#Ignore me. i ramble

[stellanoa]

⸻

[sonic-adventure-3]

it’s crazy that rouge straight up said this and people still see her as a mother figure lmaooo

[opikiquu]

[teaboot]

Sometimes at work it's not my place to tell people the things I want to say, and I find I often go home at the end of the rougher days to stand blankly in my shower and tell myself over and over what I wish I could pass on.

This accomplishes very little, and mostly just gives me a tension headache, but through it all I think I've narrowed myself down to a few solid things I'd like to tell people the most.

You can't change people. Not permanently, not for anythig. You can support them, encourage them, love them, give them tools and opportunities and resources, but you can't make them change. They can change themselves if they want to, but they have to want to, and they have to want it for themselves, because they're the only one that's certain to be with them forever.

For better or worse, you make your own choices, and blaming bad choices on others doesn't only work to absolve you of responsibility- it also robs you of control. Because if you say you only did something because I did something, then you arent only shifting blame- you're admitting that you cannot control yourself, that you cannot truly make choices for yourself, that other people can control you- and as long as you truly beleive that, you'll keep facing the same problems over and over. You'll keep letting others dictate your choices, because you'll beleive that they can, and you'll never be free.

White knights on horseback are from fairytales. Nobody can help you if ou're not willing to help yourself. To try, to put the dirty work in, to belive you're worth that effort- Act as though nobody is coming to save you. From a struggle, from pain, from bad relationships, from yourself. And when you do save yourself, because you will, because failure here isn't an option if you want to survive, you'll never find another dragon that can keep you prisoner.

Don't say anything to anyone that you wouldn't want them remembering forever.

Doing the right thing in bad circumstances is hard. It's the hardest thing. But if you make the choice to do that hard thing anyways, despite your fear, you'll go on the rest of your like knowing that you're the sort of person who did something.

The present only seems the hardest because the past I over and the future hasn't happened.

There's so much joy ahead of you, the kind you can't possibly understand until you see it yourself.

The responsibility of consequences is often disguised as the power of permission. "I won't do this if you help me", "I'll work on my anger if you do this for me", "I promised you I'd quit, but can I have just one?". The unspoken question is, "Can it be your fault if this goes badly?"

You cant make someone love you the way you need to be loved. Someone can love you very much and still be bad for you, even if you love them very much in return. Two people can love each other very, very much, and try their very best, and still be wrong for each other.

Sometimes being near to someone changes you, even in good ways, and the people you become don't fit together as well as the people you were.

Caring takes work. Even if it's real. Especially if it's real. And the most important gestures aren't the grand, poetic, songs-and-flowers-and-tears moments; they're getting out of bed even though you don't want to. Paying attention to things you don't enjoy. Scrubbing pans, or opening a window, saying "thank-you", or helping carry groceries into the house. The small things fill the big things- without the small, boring, mediocre things, big things feel hollow.

Thrre is honour and dignity in humble work.

If you are a cruel and spiteful person, then you will find every place you visit to be full of the same cruel, spiteful people. This is not because the world is as cruel as you, but because everywhere you are, you will be disliked. This is the curse that comes with being persistently cruel and spiteful.

If you are a kind and ppsitive person, you will repeatedly encounter kind and positive people, because as they grow familiar with you, they will be happier to have you near. This is the reward of being a kind and positive person.

When splitting paths with loved ones, briefly or forever, aim for your last words to always be "I love you".

[iamespecter]

I love how I'm known as "the Harlequin AU creator" like yeah, that's my official title now

Like hi yes I'm the dumbass who took one good look at these two and thought "you know what would be awesome. if they were robots in an 1800's sci-fantasy world and were super hot spouse material"

[pr0cyon-lotor]

AU where instead of Shen Yuan being obsessed with Luo Binghe, he's instead obsessed with the scum villain himself. I mean we all know Bingge is Very Not Good Person™ but you know who else a Very Not Good Person™? Say it with me: Shen Jiu

Like just imagine a timeline where Shen Yuan is writing paragraph after paragraph about how Shen Qingqiu might actually be a good person but Airplane is wasting his potential. The other commenters are saying he's delusional because he abused the protagonist and as all these TERRIBLE allegations towards him. So he's a clear cut villain.

But Shen Yuan is defending his fav with the vigor of a devout worshipper. He's constantly siting parts that are obvious plot holes and how they could give much needed context to Shen Qingqiu's character.

Other people are demanding for worst things to happen to Shen Qingqiu to spite him. Airplane caves. Shen Yuan actively commissions art and fics where Shen Qingqiu is happy. People tell him "Shen Qingqiu won't fuck you bro"

Shen Yuan isn't interested in that. He's a freaky little man with freaky little likes. He'd gladly take Shen Qingqiu's cold glares and even volunteer to have tea poured on him.

When he finishes PIDW, he's been outraged that Shen Qingqiu was killed off a while back. He's even more outraged that Shen Qingqiu wasn't given any mention at the end.

Now, imagine with me that he gets transmigrated into some NPC, literally Unimportant Character No°5. Probably as the head disciple for drama reasons. And as soon as Shen Jiu is brought in, scruffy and hissing as he is. He immediately hugging his thighs and saying he'll be peak lord for sure.

Please follow me into this suspicious alleyway as I continue to explain my vision fueled by sleep deprivation.

So now imagine your Shen Jiu. You're a former street rat and demonic cultivator, you aren't expecting to be liked or respected. You're expecting it, you've come to terms with it a long time ago. What you weren't expecting was for this random ass guy you have to call da-shixiong is immediately insane about you.

He met you first day, literally saw you bite a guy, and immediately started spouting out how you'll be the next peak lord and the absolute envy of Cang Qiong Mountain. You conclude he's missing a few screws because he said it in the most disgustingly sincere way.

You try to continue on with your life, trying to beat him and he looks almost... Excited about you beating him. So he's an M, you think to yourself. But then you see someone trying to beat him or you on something, and this guy immediately gets aggressive. Okay so he's just weird with you.

You continue to deal with him. He's weird but also weirdly respectful. He leaves if you tell him to leave. He defends you like it's his very birth right. He's always there to tend to you as if you were a god. He doesn't touch you and only sits around like a dog waiting for a command.

You eventually get strong enough to beat him, and this absolute buffoon is over the moon about it, already spouting about your supposed success again.

When you actually become peak lord, it isn't surprising. Your hype man has been saying it since day one, he was expecting it for some reason. He continues to spout out nonsense about how he just knew you were going to do it.

So what now? You obviously desire him carnally. What is the next step?

Okay so I know this wouldn't fix them. Almost without question this would make they both worse. But, hear me out, it would be funny. (Especially since just know Shen Yuan's entire inner monologue would be him saying he's just being a good friend as if he isn't being the gayest man in the sect and Shang Qinghua is there. That's an accomplishment to outgay the author)

[robiinurheart33]

Ok ok Johnny but he can’t accept the fact that people love him?

First girlfriend. Went south real fast and realised he was gay.

First boyfriend. Was bi-curious. First heartbreak too.

Second boyfriend. Only wanted him for his body. Self explanatory.

Third boyfriend. Way too emotionally unavailable, felt like they weren’t even dating at a point. Turns out he already has a partner.

You get the gist.

At a very young age, Johnny was aware of his unfortunate personality. School fights, family scoldings, bedroom sobbing, it’s all just a blur to him now. It’s not like he had the worst life out there, no. But he can’t shake the fact that he can’t really remember anything about his childhood. The trauma stuck though, unfortunately.

He could never really seem to shake off that “unloveable” blanket on his shoulders.

It’s not that bad, in retrospect. His friends like him, sure. They tolerate him. He knows he’s loud, he knows he’s brash, he’s a lot to deal with! He understands. So every once in a while, he’ll just…back off. Leave everyone alone and just spend some time alone. The horrors do get to him when he’s alone in his room, clutching the fabric of his shirt and trying to get ahold of his breathing, but it’s basically nothing to what everyone else has to endure! He’s selfish, he knows it already, always needy, always wanting. This is the least he can do to make sure that his loved ones aren’t tipped over the boiling point and actually leave him for good.

He doesn’t know what to do with himself at times.

Then he meets ghost.

Powerful, strong, admirable Ghost. He blew his fucking lid. He’s even bigger than the rumours suggest. He’s professional, clean. He’s everything that Soap wishes to be.

He’s jealous right off the bat. How could he not be?

Honestly, he feels a bit bad for the guy at the start. Soap’s laying it on thick with the touching and the questions. He’s obviously fucking with him a bit, bit to be fair he’s not really doing much to stop him either. As time goes on, it becomes a weird sort of admiration/jealousy thing. He still is jealous of Ghost, but not to an extreme extent that he could be.

Ghost is another very peculiar case, one that Soap doesn’t seem to mind prodding. After a few missions together, he could see why he was so infamous. But still, Ghost wasn’t pushing back. Has anyone done this to him before? Why was he just letting this happen? Ghost might find him weird, sure, but he’s the most curious disturbing motherfucker soap’s ever met.

The army isn’t exactly a place to find someone to get their dick wet, homophobes around the corner at every turn. Soap’s just accepted it as part of life now, not really wanting to think much on it but having that fact lurk at the back of his mind. It’s a bit depressing, sure, to not have anyone get to know his actual self, but then again he was sure that anyone who truly got to know him wouldn’t talk to him ever again. If it’s not the gay thing, it’s the army thing. If its not the army thing, it the personality thing. Whatever. John’s gotten used to it.

However, though some unexplainable force (the SAS and Price), Soap and Ghost had become some sort of dynamic duo now. They’d fought together, lost together, gone through some of the most horrific weathers known to man, and they’d both survived under some miracle. Well, soap survived. He never doubted ghost would.

He got very close though. Way too close for Soap’s liking. They were in some fuck-ass country upside down the earth, down to his last mag and ghost clipped in the shoulder. They were hauling ass just- away. They didn’t know when exfil would get there, or where. Their main objective was just to survive. Ghost was making a very vulnerable wheezing sound from his throat and Soap’s gun was overheating, burning though his gloves.

“Soap- Sargent.” Ghost whispered, somehow always remaining calm in the most chaotic situation Soap’s been in so far. Either that, or he’s just really fuckin tired.

“No’ now, L.T, tryna get us to safety.”

“Soap, leave me behind.”

“What? Listen, I’ve got no time for your stupid heroism crap, okay? Just- shut up.”

“MacTavish, im serious. I have nothing waiting for me. I’ll be okay. Just go. Stay safe.”

“Whot the hell did i just say?” He snapped, turning towards him. “I’ve go’ no time for this. You’re coming wit me whether you like it or not.” Soap jabs a finger into his chest, leaning in close until he’s sure Ghost can see the faintest scar on his right eyebrow from screwing around with a razor with his friends, trying to give himself a eyebrow slit.

“You’ve got me, haven’t ya? You’ve got Price, and the people on your team are counting on you. I’m counting on you. So you can die somewhere else, in the bumfuck a’ nowhere, but you’re not allowed to die today, now. Ya hear me?”

Like this, gunpowder and dust making his nose itchy, looking intensely at Ghost to make sure his point is drive home, there’s a look in his eyes that soap thinks he’s never seen before. He- he kinda looks like-

How Soap looks at Ghost.

With admiration.

Oh.

So, yeah. They ran out of there on the air of their asses, Soap laughing as the final hits of adrenaline pulses his heart, Ghost leaning against him with the same look in his eye, and they’ve never exactly been the same after that.

Soap chalked it off as it being in the heat of the moment kinda thing, but he’s been consistently catching Ghost’s eye staring at him from a distance away, just staring, with that strange look in his eye. Not always with the same emotion, Soap guesses, but still. It’s close enough. He doesnt know what’s happening, or what he did, but something changed. And it’s driving him insane. It’s not that Ghost wasn’t already friendly in his own weird ghost way, but now he’s being friendly in a normal way.

It’s so weird.

He’ll be waiting at the gun range for Soap like he knows he’d appear there, toss him an apple when he feels peckish, slap his hand away when he needs to change bandages muttering something about him not doing it properly. It’s weird, and it’s nice, and it’s making soap feel all itchy and hot. he can’t even scratch himself anymore as a soothing tick, Ghost will just slap his hand away and grumble a “stop that.”

It’s weird, and soap can’t help but enjoy it.

He feels a bit selfish, feeling like he’s somehow taking advantage of ghost’s kindness, but for what? He’s feeling guilty but what exactly is he being selfish about? Maybe a mental checkup is in order, he’s losing his mind a bit. They’re friends, that’s all. It’s not…that unheard of that ghost would have friends, isn’t it? He should feel honoured to be his…fist? Again, Soap doesn’t know a lot about him.

Time passes. He dips his toes in guerrilla warfare for the first time, can’t say he’s a fan. Been backstabbed, shot, and survived. Hes earned his nickname, and sticks by it. (Hah) Though thick and thin, Ghost’s been there throughout it all. An angel guiding him to the churches, a leader who he would follow to the pits of hell, a friend when he needed one. After all that, the questions just never seemed to slow down. About his family, himself, his hobbies… to keep him awake, to pass the time, just whenever. Mostly Soap would get grumbles and short answers, proper sentences if he’s in the mood (which is all the time) or drunk enough. He’s flustered under all the attention and he knows it, itching beneath the helmet and the layers of armour. Soap is brash, and loud, and a little bit of a pyromaniac. He knows it. He’s fine with it. All jagged edges, no slowing down in sight. He doesnt know what to do with the change coming. He does the only thing he knows to do. He runs. After all of it is said and done, with makarov in the streets now, not much is to be done other than waiting for further instruction.

Applies leave for a few days, rented a airbnb online, have some alone time. Reset. Easy. Simple. Hes done this all his life. But when he was just about to slip out, Ghost suddenly appeared right in front of him.

“Gah- Jesus, fuck, ghost. What’s wrong?”

“You’re leaving.”

“Yeah, I am. You signed off on the papers.”

“Why?”

“Just…some time. To myself.”

“Is that it?”

“…yeah?” What else does he want me to say?

Ghost looks like he.. squirms a bit, which is weird. Ghost doesn’t squirm.

“Just… the countryside. And stuff.” This is the worst casual conversation he’s ever had with Ghost.

“Um… i got you something.” Then he’s holding something out.

“Huh? Really- this is a rock.” What the fuck.

“It’s a rock from Las Almas.”

“You… kept a rock. From Las Almas. What, you couldn’t have stopped by an actual gift shop just around the corner? I think i saw one right around where i found your knife lodged into-”

“-You done yet?” He snaps.

“Apparently not, sir. You wanna explain the rock?” Soap’s being a bitch.

“Just that… you’re going to be alone… and. Makarov.”

“It’s a legitimate place, ghost. you wont find anyone there.”

“Not just that, it’s like-” He groans slightly and scratches the back of his head. “You’re going to be alone, and the last time you were alone..”

Oh.

“It’s just a reminder that like, I wasn’t going to give it to you this soon but, i was there. With you. You weren’t truly alone, johnny. And.. you’re going to be alone now. Actually alone. And i just….its. I’m here. At Redhill. I’m going to be here. You know where to find me.”

You’ve got me, haven’t ya?

Oh shit.

Soap doesn’t know what to say. He can feel the tip of his ears burning, pricking down his cheeks and flush down his neck. He doesnt know how to stand properly, what to say, how to think. Because everything he;s thinking right now should not be applied to his lieutenant.

This doesn’t mean anything, right? It doesn’t change anything. It’s still the same. Soap knows that Ghost cares about him. He’s his Sargent. He’s his Sargent. But not in that way. They’re friends. The rock from Las Almas. He’s fine. They’re fine. It’s just like the rock is a physical manifestation and real evidence that Ghost may or may not like him. Jesus, he shouldn’t think like that. He’s too quiet. He should say something. His lips twitch.

“Thank you.” THAT’S IT?? SAY MORE.

“I’ll know where to look, then.” Soap gives the most half flustered, half assed smile he’s ever given to anyone. He cant even begin to imagine how he looks right now. His heart pulls. Ghost looks away. He feels like he’s going to be swept off his feet in a bad (good) way.

“Right then.” He clears his throat, disappearing down the corner of the hallway. Soap gapes as he stares after him. What was that? What was him? What? He looks down at the heavier-than-it should-look rock in his sweaty palms, and swallows.

This doesn’t change anything. They’re still working together. They’re the lieutenant and Sargent of the 141 Taskforce. He’s fine. They’re fine.

Everything is okay.

[whathorselegs]

Hot take but Dazai and Chuuya do not have to be solely opposites in everything.

Just because Dazai can't do/isn't good at something doesn't mean Chuuya automatically can do/is good at that same thing. And Vice versa.

They are as similar as they are opposite, their dynamic doesn't have to just be boiled down to opposites attract.

As an example, I think Chuuya is given way too much credit for how put together he is in terms of domestic chores, especially when he's a teen! This boy was technically homeless until the mafia took him in. He was a child on the street, with no memory, who was taken in and raised by The Sheep. Who were other children living in a sewer! For at least some of the time Chuuya was in The Sheep he lived in a sewer. It probably took him years to actually learn how to consistently keep his home in order.

Yes, in Storm Bringer we are given a passage about how neat Chuuya kept his new apartment, but that was also because of how bare it was. He literally didn't know how to fill an apartment with anything but the bare necessities. I don't think we were supposed to read that passage and go "Wow, Chuuya's so neat!", we were supposed to go, "Wow, this kid has no idea who he is."

Dazai living in a shipping container is the worse scenario, but neither of their living situations reflect a stable one. They both have no idea how to make a home for themselves at that point. Chuuya is as proud of his own barren space as Dazai is of his. The real difference is Chuuya was given his apartment by the mafia, whereas Dazai picked his container. Chuuya is integrating himself into the mafia and Dazai is separating himself from it.

Their living situations are mirrors of each other as well as opposites.

Anyway, all this to say, skk (teen skk especially) should get to be as dumb as they are competent together.

[rystiel]

i feel like poolverine easily could’ve been one of those “they’re flirty but it’s mostly unserious” situations, and for most of the movie yeah they were extremely gay, but wade’s been like that with other guys and it was never treated as a serious type of relationship before. they’re willing to die for each other, but even then the romantic aspect of their relationship could be glossed over because it’s a superhero movie, that’s just what they do, and they’re working together to save a whole timeline—it’s not just about them. but then the movie doesn’t end with them saving the day and moving on. i think this’s really the part that sells poolverine as a genuine relationship to me… logan’s leaving, and wade calls for him. he can’t stand to let him go. then he introduces him to his family, and logan stays. he doesn’t really need to stay, but they’ve both decided they’re better off with one another than without

[lunacias]

(Silence. CARPENTER tries to rally HAYWARD's spirits. She's afraid she's going to lose him.)

"All three of us - we can all go on living, Hayward. Just like you said."

[oobbbear]

Why are scientists trying to give robots realistic human faces cut out all those useless shit just put anything there as a head and I will smash

[800db-cloud]

i’ve been wanting to do this since day one

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[the-adventures-of-dave]

Around tumblr lately I’ve seen people with the opinion that not only are free roaming cats bad (correct) but also supervised cats in catios or on leashes (????). I assume it must stem from that “ecology of fear” post from a few months ago, but to me the sudden appearance of these kinds of posts just strikes me as odd. I’ve seen multiple posts like the below one in just this week.

—

—

If your cat is contained to your yard/catio/the sidewalk, then it still allows for predator-free safe places in your neighbourhood for wildlife, and creates predictability for them too. That’s one of the reasons why hiking trails ask people to stay on the trail— so you (and your dog, horse, cat, etc) can safely enjoy nature while still giving it space. It is possible to exist outdoors in natural spaces like that while maintaining wildlife comfort. If it wasn’t possible to do that, dog-friendly or (even just hiking trails in general, since humans are predators too) simply wouldn’t exist.

The problem with free roaming cats is that they break boundaries between human area (ie. trail, back porch) and wildlife area (foliage, etc) and there is nowhere the wildlife can go to exist that is safe from predators.

Idk, this is just my opinion but I just think there can be more nuance to the outdoor/free roaming cat issue than “never let your cat step outside under any circumstance”.

[pallanophblargh]

Wake up, new cryptid just dropped!

It’s true that I’ve had to reimagine my day to day life since we got her, but I can’t imagine how we got this lucky. We thought we would have to work to earn her love, but from the moment she entered our house it’s been a cuddlefest, one I couldn’t possibly deny. There are hurdles she will be facing to be sure (and she will still need to meet the cats face to face) but I’m so happy to see this happy lil cheese every day. Welcome home Raclette!

(The couches will always be hers, even if it means she does try to smush whatever I’m working on at the time!)

[starcurtain]

Female Guidance in Aventurine's Life

One thing I haven't seen discussed in much depth yet, but which I think is especially interesting, is the consistency of female guidance in Aventurine's life: Every single person who we have seen on screen offering Aventurine assistance or making a positive difference in his life is female (with one exception, yes, I'll get there).

Under the read more cause it's longggg:

Before even diving into his family, let's just get the obvious out of the way: Aventurine is, at least supposedly, blessed by a goddess. The very origin of his good fortune--be it actual blessing or curse--comes from the literal "mother goddess" who watches over him. This is one of the only instances in Star Rail where a god character is specifically given a gender, and Gaiathra is not ever ambiguous. She is the classic female fertility goddess with all the trappings of other famous triple goddess figures of the real world. Aventurine's personal belief in the goddess may be shaky, but he nevertheless continues to treasure his people's faith. Thus, at the core, we can say Aventurine is a character who is guarded by the most quintessential mother figure possible.

Now, with the most obvious out of the way:

We know that Aventurine's father died before Aventurine was even born, and therefore he would not have any memories of his father, leaving him to be raised by his mother and sister.

Both women clearly made an enormous and lasting impression on Aventurine; they haunt every single one of his memories of Sigonia and are the key elements of the family Aventurine longs to return to. While he flirts with the concept of death as a way to see his family members again, it was also his mother and sister who instilled in him any sense of self-worth and meaning to his existence, the only things keeping him from giving up on living. His mother believed him to be blessed; his sister insisted to his face that not even the only remaining remnant of their mother had any value in comparison to his life.

It is for his sister that Aventurine first begins expressing a self-sacrificial nature, and from his sister that this self-sacrifice is reinforced when she uses herself as a shield to help him escape massacre at the hands of the Katicans.

It is also from his sister that Aventurine learns many of the deeply meaningful actions he holds onto to the present day, despite having been so far removed from his own culture.

Conversely, every one of Aventurine's early negative experiences on screen appear to have been driven (at least primarily) by men.

Although the Katican tribe of course would have both men and women, the tribal societies on Sigonia appear to be on the fairly traditional side, with Aventurine's mother staying at the camp with her child while his father was the one to go out and hunt for offerings for Gaiathra. This is also supported by Aventurine asking Jade to take him to her "chief" later on. Therefore, it is likely (although of course not guaranteed) that a majority of the Katicans' army was male, and that Aventurine's early experiences with outsiders consisted almost entirely of indiscriminate pillaging and massacre at the hands of what the Avgin viewed as savage, invading warriors. In separate instances, Aventurine was traumatized by these warrior figures three times--first with the loss of his father, then his mother, and then finally his sister.

And even their hope, supposed to come in the form of the "men in black" from the IPC, completely abandoned them, leaving Aventurine once again betrayed by masculine figures that were supposed to be there to protect him. Led by Oswaldo Schneider, another cruel male authority figure, the Marketing Department of the IPC permitted the wholesale slaughter of Aventurine's people--something which we know Aventurine is now aware of.

Then, of course, the next piece of Aventurine's backstory we're given is his male slave master. I don't really need to say anything about this, do I? This man violated Aventurine's human dignity and bodily autonomy, and forced Aventurine's hand in a life or death battle for which Aventurine still punishes himself mentally, even years in the future.

In part to escape the difficulty of his situation and rise to a position where he would have enough resources to--he thought--help his people, Aventurine joins up with the IPC. But when he attempts to make contact with a powerful man in the organization, Diamond, he is instead met by a woman, Jade, who against Aventurine's own expectations determines that she will raise Aventurine up (or use him as a tool, depending on how you currently choose to interpret Jade's motivations), granting him wealth and status beyond his imagination.

(And this line in particular is interesting, because you can take it one of two ways: 1) Aventurine comes from a patriarchal planet that traditionally put men into positions of power [thereby making his own slavery an emasculating act, aligning him further with disenfranchised women]; thus, he is making the assumption that to get anywhere in this organization, he will need to work with a man; or 2) He actually was counting on Jade taking his bet and helping him right from the beginning, because Aventurine perceives women as inherently more likely to protect and aid him than men would be.)

In the end, Jade does exactly as she claims she will, launching Aventurine into a position of power while also closing golden handcuffs around his wrists. She positions herself not only as his supervisor, but as his advocate and ally. She entrusts him with her Cornerstone, a sign of significant faith in his abilities. She even seems to be keenly aware of his bias towards the mother figure, referring to him as "child" in their conversations.

Whether this is genuine or a manipulation tactic can certainly be debated (and I'm not inclined to think at this point that Jade is a genuinely good role model or selflessly supportive person in Aventurine's life), but whatever the case, women are the only people Aventurine even remotely considers to be "in his corner."

We see this even earlier, in Aventurine's call to Topaz. Like with the example of his mother and sister, Aventurine trusts in Topaz's ability implicitly, and considers her above anyone else when it comes to completing the mission in Penacony.

Although of course we don't know if Aventurine has any other friends or allies among the Strategic Investment Department, it seems very likely that Topaz, yet another woman, is the one he is closest with. At the very least, she is the only IPC character (so far) that Aventurine has a complimentary voice line for, one that shows his respect for her talent:

Over and over again, the story aligns Aventurine with female figures in positions of authority, and demonstrates that he is comfortable (although maybe not too comfortable, in the case of Jade) with relying on them and trusting their judgment, just as he did with his mother and sister.

And this pretty much goes off the charts in Penacony, where Aventurine has more involvement with the female cast than virtually any other non-female character (even the Trailblazer!). We set the pattern off right away, with Aventurine immediately being placed into a negotiation situation with Himeko, respecting her role as the Express's leader and working to get himself aligned with the Express by acquiescing to her request for support.

Then there's the fact that Aventurine is the one who finds Robin's body, an event which, although he didn't let it show too much, was almost certainly traumatic for him, given the violent death of his own sister.

Next, twice in Penacony's story, we see Aventurine seek out Sparkle for information. He may not personally like her and her comments may be both racist and dehumanizing, but Aventurine does rely on her--being the only character explicitly seeking her aid, which no one else in Penacony seems to want.

In 2.0...

And in 2.1.

Now, say it with me, guys: Aventurine built an entire portion of his grand plan around the idea that if he looked pathetic enough, a female character would absolutely come and help him. And sure enough, the women come through for him, always! Sparkle gives him the exact last clue he needs to confirm his belief that he could use "Death" to reach the true Penacony, sealing the deal for the rest of his plan.

His plan which also hinged significantly on Black Swan's involvement too, another woman that he views as, if not trustworthy, then at least intelligent and hyper-competent.

Contrast all this, of course, with the treatment Aventurine receives at the hands of Sunday, the lone opposing male character he faces in Penacony.

Sparkle implies that Sunday would humiliate Aventurine in an unmistakably sexual and degrading way, and Sunday himself professes this same desire to see Aventurine humiliated.

Then we're "treated" to the moment in which Sunday uses the Harmony's (or perhaps actually the Order's?) power against Aventurine, in a scene which is supposed to reflect an interrogation but is also, very clearly, another nonconsensual violation of Aventurine's bodily autonomy and dignity by a man. While ostensibly seeking confirmation of the Cornerstone ruse, Sunday instead subjects Aventurine to unnecessary questions about his past on Sigonia, which recall and force Aventurine to re-endure memories of his trauma.

Even if this is what Aventurine prepared himself for and planned to have happen, the pain he experiences is very real, and he suffers both the physical and emotional consequences of Sunday's assault all the way up to his "Death" and possibly even beyond.

(Also, Sunday fans please don't get too up in arms with me for this; I also like Sunday! It's okay for characters to be morally grey!)

I think there's one other interesting example I would bring up here too, and that's Aventurine's conscious decision to weaponize his own masculinity against the Trailblazer. Through the 2.0 and 2.1 Trailblaze missions, Aventurine deliberately acts in an off-putting manner to the Astral Express crew, particularly the Trailblazer, in order to build up to the 2.1 climax where the Trailblazer is supposed to view him as an unrepentant villain and attack him without hesitation.

In order to achieve this uncomfortable, villainous effect, what does Aventurine do? Exactly what other men have done to him.

This is especially apparent if you're playing Stelle because of the ingrained societal taboo of a man entering a woman's personal space without consent, but even as Caelus, it is very clear that Aventurine is leveraging behaviors typically used to show dominance: In a complete 180 to all Aventurine's other body language in the game (normally quite withdrawn, frequently in defensive postures with his arms crossed or hand behind his back, almost always standing several feet away from other people), Aventurine violates the Trailblazer's personal bubble, looming over them (Caelus was sitting in this cutscene, lol), forcing eye contact, and commanding the space while informing them that they will have no choice.

For someone who was hunted, enslaved, had his movements restricted with chains, and due to his own slight stature has very likely been towered over by others who were intentionally asserting their power over him all his life, it is clear that Aventurine associates dominant, typically more masculine-coded physically-imposing behaviors with discomfort and even villainy.

Any girl who has ever had a man loom over her like this will realize very quickly: Aventurine wanted to make himself scary so he made himself act more like a bad man.

(Yes of course I know "not all men." I'm not saying every man behaves in this domineering way or that women cannot be domineering too, obviously, just that Aventurine had a very specific image in mind when constructing a "villainous persona," and the physically controlling tactics most typically used by aggressive men toward women was his immediate go-to.)

But where does that leave Dr. Ratio, the one male character actually on Aventurine's side?

Frankly, I don't want to derail my post about how intensely Hoyo chose to hammer on the message of "Women will protect you" in Aventurine's story with a discussion about a mlm ship, but the take-away here is going to lead in that direction anyway--so yes, Dr. Ratio is the exception.

What is interesting is that he does not come across as an exception at first, and in fact initially appears as another male character being rude and dismissive to Aventurine. Like, there are still people out there calling Ratio an unrepentant racist for this one.

Of course, it's later clarified that this is an act--likely even these insults were scripted specifically to give Sunday's spying ears the "insight" he needed to exploit Aventurine during the interrogation.

But even though it is an act, Aventurine still has noticeable trouble putting his faith in Ratio. He does genuinely doubt him a few times, despite knowing that they are working together to fool the Family.

Even his voice line about Ratio confirms that he doesn't think Ratio particularly cares for him; rather, he thinks Ratio simply tolerates him because he's slightly less unintelligent than those around them.

Ultimately, the entire act with Ratio ends up being a mirror of the real scenarios Aventurine has been experiencing with men his whole life (at least as far as we are shown his life). Men abandon him to fend for himself (unwillingly, like his father, or willingly, like Diamond leaving Aventurine to deal with Penacony alone on the inside). Ratio keeps leaving Aventurine completely alone. Men attempt to humiliate him and violate his boundaries (like Sunday and his slave master). Ratio insults Aventurine's appearance and intelligence repeatedly. Men betray him (like Oswaldo Schneider and his men leaving the Avgin to die). Ratio "betrays" him.

I'm not saying when Aventurine devised the plan for their act, he consciously drew up a list of all the ways men had hurt him in the past and had Ratio re-enact them one by one, but like... that's what happened, whether or not Aventurine intended it.

And okay, the shrinking scene in Dewlight Pavilion was just for fun and probably only slightly fetishy, the devs promise; yes, it was supposed to be a joke! ...But it's also not a mistake that this is yet another instance of a male character in a glaringly metaphorical position of power over Aventurine. Aventurine's tiny in this scene! He's completely vulnerable! He's in a dangerous position and the male character could very much hurt him in this moment.

But Ratio doesn't. (In fact, his line here is supposed to be sarcastic, very ha ha--but also, what is Ratio really saying? "I won't do anything to you without your express consent." What a good guy.)

Virtually everything negative that we see in 2.1 is Ratio doing these things as an act at Aventurine's own request. He doesn't actually disdain Aventurine; his own voiceline about Aventurine reinforces that he sees Aventurine as talented and intelligent.

Whatever you think he was apologizing for in their early scene, he's the only person we're ever shown in-game apologizing to Aventurine at all.

He worked hard to "betray" Aventurine but only as he was instructed to do, and immediately checks in on Aventurine's well-being afterward, even urging him to give up the plan if it becomes too much to handle.

And then, of course, there's the note: "Do stay alive. I wish you the best of luck."

After this point, it cannot be denied that Ratio is unequivocally on Aventurine's side, wants to help him, and is not doing so out of any sense of self-gain but largely because he is a good person who simply cares about Aventurine's fate. By the end of 2.1, it can no longer be doubted that Ratio is the exception to the "gender rule" of Aventurine's life, which--the story shows us again and again--was that guidance, protection, and care for Aventurine come from women, while men repeatedly represent dismissal, betrayal, or pain.

Ratio is, at least as far as Aventurine's story shows us, the proof that men can be good, that things are not as black and white in Aventurine's life as they might appear, and that--if you do choose to ship him with or see Aventurine as attracted to men--his attraction could be validated (and potentially reciprocated) by a male figure who would not bring additional harm to Aventurine's life. Aventurine makes the final decision to live after seeing Ratio's note--the exception to the rule ultimately proves to be the last piece needed to keep him alive.

But I promised I wasn't going to derail my own post about w o m e n, so let me get to the final point, and the one I really wanted to talk about: Although Ratio gets virtually all the credit for "saving" Aventurine in the fandom, Aventurine was actually saved by, you guessed it, another woman.

Not going to lie, the reason I started this post was specifically because I wanted to talk about how Acheron and Aventurine's dynamic was completely unexpected but actually fits flawlessly with the theme of feminine guidance in Aventurine's story.

Despite the fact that Aventurine made Acheron's life much harder and actively used her as a chip in his grand gamble, she doesn't blame or chastise him for those actions. Although she expresses some incredulity that Aventurine is actually that lucky, she then turns around and congratulations him for his ingenuity, immediately supporting him despite the fact that they don't even truly know each other.

Then it gets even more interesting. Acheron, who frequently hits her companions with deep and sometimes very emotionally fraught questions, asks Aventurine: "Have you never wavered?"

We as players know for a fact that Aventurine is constantly wavering, constantly doubting himself, his luck, and whether he'll even live--or even wants to live--to see tomorrow. But we also know that Aventurine is not forthcoming about those truths, refusing to express them to anyone, even himself. The only way we hear those dark truths is through his "future" self (who by the way, is once again another male figure cutting Aventurine down--of course it's himself but it's also, from the player's perspective, once again reinforcing the message that he isn't going to find safety or kindness in an adult male presence). Aventurine almost constantly deflects and diverts when his emotions or struggles are brought to the fore (unless he's divulging them for the specific purpose of allowing someone else to weaponize them). "I'm fine," he says, like a lying liar who lies.

But he doesn't lie to Acheron.

He chooses to be completely candid with her, to lance open the deepest wound of his life--that he can win and win and win and still have lost everything. The glitz and the glamour has all been stripped away here, at the end of everything, and Aventurine finally feels safe enough to admit that he fears he has absolutely nothing in his life worth living for.

And then, we get this direct parallel: Aventurine looks to Acheron, the woman now before him, for guidance, for explanation, exactly as he looked to his sister in the past.

He needs help, he needs answers, and he is continually seeking that help from the female figures in his life, whose support and kindness echo the lost care of his mother and sister.

"Go where you should be," Acheron tells Aventurine, guiding him across the river of death just as his sister insisted that he flee through the rain toward life.

Look guys, Acheron's even the one who reminds Aventurine to look at Ratio's note in the first place because apparently being an emanator of Nihility gives you x-ray vision, but my girl just gets no credit at all for being Aventurine's real savior, come on now!! Yes, Ratio's note was the final reminder Aventurine needed that someone would be waiting for him on the other side, but Aventurine would never have even gotten to the point of being willing to read that note if Acheron hadn't stepped in and provided him an answer to his question.

She feeds him back his own answer: "Why does life slumber? To rehearse the death for which we are not currently prepared." It is Acheron who reminds Aventurine that giving into the Nihility is pointless, and that rather than simply embracing a meaningless death, it is up to humanity itself to find and make meaning by living. It's this, not Ratio's note, that Aventurine gives as his reason for choosing to go on when asked by his own younger self. It's Acheron's words that finally give Aventurine an answer--why do we live just to die? Because there are people we can still make proud. Because when we go into death, we should do so with our heads held high, having achieved our own sense of purpose in this life.

Ratio gave Aventurine a promise: Someone is waiting for you to come back.

But Acheron gave Aventurine a reason: If life is inherently meaningless, doesn't that just mean you are free to give it meaning yourself?

She saved him, as women have been saving him all his life.

Anyway, this has already been horrendously long, but really what I wanted to say is that I think it is absolutely fascinating how consistent Aventurine's writing is when it comes to portraying where his support comes from and who he seeks guidance from. (Psst, just in case you still haven't figured it out, it's women!) In virtually every instance we are shown, we see the message reinforced that women are Aventurine's greatest allies and role models, while male figures are continually positioned to intentionally or unintentionally let him down and cause him distress.

"But women playing the supporting role to a male character is nothing new, Star, why are you so excited by this?"

Because the role women are playing in Aventurine's life is not the subservient supporter and emotional crutch role that female characters all too often play to male counterparts. None of the women in Penacony or Aventurine's past were there to do the emotional labor for him, to be a trophy or prize, or to cater to his needs. They don't exist solely to help him fulfill his character motivations; they aren't following him around waiting for his next request as their only role in the plot.

Instead, with Aventurine's story, we almost have an inversion of gender roles, where the male character eschews the stereotypical "men are leaders, fighters, and stoic heroes" archetype. Instead, no matter how hard he tries to hide it and keep a stiff upper lip, it is clear from 2.0-2.1's story that Aventurine is a deeply insecure, lonely, and explicitly traumatized survivor of genocide, slavery, and exploitation. Unlike most male characters, who are very rarely portrayed as genuine victims--because come on, shouldn't men be strong enough to fight back? Shouldn't men be able to shrug it off when they are hurt, emotionally or physically? (Of course I'm rolling my eyes here!)--Aventurine is belittled, humiliated, emasculated, and victimized on-screen, roles almost exclusively reserved for women, for whom surviving victimization in fiction is seen as noble.

Meanwhile, the women in Aventurine's life take on the roles traditionally given to male characters. They're both emotionally and physically his protectors. Aventurine's sister gave her life to guard his safety; Acheron ensured he could safely pass beyond the river of Nihility into the Primordial Dreamscape. They give him the tools necessary to succeed where he could not succeed on his own. His plan could never have gotten off the ground without Topaz and Jade entrusting their Cornerstones to him. The knowledge and capabilities of the women around him--not their "feminine charms"--are what allow them to help keep Aventurine on the right path even though he does waver. Even women who disrespect him, like Sparkle, still play a positive role in his life, able to provide him insight gained with their own intellect and talents.

When he has no one to rely on and doesn't know what to do, Aventurine is able to continually turn to the women around him, asking for and receiving not servitude or fawning, but their genuine wisdom and guidance.

tl;dr: If nobody else has him, Aventurine knows this random woman he met two minutes ago on the street will have him, because the women in his life literally never let him down.

(It's just so, so good, and ultimately, it should be very clear why Aventurine's story is as popular with women as it is! A+, Hoyo!)