#ITS DOING THINGS TO ME

[chains4w-gutzfuckk]

*ੈ✩‧₊˚drank an energy drink, shaking, help*ੈ✩‧₊˚

[foxdev1l]

[thunderbottle]

alternate universe odyssey where penelope has just a terrible time save me. save me self indulgent odyssey au

[mandalhoerian]

I really love how vera mends into the re narrative and her conection with other characters, like i feel like her personality and relationship with leon is so interesting specially after the no time to die ending because i headcanon that leons silly ass jokes and sarcasm in re4 come from the impact veras personality had on him and how it helped him keep his cool in re2 so he developed his own silly little quips

[aceleratensen]

strategy meeting wedding planning

[itsxirenex]

lance parade interview!!!

[puppppppppy]

filipina miku!! my mom helped me with her outfit ^_^

[canonkiller]

I just think everyone should take a moment to consider the question "what is your visual shorthand for cruelty?" and then follow it up with a critical "and who taught you that?"

specific examples include but are not limited to

why is an evil timeline character design disabled? (why do the heroes go through equally punishing battles and never lose an arm, a leg, an eye?)

why are the futuristic scifi terrorists uniformly darker skinned? (why are the heroes so much lighter?)

why is the greedy boss fat? (why are the heroes skinny?)

why is the criminal mastermind heavily scarred? (why is the brooding, traumatized hero unscathed?)

why is the predatory creep a bearded person in a dress and makeup? (why are none of the heroes trans women?)

who taught you that this is how things are?

how long do you plan on repeating it?

[stil-lindigo]

lead balloon (the tumblr post that saved me)

if this comic resonated with you, it would mean the world to me if you donated to this palestinian family's escape fund.

--

no creative notes because this isn't that kind of comic.

I know I don’t owe any of you anything but I still felt compelled to write about my long term absence. And I feel far enough away from the dangerous spot I was in to be able to make this comic. I have a therapist now, and she agreed that making this could be a very cathartic gesture, and the start of properly leaving these thoughts behind me. I am still, at seemingly random times, blindsided by fleeting desires to kill myself. They’re always passing urges, but it’s disarming, and uncomfortable. I worry sometimes that my brain’s spent so long thinking only about suicide that it’s forgotten how to think about anything else. Like, now that I've opened that door for myself, I'll never be able to fully shut it again. But I’m trying my best to encourage my mind in other directions. We'll see how that goes.

I am still donating all proceeds from my store to Palestinian causes. So far, I've donated over $15K, not including donations coming from my own pocket or the fundraising streams which jointly raised around $10K. In the time since I made my initial post about where this money would be going, the focus has shifted from aid organisations to directly donating to escape funds.

If you'd like to do the same, you can look at Operation Olive Branch, which hosts hundreds of Palestinian escape funds or donate to Safebow, which has helped facilitate the safe crossing and securing of important medical procedures for over 150 at-risk palestinians since the beginning of the genocide.

[druid-for-hire]

[image id: a four-page comic. it is titled "immortality” after the poem by clare harner (more popularly known as “do not stand at my grave and weep”). the first page shows paleontologists digging up fossils at a dig. it reads, “do not stand at my grave and weep. i am not there. i do not sleep.” page two features several prehistoric creatures living in the wild. not featured but notable, each have modern descendants: horses, cetaceans, horsetail plants, and crocodilians. it reads, “i am a thousand winds that blow. i am the diamond glints on snow. i am the sunlight on ripened grain. i am the gentle autumn rain.” the third page shows archaeopteryx in the treetops and the skies, then a modern museum-goer reading the placard on a fossil display. it reads, “when you awaken in the morning’s hush, i am the swift uplifting rush, of quiet birds in circled flight. i am the soft stars that shine at night. do not stand at my grave and cry.” the fourth page shows a chicken in a field. it reads, “i am not there. i did not die” / end id]

a comic i made in about 15 hours for my school’s comic anthology. the theme was “evolution”

[crowkip]

yeehaw, baby!

[hinamie]

10 years later

[lovelenivy]

mouse bites™

[crumb-crumblet-s-crumbington]

"Why did I do that?"

close up

[cozylittleartblog]

"content creator" is a corporate word.

we are artists.

[desertduality]

something about the way the hermits try to blend their bases together when they're close by is just really sweet to me. I don't really know how to explain it other than like. it's art. they start out with their empty plots of land and then they shape it and change it and they start growing into each other. the lines blur. it's like they're all given a slab of marble and they carve their own statues but they make the statues hold hands. i dunno.