#Ina Jung
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REVIEWING THE CHARTS: 11/11/2023 (Olivia Rodrigo, Jax Jones/D.O.D/Ina Wroldsen, The Kid LAROI)
Welp, with a ton of sales and some actually good streaming traction, the Beatles have done it. With their supposedly final single, they now have 18 #1s, the second most of anybody charting only second to Elvis. It’s their first #1 since 1969, “Now and Then” surging up to the top spot this week. So what about the rest? Well, welcome back to REVIEWING THE CHARTS!
Rundown
It should be no surprise that “Now and Then” hit #1. They sold 78,000 units - a lot of it being physical copies - which naturally stomps on the usual sales figures we get nowadays. They set all kinds of chart-span records, including gap between #1 singles, and whilst it’s far from the only story this week, it is pretty great to have a genuine chart moment much like the Christmas #1 where the average person may actually give a damn about the chart. Now that you’re interested, here’s what’s on the chart, our notable dropouts - songs exiting from the UK Top 75 after five weeks in the region or a peak in the top 40. This week, we say farewell to all the Halloween-related re-entries and debuts - probably not worth listening here, just make five guesses and check last week’s episode, you’re probably correct - and then it’s just “ONE MORE TIME” by blink-182, “bad idea right?” by Olivia Rodrigo, “Bittersweet Goodbye” by Issey Cross and “Kill Bill” by SZA, it’s not exactly a week for big losses.
This is also one of those weeks where we do see resurgences of old songs, with “Bad Habits” by Ed Sheeran back at #74, as well as the return for “Iris” by the Goo Goo Dolls at #67. This is its first time in the top 75 since 2014, and it has a bit of a bizarre run in general. It charted at #50 on release, died almost immediately, came back the next year at #26 before soon drifting back away. With the introduction of digital sales and eventually streaming, however, “Iris” has won out, going in and out of the charts for 100+ weeks since 2006. It peaked at #3 after a performance on The X Factor in 2011 pushed its sales up, which meant it was competing with Sak Noel’s “Loca People” and Maroon 5’s “Moves Like Jagger”. Elsewhere, we see gains for “Everywhere” by Fleetwood Mac at #61, “Someone You Loved” by Lewis Capaldi at #58, “As it Was” by Harry Styles at #57, “Another Love” by Tom Odell at #51 and the earliest defrosting of the Christmas hits ever, with “All I Want for Christmas is You” by Mariah Carey at #40 and “Last Christmas” by Wham! at #37. Therefore, Christmas rules need a reminder: I will not discuss Christmas gains past the top five unless they are entering the top 75 for the first time that year in that week. It means the rundowns get a lot less tedious during the holiday season.
To be fair, we have some more contemporary gains, like “MONEY ON THE DASH” by Elley Duhé and Whethan at #63, “Black Friday” by Tom Odell at #54, “Dance the Night” by Dua Lipa, “Would You (go to bed with me?)” by Campbell and Alcemist at #29, and “On My Love” by Zara Larsson and David Guetta at #22. Additionally, Jung Kook’s solo debut album GOLDEN debuts at #3 on the albums chart, thus we see gains for “3D” featuring Jack Harlow at #45 and a re-entry for “Seven” featuring Latto at #35, alongside a new single in the top 10 which we’ll talk about later, standing right next to Taylor Swift swapping out “Slut!” for “Cruel Summer” returning at #7, and speaking of the top 10…
The top five this week consists of “Water” by Tyla back up to #5 with Tate McRae’s “greedy” at #4, Taylor Swift’s “Is it Over Now?” holding on at #3, “Prada” by casso, RAYE and D-Block Europe at #2 and of course the Fab Four at the very top. Now for our pretty scarce but vaguely interesting batch of new songs, though I say the term “new” a bit loosely.
NEW ARRIVALS
#75 - “The Night We Met” - Lord Huron
Produced by Ben Schneider
Okay, so we have another weird chart run here. This song by California indie rock band Lord Huron was originally released in 2015 - which is soon, terrifyingly, near a decade ago - and did not make much noise until it was featured on the soundtrack to Selena Gomez-backed polarising Netflix show 13 Reasons Why in 2017, the year in which this song actually charted below the top 75 for a brief couple weeks. The year after, a remix featuring Phoebe Bridgers of boygenius was featured in the soundtrack for the show’s second season, and gave the song a bit of a third wind… and now it’s back for a fourth because God knows why, probably TikTok because the show is long cancelled. Thankfully this constant slow-burn of a chart run is for a song that is genuinely very good, going for a slightly retro-sounding guitar lick with the haunting doo-wop vocal lead-in, for a song about losing the spark and connection of a relationship and just desperately wanting to recapture - or honestly, escape - the initial moments. I wish the lead vocalist would really get into it a bit more as whilst his fried devastation is effective, I’d like to hear a real belt considering the desperate melodrama of these lyrics. It’s also not the bets co-ordinated-sounding chorus in the world, isn’t really that impactful, and the mix can feel a bit compressed, but as a song, the qualities are there, and I think it lacking a bridge or real climax is by design. It’s the closer of the album after all, and I’m not about to complain about something that could be corrected by listening to the full record. I prefer the Bridgers version, primarily because of how a female perspective in the second verse just touches a better note for me, I don’t exactly know why. It doesn’t make any major differences to the composition so either will work, and if it ends up sticking around, it’s far from the worst indie pop track to have lying around at the bottom of the charts. Isn’t that right, Vance Joy?
#66 - “Brilliant Mind” - Blanco
Produced by Jensmuller
We’ve seen UK rapper Blanco, specifically accompanied by Central Cee, and he didn’t make much of an impression then, though the song wasn’t bad. Here he is backed with what may be one of the best drill beats I’ve heard this year, if it counts as one, applying the rhythms to a club bounce and some African-influenced blocky percussion, as Zelda-sounding flutes ring off in the background and as soon as Blanco starts rapping, a warm sax joins the mix, adding a lot of richer potency to otherwise standard flexing and violence, though the rhyme schemes and flows are on point, and Blanco has a fantastic delivery to sell all of this. I find the lack of ad-libs for the most part really interesting too, it makes the song feel a lot more self-interested, inward-looking rather than flexing on the audience, where each thing he’s grateful for in his life has the added caveat of what should have happened or what eventually does happen to defy the purpose and meaning of it, like when his old gang friends hop the gated fence he has up. It’s a shame that the name of the song comes from a corny sex pun in the hook because there really is a lot to this one, and I think a better outro would seal it for me, but as this there’s still a lot of quality here, especially in the production and that frankly fantastic second verse, for me to call this a pretty excellent example of where British hip hop could be going. Check this out.
#41 - “BLEED” - The Kid LAROI
Produced by Billy Walsh, Omer Fedi, Blake Slatkin and The Kid LAROI
So The Mid LAROI has slowly been drip-feeding songs from the new album he just released this week, and whilst rap is still an influence, LAROI is moving further into the pop rock direction Post Malone kind of took, which makes complete sense for LAROI considering he is some kind of amalgamation of Posty, Bieber and Juice WRLD, with the only thing that really makes him all too recognisable being his hate-it-or-love-it voice. Now I love “WHAT JUST HAPPENED”, but that’s not the single that charted this week. Instead, we have “BLEED”, which just goes for a similar indie pop-influenced acoustic rock sound, except more familiar and laidback than what the other single went for. It’s not bad at all, even if LAROI’s rawer lead vocal take seems a tad detached from the backing harmonies. I do quite actually like that interplay - or more accurately counterplay - on the chorus, where LAROI’s vocal inflections seem particularly dejected when he’s not going for a half-rap angst. The soaring backdrop makes this a pretty solid track, even if perhaps a one-note one that doesn’t go for much more than the one cool trick it saves for the second verse, that being the fast-pace build-up with the distorted guitar and synth flutters sliding in, but it doesn’t lead up to all that great of a final chorus, especially since some of the extra layers are stuck in the back of the mix or only in the left channel. There’s a good song here, but it’s not really fully realised and I don’t think it’ll ever be a great one.
#28 - “Won’t Forget You” - Jax Jones, D.O.D and Ina Wroldsen featuring The Blackout Crew
Produced by Jax Jones, D.O.D and Mitch Jones
Part of me perhaps optimistically hopes that D.O.D will offset some of Jax Jones’ copy-and-paste house-pop genericism by a lot trying a little, and we have Ina Wroldsen - who you probably heard on Jones’ older hit “Breathe” - on the meaningless vocals, so it’s not exactly a good sign, but hey, it’s not awful. Wroldsen sounds frankly terrible but the Euro-trance revival is still in full effect and that slightly jerkier take on the beeping trance synths is actually a bit of a cool, different touch amidst the rest of the oddly drowned-out atmospherics that Wroldsen is mixed way over. It was probably D.O.D’s idea but that’s not important, it’s still there… but it loses its novelty past the first drop. It’s an earworm for sure, though and for whatever reason, the Official Charts Company credits “The Blackout Crew” here for the less-streamed “donk edit”, which is basically the song sped-up and with comical rapping over the drop. Welcome back, Blackout Crew, you haven’t charted since you “Put a Donk on It” in 2008, and you haven’t gotten any better in those 15 years, but it’s still… just delightful. In fact their style of comical EDM-rap they introduced with that classic novelty single is probably more influential than I’d like to admit nowadays. I’d like to see them collaborate with some of the people that clearly take influence from them, like Kak Hatt or, uh, the “give me some time, I’ll have that Rover” guy. Yeah, that would work.
#18 - “Can’t Catch Me Now” (from The Hunger Games: The Ballad of Songbirds & Snakes) - Olivia Rodrigo
Produced by Dan Nigro
Welp, there’s a new Hunger Games, and Lorde isn’t hip with the young-adult demographic anymore so guess who’s back? This seems to act as a semi-motivational semi-revenge track that makes many direct references - albeit through metaphors and imagery you could absolutely apply to, say, a breakup - to the film’s plot, or at least seems to. Rodrigo plays a powerful woman responding to mistreatment by just being everywhere and having whoever wronged her constantly reminded me of O-Rod, without them being able to “catch” her. It’s a cool idea for a song, but perhaps not an acoustic ballad? Rodrigo doesn’t feel like she’s signifying much power here, even if the acoustic guitars sound a lot richer this time around and the harmonies are pretty gorgeous as one would expect. For an acoustic Olivia Rodrigo ballad, it’s actually up there quality-wise, even if just for the swell and for the lack of annoying wordiness that is a bit of an O-Rod trademark at this point. The haunting strings do a pretty good job at feeling surrounding and particularly enclosing, giving a ghostly essence to the reverb and echo on Rodrigo’s “oohs” in the post-chorus. In fact, the bridge kind of seals it: her performance is fantastic, the initial hit is great, but then it repeats as a mantra, gaining swell but losing most of its steam. Unlike LAROI’s ballad from earlier, there IS a great song here, somewhere, but the structure of it - and perhaps my lack of connection of the franchise - doesn’t do it as many favours for me. I can see it growing on me or really being a fan favourite but for now, I just think it’s pretty good.
#6 - “Standing Next to You” - Jung Kook
Produced by watt and Cirkut
I’m still yet to be impressed by BTS solo work and whilst Jung Kook is somewhat close - he definitely has the charisma of a pop star - I feel like he ends up losing me just in the songs department, as they really end up being a competent version of a mostly competently-written song with a fun performance, and nothing more. They’re so fine-tuned and well-done it makes me forget that he was at some point a K-pop singer, and that’s definitely true for this one that just throws 80s synth funk grooves, harmonies and disjointed blasts of horns and bass at you, to convince that there’s some kind of bombast. But I’m honestly not convinced: it’s trying a lot, trying to make some kind of epic, but it doesn’t have a lot of the guts. One of the big lines in the chorus is “it’s deep like DNA” and the wham line it drops on is just a stuttered, kind of weakly-sold “take off”. There’s also just not a lot lyrically here at all, and I mean that in quite literal terms of how many unique words there are. It’s not bad, it’s just a nothing burger.
Conclusion
And sadly, on a decent week, that’s enough to get Worst of the Week. I probably have to clarify given it’s Jung Kook that I have absolutely nothing against the boys, just I’m not a fan of the song. I can’t sincerely give out a Dishonourable Mention so I’ll tie the Honourable Mention between “The Night We Met” by Lord Huron, specifically the version featuring Phoebe Bridgers, and Olivia Rodrigo for “Can’t Catch Me Now”, whilst Best of the Week goes to, surprisingly enough, Blanco for “Brilliant Mind”. I guess, keep it up, man. As for what’s on the horizon, we’ll be in festive season soon enough, but maybe PinkPantheress will give us something less confectionery to chew on in the interim? I don’t know. Regardless, thank you for reading and I’ll see you next week!
#uk singles chart#song review#pop music#jung kook#olivia rodrigo#the kid laroi#blanco#lord huron#phoebe bridgers#jax jones#ina wroldsen#d.o.d#blackout crew
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rules: create a moodboard from the results of typing your name + core on pinterest! tysm my love @bisexualgyu ❤️
tagging: @jeonwonwoo @wqnwoos @starsstuddedsky @februaryflowers-main @wonwoonlight @cheolism 🫶🏼🫶🏼
#okay i cheated a bit bc when i search my name it just comes up with jung haein and haerin from nwjns 🤧#so i used ina as well lol its a mix of both x#very cute 🫶🏼🫶🏼🫶🏼#tagged#tag games#rhys <3
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Niemand: "Wie viel Musik von Ina Müller willst du eigentlich noch in diese Schreib-Playlist quetschen, damit sie noch nischiger wird als eh schon?"
Ich: ".... ja."
Special Shoutout an @iamnessaja , weil wir wahrscheinlich die einzigen zwei Bekloppten hier sind, die sich dadrüber freuen 😂
#i mean come on#die frau hat ein musikalisches motto und das lautet 'ich werd zu alt für den scheiss'#and that just ..... fits a little too well sometimes#and that age-gap-sprinkled relationship of hers is just ... the cherry on top#like ... ina & johannes -> lena & johanna ?? could this be any more obvious????#bin ja so 🤏 kurz davor 'teenager' auch noch reinzuwerfen - aus ... gründen#aber liv und ivy sind ja zum glück noch n bisschen zu jung dafür :')
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the acolyte 1x06 live reaction post
omg the episode is called teach/corrupt 👀
OSHA 👁️ she’s ina. bed omg
he wrapped her bandages omgggg
wait is there only one bed……
the toxic yuri implications
wait omg the scoreeeeee romantic ass violins michael abels ty
omg qimir
sol :((((((
omg mae
he still thinks she’s osha?¿ or is he playing her
sol :((((( goddamnit lee jung jae i don’t like you but he’s doing well as sol
PIPPPPP
qimir omg osha trying to sneak up
he knows she’s there i think
oh my god he’s SHIRTLESS??????????
HES NAKEDvvvvvccvv
SHE SAW HIM NAKED???????
IM LAUGHING SO HARD BC IM FLUSTERED
wait he’s nice
“i’d like to put my clothes back in” LMAOOOOO
HE JUST STANDING THERE NAKED IN FRONT OF HER
he’s so calm with her
these romantic ass violins
why he seem kinda sad
i cant believe she saw him BUTT ASS NAKED girllllllll
wait oh my fucking god he undressed while knowing she was WATCHING!!!!!!
sol and mae “hug” i’m feeling so sad
forced proximity mae and sol dad and daughter dynamic coming
he was a jedi????
“everyone does seem to want you” AAAAA
qimir saying she’s strong with the force OMGG
romantic ass violins icb
she seems very calm with him i’m kinda surprised
awwwwww bazil and mae 💜💜💜
“desire” while staring at her after a PAUSE OMGGG
he’s so calm
PULLING HER ARM?3!!3!;!2
this is so sexy
he’s making her angry on purpose
OH SHITTTT HER ANGER REAWAKENED HER FORCE
romantic ass violins AGAIN
she looked at his lips OHHHHHH
i’m glad he’s actually tender with her, i was worried he would be over-angry or pushy with her
“i find it unsettling” LMAOOOO
bazil and mae siblings
oh he found out
he’s fixing his mask ohhhhh
i’m glad he’s addressing how he made a mistake with mae and osha is different from her
“the power of two” 👁️
the kylo theme aaaaaa
jecki :(
they think it’s sol?
she’s getting lured closer to the maskkkkk
oh she’s INTO the dark side and it sure as hell wasn’t qimir who “manipulated” her into it. all he did was push her already there anger and those crazy eyes girl is DARKKKK
romantic ass violins in the credits
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I am keeping a running list of the AA scores of named Olympians so far (so this list does not include USA, ITA, FRA, NED or HUN).
I used the best score I could find for that gymnast from 2023-2024. I did include domestic scores because so few international AAs happen but I didn't include club league scores so there is going to be domestic overscoring on the list.
I also ignored 2 per country or 4 up in QF so there are some countries with more gymnasts than can compete for AA QF.
Rebeca Andrade BRA - 57.099
Kaylia Nemour ALG - 56.900
Qiu Qiyuan CHN - 56.298
Ellie Black CAN - 55.733
Flavia Saraiva BRA - 55.532
Helen Kevric GER - 55.532
Ruby Pass AUS - 55.231
Miyata Shoko JPN - 54.966
Ou Yushan CHN - 54.632
Ana Barbosu ROU - 54.550
Aurélie Tran CAN - 54.199
Ava Stewart CAN - 54.016
Nakamura Haruka JPN - 53.966
Okamura Mana JPN - 53.765
Alice Kinsella GBR - 53.599
Shin Solyi KOR - 53.499
Jade Barbosa BRA - 53.333
Kishi Rina JPN - 53.199
Alba Petisco ESP - 53.165
Breanna Scott AUS - 53.065
Pauline Schäfer-Betz GER - 52.731
Sabrina Voinea ROU - 52.700
Lee Yunseo KOR - 52.699
Georgia-Mae Fenton GBR - 52.665
Lorrane Oliveira BRA - 52.634
Abigail Martin GBR - 52.450
Lilia Cosman ROU - 52.366
Alexa Moreno MEX - 52.331
An Chang Ok PRK - 52.265
Sarah Voss GER - 52.232
Filipa Martins POR - 52.200
Ushioku Kohane JPN - 52.165
Eom Dohyun KOR - 51.950
Maellyse Brassart BEL - 51.932
Natalia Escalera MEX - 51.832
Ruby Evans GBR - 51.765
Emma Nedov AUS - 51.732
Emily Whitehead AUS - 51.398
Aleah Finnegan PHI - 51.366
Lili Czifra HUN - 51.365
Rifda Irfanaluthfi INA - 51.298
Cassie Lee CAN - 51.249
Ana Perez ESP - 51.231
Caitlin Rooskrantz RSA - 51.165
Lena Bickel SUI - 51.000
Ahtziri Sandoval MEX - 50.965
Anna Lashchevska UKR - 50.666
Ting Hua-Tien TPE - 50.665
Hillary Heron PAN - 50.599
Julia Soares BRA - 50.499
Lee Dayeong KOR - 50.433
Emma Malabuyo PHI - 50.398
Laura Casabuena ESP - 50.265
Luisa Blanco COL - 50.099
Sona Artamonova CZE - 50.032
Lihie Raz ISR - 49.999
Lucija Hribar SLO - 49.965
Georgia-Rose Brown NZL - 49.831
Yeo Seojeong KOR - 49.450
Levi Jung-Ruivivar PHI - 49.166
Jana Mahmoud EGY - 48.966
Charlize Mörz AUT - 48.599
Lynnzee Brown HAI - 48.133
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Robert Doisneau
* * * *
‘The unforgettable was yesterday. The measure here is not the time but the value. And the most precious of all things, whether happy or sad, is our childhood. Don’t forget the unforgettable.’
-Erich Kästner, Als ich ein kleiner Junge war, 1957
[Ina de Bree]
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liveblogging soko leipzig family business bc i have to.
IT SZARTS WITH BI LIGHTING?
please tell me were in a queer bar
ok the dead body has a cool shirt
such pretty shots so far?
oh i thought the body was a queer person, on a ü40 woman the shirt is slightly less cool sadly. oh dress nvm then :(
hmmmmm confusing start
im wondering just now sind jans haare schoj immer so grau hewesen? OH NEIN DER SOHN
systemaufsfall ah ja
i think they should make kim. bi for bi4bi solidarity and bc shes hot an dim. gay thanku
OMG MORITZ KENNT DEN BTE AUS NER BAR
LIEF DA WAS BITTE BITTE I NEED IT NOW
warum sieht es so fancy aus da
✨PROPERTY✨
oh? Scheidung? worms
steffen der barkeeper also
MEINE NUMMER HAST DU JA VIELLEICHT NOCH?
rettich my beloved
Leni???? omg aufdeckende queen?
wir hassen den mann?
warum ist es so wild mit dwm Vogel
jan omg NAJA DU WOLLTEST DEN JA ✨KENNENLERNEN✨ ich liebs
interesting. halts maul leidesnweg christi
HÄLT SICH DA MAL WIEDER EINER FÜR JESUS OMG
ina sso bro was für krafttier HAT SIE GRAD BULLEMSCHWEIN GESAGT
wie eer die Pflanze gießt awww junge fohnt er grad den usb stick
mafia? mafia.
1e familie
anna felice hat dreck am stecken?
celia will ihn treffen. wieso? im guessing gay reasons.
LOTTE IST SO GROß GEWORDEN EXCUSE ME
leni und jan so 1 gutes team i love it
gay bar lets gooooo
liebe diese business und gay relationship mischung
ICH LIEBE MORITZ
Stark omg?
moritz go get ur man oder so
OMG JAN IN DER GAY BAR AHHAHAHHAHAHHAHAHAH
junge ich liebe es
hahhahhahahahhahahhaha
OH MEIN GOTT WIE GUT
ich hasse den vater let celio be out and proud hä
omg eine doppelagentin?? sie ist ehrnelos aber she knows what she wnats
bin so verwirrt mit dueser anna felice
CELIO NEIN
omg protective moritz we l9ve to see it
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khair, hallo, sansar umeed hai ki tusin sun rahe ho je main jawan han taan mainu maaf kar deo vari-vari bolan lai koi hai jisnu main gua riha haan mainu lagda hai ki uh ho sakde han mere vichon bihtar adha uh galat jagah 'te hun is noon sahi banaun di koshish caro par main gies thahiraun ton thakk gia han is lai main tuhanu kahinda han ghar ao, ghar aao kiunki main tuhadi udeek kar riha haan inne lambe samen lai, inne lambe samen lai ate is samen vanian vichale jung chal rahi hai par main siraf tusin ate main vekhade han ate tuhade lai ladai uh sabh hai jo main kade janda haan is lai ghar aao oh main sundarta vich gum janda haan joe kujh vi main vekhada haan us vichon dunia adhi madi nahin hai jiven ki uh is noon rangde han j saare puttar, sarian dhian is noon andar lain lai rukia khair, umeed hai, nafrat ghatt ho javegi ate pyar shuru ho sakda hai ih hun shuru ho sakda hai, han theek hai, shaid main siraf ucchi awaaz witch supne dekh riha haan khair, udon tak ghar ao, ghar aao kiunki main tuhadi udeek kar riha haan inne lambe samen lai, inne lambe samen lai ate is samen vanian vichale jung chal rahi hai par main siraf tusin ate main vekhade han ate tuhade lai ladai uh sabh kujh hai jo main kade janda han, kade janda haan is lai aao h
no, zdravstvuy, meer nadeyus, vy slushaete prosti menya, esli ya molod za vyskazyvanye vne oceredi yest kto-to, kogo mne ne khvatalo ya dumayu, chto oney mogli by byt luchshaya polovina menya oney ne vieu thome meste pytayus vse ispravit no ya ustal opravdyvatsya poetomu ya govoryu vam vozvrashchaisya domoi, vozvrashchaisya domoi potomu chto ya zhdal tebya, tuck dolgo, tuck dolgo you pryamo sejcas idet voyna mezhdu tshcheslaviem no vse, chto ya vijou, eto te you ya you borba za tebya — eto vse, chto ya kogda-libo znal tuck chto vozvrashchaites domoi ukh ya teryayus vieu krasote ease vsego, chto vijou meer ne tuck ploch cack oney ego maluut esli vse synovya, vse doceri ostanovilsia, chtoby pryniat ego chto zh, boodham nadeyatsya, chto nenavist utikhnet you lyubov moget nachatsya eto moget nachatsya pryamo sejcas, da no, moget byt, ya prosto mechtaio vslukh no, a do tech pore vozvrashchaisya domoi, vozvrashchaisya domoi potomu chto ya zhdal tebya, tuck dolgo, tuck dolgo you pryamo sejcas idet voyna mezhdu tshcheslaviem no vse, chto ya vijou, eto te you ya you borba za tebya – eto vse, chto ya kogda-libo znal, kogda-libo znal tuck chto priezzhay kh
Ia, talofa, lalolagi Faamoemoe o loo e faalogo Faamagalo mai pe a ou laitiiti Mo le tautala ese mai le taimi e tatau ai E i ai se tasi sa ou misia Ou te manatu e mafai ona O le afa sili o a'u O loo i ai i le nofoaga sese Taumafai e faasa'o Ae ua ou le lavava i le tauamiotonuina Ou te fai atu ia te outou Sau i le fale, sau i le fale 'Ona sa ou faatalitali mo oe Mo se taimi umi lava, mo se taimi umi lava Ma o le taimi nei o loo i ai se taua i le va o mea le aoga Ae na pau lava le mea ou te vaai i ai o oe ma au Ma o le tau mo oe ua na o le pau lea o le mea ua ou iloa O lea la, sau i le fale Oi 'Ou te se'i i le matagofie O mea uma ua ou vaai i ai E le afa le leaga o le lalolagi A o latou valiina ina ia Afai o atalii uma, o afafine uma Tu e ave i totonu Ia, e faamoemoe, ua mou atu le inoino Ma e mafai ona amata le alofa Atonu e amata nei, ioe Ia, atonu o loo ou moemiti leotele Ia, seia oo i lena taimi Sau i le fale, sau i le fale 'Ona sa ou faatalitali mo oe Mo se taimi umi lava, mo se taimi umi lava Ma o le taimi nei o loo i ai se taua i le va o mea le aoga Ae na pau lava le mea ou te vaai i ai o oe ma au Ma o le tau mo oe ua na o le pau lea o le mea ua ou iloaina, ua ou iloaina O lea la, o mai
Ну, здравствуй, мир Надеюсь, вы слушаете Прости меня, если я молод За высказывание вне очереди Есть кто-то, кого мне не хватало Я думаю, что они могли бы быть Лучшая половина меня Они не в том месте Пытаюсь все исправить Но я устал оправдываться Поэтому Я го��орю вам Возвращайся домой, возвращайся домой Потому что я ждал тебя, Так долго, так долго И прямо сейчас идет война между тщеславием Но все, что я вижу, это ты и я И борьба за тебя — это все, что я когда-либо знал Так что возвращайтесь домой Ух Я теряюсь в красоте Из всего, что вижу Мир не так плох Как они его малюют Если все сыновья, все дочери Остановился, чтобы принять его Что ж, будем надеяться, что ненависть утихнет И любовь может начаться Это может начаться прямо сейчас, да Ну, может быть, я просто мечтаю вслух Ну, а до тех пор Возвращайся домой, возвращайся домой Потому что я ждал тебя, Так долго, так долго И прямо сейчас идет война между тщеславием Но все, что я вижу, это ты и я И борьба за тебя – это все, что я когда-либо знал, когда-либо знал Так что приезжай х
Hello World, None None Esperanza Nuviriza Umbabarire niba uri umusore Kuyaga kure y'umusozo Hari uwabuze I imagine they can be Nusa Nusa Ini Bari mu kibanza kitari co Tesha Eshika Ndambiwe kudonda Ndababwire rero Come Home - Imuhira Kuko narindindiriye so long, cane cane Ubu rero hari intambara hagati y'aba banyesozi Ico mbona gusa ni jewe na wewe Kuko ivyo vyose ntigeze menyera ku buzima bwanje Eshika Home Oho Narenciye Ewa Ivyo mbona vyose Nusa Nusi Nk'uko bavyita ngo Niba abahungu bose, abakobwa bose Hagarika kukwifatira mu Eko Urukundo rurashoboka Maybe Start None Yes None 18 Maybe I can't dream cane kino kino Come Home - Imuhira Kuko narindindiriye so long, cane cane Ubu rero hari intambara hagati y'aba banyesozi Ico mbona gusa ni jewe na wewe Ico nzi co ni uko ari wewe gusa namenye None None None H
Ei bine, bună ziua, lume Sper că ascultați Iartă-mă dacă sunt tânără Pentru a vorbi în afara rândului E cineva care mi-a lipsit Cred că ar putea fi Jumătatea mai bună a mea Sunt în locul greșit Încercând să o fac bine Dar m-am săturat să justific Așa că îți spun Vino acasă, vino acasă Pentru că te-am așteptat Atât de mult timp, atât de mult timp Și chiar acum este un război între vanități Dar tot ce văd ești tu și eu Și lupta pentru tine este tot ce am cunoscut vreodată Așa că vino acasă Ooh Mă pierd în frumusețe Din tot ce văd Lumea nu este nici pe jumătate la fel de rea Așa cum o pictează ei Dacă toți fiii, toate fiicele S-a oprit să-l asimileze Ei bine, sperăm că ura dispare Și dragostea poate începe S-ar putea să înceapă acum, da Ei bine, poate că doar visez cu voce tare Ei bine, până atunci Vino acasă, vino acasă Pentru că te-am așteptat Atât de mult timp, atât de mult timp Și chiar acum este un război între vanități Dar tot ce văd ești tu și eu Și lupta pentru tine este tot ce am cunoscut vreodată, am cunoscut vreodată Așa că vino h
Xa, Hadi, ximha̲i Di to̲'mi da estés escuchando Gi puni di nu'bu̲ Dar bätsitho 'Bu̲ ñä ar fuera de turno Jawa 'na jar nä'ä xta echado ar menos Pe nä'ä podrían to Mäs xi hño japi ar Ngekagi Gi 'bu̲hu̲ jar lugar equivocado Pa ndi bädi hoki ar za̲ Pe nza̲ki ar uni Jange ga xi'i Ba ngú, Ba ehe gí nguu Porke ga xta 'ma̲i esperando Ir tanto pa, ya tanto ya pa Ne nu'bya 'bu̲i 'nar hñäki ja ya vanidades Pe nga̲tho nä'ä di heti dí nu'i ne ya Nuga̲. Ne ar lucha ge'e ar nga̲tho nä'ä xta conocido Nja'bu da japi nguu Ooh Di pierdo jar ar belleza Ga̲tho nä'ä di heti Ar ximha̲i Hingar nixi japi ar nts'o Ngu nä'ä pintan Nu'bu̲ ya bätsi, ga̲tho ya t'ixu Di detuve pa ndi asimilar Hä, ko ar suerte, ar odio disminuye Ne ar hne to ndi ndu̲i Ndi 'bu̲i nu'bya hä Hä, pe xähmä ho̲ntho di soñando jar nts'e̲di Xa, asta gem'bu̲ Ba ngú, Ba ehe gí nguu Porke ga xta 'ma̲i esperando Ir tanto pa, ya tanto ya pa Ne nu'bya 'bu̲i 'nar hñäki ja ya vanidades Pe nga̲tho nä'ä di heti dí nu'i ne ya Nuga̲. Ne ar lucha ge'e ar nga̲tho nä'ä xta conocido, nzäm'bu̲ xta conocido Nja'bu da handi h
ਖੈਰ, ਹੈਲੋ, ਸੰਸਾਰ ਉਮੀਦ ਹੈ ਕਿ ਤੁਸੀਂ ਸੁਣ ਰਹੇ ਹੋ ਜੇ ਮੈਂ ਜਵਾਨ ਹਾਂ ਤਾਂ ਮੈਨੂੰ ਮਾਫ਼ ਕਰ ਦਿਓ ਵਾਰੀ-ਵਾਰੀ ਬੋਲਣ ਲਈ ਕੋਈ ਹੈ ਜਿਸਨੂੰ ਮੈਂ ਗੁਆ ਰਿਹਾ ਹਾਂ ਮੈਨੂੰ ਲਗਦਾ ਹੈ ਕਿ ਉਹ ਹੋ ਸਕਦੇ ਹਨ ਮੇਰੇ ਵਿੱਚੋਂ ਬਿਹਤਰ ਅੱਧਾ ਉਹ ਗਲਤ ਜਗ੍ਹਾ 'ਤੇ ਹਨ ਇਸ ਨੂੰ ਸਹੀ ਬਣਾਉਣ ਦੀ ਕੋਸ਼ਿਸ਼ ਕਰੋ ਪਰ ਮੈਂ ਜਾਇਜ਼ ਠਹਿਰਾਉਣ ਤੋਂ ਥੱਕ ਗਿਆ ਹਾਂ ਇਸ ਲਈ ਮੈਂ ਤੁਹਾਨੂੰ ਕਹਿੰਦਾ ਹਾਂ ਘਰ ਆਓ, ਘਰ ਆਓ ਕਿਉਂਕਿ ਮੈਂ ਤੁਹਾਡੀ ਉਡੀਕ ਕਰ ਰਿਹਾ ਹਾਂ ਇੰਨੇ ਲੰਬੇ ਸਮੇਂ ਲਈ, ਇੰਨੇ ਲੰਬੇ ਸਮੇਂ ਲਈ ਅਤੇ ਇਸ ਸਮੇਂ ਵੈਨੀਆਂ ਵਿਚਾਲੇ ਜੰਗ ਚੱਲ ਰਹੀ ਹੈ ਪਰ ਮੈਂ ਸਿਰਫ ਤੁਸੀਂ ਅਤੇ ਮੈਂ ਵੇਖਦੇ ਹਾਂ ਅਤੇ ਤੁਹਾਡੇ ਲਈ ਲੜਾਈ ਉਹ ਸਭ ਹੈ ਜੋ ਮੈਂ ਕਦੇ ਜਾਣਦਾ ਹਾਂ ਇਸ ਲਈ ਘਰ ਆਓ ਓਹ ਮੈਂ ਸੁੰਦਰਤਾ ਵਿੱਚ ਗੁੰਮ ਜਾਂਦਾ ਹਾਂ ਜੋ ਕੁਝ ਵੀ ਮੈਂ ਵੇਖਦਾ ਹਾਂ ਉਸ ਵਿੱਚੋਂ ਦੁਨੀਆ ਅੱਧੀ ਮਾੜੀ ਨਹੀਂ ਹੈ ਜਿਵੇਂ ਕਿ ਉਹ ਇਸ ਨੂੰ ਰੰਗਦੇ ਹਨ ਜੇ ਸਾਰੇ ਪੁੱਤਰ, ਸਾਰੀਆਂ ਧੀਆਂ ਇਸ ਨੂੰ ਅੰਦਰ ਲੈਣ ਲਈ ਰੁਕਿਆ ਖੈਰ, ਉਮੀਦ ਹੈ, ਨਫ਼ਰਤ ਘੱਟ ਹੋ ਜਾਵੇਗੀ ਅਤੇ ਪਿਆਰ ਸ਼ੁਰੂ ਹੋ ਸਕਦਾ ਹੈ ਇਹ ਹੁਣ ਸ਼ੁਰੂ ਹੋ ਸਕਦਾ ਹੈ, ਹਾਂ ਠੀਕ ਹੈ, ਸ਼ਾਇਦ ਮੈਂ ਸਿਰਫ ਉੱਚ�� ਆਵਾਜ਼ ਵਿਚ ਸੁਪਨੇ ਦੇਖ ਰਿਹਾ ਹਾਂ ਖੈਰ, ਉਦੋਂ ਤੱਕ ਘਰ ਆਓ, ਘਰ ਆਓ ਕਿਉਂਕਿ ਮੈਂ ਤੁਹਾਡੀ ਉਡੀਕ ਕਰ ਰਿਹਾ ਹਾਂ ਇੰਨੇ ਲੰਬੇ ਸਮੇਂ ਲਈ, ਇੰਨੇ ਲੰਬੇ ਸਮੇਂ ਲਈ ਅਤੇ ਇਸ ਸਮੇਂ ਵੈਨੀਆਂ ਵਿਚਾਲੇ ਜੰਗ ਚੱਲ ਰਹੀ ਹੈ ਪਰ ਮੈਂ ਸਿਰਫ ਤੁਸੀਂ ਅਤੇ ਮੈਂ ਵੇਖਦੇ ਹਾਂ ਅਤੇ ਤੁਹਾਡੇ ਲਈ ਲੜਾਈ ਉਹ ਸਭ ਕੁਝ ਹੈ ਜੋ ਮੈਂ ਕਦੇ ਜਾਣਦਾ ਹਾਂ, ਕਦੇ ਜਾਣਦਾ ਹਾਂ ਇਸ ਲਈ ਆਓ h
Bem, olá, mundo Espero que você esteja ouvindo Perdoem-me se eu sou jovem Por falar fora da curva Tem alguém que eu estava com saudades Penso que poderiam ser A melhor metade de mim Eles estão no lugar errado Tryin' para acertar Mas estou cansado de justificar Por isso, digo-vos Venha para casa, volte para casa Porque eu estive esperando por você Por tanto tempo, por tanto tempo E neste momento há uma guerra entre as vaidades Mas tudo o que vejo é você e eu E a luta por você é tudo o que eu já conheci Então volte para casa Ooh Eu me perco na beleza De tudo o que vejo O mundo não é tão ruim quanto Como eles pintam para ser Se todos os filhos, todas as filhas Parou para recebê-lo Bem, espero que o ódio diminua E o amor pode começar Pode começar agora, sim Bem, talvez eu esteja apenas sonhando em voz alta Bem, até lá Venha para casa, volte para casa Porque eu estive esperando por você Por tanto tempo, por tanto tempo E neste momento há uma guerra entre as vaidades Mas tudo o que vejo é você e eu E a luta por você é tudo o que eu já conheci, sempre soube Então venha h
Bem, olá, mundo Espero que você esteja ouvindo Perdoe-me se eu sou jovem Por falar fora de hora Há alguém que eu tenho sentido falta Eu acho que eles poderiam ser A melhor metade de mim Eles estão no lugar errado Tentando fazer isso direito Mas estou cansado de justificar Então eu digo a você Volte para casa, volte para casa Porque eu estive esperando por você Por tanto tempo, por tanto tempo E agora há uma guerra entre as vaidades Mas tudo que vejo é você e eu E a luta por você é tudo que eu já conheci Então volte para casa Ooh Eu me perco na beleza De tudo que eu vejo O mundo não é tão ruim Como eles pintam para ser Se todos os filhos, todas as filhas Parei para levá-lo em Bem, espero que o ódio diminua E o amor pode começar Pode começar agora, sim Bem, talvez eu esteja apenas sonhando em voz alta Bem, até então Volte para casa, volte para casa Porque eu estive esperando por você Por tanto tempo, por tanto tempo E agora há uma guerra entre as vaidades Mas tudo que vejo é você e eu E a luta por você é tudo que eu já conheci, sempre soube Então venha h
Cóż, witaj świecie Mam nadzieję, że słuchasz Wybacz mi, jeśli jestem młody Za mówienie poza kolejnością Jest ktoś, za kim tęsknię Myślę, że mogą być Lepsza połowa mnie Są w złym miejscu Próbuję zrobić to dobrze Ale jestem zmęczony usprawiedliwianiem Więc mówię do ciebie Wróć do domu, wróć do domu Bo czekałem na ciebie Tak długo, tak długo A teraz toczy się wojna między próżnościami Ale wszystko, co widzę, to ty i ja A walka o ciebie to wszystko, co kiedykolwiek znałem Więc wracaj do domu Ooh Zatracam się w pięknie Ze wszystkiego, co widzę Świat nie jest nawet w połowie taki zły Jak to malują Jeśli wszyscy synowie, wszystkie córki Zatrzymałem się, żeby to przyjąć Cóż, miejmy nadzieję, że nienawiść ustąpi I miłość może się zacząć Może się zacząć teraz, tak Cóż, może po prostu śnię na głos Cóż, do tego czasu Wróć do domu, wróć do domu Bo czekałem na ciebie Tak długo, tak długo A teraz toczy się wojna między próżnościami Ale wszystko, co widzę, to ty i ja A walka o ciebie to wszystko, co kiedykolwiek znałem, kiedykolwiek znałem Więc chodź h
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Junge Welt vom 16.09.2024…. Jemenitische Rakete auf Israel Ansarollah weiten Angriffe aus, Netanjahu kündigt harte Reaktion anVon Ina Sembdner Der Angriff hat sein Ziel offenbar nicht verfehlt. Nachdem die jemenitischen Ansarollah eine nach eigenen Angaben neue ballistische Hyperschallrakete am Sonntag morgen auf Zentralisrael abgefeuert haben, kündigte Premierminister Benjamin Netanjahu eine…
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SOKO Leipzig S22E17 - 20 liveblogging
Verrant
ina bby was ist das überhaupt für ein outfit. hiking boots, sommerkleid und fluffy cardigan? jeeeeeeeesus oh noes ;-; 'vermissen ein bisschen deine tiefkühl-lasagne' XDD awww die blonde komissarin am kochen vorschlagen für ina <3 auch wenn apfel pancakes eine weirde wahl ist? (dagmar heisst die) damn the multi tv setup XDDD kim. hör auf das laufen zu lassen XD dagmar asking the good questions 'mit welcher waffe??' boah DAS ist mal ein krasses baumhaus they tested her for GSR? after like 2 days and being at a hospital? you'd hope she'd gone to toilet and cleaned her hands uffffff, yeah looking like an old missing person connected to the suspect is never good what is DD fürn Autokennzeichen? ah Dresden and now where is that in relation to Leipzig xD 'oooho schnaps UND schokolade. das ist ja noch besser' xD kaksadölask ich fühl den voice-over typen für die random polizei dresden phonecalls put his whole pussy into 1,5 minutes of voice-acting ina. please stop following strange man weird places .-. 'ich bin kein perveerseeer'. uhu, normal things to say ah. ich hab mich gefragt warum die episode sich so scheissen lang anfühlt. CAUSE IT'S 87 MINUTES I like ina but I could have done with less ........dass sie sich nicht mal die mühe geben für ne schusswunde das tshirt kaputt zu machen. sondern einfach farbe draufkleckern
Mutprobe (1)
daljslkak hi biker hot unfortunately MORITZ AAAAAAAAAAH SDASLÖKDLADLA AM GITARRE SPIELEN? KILL ME lol dass kim ne hängematte im wohzimmer hat wie sie die jacke auf ihn schmeisst xDD FEIERN aaaaaaaaaaah die süssmäuse ;-; sadöaskdölakldöla also, ARME SLKÖDAFLÖKDSFLÖSDFKSDFKLDSFKLDSFKLÖFDSKLÖ HELP I LOVE THEM moritz asking if ina and jan had a thing xD 'man begehrt was man täglich sieht' ACH JA?' 'hat dein fancy club einen dresscode?' 'YES, YOU SHOULD BE DRESSED AT ALL' XD moritz <3333333 filming the guy and quoting law articles. ily ......is Soko set in the future??? they're showing a Personalausweis that has a date of expiration of 23.03.2035. according to google they are valid for 10 years. so it was made out in march 2025 ? this eipsode aired in 2021. xD no wait it's even dumber, they say she's 22 (which her birthdate until 2021 = 22. but for under 24 year olds the validity of the Perso is 6 years. which would equal a making out date in 2029). why the fuck did y'all write 35 ?? they have a date of 24.03.2015 on it, but like. the validity is not officially 20 years? did that change? (I am clearly too invested in this document that is shown or 5 seconds xD) daskdösla ina am fragen wies kim mit moritz geht oho moritz kann ganz gut kochen? interessant warum soll er ne einweihungsparty schmeissen? xD er mietet ein zimmer bei dir gott moritz in dem scheiss mantel <33 die haben auch ne verdammt schöne wohnung wie moritz sich auch so in der wohnung umschaut XD und aufem stuhl wippt!! lieb ihn so sehr ;-; und an zeugs rumtippt xDD 'whoops' xD aw kim xD die fucking auslage an gemüse die bei denen einfach offen in der küche liegt XDDD what the fuck ina W H A T '?? xD du hast den verdacht das moritz eingeschleust wurde um jan zu beobachten? (ach er hat koks gekauft, interessant xD ich sollte vielleicht shows nicht einfach in der mitte anfangen zu schauen) the drama moritz bby <3 aw moritz was ist das für ne jacken kombi (puffer jacke und regen mantel?) xD dsakljdsaljkdsajadsk moritz in dem verhör wie er tut als würd er sich für bikes interessieren und den helm vorallmen xDD wie das bild gephotoshoppt ist XDD die proportionen machen einfach 0 sinn 'das ist keine falle, diesmal nicht' yeah SUREE asdlkö die beiden jungs 'die anderen sind alle loser und mit loser wollen wir ncihts zu tun haben' lalkdmasl teenager sind super damn lars. you're hot und halt leider geil der mottorad helm more coffee to go <3 lmao am jammen zu hip hop das holster fürs messer? leider auch geil ejadlkdfjalkffjklslkdj help. random guy (that teenager's.... older brother? trying so hard not to read it queer) driving up on a bike, taking his helmet off and sticking his tongue out at the teen 'wie wars in der schule? 'okay' 'okay-scheisse oder okay-megascheisse?' xD holy shit they are so adorable (okay he is his big brother) 'du bist schon der coolste' aah babies sdakdlöa help they are so cute I fucking dare the teen to die lars ist so ein meathead xDDD 'ich lese keine zeitung, schau kein fernsehen. ich geh halt arbeiten, mach sport' xDD come on, what have you found in moritz stuff? evil cliffhanger xD
Mutprobe (2)
lmao der manbun typ mit den creepy augen xD moritz. pull your shirt down or your pants up xD you're showing crack baby boy uffff beschattungsfotos von jan? yeah, that's quite a find xD das war mal ne schlechte anzeige vom anruf that FUCKING SONG (Pixies - Where Is My Mind) die brüder sind so fucking adorable na hallo bent .............dass wir beide brüder-dynamiken in der gleichen folge haben saldksl ein weiteres beherztes Fuck von moritz <3 lasst den kleinen in ruhe ;-; well....at least he's only locked in a basement I guess OHHH. THOSE WERE ALL FLASHBACKS? XDDD fully did not realise that aah der bruder ;-; der bulle *-* .... und die chemie mit dem typen lol faskldsakldaskdaslö oh no the brother is even hotter now yeah. why is bent still in U-haft. like. dsaldks gott der biker <3 ja geil, noch ein geshopptes bild xD oh no, he died? ;-; well makes sense but OHHH. yeah makes sense when lukas locked him there and no one knew about it I guess? or did the friends know and not say anthing and that's why the brother is on a revenge trip? OHHHH. that's why the stupid editing choice of the little re-winding bits was done. that fully went over my head that that was a big 'hey we're in the past' indication and not just a quirky choice god the brother is cute XDD etwas haare mit nem brotermesser abzuschneiden für dna ist auch ne wahl jan wie er seine eigene confession aufnimmt ;-; wetten moritz löscht sie? yess, bby <3 lkdslöasködsalk moritz xD aaaaah the memories of the brothers. kill me ;-;
Tod im Gericht
..........das die fucking kinders einfach ständig jünger sind als ich. 1999. 1996. leute ich fühle mich ALT :OOO ANOTHER BIKER die wollten das meiste aus der fucking helm requisite rausholen wa? xDDD was ist das für ne choice das beides nacheinander zu haben?? wie gern SOKO den sterbenden blut aus dem mund laufen lässt xD ach das motorrad hatte wenigstens ein kennzeichen xD ...warum ist ina plötzlich so besorgt um kim und fragt wegen therapie fortschritt? immer noch weil jemand in ihren armen gestorben ist? ACHSO ne sie hat den letzten typen erschossen so überraschend das cops in shows wirklich ein gewissen haben und geshockt sind wenn sie wenn töten xDD 'meine mutter macht super extensions. also wenn du mal bock auf ne veränderung hast' kim xDD gott moritz wie er unschuldig-nett tut ist einfach the best xDD wie sie einfach unmöglich das foto vom blickwinkel her sehen konnte xD d'aw office wetten abschliessen xD 'zwejbay' ? xDD geiler name für ne second hand börse schön wie rettich nicht mit komplimenten umgehen kann xDD awww ina 'ich bin richtig froh dass du bei uns im team bist' zu moritz und sein 'ja ich auch' <3 tihih moritz mit fischen am spielen
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[MUSIC VIDEO] BAEKHYUN - UN VILLAGE from SEGAJI VIDEO on Vimeo.
Director: LEE Inhoon Producer: KYE Myunghoon Assistant Director: YI Chae, LEE Seoyun, PARK Soogeon, Kang Yena, Eun Changjoon - Director of Photography: LEE Hangyeol Focus Puller: HA Jooyoung 2nd AC: KIM Kihoon DIT: SEO Seohee 3rd AC: LEE Seoju - Gaffer: HA Youngshin Lighting Crew: KWON Hunho, YANG Junmin, GO Hyunjung, KIM Daejin, JUNG Jinyoung, LEE Donggyu - Art Director: Ok SHIN(A:We) Art Team: LEE Soyoung, PARK Heeju, HAN Ina - Stylist: LEE Aran
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Jactance et vanité pour beaucoup d’incompétence
Ina Phisinov – 31 janvier 2024 « Une conscience gonflée par l’orgueil est toujours égocentrique et uniquement sensible à elle-même. Elle est incapable d’apprendre du passé, de comprendre les événements actuels et d’en tirer les leçons pour l’avenir. Elle est hypnotisée par elle-même, et il est impossible de discuter avec elle. Elle court inévitablement à sa perte », Carl Gustav Jung. Une heure et…
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Am 27. Januar: Bilderbuchkino im Grafschafter Museum
Moers. (pst) Einen wirklich gigantischen Hauptgewinn macht Opa Jan bei einem Malwettbewerb – einen echten kleinen Elefanten. Was passiert als dieser immer größer wird, können junge Zuschauerinnen und Zuschauer beim nächsten Bilderbuchkino im Grafschafter Museum am Samstag, 27. Januar, ab 14.30 Uhr erleben. Ina Wilmsmann von der Bibliothek Moers bringt die Geschichte ‚Opa Jan und der gigantische Hauptgewinn‘ von Marius van Dokkum mit ins Grafschafter Museum. Das Bilderbuchkino findet im Rahmen der aktuellen Sonderausstellung ‚Hanns Kralik. Mensch – wie stolz das klingt‘ statt, die noch bis zum 24. März im Grafschafter Museum zu sehen ist. Zu entrichten ist lediglich der reguläre Museumseintritt. Besucherinnen und Besucher mit gültigem Bibliotheksausweis haben freien Eintritt (Foto: Bettina Engel-Albustin). Read the full article
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hi! i’m here with the time old question of which face claims you would like to see most! and if there are any older fcs specifically you think would fit the premise of the rp well?
ahhhh! there are so many to name! i guess for starters i'll say sabrina carpenter, since she and her music were a big thing in my mind while writing for house of magnolia in particular. others for that house could be adeline rudolph, kento yamazaki, chittaphon leechaiyapornkul (ten) of nct, dylan wang, zendaya, maxence danet-fauvel, mena massoud, minatozaki sana of twice, halle bailey! otherwise any members of exo and snsd would always be fun to see! cha eunwoo of astro, han jihyun, woo do hwan, park hyungsik, park bogum, park minyoung, jung jaewon (one), jo boah, lee dongwok, any girl's day members, yoo ina, bae suzy! i hope these helped! (...i think i really could go on if you wanted me to.)
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psychoanalysis of my dreams: a deep dive into my unconscious
Freud and Carl Jung had differing and connecting approaches to the meaning behind dreams. Freud believed that every dream consisted of two dreams: manifest content and latent content. The manifest content was the actual dream with a story and characters, while the latent content was the “hidden” unconscious part. Carl Jung also believed that the unconscious part tried to communicate with the conscious mind, but there were multiple parts that could relay one of his major beliefs about the collective unconscious. This theory of Jung stated that there are mental patterns that society as a whole contains, shown through universal themes of archetypes. The archetypes are emphasized by the persona, anima, animus, shadow, and self.
Ever since I was young, I was plagued by maladaptive daydreaming and chaotic, restless dreams. I have been documenting them for quite some time to try to understand my inner desires and warnings that my spirit may be sending me.
7/21/23- i was on a field trip for university. I was placed ina group of two boys and we calculated the money for our meals for the rest of the trip and how we would divide the share. I startd to play the piano (Rachmaninoff) and i played too hard that i formed bruises. I walked to a random man and he gave me an ice pack inside of a condom and told me to use it. I was still hurting so i put my head against his shoulder and he put his face close to my hair. I told him not to because i was sweating but he said he didn’t mind. We were at a field and he spun me around; a lady appeared out of nowhere and warned me not to get close to him as he was an evil being.
8/20/23- i was transported into a strange and ethereal palace. Some areas of the house were dilapidated, while others were modern and shining due to stratifications of light. I walked down a spiral stair case and found a sauna. Before bathing, i opened the shower curtains to find a man in the shower. He asked if i wanted to shower to gether and i immediately agreed.
9/23/23- i met a waiter named dave. he got a buzz cut and dyed it blond. it left him a letter. we loved each other but i shot myself. it may have been because he cut his hair.
10/5/23- i was assaulted by a transgender (anima and animus) Cillian Murphy.
10/20/23- i was put into a room, similar to the card playhouse in twin peaks. A rich man came in and he called in a male prostitute so that we can all spend the night together. It was not consensual
10/21/23- i walked down the cathedral into a secluded area, ran down the stairs into a confession room. The priest was obsessed with me and we had an affair, but he committed suicide. I had another dream where a man was obsessed with me, even though the detective had cut off his arms, he convinced me to kill the detective that was trying to help me.
Conclusion: there seems to be a conclusion between love, lust, and obsession in most of my dreams. This may stem from repressive desires after being born into a christian family that enforced sex before marriage, wearing down to “protect the eyes of the brothers” and told to never provoke men or temp them. The repression from Christian society may have led to extreme manifestations of the desire. This constant theme may also occur due to the media that I indulge with: twin peaks, fleabag, the piano teacher, in the mood for love, the starling girl, phantom thread, the graduate and léon morin, priest. The dreams may also signify that something terrible may have happened to me when i was young and my mind has tried to suppress it.
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