#IVE BEEN TRYING TO SAY THIS FOREVER

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[ratatatastic]

"Is [Barkov] a normal dude? Meaning like—is he just like, you're having a cheeseburger some day and he's like 'Oh, no, no, no! I need this, I need the superfoods,' like is he kind-of... is he a normal guy?" "'Is that Wagyu or no?'" "'I need, you know, the best of the best,' Like how is he?" "He's undercover really funny, especially when you get to know him. I don't think he said much for the first 3 to 5 years. But I always joke with him I've never been invited to his house and we've played together for 10 years." "Dude, Brandon Montour said the same thing! We had him on last year! He's like, 'Dude, he's never had us over! We're always like—' But he doesn't live by all you guys, right? He kind-of lives a little further out?" "Yeah, he lives 20-30 minutes away in Boca [Raton.] But, yeah, no I—Listen, it's just his personality. It's who he is, and we respect him for it. Like I said, he's a really funny guy when you get to know him, and sometimes he's got those one-liners. And, you know, he's one of those perfect humans, right? You know, one of the guys we all strive to be, and we'll all come short forever, but—yeah, he's a good person."

The Cam & Strick Podcast | 7.30.24 (x)

i hope this bit never ends if not for the fact that each time ekky has to say it he has to add another year to it which adds to the comedy of it all

"Hey, who's got the best setup on your team with the Panthers? When all the boys get together, 'We're going to your crib. We're gettin' on the jet skis,' whatever. Who's got the best setup?" "Yeah, um—Aaron [Ekblad]'s probably...I mean, Aaron's been there the longest. Hopefully, Barkov hears this! He's been there the longest, but he never invites the boys over to his house!" "Oh~ Barky!" "Is he cheap?" "I'm gonna call Barky out right now, and see if he can invite the whole team over next year..." "Is he cheap? Is he cheap? What is it?" "Will he do it?" "Oh, he's up in 9 East—obviously, like quiet, unbelievable guy, but he's the only up in Boca [Raton.] So I don't know if anybody wants to even drive up to Boca..." "Oh, Fancyland Zone..." "What do you mean? How far is that away from where you are? Like, and everybody else?" "Yeah, we're all in Ft. Lauderdale, Las Olas—within probably... you know some families are in Parkland by the arena, but we're all within probably 10 minutes away and he's up 30, 40 minutes away so."

The Cam & Strick Podcast | 7.25.23 (x)

the boys ribbing sasha for living so far away and never inviting them to his house but still going btw hes amazing and incredible and perfect and sososo good we say this to tease him but like this is just who he is as a person and we accept that so please dont misconstrue this into something its not this is a joke and we dont take it to heart

and on that topic its really a shame that NA media doesnt know how fucking funny and how absolutely unserious he can be. I understand the notion of diligent no-nonsense captain is a prevalent idea (which he is lets make that clear he takes hockey so seriously) but especially since this season hes said hes cut down on weight so he could skate faster (and the results show) so i understand where the questions are coming from knowing the track record but also

we've won a cup and hes ramped it up its fantastic and this is one of my favourite examples of it of how quippy he can be

happy to talk about my cappy!!! happy to tease my cappy!!!

"and you know hes one of those perfect humans right? you know one of the guys we all strive to be, and we'll all come short forever but yeah he's a good person" do you also cry about how terribly fond and sincere ekky gets about sasha

[homolobotomized]

so there's this manhwa... 😁

[mochasucculent]

Here's my extremely curated Jayvik playlist btw, it ain't got a lot rn but I have a few heavy hitters in here that I'm placing gently in your palm

[skunkes]

the bad: i have been raised without much warmth from my parents in childhood, but also pressured to conform to familial authority, doubt myself always, and value familial connections above all else (<- failed at this, and feel guilt about it.)

but also in experiencing this i have been so isolated from the entire rest of the world and others, that it will be nearly impossible to create my own "family" -> find safety and comfort in anybody else once my family is Gone. despite dis i find it really difficult to break away from the familiar, disobey and disappoint, because, well, why are my wishes more important than anybody else's. why would I cause upset and distress in anybody, and exert so much effort into my doubt filled half decisions, for my meaningless little Wishes. being away would also mean less time with these people who I'll never see again once they're gone. being raised this way is definitely paying off for those who did so.

the good: yaaaay adjacent inspiration for writing talon lore

[werewolfbarista]

no........could it be ....? new stretch marks above my hips..............?! quick, someone praise me‼️‼️

[slasherflicks999]

……………..who was gonna tell me the BEN drowned arg was gonna make me weirdly emotional huh

[murcielagatito]

janine why are you sitting on the table looking at ava like that 🤨

[soothedcerberus]

Funny dr man faust i love u 🥺 🌼

[kiddokori]

guys i caught a mouse at work today

[s0fter-sin]

i’ve been watching yannis marshall choreography for like 15 minutes and i’m back thinking about my dancer au

gaz suggests a pole dancing segment for the music video for price and ghost shuts it down hard, saying he doesn’t do pole. gaz calls him selfish, that he’s just saying no to spite him but ghost holds firm; not even listening to soap as he tries to reason with him and reach a compromise

soap gets to practice early like he always does, just to see ghost blasting another life by motionless in white and doing a flawless pole routine. he’s as mesmerised by him as he always is, such beautiful movements contrasted by the seemingly harsh music, and waits for him to break before teasing, “i thought you said you couldn’t do pole dancin’.”

ghost just wipes the sweat off his face with a towel. he knew he was there

he always knows when soap’s there

“i said i didn’t do pole; not that i couldn’t.”

“what’s stoppin’ you?” soap asks, genuine and innocently curious and it’s the only reason ghost doesn’t completely shut him down

“what ‘bout you?” he asks instead. “ever done pole?”

he shrugs and sets his bag down. “enough to get in a twirl or two. ‘sides, gaz’s better suited to that kinda delicate work.”

“now, that i know is bullshit,” ghost scoffs and soap tenses, expecting him to go off on another rant about his best mate (just like he waits through gaz going off on ghost) but- “i’ve seen your competition tapes; you’re plenty strong enough to work a pole.”

soap stares at him. “how have you-?”

“price,” he answers simply, throwing the towel on top of his gear and all but stalks towards him. “i like knowin’ who i’m working with; he sent me your breakdancin’ comps. if you can hold a three-fingered hollowback handstand, you can bend on a pole.”

soap sputters as ghost grips his tank top and yanks him over to the pole, setting his hands in place on the body-warmed metal; bracketing his body with his own. he guides his body through the motions; teaches him how to fall and catch himself in a spin, how to gracefully climb and hold his body in midair

soap laughs as he throws himself into a spin just to bend his legs over his head, twisting his body to latch onto the pole with knee and lean perfectly horizontal with his other leg splayed out; his arm thrown above his head

he tips his head back to catch ghost’s grin and almost drops himself as he jumps up to join him; artfully climbing above him and holding his whole weight on his hip as he flips down to look at him

soap’s breath catches at the scant distance between their faces; so close he can count the near invisible freckles on ghosts skin, his fair lashes and the deep flecks of gold in his dark eyes

ghost is just as entranced; his grin slowly fading as he looks into the light sparkling in soap’s eyes. he tips his head towards the mirrors lining the studio and they slowly turn to look at themselves; fitting perfectly together

“see?” he whispers. “we don’t look all that outta place, do we?”

“no,” soap whispers back. “we don’t.”

[riiviir]

hey guys so I just started reading Flatland by Edwin A. Abbott and OMG AHSBNSBSBSNSNBSHZHSHDBFHGGHFHGRJ2KSHSBSNSK AAAAAAAAAAAAAAA I LOVE THINKING ABOUT THE RELATIVITY BETWEEN DIMENSIONS!!!!!!

[itsalwaysdark]

i like overthink everything now it makes me feel so dumb. i used 2 be able to just talk 2 ppl but nowadays every single thing im like Is that actually going to make them hate me. Yes probably. and then i just dont respond which makes ppl hate me. this is how it is

[sonknuxadow]

going to start this post with the fact that im not trying to be a hater right now im just genuinely confused . anyway. the thing about sonic and shadow is that i dont think its a bad ship or that its entirely baseless or that their relationship is meaningless or anything like that. my feelings on so/nadow are complicated but i do like it to a degree . but i also feel like people are exaggerating how much is there in terms of canon backing for the ship (at least in the franchise overall if we're talking sonic prime specifically that makes more sense but prime is also like the spiders georg of so/nadow). like they have their moments but i dont think its as frequent a thing as people act like it is (again at least not in the games/comics) . like theyre just not as close or as obviously in love in the actual source material as some people seem to think they are ..??? some of the stuff i see being passed around as so/nadow moments is just them existing in the same frame .. ??? im not even saying its wrong to ship them or make them be in love in the headcanon sonic universe that exists in your head or whatever i just think that saying its basically canon is a huge stretch and idk what people are seeing between them that im not . sorry please dont get madat me. scampers away like a frightened little animal

[thedrotter]

Do any of you remember a Youtube video about Re:Kinder talking about how the game is seen and percieved by some people (mostly touching upon and arguing against how it has been treated insensitively as some sort of weird legend like "ooo disturbing game with a hidden truth behind it" due to it's creator being dead), as well as talking about the charm of the game (even mentioning it's art at some point) and sadness of the themes without spoiling anything at the same time?? I remember the video avoided saying any spoilers at all and only touched on the literal plot as the kids being stuck in a dire situation in the town with all the adults dead without really getting into the why (it didn't even say one of the kids themselves was the cause— as thus, spoiler free), other than that it just touched on the emotional side of it and vaguely mentioned some scenes.

i also remember at some point the later half (at the very least if not in all of it) of the video, music by Siinamota was playing in the background. Does anyone remember seeing a video like this?

I can't seem to find it anywhere and don't even remember the exact year I watched it.😭 It was the way I found out about this game a while ago, which eventually ended up in me playing it, and I really wish I could watch it again. I thought it was a deleted video by someone called hazel as it was mentioned by a lot of people, but I found that one and it isnt it.😓 I'm wondering if anyone remembers watching something along the lines of what im describing and knows if it's still up.

[vampmilf]

can we catch a break. can we catch a fucking break.