#Ina deBree

[dreaminginthedeepsouth]

Robert Doisneau

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‘The unforgettable was yesterday. The measure here is not the time but the value. And the most precious of all things, whether happy or sad, is our childhood. Don’t forget the unforgettable.’

-Erich Kästner, Als ich ein kleiner Junge war, 1957

[Ina de Bree]

[gamergirlshelby]

So I felt like drawing one of my older My Hero Academia OCs, Inazumata Torino.

I’m away from my computer right now, so I can’t properly draw her bio right now, but I will draw a better picture (or at least a colored in one) for her bio later. I will be writing some fun facts and explaining her quirk under the cut though:

Name: Inazumata Torino

Hero Name: Gulfstream, The Thunder-Step Hero

Quirk: Electrokinetic Jet

Pronouns: She/Her

Orientation: Inazumata is a Transgender Lesbian

Height: 193 centimeters

Date of Birth: May 16th

Fun Facts:

Inazumata had inherited a mixture from her parents. Inazumata had inherited her jet quirk from her fathers side of the family (the same jet quirk as Sorahiko Torino) and inherited her mother’s ability to create electricity from her bodies’ excess energy. How Inazumata’s quirk works is that she inherited her father’s side of the families jet quirk, and the ability to turn energy into electricit, however Inazumata can only change kinetic energy into electricity. This caused her to develope a fighting style to keep using her jet quirk to move as much as possible to deliver as many electrifying punches as possible. Inazumata is also very good at dodging attacks due to using her high speeds.

Inazumata was raised relatively close to her uncle, developing a close relationship with him, with Sorahiko being the first person she came out to.

Inazumata had went to Shiketsu for her hero training.

Inazumata had done her internships at Tokisue’s, Tokiya’s father‘s, hero agency. When Inazumata had finished her hero training, she joined the agency full time, working her way up the ranks, becoming one of the top heroes at the agency.

Inazumata is sort of like an older sister to Tokiya, being there throughout his childhood, and being one of the few people who calls him his childhood nickname “Toki” (and he calls her Ina). The two of them also race each other quite often since they both have quirks that allow them to change how fast they can move, however Tokiya has not won once. Inazumata also has a few references and important details in her hero suit. The logo on the back of her jacket says G650, and the Gulfstream G650 is a type of commercial jet. She has the same “G” belt buckle as Gran Torino, but it is usually covered up by her tshirt, which she wears with it loosely tucked into her pants. Said t-shirt also has a Zephyr fish from terraria on it, although it’s hard to see in the drawing.

Inazumata usually always wears some sort of shades or goggles to protect her eyes so she can use her jets without worrying about debree getting into her eyes. The goggles in her hero suit have a special band that wraps around her head to help keep them on.

Inazumata also has an altered version of Gran Torino’s boots and gloves that can conduct and hold electricity, as well as allowing her to use her jet quirk through her boots.

And lastly, Inazumata’s scarf was a gift from Tokiya’s mother, Rui. Its also an out of universe spin on Gran Torino’s cape.

[dreaminginthedeepsouth]

Michel Kirch, France 1952

* * * *

‘It’s only true love when you don’t have a choice.’

-Martin Walser, Brandung (Breaksers), 1985

[Ina deBree]

[dreaminginthedeepsouth]

Inge Uiterwijk

* * * *

‘And the memories of all we have loved stay and come back to us in the evening of our life. They are not dead but sleep, and it is well to gather a treasure of them.’

-Vincent Van Gogh Letter to Theo Van Gogh, Amsterdam, May 30 1877

[Ina de Bree]

[dreaminginthedeepsouth]

‘Every human character appears only once in the history of human beings. And so does every event of love.’

- Isaac Bashevis Singer, Love and Exile, 1936

[Ina deBree]

[dreaminginthedeepsouth]

Stu Levy

* * * *

‘From the structure of languages comes the explanation of why the human spirit is condemned to an odyssey (…) Only at the greatest distance from itself does it become conscious of itself in its irreplaceable singularity as an individual being.’

-Jürgen Habermas

[Ina deBree]