#I've come to that conclusion

[ilovereadingandstuff]

Reconsidering what I explained in my last post here about RinHaru's relationship up to season 2, now i feel like I've seen most of the whole picture:

Rin is quite devoted to his relationship with Haru. I mean, their friendship and rivarly.

I noticed that Rin was the one to mostly make the moves, demostrate and say out loud his feelings for Haru (to the point that was kinda obvious and even Sousuke take note of that).

While, in the other hand, Haru...I feel like he's autistic or something.

Haha.

And I'm not saying this in a derogative meaning or with intentions of hurting anyone!! I'm hoping to not be that ignorant for using a term that does not apply here (correct me if that's the case)...but what I'm trying to say is that, actually, this treat of his character is just endearing: he doesn't speak that much, he's always straight-forward, silent and less expressive than others...this treat is one of the reasons why people like him so much, also something I like about him a lot, but to not lose the main topic: I think that's one of the reasons why I felt so one-sided his relationship with Rin.

I noticed that, after having to share much more time with Rin than the past time after their winning at final S1, especially in the movies, Haru was much more expressive both in speech and actions than before. And also, that makes sense!

S1 is him and Rin's conflict, mixed-up with the past-present and the construction of the clubs. This season was quite deppressing, in a way because of so much sour feelings in each character (mostly Rin and Haru) for their complications, so their 'happy side' was touched mostly at the end.

S2 they were focusing on their future and their own problems with the competitions and their respectives groups (alongside with Sousuke's story and Makoto's heavy participation). They were quite far from each other because their interactions were not a neccessity for the plot, and again, their 'happy side' and important interactions were handled mostly at the end.

S3 was heavely about Ikuya and Haru's story (that, at least, 7 episodes), and about their preparation to reach global levels. They were, still, a little much far from each other because their interactions, again, were not needed for the plot at that moment.

So, finally with the movies, the circumstances were the ones where they were going to interact with the other on one way or another. At the end, they were literally competing against each other, in the same group, against the same people (Albert, the other gringer/blond guy which I don't remember his name but was a hard swimmer also). They had quite a lot more meaningful interactions because they were together at the end of the day, participating in the same game...and while it was beautiful, I felt like finally I could see the reciprocity of Haru's feeling for Rin in terms of their relationship.

They were rivals after all, friends that worry for each other, that searched for the other when something bad happened, that supported, admired and inspired the other to be their best. And, something more beautiful, is that they wanted that. Both of them: To be together in that, racing to win. And they did, they won...and even after time passed and they met again in Bulgary...they kept swimming together.

I still feel that Rin is more vigorous when it comes to the relationship, but Haru's side is clearer now and I think I can say that, yes, this was a rivals to friends, meant to be, and they're both into it.

Thanks for reading this, which I consider to be one of the many internal disputes I have when watching two characters I like too much and I also ship them together.

[mythtakens]

9-1-1 Vol. 7 Issue #4: Buck, Bothered and Bewildered

[nosferatufaggot]

It took a million watches but I'm pretty sure the intended interpretation of season two is that the Doctor and Rose are dating. Like not even mutual pining like they actually are dating. They kissed at the end of season one, The Christmas Invasion Rose is going on to her mom about their relationship and how she thought they were something, and in New Earth Rose calls the day the sun expands their "first date" then Cassandra is in Rose's body and makes out with Ten and he doesn't really question it just says "Still got it."

Like ship it or not, I do think the intended interpretation is that they are for realises dating. Which makes season three make even MORE sense! Martha has a crush but she isn't Rose. "Rebound" like it wasn't mutual pining they were DATING!!!!!!!!!!!

[disorganised-bagel]

is this anything

[tragedy-for-sale]

Protective Obi-Wan anyone?

I was re-watching the Ryloth arc and I couldn't help but notice,

I love how Obi-Wan's arm immediately goes to block Cody, he extends his hand out and it's not in the form of a fist, it's flat, it's an attempt to block as much of Cody's chest as possible. Cody takes a full step back to, mainly to get into position to shoot. But he's preparing himself to move behind Obi-Wan, who'd need enough room to swing his lightsaber to block blaster shots.

Obi-Wan's first instinct is to protect Cody, his second is to ignite his lightsaber. Obi-Wan protects Cody before protecting himself and others. His lightsaber would give enough cover for all his men, but his body would only cover Cody's.

In the second frame, Obi-Wan puts his hand on Cody's gun first before turning off his lightsaber. Now, he does know what is about to come out of the grate before his men do, which is partially why he wants to stop Cody. Cody putting down his weapon would signal to his men that there is no danger, however, turning off his lightsaber would do the exact same thing. But he chooses to stop Cody first.

After Obi-Wan puts his hand on Cody's gun, notice how long he looks at Obi-Wan. Cody's guard is down, he doesn't keep his eye on the grate like his men do, he doesn't even try to keep his blaster aimed, also unlike his men. Cody doesn't break contact with Obi-Wan until he does, it's in that moment we understand how much Cody trusts Obi-Wan with his life.

[surelysilly]

yeah, get it right Sam

[probablybadrpgideas]

"'Why do so many bad things happen to me', I say, putting another tome of eldritch madness between my tits."

-A PC from my lovecraftian game, in a moment of self-awareness

[popculturealtar]

this may be too wild of a post and idk how many people are gonna agree with it (as i'm someone who thinks pop culture entities inherently exist in some form one way or another) but yknow. it's my blog and i can post what i like here.

so, idk what virtual pet-loving person needs to hear this but nothing is stopping you from working with your virtual pet as a magical entity, spiritual entity, servitor, spirit companion, friend, family member, or familiar.

u like pokemon? work with pokemon. u like neopets? work with neopets. have a tamagotchi that's old enough to graduate? work with it and see where it takes you.

despite practicing pcp/pcm for a long time it took me... a really long time to realise i can just do this. with virtual pets specifically. i can experiment, i can see what happens, and i'm allowed to make my practice more fun.

[jessmalia]

“Marry me, Juliet, you'll never have to be alone. I love you and that's all I really know. I talked to your dad, go pick out a white dress. It's a love story, baby, just say 'Yes’.”  The music starts playing like the end of a sad movie. It's the kind of ending you don't really wanna see. ‘Cause it’s tragedy and it'll only bring you down.

[licorishh]

so uhhh happy valentine's day i suppose !!

shoves this in your face and runs away

so. uh. yyyyyeah. when i said i liked all interpretations of their dynamic equally i uh. i lied. and to be totally and completely and 100% honest with you it speaks volumes to the state of the internet that i have been legitimately afraid to say that like i've genuinely been debating and turning it over in my head and arguing with myself about it for days because i don't want people frickin' YELLING at me and telling me to off myself because i like a dadgum fictional ship but it's valentine's and my friend has been hyping up the crap outta me so i'm past the point of having a reasonable excuse to chicken out (and i know myself and if i don't do it today then i likely won't do it at all)

anyway words actually cannot express how obsessed i am with post-o66 aus in which they stay together (largely because i so completely refuse to believe they'd be willing to split up after THAT, ESPECIALLY that soon) so yeah shoutout to the softest fluffiest gut-punch-iest pair in the galaxy to whom everything bad has happened but who stay silly despite the horrors

[dukeofthomas]

"Jason just needs to see things from his family's perspective and understand how much they love him (despite them never actually communicating or showing him through their actions)" is out. "The batfamily putting a single bit of effort into understanding Jason and reconciling with him on his own terms" is in.

[jyae23]

Drinking game: Take a shot everytime the Dark Rise Series mentions James' beauty

[arthur-lesters-emotional-baggage]

additionally,

[tins-of-mystery]

spent the better part of my day trying to figure out how to draw my two favourite Freaks of Nature (+ jirving and peglar, if you squint)

[mothintheflames]

Jentry Chau vs the World au where she falls in love with Kit and has to defeat his seven evil exes for the right to date him, but then at the end decides she's seen too many red flags and actually she'd like to pull out of this whole romantic entanglement please and thank you

[anghraine]

I saw a staggeringly wrong post (I think from the same source as this take) about how TOS Kirk doesn't experience any meaningful suffering or angst, he just gets frustrated by challenges to his authority/command. The idea of him having real angst is just made up and projected onto him by fandom. Yes, this is the same James T. Kirk who feels the need to log this thought process: "No man achieves Starfleet command without relying on intuition, but have I made a rational decision? Am I letting the horrors of the past distort my judgment of the present?"

It feels almost like cheating to bring up the most obvious counter-examples tbh, but I actually find it really interesting that Kirk's most haunting fears/vulnerabilities throughout a bunch of episodes are so persistent and clear throughout the show as a whole. A major one, for instance, is his loneliness/dread of being abandoned to solitude. Ignoring everything except TOS:

"Dagger of the Mind":

HELEN: The machine wasn't on high enough to kill. KIRK: But he was alone. Can you imagine the mind emptied by that thing? Without even a tormentor for company.

SPOCK: He thought you'd like to know the treatment room has been dismantled and the equipment destroyed. KIRK: Thank you. MCCOY: It's hard to believe that a man could die of loneliness. KIRK [staring into the distance while the camera focuses on his almost blank eyes]: Not when you've sat in that room.

"Conscience of the King":

LENORE: At the party, you were such a brash young man. KIRK: And now? LENORE: Now somehow different. Not a ship's captain with all those people to be strong and confident in front of. You know, you're really very dear, aren't you? In some ways, very lonely.

MCCOY: Mr. Spock, the man on top walks a lonely street. The chain of command is often a noose.

"This Side of Paradise":

KIRK: Except for myself, all crew personnel have transported to the surface of the planet. Mutinied. Lieutenant Uhura has effectively sabotaged the communications station. I can only contact the surface of the planet. The ship can be maintained in orbit for several months, but even with automatic controls, I cannot pilot her alone. In effect, I am marooned here. I'm beginning to realize just how big this ship really is, how quiet.

"And the Children Shall Lead":

KIRK [provoked by the alien's powers into a panicked meltdown rooted in his deepest anxieties]: The ship is sailing on and on. I'm alone. Alone. Alone.

"Is There In Truth No Beauty?":

KOLLOS [through Spock]: But most of all, the aloneness. You are so alone. You live out your lives in this shell of flesh. Self-contained, separate. How lonely you are. How terribly lonely.

"Requiem for Methuselah":

SPOCK: The epidemic is reduced and no longer a threat. The Enterprise is on course five one three mark seven, as you ordered. KIRK: A very old and lonely man. And a young and lonely man. We put on a pretty poor show, didn't we?