#India-China stand off

[phoenix-creates]

Genshin Impact, Both the Game and the Community, Cannot Hide Their Colorism or Racism Anymore

This is going to be a long read. I refuse to stay silent.

I've played Genshin Impact on and off since 2021 when I was first introduced to it. I drew fanart but rarely participated in the fandom, as Genshin has one of the most toxic and racist fandoms that takes pleasure in driving off content creators of color, perpetuating racism within the communities, as well as harassing and threatening people who dare try to speak out about it. But, for as racist as the fandom is, what can I expect from them considering Hoyoverse as a whole has it's own set of racial problems.

It is clear from the release of Sumeru to the recent teasers of Natlan. Hoyoverse has colorism problems and racism problems and we're going to take a look at them here.

Before we begin, I want to take a moment to say that there will be a lot of information presented in this post. I ask that you read carefully and be considerate of every talking point presented.

Now, let's talk about Sumeru.

Sumeru, the fourth region released in Genshin Impact, draws a lot of real world inspiration from Middle Eastern culture, with even the geography mimicking the real world geography of China and India. The characters, music, food, and geography all draw inspiration from various different real world cultures, and just from a few glances, it is easy to see exactly where and what cultures they’re taking from.

Candace for instance, from name to appearance, draws inspiration from kandakes, which was the title of a queen mother in Nubian kingdoms. Even her accessories, her talents, and her weapon take pieces from other aspects of Egyptian culture.

Cyno, another character from Sumeru, is dressed in garb that mimics depictions of Anubis, the ancient Egyptian God of funerary rites and protector of graves. As with Candace, his talents and abilities reference Egypt.

Even Sethos, a newcomer to the game and also a Sumeru character, has clothes, skills, and a name that alludes to either the Egyptian God Set, the god of the desert and storms, the Egyptian pantheon in general, or the Ancient Egyptian King Seti/Sethos.

These three characters are tanned, anyone can see that, but if you take a closer look you'll notice that they're all around the same shade. Considering all three of them take inspiration from real world Egyptian culture, it is insane to me that they're all a similar shade of the same slightly tanned tone. It is unacceptable that they're all a shade or two away from white when all of them has some aspect of Egyptian culture in their character.

To further shed light on Sumeru's racist sins, there exists a long standing conflict in Sumeru regarding The Eremites, a race of people descended from the ancient, now-collapsed civilization who primarily live in the desert. These people are the enemies in the game. You read that right. The desert dwellers are the enemies and not only that, but unlike the treasure hoarders who disappear into smoke when defeated, the Eremites collapse to the ground like the Fatui.

Why do the Treasure Hoarders, a band of pale skinned thieves, get away but the Eremites, treated as if their culture is lesser, presumably die?

Worse than that, there is a long quest in Sumeru where a white academic from Sumeru spends nearly the entire length of the quest insulting an Eremite. The quest I'm referring to, Golden Slumber, is a multi part quest that has the Traveler accompanying a researcher named Tirzad who is exploring the ruins in the deserts of Sumeru. Throughout the quest, Tirzad spends most of his time complaining and insulting Jeht and Jebrael, calling the latter an uneducated brute whenever Jebrael tries to do anything. And the Traveler is no help, with dialogue options remaining neutral instead of rightfully telling Tirzad to stop.

What we have here is a white man stereotyping a man of color and assuming things about himself and his race due to his own racist biases.

Many players have called out the racism in Tirzad’s actions and this quest overall, but Tirzad at multiple times fails to see the error of his ways and leads the group into life threatening situations simply because he can’t believe an “uneducated desert brute” could possibly know more than him.

I could sit here and pick apart more aspects of Sumeru and it's failures to properly represent the culture it's using, but I want to get into the inciting incident of this entire post, which is Natlan.

When the teaser for Natlan was released, it was just another failure on Hoyoverse's part. To understand why, we can break it down into parts, starting with the character leaks:

Mavuika, presumably the pyro archon, with a name inspired by Māori fire deity Mahuika.

Ororon, a mispelling of the Yoruba god Ọlọrun, the creator deity in the Yoruban pantheon.

Kinich, named after the Mayan god of the sun.

Iansan, another character whose name comes from the Yoruba pantheon.

Xilonen, this name coming from one of the aspects of the Aztec goddess of maize and the goddess of sustenance.

Kachina, name inspiration directly lifted from the religious beliefs of the indigenous Pueblos people.

Chasca, name coming from the Incan goddess of dawn and twilight.

Citlali, a name derived from Nahuatl, which is a language from ancient Mexico.

Are you seeing something interesting with these characters?

Hoyoverse has shoved multiple different cultures under one region and whitewashed every character. They did the bare bones work of lifting names and small design inspirations from so many different cultures and using them in the laziest way possible. If not pale white, the few characters who are tanned are a mere shade darker than Cyno and almost the same shade as Kaeya. There is nothing darker in sight with any of these characters.

Cultural representation matters. If Hoyoverse can explore the cultures of Germany (Mondstadt), China (Liyue), Japan (Inazuma), and France (Fontaine), it is insane that the same sort of love couldn't be given to both Sumeru and Natlan, both nations where we should rightfully be seeing more people of color.

(Side note, we should be seeing more people of color in the previous regions as well, even as NPCs. Bi-racial people exist all over the world, not just in America. Quick google searches will show what I mean.)

I can already hear the arguments against me.

"But Hoyoverse is an East Asian company! They don't need to/don't care about representation!"

Oh really? Because Lilithgames, the company behind Dislyte, is a company based in Shanghai, China. And when you compare the variety of skin tones of Dislyte to Genshin, you cannot make the argument that a company based in Asia doesn't care about diversity. Hoyoverse does not seem to care, but don't make it a blanket statement for all companies.

Still not convinced? Bluepoch, a small Chinese company behind Reverse:1999, is responsible for this character:

Smite, a game published by Hi-Rez Studios and Tencent Games (A Chinese publisher), has a character based on Olorun. And they did just fine in their depiction of him:

And the director behind Tekken 7, Katsuhiro Harad, shared concept art of an Arab fighter they want to add to the game. Why? Because he wanted to make sure he was respecting Middle Eastern culture and asked for feedback to see what can be improved. He posted this concept art and asked the community for input to make Shaheen as accurate as possible:

But sure. Asian companies don't care.

"It's a fantasy world! It doesn't have to 1-to-1 mimic the real world!"

Oh really? So why are characters named after real world cultural figures, why is the food based around real world food, why are outfits somewhat inspired by real world garbs then? If you're gonna draw inspiration from something and use the real world in your game, the world is a diverse place. It is not all white nor all slightly tanned.

"You can always stop playing the game."

I could, but that would mean letting them win and get away with their racism. It would mean letting Hoyoverse think this is the norm instead of the outlier. It would mean staying silent during injustice. I can do a lot of things, and exposing their issues is one of them.

"It could be difficult for them to implement dark-skinned characters."

It actually is not. Look at all the examples from other games and companies discussed previously. It's not hard. Plus, take a look at Wriothesley's concept art:

Originally, he had a different skin tone. So characters with different tones existed but got lightened and changed over time.

"I don't want [insert race here] in my fantasy game/it doesn't matter!"

Honey, you're just racist.

"Wow, I get it now. This is bad. What can I do to help?"

There are several ways:

Use Surveys and Feedback when you log into Hoyoverse games. This problem extends past Genshin, into HSR and ZZZ (a game whose ads promote itself with rap music and yet noticeably lack playable dark skinned characters so far). Use the platforms that they gave us in order to spread the word. Tell them that you're dissatisfied with the cultural appropriation and disappointed in Hoyoverse for taking certain cultures and whitewashing them. Email genshin_cs@hoyoverse.com if the feedback buttons aren't working for some reason.

Stop putting money into the game. A lot of companies listen when there's monetary loss involved. Show them that you mean business and stop supporting their business. You can also leave a one star and a review with your thoughts on their cultural appropriation.

Amplify the voices of those speaking out. There are plenty of posts out there better worded than mine that go in depth into a lot of these problems. Multiple voice actors of all ethnicities and backgrounds have spoken up about Hoyoverse’s injustices as well (many of the VAs from the game, including the voices of Albedo, Sucrose, Layla, Beidou, and even VAs for smaller NPCs have spoken out). When you see those posts, share them. Spread the word. Get those voices out there.

Shut down those silencing others. For as many posts out there trying to bring more light to this issue, there are others who try to shut us down. They continue to be racist and double down that nothing is wrong with Natlan. Do not let them get away with this. Show them this post or the myriad of other posts that exist. Tell them to shut the fuck up. Call them out. But don't let them silence anyone else.

If you've made it to the end and learned something, I'm glad. If you've made it to the end and want to further support me or anyone else in this fight, share this post and others like it.

Thank you for reading.

EDIT: As noted in this ask, the naming conventions of characters from other regions as opposed to Sumeru and Natlan. I’ll be adding a separate reblog to this post with a full list of naming conventions from each region.

[ask-codeearasure]

Dreamswap Design Critiques

Okay, I haven't read or even looked at Dreamswap in the SLIGHTEST however, Sarco has ranted to me about it, and then gave me the designs of Dream and Nightmare and…. I HAVE A COUPLE THOUGHTS… 

That is putting it lightly, I went on a near multi-hour typing spree about them, and then they dragged me into a VC just to hear me rant for many more hours and for whatever reason enjoyed every single second. (I’m pretty sure my friend is a sadist). This was all two months ago, by the way, but I can’t help but still think about this AU and all the bad history behind it.

So hy threw 6 designs at me. I have a couple of analyses and opinions to share based on my own history with character design. That being said, even though both I and Sarco absolutely despise Dreamswap and for many many many justified reasons, this is mainly about the designs of the six main characters, Dream, Nightmare, Ink, Cross, Blue, and Error. The designs for the side characters are bullshit as well, but I’d like to preserve what’s left of my sanity. I like to share what’s on my mind with you guys after all, so long as I can tolerate it.

Where we shall start is with the supposed “villain” of this story that I never read and don’t plan to, Dream.

Looking at the initial “pre-incident” designs, before corruption/villain point, we see something completely odd. The presentation of both Dream and Nightmares’ clothes during this starting point makes them look like their AU takes place during the old western days. I can hear Bonanza’s theme playing in the background when I look at these. Focusing on Dream, we see a lot of pale yellows, golds, browns, blacks, and tans. If it weren't for the blacks, the colors would blend into each other, and far too much at that.

The reason why OG Dream’s color palette, from the second design symbolizing his maturity, works is because the colors are simple and eye-catching. The mix of primarily yellow and black represents Dream’s goal of achieving emotional balance throughout the multiverse. If he was against this, his outfit would have stayed mostly yellow only. But no, the ratio of black and yellow is equal.

Dreamswap Dream looks well-too taken care of to be an orphan or “out of place” in his AU. If anything he probably wouldn't be too out of place in a stand-off at high noon against some random gunslinger from Longmire.

Also if he and Nightmare are not supposed to be siblings and guardianship is different in Dreamswap… why do they still have the metal circlets?

Has anyone ever asked that? Why are the circlets present? Why keep them?

In the original Dreamtale, Nim gave Dream and Nightmare those circlets, and it’s obvious that for them both, they hold great sentimental value and stand for their statuses as guardians to the Tree of Feelings.

With Dream’s circlet, however, it poses a picture-perfect resemblance to the golden filet Sun Wukong, The Monkey King, The Great Sage Equal To Heaven, had to wear throughout the vast majority of events in Journey To The West, which was perhaps either the first or one of the oldest sources of the golden filet’s debut in popular fiction. 

Now there is always a chance Joku incorporated the golden filet into Dream’s design just because it looked cool, and I agree with that sentiment. But walk with me to this pier that the Chinese golden filet does hold great symbolism that may or may not add to Dream’s character for you. I swear this is important to my rant.

In Journey To The West, Sun Wukong is tricked into wearing this golden filet by Guan Yin, the Chinese Goddess of Mercy, and Tripitaka, the monk Sun Wukong must accompany as one of his disciples as they head into India from China to retrieve scriptures important to Buddhist enlightenment. However, Sun Wukong is established to have a nasty temper and a bad habit of resorting to extreme violence and murder, which is why the golden filet has a spell on it. Only Tripitaka and Guan Yin know the words to set off said spell (at least at this time), and when said phrases are recited, the golden filet constricts Sun Wukong’s skull until the pain paralyzes him, thus stopping him from committing the violence and murder he was initially trapped under a mountain for 500 years before in the first place. The golden filet serves as a source of punishment for Sun Wukong, it gives him a reason to learn self-restraint and control, it quite literally forces him to if he wants the freedom and enlightenment he’s working for. It ultimately is a big factor in what makes him a better person by the end of the journey.

Yeah, I know, pretty wild stuff. Chinese mythology was off the shits back in the day and Journey To The West is also the origin of just about all common tropes in modern fiction today, including that golden filet.

How this applies to Dream is the golden filet on his design may imply the exact opposite. Whereas the golden filet actively disciplined Sun Wukong, ultimately teaching him the discipline of character, Dream has way too much discipline. So much discipline, so much self-control and self-restraint from his own personal wants and needs, that he hardly gets to enjoy his own life. And this quality of character in Dream is necessary given his conflict with Nightmare and the balance of the multiverse being in direct tandem with which of them lives or dies.

Everyone benefits from Dream’s excess of self-discipline, but Dream actively suffers on the inside with that trait being one of those adding factors. So to the people who insist canon Dream has no character flaws at all, here’s a big one for you served on a silver spoon. Enjoy!

Back to Dreamswap, if Dream and Nightmare are not siblings, are not treated as siblings, and are just two random boys who met each other from the same AU, why do they have the circlets at all? There is no Nim in the narrative to hand them off, so why do they have them? Where did they get them? What the fuck do they represent? The guardianship the creator clearly didn’t care enough about to think through?

I know a part of why Dreamswap was created was to spite Jokublog on the behalf of petty drama, most of which was caused by a language barrier, and so the creator didn't bother to think about the designs or the story influencing those designs through enough. The entire story, mainly what became of the Dreamtale brothers, was created to bastardize the original. It was all a statement, yet people pretend it was all initially created for “fun” as a little sandbox concept they could do whatever the fuck they wanted with.

And to an extent… yeah, sure, the latter is true now, but that wasn’t its purpose at the beginning.

I’m getting off track.

Let's be clear with something, crowns/filets symbolize royalty, upper class, and if anything else, power and authority. When I first saw these designs I got two contradicting messages from them: Royalty, and Old Western. These things can exist at the same time depending on the creative work, and after all, England always had royalty, but the Old Western theme was set in America. This is why I have a problem with it.

Then there is the fact that both Dream and Nightmare have matching outfits. Not exactly 1:1, but they are very eerily similar, almost as though they both go to the same school and have to wear a uniform.

Gold and Silver often give the image of royalty and purity and this does the same for the both of them. They look far too alike to be two random kids who just so happened to be adopted under the same roof.

They look far too alike to NOT be siblings.

They look far too alike to NOT be just made from spite and spite alone.

Now to not be too mean towards these designs, for a character who is going to inevitably be a villain or at least have an antagonistic role that challenges the protagonist in some important way, having Dream’s outfit be buttoned up is a good way to symbolize a ���closed off” nature. A way to show he is secluded socially and personality-wise, hiding his motives and keeping his cards close to his chest.

But that is the only good thing I can say about the design… the first design.

Now for the full villain design…

Oh god, the fucking villain design.

This is where that whole “Old Western” out of place thing comes into play. That jacket he is wearing is not something that would be from an old western AU and it clashes with everything else.

To get to the point, as someone who tends to overdesign the HELL out of her characters, this character is overdesigned. Again, the colors of the jacket blend together horribly, and blend into his wings horrendously to the point that it's just a yellow mass. And even then the clothing under the jacket looks to be the same one from prior to the corruption so the argument still applies, but now the message of being a sign of him being “closed off” now is null and void.

He looks far too heroic to be a villain!

You can make the argument that he is convinced he is a hero, but that argument falls dead on the vine when you can't read the character as the villain he is supposed to be.

Villain characters are supposed to fully communicate that they are villains. Plain and simple. Take for instance, Darth Vader from the Star Wars franchise.

He dresses in all black, black being an EXTREMELY COMMON way to communicate that someone is a villain, the same goes for red, hence why he is always depicted having a red lightsaber.

Another villain is Veigo from League of Legends. Another way that villains are communicated is via sex appeal. Veigo has no shirt on, a black leather jacket, black leather pants, black armor pieces, and has a few pale colors to contrast that aside from this toxic yet ethereal teal/green which is a common color to symbolize the Shadow Isles. To help show off his tragic “obsessed lover” aspect and having a “missing piece” (his wife that he is still obsessing over despite being dead for hundreds of years already) he literally has a black hole in his chest. Very few colors, very few details, A FUCKTON COMMUNICATED.

But if that is too simple, let me get another villain from League of Legends because that is my go-to and has riddled my every waking moment with nuclear brainworms from Mars. Send help.

Bel’Veth. What to say other than WOW. Like holy shit. Bel’Veth has design in everything from the moment she floated into the scene in the cinematic she first appears in. Her voice emanates from her so her animation literally cannot lip sync because she is not human, but mimics them. She waddles as she floats to mimic walking, again she isn't human rather mimicking humans, AND THEN THERE IS FACT THAT SHE HAS A FALSE FACE. OH MY GOD.

Okay geeking out aside, design goes far further than just outfits, it goes into how they move and hold themselves. How much posing can tell you about a character. If you look at the physical design you can completely remove the false head from Bel’Veth and you'd see her actual face and multiple eyes, literally revealing to you the actual monster you are looking at. The pale grays and purples on her design are the very colors that have always signified the Void and its corruption.

I know it's not fair to compare a couple of random artists to a multi-billion dollar company, however, it is best to learn where you can. We all take inspiration from other forms of media and that inspiration can come through in one's own work and we all learn design by looking at the creative properties of the people around us.

To give the best example I have that gives away what Dreamswap Dream is trying to communicate, we must look no further than Kayle from League of Legends.

Now Kayle’s design isn't great, but there is something that it does do better than anything else… in its base form.

Impersonality.

Kayle (pictured on the right), via covering her face, disposes of any personality, any true compassion she can communicate with the viewer of her sense of humanity. Her helmet does so much to communicate that. The fact that she takes it off when she reaches her ultimate form ruins the design completely.

If we were to give impersonality to Dream to show his (which is oddly enough a similar thing to Kayle) impersonal completely “godly” justice shtick some actual fucking leverage. We'd actually get a “Oh, this guy is someone who took justice way too seriously and way too far, it’s become an addicting vengeance” vibe.

But we don't get that.

We cannot get that.

All we get is weird angel vibes from Dreamswap Dream because the creators didn't think his design through.

—

Nightmare.

To show that I'm standing unbiased here I'm going to criticize his original design. Yes, the OG. Specifically his corrupted design.

His corrupted design is literally just OG Sans… who looks like he got pushed to a vat of black paint. End of story. I know it has a narrative purpose to be this simple, but I really want to call it lazy. So I will. It's lazy.

That is what we're calling corruption now? Huh. Okay.

Now to Dreamswap Nightmare’s starting design, pictured above.

It has the very same complaints as Dreamswap Dream’s, however it doesn't have the color palette complaint because it's very different from Dream’s. The silver compliments the blue neckerchief very nicely. But that is the only compliment I can give.

His hero design, however…. (this is only one of them, I know)

Oh, we have a lot of problems because… it's trying way too hard to be canon Dream. It really is. Like just canon Dream but with the color purple overlayed on top of it.

Dream’s Cape was literally the fucking sun flag that his brother gave him to shield him from the rain. That flag/cape/now hood has great sentimental purpose to canon Dream as a character because that is the last remnant he carries of his brother.

So giving Dreamswap Nightmare a cape serves no purpose to the character and thus makes absolutely no sense. Is he trying to hide his identity? Can he feel cold? Is that why he has the cape? Is it supposed to symbolize a wanderer, since that’s what Dreamswap Nightmare is? If so, there are so many different and better ways of doing that so it would actually make him look far more interesting and compelling, and again with the circlets. Why?

Plus the stave, baton, or otherwise unexplained staff thing. What kind of weapon is that? Seriously? Is his fighting style even explored or is that there just to be there? Again, since this guy is supposed to serve as some kind of opposite counterpart to the original Dream, at least canon Dream as reasons for having the weapons he does. Dreamswap Nightmare doesn’t. Every theme put into him, if there even are themes to name, looks like they were just slapped together with no understanding of what the designer really wanted. It’s way too obvious to Sarco and I that Onebizzarekai did not understand any of the themes that made Dreamtale stick out as an AU, and that is part of the active reasons why Dreamswap ended up sucking this much.

If you want an interesting moon weapon, just look at the Lunari from League of Legends’ lore. Seriously. Get some actual fucking ideas. Inject some inspiration into your veins. Please.

—--

Ink…

Okay I'm not AS upset with this design, they actually look like they travel around buuuuuuuuuuut–

What the fuck is behind him?

What is that?

Is it a cape attached to his jacket? Why?

Just… why?

Also the entire point of his scarf was to help with his memory issues, it was to serve as a convenient way for him to take notes on important things he knows he’s going to forget, and since he’s always wearing that scarf, he has free access to those notes whenever he needs them. Does this version of Ink not have any memory problems? I ask that because instead of a scarf, he has a bandana around his neck, which if he does have comical memory loss, is there something else he uses to set reminders?

Does he still have to take his paints to, y’know, live? I ask because he doesn't look like he has his paint vials with him, instead he has a belt of bullets or bullet-looking things….

I see they were trying to make this version of Ink look “badass” but take it from me, the bitch that plays League of fucking Legends, it’s not having a gun that makes a character cool. It’s not being an asshole that makes a character cool either, it’s all the things that influence why they have that behavior that gives them the depth that makes them cool. I mean I’m a fan of Ekko from League of Legends and Arcane. He doesn’t have any of the traits that I just described and he is the most badass character ever written to me, I’ll fight you on that.

Anyways, unless Dreamswap Ink fucking eats bullets, I don’t know what other conclusion I could draw here. I genuinely cannot tell if that’s a sash of bullets or paints sorted in containers that look like them.

—

Cross.

The original scar on OG Cross’ face was given to him by XChara and XFrisk as a way to force him to remember the other timelines. It is literally a symbol of his trauma and the abuse he suffered. He is also a variation of Underswap!Sans by the way. His entire AU’s happiness and designs were inspired by Underswap. He is a Swap!Sans already. Changing his design and scar placement was fucking pointless and says nothing different aside from “I just wanted to make this character look different in the cheapest way despite my deep understanding of the original version of Jakei’s character.”

But again it shows that these designs are not thought through; they were made out of hatred or laziness on behalf of the original creators who made all these characters in the first place.

—

Error.

Oh, where to fucking begin…

Where to fucking begin….

1. What the fuck is that on his back? Are they supposed to be spider legs? Jellyfish tentacles? If they are either – why? Is it because Error is often compared to spiders and jellyfish? I am doubtful that that is the reason why his design looks like this.

2. What the fuck is with the hood? Why?? Like… okay I gotta dissect this.

Error's Lucidia redesign by CrayonQueen actively shows his strings via the stitches on the sleeves and pants, and the bagginess showing that he is a very active character, a way of communicating movement. This also makes him an easy character to draw for the creator allowing them a sense of ease. His scarf is a way to communicate movement as well, allowing it to flap about and show direction for when they draw him in comics.

These choices also show the fact that he is a very VERY simple person. He is someone who would rather lay down at home, watch Undernovela, and stuff his face with chocolate more than anything else, aside from destroying everything he can’t stand.

But with the design by Onebizarrekai, we don’t get any of that aside from the spider legs as something that shows his strings… but he isn’t a spider monster and spiders have exoskeletons, so he can’t be a “spider-skeleton” in that way, and perhaps not a hybrid either, and I don’t think Onebizarrekai was going for a Spiderman-type character for Dreamswap Error anyway.

If you want to show off the strings more, you can always have a webbing design on the sleeves or maybe have strings all over him, or have his outfit be more stitched up. Make it look like he doesn’t care that much about his own clothes, that he rips them to shreds and stitches them back together out of necessity. Maybe he has limited access to clothing and that is why he fixes them repeatedly.

To use an example… I will use my own “version of Error”, Digital Klezmer.

Digital Klezmer is overdesigned – but the separate colors allow him to not have the same blending problem that Dreamswap Dream has. I have his AU set in the ROARING TWENTIES (that’s the 1920s in New York). His AU is set in a completely different era. We’re talking swing music, movies being called “Flicker shows” and every woman is either called “Dame”, “Doll”, or even on occasion a “tomato”. His world is ruled by slang and the stereotypical New Yorker accent.

His cape of fur has his hood seamlessly blended into it, and the cape itself has significance, that being his Papyrus was so overprotective of him that the jacket was specifically made for him and the cape is crafted from fur so thick that if he were to fall over, he wouldn’t turn to dust on impact. That fur would cushion the fall and negate all damage. His Papyrus was that fucking paranoid over his brother’s safety and health.

His voice, as I had described in the story that Sarco and I are writing, his voice sounds like it’s coming from an ancient radio – thus showing how ingrained he is to his own culture and his AU’s era. This is a way to show how much of his background influences who he is as a person and what he does.

I had him play the piano instead of the trumpet, showing a subtle oddity in comparison to other Sanses. The era of where he is from is shown with how practical he dresses aside from the jacket which is sentimental to him. The vest showing class and the turtleneck showing his ties to the cold of Snowedin (yes, that is how it’s spelled in The Outer Realms universes).

His shorts show his ties as a “Sans”, but his practical shoes show that he’s a bit more athletic and isn’t as lazy as the average Sans.

The fur on the hood is also to give a bit of a lion-like feel to him, and enhance his silhouette a bit in comparison to other Sanses. It makes him appear much bigger than he actually is, indicating what he might think of himself and the influence he has on The Outer Realms, and then the Inner Circle of the multiverse.

All of these differences are nothing compared to his personality as a gambler and the way he uses his magic.

Playing poker with this man is like placing a bet on a dying horse, you are gonna lose. Every time. He loves gambling and even actively carries a deck of cards wherever he goes.

His magic is used COMPLETELY DIFFERENTLY than any other Error presented. I had him be someone who plans ahead, and has his team – yes HIS team. He doesn’t work for The Outer Realms’ Nightmare, that Nightmare works FOR HIM – go out as a distraction so he can hack into other universes (specifically negative ones) so he can set them to self-destruct. He weaves his teal strings into ribbons that turn into spears that can do damage based on the tension he gives them. He can control them without moving. He also uses his strings to become claws. And he can even destabilize himself to negate any attack instead of dodging, or even just turn into a string of code to increase his speed. He is active and takes advantage of his new HP but still values his own safety, hence why he is not afraid of getting into fights.

Digital Klezmer takes full use of his abilities and gets quite creative with them, unlike the original Error, who fucks himself over by making each job of his harder for himself.

But he also has an actual weapon. Its story is very important in the future, so I won't reveal its significance here. I’m a total cunt, but I’m not cruel.

But to show how proud I am, I will give you one final tidbit of Klezmer’s design that I am way too proud of. His left eyelight. It’s an “x” with two rings around it. It signifies his focus and endless stubbornness. I thought this shit out FAR MORE than anyone realizes – Sarco legit had to stop me from going on because I nearly gave spoilers. This is why I have an editor breathing over my shoulder, thank you Sarco, I love you. I’d legit fight a bear for you.

This is all to say that I’d LOVE to see more designs and takes on other AUs, I’d LOVE IT. I really would… But these designs are not it, and Error’s Dreamswap design is just… not good at all. It’s so boring, it’s bland in the worst way possible. The only interesting things are the spider legs and they do NOTHING for the character. They add nothing to him.

–

Swap!Sans, or what’s called Swap!Sans or Blue. The bane of Sarco’s existence, and I see why (Ve fucking HATES this guy more than anything fucking hell).

No armor, a shit-eating grin, absolutely no depth to be perceived other than what I’ve already been told. Out of all the designs I have been sent, though, Blue is the only one out of them that looks a little happy, not an angry two year old wishing they could break the camera their overbearing mother stuck in front of their face.

Why is there no armor? Isn’t this guy supposed to be an enthusiastic practicing Royal Guard? Of course not, cause Onebizarrekai seems to have had an addiction to assholes with a base-level characterization and in application to every character at the time they were making Dreamswap.

The entire idea of Underswap in general is that the roles of many main characters were swapped, mostly in occupation but some partial trades in personality. Asgore is the one who lives in the Ruins, Toriel takes her place as Queen and rules over the Underground, Papyrus takes up the simple guard post, and SANS IS IN THE ROYAL GUARD TRAINING UNDER ALPHYS WHO IS THE CAPTIAN OF THE ROYAL FUCKING GUARD.

Deep breath…

There is absolutely nothing in this design that references any of this information, and if Blue is supposed to be extensively different from the original Swap!Sans, which I assume he is, why the shitty casual wear? He’s definitely not an average Joe, I can tell by the glitch and the ERROR in his left eyesocket, but how he got that isn’t made evident aside from maybe, maybe he got stuck in the Anti-Void at some point. Did he have an encounter with Error or did he end up there via a different source?

What the fuck is that on his shoulders??? Is that supposed to be a fucking poncho. If it is, it’s a BAD ONE. Ponchos are supposed to go down your waist, not stay only covering your shoulders. They are supposed to cover your torso.

Ponchos are a wonderful way to show that a character is someone who travels a lot, they give a very nice silhouette, they also give warmth because that is another thing they do, along with keeping the arms from getting sunburn should your character be in a desert. However, it’s made null in this case because of how… insignificant it is. It’s there, but why? Is it supposed to be part of the cape? I’d assume that if it weren’t for the scarf, and the thing on his shoulders being a completely different color from the thing going down his back so that must mean the thing going down his back is actually a part of his scarf. SO THEN WHAT FUCK IS ON HIS SHOULDERS??? If it’s not an unfinished poncho, I can’t grasp what the fuck else it could be.

That’s… about all I have for Dreamswap Blue. 

Fuck, I don’t like any of these designs. They add nothing to whatever vision Onebizarrekai had for these characters, only take away what made the original versions so interesting in the first place, and it’s not like I can efficiently judge these designs on what their Dreamswap counterparts were going to be, because Dreamswap doesn’t have a concrete story or character work, which makes sense considering all the themes it has fucked up. I took one look at their pinned post and found this.

Drawing takes effort and I know it takes a long time to learn how to draw, and these guys have some talent. I will always give props where it is due. I’m pretty sure all these designs were made back in 2016-2018 too, so they’ve been around for at least 6 years now. I have no doubts Onebizarrekai got better over time.

HOWEVER…

When it comes to character design, the Undertale fandom has problems and as a whole needs to take a step back, take a deep breath and start actually putting in some fucking effort. Like come on guys… and I’m not addressing the people still learning how to draw.

I don’t like saying this but… you all are getting lazy. Are you not thinking about your world design, the lore. ANYTHING, REALLY? By no means is anyone a professional concept artist here and I am not asking for that, if that helps.

I understand, a lot of you are just trying to have fun and maybe I’m the weird one for asking for more, but I actually like thinking about the worlds my characters inhabit, the way their stories reflect in their designs. It’s something that I personally love to do, and no doubt others reading this do too. And a lot of the designs from the fandom don’t really reflect this; those that do reflect, their stories are a handful at most and even then, some of them are only reflective of the designs and don’t show the story they’re supposed to have.

Take Outertale for instance. It’s 100% space aesthetic, but 0 story. The designs themselves make them look like they’re supposed to be attending a space themed party. I got so upset with it not having pushed the designs far enough and having no story I made Outerswap – again no spoilers– I SEE THE GUN, SARCO. STOP. RELEASE ME.

What I am saying is, I want you all to do better because I KNOW you can do better. This fandom has a fuckton of talent behind it but does NOTHING with it. Most AUs I’ve seen are like Dreamswap here, a rehashing of projects that already exist and doing nothing new or interesting with them, and that’s not inspiring. It’s just a pattern.

For those of you still learning, just try. I’m not expecting instant improvement. I’m saying TRY. Put in the effort. We don’t grow as artists and storytellers if we don’t TRY. If you need inspiration, explore other things, especially elements you aren’t familiar with. Look at other people’s artworks, look at videos critiquing character design like TBSkyen – my personal favorite. If you are insecure about storytelling, read more fanfiction, read more books, read more poetry. READ. There is always something you can take inspiration from for your own work and it doesn’t have to be Undertale only. Use as many sources as you like, there is no limit to what you can use at your disposal. GO FUCKIN NUTS, MATE!

There is always room to grow. And that is what shows the most in artwork of all kinds, be it drawing or writing, and what it takes to do that is to get out of your bubble more often. 

Sarco interacts with and follows people who are already doing this, but there’s nothing wrong with more, more, more!!

Anyways, that’s my critique. Have fun, go nuts. You only ever have one spark of madness, don’t lose it.

…trying to force a nice concluding sentence when I’ve been critical this whole time is a tone shift I am not okay with, holy shit. Get away from me. Get out. Run.

– Ouija, edited by Sarco

[artifacts-and-arthropods]

Stone Turtle of Karakorum, Mongolia, c. 1235-1260 CE: this statue is one of the only surviving features of Karakorum, which was once the capital city of the Mongol Empire

The statue is decorated with a ceremonial scarf known as a khadag (or khata), which is part of a Buddhist custom that is also found in Tibet, Nepal, and Bhutan. The scarves are often left atop shrines and sacred artifacts as a way to express respect and/or reverence. In Mongolia, this tradition also contains elements of Tengrism/shamanism.

The city of Karakorum was originally established by Genghis Khan in 1220 CE, when it was used as a base for the Mongol invasion of China. It then became the capital of the Mongol Empire in 1235 CE, and quickly developed into a thriving center for trade/cultural exchange between the Eastern and Western worlds.

The city attracted merchants of many different nationalities and faiths, and Medieval sources note that the city displayed an unusual degree of diversity and religious tolerance. It contained 12 different temples devoted to pagan and/or shamanistic traditions, two mosques, one church, and at least one Buddhist temple.

As this article explains:

The city might have been compact, but it was cosmopolitan, with residents including Mongols, Steppe tribes, Han Chinese, Persians, Armenians, and captives from Europe who included a master goldsmith from Paris named William Buchier, a woman from Metz, one Paquette, and an Englishman known only as Basil. There were, too, scribes and translators from diverse Asian nations to work in the bureaucracy, and official representatives from various foreign courts such as the Sultanates of Rum and India.

This diversity was reflected in the various religions practised there and, in time, the construction of many fine stone buildings by followers of Taoism, Buddhism, Islam, and Christianity.

The prosperous days of Karakorum were very short-lived, however. The Mongol capital was moved to Xanadu in 1263, and then to Khanbaliq (modern-day Beijing) in 1267, under the leadership of Kublai Khan; Karakorum lost most of its power, authority, and leadership in the process. Without the resources and support that it had previously received from the leaders of the Mongol Empire, the city was left in a very vulnerable position. The residents of Karakorum began leaving the site in large numbers, until the city had eventually become almost entirely abandoned.

There were a few scattered attempts to revive the city in the years that followed, but any hope of restoring Karakorum to its former glory was then finally shattered in 1380, when the entire city was razed to the ground by Ming Dynasty troops.

The Erdene Zuu Monastery was later built near the site where Karakorum once stood, and pieces of the ruins were taken to be used as building materials during the construction of the monastery. The Erdene Zuu Monastery is also believed to be the oldest surviving Buddhist monastery in Mongolia.

There is very little left of the ruined city today, and this statue is one of the few remaining features that can still be seen at the site. It originally formed the base of an inscribed stele, but the pillar section was somehow lost/destroyed, leaving nothing but the base (which may be a depiction of the mythological dragon-turtle, Bixi, from Chinese mythology).

This statue and the site in general always kinda remind me of the Ozymandias poem (the version by Horace Smith, not the one by Percy Bysshe Shelley):

In Egypt's sandy silence, all alone,

stands a gigantic leg

which far off throws the only shadow

that the desert knows.

"I am great OZYMANDIAS," saith the stone,

"the King of Kings; this mighty city shows

the wonders of my hand."

The city's gone —

naught but the leg remaining

to disclose the site

of this forgotten Babylon.

We wonder —

and some Hunter may express wonder like ours,

when thro' the wilderness where London stood,

holding the wolf in chace,

he meets some fragment huge

and stops to guess

what powerful but unrecorded race

once dwelt in that annihilated place

Sources & More Info:

University of Washington: Karakorum, Capital of the Mongol Empire

Encyclopedia Britannica: Entry for Karakorum

World History: Karakorum

[mias-playground]

Almost 500 years ago, a tall African man arrived in Japan. He would go on to become the first foreign-born man to achieve the status of a samurai warrior.

Kidnapped as a child, Yasuke had ended up a servant and bodyguard to the head of the Jesuits in Asia, with whom he traversed India and China learning multiple languages as he went.

His arrival in Kyoto, however, literally caused a riot. Most Japanese people had never seen an African man before, and many of them saw him as the embodiment of the black-skinned Buddha.

Among those who were drawn to his presence was Lord Nobunaga, head of the most powerful clan in Japan. When Yasuke was presented to Oda Nobunaga, the Japanese daimyō thought that his skin must have been coloured with black ink. Nobunaga had him strip from the waist up and made him scrub his skin.

"His height was 6 shaku 2 sun (roughly 6' 2")... he was black, and his skin was like charcoal," a fellow samurai, Matsudaira Ietada, described him in his diary in 1579.

The average height of a Japanese man in 1900 was 5' 2" so Yasuke would have towered over most Japanese people in the 16th Century, when people were generally shorter due to worse nutrition.

Yasuke was not just different in height and appearance. He was also very muscular and well built. His strength can be compared to those of 10 men put together. He was indeed a born warrior, a hulk, and a samurai in waiting. One other feature that made Yasuke stand out was his level of intelligence. His mastery of the Japanese language in such a short time was a marvel to many. He was able to learn the culture and tradition of the people.

When Nobunaga realized that the African's skin was indeed black, he took an interest in him. Yasuke already spoke some Japanese and the two men got on well, according to academic Thomas Lockley, who has written a book on Yasuke. Nobunaga grew fond of Yasuke and treated him like family - the African was among a very select group of people allowed to dine with him.

Yasuke was taken in by the warlord to become his weapon bearer. To be a weapon bearer to the most powerful warlord in the whole of Japan was a great privilege and honor. The weapon bearer must also be one who can be trusted with secrets, especially those relating to affairs outside the state. Yasuke’s hard work and diligence paid off, and within a few months, he was rewarded with a home in Azuchi Castle, which was located in the north-eastern province of Kyoto. Yasuke also received a stipend and was gifted with a Katana sword. History has it that the Katana sword is regarded as the symbol of a samurai warrior.

When Nobunaga bestowed the rank of samurai on Yasuke the idea of a non-Japanese samurai was something unheard of. As the first foreign-born samurai, Yasuke fought important battles alongside Oda Nobunaga.

Yasuke at Wikipedia

[eriong]

i absolutely LOVED listening to this when it aired live!! if you missed it, you can check out the entire show here.

This mix showcases the music from a small tribe living in the foothills of the Himalayas. Their genesis begins from a great boulder called Sinlung, possibly in the present Tailing or Silung of Yunan Province of today’s China. Starting off as a semi nomadic group of hunter/cultivators moving through Myanmar, and various pockets of the northeast India and a majority of the settlers in Tuithaphai, Manipur- The Hmar tribe is a group whose entire history has been a constant state of diaspora. Their music is heavily dictated by the lack of a script- passing down their stories through oral sounds. Almost every circumstance within the community has a story in songs to back it up. The mix starts off with the hunters call- a special song given to each Hunter, a victory hymn (Sikpui Hla) and some snippets of the melodious intonations of our spoken language. Throughout the mix- we see the contrasts between pre and post colonial Hmar Tribe, and how the eventual conversion into Christianity brings change in their sounds with nods to hymnody, protest folk, gospel, rockabilly, new wave, and 90's pop. Songs from the Hmar/Mizo heartlands that people from almost every generation can recall, despite its diminished stature in context of mainland India the musical prowess stands ingenously tall. Presently with the civil war that has been brewing in Manipur since May 2023 which almost all media outlets have refused to cover or amplify. I hope this mix serves as a vessel to remind us of a more peaceful time for the tribals before the threat of uprootment and forced displacement from the one place we thought we could call our home. Mixed by: Ruhail Qaisar @iakksakkath Mastered by: Julien Racine @racine.corporation

[monstersinthecosmos]

okay I think we should take inventory of what we learned about Marius's house.

In fact, the impression was one of comfortable messiness.

(i think the tiktok kids started calling ADHD clutter clustering or something LMAO marius de romanus cluster girlie i guess. thanks i hate it)

Here's some stuff that Marius had on his island!!!!!!!

stone benches

a lighted oil lamp on a stand

a pair of heavy wooden doors

a sarcophagus with a plain lid, cleanly fashioned out of diorite

The lid plated in iron and contained

a golden mask, its features carefully molded, attached to a hood made up of layered plates of hammered gold.

a pair of leather gloves covered completely in tinier more delicate gold plates like scales.

a large folded blanket of the softest red wool with one side sewn with larger gold plates

Magnificent Grecian urns on pedestals in the corridors

great bronze statues from the Orient

exquisite plants at every window and terrace open to the sky.

Gorgeous rugs from India, Persia, China c

giant stuffed beasts mounted in lifelike attitudes-

--the brown bear,

--the lion,

--the tiger,

--even the elephant standing in his own immense chamber,

--lizards as big as dragons,

--birds of prey clutching dried branches made to look like the limbs of real trees.

brilliantly colored murals covering every surface from floor to ceiling

a dark vibrant painting of the sunburnt Arabian desert complete with an exquisitely detailed caravan of camels and turbaned merchants moving over the sand

a jungle warming with delicately rendered tropical blossoms, vines, carefully drawn leaves

creatures everywhere in the texture of the jungle-

--insects,

--birds,

--worms in the soil-

too many monkeys in the jungle,

too many bugs crawling on the leaves.

thousands of tiny insects in one painting of a summer sky.

a large gallery walled on either side by painted men and women staring at me

Figures from all ages these were-

--bedouins,

--Egyptians,

--Greeks and Romans,

--knights in armor,

--peasants

--kings

--queens.

--Renaissance people in doublets and leggings,

--the Sun King with his massive mane of curls,

--people of our own age.

droplets of water clinging to a cape,

the cut on the side of a face,

the spider half-crushed beneath a polished leather boot.

a library, blazing with light.

Walls and walls of books and

rolled manuscripts,

giant glistening world globes in their wooden cradles,

busts of the ancient Greek gods and goddesses,

great sprawling maps.

Newspapers in all languages lay in stacks on tables.

Fossils,

mummified hands,

exotic shells.

bouquets of dried flowers,

figurines and fragments of old sculpture,

alabaster jars covered with Egyptian hieroglyphs.

comfortable chairs with footstools,

candelabra or oil lamps.

a forest of cages.

birds of all sizes and colors

monkeys

baboons,

Potted plants crowded against the cages-

--ferns and

--banana trees,

--cabbage roses,

--moonflower,

--jasmine,

--other sweetly fragrant nighttime vines.

purple and white orchids,

waxed flowers that trapped insects in their maw,

little trees groaning with peaches and lemons and pears.

a hall of sculptures equal to any gallery in the Vatican museum.

adjoining chambers full of paintings,

Oriental furnishings,

mechanical toys.

fine rosewood paneling with framed mirrors rising to the ceiling.

painted chests,

upholstered chairs,

dark and lush landscapes,

porcelain clocks.

A small collection of books in the glass-doored bookcases,

a newspaper of recent date lying on a small table beside a brocaded winged chair.

the stone terrace. where banks of white lilies and red roses gave off their powerful perfume.

a pair of winged chairs that faced each other

a dozen or so candelabra and sconces on the paneled walls.

brocade cushions

[icekingofhope]

who is your favorite character from LMK? And your least favorite?

oh well I have many favorites of mine although my main favorite is the camel ridge trio (Peng tusk and azure) they are honestly not just my most favorite villains of lmk but in media

And what the season 4 special did to them was such bullshit but I already went in why I hate the special before

Cause like I can see their cause and actually rooted for them to win in season 4 I can see why they want to dethrone the jade emperor and why they wouldn’t let anyone stand in their way!

especially considering the times of ancient China cause let’s face it despite how beautiful and amazing the ancient times were…they were really problematic cause like slavery was a thing and normalized back then

and we also have problems in modern society with politics world hunger etc so it would make since why azure Peng and tusk would do the things they do and I can understand why they felt so betrayed by wukong cause imagine your leader who you haven’t seen in 500 years (assuming they didn’t even know he was sealed away under a mountain) and hearing about him again but he is working for a monk who was a celestial to get scriptures from India and your said brother had attacked not only demons but your old sworn brothers as well and even killed one (aka macaque)

I would honestly feel betrayed and angry myself yet I love how azure doesn’t hate wukong or hold grudges he literally was gonna keep him in the scroll till he killed the jade emperor then he would have released him and help him see reason

like I can talk about these three All damn day they are my absolute favorites of mine and they deserved a lot better then what the special did (and azure definitely did not deserve to be villainized and transformed into some type of tyrant and don’t say “well he had a lot of power so-“ my friend he was king before and from what I seen in jttw he was a great leader he literally calls his soldiers little wind cutters and don’t say they were always evil keep in mind it was wukong who attacked first they weren’t gotta hurt the monk or anything it just when wukong attacked they got pissed off cause it this)

and it makes me sad that people would hate these guys subjecting them to stereotypes that Peng is a asshole azure is a evil person and Yellowtusk…well who cares about him? Cause like all three of them are amazing characters in the show and book and mythology (even though it’s mostly Peng who is most of the mythology)

anyways for my least favorite…

it has to be either xiangliu or the mayor

unfortunately I could care less for xiangliu like I personally think he is a massive hypocrite and also batshit insane-

like he is not a monster he is just a psychopath cause who in their right mind literally starts the end of the world CAUSE OF FUCKING CHAOS?!

Now he may probably come back in next season I don’t know but right now I hate him

for the mayor….to me I don’t really also care much to me he is just the lady bone demons servant and it sucks cause like we don’t get to see why he is the way he is and why he fellows lady bone demon like a lapdog

and it feels weird at the end of the season 3 special he is nowhere to be seen i feel like if they expanded his lore more i may would have find him cool but like there is barely shit about him

(also I kinda hate his design it just looks so basic like I’m not asking for full details but make him not look like a business man with a bad haircut)

so yeah my main favorite is azure Peng and tusk and my least are either xiangliu and mayor

[allthebrazilianpolitics]

Brazil’s rising role as a geopolitical heavyweight

Brazil takes center stage as host of this year’s G20 Summit, marking a defining moment in the nation’s ascent as a geopolitical powerhouse. Dina Ting, Head of Global Index Portfolio Management, explores Brazil’s economic ambitions alongside its increasing influence in shaping the future of international economic cooperation.

For many people, Brazil’s Rio de Janeiro evokes images of sunny beaches and colorful celebrations. But the city’s biggest international event of this year (in fact, the largest since the 2016 Olympic Games) will likely involve more suits than bikinis. Next month, for the first time, Brazil will take center stage on the world’s preeminent platform for global economic cooperation as host of the G20 (Group of 20) Summit in Rio.

The coalition, which includes the United States, China, India, the European Union, and most recently, the African Union, represents the world’s major economies—accounting for roughly 80% of global gross domestic product (GDP), 75% of global trade and two-thirds of the global population.1

Since taking office early last year for his third non-consecutive term, Brazilian President Luiz Inácio Lula da Silva’s (Lula) has spent much time abroad trying to raise his country’s global standing. His efforts may be paying off. A recent Pew Research survey found that most Brazilian adults are optimistic about their country’s status as an international power.2

Beyond the G20, Brazil is also slated to play host for other high-profile events, such as the UN Climate Change Conference (COP30) and the BRICS (Brazil, Russia, India, China and South Africa) summit in 2025, while concurrently pursuing membership in the Organisation for Economic Co-operation and Development (OECD).

Continue reading.

[jobaaj]

🔴BREAKING NEWS: Putin is in North Korea! He has promised support to Kim Jong Un!! 🤔 What happened?

▪ On his first visit in 24 years, Russian President Vladimir Putin visited North Korea yesterday.

This marked a significant diplomatic engagement between the two countries.

▪ Despite arriving at 2:45 am local time, North Korean leader Kim Jong Un was waiting on the tarmac for President Putin.

The early morning arrival did not deter Kim Jong Un from personally welcoming Putin.

▪ The two leaders embraced, shook hands, and completed a few formalities before heading together to the state guest house.

Their warm greeting included a hug and a handshake, signifying strong diplomatic ties.

They proceeded to the state guest house after completing necessary formalities.

🧐 Why?

▪ This visit is Russian President Putin’s attempt at solidifying the two countries’ relations.

Strengthening diplomatic ties is a key objective of the visit.

▪ With the increasing isolation of both countries globally, the visit aims to improve bilateral relations and sign new economic and military agreements.

Both nations face international sanctions and diplomatic challenges, prompting them to seek closer cooperation.

The focus includes potential economic collaborations and military partnerships.

▪ Some experts suggest that Russia could request more military supplies from North Korea in exchange for food and energy supplies.

There is speculation that military aid might be exchanged for essential resources.

Such an arrangement could benefit both countries amidst their respective challenges.

😲Interestingly:

▪ According to North Korean media, President Putin praised ‘Comrade Kim’ and vowed to fight off Western sanctions together!

▪ Moreover, the state-run newspaper there also said that both countries will be working to build a trade and payments system that ‘will not be controlled by the West’!!

▪ The US has expressed serious concerns over President Putin’s visit and support for North Korea. 🥸Analysis:

▪ The world is getting divided into two major factions: the West and the Non-West.

▪ With this visit to North Korea and the visit to China last month, President Putin is solidifying support for Russia and the non-West faction.

▪ On the other hand, the US-led West faction is constantly trying to control to other via sanctions and other threats. ❓Which side should India stand on? Can India balance being on both sides?? Follow Jobaaj Stories (the media arm of Jobaaj.com Group for more)

[cherryblossomshadow]

You Are Not Evil

hankschannel

TL;DW

Humans are not evil.

We solve problems.

And when we do, we create new problems

.

Transcript excerpts below the cut:

I would like to talk really quick about this image. It's a sad Earth, covered in storm clouds … covered in cut-down trees and standing in a puddle of refuse … the Earth is sad. It is crying, and it says, “No intelligent species would destroy their own environment.”

…

Hannah Ritchie’s very excellent book, “Not the End of the World,” has a subtitle … “how can we be the first generation to build a sustainable planet”

.

The argument she makes is that sustainability in her definition includes things like “children not dying in infancy.” And when I look at images like this, what I see is a complete disregard for the accomplishments of humans

…

In the United States in 1895, a quarter of people born could expect to not live to five. And that was lower than it used to be. And I have to emphasize this as much as I can: The biggest problem that our planet faces is that there are so many humans, and that the humans in question want to provide a very high standard of living for themselves and their children

So the reason why the environment is fucked … and I know that there's a group of people who will not believe me when I say this. And they will say, “No, it's the fossil fuel companies.”

And look, the fossil fuel companies have made this much worse and have slowed down our transition. They are not the only problem, but they are a huge problem

But the biggest reason why we have a problem is love. It's that we want to have children, and we want them to survive.

And so now there are 8 billion of us … and we want all 8 billion of those people to have pretty good lives

And I, sitting here in my heated office in short sleeves in December, I cannot tell a bunch of people in China or India or Ghana that they can't have what I have

.

Here's my point: our intelligence for the vast majority of history of life on Earth has been oriented toward survival. And that has resulted in a huge amount of survival. And now we are in a situation where there can be a good life that has a great deal of survival and thriving in it, that does not require the amount of impact on the environment that we are having

But an unintelligent species that did what we have done … this has happened before. Trees, for example, caused a mass extinction when they arrived on land. They absorbed so much carbon dioxide that there was no longer very much carbon dioxide in the air, the water became less acidic, and many things died on the planet because of trees. And they didn't know that they were doing it. but also you can't blame them because they're trees. And so of course, they couldn't see it coming

But here's a story that I think we miss: When we as a species encounter local environmental problems, we tend to fix them. It was not long ago that London could be so clogged with coal smoke that you had to clean it off the windows every day, and that is no longer the case. You now never think of London as a place that has like got a coal smoke problem. In fact, the United Kingdom recently stopped burning coal entirely, which is very weird historically, considering they were where the coal started

But it was also very recently … that Beijing had this problem, and now Beijing has this problem much less. It still has an air pollution problem, just like Los Angeles does, but much less. When rivers catch on fire, we actually change our policies. When the rain becomes acidic, we change our policies

.

The problem with global warming is twofold

It's invisible. There are cold days and hot days, like there always were. There will always be  cold days and hot days. You can't see the river catch on fire, you can't see the trees on the hilltop dying, because the soil has become so acidic, because the coal-fired power plants have been putting sulfur into the atmosphere. You can't see it

We only know about global warming because we are an intelligent species. If we were not smart, we would be trundling down this path completely oblivious, sometimes wondering why it got so hot.

Which, I have to point out was a thing that happened in the past. There were times when it just got cold or hot, and we didn't know why. And then the crops would fail, and a bunch of people would starve, and it was because there was a freaking volcano halfway across the world. We only know the problem exists, because we're smart. We only have the tools to deal with it, because we're smart. We are only implementing those tools, because we are smart

2. And the other problem with global warming is, another reason why we are too slow at this is because carbon dioxide is the goal gas. I feel like this is not understood by people but with acid rain, we didn't want the sulfur or the nitrogen to get released into the atmosphere. That was just a side effect of burning coal. With the hole in the ozone layer, we didn't want those molecules being released into the atmosphere. That was just a side effect of how it worked

Like what we wanted was cooling. And cooling, by the way, has saved so many lives. And we are going to have to have more of it to continue to save those lives. And that's going to be energetically expensive. (But it won't be expensive when it comes to the hole in the ozone layer, because we have we have better solutions now)

But energy is what so much of our thriving is based on, and we do not want to give up that thriving. And the way that we have created that energy for the most part has been burning fossil fuels. And the goal gas, the gas that you inevitably get out of burning fossil fuels if you burn them as cleanly as possible, all you get is carbon dioxide and water vapor

We built our society on it, we built our thriving on it. Because we are smart, and because we want to provide a good life for ourselves and our children. This is a Smart Species Activity

.

My son has stared to come home from school with ideas like this in his head, where he's like, “We need to stop cutting down all the trees, Dad.” And I'm like, “Yeah absolutely, like what we need is for there to be lots of forests that are left to their own. But also remember that the house that we live in is built out of wood.”

And like the gears crank in his head, where he starts to ask himself if he's part of the problem. Which is why we need to have the definition of sustainability include the opportunity for human freedom and agency

I'm not saying that I shouldn't be responsible for more carbon dioxide being released into the atmosphere, absolutely I shouldn’t … I should be wearing a hoodie right now, I should not have had the heater on all night in here

.

But I think if we have this simplistic idea of humans or certain humans … a lot of the responses I saw to this [meme] were like, “No one ever said a Republican was an intelligent species.” And I'm like, “Oh my God, you people are so caught up in a current discourse and the current moment that you can't see how hard our all of our ancestors worked to provide us with a world that has plenty of food.” That's the biggest thing, plenty of food, but also climate-controlled shelter and pretty easy transportation to anywhere within what 400 miles? And then expensive, but still accessible transportation to the whole world. And also bananas which I love, and we're not going to grow in Montana. And if we did, it would be more energy expensive than shipping them from South America, where they're supposed to grow

Humans are remarkable. We are very powerful. Give any species this level of power, and they will provide opportunities for thriving for themselves and their children. They will try and prevent their children from dying. They will … walk through fire to make sure that their children don't die. They will destroy the Earth to make sure their children won't die. But I'm glad that we have enough intelligence both to provide those opportunities for our children to not die but also to start to uncover the impacts that we have, hopefully some time to self-correct some amount. We're at this point going to experience significant negative impacts from the warming of the planet. We did not move fast enough. I think that there's all kinds of like … not valid, but like understandable reasons, why we haven't moved fast enough

This is hard. People are greedy. People suck. People will tell stories to make themselves believe that the things that they want to do are in fact the right things to do. We all do that

But I don't want my son growing up, thinking that the species he is a part of is in some way evil. And I feel like that's like the root of a lot of sort of armchair environmentalism. I want him thinking humans are problem solvers, and solving problems creates new problems. And that's a little bit more of a complicated idea, but it is so true. I have solved so many problems, and never have I solved a problem that didn't create a new problem. I think we're absolutely at a place where increasing the amount of access to energy that I have as an individual will not make my life any better. But that is not the case for the majority of people on Earth. More access to medicine, refrigerators, ways to cook food that don't involve fires … (which we honestly in the US could also do a better job of, for Christ's sake. We have to stop having natural gas stoves. This is so stupid. I made a video about that once. I'll put that video at the end of this video)

.

But when we solve the global warming problem, we will have created new problems. And we're doing it right now. In the background, there's like a land use fight. Renewable Technologies use way more land. Solar panels take up a lot of space, wind turbines take up a lot of space, you have to make a road between each win turbine, and those roads take up a lot of space. They impact the environment by being there

I think in the future, we will uninstall a bunch of those things, because we'll have other technologies that are better. We'll have maybe like advanced geothermal or we'll have more fission or we'll have fusion or whatever it is. But we're going to need energy

And the people of the future will be mad at us for the work that we did, and that's fine. Just like we're kind of mad at all the people who made the world a better place by burning a bunch of coal, so that we could all have refrigerators, which nobody thinks about as a perk anymore! They just think that's normal! A 100 years ago, more than half of Americans didn't have a refrigerator. It wasn't that long ago

And that's the situation in India now. Less than half of households in India have a refrigerator, and in the next 100 years, that number had better be 100% or we’re going to be pissed off at us

.

I know this video could have been a lot shorter it could have just been one sentence it could have been:

Humans are not evil. We solve problems. And when we do, we create new problems

And I think that is like universally probably going to be a pretty normal story of intelligent species. Like if we found another, I bet they'd have a lot of stories about how they created Problems by solving problems

.

And the speed at which we solve the problems … I think there's absolutely some shame we should experience here. I admit it's a hard one, but oh my God, the extent to which we will not accept any inconvenience in exchange for making the world more livable for people in other places in the world and also our own children in the future is stupid

I will say, this is an amount of foresight that is unusual and requires a great deal of intelligence. There aren't a lot of other species out there trying to figure out how to make the world work for the next generation. Like that's not how they think. Because most species don't think about the future. They don't have a conception of the future. Like dogs don't have a conception of the future. So like, it's remarkable that we're able to do it at all. I do think we could have been better at this, and I am frustrated the extent to which we have spent a lot of time arguing instead of acting, and we could have acted faster, and that would have mattered

…

18:20

I'm going to stick the video about stoves and why we shouldn't use for both health reasons and environmental reasons why we should no longer use gas stoves okay enjoy that goodbye

(link to gas stove)

[quillpokebiology]

Ooc: Places that I think should be pokemon regions

I want these so bad omg.

Texas, USA

As much as a dislike Texas, a region based on it would be nice. It could also bring a lot of neat pokemon. Imagine the wild areas too!

South Africa

Or just an African region in general. I don't have a reason for this other than the cool pokemon that could come with it, and I have pokemon OCs that are from a pokemon version of South Africa. It probably won't happen because Japan has a lot of xenophobia and racism, but I can hope (They added a Hawaiin region and I know that's US territory, but all 3/4 Kahunas were Hawaiin and dark skinned, so it could be closer than we think)

Egypt

5th grade me made an Egyptian pokemon region called Asaro. I never worked on it much, but I remember making a ghost type eeveelution that was a mummy (it was a regional variant of the OG ghost type I made). If they were to ever make an African pokemon region, Egypt would be the best one.

Italy

I literally have no reason for this other than I think the towns could look nice.

Australia

I think the next pokemon region is going to be Asutralian because each gen gives us a hint to the next (Example: Pokemon swsh showed art of a cherry and a grape in the hotel, which is pokemon sv). For Pokemon Scarlet, we got an image of a mountain that resembles a mountain in Asutralia.

I think an Asutralian region would be super cool. I actually had an Australian region in 5th grade called Sonin, and I want the Australian region to be real so bad to bring 5th grade me peace.

Midwest, USA

Reason? I live in the Midwest, and I want a region where I can stand in and be like "Omfg, I live here." Specifically, I live in Nebraska, but the entire midwest is the exact fucking same, so it doesn't tmatter if they choose one state or combine all of it. I even have some cool fakemon ideas! Example: a cardinal fakemon that looks like a thief, a maid raccoon because they're actually pretty clean, and the early grass types you find that turn into hot plant ladies could be corn. My friend actually made one when we were younger, and I made a map of it during quarantine. I remember making a cool town that was underground and held a ground-type gym leader.

China

I don't have any reasoning for this. I just think it'd be neat. OH WAIT! I just remembered an old fakemon I made named Fumo! It was a starter for a Chinese based region I don't remember the name of, and it was a red panda. I remember liking it a lot, and I might redraw it some day!

India

India is a really big place, and it'd probably be the biggest region. Honestly, they might just have to choose a section of India. But India has a lot of culture, and also has 1 billion people, so a lot of fans would be able to relate to it.

Mexico

There's actually an artist @voidarkana who is working in a Mexican region on their insta. I'm actually surprised we haven't gotten one, or at least hinted at one sooner (I can because Japan is xenophobic as hell). Buy there could be cool things with a Mexican region. And could you imagine the mythical and regional variants??? Imagine an Alebreje pokemon, or a Dia de los Muertos Houndoom!

Brazil

I made one in 5th grade (I made a lot of shit in 5th grade). I don't remember what it was called. I think it was Bravo or something? Idk. I want this because RAINFOREST WILD AREA. Imagine climbing on these massive vines with the newer graphics, and being able to go on the canopy! Or imagine a town in a rainforest and it'd be a cool treetop city! It'd be like Fortree city, but so much better!

Germany

Germany has a lot of culture, which I think would be fun to explore in pokemon. Plus, they could make SO many pokenon off of the Grimm's fairytales.

California, USA

California is gross, expensive, and polluted irl, but it could be super nice in a pokemon game.

Canada

I made a Canadian region named Calle in 5th grade, and I liked it a lot. It's where I had a Buneary regional variant that was ice type and had these cute little slippers. And one of the starters was an ice type hare, and I thought it was super cute.

Greece

A YouTuber had an idea for one, and I liked it a lot. I don't remember who made it, but they had the idea of the gym leaders being based off the gods, and the champion being based on a Greek Hero. That'd be so cool!

[rottenfox]

Genshin Theory from a noob: Language

Alright, well I'm in the middle of a 24 hour sleep reset so sorry if this makes no sense, but I've just got into Genshin and have recently caught up with the archon quests. One thing that I really enjoyed have been how each nation built their culture and government around the ideals of their nation. I'm sure those who are interested in this already know this but I'm still going to type it out for my sleep addled mind.

Mondstadt: Freedom- loose theocracy/police state w/ nomadic-like cells; based off the old Gemadic + Latin middle ages?

Liyue: Contracts- rigid capitalist structure w/ formal religious roots; based off China (though what dynasty, I don't know)

Inazuma: Eternity- rigid clan power w/ smaller clans controlling their own islands mush closer; Based off shogunat Japan

Sumaru: Wisdom- academic body w/ nomadic? Natives? Based off India and the middle east (mostly Egypt)

Fontaine: Justice- Judicial system w/ an oligarcical prison system?? (Idk how you would describe the fortress) Based off France.

Shneznia: ???- possibly also a theocracy w/ the God herself ruling; based of Russia.

I would put the Pyro nation but like I said, I'm new to Genshin and too tired to research properly. MOVING ON

We know these nations were built by the Archons to nurse their ideals but something that is only brought up a few times is the language barrier -or the lack of it. We know there are other languages, since is brought of a few times when something it written in "common" but it's surprising that EVERYONE can speak it. Despite the name, common as a language type, wouldn't make much sence. Which that got me thinking about how the languages would form and mix together.

Remember that language is never linear and alway mixes with the other languages around it. And for one language to be considered "Common" in the vast world known as Teyvat. So before we can ask what is Common, we have to analyze the other languages and see how they formed.

THE GOD LANGUAGE

And before we even start with the nation's, we have to start.... with their gods! Now, the gods of Teyvat grew their followers and mirrored their cultures to enhance their faith and spread their power. This also means that before the birth of Common there had to have been another universal language only the gods and immortal spirits spoke to communicate with each other. Personally, I like to think that it sounded like old Latin since the Lesser Key of Solomon was written in that language.

We can substantiate this with the fact that Morax had to make Mora instead of their being a currency that his people already used. The creation of currency is a sign of outward growth since it means foreigners can now enter the economy with only the minted coin and not, say, a herd of goats or bails of wheat.

As to what that language sounded like would entirely depend on how gods/ spirits are formed. I imagine it would be innate to them upon birth or manifestation since both seem to naturally come from the earth. Hell, each God might sound completely different but because their language is built off universal concepts and the elements, they just naturally understand eachother.

This would also mean that their people would most likely have a language that their respective god created, if Liyue and Sumaru/the desert dwellers have mean anything. As to what and how they formed I do have an... unfounded theory. I still have not finished all the story quests so forgive me if I get things wrong. I will also be using each nation's cultural stand-in as their language; ie German for Mondstadt, Manderin for Liyue, ect.

MONDSTADT

Starting with Mondstadt we have the King Decarabian, the small wind spirit Barbatos, and the minor gods/ elemental dragon of Mondstadt with would become the four winds. Since we don't know how long King Decarabian ruled and there is no mention of him having rivals, we can assume the majority of the humans in the area were his to rule. Especially since he didn't even regard the wolf god as a threat during the Archon war and the fact that the people made Venti as their god without him having to kill other gods to keep it. We can assume the rest of Four Winds didn't have humans to look after either during that time, being uninterested in them.

This would mean German is one of two of the most purest... base language. The indefinite isolation the Tyrant put them through meant that they most likely never spoke to foreigners before the rebellion, but with the freedom Barbatos gave them, they were quick to leave and explore past their nation. This would explain why the Adventure's Guild Headquarters is in Mondstadt instead of each nation having their own.

As for what it sounds like I think it would still have the harshness of German thanks to the origins with the God of Storms but has also gained a softer, rounder note with Barbatos's ascension. They also have a penchant for borrowing words from other languages as the people spread out through Teyvat. Tying that with their friendliness with foreigners and you quickly find yourself with the beginning of a mutt language, something we will bring up later. For now let's move on too...

LIYUE

Liyue is by far the most complicated when it comes to their language history, since it seems like the majority of old gods vyed for power and land there as well as the dozens of Adepti that roamed the land. It's to assume that it was more of a conglomerate of villages that spoke their own version of Common rather than each god exclusively influencing their followers language. Think how the Nordic languages interact with each other, that was basically how Liyue's former languages.

Soon, with Morax coming into power, that common language became Manderin and was probably about as complex as well. I imagine dialects are still very big their though, along with unique naming conventions based on region. I think that their would be a good amount of Teyvat's version of Latin in it because of the fact that gods and adepti were so close to humans.

Manderin would probably be one of the strongest languages in Teyvat, passing German and just behind Sumaru's language. Though there is an argument for it having the strongest influence with it's proximity to Teyvat's economy. As to what it sounds like, I think it would vary by region but would gave the bounciness of Manderin but with the rolling undercurrent of Latin- if that makes sense. It would also have quite a few loan words from Sumaru in particular and would be one of the wordiest language thanks to needing to state the parameters of a contract extensively. And while there is an honorific system, it's more modern and our next nation...

INAZUMA

I will start this section by saying, I really didn't read/ pay attention much to Inazuma. So this may all be wrong.

Inazuma being a collection of islands so far from the mainland gives it a lot of uniqueness compared to the other languages and cultures. Logically...it should be the most unique of the other nations... unfortunately, this is still a gacha game and so there has to be a Japantm. So I'm probably going to say that the original Baal separated the islands from the main land... or that the God of Vortex pushed them even farther away from Liyue.

Either way, I imagine they would actually have Two "languages": the common Japanese borm form the natural progression of being separated from Liyue we see mirrored in real life, and a more ancient language used exclusively in religious work and meetings with gods and spirits.

Compared to Liyue, Inazuma is even more devout to their gods, building so many shrines and interacting with spirits even more than those in Liyue thanks to the smaller amout of space. So while they had a similar situation as Liyue, the humans were at higher beings mercy even more. I imagine that the humans at that time kept an even stricter honorific language. With the politest version using so much Latin syntaxes a form of respect.

With the raise of Baal and Eternity taking power, I imagine that polite speech coming to a halt while the rest of the language evolved until they became two separate languages. If you thought Liyue's combination was weird then think of Japanese and Latin mixed together. It would probably be the most complex language with the honorific system being to strong there in particular.

SUMARU

Sumaru interested me the most, since it is thee nation of Wisdom, and I love the fact the modern Sumaru is based heavily on India! That being said, language-wise... I'm a bit at a loss. Because they have the Desert-dwellers (which I will now be calling Arabics because I hate that usage), they had a full blown language before the Dendro Archon. But it's very obvious that there was a major shift after King Desheret death.

It could be because of the Akademiya's push to worship Buer that they completely morphed the language, creating something of a class language where only the learned and elite can speak. It would be interesting, especially since I don't think such a thing has happened in the real world. It would help that the Arabics stayed in the desert, keeping not only their language, but their features as well while the academics became pale and evolved their language to reflect that of Buer. (Which you could say because they stayed inside all day studying but idk. Still wish they made them dark.)

Egyptian Arabic would probably be the oldest mortal language still spoken in Teyvat and may have moved far from any Latin tie before Buer came to power. I can also see modern Arabics wanting to separate their language from the academics because of rising tensions, as it to say "They are not us."

The academics on the other hand would probably be just as wordy as Liyue since they research. Though I think the Akademiya's disdain for lesser languages might lead to them never officially borrowing words. This, of course would lead to a casual speech that would use loan words and a formal speech that is used in papers and events would be 100% Hindi. Hindi would also be a major language since it would be the language of science/ alchemy with also being the only place of formal education in Teyvat. This Hindi probably has major roots in Latin in an effort to be like their god. But they aren't the most Latin. That would be...

FONTAINE

So Fontaine is fun because it is the only nation we know so far that IS a Latin based language irl and we can make several connections with the God Language being Latin with this.

So with the Nation of Justice being so tied with the idea of truth as well, it's pretty ironic that it was built on a falsity, with Fontainians being Oceanids. Specifically, they were the familiars of the Hydro Archon...

I hope you know where I'm going with this.

When the Oceanidss became human, the Latin they spoke had to be reformed, after all the "True Latin" can only spoken and understood between gods and spirits, so their now mortal use of Latin had to be tweaked. And slowly but surely, it became the Latin language we see their today: French!

It would be the youngest of the languages with soooooo many borrowed words; most of them from Liyue and Sumaru so it's more of a mutt than how our France likes to portray it's language.

There isn't much else to say (that won't insult the Franks) so let's skip the Nation of War and move on to what little we know about...

SNEZHNAYA... AND KHAENRI'AH

So, like I said, I'm new to the game and have not played through all of the story quests. So this is pure speculation though I did read just a bit wiki in my state to know about Khaenri'ah and the Abyss's tie to Latin. You would think that means my theory of Latin being the language of the divine but not really. In fact if "True Latin" was the language spoken by the gods and spirits, it would make sense that it would be the language of Alchemy, astrology and magic. And with Khaenri'ah being so old it would definitely have Latin-like text.... which brings me to my theory...

Khaenri'ah is Italian. HEAR ME OUT!

I always found it strange that the fatui harbingers had Italian titles despite their nation being Russian. But then I learned the the Fatui was started by a Khaenrian who have everyone their titles. And with Italian being so close to Latin it would make sense why so much of their text still reads Latin. Especially if they saw Latin as the script of the world. If anything Khaenrian's insistence on using Latin script could be seen as an insult to the gods, as if saything they were equals. The Abyss also speaks Latin most likely since it's another ancient force in Teyvat though I imagine it... gives off a feeling of dread for all who listens... unless they're already insane.

As for Snezhnaya. I still want to wait before giving a full analysis.

COMMON

alright I've spent 4 hours on this and I'm crashing so it's gonna be short. The basis of Teyvat's common language is mostly going to be German since Mondstadt were most likely the first to travel and interact with the other nations. It would then be mixed with Manderin as Liyue's financial power grew and their language formalized. Hindi probably had a bit of influence as well but since Sumaru is very elitist only a few borrowed words slipped in. I can see the same happening with the rise of technology in Fontaine though it will probably be on a much smaller scale.

I'm not editing this. Feel free to add your opinions and theories in the comments. I'm gonna suffer for 5 more hours now.

[freudianslumber]

TIGER MAN Master List

It took longer, but here is the master list and completed work for my second Elvis fanfiction.  Comparing with “Today, Tomorrow and Forever”, this story is more plot heavy and involves more original characters, some of them are foreign and with their own back stories.  Since the storyline is set in a historical background, writing also took more care and research, e.g., multiple times I had to look up if something actually existed back in the early 1940’s.  In addition, all the Elvis songs mentioned needed to be from way back then.  Considering these challenges, I’m overall pleased with the final product. Specifically, I think I’ve made some headway in terms of depicting the psychological evolution and emotional conflicts of my characters.

If anyone is reading this, enjoy and Merry Christmas!

Note: Once again, both original version in English and Chinese translation of this work are available on AO3.

Summary: The year was 1941, bandmates and secret lovers Scotty Moore and Elvis Presley got caught red handed by Scotty’s fiancée, and this led to the young men being thrusted headlong into the China-Burma-India theater of World War II as members of the first American Volunteer Group (The Flying Tigers).

Chapter 1:  Caught in the Heat

Chapter 2:   Flying Tigers

Chapter 3:   Lost and Found

Chapter 4:   Battle of Salween Gorge

Chapter 5:   Guest and Hosts

Chapter 6:   Fleeing from Danger

Chapter 7:   The Stand-off

Chapter 8:   Chamber of Darkness

Chapter 9:   Peace in the Valley

Chapter 10:   Garden of Roses

Chapter 11:   Life and Death

Chapter 12:   The Long Way Home  

[peonycats]

CAN YOU EXPLAIN TO ME INDOCHU

i deadass havent heard of it before but it seems neat and ya seem like the expert on it so i was wondering like what is their vibes and stuffs

SDHGHSGHSAJ I HAVE NEVER POSTED IT BUT OKAY I CAN TRY TO EXPLAIN? (thanks to my indonesian friend for helping out again weee)

Sukarno, the leader of the Indonesian independence movement and the first president of an independent Indonesia, cultivated a close relationship with Mao's China as part of an anti-imperialism alliance and the wider NAM movement, as well as his own "Guided Democracy" philosophy. However, after Suharto ousted Sukarno from power, he cut ties with the PRC and banned Chinese literature, culture, and characters; he went so far to ban Chinese Indonesians, particularly those on Java, from using their Chinese names.

Mao even went so far to fund Sukarno's attempt at creating an alternative to the Olympics, GANEFO (Games of New Emerging Forces), even though it was only ever hosted twice lol

There's a significant Chinese diaspora population in Indonesia and despite facing cultural suppression from the Suharto era government and anti-Chinese sentiment from Native Indonesians, have markedly impacted Indonesian culture and history as a whole.

The current Indonesian president is Pro-China and maintains close ties between Indonesia and the PRC.

So (according to people way more enthusiastic about Indochu than I am) Indochu is appealing because of how grey both of these countries are as well as their relationships- they have a long, mixed (and sometimes very sensitive) history with each other with a lot of potential. Realistically, today they probably wouldn't consider each other notably close partners, as it's more because they just happen to have certain interests line up, such as standing against western economic domination and security guarantees. But hey, I see the chemistry 🤔

This is of course, assuming you actually meant to ask about indonesia x China and not India x China, which in that case gosh... SORRY FOR WASTING EVERYONE'S TIME....

(But I'm currently writing a oneshot collection which heavily features India x China and shows off a lot of what I enjoy most about their dynamic, so give it a read! I also have multiple India x China fics up there so those are an option as well)

[religion-is-a-mental-illness]

Konstantin Kisin - The Speech The World NEEDS To Hear

Aleksandr Solzhenitsyn once said that the strength or weakness of a society depends more on the level of its spiritual life, than on its level of industrialization. If a nation's spiritual energies have been exhausted, he said, it will not be saved from collapse by the most perfect government structure, or by any industrial development. A tree with a rotten core cannot stand.

When he was allowed to leave the USSR Solzhenitsyn went to the US, where he was given a hero's welcome. But he quickly realized that American society was far from perfect. He started lecturing Americans about the problems he saw. Americans don't like that. Like Solzhenitsyn, I come from the Soviet Union, but I have no intention of repeating his mistake. That's why I've come to Britain, where you love being told what's wrong with you by foreigners.

But I do have to be honest. Six months ago, when Jordan and Philippa asked me to come here and speak at ARC about the importance of audacity, adventure and a positive vision for our civilization, I was honored and delighted.

But as I stand here today, after watching crowds openly celebrate mass murder on the streets of our cities, after watching the police spend more time debating Islamic theology on Twitter than enforcing the law, I'm starting to lose faith. I don't know how long our civilization Will survive.

For years now many of us have been warning that the barbarians are at the gates. We were wrong. They're inside. Now look, I'm not going to be all doom and gloom, there are positives as well. I mean, say what you want about Hamas supporters, at least they know what a woman is.

But joking aside, I have to be honest. I've been in a dark place these last few weeks, so I did what I always do when I don't know what to do: I talk to my wife. It's not the only time I talk to her, but you know, get the point. And she said, look, you need to clear your mind, take a few days off, let's go on holiday. And I know, it's a weird thing to say, I don't like going on holiday, cause I love working, and I hate spending money. Protestant work ethic in a Jewish man's body. My wife is exactly the other way around, unfortunately.

But she was right. She's always right. That's her best and most annoying quality. So, we went to Barcelona. Beautiful city. And as we were walking down the main tourist street, La Rambla, many of you will know, when you get to the bottom, you hit the Christopher Columbus Monument. It looks like a giant column with a pillar of Columbus on top pointing towards the New World. And this reminded me of my son, Nikolai. He's 16 months, and this is what he does, he sits on my hip and points in the direction he wants to go. Treats me like a horse, basically. And if I don't act quickly enough, or if I don't comply, he does what all toddlers do: he throws a tantrum and starts screaming. How dare you! You have stolen my dreams with your empty words! And when he does, we read him a story and put him to bed. We don't give him a standing ovation in front of the UN.

Anyway, trigger warning, I am going to talk positively about Christopher Columbus. I know he committed some pretty sizable microaggressions, but he also changed the world. Do you know why he changed the world? Yeah, he tried to reach India and by accident discovered America. But why go west to India? Europeans had been trading with India and China for centuries via the Silk Road. Why risk your life to go out on a limb? There were many reasons of course, but the main one was the decision to try and reach Asia by going west, was not made out of choice. Europe was desperate. Only a few decades prior, in 1453, the Ottomans sacked Constantinople, and they cut Europe off from the Silk Road. The West Was facing a huge challenge and a new threat. No smaller than the one we face today. And like us what they needed was another way.

But when Columbus took his idea to go west to India to the kings and queens of medieval Europe, they laughed at him. They didn't laugh at him because he was some misunderstood genius, he wasn't Galileo. They laughed at him because he was wrong. If you go out in the street and ask a random person why Columbus discovered America, they'll tell you he worked out that the Earth was round. Not true. By the time Columbus set off on his voyage in 1492, people had known the Earth was round for two millennia. There's probably more flat Earthers now than there were in the 15th century. God bless the internet.

The reason Columbus discovered America is not that he'd worked out that the Earth was round. The reason is that he massively underestimated the size of the planet. They were right to laugh at him. He was wrong. But he took that wrongness, he persuaded 90 other men to get into three boats smaller than the size of this stage, and sail into the unknown. And he persuaded Queen Isabella of Castile and King Ferdinand of Aragon to fund his voyage.

The moral of the story is, it doesn't matter how wrong you are as long as you've got rich friends.

That's not the moral of the story. The moral of the story is, the history of our civilization was not made by people who always got everything right. It was made by people who'd made mistakes too. It was made by people who dared to believe that they could solve the problems they faced. The story of the West is a story of audacity.

The big debates of the last decade, the culture war, the polarization, are about one thing and one thing only: the future. There are people like us in this room who believe that our future is to be prosperous, powerful and influential. We are the majority. But there are also some people whose brains have been broken by an excess of education, who believe that our history is evil. That we do not deserve to be great, we do not deserve to be powerful, that we must be punished for the sins of our ancestors. To them, our past is abominable, our present must be spent apologizing, and our future is managed decline.

My message to those people is simple: how dare you. You will not steal my son's dreams with your empty words.

But Jordan is right, we need a positive message too. So here it is: from the dawn of time, human beings have had to work to make the world a better place. We captured the mystery of fire. We invented the wheel. Today we build buildings that would shock and awe almost every human being that has ever lived. We split the atom, we spliced the genome and we connected the world through microcomputers that fit in our pockets, that allow us to do amazing amazing things.

This morning, I destroyed someone on Twitter with facts and logic from the toilet. It's magic! Remember your grandparents? Remember them? If I could go back in time and transport the grandparents of your grandparents into this room, just four generations ago, they would think they'd been abducted by aliens. that's the progress we've made. We haven't made that progress by whining and acting like victims. We've made that progress by unleashing the creativity and talent of people like us here in this room.

But I do think we've forgotten what adventure is. Being adventurous is not ordering extra-spicy chicken at Nando's. Wrong reference for this room. Let me try again. Being adventurous is not ordering extra-spicy chicken from your personal chef.

When Columbus and his men got on those boats and took a journey into the unknown, they sailed to certain death. You know why? It's not because they were braver than you and I, it's because they knew something we forgotten: all death is certain. And so I say to our friends in the world of business, you've made your fortunes by maximizing your returns on your investments. We are in the fight of our lives. there is no greater return on your investment than to protect and preserve our civilization.

And so I invite you to follow in the footsteps of Elon Musk and Paul Marshall and Ben Delo and many of you here who are using your fortunes for the betterment of humanity.

I say to our friends in the media: truth matters! We are in the fight of our lives. There is more to life than clicks and downloads. Let’s move beyond the culture war where all we do is bat away the litany of slanderous allegations about our history. Let’s set the agenda. Let’s remind our fellow citizens why we are where we are. Let’s remind them that we are the most tolerant, open and welcoming societies in the history of the world. We’re not embarrassed about our past, we’re proud of it.

And to my colleagues in new media especially I say this. The legacy media is dying for a reason. They cannot be saved, they cannot be reformed. Let’s stop complaining about them and start building the media empires of the future ourselves. We have everything we need. We’ve even got rich friends now.

I say to our friends in education and academia: I understand that many of you feel like the French Resistance or Soviet partisans, stuck behind enemy lines, undermanned and out gunned. And you’re right, we are in the fight of our lives. So keep fighting for every young mind you can. It will be worth it.

And finally, I say to our friends in politics. Many of you here are conservatives. I’m not, I look terrible in tweed. That’s why I identify as politically non-binary. But I can tell you conservatives something. You will never get young people to want to conserve a society and an economy that is not working for them. We will not overcome Woke nihilism as long as young people are locked out of the housing market, unable to pair up, unable to have kids, unable to plan for the future.

I know it’s difficult, and I know that whoever solves the housing crisis may well pay the price at the ballot box. This is true of many pressing issues too, or at least you think it is. But you did not get into politics to get re-elected. You got into politics to make a difference.

We are in the fight of our lives. And if courage means anything it means doing the right thing and being willing to take the punishment if you have to. Let me say it again: all death is certain. We do not get to choose whether we live or die. We only get to choose whether we live before we die. Thank you very much.

[lordvonbunnyv]

List of things that were supposed to happen in my scrapped countryhumans talent show fanfic

-Hawaii does an Elvis impersonation and performs blue suede shoes

-Hungary spends the entire show trying to solve a Rubik’s cube. When his five minutes on stage ended, they just moved him off to the side so he can continue. He doesn’t solve it

-Poland and Vatican’s talent was performing Exorcisms, and brought a possessed woman on stage to exorcise, but got kicked off immediately by UN. So they begrudgingly decided to perform their exorcism in the boys bathroom, which got stopped halfway through by both UN and ASEAN who understandably did not want a demon running around on the Asian country’s section of the building. Oh yeah, in my ch AU, Poland was a priest and was trained in demonology by Vatican and is certified to perform exorcisms.

-Northern Ireland and England dressed as their secret drag queen personas, along with Wales who dressed in her drag king persona, and they all “danced” (it was mostly them doing uncoordinated dance moves like the worm, the running man, and the epileptic octopus.) to Scotland’s bagpipe playing. And then they all jumped onto each other’s shoulders and fell over.

-Serbia’s performance of a Diss song that she composed that mostly made up of her playing an accordion and dissing all of the countries that have wronged her, or she hates, both past and present. The big finale was when she started insulting Ottoman empire and calling him names, when both Turkey and Ottoman Empire jumped up and chased her around the auditorium while she continued to hurl insults at them, both EU and UN had to chase after the trio to get them to stop.

- a few of the African countries put on “Africa” by Toto.

-America’s western states do a crummy half hearted line dance to “finally Friday”, the northern states perform “Blame Canada”, and New York performs a Broadway number (unfortunately… his song of choice was “springtime for Hitler”) they were all supposed to do a group number, but split due to creative differences.

-Mexico played a quiet folk song on his guitar which was well received.

-Austria played a classical piano piece with Germany as the page turner, Germany fumbles with the pages causing the pages to fall onto the floor, Austria playing the same measure over and over in a panic as Germany struggled to collect all of the pages before giving up, and running off stage in embarrassment.

-France and a few of her states perform “do you hear the people sing?” While Normandy performs “bring him home”

-Austria-Hungary with help from German empire performs a classical music piece, but then gets interrupted by someone’s phone.

-Italy sings a song and then ends it with a sudden cart wheel.

-India, Brazil, Kenya, and Australia bring a VERY VERY DANGEROUS AND HIGHLY VENOMOUS BLACK MAMBA ON STAGE to demonstrate their venomous snake handling skills, they tried to get someone to come on stage to HOLD THE SNAKE. But that got nixed real quickly.

-Mauritius does a dance with his cloned dodo bird, Captain Lewis, which then walked off stage and fell into the audience.

-Britain gets introduced on stage as “performing a nice number by Bach”, he has his suit on, a top hat, and everyone thinks, “oh, he’s going to play the number on his violin”. Nope, he lowers his tie, tucks his pants inside his big, tall, platform boots, and unbuttons his collar to reveal the spiked collar underneath, and whips out his old electric guitar and plays friggin’ toccata and fugue in D minor like a legend.

- Norway, Denmark, Finland, Sweden, and Estonia try to do a Black Death metal performance with their band, “Estonia and the Nordics”. It was just them screaming, banging on their instruments, and smashing their guitars while Estonia, the lead singer, gets a bout of anxiety and stands awkwardly on the stage looking at her feet unable to sing.

-Russia, Ukraine, Belarus, and China tried to perform the dance of the little swans (Russia’s idea, no one else wanted to) but only Russia practiced and China was a last minute edition as Kazakhstan quit that day, and not even one second into the music, the whole thing dissolved into a massive fight and Belarus running offstage to go snitch to Soviet Union.