#IN THE CINEMAS

[cloud-ya]

outcast of the village

[hansatorium]

[389]

1. Alien 3, directed by David Fincher 2. Girl’s Head beside a Skull by Rex Whistler

[sharksliveinspace]

“Wow. Human Earthworm 4 sucked.”

[kensatou]

gritty both capturing the zeitgeist as usual AND educating me on the availability of free flow butter at american cinemas

[gael-garcia]

Les Femmes Palestiniennes (1974, Jocelyne Saab)

youtube (eng subs). vimeo (spanish subs) / runtime: 10mins

Palestinian women share with men this role in the armed struggle. […] We run our suicidal operations, they attack us from airplanes. It’s easy to fight, using aviation when one is up against simple armed Fedayeen. They attack us with American and French airplanes. It’s not just Israel who’s at war with us, but also the United States and France and all the other countries. We’re not afraid of Israel. We fight at broad daylight, face to face. The coward ones fight with their aviation. The brave ones fight on foot to free their land. […] And if there’s a political (two-state) solution? There won’t be any political solution. The only thing there will be is Palestine. As long as there’s at least one of our children left alive, there won’t be any political solution. There will only be Palestine, in its entirety.

[filmauteur]

Gay USA (1978) Directed by Arthur J. Bressan, Jr.

[sapphic-storm69]

Spiderverse thots

[skinkmi]

al pacino photographed by steve wood, london, 1974.

[goryhorroor]

horror sub-genres: gothic

[389]

SHELLEY DUVALL

[deweyduck]

@pscentral​​ event 28: throwback

↳ percy jackson and the lightning thief being a 2010 period piece

[animentality]

[texaschainsawmascara]

Jennifer Tilly playing poker

[gael-garcia]

They Do Not Exist (1974) by Mustafa Abu Ali (watch)

from PalestineCinema.com:

Salvaged from the ruins of Beirut after 1982, Abu Ali's early film has only recently been made available. Shooting under extraordinary conditions, the director, who worked with Godard on his Ici et Ailleurs (Here and Elsewhere), and founded the PLO's film division, covers conditions in Lebanon's refugee camps, the effects of Israeli bombardments, and the lives of guerrillas in training camps. They Do Not Exist is a stylistically unique work which demonstrates the intersection between the political and the aesthetic. Now recognised as a cornerstone in the development of Palestinian cinema, the film only received its Palestine premiere in 2003, when a group of Palestinian artists "smuggled" the director to a makeshift cinema in his hometown of Jerusalem (into which Israel bars his entry). Abu Ali, who saw his film for the first time in 20 years at this clandestine event noted: "We used to say 'Art for the Struggle', now it's 'Struggle for the Art'"