#IS WHY THE WRITERS KEEP MAKING EPISODES THAT HE'S GONE

[sarbear94]

Because Evan-

(It’s a long one…sorry not sorry 😘)

Okay…. I’ve been rewatching some old Buddie scenes because of the potential of Eddie moving back to El Paso and…. excuse my language but…. What the fuck?

It’s like the writers are new or don’t know what to do with Eddie anymore. Or like someway, somehow the episodes are out of order.

In THAT scene, Buck asks “he has grandparents, family” and Eddie reply’s “After Shannon left, they tried to guilt me into giving Christopher to them. It wasn’t what I wanted then, it’s not what I want now.” They then both agreed that no one would fight harder for Chris than Buck.

So WHY THE FUCK haven’t either of them gotten him back yet??

Eddie started season 7 with Marisol and Chris and everyone’s fine. Then Chris is dating multiple girls (Eddie is baffled and doesn’t know how to handle it so he asks Buck for help) and said it has to do with his mom to Buck and we get that EMOTIONAL shot of Eddie devastated after hearing this. Then proceeds to give him a letter to bring about closure for him. Eddie seemed to already have closure or at least repressed it.

Then Eddie meets Kim…. And the Eddie we have loved for 6 seasons is IMMEDIATELY GONE. He does the exact same thing that he told Buck about Christopher was not okay And needed to be fixed (he was BEGGING Buck for help).

Like, my dude, how did you think this was gonna go? You kept everyone in the dark. Your son, your best friend, your GIRLFRIEND and even Kim! What was his end goal? It doesn’t make any sense.

Like I understand that if Gavin wasn’t gonna be around next season, and you need to write him off but have him potentially come back, there were several ways you could have done that but still kept true to the characters. Have Chris go to a boarding school. Or a school trip. Or literally ANYTHING ELSE! Then season 8, keep the Kim storyline, but Chris is already gone and doesn’t witness it. Cause now that whole confession thing with Kim pretending to be Shannon and actually get closure was pointless. If they’d done that with Chris gone, he’d have the closure. Work on the PTSD crawling back up in an empty house, keep the Priest and finding Joy and then keep that for a bit and then heal.

That was a whole side tangent really for the main point I was trying to make, but why does Eddie- lose Chris, grow a mustache, grieve for not having his son, have an episode where a Priest says “let yourself have Joy,” then take it away in the next couple of episodes by saying “I’m thinking of moving to Texas” based on the words of a psycho actor??

Chris is a TEENAGER! Hell- he might still be a preteen, grow the fuck up and go parent your son. You’ve put your foot down before, why is this any different?? After a few weeks, I would have been like “nope, we’re done with this. I get I fucked up, but I’m still your dad so we are gonna talk about this and figure out some common ground.” I understand feeling guilty and not wanting to push him even farther away but you’re not even trying! Phone calls don’t show “I want you here with me,” it says “I’m okay with you being gone.”

You’re thinking moving to El Paso is a great idea… but it’s not. Your parents suck. You know this. YOU MOVED HALF WAY ACROSS THE US TO GET AWAY FROM THEM FOR A REASON! I get you patched things up slightly, but not enough.

ALSO! Why wasn’t Buck an option?!? Because of Tommy? I get because Gavin being out of the show(temporarily?) would have made that impossible but why wasn’t it even mentioned? I mean, He’s run to him before, he’s called him when Eddie had his breakdown and Chris didn’t know what to do. But like THEY HAD THE WILL, why wasn’t it even a factor in this. At the time, it felt like, at least to Chris, that Eddie was incapable of taking care of him, which means that Chris should go to Buck. Not his grandparents.

I just don’t understand what they are doing with these two. E and C. Bucks got his bisexual journey(relationship with Tommy). Bobby has multiple storylines. The Hans had the Mara and new baby storylines. Hen and Karen had the Ortiz/Mara and Denny/Halloween storylines. Athena has literally any storyline involving cops. And all those storylines make sense for each character. Eddie’s and Chris’s doesn’t. They keep pushing Eddie to be sad then happy then making stupid decisions. DEVELOP YOUR FUCKING CHARACTER! You’ve been dropping the ball since at least the network switch. Which I find super funny because yes, he does the emotional scenes super amazing but now it seems like his character is more open. He’s making more funny faces, he’s got the loose hair, he makes comedic jokes. But he’s almost(so close) to reminding me of Buck 1.0.. but it doesn’t fit with the storyline at all. At least to me…

Like does anyone agree with any of this? Am I just seeing things? Did the writers get told Gavin was leaving too late and made this story on the fly and rolled with it? Does Ryan want out of the show and they are keeping it under wraps? Like WHAT IS HAPPENING? Make it make sense!

Ps. I did not proofread this before posting so if something doesn’t make sense, let me know. I was just trying to get down all my thoughts on this. Currently me vvv

[demigodofhoolemere]

Me through most of Boom: Wow, this is a really solid dramatic episode.

Me when Moffat needlessly sprinkles in anti-faith sentiments without specifying that it’s blind faith in bad things that the Doctor doesn’t like, which makes it come off like the Doctor is just against religion generally:

[moongirl0305]

Don't hide this in the tags, omg!!

[wonryllis]

dear future husband (m) | lee heeseung.

i can't say i do without you.

PREVIEW. you always get what you want, spoiled with the love of everyone around you. and it's all innocent love, at least that's what everyone thinks. it comes with much surprise therefore, when heeseung makes a move on you. thirteen long years of being in the brother zone having made him utterly clueless that if he’s going to date you he has to pass through your actual brothers first. and he knows how scary they can be. especially since they are known to have a sister complex and he’s been the third scary one with them, numerous times before.

OR WHERE, bimbo heeseung has no idea what the fuck to do with his feelings for you who are oblivious as fuck and your brothers who are overprotective as fuck.

MEET THE CAST. insanely love struck lee heeseung with his spoiled rich girl!reader ft. yeonjun, soobin, the rest of txt and the rest of enhypen. NSFW VERSION: BRAT TAMER heeseung with his BRAT girl.

GENRE & WARNING(S). social media!au + written chapters, SMUT MDNI!!! in the form of written chapters later on in the series, fluff, humor & crack, minimal angst, lots and i mean lots and lots of swearing and dirty jokes and everything nsfw. college!au, nonidol!au, neighbors to lovers!au, childhood friends to lovers!au. heavy on sister complex! rest other warnings will be stated in respective chapters.

UPDATE SCHEDULE. discontinued.

ׅ ꢾ꣒ profiles, character introductions & the groupchats. ( PLAYLIST ) theme song, code blue!

YEONIE NOTES. incase someone wonders if this is incest, no it’s not, they are not related by blood. sister complex. a state of strong attachment and obsession to sisters, always having them as their first priority. FIC ASKS: ask about the characters!

EPISODES rolling ..

000. prologue: the backstory.

001. arranged date gone wrong

002. it's a shame yn wants you

003. all good when all delusional

004. can you afford her a McLaren? TWT + WRITTEN ( 2.4k )

005. heeseung finally— [REDACTED]!

006. you went as my arm candy

DISCONTINUED!

i think its obvious enough why, the lack of response and enthusiasm from readers has made lose all motivation to continue this any further. i was so excited to revamp it but it seems it isn't the case for the other side. feedbacks are what keep most if not all writers going and absence of it for this one has just rid me of all interest i had to share it with you all. thank you to those who read it, and i apologize those who were looking forward to read it. this is it. over and done, with this kind of support i'm never doing a series on here again.

FIRST TAGLIST @s00buwu @lilyuwon @pockyyasii @nctislifue @shawnyle @enhastolemyheart @aaa-sia @criminalyun @oddracha @satan-223 @diorsyun @hooniehon @fakeuwus @caramelcandescence @intromortal @kookify @yutasberryy @sumzysworld @nikiswifiee @shuichi-sama @primroselover @rayofsunshineeee @aishigrey @yjwluvs @soraokkotsu @nyfwyeonjun @srhnyx @trashx678 @wondipity @winuvs @hoondiors @niniissus @firstclassjaylee @biancaness @enhaz1 @sophi-ee @un06 @heelariously @d-earlog @pharaways @ethelia @eneiyri @secretbarbariangardener @seochangbinnnnnnnnnnn @microwavedstrawberr1es @randomanothercreature @thatsoraya @graythecoffeebean @rikibun @jaeyungxrl @mxxnintheskyreblogs

[immaturityofthomasastruc]

IOTA Reviews: Representation

Oh, so NOW child abuse is bad. Could have fooled me last episode!

Let's get into the twenty-fifth episode of Miraculous Ladybug's fifth season: Representation

We start off with an English news report recapping the ending of “Revolution”, stating that Ms. Bustier is going to run for mayor, conveniently ignoring her attempted coup in “Collusion”. We also see that Gabriel and Tomoe are still uncomfortably focused on making Adrien and Kagami appear to be a couple in public, much to their dismay. While Kagami is visited by Argos (who once again sneaks up on her, like he usually does), Adrien realizes he can transform into his space form and see Marinette whenever he wants and transforms into Cat Noir, planning to reveal his identity to Marinette. Hey, did he even tell Ladybug about his sudden departure? Because it didn't go well the last time he left Paris without telling her (New York Special).

We then cut to Marinette right after the events of “Revolution”, going to the end of the year dance... even though when we saw Adrien and Kagami in London, the sun was still setting, and France's time zone is only about an hour later, meaning Adrien and Kagami must have flown there at ludicrous speed.

Meanwile, Argos and Kagami somehow got from London to Paris offscreen, and watch Marinette from afar, with Kagami revealing she knows she's Ladybug. They decide to tell Marinette that Felix knows who Monarch is in order to ensure his downfall. Nah, I'm just kidding. Here's the real reason they're coming to Marinette for help.

Kagami: My mother and Gabriel Agreste will never allow us to love each other freely. Only Ladybug can help us.

Yep, rather than prioritize the fact that Gabriel is endangering the citizens of Paris on a daily basis, Kagami is seriously more concerned about her relationship with her boyfriend being tampered with. This is like saying Lex Luthor is evil because he cheats on his taxes. Argos transforms back into Felix, and... oh, for the love of God... he disguises himself as Adrien in order to get closer to Marinette. You can't keep portraying Felix as this master of disguise if he only has ONE disguise!

Marinette sees “Adrien” and assumes he came back from London from her, assuming her boyfriend is much more active that the writers actually believe he is, so she tries to follow him while avoiding the guests at the party. Meanwhile, Gabriel and Tomoe learn their children are gone, so he goes to talk with Nathalie and—why the hell is she like that?

Seriously, this has never been established as something that happens when someone uses the broken Peacock Miraculous. Why didn't this happen to Emilie? She looks pretty healthy in her little coffin, and I doubt Gabriel is an embalmer.

Anyway, after Nathalie once again reminds us that she hates Gabriel, but not enough to call the cops on him, Gabriel transforms into Monarch and immediately detransforms back in order to akumatize himself into Nightormentor.

Nightormentor is a pretty average recolor of the Collector's design, which kind of makes sense, considering that Gabriel himself intended the Akuma for himself. The star pattern is okay, but there's not much I can really say. As for his powers, he's just another Sandboy, being able to force people to hallucinate their worse nightmares, only instead of a pillow, his weapon is a staff created from a pen containing the Akuma, with the Horse Miraculous' Voyage to boot. Why he didn't just give himself the same powers he gave Truth when he's trying to find Adrien is anyone's guess.

Cat Noir arrives at the Eiffel Tower to talk with Marinette, just as Nightormentor appears. The two fight, and after a few civilians get caught in the crossfire, Nightormentor escapes through Voyage. As Cat Noir heads to the Dupain-Cheng bakery at the advising of Max, Alya and Nino decide that the totally not useless Resistance should get involved.

While Marinette gives chase, Felix leads her into the school's art classroom, where he transforms into Argos and creates a Sentimonster using Kagami's ring. Felix and Kagami use the Sentimonster's power to do... uh... whatever the hell this is.

Yeah, this is basically a flashback, but the animators probably blew their budget needed for the new models on Ms. Bustier's baby bump, so we're getting this instead, thanks to the Sentimonster Argos created. There are several scenes of Cat Noir and Nightormentor interspersed, but like what I did with Marinette's flashback in “Derision”, I'll give you the summary before I talk about my problems with this.

When Adrien's mother and aunt, Emilie and Amelie, were born, Emilie (who was born seven seconds early) was trusted with the family heirlooms, the two rings we first saw all the way back in “Felix”. Even though this meant she would inherit the family name, Emilie didn't really like doing... whatever the Graham de Vanily family wanted her to do, but Amelie did. Eventually, while studying abroad, Emilie met Gabriel, and the two fell in love. Before marrying Gabriel, Emilie gave up her role as the sole inheritor of the Graham de Vanily family's vague legacy, while Amelie married a man named Colt to please her parents. Both couples wanted children, but it's heavily implied that Emilie and Amelie were infertile, so their wishes weren't able to come true. Emilie finally managed to get a bun in the oven thanks to the Peacock Miraculous, but this made Colt jealous that he couldn't have a child. Out of the goodness of her heart, Emilie asked Gabriel to give the Peacock Miraculous to Colt, in exchange for letting the Gorilla guard Adrien in the future. Using his own jealousy as a source of power, Colt got Amelie pregnant, though at the cost of his health. Colt figured this was the price he had to pay for using “sorcery”, and used this as an excuse to treat Felix like a monster and ordered him around using the ring containing his Amok. Felix himself was unaware that he wasn't human until Colt accidentally broke the ring (which wasn't one of the two wedding rings used to control Adrien and was an entirely different ring containing Felix's Amok), which he stole as soon as Colt died. This is meant to explain why Felix decided to steal back the Peacock Miraculous, in order to save his life. Felix later met Kagami, and the two explain that they need “Someone like Ladybug” to help them.

Now if your only information about this episode is through my summary, it seems simple enough. For everyone else who actually saw this sequence in the episode itself, I'm guessing your thoughts were about the same as mine.

Let's go over every problem I have with this scene, starting with...

#1: The Way Kagami and Felix Explain This

Let me just ask something: Why can't Felix just talk to Marinette about what he knows since he now knows she's Ladybug instead of telling her everything through this weird play? You can still tell Marinette all of this without your two-man show. In fact, why did Felix have to wait until he knew Marinette was Ladybug instead of just talking to her the next time he saw her? Yeah, you could argue it's easier this way, but like I've been saying since Season 4, Felix has had no excuse to wait this long to tell Ladybug about the fact that he knows who her greatest enemy is.

And why the hell is it presented this way? Why does Felix have to recontextualize the story of his family's history in the form of a play? Why turn it into a stereotypical fairy tale that leaves out the names of all the important people, like Emilie, Amelie, Colt (whose name I only learned through the transcript of this episode), and Gabriel? If it was like a hidden message Felix and Kagami wanted to convey to Marinette, that would make sense, but why do they have to be so cryptic when they're only putting this show on for one person? You could easily avoid a good chunk of the questions this raises if this was a show Felix and Kagami put on for the public that Marinette was able to learn the information from. Yeah, it still wouldn't explain why Felix can't just tell Marinette about who Gabriel really is, but at least it's something.

The way it all happens kind of reminds me of this scene from this old Halloween special I saw a lot as a kid, Scary Godmother: Halloween Spooktacular. In that scene, some of the kids act out a scene of this little girl's parents entrusting her with a flashlight to explain why she carries it around, in order to scare off any monsters she runs into, using the graveyard they were in as a makeshift set. This scene works a lot more because it's done in more of a tongue-in-cheek way, with some of the kids breaking character to boost their own egos (for example, the kid playing the mom comments about how responsible she is), and how one kid in particular gradually gets fed up with the whole thing. The scene does its job at delivering exposition in a way that isn't meant to be taken too seriously, and it's clear this is being done by some kids goofing around in-universe.

With this episode, it's clear that the writers want the audience to take this whole backstory seriously in spite of how absurd it all is. Seriously look at this.

We are seriously expected to take this backstory seriously when it looks like some theater major's midterm project. The animators want it to look artsy and unique for the sake of making it look artsy and unique. Why does it look like a play these two put together themselves if they're supposedly using a Sentimonster's power to do it? If the unnamed Sentimonster's powers is how Marinette is seeing all this, why can't it actually be seen as a flashback? Was it always intended to be a handmade play that was changed to the product of a Sentimonster at the last minute?

I get that the animators probably wanted kids to pick up on the visuals of the play, but even then, it makes it hard to really stomach the serious themes this backstory brings up, like infertility and child abuse, with the way they're presented. Not only do Felix and Kagami all play the characters using these white jumpsuits and masks, they also do all the voices, meaning that the only “dialogue” we hear from Colt is delivered by Kagami putting on a deeper voice. Let me repeat that: the only times we hear Colt, the abusive parent and all around garbage human being, talk, it's done by a teenage girl trying to make her voice sound deeper.

But hey, maybe the goofy voice will be overshadowed by the nuanced depiction of child abuse, right? Right?

#2: The Portrayal of Colt and the Double Standards Regarding His Treatment of Felix

I have never seen a single show struggle this much to convey a lesson as simple as “Child abuse is bad”.

When it comes to the parents in this show, terrible parents like Gabriel, Audrey, and Tomoe are almost never held accountable for the way they treated their children. If the writers aren't claiming they really love their children deep down, they're either downplaying how cruel they are at best or playing their behavior for laughs at worst. But here we are, the penultimate episode of the fifth season, and we finally have a parent who is unambiguously treated as a terrible human being with no redeeming qualities... and I still have problems with this.

This flashback really goes out of its way to let the audience that Colt was a real piece of scum in life. He only wanted a child out of jealousy, used his Amok to force Felix to do whatever he wanted, was heavily implied to have physically beat him at times, and blamed him for his poor health on his deathbed when he was the one who wanted to use the Peacock in the first place. Now that I think about it, why did Colt even use the Peacock to create Felix instead of Emelie? Was the episode so determined to paint Colt as a bastard that he wanted to be the one to create Felix himself?

The point I'm trying to make is that the show doesn't really explain why Colt was like this. Why was he such an angry man who treated his only child like crap? I don't know, because all the show's telling me is that he was just a dick. He honestly feels more like a caricature than anything else. He's only as terrible of a person he is in order to make the audience sympathize with Felix. I'm not saying that what Felix went through was okay, but it has the same energy as scenes of Gabriel talking to Emilie's body. It's mostly there to make the audience sympathize with an antagonistic character in spite of all the things they've done.

What's really weird is that even though the whole point of this play is so Felix can tell Marinette Gabriel is Monarch, so what does Colt have to do with this? I'm not saying he's not worth mentioning, but it makes no sense for Felix to tell Marinette about his abusive father before he tells her about Gabriel. It feels more like Felix wants to find a way to excuse his actions before telling Marinette about Gabriel being Monarch. And remember when “Derision” made a big deal about Chloe's terrible parents not excusing her actions? Funny how that conveniently doesn't apply to Felix in this episode.

In fact, let's talk about the elephant in the room: The fact that this episode aired right after “Revolution”, an episode that literally said a character living under an abusive and controlling parent was a fitting punishment for her. HOW THE HELL IS THIS ANY DIFFERENT FROM THAT? If anything, this episode really shows the double standards this show has about child abuse, how the only way your situation can be taken seriously is if you're a “good victim”. Chloe's a “bad victim”, so she doesn't get any sympathy when her mother outright says she's going to take control of her life, yet when Colt actually takes control of Felix's life, we're supposed to sympathize with him now. Why am I supposed to feel bad for Felix now when you just told me I shouldn't feel bad for someone in a similar situation last episode?

In fact, one theory I have about this backstory is that it was intended to kill two birds with one stone, no pun intended. I believe that this episode wasn't just written to give us more insight into who Felix is as a character, but also to show the audience what “real” child abuse is like. As far as the show is concerned with Gabriel, Audrey, and Tomoe? They're not actually abusive parents, Colt is, so you should condemn his actions, and not those three. It's blatant double standards, which is nothing new for this show.

#3: The Way Amelie Just... Lets This All Happen

In my “Derision” review, I discussed how strange it was that so many people in Marinette's life did nothing to help her against Chloe, and the same thing applies here with Amelie.

This episode never really explains where Amelie was when Colt was abusing Felix, much less if she was even aware of it. At least with Marinette's parents, they didn't know because most of Marinette's suffering was at school. Amelie lives with Felix and Colt, so what's her excuse? She seriously didn't overhear Colt yelling at Felix or notice the orders Colt gave Felix? Was she just that ignorant to her child's suffering? Remember, this is supposed to be Felix's good parent.

In fact, does Amelie even know Felix is a Sentimonster? Yeah, “Emotion” established that Amelie knows Felix is Argos, but this episode doesn't really make it clear if she knows Felix is a Sentimonster or not. If it was clear Amelie knew nothing about what Felix really was, it would arguably make things easier to stomach, as she wouldn't know the power Colt had over him.

Instead, even though she's Felix's mother, the show doesn't really explain what she actually did when Colt was making Felix's life a living hell, especially since the flashback says that Amelie was forced to marry Colt, so you can't even say she was blinded by love here. Hell, I'm not even sure if Amelie knew the cause of Colt's untimely passing.

#4:This Doesn’t Really Do Much to Explain Felix’s Actions

Now before you say I'm being insensitive, let me make one thing clear: My issue isn't with the fact that this was done to get the audience to sympathize with Felix. The problem I have is that the backstory doesn't do enough to explain why Felix did the things he did.

Okay, Felix wants the Peacock Miraculous. Understandable, he doesn't want to die, so he has to do morally questionable things to preserve his life like betraying the only person capable of stopping the man who can kill him. What's less understandable is his plan to get the Peacock Miraculous from Gabriel. You'll notice that the backstory didn't mention Felix's first appearance, where he only stole the rings belonging to Amelie's family, and he didn't even think to look for the Peacock. Instead, it cuts from Felix realizing he's a Sentimonster to him striking a deal with Gabriel, not even mentioning that he gave Gabriel back one of the rings as part of the deal, which still makes no sense.

If Felix's goal from the start was to get the Peacock Miraculous, why did he bother stealing all of Marinette's Miraculous as a bargaining chip for the deal instead of the family ring? In fact, why did Felix even steal the ring and wait an entire season to trade it back to Gabriel for the Peacock a season later? And for someone who claims to care about Adrien, he really didn't see anything wrong with giving Gabriel one of the two rings capable of overriding his free will.

As a matter of fact, why the hell is Felix even so hostile towards Adrien? Why did he go out of his way to smear his reputation in his debut episode if all he wanted to do was make a bargain with Hawkmoth? In “Risk”, he mocked Adrien for how he talked, while Adrien himself was aware of how he made him look bad in front of his friends, and that's not even getting into how he made himself look like Adrien as part of his plan to betray Ladybug, which would have screwed him even more if Adrien wasn't already Cat Noir. For someone who claims he wants to protect him from Gabriel, Felix really doesn't care about his cousin all that much.

In fact, why does Felix even hate Gabriel at all? The show hinted that the two had a history, yet during the backstory, which I need to remind you, was told from Felix's perspective on the events, has a surprisingly generous portrayal of Gabriel. Did Felix know Gabriel was Hawkmoth/Shadowmoth/Monarch during his first appearance? Does Felix blame Gabriel for how Colt treated him growing up? Does Felix hate Gabriel for how he treats Adrien? Did Gabriel intend to get Colt sick in the first place? Seriously, what is Felix's deal with Gabriel?!

How does a flashback organized by Felix himself do nothing to really explain why he did the things he did?

#5: The Fact That There Are STILL Several Unanswered Questions Here

For something meant to fill the audience in on several important topics, there are still so many questions about the history of the Agreste and Graham de Vanily families.

Other than the vague backstory about them being rich, we still know nothing about Emilie and Amelie other than them being rich and possibly infertile. We don't know if Amelie ever loved Colt, if she knew he was abusing Felix, or if she even knew if he used the Peacock to play god.

On a related note, why did Emilie and Gabriel decide to use the Peacock Miraculous to create a son instead of adopting? Scratch that, why did she specifically create a Sentimonster to give birth to like a normal baby? Was there some kind of Macbeth-esque guideline that Emilie had to give birth to a child in order for said child to get the inheritance? Did she use the ring to control Adrien like Gabriel does now? Seriously, this is the character the show's conflict is all based around, and we still know nothing about her other than the fact that she was nice.

This flashback just makes no sense, and is such a stupid and confusing way to deliver exposition.

Anyway, during all this, Cat Noir and Nightormentor are fighting, and for the third time this season, Cat Noir attempts to Cataclysm him someone, even when he had Nightormentor pinned down. Nightormentor breaks free and hits Cat Noir with his magic dust, causing him to hallucinate... Cat Blanc?

Yeah, the script calls this form “Anticat”, but given how it looks like a reused Cat Blanc model coupled with the petrified people of Paris, this is clearly meant to bring Cat Blanc to mind. The problem is that NEITHER CAT NOIR OR NIGHTORMENTOR KNOW ABOUT THAT. Why would you remind audiences about an Akuma that technically never existed?

Better yet, is this what Cat Noir trying to his Cataclysm on people this past season (Destruction, Jubilation, Derision) has been building up to? The fear that he'll lose control? You could have fooled me, as he never really showed that much remorse for almost hurting people other than Monarch. Yeah, you could argue that because Nightormentor based his hallucinations off his victims' worst fears, but again, this fear had little to no buildup this season because Cat Noir never felt any guilt for Cataclysming Monarch after “Destruction”, and whenever tried to use his Cataclysm on other people, Cat Noir never really realized the weight of his actions. If you want to make a character arc about Cat Noir worrying about hurting people with his powers, go more into the guilt he feels for hurting Monarch and using that guilt to affect his actions. Don't just use some “Cat Blanc” nostalgia bait to convince the audience that there's been a character arc.

Nightormentor takes advantage of Cat Noir's emotional state to get his Miraculous, only for the Resistance to save Cat Noir by... throwing stuff at him. And this is how they defeat him. While Nino, Alya, Ivan, and Zoe distract Nightormentor, Kim and Max help Cat Noir focus, Cat Noir Cataclysms Nightormentor's baton.

Zoe traps the Akuma in a jar, Cat Noir doesn't take it, he heads off to detransform and confess to Marinette, only for the hallucination to still affect him since Ladybug didn't use Miraculous Ladybug to fix the damage, and even though he knows it's just a hallucination, he still uses it as a reason to not reveal his identity to Marinette, even after Ladybug de-evilizes the Akuma herself.

The episode ends with Gabriel and Tomoe locking Adrien and Kagami in these white rooms while under heavy surveillance to ensure they won't escape, vowing to start “Operation: Perfect Alliance”. Because these two like using the word “perfect” more than they like subjecting their children to what one of my anons referred to as “white torture”.

Because that's a good way to keep your children under control: psychological torment.

Other than the stuff with Felix and Kagami, this episode was pretty dull.

There's just not much I can really say here. The plot was barebones, all Marinette did was listen to Felix and Kagami's story so the writers didn't have to involve any of them in the main conflict, and even Cat Noir confronting his akumatized father doesn't have a lot of weight to it because towards the end, it focuses more on Adrien's nightmare instead of his relationship with his father.

This episode is nothing more than a prologue for the final battle. It's only here to establish Adrien and Kagami's presence in London, Marinette learning Gabriel is Monarch, and even more setup for Gabriel and Tomoe's final plan. And trust me, the buildup will be far from worth it.

THE BIGGEST IDIOT OF THE EPISODE IS... FELIX

It's amazing. The only time this season Felix goes out of his way to actually help Ladybug, and he still screws it up. He abducted Kagami from her hotel in London without thinking of Tomoe hunting him down again when that was the entire plot of “Pretension”, only decided to tell Marinette he knows who Monarch is because he's getting in the way of his relationship with his girlfriend, did so in an unnecessarily convoluted way, and even though he made a big deal about not wanting to use Sentimonsters in his last appearance, he still used one to tell Marinette his life story instead of just saying “My uncle is Monarch”.

And if you think Felix will get a chance to truly redeem himself in the finale, think again, bucko. Other than a brief cameo, this is the last thing he'll do this season. Aren't you glad the writers made this character prominent for seven episodes over three seasons and did nothing else with him?

[amorphousbl0b]

Arcane does a fun thing with its narrative Darkest Hour.

Or: yet another post about how insanely smart this show is and how absolutely genius its writers are (and how jealous of them I am).

For the uninitiated, the Darkest Hour is the moment just before the climax in which the heroes are at their lowest point. When the Avengers are scattered and Loki opens the portal in NYC, when the Falcon has escaped the Death Star but lost Obi-Wan, when the Fire Nation is set to annihilate the Earth Kingdom, when Frodo fails to destroy the Ring at the Crack of Doom. The heroes must confront their flaws and change for the better for a happy ending.

Arcane’s darkest hour is, of course, in Act 3. One might place it at the very end of episode 9, and that’s certainly where the story is at its most hopeless. But I’d contend it starts as early as the end of episode 8 and carries on through the entirety of episode 9.

After all, that’s when Caitlyn and Vi have separated, lost all hope, and Cait is kidnapped by Jinx. Jinx’s mind is fully gone and throughout the episode everything falls apart around her. Silco is losing control of his chembarons and may well have lost his daughter, the thing most precious to him, and is only barely keeping his powerful façade in line. Zaun has realized how ridiculously outmatched they are in a war with Piltover and the revolutionary cause has become almost impossible. Viktor has manslaughtered his assistant and may never be cured. Jayce has manslaughtered a child and finally realizes how quickly he’s losing his morals. Mel and her mother are fully separating and she is struggling with her warlike destiny. Sevika gets the absolute snot beat out of her and limps to an empty office without a boss.

So yeah. Lot of personal Darkest Hours going on.

“But what’s the interesting thing?” I hear you ask in my ear. I don’t know why I hear you. Shut up. I’m writing. Are you even real?

Excuse me.

Arcane’s interesting twist on the Darkest Hour lies in part of the trope that I didn’t mention. That’s in the villain.

Most stories with a clear-cut villain have a plot structure something like this:

Whether things are going well for one side is inversely proportional to the other. During the Darkest Hour, when the hero is at their weakest, the villain is at their most dominant.

Wait… isn’t Silco the villain of Arcane? Not to be too blunt, but he’s having a shit time. Things are falling apart for him just as badly as for everyone else.

That's the trick. Caitlyn and Vi are suffering. Jinx is suffering. Silco is suffering. Jayce is suffering. Viktor is suffering. Zaun as a whole is suffering. There is only one party in the whole story that isn't suffering, that actually is benefitting from this horrid state of affairs...

EKKO AND HEIMERDINGER

Kidding. They're not really a part of this dance. A big part of Arcane's theming is that acting to help people without an agenda is simply more virtuous than fighting for any invariably-flawed nation that innately perpetuates the cycle of violence.

No, the side that is doing fine is the other that is conspicuously absent from my two prior lists. While the characters that make up its leadership are experiencing personal Darkest Hours, the organization itself is essentially on top of the world, having just scored a huge victory and getting set to bring the war to an end before it even begins. I mentioned how poor the situation for the Undercity looks, but not its counterpart.

Piltover.

Wasn't it so that Piltover started this whole mess? Didn't their oppression cause the revolt that orphaned Vi and Powder's parents? Isn't it their actions that drive Silco to ever greater extremes? Isn't it their normalized political backstabbing that causes Jayce to sacrifice his principles because that's the only way to get ahead? Isn't it their corrupt police force that lets Silco operate his drug empire with impunity?

Silco might look the part. He might be the most personally evil character, might be the one who causes the most misery for our main protagonists Vi and Powder.

But structurally, the shining city of Piltover, its political machine, and its Enforcers are the actual villains of Arcane.

[freakyformula]

Wolf in sheep's clothing

Summary: Reader is a mafia boss and Lando is her rival.

Writers comment: Just posting this here, is anyone even interested in a part two?

Warnings: Swearing, explicit details about dying, guns and shit, not proofread

Word count: 1,6k

"Make him talk. If he doesn't, kill him." She tells her right-hand man, Florian.

As she walks out of the room she hears multiple crackling noises followed by screams.

You see, she was notorious for making her rivals suffer once she got her hands on them. This is a trait she'd inherited from her father, the most ruthless Don in the whole country. He had connections to every branch of business, meaning he did as he pleased… When he pleased. No one was safe from his wrath.

Her father's heart was once soft and warm. That was until a particularly cruel rival killed her mother. Her father met her when he was only 15 years old. She made him a better person. But she couldn't save him from his own nature. He was born to be violent and yet he never raised a hand on your mother. But anyone that dared to cross his path, was as good as dead.

His mind was still plagued with guilt. His carelessness killed her mother, according to him. He shouldn't have let her off alone in that car. Their only daughter was 5 at the time.

He didn't even have the heart to tell her the truth about what happened to her mother.

He missed her smile, her light, her scent.

She saw it in his face every day.

And now, he was gone.

All she knew at the moment was that someone broke into the house and kidnapped her beloved father.

She couldn't help thinking back on those fond memories of her parents. Even though her father was a Don, he still took his fatherly obligations very seriously. He would read her a book every night he was home. He would lift her up on his shoulders and pretend to be a raging stallion. She never felt unsafe growing up. Even when her mother died, her fathers embrace gave her the comfort she needed.

She walks along the hallways of her fathers home rapidly. When she walks up the stairs to the first floor of the large house, she notices a plethora of her father's lifeguards around the kitchen island. They're clearly planning something. She walks up behind them, her heels clicking on the marble floor, silencing the guards.

She'd already killed off the poor excuses of lifeguards that, in her eyes, betrayed her father by not keeping him safe.

"Miss." The man in charge addresses her. "We're planning an attack on the Norris family. We think the son, Lando, is behind the kidnapping."

Her and Lando had history. Oh well, not them per se, but rather their fathers. Back in the day, they were business partners. Lando and her had never met. For some reason, their friendship turned sour and they became sworn rivals.

Why, she didn't know and she never bothered asking.

However, now she could've used that information.

She exits the kitchen without a word and go searching for Mario, her father's friend and former bodyguard.

"Mario, I need to ask you something." She says as he kisses her forehead and smiles down at her smaller figure.

"Go ahead, little one."

"What happened between my father and the Norris family?" She asks as he leads her out through his old-fashioned room and out on his own balcony. The scenery on his balcony was fantastic, he had a view over the vineyard and could end the day with a glass of red wine and watch the sun set.

"Your father... After your mother died, he went into what I'd call manic episode. He'd kill everyone in his path in order to find the killer of your mother. Turns out... The signs were there all along, and one day, he cracked the code. He was convinced that the Don of the Norris family, Adam, killed your mother. He sent one of his men after her as she was driving down to the village on her own and rammed her car off a cliff."

She was speechless. No words came to mind.

Mario continues, "So, in revenge, your father killed Adam's whole family. Except for their youngest son, Lando. He managed to escape."

She stood there with her mouth shut, grinding her teeth. She could feel the anger bubbling in her stomach.

"Thank you for your valuable information, Mario."

She walks past her old girl room, struggling to find her old black cargo pants and bulletproof vest. After some diggling she finds what she needs and quickly switches into the more fitting attire.

She bumps into Florian and demands an update on her way back to the kitchen.

"We'll get rid of the body later." Florian simply comments on the man she'd met earlier.

"So he didn't talk.?" She asks of him.

"Not a word." Florian sighs.

The bodyguards are already getting ready when the duo comes into the kitchen. The room is buzzling and guns are thrown and loaded all over. The men look ready for battle with their straight faces.

"George, Max, you're staying here with Miss Y/N just in case." The man in charge orders.

"With all due respect, I'm coming with you." She exclaims, slamming her fist into the counter, making the whole room freeze. The men look at each other.

"I'll keep her safe." Florian fills in.

"All right. You're on your own." The man concludes and turns around, loading bullets into clips.

The team goes through the plan; sneak into the premises without making a sound, bug out the alarm system, take out the guards and find a way into the house. Should be pretty easy, concidering the amount of men stood in the kitchen.

As the day turns into dusk and the men load the cars with all of the guns and equipment needed for the invation, she waits in the car with Florian behind the steering wheel.

The way there was dark and melancoly, not sunny and happy like the road to her childhood home.

When they get close to their destination, they park the cars and sneak closer to the house. One of the men bug out the alarms, as intended, while five others kill off the guards pacing around the house with precision.

She walks behind the leader of the group, and as they get to the door of the house, it barges open.

Clearly, not all alarms were bugged out, because the guards completely overwhelm the group and they struggle to take the advantage again. The bullets whining were loud, and she saw her father's men pierced with bullets next to her. She was used to fighting but this was new. As the men struggled before they took their last breath, she could only look at them before she kept shooting at the enemy. Not a dignified death, this, she thought.

One after another dies off beside her and she looks around for options. The door was still open. Without thinking, Florian grabs her hand and runs inside with her close behind.

They look at each other, out of breath, clueless.

When the sound of footsteps reach their ears, they quickly sneak behind a half-wall and crouch down. Whoever it was, passes them.

She hears some struggling outside on the yard, sounds like the leader of the group is injured. Where were the others, are they all dead?

"Who sent you?" The unknown man asks, followed by a thud and her man grunting.

"Fuck you." He swears.

And then, a single shot. The sound startles her so much the Florian grabs her mouth in order to silence her.

"Come, this way, we need to find safety." Florian says as he grabs her hand.

They navigate their way through the house in order to find a place to lie low. The place was eerily quiet, it almost felt like a ghost house. When they've sneaked their way to the other side of the house, the last obstacle was getting past the main hall.

"Go, go!" Florian whispers as he urges her in the right direction. She runs lightly to the other side of the room and hides behind a glass wall. She could see the door to freedom in front of her as she stood with her back against the glass.

Then, a sharp noice. You peek behind the glass, and see Florian in a pool of blood.

"R-run!" Is the last thing he manages to say before he draws his last breath.

The sight of her dead friend induces a rage in her, and she draws her gun and starts shooting towards the shadow stood in the doorway on the other side of the room. Before she knows it, she's all out of bullets.

"Fuck, fuck." She whispers to herself. The stairs up to the second floor are located on her side. She runs up as fast as she can and quickly accesses her surroundings before she hears a pair of footsteps behind her. Hiding wasn't ideal but concidering she was out of bullets and alone didn't really leave any options.

Quickly, she draws her hunting knife from her right boot and crouches down behind a wall.

She patiently waits for her prey, like a predatory animal.

When she sees the man behind the corner, she's baffled. He's handsome, and rugged.

He looks around and turns his back to her, listening for clues of her whereabouts.

She takes the chance and jumps on him, with her knife against his throat. He roars out and throws her over him. She lands on the floor infront of him and as she's about to get up he grabs her hair. She hears a noice which could only be the noice of a knife being drawn, and feels it against her pulse point.

"Hello, sweetheart." Lando introduces himself.

[carigm]

MORE INSANE THINGS ABOUT THE VR GAME

Vecna tries to get into all of the boys’ minds but he’s unsuccessful except with Will.

He tries to taunt Mike by saying to him that it’s his fault that El is gone but this gets blocked out by Mike’s happy place/memory and it’s of him playing D&D. There’s a rainbow dice basically wiping Vecna away in that sequence lmao…and you also hear Will’s voice. (Some people have already posted about it in the tag so I won’t add pics).

The part about the happy place/memory thing is super interesting because the writers decided to make Lucas’ happy place a memory of him and Max at the movies, even tho atp in the story they have not met. It’s set pre S2….which makes you wonder why they couldn’t make Mike’s happiest memory be one with El…

Another insane sequence is the moment where Will breaks out of Vecna’s vision…Will got a nosebleed in the real world and Mike is wiping the blood off his nose, and Will focuses on this to get out of Vecna’s hold and walk into that moment, just like Max did in S4. There’s a few interesting moments of dialogue from that sequence because as this is happening Vecna keeps taunting Will in the background. Lemme share some interesting screenshots.

The first is this quote from Vecna saying that through Will he will get into his friends’ minds…with Mike being heavily focused on….

This one is just crazy…Vecna saying “you’ll finally matter to someone, Will” and Mike’s all up on the screen lol

And this one is the most insane one imo. It’s the end of the sequence with Will coming back to himself, and Vecna is bothered that his friends (cough Mike) brought him back. At the same time he says “you are alone” Mike is asking him if he’s okay, basically proving Vecna wrong.

And that’s what he’s always been for Will, he’s always pulling him out of all his episodes, has always been his light.

I really don’t think Vecna is anticipating queer love to save the day but….lol

One last thing I want to mention if that even tho the game takes place pre S2, the characters are wearing clothes from all seasons, Lucas is able to see Max in a memory before he’s even met her, and Mike literally says to Will at one point “you look like a time traveller”

So I think time fuckery is basically a given in S5, be it inter dimensional time travel or whatever people wanna call it lol.

As for the canonicity of the game, they consulted Paul Dichter, who was a co-writer on a few episodes, including Will the Wise and Dear Billy. Make of that what you will.

[ringsreforged]

Natalie's *deep* Haladriel thoughts - BEWARE

Pau - When you read this later, let me know if you want me to move it to my personal account, yeah? If it even still exists...

I’m not really sure what this post is going to end up being. A defence of the show and the separation? In part! A critique of the show based off leak spoilers and my own gut feeling? For sure! A desperate ramble in an attempt to get my head in order? Absolutely!

I will say before we dive in that I’m absolutely a Haladriel shipper, but the way I ship isn’t always in line with fandom. I ship what I see as part of the narrative because it’s the narrative, and everything else is a bonus. I make this distinction because I think this is why I’m so okay with a lack of scenes when some others are not, and I don’t want to come across preachy. I don't think I'm in any way superior for this by the way. In fact, I wish I could be more *normal*!!!!

If you came to this show for Haladriel alone, and simply want to see them share scenes week to week – that’s your prerogative. I’m not trying to say you shouldn’t feel that way. What I might try to say is that I don’t think that makes the shows bad or suggests that the writers have baited with this relationship. I think that’s ultimately what I find frustrating…

But anyway, let’s get into whatever this is. A reflection on expectations, a five-season arc, and those STUPID spoiler leaks…

AND THERE WILL BE SPOILERS. STAY AWAY. HISS.

Alright, so this post is mostly brought to you by a sinking feeling I have that the leak spoilers are real. Because everything in that episode 7 promo matches up.

STOP READING if you don’t want to know the spoilers. And honestly? STOP READING IF YOU THINK YOU WANT TO KNOW because living with this knowledge has truly made this season less enjoyable for me (credit to it, then, because I still think it’s incredible). IF I’M MAKING YOU PANIC, STILL STOP READING because there very much is a world where these spoilers aren’t that bad in context…but I prefer to keep my expectations low…

Have you gone???

HAVE YOU GONE?????

SPOILER TALK

Okay.

So, the leak spoilers say that there is no kiss between Sauron and Galadriel (which, honestly, I have no great issue with – more to come on that later). Instead, the kiss is ELROND AND GALADRIEL, and I absolutely do take issue with this.

I can only hope and PRAY that it works in context, but I can’t get my head around it. And yet, the promo…it’s all falling into place. Elrond will be sent to discuss terms with the orcs before the battle. He’ll see Galadriel in chains, and he’ll ask for a moment to say goodbye. Adar will allow it because he’s a gent like that. This is where we get the chin touch with the thumb everyone speculated over and then…HE LEANS IN AND KISSES HER TO PUT A NEEDLE IN HER MOUTH? SO SHE CAN RELEASE HERSELF LATER??

To clarify, most of this is my spec, but THE KISS TO PASS HER A NEEDLE IS A REAL LEAKED SPOILER THAT NO LONGER SEEMS FAKE.

It's just…so convoluted and weird??? Does he store needles in his mouth like a squirrel? Why couldn’t he have slipped the needle into her hand??? WHY ARE YOU PUTTING ELROND’S LIPS ON GALADRIEL’S?

And look, maybe this spoiler IS still fake! But the details were so specific, and everything about the context seems to be accurate, so that feels like it would be a bonkers coincidence to me. Maybe when we actually see it play out, it will be fine.

But that does bring me back to the Haladriel of it all, just briefly. With my whole heart, I do not need them to kiss. After season 1, I didn’t think it would be possible, and I’m okay with that. But if you’re willing to let ELROND’S lips touch her, then MY GOD, you could have let Haladriel have ONE kiss where she’s trying to distract him or some shit. OOF.

My only relief is that it happens next week, so we can hopefully get it out of our systems and enjoy the finale.

That said, if these leaks are true then that also means the finale leaks are true. Now, I actually never wanted to see any of these spoilers (hence me making it VERY CLEAR what this post is about, because I wouldn’t inflict this stress on anyone unwillingly), so once I got the Elrond kiss details, I tried to get away without seeing much else. But there was some information on the big Haladriel scene.

I’m actually not going to detail it here, because – overall – I think we’ll still super enjoy it (just…lower those kiss expectations) AND because I don’t think all of it was spoiled. At the end of the day, there will be plenty to unpack, they’ll be back on our screens, it will be meaty, it will be layered. I’m really looking forward to it, in general.

My one fear is that it’s a season 1 finale repeat. And again, that won’t necessarily be bad per se, but it will feel a little bit underwhelming. Now, I’m not somebody that wants a true corruption arc for Galadriel. Normally, I love that shit, but not in this IP and not with this character. I want to see her explore her darkness, I want to see her face it and accept it, and I certainly want to see her be tempted…but I don’t expect or believe we'll ever actually get the whole ‘dark queen of Mordor’ vibe. Prisoner? Maybe. But not an actual dark queen.

That said…surely this scene doesn’t play out the EXACT same way as season 1? Sauron shows her a vision, she’s tempted, but ultimately resists and tells him she’ll never be at his side. I just don’t get why we’d repeat that, when there are so many other options that still keep Gal on the side of light.

I keep coming back to Galadriel’s line to Elrond in episode 4 – when it comes down to it, he has to choose to defeat Sauron and sacrifice her. I feel like if I hadn’t seen the leaks, then I would be 1000% expecting this to be the outcome. Especially with how Elrond’s theme comes in at the end of The Last Temptation track. He comes upon the confrontation but chooses to do the thing that will harm Sauron in the long run, rather than the thing that will save Galadriel.

I hope so badly for this, but I do worry that it will go the other way. What if it parallels Gandalfanger’s destiny/friend choice, and Elrond chooses her because THAT is how light wins or some shit? Not that this will be a bad scene by any stretch – I love their relationship and want to see their FRIENDSHIP (grrrr) reforged…but, again, the S1 finale! Sauron left her in the water, and Elrond was there to save her.

There’s also Galadriel’s conversation with Adar in the most recent episode – you succumbed, I resisted – but I guess this could go either way? He succumbed, so she resists. She insists she’s able to resist, so she succumbs. URGH. MY HEAD.

There MUST be a difference. SURELY??? Like, this season has been so well written…I just can’t comprehend the copy and paste.

Again, this isn’t anything close to a deal breaker for me. I firmly believe the showrunners when they say this relationship will remain the core of the show, but…hmmm. Okay, on that note…

DAMAGE CONTROL – MOVING ONTO THE DEFENCE OF THE SHOW

So, this is where I want to get into some stuff that I just…don’t agree with that I’ve seen being thrown at the show by shippers. And I’ll reiterate here that I’m truly not telling anybody what to feel. You can hate the show for its choices and feel how you feel. You can express yourself in your social media spaces, and if anybody doesn’t like it they can mute/block/unfollow. This chunk isn’t really aimed at you guys.

This is more for other people like me, because I’m cursed to be somebody that generally wants to just…enjoy things for what they are, while also being susceptible to the mood of others. I want to scroll tags and have a good time, rather than see negativity because it lowers my mood (this isn’t just ship related by the way, I really love this show overall…it’s just this tag that has been impacting my mood most this season). Regardless of the nonsense that might be in episode 7, and even if the finale scene is a repeat of S1, I’m still going to want to focus on enjoying what we get, enjoying the narrative being told etc. So, for those of you that have a little sinking feeling in your gut after the first half of this post, hopefully this second half will help.

This isn’t a ‘typical’ ship. This is a true ENEMIES ARE ENEMIES dynamic where the bad boy is ultimately going to be (is already) pure evil, and where our heroine is the embodiment of light. There are certain things that we just have to accept when it comes to loving this dynamic as part of the show – there will never be another season like season 1. Nor should there be?

Do I wish for s3 to have them in close proximity for at least a few episodes? Of course! Do I think it’s possible with or without finale spoilers? Absolutely (given how quickly characters travel from place to place on this show, they could end the season at opposite ends of Middle Earth and this would still be on the cards…). I’m also anticipating Season 4 as a good time for them to be in full MIND PALACE mode – where the rings are all ringing, but Galadriel hasn’t yet worked out how to shut him out yet. By season 5, there might just be one final scene before the final battle. But, again, I really do think there needs to be a little bit of acceptance of that. Or, at least, expectation of it.

Something I really want to push back against is this idea that Haladriel was baited or teased, but the writers don’t actually care for it. Honestly, that’s nonsense to me on a couple of levels.

First of all, almost EVERY dynamic this season has been reduced to a handful of scenes here and there. The most consistent relationships have probably been Annatar and Celebrimbor, and Durin+Durin+Disa (off the top of my head). Elrond and Durin (probably the other most popular dynamic of S1) have been apart all season, Elrond and Galadriel have too. Isildur popped up to say hello and we might not see him again.

When you actually stop and look at this season…Sauron and Galadriel had to be separated. She could not be anywhere near him while he’s working Celebrimbor, and there’s no world in which they were ever going to change that narrative. And yet, the Sauron and Galadriel dynamic has been consistent across the season. With Galadriel predominantly (and depending on how the finale goes, I may have thoughts on this), but it has also been easier with her because people have talked with her openly about Sauron. It’s been harder on his side, but the fact that Mirdania seems to have been cast to look like Galadriel honestly – right now – feels like it was done with the express purpose of giving Sauron a Galadriel reference.

Again, I’m not saying you have to like the lack of scenes, but it’s not bad writing to respect the overarching narrative of an ensemble show. Galadriel’s season has been all about him, and we’ve had countless insights to make that clear – building up to their final confrontation. If Sauron was running around mentioning Galadriel every five seconds with Celebrimbor or with the dwarves, it would be horrendously out of character.

This next comment is…somewhat dependent on the finale…but as somebody that loves Elendil and Miriel, everything in Numenor has been somewhat crammed in. I would firmly argue that the Galadriel/Sauron dynamic across this season has been treated with care and reverence, all building to a climax designed as the high point of the season. Will we be 100% satisfied? Who can say! But it IS what the season is building to.

I think this brings me around to a particular gripe I have, and maybe the people that believe this came to the show after S1 had fully aired or something…but there’s this idea floating around that the showrunners don’t like this dynamic and are just giving it crumbs to bait people into watching. This makes me want to scream.

These showrunners literally took a few lines about Galadriel being tempted by Sauron and PITCHED THE ENTIRE SHOW OFF OF THAT. The Tolkien estate wasn’t only pitched by Amazon BUT CHOSE THIS PITCH OVER ANYTHING ELSE. Season 1 was written pretty much like a prologue centred around GALADRIEL AND SAURON HAVING A PERSONAL CONNECTION WITH ROMANTIC UNDERTONES…and guess what?

They wrote all that…they filmed ALL THAT…before knowing anything about the audience reaction! That was ALL the showrunners, the writers, the directors, the actors. They ARE the narrative. They are not bait.

Does that mean the fundamentals of their dynamic will always please you, individually? No, of course not. Some people want outright romance, some people want soft Sauron, some people want Dark Galadriel. Will they kiss? I doubt it. Do I wish they would? Sure! Will they be separated again next season? Probably! Will I also wish that they could at least be stuck together for a run of episodes again? Absolutely!

But the idea that any of this is bait, or unimportant to the show drives me a little bit bonkers.

I guess my personal feeling of frustration comes from the fact that I feel so lucky they are exploring this show from the perspective of this dynamic, regardless of specific details/scenes. I’d bet my house (I don’t own a house) that every other pitch hinged on Elendil or Isildur as the protagonists of the show. Now, I love those dudes, but just IMAGINE? The fact that we’re on this path at all is still WILD to me.

ANYWAY, this is what happens when Paulina goes on holiday and I have nobody to ramble too. Sorry for the explosion, but I’ve been dreading the stupid kiss spoiler since I stumbled on it after EPISODE BLOODY 3 and so I needed to vent somewhere.

TL;DR: You are welcome to feel the way you feel, and if you hate everything you go right ahead, but maybe this makes sense to somebody. IDK. IDK.

[miraculouslbcnreactions]

Disclaimer in advance: I haven't watched season 4 or 5 in their entirety, nor do I intend to, so maybe I'm missing info. Most of my knowledge comes from lurking in the fandom.

Why do you think the show was seemingly allergic to allowing their main characters to make any sort of meaningful progress? At the end of season 1, Ladybug comes into possession of the Miraculous grimoire, a major clue that "Hey, Hawkmoth is probably Gabriel Agreste" and then the Collector immediately ends with her and Adrien placing him completely above suspicion (I actually don't mind this, it makes sense for Gabe to throw the two off the trail, but to the best of my knowledge, this is the only time the protagonists make any headway toward Hawk Moth's identity. I wish they had done more active investigation.)

The power up potions show up during Syren, except... they don't do much in the way of a "power up." They're used exceedingly sparingly, and really only let LB and CN compensate for environmental challenge. Nothing else, no actual evolution. This could've been a way to show LB getting more in sync with her powers, being able to create specific solutions to her problems. You could've had similar moments for Chat Noir, upgrade like the ranged cataclysm Chat Blanc could use, or something to do with bad luck. Instead, it was a cheap gimmick.

The temp heroes start getting called in beginning with Sapotis, except that most of them are called in because... you're here and I need this incredibly specific power, which you just so happen to be perfectly suited for. Shut up and do nothing follow orders. (The episode Party Crasher and King Monkey being the most egregious example, imo. Then again, i havent watched Penalteam, and I'm told that episode is far worse). The temp heroes don't really add anything to the plot (Save Rena suddenly being Ladybug's confidant, but that's a rant for another day.), except to cause conflict with CN, and they're all gone as of the Season 4 finale anyway.

Speaking of season 4, the charms. Finally, concrete progress, a way to limit hawkmoth, to cut him off from potential vic— wait what the hell is a megakuma? Why do this? What was the point? This is what I was talking about with Syren, Ladybug coming further into her powers, finally being able to start pushing Gabriel into a corner, and it's undone that same season. Apparently transmission is more powerful than creation, despite repeated assurances the Ladybug (and Marinette) are special.

And then there's the alliance rings. Why can Tomoe and Gabriel make these? No idea. What it means, though, is that LB and CN have no chance of reclaiming the lost miraculous, and just have to passively react to whatever the hell Monarch is up to... again.

I'm told that for the big finale, Marinette wasn't even the one to discover Gabriel's identity, Felix straight up told her, and then Gabriel won. He made his wish. The hero of the story failed to save the day, after doing practically nothing.

Whats extra annoying is that on the Villain side, Gabriel is absolutely allowed to push the status quo. First we get Scarlet Moth and mass akumatization, then the peacock comes out, then it gets fixed, and then Gabriel straight up steals all the Miraculous (save LB and CN's of course, and then they steal the rabbit back because the writers realized "time travelling villain" was a horrendous idea. And Felix is allowed to keep the Peacock, because ??? Gabriel has to my knowledge not given up any other power, before or since). And he's always held the power, he's never been at risk of losing his own miraculous because he doesn't need to go out in person, so why does he keep getting stronger and raising the stakes while the heroes can't do anything.

Sorry for being so long-winded, just... needed to get my thoughts out.

Put on your tinfoil hats, folks! We're gonna make some educated guesses as to what is going behind the scenes with Miraculous, but remember that these are, ultimately, guesses. I don't know the full story and I probably never well.

I've mentioned before that writing for TV can suck because you're not allowed pure creative freedom. There are a lot of hands in the pot limiting what you can do because TV shows cost hundreds of thousands of dollars to make. Some even cost millions. That means that final product needs to be considered commercially viable unless you're independently wealthy and have money to burn. This doesn't mean that passion projects can't be commercially viable, it just means that they're generally not approached with the idea that commercial viability is the most important thing.

Writing for children's shows can especially suck because you're heavily limited by the intended audience and by what large corporations deem acceptable for that intended audience. If you're not totally on board with keeping things Disney's version of kid-friendly, then you're not going to have a fun time.

This brings us to Miraculous.

I have often assumed that there were some wacky hi-jinks going on behind the scenes that would explain why the show is such a mess because I don't think that Miraculous is anyone's ideal version of the core concept. The wonderful @nixthelapin recently confirmed it for me by sending me a link to a translation of a lecture given by Miraculous' writing director.

In that interview, we get hard confirmation that the core members of the writing staff originally wanted to tell a darker story for adults or teens, which may explain all the random dark stuff that the show will include but totally fail to explore. We also got this:

Sebastien sold the Miraculous series to broadcasters as a formula show. A person gets angry, is akumatized, then marinette transforms into Ladybug then frees the person from the akumatization and… The End. It's also for this reason that Marinette tries to confess her love for Adrien in every episode, but is unable to do so. But he tried to go against what he had planned with TF1, by slipping little extra stories into certain episodes. Audiences were receptive to these slightly hidden stories. The TV channel even asked Sébastien if there really were hidden things in the series, but he denied everything.

So there you go. There's the hard confirmation of my theory. Miraculous was sold as a formula show so it's mostly written like a formula show, but the writers want to do more than a formula show, so they're adding in all these hints of something more, leading to massive fan frustration when those things don't lead to satisfying plots because, if they did, then it wouldn't be a formula show!

I get the temptation to do what they did, I really do, but I don't think that it was a good move. They would have been better off trying to make an awesome formula show or by being a lot more selective in what greater story elements they wanted to include. There are things that you can develop in formula shows while still keeping them formula shows. One thing that comes to mind is subtle character development. For example, they could have set up all of the temp heroes by giving them strong roles in one-off episodes. Roles that established their heroic potential. What you can't do well in formula shows is complex character development like the mess that was everything with Chloe and Lila.

This may also explain why we get baffling statements like this one from that interview that the writers gave at the end of season five:

Mélanie says that he "could become Chat Blanc" and the others add that even though he does not remember and has never lived it, Chat Blanc still has an influence on his actions.

Are they trying to let Chat Blanc effect the plot without breaking the formula element? If so, then dear gods, this is not how you add subtle continuity to your formula show!!! But that may be what they were trying to do here and in many other places. After all, we also get gems like this:

They note that Marinette's nightmare at the beginning is reminiscent of the episode Weredad from season 3. At this point, we can see that Marinette starts to understand who the villain is although she's not fully conscious of it yet. Thomas says that you can read it in two different ways: if you don't take the previous episode into account, she's starting to intuitively link things together but if you did see Representation, you know that she knows who Monarch really is.

I'm seeing a common thread. What about you?

While the writing director interview doesn't say this, I'm assuming stuff like the charms, the powerups, and the additional heroes come from a similar type of issue. My best guess is that these weren't elements that the writers wanted to add. They were things that marketing made them add to sell toys and so the writers shoehorned these items in because they couldn't find a way to organically fit these elements. I'm not blaming either side for that issue, btw. There isn't really a clear right side in the fight of creative freedom vs a show needing to make money to keep being made.

Since we're talking about that interview, I'll point out that we also got confirmation of another wacky writing rule to add to the list of poor writing choices:

The driving force behind the series is that there must always be a secret between Marinette and Adrien. The lovesquare can never be broken, otherwise there's no series.

"Our main couple can never be fully honest with each other or else there's no story" is a pretty awful rule, but it's what they're going with and that's a big part of why the love square is a mess. It's also a rule that I've often assumed was there based on the writing, but it's nice to get official confirmation of it.

None of this is to absolve the writers of blame nor is it to say that everything is their fault. The point here is that Miraculous' problems are a complex mess of everyone trying to make a good final product without being on the same page with what that final product should look like, resulting in a show that will never live up to the full potential of what anyone wanted for it.

[tenebraevesper]

Shadow the Hedgehog (Sonic Prime, Character Analysis - Part 1)

Welcome to the first part of my personal elaboration on the topic of why ''Prime!Shadow is peak Shadow!'', or in other words, why Prime!Shadow is one of the best written iterations of Shadow's character.

Will I try to make proper arguments for his character writing? Of course. Will I also be biased as hell just because he's my favorite character? Absolutely!

So, if you can handle both of that, we should dive in!

Before I start, I suppose I should give a brief overview of Shadow's character and how he had been handled through the years. The general consensus seems to be that Shadow was at his peak as a character from Sonic Adventure 2 to Sonic the Hedgehog (2006) (as well as Pre-Reboot!Archie Comics during Ian Flynn's run), being someone who was deeply traumatized by the death of his sister Maria Robotnik, had his memories manipulated to get revenge on humanity, only to sacrifice his own life to save the world Maria cherished, losing his memories in the process and trying to carve out his own path, only to finally solidify his role as a protector of the world, even if his methods aren't always the most peaceful ones.

So, where does the idea of edgelord Shadow come from?

Yeaaahh... let's just say that Shadow's own game, Shadow the Hedgehog (2005), didn't do him any good in the character department, because it seems that all that people remember was that one time SEGA decided to give Shadow a gun and let him deal with an alien invasion. The confusing story routes didn't help either.

In time, Shadow's character went from a complex and layered character to something akin to Vegeta (no offense Dragon Ball fans!), much to the disappointment of everyone who understood character before he underwent this transformation. Also, I'm not counting Boom!Shadow in this because Sonic Boom is a different universe and its own thing, but I won't argue against the fact that Boom!Shadow's characterization as a complete jerkass didn't do Game!Shadow any favor either. That's not even mentioning the Sonic IDW Comics, where Shadow had many mandates tied to him that even the writers found it annoying to write him (although with the most recent arc where Shadow was shown, it seems that the mandates have loosened a little).

Of course, I might be missing out on some information, but this is the general gist of the history of his character. So, when Sonic Prime revealed that Shadow would be one of the major characters, you can bet that I was nervous about how he would be written and I decided to keep a close eye on his characterization; and honestly, I went from genuinely pleased to excited when I realized that Shadow was being written as a very compelling character. Not only that, but he also appeared to have gone through subtle character development over the course of the show.

Starting from the very beginning, I'm certain that you remember how Shadow's first appearance was basically him punching Sonic at the end of Episode 01: Shattered, a very impactful first impression that left us with more questions and headaches. The following episode, Episode 02: The Yoke's On You, gives us more details in regards to why he punched Sonic, seemingly out of the blue.

Shadow's proper introduction kicks off with him searching for the Chaos Emerald... and I have to ask, when was the last time we even saw Shadow genuinely smile? Was in the Mario & Sonic at The Olympic Games franchise? I don't really remember.

In any case, being clearly happy about finding the Chaos Emerald, he speeds off, only to suddenly sense that something is wrong and is met with a giant blue pulse of energy (released during Sonic's fight with Dr. Eggman) and a vision of Sonic using the Paradox Prism energy.

''Sonic!''

This expression just screams ''Something bad is going to happen and it's Sonic's fault! I'm going to kick his ass before he does anything stupid!''

We then follow Shadow as he searches for Sonic, clocking him square in the face for something he hasn't done yet. Eh, I'd say that this one wasn't really deserved.

Even before Sonic starts explaining his relationship with Shadow, we immediately get an understanding of Shadow's character. He is serious, works alone, quite fast and powerful, prefers to fight over talking things out, is willing to do anything to protect his home and clearly has a history with Sonic. Sonic proceeds to add how Shadow is his biggest rival, a buzzkill and that he totally roller-skates.

''They're air shoes!''

Did... Did Shadow just break the 4th wall? Did he just make a joke? Dude, not even Boom!Shadow got to do that and Sonic Boom was the epitome of wall breaking!

Yeah, let's just say that my jaw dropped when I heard this, realizing that Shadow's character in Sonic Prime will be different than what we got used to see.

So, after knocking the Rings out of Sonic (I mean that literally), Shadow questions him about what he has done, with Sonic pointing out how Eggman is the bad guy, clearly confused about why Shadow is attacking him.

''You literally shook the world!'' ''That's because I'm good! And powerful apparently! Jealous?''

After a bit of teasing from Sonic, he and Shadow get into a race, during which I had noticed something. While Sonic keeps teasing Shadow (and also having fun fighting him), Shadow tells him to stop and listen for once.

''Clearly you're angry, which is normal,... but I'm supposed to be on a bit of a mission here, Shadow!'' ''What mission?'' ''None of your business.''

Sooooo, have you noticed it too? Because there is something very telling in this interaction. If you haven't, I'll let it play out until the end. Anyways, to continue, Shadow knocks Sonic into a rock, with Sonic confirming another aspect of their relationship.

''Ughh, I know, we're fighting again. Don't worry guys, I'll calm him down.''

We now know that this certainly wasn't the first time they had a fight and it won't be the last time. Sonic points out that, whatever beef they have, they aren't going to settle it this way. While Sonic is right, I will admit, I had to gush over the excellent animation and fight choreography. X3

Sonic then hears an explosion from the cave where the Paradox Prism is and tells Shadow that he needs to get to his friends, only to get punched for his troubles.

''Learn to focus!''

Now that the flashback is over, what exactly is going on between the two?

First of all, the main thing I have noticed is that both Shadow and Sonic seriously have a problem with communication. Shadow knows Sonic is about to do something stupid, and from his actions (aka choosing violence over talking) he is trying to prevent Sonic from doing whatever he was about to do. It does paint Shadow as a bit of a jerk, but Sonic isn't completely innocent here either.

An observation I had made was that Shadow probably knows that if he tried to just talk to Sonic, Sonic would either blow him off and run away or just tease him back, which was confirmed when Shadow asks him on what kind of mission he is with Sonic responding that it's none of his business. I imagine that there were previous events where Sonic was doing something stupid and Shadow tried to stop him from making things worse, and that violence was indeed the answer to Sonic's antics.

If Sonic had explained to Shadow what the deal is, I'm certain that Shadow would help him out. Perhaps Shadow could've told him about his vision, but going by Sonic's behavior, Sonic would probably not listen to him.

This brings me to my second point - this moment establishes that, if there will be character development for Shadow, it will be mainly through his interactions with Sonic and them learning to work together and listen to each other, something I'm really excited to talk about in later episodes.

The flashback continues in Episode 03: Escape From New Yoke, where Sonic does the old ''Hey, look behind you!'' trick and Shadow falls for it, hook, line and sinker. Sonic knocks him into a wall and speeds off to where his friends are fighting Eggman, leaving Shadow to recover and follow him.

I do like how Shadow just shakes his head here. Even if he doesn't say much, you can clearly see what it is going through his mind. He's angry at Sonic, but acknowledges that this is just typical for his blue rival.

in Episode 07: It Takes One to No Place, we see that Shadow manages to reach the Paradox Prism cave, just as Sonic is about to shatter it.

''Chaos Control!''

Unlike Sonic's friends and Dr. Eggman, Shadow manages to use Chaos Control, preventing him from being shattered just like the others.

''Sonic!''

Instead, he finds himself floating in The Void. I'll leave what happened to him in The Void for the next part, but what is important to note is that he cannot enter the individual Shatterspaces, but he can communicate with Sonic every time the latter gains enough speed to use the Paradox Prism Energy.

''Sonic, it's broken! It's all broken!''

Sonic is at first freaked out, thinking he's just hallucinating. I suppose that explains why Sonic keeps ignoring him in any subsequent appearances, despite Shadow trying his best to contact him and trying to explain him what to do, like telling him how he's lost in The Void and for Sonic to keep moving and to not stop (which also leads Sonic to find out how he can travel between Shatterspaces).

I suppose this can also be interpreted as ''Sonic leaves Shadow on read''. X3

Once Sonic accidentally gets out of No Place in Episode 08: There Is No Arrgh In Team, he is confronted by Shadow, who is absolutely furious. Not that Sonic notices, given how he had a really rough day himself.

''Shadow? Ugh, I don't have time to deal with whoever you are. I just wanna go home.''

''Home? Home doesn't exist anymore BECAUSE OF YOU!''

Considering what Sonic had done, yeah, this punch was definitely deserved.

As I said above, the first eight episodes are here to establish Shadow's character, his relationship/rivalry with Sonic and his own flaws (mainly the lack of communication on his part, choosing to fight Sonic instead) and it is clear that in order to overcome those flaws, he will have to work with Sonic (calm down Sonadow shippers, we didn't get there yet), something I'm excited to explore in the second part of this analysis.

#Shadow the Hedgehog (Sonic Prime, Character Analysis - Part 2)

#Sonic the Hedgehog Analyzer (Masterlist)

[yanderepuck]

Salaì Route Masterlist

This is a FAN MADE route of my oc, Salaì. This means this route contains my headcanons for the characters and in no way is suppose to represent the canon story. This is just a fun little time because I know many of you enjoy Salai. Feel free to engage, talk theories, send asks (even to @ask-salai ).

DISCLAIMER: His route his not canon to his character. Also, all of his lore in not in the route for simplicity reasons plus please feel free to ask about him.

PS, this is not like a normal otome game route, it was only supposed to be 8-10 chapters, so keep that in mind because things WILL FEEL RUSHED. I am NOT a professional writer, I do this as a HOBBY. Somethings are not in-depth as I would like. Please do not go into this thinking it is going to be written the same as the game. Things will feel rushed, I'm sure I could have gone deeper into symbolism, but this is just a fun silly little project, which is also why I encourage you to ask questions. Everything in the route make sense to me because he is my character and I may have not realized I didn't add info. I am proofreading as I post but that doesn't mean I won't miss something.

Additional information

Episode 0

Chapter 1 | Chapter 2 | Chapter 3 | Side Story | Chapter 4 | Chapter 5 | Chapter 6 | Chapter 7 | Chapter 8 | Chapter 9 | Chapter 10 | Chapter 11 | Side Story | Chapter 12 | Chapter 13 | Chapter 14 | Chapter 15 | Chapter 16 | Side Story | Chapter 17 | Chapter 18 | Chapter 19 | Chapter 20

[touyubesposts]

My Sander Sides Enlightment

You know what’s always kinda bothered me? Those mean takes on the other sides. Like ‘Janus is manipulating Patton and isn’t actually trying to be friends with him,’ ‘Patton has too much moral superiority,’ ‘Roman never learns,’ So on and so forth. There is something bad to say about all the sides. No hate to anyone who's made one, you are valid and probably right in your own way. I think the only reason they bother me so much is because you can easily say the opposite. The most common phrase being ‘Nobody listens to ____’

“Nobody listens to Patton! He was trying to show the others that Virgil was good all along and only when Virgil was gone did they listen.”

“Nobody listens to Logan! He gets ignored constantly and he’s getting mad because of it.”

“Nobody listens to Roman! Every time he comes up with a solution, he gets shut down only to get blamed for not coming up with a solution.”

“Nobody listens to Virgil! He only gets listened to when he forces Thomas to hear him, and he doesn’t like doing that.”

“Nobody listens to Janus! Even when he has good ideas and arguments, they get pushed to the side because he is a dark side.”

“Nobody listens to Remus! That was the entire point of an episode. And all he wants is to be listened to, it doesn’t matter who.���

And all of these are valid points. But at some point, you have to wonder who’s not listening the most. Which is how I think the criticism posts of the characters came to be in the first place. But I don’t think any of them are to blame. Even when this new side gets revealed, it won’t be his fault either. The fault isn’t on Roman, or Logan, or Janus, or any of them.

It's on Thomas.

And of course I don’t mean ‘Writer Thomas,’ I mean ‘Character Thomas.’ Throughout the series, Thomas has always held himself high. You can’t be perfect, but you can try to be. And every time a situation comes up, he doubts himself, wondering if he’s even any good at all.

And in comes the sides, telling him that he can’t be bad and here's why. In fact, Thomas won’t let himself be bad at anything. Can’t be a bad worker, can’t be a bad actor or singer, and certainly can’t be a bad friend. Even in situations where he wouldn’t even be those things, he can’t even let himself risk it.

And so, the sides follow suit.

Logan becomes the perfect person for knowledge and learning, never letting himself be anything less than right all the time.

Roman strives to be perfect physically and materialistically, coming up with creative ideas that help Thomas move up in the world or, at the very least, make himself feel better.

Patton is the perfectly moral person. Make sure everyone is alright, help whenever and wherever you can, and always keep a smile on. Wouldn’t want anyone worrying for you, right? That wouldn’t be good.

Virgil is the perfect alarm system. Even false alarms are taken with the utmost seriousness. Just as long as no one else knows your anxious.

Janus is a deceiver. And Thomas lies often. So he needs to be the best at putting on a face and making sure nothing goes off without a hitch. Wouldn’t want people catching him in a lie. He needs to be the perfect liar.

And then there's Remus. The only one who tries not to be perfect. But that idea terrifies the others so much, Remus is left to pick up all of the imperfection slack. Maybe that's why Remus was offended when he was called ‘Scary.’

Trying to be so many perfect things all at once, you’re going to but heads with all of the different aspects of yourself. You're going to not listen. You're going to ignore. And in some cases, your perfectionism is going to make you look like the bad guy. And as someone with perfectionism, I relate a little too hard.

Thank you for reading.

[akiraarabella]

CAN WE ALSO PLEASE TALK ABOUT THIS SCENE?!?!?!

IT WAS NOT A KISS SCENE BUT IT WAS AS POWERFUL AS ONE!!!

Their THE KISS scene on season 3 episode 5 (yes i remember exactly dont ask why) it was REALLY powerful because it literally showed us the development between the two characters from them trying to kill one another (mostly Rayla) to saving each other and Callum expressing it such a beautiful way by his speech with "Because she's Rayla" Playing in the background was just TO DIE FOR!!!! it was emotional, romantic, strong! It was everything! It wasnt forced it was just there in the perfect time. I can never stop praising the shows writers enough istg. Even rn im listening to that ost in the background.

I cant lie bc it was adorable seeing these two being all lovey dovey with each other by kissing and hugging etc. But when season 4 begins, their relationship is just not there anymore. Yes there are bits and pieces but they're scattered everywhere. Callum reminiscing about her and their time together gives us half of the answer. Something happened that pulled them apart but what is it?

When he was looking out in the balcony to the sky, their theme was also playing at the background but so soft and so weak that you felt Callums' pain. It was a sad track, it was a tragic track. Raylas' memories were still there but not herself. And it made him so sad that the dude said it was NOT his BIRTHDAY but the ANNIVERSARY OF RAYLAS' LEAVING!!!! THIS BOY CARES ABOUT RAYLA MORE THAN HE CARES ABOUT HIMSELF!!!

From then on the relationship starts to have a second build up. Its like strangers to friends to lovers to strangers to ??? . The only difference of this build up compared to first three seasons is that there is already an established relationship, its just broken. So in a way they start again. Going on adventures, being there for each other in case either of them needs help. Callum doesnt let his feelings for her suppress his hurt which was also caused by her but little by little it starts to heal. It starts to fix.

Here we see Rayla admit to her mistake of going after revenge and leaving the most important thing she has behind (aka Callum obv) . Her admitting this out loud is so great to hear. Because she know she made a mistake and that mistake hurt Callum and she intends to FIX that mistake. She gives him the space he needs while also staying close enough in case he would need her. Just like Soren said "sometimes you need time to work through the weird, and then it'll work out or dont. The heart do what it do or dont what it dont"

And thats exactly what happens! With time the awkwardness becomes less and less and their hearts do the job. Their feelings for each other were never gone in the first place, and when they both finally realise that it just keeps getting better. In the form of saving friends (Zym and Soren) they remember how it felt working together which helps them get closer.

But even tho they act close their words are still apart. They dont admit it. They dont talk about it. They just go along with it. But then Rayla gets caught sneaking Runaans' bow. When Callum orders them to release her even without knowing the reason why, Rayla picks up what he's putting down. He trusts her, he doesnt push her to explain him anything because he knows that she will when she is ready. She sees that there is still a chance to make things just like before maybe even better.

(Also in this scene when they're going to the grand bookery and they cross this path, she says "its an old wound that's healing" I cant help but feel like its a parallel to their relationship. The wound of leaving for two years but now finally working through it. Its just perfect)

So yep after everything she admits it, which is also perfect because she was the one that made a mistake so she does fix it and she does it right.

"Im glad we could be here together, looking at the stars..." She says.

And Callum feeling the same way rests his head on hers. ITS JUST PERFECT AAAAAAAAAAAAA!!!!!! THE WAY THAT THEY STILL KEEP TALKING ABOUT STARS AND THIS WHOLE SCENE HAVING AS MUCH POWER AS THEIR KISS SCENE AND DARE I SAY EVEN MORE (i dont know which wins bc i was jumping around screaming when they kissed after Callums' poetic speech LOL it was ROMANTIC ALRIGHT?! 😭😭😭😭 SAME GOES FOR THIS ONE)

And the thing is that it'ss so easy to mess up. They could've gone for a route like "hey im back after two years of absence" "Oh hi its great to see you again" And its not just the characters and their relationships but also the world that you're telling to the audience. It is so easy to get it wrong ESPECIALLY if you are writing Fantasy. With so many kingdoms, dragons, elves and other species with also magic its very very simple to mess up. Im glad that they went this way with the story telling. Its more natural, more enjoyable and it just works perfectly.

ANYWAY IVE BEEN WRITING THIS FOR WAY TOO LONG BUT IF YOU MANAGED TO FINISH READING IT TILL THE END OMG YOU'RE A FUCKING ROCKSTAR IDK I LOVE YOU THANK YOU!!! 😫😫😫💕💕💕💕

[feelbetterlove-books]

Okay I've rewatched episode 2 and I have some thoughts, forgive me if this has been done, but here's my take on how the Tommy Lands That Plane theory can still win!! Keep in mind I'm not a writer or a pilot 😅 I really know nothing, I'm just having fun, as del(o)usional as I may be. Putting this under a cut because it got long!

I've been thinking that this plane disaster honestly could have been wrapped up in one episode. I know it's a three part premiere but episode one had a different focus and episode three could have gone back to bees or done something else, imo there doesn't seem to be a huge reason to drag it out another 40 minutes unless they were going to do something big (for example, having Tommy pull a wild stunt like rappelling into the plane) (aside from the fact that Angela Bassett is arguably the biggest star and they're possibly dragging it out just to give her something cool and dramatic to do).

Here's why:

First, the bees, where did they go? They obviously caused the crash and they were in the plane when Athena first got to the cockpit, but then they disappeared?? We don't see them on the plane later on even through there's plenty of holes for them to come in through, and we don't even see them on the ground in Bobby's plot line or anything.

If they had wanted to cause more drama on the flight to extend the emergency with the passengers, there could have been bees on board, and maybe more people who were allergic. Instead, the disasters from episode one and two only overlap a little bit.

Second: the on plane emergencies. Only a few passengers were critically injured and they've been dealt with, all that was really left for them to do was wait and hope the plane didn't fall apart around them. They could show more passengers getting injured now, but at this point the 118 aren't on their phones prepared to talk them through it, they're on the move and ready to see the plane land.

The plane could crash and then we'd have plenty for everyone to work with, but idk they've already done a plane crash recovery and I think if it was going to happen, it would have been a better cliffhanger then the copilot going down.

I'm not sure, maybe Athena could still get the copilot back, but it didn't seem like it to me, and if she did idk what the point of him having a heart attack would be in the first place. Unfortunately, that man does not have Bobby's plot armor, and I really don't think he's going to be able to help with the landing. And if he can't, then they're pretty much back at square one as far as getting the plane on the ground goes.

Most of the episode we saw Athena reluctantly planning to go along with landing the plane herself, or working with Jem, who is much more knowledgeable, but I think if he was going to be able to land it, they could have shaved off some time from other scenes and it could have already been done at the end of this ep. The two of them and ATC have already worked together, tried, struggled, and ultimately failed to land the plane, and the situation is only getting more dangerous. I think they need a new idea and a new person to come in and help pull the landing off safely. And I think that person could be Tommy!!

For a start, I believe it has been confirmed that these episodes are in fact, inspired by Airport 1975, and my understanding is that the pilot rappelling from a helicopter into the plane is quite an important part of that movie, so it just makes sense that it could happen in episode three!

Now we might say, but Tommy flies helicopters, not planes! However, it is at the very least implied in season two that he can do both when Chimney called him to drop water on that neighborhood. And I'm choosing to believe for the sake of this theory and the invisible string, that it was really him.

We also know that the 217 is likely involved on the ground and it's possible that Tommy was working and he or someone else came up with this idea, and he got sent up. He's definitely brave and crazy enough to do it if the unsanctioned search for a cruise ship in a hurricane is any indication. Plus, he's becoming a part of the 118's found family, he has even more reason to do this than he did at the start of season seven and he'll be damned if he saved Athena then just for her to die now!!

Another main reason I think Tommy could land the plane is that one, it would remind the GA that he's a cool and competent pilot, and two, involving him in a big scene like this could go a long way towards establishing him not only as Buck's boyfriend, but also a character in his own right. One who can just fit into calls like Athena and Maddie do, one who could expand the range of what can be done in future episodes by linking the streets to the sky. We could even have a plot line with Buck taking those flying lessons. With the way they all get into accidents, it sure would be useful to have a certified pilot or two on hand to help the 118 as needed!!

Tommy might not be a main character now, but depending on how many seasons 9-1-1 has left, and taking into account how much Tim loves working with Lou, I mean, I think he could be one day and this would be a great way to set that up.

There's also the fact that Buck and Bobby are together on the site of where it seems the plane will be landing and this would give us the perfect opportunity for parallel Bucktommy & Bathena big dramatic kisses!! Plus there has already been reason to speculate that Lou was working with Angela and I mean just imagine it!! THIS WOULD BE SO COOL WE'RE THIS CLOSE TO HAVING IT ALL BUCKTOMMY NATION!! Tommy lovers, we could live off of this for years!! And I am going to keep my fingers crossed until we either fail to see Lou's name in the opening credits, or the plane is landed another way!

[liveinfarbe]

Quoting myself pre episode 8 here:

But who knows maybe show runners are gaslighting viewers here and he’ll be killed off just like that next episode Mirdania-style (hoping against hope she survived). But Sam Hazeldine’s interviews sound like he’ll be in it for a bit longer. Good🤞

Whatever you hope they do it’s not going to be innovative, but the road most traveled.

Sam’s interviews sounded like that because he had integrated into the cast so well and would’ve liked to stay.

If you ask me it was a capital mistake. Adar outshone all other characters in season 2. But the course was set. Simon Tolkien apparently intervened to keep him longer. I suppose because he saw his incredible potential. And yet they offed their outstanding original character, carelessly, unsympathetically. It sucked big time because it left most fans struggling emotionally. I did not need that.

I’m venting…

Yeah, it mirrored the first episode, a thematic frame, cool visuals, full circle blah blah - a clichéd way of doing this to establish symmetry and a means to get rid of him fast and visually pleasurable and still make it look oh so meaningful.

There could’ve been another outcome of course. Adar wasn’t alike Sauron, he was not a monster. Adar was superior in heart and mind, a large part of him untainted from dark poison.

He should have had a better end because this show is all about symbolic messages and this one sends a message that he was not deserving, although he had suffered the most of all characters and was truly repenting - he apparently deserved something far worse.

Ironically it wasn’t even an end to Sauron what Adar did to him in the beginning. Sauron was goo for a thousand years then quickly bounced back eating worms and people and is fine now. Adar though looks terminally dead. He’s gone. Can you imagine he resurrects in a cheesy painting like Galadriel? He’s the vaguely queer coded villain, he’ll stay buried (you wish he was buried), it’s the law.

And shouldn’t have Sauron ended him, if it was meant to be symmetrical, shouldn’t there have been a fight?

Shouldn’t there have been a fight with Arondir?

Shouldn’t Galadriel have at least voiced her disapproval of the murder? I’ll give it to her that Adar’s death gave her the wrath to withstand Sauron finally. She fought him with anger in her heart, totally over him, but not over her twin flame Adar.

What happened to Adar was worse than what happened to Sauron. Adar was betrayed of his final hope to get better, betrayed by his children whom he loved and thought loved him back, knowing his aim to prevent enslavement for them has been futile. You can shoehorn a symmetry with Sauron’s situation in the beginning but it substantially isn’t. Adar’s actions always came from a place of love, care and solidarity, of accountability.

It should’ve been Sauron dealing him the final blow, not Glûg. It was never shown why Glûg would suddenly want to murder him brutally and in cold blood. It was just for shock value and done with the intention to show how irredeemable Uruk truly are, even the most humanized ones. As if Adar was delusional about them deserving dignity. Probably the story needs them to be bad again, after all the Third Age hasn’t improved concerning the othering of Orcs. One dilemma less for the show, it seems…

He may be in Valinor now, perhaps, who knows with these writers… The thing is, I don’t care because I won’t see it on screen.

Nothing will come of anything Adar has done and fought for, he is erased from the narrative and I hate it.

It lowers expectations for season 3 and, not gonna lie, I kinda resent the show for doing that.