#ITVS

[usaigi]

Actually, Miguel hates Miles because he's a no sabo kid

[opossumbard]

Imagine if someone gave Spiderman Noir a thing of holographic glitter.

[shokuto]

I love Spiderverse Miles so I know you’re kidding yourself if you genuinely believe his Ultimate comics didn’t influence his arc or his characterization

[thetzar]

My Favourite Spiders 🕷 🕷 🕷

[kawamagi-crow]

i can't stop thinking about my spidersona aaaa

i want to draw her, and make comics, and djisjdosjdksndjs

anyone wanna hear me ramble about her?? We can ramble together about our spidersonas

[hallikset]

Finishing art? Nah, i'mma work on my oc's.

Meet Earth-2210's Spider-People, Payton Parker and Benji O'Byrne. Both protect NYC, though neither of them are from there.

Payton is from Texas, and started out in the DFW-area. Oscorp HQ used to be stationed there, and she's been investigating them since she was bitten by one of their spiders. When Oscorp moved their HQ to NYC, she followed, luckily just in time for college.

Benji if from the UK, with a very mysterious and tragic past, and he went to college in NYC to get away from it all. Unfortunately, luck is never on his side, and barely a month in he finds himself bitten by a radioactive spider. Spider-Man arrives at NYC, and when she finds Benji, introduces him to the world of vigilantism, where he becomes Wolf-Spider.

Someone else stalks the nights protecting NYC's citizens, but neither Payton or Benji have managed to find them in the act. Wonder who it could be? :)

[closebutnotquitewright]

I don’t know whether it’s something she would have any interest in, but the thought occurred of “Bricktop Williams, vampire” and now I can’t stop thinking about it. She didn’t get a ton to do in the show, but every bit was solid gold.

[ukdailymail]

Moment James Martin halts ITV's Saturday morning after gunshots heard

[phonemantra-blog]

In a time of uncertainty for non-fiction filmmaking, with the closure of Participant and a general slowdown in the industry, the Independent Television Service (ITVS) is stepping up to the plate. ITVS, a long-standing champion of independent documentary filmmaking, is expanding its flagship funding program, Open Call, to encompass short-form content alongside feature-length documentaries. ITVS Doubles Down A History of Supporting Bold Non-Fiction Stories ITVS has been a pillar of the documentary filmmaking scene since the 1990s. Through Open Call, the organization has awarded over $100 million in funding to more than 600 documentary projects. Past recipients of ITVS funding include critically acclaimed films like "Fire Through Dry Grass" by Andres Jay Molina and Alexis Neophytides, and the Academy Award-nominated "Minding the Gap" by Bing Liu. Open Call 2024: Bigger Budget, Broader Reach This year's Open Call initiative marks a significant expansion for ITVS. In addition to increasing the total allocated funding (Open Call offers up to $400,000 in co-production support), the program has broadened its eligibility criteria. For the first time, short-form documentaries will be considered alongside traditional feature-length projects. ITVS Embraces the Evolving Landscape of Non-Fiction "The bold nonfiction stories that engage today's streaming audiences know no bounds," stated Jim Sommers, an executive at ITVS. This statement reflects the organization's recognition of the changing landscape within documentary filmmaking. The rise of streaming platforms has created new avenues for non-fiction storytelling, and ITVS is adapting its approach to support this evolution. Sommers further emphasized, "We're eager to expand access to ITVS Open Call through new guidelines and attract artists with diverse storytelling visions." The inclusion of short-form content underscores ITVS's commitment to fostering a wider range of creative expression within the documentary field. The Power of Public Media Distribution ITVS co-productions have a strong track record of reaching audiences through distribution on PBS, a cornerstone of American public television. These documentaries are often featured on acclaimed non-fiction series like "American Masters," "Frontline," and "Independent Lens." Independent Lens Embraces Streaming Future Lois Vossen, the Executive Producer of "Independent Lens," echoed the sentiment of embracing change within the non-fiction landscape. She stated, "Where, when, and how we discover and watch nonfiction programming is always changing. Independent Lens is committed to evolving into a streaming-first series on public media platforms." Vossen's statement highlights the recognition that audiences are increasingly consuming content through streaming services. "Independent Lens" is proactively adapting to this new reality by prioritizing online distribution. Vossen's closing invitation, "We invite you to bring your talent and creativity to help reimagine our series, available online to every American," extends an opportunity to filmmakers to contribute to the future of this public media powerhouse. A Beacon of Hope for Doc Filmmakers With the recent closure of Participant and a general sense of uncertainty within the non-fiction film industry, ITVS's expanded Open Call initiative offers a welcome dose of optimism. By increasing funding and embracing short-form documentaries, ITVS demonstrates a commitment to supporting a wider range of filmmakers and fostering creativity in the evolving world of non-fiction storytelling.

[hoosbandewan]

Ewan Mitchell + smiling (requested by anon! <3)

[samuelroukin]

BARRY SLOANE as Eddie Wells in PASSENGER (2024 — ) Episode 1.04

[contac]

[opossumbard]

[ohfugecannada]

Any chance we could get #RejoinMarch trending on here at least? Just wondering…

[userarmand]

ASSAD ZAMAN as Anish Sengupta — Hotel Portofino ◦ “Alliances”

[tampire]

They're having a Vicious Gay-Off.