, rioting landscape, sounds buzzing and pinging and roaring around travis’ fractured poetry. “White men, red men, Manchester town, send ‘em home, Oklahoma, send ‘em home, in a Black man house, send ‘em home, send ‘em home,” he chants, ominously, vertiginously. The center isn’t holding, for sure. The disc closes with the uneasy truce of “Sycamore Trees,” where steam blasts of synthesizer sound rush up and around travis’ vibrating, basso verses about meeting under the sycamore trees, a metaphor like the blues and gospel and nearly all Black music is full of metaphor about reuniting in a better place. Powerful.
Jennifer Kelly
 Julian Taylor — The Ridge (Howling Turtle, Inc.)
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Singer-songwriter Julian Taylor does the little things well. That's not to say that he doesn't do the obvious things well, too, on his latest release The Ridge. His easy voice fits his songs, letting autobiography come with comfortable phrasing. As a writer, he tends toward the straightforward, avoiding extended metaphors or oblique references. The title track considers a particular form of life, and Taylor sticks to the tangible, singing about the stable, “Shovel manure, clean their beds, and prepare the feed for the day.” Taylor's songs make sense of the immediate world and relationships around him, but they avoid woolgathering. The album feels a bit removed from the current climate, but that's no complaint when Taylor's developed a welcoming place to visit. It isn't always easy here, but it's always companionable.
But back to those little things. Each song has carefully detailed orchestration and production. The record goes down easy whether tending toward James Taylor, Cat Stevens or something closer to country, and much of that easiness comes from the precise placement of every note. Burke Carroll's pedal steel, for instance, never exists for its own sake, but to serve the lyric that Taylor sings. The album contains enough space to feel like a rural Canadian ridge, with details drawn into to support Taylor's direct stories. The Ridge could easily go unnoticed (unobtrusiveness not being a highly rewarded trait), but its subtlety and care make it worth taking your boots off and sitting down for a minute.
Justin Cober-Lake  
 Various Artists — For a Better Tomorrow (Garden Portal)
For A Better Tomorrow by Various Artists
Compilation albums loom large in the American Primitive Guitar realm. Takoma, Tompkins Square and Locust all had larger ambitions than merely offering a sampling of wares, and to them, Garden Portal says, “hold my beer. I’ve got some collecting and playing to do.” For A Better Tomorrow started out as a Bernie Sanders fundraising endeavor. But when Bernie bailed and COVID-19 came on the scene, Garden Portal pivoted to support Athens Mutual Aid Network, an umbrella organization that coordinates aid to the underserved in this trying time. But in addition to good works, there’s some good work going on here. Not all of it is guitar-centric, but even the tracks that aren’t are close enough to the strings and heart template of the aforementioned parties to merit consideration under the same rubric. Joseph Allred’s been ultra-productive recently, so it’s actually helpful to be reminded of the spirit that infuses his playing by listening to it one track at a time. Rob Noyes’ “Diminished” takes the listener on a deep dive into the construction of sentiment and sound. And Will Csorba’s Pelt-like blast of fiddle drone, “Requiem for Ociel Guadalupe Martinez,” will put your hair up high enough to make that self-inflicted quarantine do a bit easier to execute.
Bill Meyer
  Various Artists — The Storehouse Presents (The Storehouse)
The Storehouse Presents by The Storehouse
The coronavirus pandemic put the brakes on many things. You doubtless have your own list of loss, but for the proprietors of The Storehouse, the catalog of things kissed goodbye directly corresponds to their endeavor’s inventory of reasons to be. Over the past few years, the Storehouse has invited audiences out to a West Michigan farmhouse to enjoy a potluck meal and a concert played by some musicians of note. If there had been no lockdown, listeners could have enjoyed the Sun Ra Arkestra last April. Instead, no one’s playing, and no one’s getting paid, so the Storehouse has compiled this set of live and exclusive studio tracks to sell on Bandcamp in order to benefit the musicians and the Music Maker Relief Foundation. The cause, is good, but so are the tunes. Want to hear Steve Gunn and William Tyler in sympathetic orbit? Or Joan Shelley pledging her love? Or the first hints of Mind Over Mirrors’ new direction? Step right this way, preferably on one of 2020’s first Fridays.
Bill Meyer
 Z-Ro — Rohammad Ali (1 Deep Entertainment / Empire)
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On one of his previous tracks, Z-Ro admitted that he’s basically just writing the same song over and over again (that’s how meta he is now, writing songs on writing songs). While he exaggerated a bit, he was not that far from the truth. In the last half dozen years he’s been writing the same three or four songs in various combinations, reconfigurations and forms. Rohammad Ali follows the same template: haters hate him, but he’s OK and is counting his money. Multiply this by 17, and here is the album. Despite this self-cannibalizing (lots of poets did that), Z-Ro with every new album sounds fresh and far from tired. The self-repeats just fuel him. Rohammad Ali has only one rap guest, and it’s Shaquille O’Neal whose rap career didn’t jump off in the 1990s. A lack of guests only proves that Z-Ro can self-sustain without support from the outside. The only thing from the outside he needs is hate.
Ray Garraty
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onestowatch · 4 years ago
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St. Panther Mourns With A Tinge of Savory-Sweet Hope on “These Days”
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During the darkest moments in life, hours seamlessly blend into days, days into weeks, and inevitably, weeks to months. When the weight of the world feels unbearable, a reminder to keep your head above water and just keep swimming is exactly what the doctor prescribed. A healthy dose of perseverance with a tinge of savory-sweet hope is exactly what artist, producer, singer, multi-instrumentalist and rapper, St. Panther intends to share in her latest single “These Days.”  
A jazz-infused, down-tempo ballad inspired by the sudden passing of a friend, she muses on moving forward in life from loss in a raspy, mesmerizing tone strikingly unique to her.  Accompanied by a band of live instruments including horns, organ, and strings, St. Panther ushers in a ceremonial procession of strength, encouraging us to find the will to keep “moving on.”  
The track was written entirely by St. Panther and co-produced with Nate Mercereau (Lizzo, Leon Brdges, Shawn Mendes). Together, the pair premiered the track on Grammy-winning producer, Ricky Reed's “Nice Live” series on YouTube. The song is accompanied by a visual intended to depict her mourning process. In her own words, St Panther describes the song,  
“'These Days' was written in memory of a friend lost suddenly to overdose on the night of his birthday September 24th, 2019. This song is my real-time experience with re-establishing a new relationship to life in the days following through the simple act of making it to the next day. Gathering more appreciation for life as the days kept moving, the video is an ode to the week following the news as I found my way through it at home. I hope it serves as a reminder to those listening that each day is precious, and that there are still so many chapters ahead that are worth living for.” 
“These Days” is released collaboratively by Ricky Reed's Nice Life Recording Company and Mercerau’s How So Records. Proceeded by single “Infrastructure,” which was featured on Season 4 of HBO’s Insecure, the Irvine-native continues to turn heads across the creative industries and media outlets including standout collaborations with Adidas Sound Labs, Pharrell’s Apple Music Beats 1 Radio Show OTHERtone and a special listening session of her music with Pusha T at ComplexCon. 
Check out the video for “These Days” below!  
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musichead84 · 5 years ago
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Seen as of 2019:
Festivals:
ACL - 2003, 2004, 2005, 2007, 2009, 2011, 2012, 2014, 2016, 2018
Bonnaroo - 2012, 2013
Coachella - 2010, 2014
Float Fest - 2014
Index Fest - 2013, 2014
Lollapalooza - 2006, 2009, 2011
Wakarusa - 2015
Fun Fun Fun Fest - 2014, 2015
35 Denton - 2016
Untapped Fort Worth Festival - 2016
Untapped Dallas Festival - 2016
Edgefest - 2017 (many more than this year’s…)
Old 97′s County Fair - 2018
A’s
Aerosmith (Dallas)
Afghan Whigs (Liberty Lunch, Antone’s, ACL 12, Coachella 14)
Alkaline Trio (Austin)
Aloha (Dallas)
Andrew Bird (Lolla 09)
All 4 One (Austin)
Animal Collective (Lolla 09)
Arcade Fire x3 (ACL 07, Lolla 06, Coachella 14)
Arctic Monkeys x 2 (Lolla 09, ACL, Edgefest 22)
Adair (Dallas)
American Eyes ( Dallas )
As I Lay Dying ( Dallas )
Atreyu ( Dallas )
Atoms for Peace  (Coachella 10)
Allison Moorer (Austin)
Aubra Mae (Dallas)
A Perfect Circle (Lolla 11, Verizon Theatre)
AfroJack (Lolla 11)
Atmosphere (Lolla 11)
Alton Brown (Chef - Frisco) - Barnes & Noble
AVICII (ACL 12)
Atlas Genius (Edgefest23)
Airborne Toxic Event (Edgefest23)
AWOLNation x2 (Edgefest23, EF2015)
Annie Clark (Dallas)
A Day to Remember (Edgefest 23)
Alt-J (Roo 13)
The Avett Brothers (Summer Cut 2)
Austra (Granada Theater)
Alice in Chains (Gexa Pavilion)
Antemasque (FFFfest 15)
Alvvays (FFFfest 15)
American Werewolves (Three Links - Dallas)
At the Drive In (Red7, Trees, Club Dada, Southside Ballroom)
Aaron Lewis (Billy Bob’s)
American Aquarium (The Statler Ballroom)
B’s
Badfish x 6 (Dallas, Wildflower Fest)
Beck x 3 (Dallas, Coachella 14, ACL 14)
Ben Harper x 2 (Lolla 09, Austin, Waka 2015)
Big Head Todd & the Monsters (ATX, House of Blues - Dallas)
Black Crowes (Dallas)
Blind Melon (Dallas)
Bloc Party (Lolla 06, Dallas)
Blood Brothers (dallas)
Blue October (Austin, Dallas)
Burden Brothers (Austin, Dallas)
Broke (Dallas)
Band of Horses (Lolla 09)
Bassnectar (Lolla09, ACL12)
Ben Folds (chicago)
Beach House (coachella10)
Ben Gibbard (dallas)
Bert Kreischer - (comedian) Addison Improv (2), Irvine Improv
Black Lips (Lolla 11)
Bruno Mars (Lolla 11)
Busy P (Lolla11)
Black Keys (Dallas, Edgefest, ACL12)
Bush (Edgefest23)
Bjork (Roo13)
Big Gigantic (BreakwayFest)
Bear Mountain (Dallas)
Born & Raised (Dallas)
Bastille (Coachella 14)
Bush (Edgefest, Toyota Music Factory)
Blackberry Smoke (ACL14)
Bouncing Souls (Dallas)
Broken Gold (Dallas)
Ben Howard (Dallas)
Blue, the misfit (Dallas)
Brutal Juice (Dallas)
Best Coast (Dallas)
Bully (Dallas)
Bobby Patterson (HG6)
Black Fire Pistol (HG6)
Belle & Sebastian (Summer Cut ‘15)
Broncho (FFFfest 15)
Big Freedia (FFFfest 15, The Bomb Factory)
Bottle Rockets  (2018 Old 97′s County Fair)
Bombay Bicycle Club (coachella 14)
Built to Spill (Granada Theater, Untapped 16)
Breaking Benjamin (Gexa)
Blink 182 (Edgefest 2017)
Brandi Carlile (ACL 2018)
Brock Hampton (ACL 2018)
Blood Orange (ACL 2018 Bowling for Soup (Wildflower Fest 2019)
C’s
Cage the Elephant (Coachella 10, Frisco, Lolla09/11, Edgefest 22, Coachella 14)
Christina Aguilera (Tx State Fair 1998)
Chevelle (Dallas, Ft Worth, Edgefest 2017)
Coal Chamber(killeen)
Coheed & Cambria (Austin, Coachella10, Lolla06, Dallas)
Cody Shaw & The Rhythm Boys (Hank’s)
ColdWarKids (Lolla06, ACL)
Common (Lolla09)
Cross Canadian Ragweed (austin)
The Confession
Collective Soul (dallas)
Carolyn Wonderland (austin)
The Cush (denton)
Cee-Lo Green (Lolla11)
Chico Trujillo (Lolla11)
City & Colour (Lolla11, Roo12, Dallas - Granada Theater)
The Chain Gang of 1974 (Lolla11, Dallas - Granada Theater)
Carina Round (Austin)
Charlie Murphy (Dallas - Addison Improv)
Christopher Titus (Dallas - Addison Improv)
Civil Twilight (Edgefest22)
Cake (Edgefest22)
Chris Lake (El Paso)
Capital Cities (Edgefest23)
Crizzly (BreakawayFest)
CHVRCHES (Dallas, Coachella 14, ACL 14)
Commotion  (Dallas)
Courtney Barnett (FFFFest 6)
Chance the Rapper (Waka15)
Carrie Brownstein (Dallas)
Craig Finn (Trees)
Chris Stapleton (Dallas, ACL 16)
Cheap Trick (FFFfest 15)
Chromeo (FFFfest 15)
Calvin Harris (Coachella 14)
The Cult (Toyota Music Factory)
Camila Cabello (ACL 2018)
D’s
Dead Sara (Edgefest22)
Damian Marley (Lolla11)
Death From Above 1979 (Lolla11)
Daughtry (addison,dallas,frisco)
Dashboard Confessional (ACL05)
Death Cab For Cutie (Lolla 06, EF 15)
Decemberists (Lolla 09, Dallas)
Deftones (Dallas, Lolla 11, Edgefest23, ACL 2018)
Devotchka (Dallas - HOB, Indexfest 2)
Delta Spirit (Lolla11)
Drive-by Truckers (dallas)
Destiny’s Child (Tx State Fair 1998)
Dredg (dallas)
Death in the Family (dallas)
Dead Weather (coachella10, ACL09)
Depeche Mode (chicago)
Dirty Heads x 3 (Austin - Stubb’s, Dallas, Waka15)
Dwight Yokam (Grand Prairie - Lonestar Park)
The Drums (Lolla11)
The DA (El Paso - Tricky Falls)
D'Angelo (Roo 12)
Deadmau5 (El Paso, Dallas)
Dim Locator (Hailey’s - Denton)
Danny Avila (BreakwayFest)
Dave Chappell (Dallas - Oddball Comedy Tour)
Dirty River Boys (McKinney - Hanks)
Dum Dum Girls (Fun Fun Fun Fest 6)
David Ramirez (Kessler Theater, Untapped 16)
Dark Rooms x 3 (Dallas, Denton)
Doug Benson (FFFfest 15)
Dag nasty (FFFfest 15)
Dillion Francis (Coachella 14)
Disturbed (Gexa)
DJ Sober (The Best of Big D 16)
Dalton Domino (The Statler Ballroom)
David Byrne (ACL 2018)
Dead Flowers (The Rustic)
The Doobie Brothers (Dallas)
E’s
The Expendables (austin)
Eminem (Lolla 11, ACL 14)
Explosions in the Sky (Lolla 11, Breakaway Fest)
Empire of the Sun (Breakway Fest)
El-P (indexfest2)
Erykah Badu (Dallas)
Eric Andre (FFFfest 15)
Esme Patterson (The Rustic)
Erika Wennerstron (2018 Old 97′s County Fair, The Rustic)
F’s
Finger Eleven (dallas)
Fleet Foxes (Lolla 09)
Foo Fighters (Dallas, Lolla 11)
Foster the People (Lolla 11, Coachella 14)
Frank Black (Austin)
Funeral for a Friend (Dallas)
For Felix (Dallas)
Franz Ferdinand (Austin)
Frank Turner (Dallas, Coachella 14)
Fuel (Mayflower Fest)
Friendly Fires (Lolla 11)
Flogging Molly (Lolla 11, Roo 12)
Fitz & the Tantrums (Lolla 11 - met them, HOB - Dallas - met them, Roo 12, Edgefest 23, Wildflower Fest 2019)
Foxy Shazam (Edgefest 22)
Florence & the Machines (ACL 12)
Frightened Rabbit (Dallas)
Flash Gordon (Edgefest 23)
Flight of the Concords (Dallas)
Fatboy Slim (Coachella 14)
Foxygen (Index Fest 3, Fun Fun Fun Fest 6)
First Aid Kit (Fun Fun Fun Fest 6)
Flying Lotus (Fun Fun Fun Fest 6)
FKA Twigs (Trees - Dallas)
Future Islands (Index Fest 3, FFFFest15)
Fantastic Negrito (Summer Cut '15)
FRONTERA BUGALÚ - Gas Monkey
Father John Misty (Dallas)
G’s
The Gaslight Anthem x 3 (Lolla06,Edgefest23,Dallas)
Gin Blossoms (Addison, Wildflower Fest 2018)
Gnarls Barkley x 2 (Lolla06,dallas)
Gomez (Lolla 09)
Gossip (coachella10)
Greeley Estates (dallas)
The Gourds (austin)
Goo Goo Dolls (Dallas / Wildflower Fest 2018)
Grace Potter & the Nocturnals x 2 (lolla11, Summer Cut 2)
Grouplove (Lolla 11, Stubb’s, Roo 12, Coachella 14)
Garbage (Edgefest 22)
Girl Talk x 3 (indexfest 2, Fun Fun Fun Fest 6, EF 15)
The Growlers (Waka 15)
Glass Animals (Waka 15)
Galactic (Waka 15)
Gogol Bordello (FFFfest 15, Untapped Dallas 16)
Grimes (FFFfest 15)
Greg Dulli (Kessler Theater Dallas)
Grupo Fantasma (Untapped 16)
Glorietta (Kessler - Dallas)
The Guess Who (Wildflower Fest 2019)
H’s
Heartless Bastards x 11 (Austin, Lolla 09, Dallas, Denton - met twice, smoked with Jesse, and took pics with them)
Hole (Edgefest)
Hockey (Coachella 10)
The Hope Trust x 2 (Dallas, Denton)
The Holler Time (Denton)
Haim (Roo13)
Harland Williams (Comedian - Addison Improv)
Hozier (EF15)
Hayes Carll (Untapped 16)
I’s
Incubus (x3)(dallas)
Interpol (dallas)
DJ Irene (killeen)
Ishi (Dallas)
Israel Nash (Summer Cut '15)
I’m With Her (Ryman Auditorium)
J’s
Jay-Z (Coachella 10)
Jane’s Addiction (Lolla09,Dallas)
Jeff Klein (austin)
Jim Ward (Austin, Dallas, Fort Worth)
Jimmy Eat World (Dallas, Wildflower Fest 2018)
Johnny Cooper (Mckinney - Hank’s)
John Hiatt (Stubbs, HOB Dallas)
Jerry Lee Lewis (Richardson - Wildflower Fest 11)
Jim Jefferies x 3 (Comedian - Dallas)
Jim Breuer (Comedian - Dallas)
Jarrod Gorbel (Dallas)
James Vandervelde (austin)
Jack White (ACL12)
Japandroid (Roo13)
Jack Johnson (Roo13)
Juicy J (BreakwayFest)
Jenny Lewis (Dallas)
J Mascis (Fun Fun Fun Fest 6)
Jessica Lea Mayfield (Dallas)
Jack Kerowax (Dallas)
Jamie xx (GvB V)
Joey Bada$$ (FFFfest 15)
Jason Isbell (Southside Ballroom Dallas, Dallas)
Jason Aldean (Gexa Energy Pavilion)
Jaime Wyatt (2018 Old 97′s County Fair)
Jibe (Gas Monkey Live!)
Justice (ACL 2018)
Judah & The Lion (Wildflower Fest 2019)
Jason Bonham (Toyota Music Pavilion)
K’s
Kansas (Norfolk, VA - my very first concert!)
KISS (Frisco)
Kaskade (Lolla 09)
Killers x 2 (Austin, Dallas)
Kings of Leon x 3 (Lolla 09, Dallas)
Kid Cudi (Lolla 11, Coachella 14)
Killer Mike (indexfest2)
Kevin Devine (Dallas - Rustic)
Kopecky (Waka 15)Kaela Sinclair (Dallas)
Kurt Vile (Red Rocks Amphitheater)
Kacey Musgraves (ACL 16)
Kaleo (Untapped Dallas 16)
K-Flay (Dos Equis Pavilion)
Khalid (ACL 2018)
L’s
The Lusitania (Austin)
Lennon (killeen)
LCD Soundsystem (Coachella 10, ACL 16, The Bomb Factory)
Local Natives (Coachella10, Lolla11, Roo13, ACL 16)
Los Lonely Boys (Austin)
The Lumineers (ACL12, Dallas)
Lil Twist (BreakwayFest)
Lower Dens (GvB V, Club Dada Dallas)
L-P (Index Fest 2)
Lindi Ortega (Denton)
Lucero (Southside Ballroom, The Rusticx3)
L7 (FFFfest 15, Granada Theater Dallas)
Le Bucherettes (Dallas)
Lord Huron  (2018 Old 97′s County Fair)
Lifehouse (Wildflower Fest 2018)
Lukas Nelson (The Rustic)
M’s
MC Flipside (2001 - Killeen)
MGMT (coachella 10, coachella 14)
mewithoutYou (dallas)
Modest Mouse (ACL 05, Dallas, Fun Fun Fun Fest 6, Edgefest '15)
Metric (Lolla11,Edgefest11,ACL12)
Muse (dallas,Edgefest10,Lolla11)
My Morning Jacket (austin)
Millionaire (dallas)
Matisyahu (Lolla06, Dallas)(Met outside of Granada Theater, have autograph)
Manchester Orchestra (Lolla 09/11, Dallas - Rustic, ACL 2018)
Mogwai (Lolla 11)
Mexicans At Night (El Paso - Tricky Falls)
M83 (ACL 12)
Major Lazer (Roo 12, ACL 14, Waka 15)
Mariachi El Bronx (Roo 12)
Matt&Kim (Summer Cut 2, Roo 13, BreakwayFest '13)
MsMr (Dallas - HOB, Coachella 14)
Midlake (Dallas)
Macy Gray (Waka 15)
Ms. Lauryn Hill (FFFfest 15)
Midnight Stroll (Trees Dallas)
Miike Snow (ACL 16)
Mumford & Sons (ACL 16)
Marilyn Manson (Dos Equis Pavilion)
The Mavericks  (2018 Old 97′s County Fair)
Mad Mexicans (Gas Monkey Live!)
Metallica (ACL 18)
Margo Price (The Rustic)
Mipso (Ryman Auditorium)
N’s
Nas (Lolla11, Roo13)
The Naked & Famous (Lolla 11, dallas)
The National (Dallas - HOB, Southside Ballroom, Roo 13, ACL 18)
Neko Case (Lolla 09)
North Mississippi Allstars (Austin - Stubb’s)
Neon Trees (Edgefest 22, Wildflower Fest 2019)
Neil Young & Crazy Horse (ACL 12)
The Neighbourhood (Edgefest 23)
Nahko & Medicine for the People (Waka 15)
New Politics (Edgefest 15)
Neon Indian (FFFfest 15)
NOFX (FFFfest 15)
The Nixons (Edgefest 2017)
NIN (Las Vegas - The Joint x2)
NALGADAS - Gas Monkey
Nelly (ACL 2018)
O’s
Old 97’s (Austin, HG6, 2018 Old 97′s County Fair)
Owen Pallett (Dallas)
Of Monsters & Men (Roo 13)
Other Lives (Dallas)
The Offspring (Edgefest 2017)
Oil Boom (HG6)
Olivia Chaney (Dallas)
ODESZA (FFFfest 15, ACL 2018, Dallas)
Orville Peck (Southside Ballroom)
P’s
Paul Green’s School of Rock All-Stars – Austin, TX
Pavement (Dallas)
Portugal. The Man (Coachella 10, Lolla 11, Roo 13, Dallas - Granada Theater)
Paramore (Dallas, Edgefest 23)
Pearl Jam (ACL 09/14, Dallas - AAC)
Pepper (Dallas - Granada Theater)
Pixies (ACL 2005)
Placebo (Edgefest)
Pelican (Edgefest)
Phoenix (Coachella 10, Edgefest 21, Edgefest 23)
Passion Pit (coachella 10, dallas)
Pat Green (frisco)
Pretty Lights (Lolla11)
Puscifer (Austin - Long Center, Bonnaroo 2012)
Phish (Bonnaroo 2012 )
Pauly Shore (Edgefest 23)
Purity Ring (Roo13)
Paul McCartney (Roo13)
Phantogram (ACL14)
Paws (Dallas)
Parquet Courts (FFFfest 15)
Peaches (FFFfest 15)
Patricio (Coachella 14)
Pete Yorn (ACL 16)
Prayers (Verizon Theatre)
Paul Cauthen  (2018 Old 97′s County Fair)
Peter Frampton (Toyota Music Factory)
Q’s
Queens of the Stone Age (ACL, Dallas)
?uestlove (Roo12)
The Quaker City Night Hawks x 2 (Dallas)
Quintron & Miss Pussy Cat (Dallas)
R’s
Ratatat (Lolla 11)
Rancid (Dallas - Gypsy Ballroom)
Red Hot Chili Peppers (Lolla 06, Dallas - AAC, Roo 12)
Rilo Kiley (Dallas)
Rise Against (Dallas)
The Receiving End of Sirens (Dallas)
The Record Hop (Denton)
Ramesh (Dallas)
The Roots (Roo 12, ACL 12, Waka 15)
Radiohead (Roo 12, Lolla 11)
Rodrigo & Gabriela & C.U.B.A. (Roo 12)
Robert Delong (Edgefest 23)
Ra Ra Riot (BreakwayFest)
The Replacements (with Billy Jo Armstrong @ Coachella14, ACL14)
Riothorse Royale (Dallas)
Roosevelt (FFFfest 15)
Ride (FFFfest 15)
Robert Plant (Bomb Factory Dallas)
Ryan Adams (Red Rocks Amphitheater, The Pavilion - Irving)
Roger Waters (American Airlines Center)
S’s
Street Sweeper Social Club (Coachella 10)
She & Him (Coachella 10)
Santigold (Lolla 09)
Say Anything (Edgefest)
Seven Mary Three x 11 (Dallas, Waco, Wildflower Fest - have Giti’s autograph)
Silverchair (How the Edge Stole Xmas)
Silversun Pickups (Lolla 09, Dallas)
Sleepercar (Austin, Dallas, Fort Worth)
Snoop Dogg (Lolla 09)
Sparta x 15 (Mohawk, Austin, Lolla 09, Dallas, Tricky Falls, Barracuda, Gas Monkey)
Spoon x 4 (Austin, ACL 14, HOB Dallas, HG 6, Wildflower Fest 18)
Staind (Dallas)
Steve Earle (ACL 07, Dallas, ACL 12)
STP (austin, Edgefest, Toyota Music Factory)
Silverstein (Dallas)
Santigold (Lolla 09)
The Smashup (Dallas)
Story of the Year (Dallas)
Street Drum Corps (Dallas)
Sublime w/ Rome (Dallas)
Switchfoot x 3 (Dallas, Edgefest 22, Wildflower Fest 2018)
Skrillex (Lolla 11, ACL 12, Roo 12)
Sarah Jaffe x 4 (Indexfest 2, Dallas, Summer Cut '15)
Shaky Graves (Dallas - Granada Theater, Kessler Theater, HG6, ACL 2018)
Sam Lao (Dallas)
STS9 (Waka15)
Slightly Stoopid (Waka 15)
Sphynx (HG6)
Sealion (HG6)
Saul Williams (Dallas - Club Dada)
Sons of Illustrious Father (Dallas - Club Dada)
Social Distortion (HOB Houston)
Slow Magic (FFF fest 15)
Stoney Larue (Billy Bob’s Texas)
Slipknot (Dos Equis Pavilion)
Shovels & Rope (South Side Music Hall 2016)
Sweater Beats (Coachella 14)
Sylvan Esso (ACL 18)
Santana (Dallas)
T’s
Tegan & Sara (ACL 12)
Taking Back Sunday x 4 (Dallas)
Thursday (Dallas)
Tito & The Tarantulas (Austin)
Toadies x 13 (Austin, Dallas)
Tool (Lolla 09, Dallas - AAC, Grand Prairie - Nokia)
Them Crooked Vultures (Coachella 10)
Tragically Hip x 4 (Austin - Stubb’s, Dallas - HOB)
Trish Murphy (ACL 05)
TV on the Radio (Lolla 09, Dallas, Untapped Dallas 16)
Thrice (Dallas)
The Heist (Dallas)
Twilight Singers (Dallas - Gypsy Tea Room & Granada Theater 2011)
Three Days Grace (Dallas)
Two Door Cinema Club (Lolla 11, ACL 12, Roo 12)
The Tings Tings (Edgefest22)
The Temper Trap (Lolla 11, Roo 12)
Twenty-One Pilots (Edgefest23)
The TonTons (Dallas - Trees)
Tame Impala (Dallas - Southside Ballroom)
Tinariwen (Fun Fun Fun Fest 6)
Tei Shi (GvB V)
Toro y Moi (FFFfest 15)
Tanlines (Trees Dallas)
Thomas Rhett (Gexa Energy Pavilion)
Travis Scott (ACL 2018)
Texas Gentlemen (Kessler - Dallas)
U’s
Uh Huh Her (Dallas)
Unknown Mortal Orchestra (Club Dada Dallas)
V’s
Van Halen (Dallas)
Vampire Weekend (Lolla 09)
Viet Cong (FFF fest 15)
Vaadat Charigim (35 Denton 2016)
Valerie June  (2018 Old 97′s County Fair)
W’s
White Lies (Lolla 11)
White Rabbit x 2 (Dallas)
Warpaint x 2 (Dallas - Granada Theater, index fest 2)
Wailers x 4 (Dallas, Wildflower Festival)
Weezer (Dallas)
Wilco (Austin)
Wintersleep x 3 (Austin, Dallas - Trees (pic with them))
Walking the Moon (Dallas)
White Arrows (Dallas)
Walk the Moon (Roo 13, Dos Equis Pavilion)
Wu-Tang Clan (Breakaway Fest)
Wiz Khalifa (Fun Fun Fun Fest 6)
War On Drugs (Granada Theater)
White Denim (Index Fest 3)
We Are Scientists (Club Dada Dallas)
Wrestlers (Trees Dallas)
Wussy (Three Links - Dallas)
V’s
Vaadat Charigim (35 Denton 2016)
X’s
The xx - x 4 (Coachella 10, Dallas x 2, Roo 13)
Y’s
Yeah Yeah Yeah’s x 2 (Lolla 09, Dallas)
Young the Giant x 3 (Lolla 11, Dallas, Austin, Waka 15)
Yumi Zouma (GvB V)
Z’s
Zola Jesus (Dallas - Granada Theater)
ZZ Top (Roo 13)
Zobc (Coachella 14)
The Zolas (Dallas)
#’s
311 (Dallas, Edgefest 2017)
30 Seconds to Mars (Dallas, Edgefest, Dos Equis Pavilion)
18 notes · View notes
tasksweekly · 5 years ago
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[TASK 168: DOMINICA]
There’s a masterlist below compiled of over 140+ Dominiquais faceclaims categorised by gender with their occupation and ethnicity denoted if there was a reliable source. If you want an extra challenge use random.org to pick a random number! Of course everything listed below are just suggestions and you can pick whichever faceclaim or whichever project you desire.
Any questions can be sent here and all tutorials have been linked below the cut for ease of access! REMEMBER to tag your resources with #TASKSWEEKLY and we will reblog them onto the main! This task can be tagged with whatever you want but if you want us to see it please be sure that our tag is the first five tags, @ mention us or send us a messaging linking us to your post!
THE TASK - scroll down for FC’s!
STEP 1: Decide on a FC you wish to create resources for! You can always do more than one but who are you starting with? There are links to masterlists you can use in order to find them and if you want help, just send us a message and we can pick one for you at random!
STEP 2: Pick what you want to create! You can obviously do more than one thing, but what do you want to start off with? Screencaps, RP icons, GIF packs, masterlists, PNG’s, fancasts, alternative FC’s - LITERALLY anything you desire!
STEP 3: Look back on tasks that we have created previously for tutorials on the thing you are creating unless you have whatever it is you are doing mastered - then of course feel free to just get on and do it. :)
STEP 4: Upload and tag with #TASKSWEEKLY! If you didn’t use your own screencaps/images make sure to credit where you got them from as we will not reblog packs which do not credit caps or original gifs from the original maker.
THINGS YOU CAN MAKE FOR THIS TASK -  examples are linked!
Stumped for ideas? Maybe make a masterlist or graphic of your favourite faceclaims. A masterlist of names. Plot ideas or screencaps from a music video preformed by an artist. Masterlist of quotes and lyrics that can be used for starters, thread titles or tags. Guides on culture and customs.
Screencaps
RP icons [of all sizes]
Gif Pack [maybe gif icons if you wish]
PNG packs
Manips
Dash Icons
Character Aesthetics
PSD’s
XCF’s
Graphic Templates - can be chara header, promo, border or background PSD’s!
FC Masterlists - underused, with resources, without resources!
FC Help - could be related, family templates, alternatives.
Written Guides.
and whatever else you can think of / make!
MASTERLIST!
F:
Moira Stuart (1949) Afro-Dominiquais / Afro-Barbadian - tv presenter and radio presenter.
Ophelia Marie (1951) Afro-Dominiquais - singer. 
Aunty Pearle / Pearle Christian (1955) Afro-Dominiquais - music educator, composer, choral music director.
Trisha Goddard (1957) Afro-Dominiquais / Unspecified Black, English - actress and tv host.
Alphonsia Emmanuel (1961) Afro-Dominiquais - actress.
Gabrielle / Louisa Gabrielle Bobbs (1969) Afro-Dominiquais - singer-songwriter.
Diane Parish (1969) Afro-Dominiquais - actress.
Ardis Fagerholm (1971) Afro-Dominiquais - singer-songwriter.
Petra Letang (1979) Afro-Dominiquais - actress.
Ayesha Antoine (1981) Afro-Dominiquais, Welsh, English - actress.
Valenzia Algarin (1981) Dominiquais [Unspecified Multiracial] / Puerto Rican [Unspecified Multiracial] - actress.
Simone Bannis (1985 or 1986) Afro-Dominiquais - model.
Miss Tipper / Dominique Tipper (1988) Afro-Dominiquais / English - actress, singer-songwriter, and dancer.
Nathalie Emmanuel (1989) Afro-Dominiquais, English / Afro-Saint Lucian, English - actress.
Ifrika-Caramel Qween Phillip (1989 or 1990) Afro-Dominiquais - model.
Nicole Morson (1990 or 1991) Afro-Dominiquais - model (instagram: nicole_morson).
Jade Shari Romain (1991) Afro-Dominiquais - model and Miss Dominica 2017.
Saryta Akpa (1991 or 1992) Dominiquais [Ivorian] - model.
Lynah Bontiff (1992) Afro-Dominiquais - model.
Tasia Floissac (1993 or 1994) Afro-Dominiquais - model and Miss Dominica 2016.
Fubara Pukka (1994 or 1995) Afro-Dominiquais - model.
Chantel Buckmire (1997 or 1998) Dominiquais [Afro-Dominiquais, Unspecified Other] - model.
Marisol John (1998 or 1999) Afro-Dominiquais - model and Miss Dominica 2019.
Kianne Bastien / Kianne Neesa Bastien (1998 or 1999) Afro-Dominiquais - model.
Martha Sablon (2000 or 2001) Dominiquais [Afro-Dominiquais, Unspecified Pacific Islander, Possibly Other] - model.
Ngozi Paul (?) Afro-Dominiquais / Afro-Kittitian, Afro-Nevisian - actress, director, producer, and writer.
Kim Roberts (?) Dominiquais Creole / Afro-Jamaican - actress.
Ekeobong Utibe (?) Afro-Dominiquais - actress. 
LaDana Drigo (?) Afro-Dominiquais - actress. 
Wyatt Bardouille (?) Dominiquais - actress, director, and producer.
Disnie Sebastien (?) Afro-Dominiquais - actress, editor, and producer. 
Pamela O'Hare (?) Dominiquais / Unknown - actress. 
Odessa Elie (?) Afro-Dominiquais - model and Miss Dominica 2015.
Francine Baron (?) Afro-Dominiquais - model and Miss Dominica 2014.
Leslassa Armour-Shillingford (?) Afro-Dominiquais - model and Miss Dominica 2013.
Mel (?) Afro-Dominiquais - singer and model (instagram: melchiimera).
Gianna (?) Afro-Dominiquais - instagrammer (gia.renae).
Nerrisa Nicholls (?) Afro-Dominiquais - model (instagram: melanin_body).
F - Athletes:
Hermin Joseph (1964) Dominiquais - sprinter.
Angelica di Silvestri (1965) Dominiquais [Italian] - skier.
Doris Francis (1969) Dominiquais - cricketer.
Dawn Williams (1973) Dominiquais - middle-distance runner.
Francilla Agar (1975) Dominiquais - swimmer.
Marcia Daniel (1977) Dominiquais - sprinter.
Karina LeBlanc (1980) Afro-Dominiquais / Afro-Jamaican - footballer.
Pearl Etienne (1982) Dominiquais - cricketer.
Marie-Lyne Joseph (1982) Afro-Dominiquais, Afro-Guadeloupean - middle-distance runner.
Thea LaFond (1994) Afro-Dominiquais - triple jumper.
Luan Gabriel (1996) Afro-Dominiquais - sprinter.
Donisha Xavier (1997) Afro-Dominiquais - footballer.
Jayde Riviere (2001) Afro-Dominiquais / Hong Kongese - footballer.
M:
Tony Butler (1957) Afro-Dominiquais - singer and bassist.
Danny John-Jules (1960) Afro-Dominiquais - actor, singer, and dancer.
Howard Antony (1963) Afro-Dominiquais - actor.
Eddie Nestor (1964) Afro-Dominiquais - actor, tv presenter, comedian, and radio presenter.
Marlon Roudette (1983) Afro-Dominiquais, Afro-Trinidadian, English / Scottish, English - rapper-songwriter, singer, guitarist, keyboardist, and drummer.
Edwin Hodge (1985) Afro-Dominiquais, Afro-Virgin Islander, African-American - actor.
Bashy / Ashley Thomas (1985) Afro-Dominiquais / Afro-Jamaican - actor and rapper-songwriter.
Dwain Murphy (1985) Afro-Dominiquais - actor.
Aldis Hodge (1986) Afro-Dominiquais, Afro-Virgin Islander, African-American - actor.
Jason Forbes (1990) Afro-Dominiquais, Afro-Jamaican - actor, comedian, and writer.
Kojo Funds / Errol Bellot (1995) Afro-Dominiquais / Ghanaian - rapper-songwriter and singer.
Jem Henry / Jemuel Henry (1998 or 1999) Afro-Dominiquais - model.
Kent Sutton (?) Afro-Dominiquais - director. 
DJ Dextrous / Dextrous / Dex / Errol Francis (?) Afro-Dominiquais - DJ, bassist, drummer, producer, and composer.
Nasio / Nasio Fontaine (?) Dominiquais [Kalinago / Afro-Dominiquais] - singer. 
David Jno Baptiste / Ras Jumbo (?) Afro Dominiquais - guitarist. 
Lazo / Lazarus J. Finn (?) Afro-Dominiquais - musician.  
Brother Matthew Luke (?) Afro-Dominiquais - reggae artist.  
The Wizzard / Merlin St. Hilaire (?) Afro-Dominiquais - musician.
JunoSuede (?) Afro-Dominiquais - youtuber.
ColtonT (?) Afro-Dominiquais - musician (instagram: coltontmusic).
Louis VI (?) Afro-Dominiquais, English - musician (instagram: itslouisvi).
O Banga (?) Afro-Dominiquais - musician (instagram: obangamuzik).
M - Athletes:
Irvine Shillingford (1944) Afro-Dominiquais - cricketer. 
Norbert Phillip (1948) Afro-Dominiquais - cricketer. 
David Defoe (1949) Afro-Dominiquais - cricketer. 
Derek Abraham (1953) Afro-Dominiquais - cricketer. 
Lockhart Sebastien (1955) Afro-Dominiquais - cricketer. 
Joe Cooke (1955) Afro-Dominiquais - footballer. 
Thomas Kentish (1957) Afro-Dominiquais - cricketer. 
Vince Hilaire (1959) Afro-Dominiquais - footballer.
Martin Jean-Jacques (1960) Afro-Dominiquais - cricketer. 
True Brit / Frank Bruno (1961) Afro-Dominiquais / Afro-Jamaican - boxer.
Paul Canoville (1962) Afro-Dominiquais / Afro-Anguillian - footballer.
Larry Miller (1963) Dominiquais - sprinter.
Roy Marshall (1965) Afro-Dominiquais - cricketer. 
Woodrow Lawrence (1966) Afro-Dominiquais - swimmer.
Phillip DeFreitas (1966) Afro-Dominiquais - cricketer. 
Liburd Henry (1967) Afro-Dominiquais - footballer. 
Cedric Harris (1967) Afro-Dominiquais - middle-distance runner. 
Royston Trocard (1967) Afro-Dominiquais - cricketer. 
Darwin Telemaque (1968) Afro-Dominiquais - cricketer. 
Phillip DeFreitas (1966) Afro-Dominiquais - cricketer. 
Steve Agar (1968) Dominiquais [Afro-Dominiquais, Unspecified White, Possibly Other] - track and field athlete.
Jérôme Romain (1971) Afro-Dominiquais - track and field athlete.
Garth Joseph (1973) Afro-Dominiquais - basketball player. 
Euclid Bertrand (1974) Afro-Dominiquais - footballer. 
Adam Sanford (1975) Dominiquais [Kalinago, Afro-Dominiquais, Possibly Other] - cricketer.
Balty Watt (1975) Afro-Dominiquais - cricketer.
Raymond Casimir (1976) Afro-Dominiquais - cricketer.
Wayne Phillip (1977) Afro-Dominiquais - cricketer.
Sherwin James (1978) Afro-Dominiquais - track and field athlete.
Kirsten Casimir (1978) Afro-Dominiquais - cricketer. 
Jefferson Louis (1979) Afro-Dominiquais - footballer. 
Chris Lloyd (1980) Afro-Dominiquais - sprinter. 
Kenneth Maronie (1980) Afro-Dominiquais - swimmer.
Dorian Auguiste (1980) Afro-Dominiquais - cricketer. 
Rasheed Bertrand (1982) Afro-Dominiquais - footballer. 
Jermain Defoe (1982) Afro-Dominiquais / Afro-Saint Lucian - footballer.
Randolph Peltier (1982) Afro-Dominiquais - footballer. 
Fabian Florant (1983) Afro-Dominiquais - triple jumper. 
Shane Shillingford (1983) Afro-Dominiquais - cricketer. 
Richard Pacquette (1983) Afro-Dominiquais - footballer. 
Darius Defoe (1984) Afro-Dominiquais - basketball player.
Liam Sebastien (1984) Afro-Dominiquais - cricketer. 
Paul Victor (1984) Afro-Dominiquais - footballer. 
Erison Hurtault (1984) Afro-Dominiquais - sprinter. 
Mervin Matthew (1985) Afro-Dominiquais - cricketer. 
Jean Paul (1985) Afro-Dominiquais - cricketer. 
Ryan Edgar (1986) Afro-Dominiquais - footballer. 
Chad Bertrand (1986) Afro-Dominiquais - footballer. 
Joel Etienne-Clark (1986) Dominiquais [Afro-Dominiquais, English, Possibly Other] - footballer. 
Daniel Francis (1986) Afro-Dominiquais - footballer. 
Liam Fontaine (1986) Dominiquais - footballer.
Glenson Prince (1987) Afro-Dominiquais - footballer. 
Yordanys Durañona (1988) Afro-Dominiquais - triple jumper. 
David Registe (1988) Afro-Dominiquais - long jumper.
Glensworth Elizee (1989) Afro-Dominiquais - footballer.
Kieran Agard (1989) Afro-Dominiquais, Afro-Vincentian, Afro-Jamaican - footballer.
Tyrone Theophile (1989) Afro-Dominiquais - cricketer.
Jay Emmanuel-Thomas (1990) Afro-Dominiquais / Afro-Saint Lucian - footballer.
Anthony Edgar (1990) Afro-Dominiquais - footballer.
Julian Wade (1990) Afro-Dominiquais - footballer.
Kiernan Hughes-Mason (1991) Afro-Dominiquais, Afro-Grenadian, Afro-Antiguan, Afro-Barbudan - footballer.
Jerlani Robinson (1993) Afro-Dominiquais - cricketer. 
Manjrekar James (1993) Afro-Dominiquais - footballer.
Kavem Hodge (1993) Afro-Dominiquais - cricketer. 
Travist Joseph (1994) Afro-Dominiquais - footballer.
Briel Thomas (1994) Afro-Dominiquais - footballer.
Anfernee Frederick (1996) Afro-Dominiquais - footballer. 
Andrez Joseph (1998) Afro-Dominiquais - footballer
Alick Athanaze (1998) Afro-Dominiquais - cricketer.
Problematic:
21 Sa**ge / Shéyaa Bin Abraham-Joseph (1992) Afro-Dominiquais, Afro-Haitian, Afro-Saint Vincentian - rapper-songwriter and producer. - His stage name involves an anti-native slur despite not being native, in his song ASMR he had anti-semitic lyrics, and made tweets supporting rape culture.
10 notes · View notes