#I've been wanting to draw this comic for a while

[cyberphuck]

Bring Your Daughter... To The Slaughter

My brother and I are going to see Dethklok tomorrow (and the state fucked up my SNAP benefits). Donate so we can afford gas to the venue and a band shirt (and food):

[fidgetspringer-art]

✦ Linger ✦

[gophergal]

finally got around to making fanart for @another-delta-lover 's Milk Blueberry Popsicle comic

[royalnavyart]

Another silly wip i'm working on~ ヾ(*´ ∇ `)ﾉ

I'm trying to setup the scene where they negotiate with Ubba and Guthrum, so the first part dialogue is just 1-to-1 with the show.

But the second part is going to be my own dialogue lmao which means ... well. (ﾉ◕ヮ◕)ﾉ*:･ﾟ✧🌈✨❤️‍🔥

It's still in super doodle stage so it might take awhile to finish up \(; v ;)/ i just thought this panel came out looking quite cute aha.

[problemswithbooks]

BNHA Ch. 429

So, I guess Toga is dead, and people are losing it.

I get why people liked her--she was actually queer, being pan/bisexual. She was representation for them and that's rare in shonen manga. But here's the thing--she was bad representation at best and insulting at worst. Nor do I think she was made queer because Hori really wanted to represent a queer girl. Himiko was always the author's poorly hidden fetish--she just was. She liked girls as much as boys because Hori wanted to draw a girl touching sexually on another girl. You can see this in how he draws her and Ochako in solo pics together.

I mean, people seem to understand this when it comes to Momo and her outfit being overly sexual or that both Himiko and Hagakure's Quirks either leave them naked or they have to be naked to use them. These are excuses to draw girls in a sexual manner. Himiko being into other girls is the same thing and that's the kindest interpretation.

Given how Himiko acts and her Quirk being heavily coded sexual desire, and therefore her use of it against someone unwilling being sexual assault, it could just being playing into harmful stereotypes of predatory gays.

As a queer person myself I just found Toga insulting. She was designed to be overly sexual and give the male author a female character that he could draw being suggestive with his other female characters. When he did flesh out her character, her backstory was eventually the trope/fear of straight people, that gay people will be so overcome with their lust that they end up sexually assaulting them.

In the end Ochako accepts this part of Toga and says she'll giver her blood forever, but as much as a lot of readers took that that as some deep lesbian confession, for me it really fell flat. Hori never really gave any of the main kids time to actually learn about their villain or show how that changed their minds toward them. Shoto only works because Touya is his brother (even though he admits he barely remembers him). But Ochako goes from not thinking of Toga at all pre-first war, to one thought about her during her speech, to suddenly caring about her so much she--given how Toga's quirk is coded, is willing to essentially fulfill Toga's kink for the rest of their lives.

It's weird and it comes out of nowhere. It's made even stranger because Toga doesn't actually change or show remorse for anything she did, which included personally hunting and murdering people before she joined the LOV. None of the death and destruction she is also partially responsible for is brought up either, something that Ochako was rightfully upset about during the first war when less people and property had been destroyed. Ochako just accepts everything about her suddenly and her past serious crimes are forgotten so they can cuddle and cry.

Am I shocked Toga died--a little. I didn't think Hori would have the guts to kill off a young girl character, especially one that he clearly got a lot of joy drawing in sexy poses. But at the same time, once he killed off Shigaraki and ended Touya's story with his slow death, I'm not surprised he went the same route with Toga.

This isn't Naruto--Hori isn't really kind to characters that do something wrong, especially if they don't try and change. Enji, Bakugo, Hawks, and Aoyama all sort of got punished for what they did. Enji is the worst off, being permanently crippled, missing an arm and burned everywhere. Bakugo's hand is damaged, his heart weaker, plus he feels bad that Izuku lost his Quirk so they can't compete the same way he wanted them to. Aoyama, despite doing way less wrong and even helping his class during the forest raid, still leaves school because he doesn't feel he earned being there yet. Hawks lost his Quirk and even though him running the HPSC could be seen as good for him, Hawks always wanted a break, but now he has one of the most time consuming and stressful jobs out there.

So, if this is what characters who actively did good things and even changed and fought to be better get, what would characters who never changed and never did anything positive for anyone but their friends/themselves get?

Before the last Arc started, when so many people said the LoV were 100% going to be redeemed I had doubts and always thought it wouldn't make sense with how the story presented redemption or treated other non-LoV villains in the past. That if the main LoV did get some happy ending where they were bffs with the main cast it would clash with how other characters had been treated.

That doesn't mean that I think how Shigaraki, Toga, and Touya ended up in the manga was well done. I think their endings fit far better then a last minute redemption would have, but at the same time you can feel how rushed everything has been since the end of the first war arc. Hori was done with this story months if not years ago, yet he was contractually obligated to finish it. Because of that I think he left out as much as possible. As much as I think he's written some pretty obsessive stuff, particularly towards women, I can't really fully blame him cutting corners or the story being shit at the end.

We know Manga authors, particularly those that work with Jump are treated like shit. That they suffer incredibly long hours at times not even getting to go home for days. We've gotten messages for Hori saying he's sick quite a few times. On top of that, weekly story telling is not a great way to tell a cohesive narrative. Ideas probably change week to week or at least month to month and you can't go back and change the last chapter no matter how much you need or want to. Then you remember he also gave a lot of ideas to the people who made the movies, which would also change his plans for how he wanted the main story to go.

The story is bad--it has been for a while, but I think a lot of people put their hopes on their favorite characters getting a happy ending, even when there were signs that probably wasn't going to be the case. I know how much it sucks when a character you love gets a shitty ending (Stain was my fav, but he got an absolute dogshit ending) but at least, knowing what I know about the industry I can't really blame Hori the way I see some other people doing. Criticize it, sure, but saying Hori hates his readers or is horrible writer isn't true. BNHA was popular for a reason--he's great with characters and the beginning of the story had some great pacing. We'll never know, but I wouldn't be surprised if BNHA could have been amazing if Hori had been treated better and the story hadn't needed a chapter every week.

If anything BNHA has taught me how much a story suffers when authors/artists are treated like crap and forced to work past burnout.

[snz-thoughts]

Photic snz ft. Squalo & Snehan!

‼️ (don't rb to non snz-kink blogs pls) ‼️

[frankenfossil]

Oh! I nearly forgot, but can I ask the significance of this panel?

It comes directly after Dee explains that he can’t come and see her from the future whenever he wants. (Which is one of my favorite moments where Dee’s true eldritch horror leaks in to the story), so I assume it’s… sort of a metaphor? How Emily finds herself at the foot of something she realizes is much, much bigger than she contemplated before?

(Also, I just wanted to compliment you for this panel)

(The first time I saw it, I imagined Dee was showing her this on purpose, time traveling from sometime the same day to really show her what it would be like. An object lesson.

The second time I saw it, I started to wonder

Because Dee himself doesn’t really look aware of what is going on behind him.

And maybe, just maybe, this one moment in time has become the only moment that Dee allows himself to come back to to see Emily, the one moment where he can get lost in the crowd with every other time he came back to look. The one moment where he’s explaining why he can’t come back.

Just… Makes me sad, and I wanted to say thank you for that too, because I love these characters and the story they tell, the sweet and bitter.)

Oh!!!

(Quick test of my ability to find which chapter stuff happens in)

I love your reading of that Uluru panel!! I think I probably didn’t intend anything that deep with it; these time skip montage style chapters are pretty choppy and I’m usually trying to figure out a way to touch on all these brief scenes or moments that I don’t want to spend a whole chapter on for whatever reason, and arrange them in a way where the cuts aren’t too hideously abrupt. For visual reasons I try to contrast different locations and not put 2 dialogue heavy moments directly next to each other. Mood wise, I don’t really want to cut from something serious and angsty to something that’s a complete backflip on that. I also sometimes just feel like drawing a nice landscape and hope it achieves my aims on these fronts haha.

I think also here I was trying to move from that final sentence, “The present is more than enough”, to demonstrating them appreciating having that present together - being able to go do cool and enriching stuff, something not completely mundane but not completely fantastical either. (I mean... sightseeing within your own country is extremely normal, but going to Uluru from Melbourne... not a convenient day trip, since it’s 2000km; 25 hour solid driving, or you can fly in a few hours but I think you have to go via Sydney, so that makes it take at least twice as long I guess. Not that it's specified how long they're there for. I haven’t been myself but I’d love to one day...)

So, yeah!! More of a mechanical/compositional rationale than an intentional metaphor, but I think your reading makes complete sense and actually improves the page! (Sometimes I do intend visual metaphors... but sometimes they’re just happy accidents.)

And thanks for the compliment re the crowd of Dees!! I also love the moments I can lean into his eldritch qualities... they’re sadly few and far between but maybe that helps them be more surprising?? Definitely your first reading was what I intended, that he zigzagged back pretty quickly, probably even from within the conversation, but there is an inherent ambiguity to Dee’s time travelling where unless I take pains to spell it out, there really is no way to know when he’s come from. Even if he can be assumed to be taking every interaction chronologically, there’s no knowing how much time has passed for him between each visit. I don’t even know how to estimate how long his experience of time is, when he’s zigzagging back so densely all the time; even the number of living things on Earth any moment is an incomprehensibly mind-boggling number. That eldritch horror again!

Truth be told I hadn’t thought of him coming back to this moment and blending in with the crowd for the rest of the future ;_; but that’s so real... he could well be, the sad sack...

I had a different sillier thought from slightly misreading your question on first pass, which is that maybe he doesn’t originally know what’s going on behind him, but then later on as he’s just going about his business he goes “oh I know exactly how to punctuate that thing I said earlier!!!” and then does it as an afterthought. Oh to have the ability to add the things you wish you’d said to an earlier conversation 😂

[monabee-draws]

Been daydreaming my Tav and Astarion's backgrounds in the case where they meet before the events of the game and I had to draw some designs.

TONS of What-Ifs in here, which I will elaborate below and also hopefully in a series of comics one day!!!

Astarion is a junior magistrate a few years before the Gur incident, and is (as per usual) used as a jockey for the less appealing, more irritating cases by his seniors. Magistrate Waltzman, the insufferable, well-meaning fool (Astarion's words) often gives Astarion difficult or tricky cases to test his mettle.

One day he's given the application for a Lolthite temple to be built in the Upper City. Everyone else laughs it off and Astarion knows it is going to be a pain (because the patriars would never agree, religious zoning law is complex and takes forever to muddle through, and the drow themselves will probably eat him.) Instead he meets Phaerdril, who commiserates with his work situation, and they find a way to improve both of their situations by causing beaurocratic nonsense. The building of the temple is stuck in broken-ground limbo for several years, Phaer's commander loses face for bragging about progress that never materialises, and Astarion's higher-ups are repeatedly inundated by complaints from the patriars.

They remain friends (with occasional benefits) over the next few years, meeting whenever the drow envoy returns to see how construction is going. Astarion gifts her a sending stone, she meets his sister who (to his dismay) falls in love with and marries a gnomish man, and eventually Astarion is given a chance by Wilbur to take on a more serious charge - the Gur case. He makes a conservative ruling in hopes of impressing his peers. It is not taken well, and his backstory plays out as expected.

Phaer, who was speaking with him over sending stone when he is attacked begs for leave to find out what happened but Iimfryn refuses. She leaves anyway, but gets to the city far too late (without sanctioned magical aid it is a long, long trip.)

Something traumatic happens when she finally arrives (which I will eventually illustrate I hope) and when she returns she is given an excessive punishment. Instead of taking it, she abandons Menzoberranzan, and is saved from her hunters by a band of Eilistraeen duergar. She eventually converts, changes her name in honour of her rescuers, and years later meets Astarion again after being abducted from Waterdeep by the illithids. It is awkward and painful and they fall in love again even though they're such different people from those who met 200 years ago.

[8cfc00]

genuinely impressive how much (public) discord servers manage to replicate the feeling of sitting at a lunch table and fruitlessly trying to join in on a conversation everyone else is having while everything you say is irrelevant or ignored. can you tell i have autistic™️ social difficulties

[nell0-0]

Wanna draw so much stuff but so little time lately, augh

[su-inverted-au]

Did you drop out of the AU?

No.

I'm working on it still. Just slowly.

[niskotus]

deeply late 2023 reel jumpscare (link)

song: velvet acid christ - caustic disco

[fandumbass]

Man I am WILDIN at your chapter. I used your fanfic chapter 5 as my motivation to finish my own little fic. It's great, honestly, that the implications of the Dealer just having whole ass night vision is so casual to him that he has to give the reader shit for it shdbdbdb

Anyways, I hope you have delicious meals in the coming days. Thank you SO MUCH for publishing this fic to a03. I'll be driving myself insane til the next chapter thinking about drawing fanart of ur dealer

OHHHH HI HELLO!!!!!

AHHH IM SO GLAD I COULD MOTIVATE SOMEONE TO WRITE!! That's such high praise, seriously 😭😭 thank youuuuuuuuu

AND YEA YEA HSDFJSH idk man i just like my supernatural beings with built in night vision........... thats the way of the world haha. poor reader tho. skill issue rip

[krawdad]

Finally took the wheelchair for a spin and I probably should have much sooner. The biggest difference I noticed was that my legs didn't hurt. Also that having my eyeline significantly lower didn't bother me as much as I thought it might. Biggest thing was being mindful of my turn radius. And remembering that I need to use the breaks when I'm not on carpet.

Went to the art store for the first time in years. Got some ink for refilling my brush pen. I want to use it more and I didn't want to have to fuck with the refill cartridges or worry about running out of ink. Preliminary testing looks promising, but it's going to be a while before it will actually need refilling. I'm going to try and spend some more time laying some ink down in my sketchbook.

[swasdoodles]

Prologue I. Woodwind was smiling. She had something to say. Something that she expected would be fun. Frost could tell.

[kakusu-shipping]

What is it about Pokemon that makes me want to make Isekai plotlines?