#IT WAS HISTORIAN I WAS LOOKING FOR HISTORIAN

[its-not-a-pen]

i love the hilarious eunuch ranking system by @welcometothejianghu so i decided to make one based on (mostly) REAL historical chinese enunchs!

in chronological order:

Warring States Period long story short, the PM is sleeping with the Empress Dowager, and he wants to extracate himself before her son (future Emperor Qin Shi Huang) gets old enough to find out. the PM finds her a suitable replacement, and the replacement is attached to a guy named Lao Ai. They pluck his beard and pass him off as a eunuch so he can sneak into the palace. Bing bang boom everyone's happy. This goes terribly wrong later, since Lao Ai tries to replace the emperor with his own kids and stages a failed coup. rest in pieces buddy...

it's very likely that Lao Ai was a ficticious character invented by Sima Qian, who will be appearing on this list later.

Qin Dynasty

Zhao Gao helped the first emperor of China conquer an empire, and administer it efficiently with his legal knowledge, but he also made the second emperor into a puppet, and weakened the empire for his own political gain. Max points of complexity, but you'd get more loyalty out of a coffee club punch card.

Before launching his soft coup, he decided to test the waters by bring in a deer and gaslighted the emperor by calling it a horse. the officials who were loyal to him called it a horse, and he executed the rest.

Han Dynasty Jiru, male favourite of Emperor Gaozu (Liu Bang), the peasant scoundrel who became the founder of the Han Dynasty. look, if the emperor has a harem of hundreds of women and you manage to catch his attention, you max out in style points. simple as. for most of chinese history it was fairly common for high-ranking men, especially eunuchs, to wear make up like powder and rouge, but i decided to give Jiru some women's huadia as well, cause he's a baddie.

Jiru gets a bad rap for alledgely distracting the emperor from his duties, but lets be real, history is written by civil officials who have no shortage of professional jealousy and gender/sexuality related prejudice towards eunuchs, since they were the personal attendants of royalty and could exert a lot of influence. plus Liu Bang was already pissing in the hats of confucian scholars, most of the poor work ethic is on HIM. Jiru should get credit for making him marginally less of a troglodite.

all in all he didn't try any court intrigue so extra points for loyalty and complexity. free my man >:( he's just a Han dynasty Monica Lewinsky who got slutshamed by jealous coworkers >:(

Han Dynasty

meet the father of east asian history, sima qian. half the people on this list can owe their placement here thanks to his extremely though history books "records of the grand historian"

history at this time was mostly "creative writing" and sima qian attempted to give the practise more academic intergrety, he went out and personally interviewed people, tried to get primary sources, and got rid of most of the more fanstastical aspects. however, he was not without his biases and some texts can be seen as allegorical/veiled insults towards the Han Dynasty, especially towards Emperor Wu. unlike most of the people on this list, sima qian was from the gentry and castated later in life as a punishment for treason. he was implicated after trying to defend a friend, and could not pay the fine to commute his sentence. the gentlemen at the time were expected to die by suicide rather than live with such ignimony, but sima qian chose to live so he could finish writing the history book his father started. the "giant conspiracy" joke explained: the chinese word for penis is a homophone for "conspiracy".

[the-blaze-empress]

>looking for a new source

>ask the historian if their source is ancient greek or just athenian

>they don't understand

>i pull out a well referenced essay describing what is greek and what is athenian

>they laugh and say "it's a good source"

>read the source

>its athenian

[project-sekai-facts]

Does the play in revival my dream is really racist/stereotypical ?

Yes, I don't think it was intentional at all in fact it's pretty clear the intention was to say "don't judge those who are different from you just because you don't understand them" but ultimately they failed at that.

The play presents it as a very "both sides" kind of issue in terms of the natives and colonisers not understanding each other. There's also this line:

Before this the town dwellers (colonisers) had been incredibly rude towards and fearful of the forest people (natives). The girl Emu is playing rescues a solider after her people attacked him, even though the soliders had literally just invaded their land "just to check" if the natives were gonna attack the town. "They're not all bad" to the officer who just led a march onto someone else's land just in case is not the right message here at all.

Also ultimately it's revealed that the conflict between the both sides was instigated by a third party. The worse coloniser who wants to exploit the natives for their natural resources. The townspeople are the good colonisers who should be forgiven for their actions because they were manipulated by the antagonist who is a bad coloniser is also not a good look. Like it really hammers in the "not all bad" message here by introducing the only character who you are meant to think of as bad. Not like the other townspeople were incredibly racist before they made amends with the natives. That can be forgiven because they don't really think like that they were just manipulated by the evil exploitative coloniser. Do you see how bad that message is.

(Also there's a line about how the townspeople might sell Emu to another country for interacting with them and maybe we're meant to view it as an exaggeration but either way. Why are we meant to be forgiving towards these people again?)

While the movie Emu and Nene's cards seem to take inspiration of is based on the Emishi people, it's more likely that the play is based on Ainu people, due to the more recent archetecture used in the sets, as well as the costumes for the officer and subordinate (refer to Tsukasa's rmd untrained). Emishi people are believed by historians to be ancestors (but ethnically distinct) to Ainu people. I strongly suggest looking into the history of Ainu people and the oppression they faced from the Japanese government and other countries (European ones surprise surprise), because the oppression dates back over a millenium and is far too much for me to reasonably cover in any detail. In brief, the government for centuries has regarded the Ainu people as a primitive and barbaric group (both terms are also used in the rmd play), and in recent centuries took their lands in northern Japan with the expectation that the Ainu would assimilate with the Yamato Japanese people. Post WW2 they were denied rights to their traditional practices and even their language due to governments pushing for monoculturalism.

That's not even going into the fact that the reason wxs is the only unit that has card sets based on other cultures (this and island panic) is because they're treated like costumes, which in itself is an incredibly dehumanising and racist way to think.

[hyun3hk3y]

Symbolism in "Portrait of Lady Edelgard Von Hresvelg"

This is something that I’ve usually never really felt comfortable doing. If you ever wonder why some artists are a bit more reluctant to actually *talk* about the “meaning” of their work, its because it strikes the same tenor as having to explain why a joke is funny.  If I have to actually lay it out for the viewer why certain decisions were made in the execution of a work of art, the magic of the whole experience may be lost.  Moreover, many artists avoid making definitive statements on their work because they do not wish to deprive viewers the opportunity to derive their own unique explanation. 

While I chiefly view myself as a fine artist, most of my artistic training was as an illustrator.  As an artist, this can lead to an interesting dichotomy when it comes to creating paintings.  During my studies, I was told that the job of an illustrator is to solve pictorial problems for people often by making pictures that tell a story or convey an idea.  Fine art’s definition, in contrast, tends to be more nebulous.  But I digress, on to the painting…

A number of people on reddit and Tumblr have remarked on the candle with the snuffed-out flame.  No interpretations on it have been offered, the mere presence of a candle with a smoldering wick is a strong enough implication.  However, this is one instance where I drew inspiration from art history so I believe it is worth elaborating on.  The animus for the candle originates in the Arnolfini Portrait by Jan Van Eyck.  Below is an image of the painting with the pertinent candle circled.

Art history scholars have a number of different readings about the candle’s presence, but the one I was taught in Art History is that the lit candle indicates the presence of the holy ghost or the watchful eye of God.  Three Houses draws from a number of religions for its world building, in the case of The Church of Serios, the developers took the majority of their cues from The Catholic Church.  If a lit candle would suggest Edelgard’s faith in the Goddess, then an extinguished one must imply Edelgard’s *loss* of faith. 

In addition to the extinguished candle, I would also like to direct viewers to the reflection of the candle in the polished wood table surface. In the reflection the candle is still burning very brightly, almost down to the base of the candelabra.

The purpose of this image is to recall a saying from old Taoism Philosophy in China: “The candle that burns twice as bright burns half as long.”  Those who are familiar with Edelgard’s back story in Three Houses will find its relevance obvious.  I doubt I am the only one to make the allusion.

This brings me to the next major piece of symbolism I employed in the painting, the dagger and the drapery on the table.  The dagger’s significance should go without saying, but its application as a device will become more apparent after I explain the table cloth.  To put it succinctly, the majority of the dark shadow shapes made by the tablecloth are arranged to evoke the shape of the crest of flames.  Below is another visual to help illuminate this detail. 

The immediate implication here is the detail of Edelgard possessing the crest of flames.  As for why I decided to depict it in a more concealed way…When I first got the idea for this painting, the whole concept was that if a person saw this painting in a gallery, they would be looking at an actual artifact from Fodlan, one that created by an artist who actually lived there.  This is why the second row of the inscription reads “In the Imperial Year” on the left side and “1179” on the right.  This means the painting would have been completed just before Edelgard starts attending Gareg Mach, and long before the greater public would know she has the crest of flames.  How the artist came to know this would remain a mystery.  I like to imagine it as a detail that Fodlan’s historians would debate over for years after the game’s narrative.

There is also a second message that I have intended with the dagger’s placement cutting (heh) across the crest…Gripping the dagger over the crest of flames is a statement about what the path is that Edelgard will take, especially when the crest is examined as representing the Goddess Sothis.  In fact, there are two (technically three) lines of dialogue from Three Houses I had in mind for this symbolism.

That about sums it up!  I may do a couple more posts in the future where I show how the painting evolved from thumbnails, to studies to the finished image if theres interest in that sort of thing.

[useless-catalanfacts]

Do you have any recommendations on books about the history of Catalonia?

I have (obviously) read about the topic in Catalan, so I haven't personally read the books that have been published in English, and the options are going to be more limited in English. But I have heard lots of historians (both from here and from around the world) praise the book A People's History of Catalonia by Michael Eaude. Judging by the reviews I've seen, it seems like a very complete book, perfectly historically accurate, and engaging. Even though I haven't read it personally (yet), I've seen Catalan historians whose work I really trust and respect recommend it.

However, you have to be interested in working class history, if you're looking for the story of kings and the church, you'll find that less here.

This might also interest you: I answered a similar question here.

[jellazticious]

it was a PadLock kind of day yesterday last day of all days

[milkywayan]

tfw you see some stupid post that paints medieval peasants eating just plain grey porridge and acting as if cheese, butter or meat was too exotic or expensive for them, and have to use all your inner strength to not just reblog it with an angry rant and throwing hands with people. so i will just post the angry rant here

no, medieval people did not only eat grey porridge with no herbs or spices, they had a great variety of vegetables we dont even have anymore, grains and dairy products, not to mention fruits and meats, all seasonal and changing with the time of the year. no, medieval food was not just tasteless, maybe this will surprise some of you but you can make tasty food without excessive spice use, and can use a variety of good tasting herbs. if you'd ever tried to cook some medieval recipes you would know that. medieval people needed a lot of energy for their work, if they would only eat fucking porridge all of the time they would get scurvy and die before they could even built a civilisation. they had something called 'pottage' which was called that because it was cooked in one pot. you could leave the pot on the fire and go about your day, doing stuff and come back to a cooked meal. they put in what was available that time of the year, together with grains, peas, herbs, meat etc etc. again, if you would try to make it, like i have with my reenactment friends, it can actually be really good and diverse.

dont confuse medieval peasants with poor people in victorian england. dont think that TV shows what it was really like. dont think that dirty grey dressed people covered in filth were how the people looked like.

they made use of everything. too poor to buy proper meat? buy a sheeps head and cook it. they ate nettle and other plants we consider weeds now. they foraged and made use of what they found. hell, there are medieval cook books!

most rural people had animals, they had chickens (eggs), goats (milk and dairy), cows (milk and dairy), sheep (milk and dairy) and pigs (meat machine), and after butchering they used ALL THE PARTS of the animal. you know how much meat you can get out of a pig, even the smaller medieval breeds? the answer is a lot

if you had the space you always had a vegetable garden. there are ways to make sure you have something growing there every time of the year. as i said they had a variety of vegetables (edit: yes onions are vegetables, for those who dont seem to know) we dont have anymore due to how farming evolved. you smoked pork in the chimney, stored apples in the dry places in your house, had a grain chest. people could go to the market to buy fish and meat, both fresh and dried/smoked. they had ale, beer and wine, that was not a luxury that was a staple part of their diet.

this post ended once again up being longer than i planned, but please for the love of the gods, just actually educate yourself on this stuff and dont just say stupid wrong shit, takk

[fluentisonus]

obviously erasure of gay relationships in history does and has existed but ngl it irritates me when people specifically latch onto the word "friend" as something you're somehow not allowed to call gay people & that by calling them "friends" you're somehow denying their gayness. because the fact of the matter is that a lot of gay people in history would and did call themselves friends & did not see that as excluding the possibility of romantic love or sex. like it's a perfectly fine word to use provided you're acknowledging the possibility of the full breadth of what that relationship could mean, and in fact a lot of times to assign other words to them is to make assumptions about how they viewed their relationship and potentially to impose concepts on them they wouldn't have seen themselves in

[junewild]

Watching Sam & Brennan talk about the beauty of frivolity, of adults playing silly games just as seriously as they fight to survive, and... yeah. There are some things that keep us alive, and there are some things that make life worth living, and I think games are one of those things that fall into both categories. Games make our lives better and they make us better at being alive. I think that's pretty cool.

[tart-miano]

angry that your parody has a degree and you don't, victor

[jude-shotto]

🌟1920s Ineffable Wives🌟

which version do you like better?

process video🍉

[lotuslate]

My submission for @noxetlux-zine 🌞

My idea for celestial beings Wangxian was Apollo!LWJ and Hermes!WWX, check out my twitter for the full nsfw piece 🌝

[ohshitiforgor]

It's funny seeing discussions around the new hbomberguy video on different sites. Over on Reddit, most are talking about internet historian. Which makes sense considering their demographic has a higher percentage of libertarian, centre/alt-right leaning gamer boys than the typical social media site. Meanwhile on Tumblr it's mainly Somerton, which also makes sense considering Tumblr's high percentage of left leaning, queer and queer-friendly people. Interesting how the video is almost kind of like a litmus test for the type of demographic each site hosts

[captainkirkk]

Social media fics are fun, but future historical accounts and opinions about our characters (especially if our main characters are kings or important societal figures) about how influential and much-loved said characters become?? That shit makes me go feral every time

[canisalbus]

you say machete has to be closeted then why's he always wearing them little heels

Maybe he thinks he's a tiny bit nicer looking in them.

[poitionsprince]

Harry's third year, March 9th, it's Trelawney's birthday.

Remus comes into the teacher's lounge, celebrating with everyone.

The day after all the decorations are still up, he firstly thinks that they just didn't want to take them off yet - but then the teachers start singing to him with a new cake.

March 10th, his birthday.

He didn't expect them to know, nor did he want to tell them and feel like a bother for them to celebrate day after day.

At the side of the room he turns to get a drink from the table Severus is next to.

Severus decided to be civil and asks how does he like the party, and Remus confessed that he didn't expect anyone to know his birthday.

Severus just shrugs away in a statement of "if I need to go through the embarrassment each year - so do you" and walks away, living a very shocked werewolf to realize exactly who told everyone.

And even more - who was the one to remember.