#I've been planning this for over a year at this point

[quantomeno]

I've been following this matter for a while now (a quick search of newspaper articles showed it's been floated since mid last year, and I remember having to use my passport to verify my age on my gmail (it's not the account I use for tumblr, the account has my name in the address, so it's already pretty clearly me, so I was begrudgingly okay with it but am still annoyed my other account now can't watch age restricted youtube videos unless I tie it to my identity)). It's a vexed issue.

The first thing I'd like to point out is that the person quoted in the above post ("I am 100 percent etc") is Keith Pitt, a member of the Nationals who was resources and water minister under Morrison. I feel this is important because while he'd definitely be someone who'd vote in support of the measure, he's not a member of the party in power, let alone a Cabinet minister. His opinion is not necessarily that of the Prime Minister ― Anthony Albanese ― and it makes it seem like what he's talking about is what the government is planning to do.

What is the PM actually saying they'll do?

To be honest, I don't think the government knows yet. From what I can gather, there has been no suggestion by the PM that they would force people's accounts to have their real names. The Age a few days ago reported this:

"Australia’s eSafety commissioner has instead recommended a “double-blind tokenised approach”, whereby information would be provided to a verifying third party that would certify the user’s age to social media platforms without revealing details about the child. The details of the plan are being worked through by a trial of age-verification technologies."

(the "instead" is in reference to the current practice of social media platforms asking people if they over 13, which I'm sure most people realise would stop pretty much no child)

In that same article though they also said "the government has not unveiled key details, including the technology that would be used to keep children out". So I think there is quite a bit of time before anything is going to be written into law.

While I don't think your name will be "slapped onto your tumblr account" (if that does end up being what they do I would actually delete my tumblr, I really do not want that), there is still the question of privacy being invaded in that the government would (I think? I'm not a tech expert in the slightest) be able to connect you to your account.

Keep in mind that we are close to an election (there's been whispers it could be May next year), and this is an issue that (as the Keith Pitt quote shows) both of the major parties seem to mostly agree on. A cynical view is that the PM is talking tough to neutralise the issue so it can't be attacked by the opposition for not protecting children. The fact that both are talking about it does however suggest it will eventually come to pass (unlike other complicated legislation that was touted as 'essential' but then got shelved after being too hard to get through (naming no names i.e. Scomo's religious discrimination bill).

The other point to discuss is that while I really do enjoy people not knowing who I am on tumblr (and people in my life not being able to know I'm on tumblr), I also don't really think kids should be on social media (or at least not in the way they currently are). I avoided social media (I only had a facebook account I barely touched) until I was an adult (and even then I waited a while) and I'm quite glad, mostly because I think I'm a lot more mature. On the other hand, while I didn't interact with people, I grew up in a time when you could browse most platforms without an account, so it's not like I wasn't exposed to things on the internet. And then there's a bit of a moral panic about the internet, which can be a bit overblown at times. But then I'll hear a 14 year old I know mentioning stuff that makes me think he's kind of obsessed with growing muscles and I wonder if he's seeing these sorts of things online. I mean, there's a lot of garbage on the internet. But there's a lot of really useful things too... it's complicated and I'm not settled on an opinion yet.

Kids really do need to learn better internet practices and behaviours, but there are also kids in primary school with social media accounts. I mean, what does a 12 year old do in their life that they need the world to see? (don't answer that it's rhetorical, I'm sure there are plenty of 12 year olds doing interesting things worth showing off, but I mean, beyond messaging friends, 12 year olds don't really need to be communicating with strangers on the internet). Note too it's specifically social media (the definition is given by OP but it's anything where the main purpose is share content or talk to a wide audience of people. Things like games with chat stuff are also being looked into.

I'm also a bit of a luddite and think kids should read more. I'm not actually trying to convince people the ban is good, I'm just thinking aloud here. The whole thing feels rather heavy-handed, brute-force, and there's every chance kids will still find ways around it. I don't think this is the ideal solution, but I do feel there is a problem to be addressed.

But yeah, do tell your local member that you are concerned and want to make sure your privacy is kept safe. Just be aware of who your member is and their/their party's stance (all Labor MPs vote with the party, Liberals and Nationals can vote against their own party, so they may not all be in agreement). The Greens are opposed to it. I am not sure what the teal independents think of it.

You may also want to contact some senators from your state, not just your MP.

As for the contents of the letter, maybe something like:

Dear Mr/Ms/Dr (whatever title they use) surname MP,

I am a resident of your electorate (electorate name). (Maybe say a little bit about yourself, just what you think is relevant to the letter or your arguments).

I am writing to you to discuss the proposed social media ban for children. I am concerned (explain what/why you are concerned).

(Try to keep it brief, but also try to be personal)

State what you want your MP to do. Ask them to reply to your letter.

Sincerely,

your name.

You may want to mail the letter rather than just emailing. This page from Oxfam I just looked up five minutes ago has some nice tips.

Hey Aussies, do you want your real name and ID slapped on your tumblr account? If the answer is fuck no, our gov’s got a upcoming legislation for banning 16 year olds and under from social media even WITH parental consent. And by “Social Media”…

The code defines social media as electronic services that meet the following conditions:

The sole or primary purpose of the service is to enable online social interaction between two or more end users

The service allows end users to link to, or interact with, some or all other end users

The service allows end users to post material on the service

Such other conditions (if any) as are set out in the legislative rules.

So. You know. Just the entire fucking internet. They even named youtube as banned, god forbid kids out in the bush get access to LGBTQ+ communities online when they could be watching adds for sportsbet.

I am 100 per cent supportive of eliminating bullying and fake information from online platforms. The easiest way to do that is to be able to utilise existing laws, and the easiest way to do that is to ensure there are no fake accounts. Your digital, online life is your real life. If you want to make comments, that's fine, but it should be as you, as a verified account. This means everyone knows who it is that makes those comments, that you can be found and prosecuted under existing laws, just as you would if you express those opinions in a newspaper, for example, or you went on to a television station and said something similar.

Contact an Aussie senator about this shit. They’re trying to slide it under all the USpol news.

[mortalityplays]

Forgive me if I'm mistaking you for another person, but I remember you speaking at multiple points on the unsustainability of free social media services (I think especially in response to the cohost collapse?), and I'm curious on what your thoughts on bluesky are so far. I'm not an expert on the subject, but from what I've read previously it seemed like they were on track to be financially sustainable, but I don't know if the recent floods of users has thrown those projections off. Sorry if I'm mixing you up with someone else on my timeline, in that case just ignore me.

bluesky will almost certainly follow the same trajectory of monetisation => bloat => enshittification => decline as every other major platform built on venture capital and user hoarding. it's a terrible model that only works in the short term as a mirage for attracting funding and making founders look good for a year or two before they sell.

you can see the same effect in the decline of all the subscription box services that came into vogue just before covid: they feel great to use for as long as the initial injection of venture funding lasts, because the purpose of that funding at that stage is to attract users and impress the next round of funders with how pleasant/intuitive/efficient/ethical/good value the service is. that's the stage where they're handing out freebies and bowling over influencers, and every ingredient in the box is fresh and high quality and locally sourced. wow what a good deal, what a great system!!! why hasn't anyone done this before? the answer is because it's unsustainable by design. they rack up good reviews, sign on a billion new users, attract new funding from a bunch of much more credulous investors, and then gut all of the expensive parts. portions get smaller, ingredients get worse, packaging gets flimsier, prices go up, freebies turn into "5% off your first 9 boxes when you invite 3 friends", and customer service vanishes.

with social media (and platforms like discord) the logic is the same, it's just a little less glaringly obvious to the end user because they're not coming home to leaking packages of rancid chicken on the doorstep. bluesky has an advantage over tiny operations like cohost because it was founded by a billionaire making a point for the sake of his own image. it got a really significant chunk of startup funding, and the owner had existing connections and rep in the space to attract more. That's why it has survived the goldrush period, why it still feels good to use, and why users who have been burned so many times before are finally accepting it as a stable, reliable option. It's still in its venture capital honeymoon phase where the only thing worth spending money on is making the service attractive to users.

What I expect we will see next, with another mass influx of users from twitter and new funding from a rogue's gallery of tech venture sickos led by Blockchain Capital is a strong ramp up into monetising that userbase. They've already been pretty forthright about how they plan to do this, and I think it's a solid roadmap of how Bluesky will bloat and decay over the next few years:

this is a huge lol. don't worry, we're not going to hyperfinancialize the social experience through NFTs. the thing even crypto freaks started feigning amnesia about a year ago. real "our health conscious sodas are 100% arsenic free" messaging here. They know perfectly well that rubes users are suspicious of their typical 5 dimensional tech finance chess games and are patting our hands about last week's bogeymen so nobody worries too hard about whatever 'decentralised developer ecosystem' just happens to be helmed by a bunch of crypto guys. this definitely means something good and based and not a google-like single sign on user data harvesting operation.

This is the same shit that's currently rotting the floorboards of discord. Bluntly, there is no way to run a platform on this scale without gating functionality behind paid services. Discord has been squeezing free-tier file uploads and call quality etc. down steadily and cranking up subscription costs over the last year or two, throwing in chaff like animated avatar frames to try and justify the user cost. They're also doing the same misdirection thing again here, pointing to Thing We All Hate to deflect from thing we might not like very much when they do it. Booo elon booo we all hate elon!!! wait how do we feel about subscription models again,

watch out for this to kill porn on bsky like it has killed porn on every other social platform 👍 boooo we hate elon boooo stupid idiot and his 'everything app' booooo wait why do you need my tax information, what's that about mastercard,

Look, we are all aware social media is a money pit. Let's not forget dorsey was looking to sell twitter in the first place, long before elon's very public plunge into total online derangement. Subscription services are not going to plug the hole, so we are gradually going to see more and more spaghetti thrown at the wall while early funders shuffle cards and do their pyramid scheme bit bringing in stupider and stupider investments. this is the window in which bluesky will be temporarily worth using for us, for the idiot public, the poorly rendered crowd jpegs in the background of their venture capital MOBA. it's in their interests to slow and pad the decline as much as possible, because that is how they get maximally paid.

Given the scale of the money involved, and dorsey's weird ego investment, I think bluesky will probably manage a controlled drift for a good few years before it gets really bloated and painful. and by then we will all be so used to the *checks notes* decentralised developer ecosystem that we'll just be posting through it, watching another generation of columnists call another collapsing platform 'their beloved hellsite' and passing around that meme about not getting out of our chairs no sir until idk we all get on a fediverse neurolink alternative to stick it to the elongated muskrat and our brains pop peacefully in our sleep. which I guess is the closest thing to viability any social media platform can achieve.

anyway diogenes the cynic is also on bluesky

[kiyomitakada]

i was on a "thinking about ryuk" kick earlier and. i get the appeal of saying he's the only one who sees light in his entirety — it makes perfect sense, he's the one who light monologues to about his grand plans, he's the one who light stays with practically 24/7 for five years — but i don't think it's completely true?

ryuk to me has this tendency to assume that light is straightforwardly malicious (see: he thinks light was lying when light says he'll avenge his father if soichiro ever gets killed by kira, he doesn't really get why light wants to do things like reveal his location to L until light explains he wants to eliminate L entirely, he takes the "i wish i had wings" thing seriously as though it's supposed to be part of light's Master Plan instead of a little quirk that light was clearly feeling vulnerable about, he's surprised when light isn't willing to kill sayu in the second arc). like there's real fondness for light in there as well, he congratulates light for getting into college for instance, but i don't really feel like ryuk has ever. understood him fully. he's trying, he gets better at it over time, but he does have a bias.

and i think, also, that this is because ryuk has another tendency to assume that light is just like him.

which makes sense, because light is the one who offers up "i was bored, too" as a genuine point of commonality between them. and then ryuk jumps to "you know, you'd make a really good shinigami!" and "hey light do you want the eyes" and then at the end "we eased each other's boredom for quite a while." he does notice when light is acting weird and tries to adjust his viewpoint (he goes ! when light starts doing his "i've never been so humiliated in my whole life" thing) but given that he only figures out light genuinely cares for his sister when he refuses to sacrifice her, after five years of watching this whole family dynamic, i don't think he ever actually gets there.

which is. sad. it's really goddamn sad. you know you're really fucked when even the demon haunting you can't figure you out

[intrepidacious]

❤️ a good time!

tat!bucky’s favorite (or least favorite) thing about twelve

… why not both?

cause and effect

chapter summary: How Bucky fell in love with Twelve: Slowly, and then all at once.

pairing: bucky barnes x time witch!reader

word count: 1.8k

warnings: light angst and negative self talk (this is bucky y'all); some light pining 🤭please note that my blog is rated 18+. minors dni. ageless/empty blogs will be blocked without warning.

a/n: i've literally had this one in my drafts for about two years and i hadn't actually planned on posting it for a while yet but i did promise distractions. and i missed him. i always do.

this is part of the time after time universe but can be read as a teaser and/or a standalone 💚

Bucky’s relationship with time has been fractured ever since a cold day in January that stole away the life he was headed towards and turned him into the monster underneath a child’s bed.

It’s hard to feel good about the concept of time travel once a lot of your own time has been taken away from you. Even now, there’s only so many things in his life he has control over; like the fact that he’s actively choosing to go back to therapy now, or that he’s able to keep a pet for the first time since he was thirteen years old. Stupid little things, like what kind of food he wants for lunch or whether he should take the stairs or the elevator.

Every single one of these things he’s fought for tooth and nail, clawing his way out of the past and carving out his own space in reality again, struggling, trying, hanging on like he wasn’t able to all those decades ago.

He’s probably still failing.

Some days, clinging to the present is tense and brings him nothing but grief. Sometimes, it feels like he’s going to have to mourn the past forever, whatever might have been; and maybe that’s his sentence.

He wouldn’t have wished it on anyone. He deserves worse.

And then there’s you.

Flickering in and out of time, constantly moving, changing in the time it takes him to blink.

It’s infuriating to him, the way you get to use your powers. The way you don’t need to think about consequences, because they don’t have to be permanent, don’t have to be something you need to live with for the rest of your life. To you, time has always been something that can be changed with a single snap of your fingers. Whatever you do can just as easily be undone.

Once you decide you’ve seen enough, you can just take the scene from the top.

And you’re so stubborn.

You’ve already seen how this goes on if you let it, and so you’re always right, end of story. There’s an ease to your steps because of it, a nonchalance in every movement, and it makes Bucky’s blood boil to see it so plainly.

With all the good that you could do, you choose to do nothing instead; to stay out of the picture entirely and burn through your powers just because you can, wasting them all on things that don’t mean anything.

How many lives could you potentially save?

Instead, you consume disturbing amounts of caffeine and then continue to provide running commentary to the world around you based on things that, to him, never happen at all. "Do this", "don’t do that", "take the other one", or, his absolute favorite, "don’t make me fix that".

Why not? he wants to ask, say, demand. Why not fix all of it?

It takes a while for him to realize that all of your fire means you’re burning from both ends. In fact, it takes Becca.

"You should bring her by sometime," she tells him on a rainy afternoon. "While I’m still alive and kicking."

His little sister just turned ninety-eight. Her kitchen sideboard is filled with black-and-white pictures reminding him of all the things in her life that he missed, arranged in perfect little wooden frames.

"And why would I do that?" Bucky asks, scowling at his cards.

"Because you keep mentioning her," Rebecca says dryly and whisks the cards onto her pile with quick fingers.

"You gotta be kidding me," he groans, noting down her points. "And I don’t."

"Do, too. I don’t remember you being this terrible at this game."

"Because I haven’t caught you when you’re cheating."

"Exactly. It’s embarrassing." She wins the next trick, too. "How’s Tuesday?"

"Am I clairvoyant now?"

"I was thinking lunch."

"No." Finally, he gets a couple of points down. When he glances up at his sister again, she’s looking at him expectantly and he sighs. "What?"

"You can’t fault me for being curious," she says. She has just as many opinions as she did when she was sixteen. Her eyes are still the same, too, the same shade of blue as his and the same glimmer of archness as their mother.

"Don’t you think it’s weird?" Bucky says, finally giving in. "The whole … time thing?"

"I think it’s very weird, but so’s you returning from the dead and kvetching about it." Her eyes narrow when he starts to protest. His mouth closes again. "Besides," she continues, shuffling her hand around, "it doesn’t sound all that fun."

"To have the power to never make mistakes?"

"To have to live through every mistake twice without anyone knowing."

Something about her words strikes him like a match, and so he tilts his head and squints at her and thinks that maybe, just maybe, he’s got it wrong.

That you carry not only your past, but all the futures you’ve seen that never came to be; all the what ifs having turned into answers.

And he thinks, how nice. And then he thinks, how horrifying.

It’s a thought that follows him over the next couple of weeks, and it starts reframing your interactions for him, in a way.

"Will you stop staring at me," you say without looking up from your book.

Honestly, he can’t. He’s still trying to pick up on it, the split second between before and after, that little change of your posture, your hair, your face, that tells him more time has passed for you than it has for him.

It’s more of a feeling than anything else, something right at the back of his mind telling him that something is different if he concentrates on it enough, but he’s never sure what it is. And he doesn’t like that; not one bit.

So Bucky crosses his arms and leans back. "Why?"

A flash of irritation makes your nose twitch, even though you still refuse to meet his eye.

"It’s rude, for one."

"Noted." He waits for the two that never comes. "Anything else?"

And there it is. A blink-and-you-miss-it kind of moment, like the air shifting around you ever so slightly, a certain knowing glint in your eyes when you roll them and get up.

"Annoying!"

He can’t help it. He wonders what your original answer was.

***

Bucky’s relationship with time changes slowly, the deepest cuts carefully mending themselves until looking back doesn’t feel like getting his bones ripped apart anymore, until he looks at you on a cold day in January and realizes he’s fucked.

At first, he hopes that it might be a fluke. A trick of the light, maybe, or seasonal allergies. That’s the reason why his eyes are drawn to your face as soon as he enters a room; the closest source of discomfort always the thing he seeks out first. That’s the reason why his chest constricts like that.

But the truth is, he knows this feeling has been building slowly; he’s just been unwilling to admit it.

Something soft and delicate has started to nestle in that gaping hole inside his chest, unbothered by the walls he’s so carefully built up.

He’d never planned on you.

Fuck, if he’d known in the beginning, he might’ve …

No, he thinks. He wouldn’t have changed anything.

Because you’re too good for him, anyway, and he knows it. Smart and strong and funny and gorgeous and capable of things he’s not sure he’ll ever fully comprehend; and it’s worse than that, because he knows you now.

You’re grouchy in the mornings and you make terrible jokes when you’re nervous and you have a strange feud with his cat and your smile makes him want to put his fist through the wall because what is he supposed to do with any of this?

He’s not made for this dance anymore. That part was taken from him so long ago, and he’s delusional to think that anything or anyone could return it to him after all the bridges he’d been made to cross and burn. Why would someone like him deserve to be given tenderness anymore in this life? Why would anyone want to try?

But that foolish thing blooming inside him feels a lot like hope, despite of what he keeps telling himself.

There’s just something about you that keeps pulling him in, and honestly, he’s tired of fighting it. Then again, the thought of you feeling the same is nothing short of ridiculous.

He’s not the same guy as he used to be. Hell, sometimes he’ll look at old photographs and barely recognize himself.

He remembers life before, and maybe that’s what makes this so hard. He remembers talking to pretty girls, their bright smiles, their soft skin underneath his hands. Good times were easy to come by, even though life was hard in a different way, then. But he was good at it; acting on his feelings alone used to be simple, fun, second-nature almost.

It’s different now.

It used to be different only once before, and look where that’s gotten him.

No, he can’t say anything. Not ever; or not yet, at any rate.

Sometimes, though, Bucky lies awake at night and listens to the rain knocking against his window, and he remembers how much easier falling asleep used to be when he had someone next to him and his mattress didn’t swallow him alive.

He’ll remember the dark circles under your eyes and wish it could be as easy as asking, too. He wonders if there’s a universe you remember where he tries, but he doubts it.

These days, he knows his mind again. And it’s not a burden he wants to share.

You have enough to carry on your own.

Maybe, he thinks as he stares up at the ceiling at three in the morning, maybe there’s still a certain comfort in your powers, in knowing all the possibilities, but it also means constantly losing something that’s real; always mourning the life that isn’t.

He can relate to that.

And maybe that means you can relate to him, too, at least a little bit.

It’s odd, how comforting that last little thought is to him.

When he does eventually fall asleep, you make your way into his dreams, too, sometimes. Those times are the worst.

You’re you, and he’s him, and there’s a sort of "us" in the both of you that doesn’t exist in real life. So when you let him lace his fingers with yours and press your lips to his forehead and it feels easy, that’s usually the point when he wakes up, heart tumbling over itself, right hand tracing the ghost of your touch, always too much, never enough.

He knows it’s not real.

He knows it’s just an indulgence; selfish, really.

The problem is that whatever small hope has decided to settle in his very core is impossible to kill, no matter how much he pushes it down; and he’s not sure he wants to lose it again.

Secretly, silently, serendipitously, you make him have faith in the future again.

But it’s not time for it yet.

if you want to read more about these two (plus a lot of time related shenanigans), read the main series here. or check out the rest of my bucky fics, that's also an option 💚 i don't do tag lists but you can follow @intrepidacious-fics for update notifications

[werevampiwolf]

Also, people can change from how they were raised. My parents are low-key white supremacists (low-key in that they'd say they weren't if you asked, but if you read them some talking points with no context, they'd agree with them). Consequently, I had to unlearn a lot of things once I got old enough to understand what was going on (and was allowed to access outside information, because I was kept extremely sheltered and isolated for most of my childhood). I did need people to give me some level of patience and space to possibly mess up as I learned. I'm not talking about saying the N-word or something; that's not something I ever liked. I'm talking like "wow, you're really pretty for a [insert thing here] girl" or asking to touch someone's 4C hair. I wasn't taught as a small child that that was rude, and was actually taught that things that were a lot more "macro" than microagressions were okay, so I had to learn where the line is. I like to think that I would have still powered through in learning not to be how I was raised if people were constantly jumping down my throat for every little thing, even though I was trying my best, but I can't actually say that for sure. I'm only human, after all, and I was just a teenager at that.

(I'm not exaggerating on what my parents are like, either. My parents made me promise when I was 8 (in 2004) that I would never date or marry outside my (white) race, and my parents still defended that the last time I brought it up, because "no one wants mixed babies.")

And I'm also a disabled trans queer who's also a leftist, and the only person I've ever been in a relationship with was mixed race. You obviously can date a person of color and still be racist though (also see "i have a black friend"), but my point is that even though I didn't keep the agreement, I can't change the fact that I did still make that agreement in the first place. Though I don't blame myself too much for that particular incident because I was 8; I wasn't even really conceptualizing dating in anything but the broadest of strokes yet (and I ended up being demi ace). Also, I really wouldn't have had the option to refuse, and doing so would have put me in danger. I didn't know it at the time, but my mother had already planned to kill me a few years prior for being "difficult" (AKA having autism that they refused to let me get diagnosed with). I'm pretty sure the only reason she didn't was because she wasn't sure she'd be able to overpower me without help from my dad, since I was always big and strong for my age, and my mother has had a severe back injury my entire life.

This isn't just a me patting myself on the back either. My point is that people can actually change, but you do need to let them. You don't have to forgive them, but no one is ever going to get better if they feel like they're not allowed to. They may be taking a real risk by even considering "disloyalty". You think neo-nazi groups let you just walk away and become a leftist without a fight? They don't. And even if they're not putting themselves in physical danger, it's still very isolating to leave behind your friends and family and start over. (I never had to leave a neo-nazi group, though I know someone who did, but I have experienced the isolation from leaving everything behind.)

Just... try and be patient with those who are fighting with you, who are still learning but are trying their best.

Never forget that acceptance of far-right ideals (ie tradwives, terfs, casual racism) in liberal spaces is a huge part of why today’s radicalization is so widespread and unquestioned

[lilianade-comics]

Stolen Sanguine's Storyline

@taptrial2 requested information about my Danny Phantom vampire AU, Stolen Sanguine. I previously made a post about the AU's world-building. This post will summarize the story as far as I've developed it.

*Vlad begins the relevant history of this AU as a vampire, and the details of his turning are not important as they are not the inciting incident of his revenge plot.

---

THE PAST.

A little over thirteen years ago, Vlad was a rich, powerful vampire living the typical vampiric lifestyle with the added bonus of some mad science human/vampire experimentation on the side. But after years of living like that, he realized it wasn't satisfying him and there was something very big and important missing from his existence. Under the weight of crushing loneliness, and knowing it's supposed to be against vampiric nature to form real connections, Vlad decides to run an experiment: Is it possible for him, a vampire, to form a real relationship with a human and never introduce blood consumption to the dynamic? Is it possible for him to experience genuine love?

Enter Jack and Maddie. Maddie was about six months pregnant at the time, and the story she tells Vlad is that her husband was a merchant whose ship sank recently. Jack is in the role of her servant. They quickly form a friendship with Vlad and in Maddie's case, she allows Vlad to believe he's wooing her. They run the long game on Vlad, waiting for the perfect moment to strike, and that moment comes a few months after Maddie's twins are born. Jack and Maddie, vampire hunting husband and wife, turn on Vlad and attempt to slay him, citing his many, many crimes against humanity and evil, blood consuming nature as the reason he's a fool to think they ever cared about him at all.

Vlad escapes Jack and Maddie because his castle is full of secret passageways, but he's suffering a nasty facial wound from a stake and reeling from the betrayal. He watches from a distance as they burn his home down and destroy his immortal life's work, and bitter hatred takes root in his black heart because he actually had hope his experiment was working. That he could love and be loved and finally feel satisfied...

Immediate revenge is the only option. Maddie gave all number of excuses why she wouldn't let Vlad meet her infant (the cholera outbreak in the area is too dangerous) in a thin attempt to protect them should the plan go awry, but she didn't realize Vlad's powers far extend the norm. With a trace of Jack's blood on one hand and Maddie's on the other, Vlad can taste both and have an approximate idea of where their offspring resides, so he sets off to destroy Jack and Maddie's world.

Jack and Maddie would never have expected Vlad to find their little traveling murder wagon, so it's relatively undefended save the ridiculous amount of anti-vampire measures, half of which are useless and the other half pose no more than a slight inconvenience. The biggest obstacle is the fact that Vlad can't enter the dwelling uninvited and keep his powers, but he's beyond caring at this point and he meets no opposition from the cowering caretaker tasked with minding the treacherous leeches's spawn.

He wasn't expecting two babies, and after forcing entry Vlad is feeling more fatigued, vulnerable, in pain, and anxious than he anticipated, so he makes the hasty choice to take one and leave the other. Had he been more decisive, he probably would have done something far more grisly, but this choice sealed the fate of both children for better or for worse. Vlad flees the Fenton's traveling home with his stolen prize and vanishes into the beyond, never to be found.

(Jack and Maddie return some time later, exhausted and emotionally spent from hours of trying and failing to find their prey. To say that day went from bad to worse for them is an understatement. They continue to search for Vlad and their daughter for weeks, but the day they find a blood soaked baby blanket in the woods is the day they lose all hope.)

Vlad's retreat from his pursuers was stressful and made more difficult due to the fact that he was injured from the attempted slaying and powerless from forcing entry, but fortunately for him the tiny object of his revenge will conveniently provide the blood needed for his expedient recovery. Vlad has never eaten a child before--the thought is somewhat distasteful to him, but he puts this discomfort aside in the face of his hunger and seething, furious need to hurt Jack and Maddie.

It's funny, then, how when he removes the infant from its blanket and looks into its blue eyes and observes its little fisted hands and feet, holding it aloft and away from his body like the sacrifice it's supposed to be, Vlad hesitates. In those best days with Jack and Maddie, he could have sworn his experiment was working. That if they had never tried to kill him, Vlad could have seen fully past his desire for blood and simply be their friend, no strings attached. That he could have fully loved them. That they could fully love him. It was they who had ruined everything, they who were the monsters, not him. Vampires could love, if they chose to. He just needed to find someone without prejudice, someone without hate...

Danielle's life was spared that day. As she grows up far, far away from her birthplace, Vlad ensures she knows what he wants her to know: That he, a vampire, adopted her after her evil parents used her as bait in an attempt to kill him. It's not the unedited truth, of course. But it's true enough. What's even more true is that Danielle loves him wholeheartedly, and Vlad, in his own disturbed way, loves her too. He shields her from the darkness of his world and does everything in his considerable power to keep her happy, healthy, and safe. He's not lying when he claims he's never bitten her. She's his daughter, a word that isn't in the average vampire's vocabulary. It's the sweetest revenge imaginable: the child of vampire hunters, now the child of a vampire.

---

PRESENT DAY.

Danny is turned inside his own home. It was a freak accident, and he wasn't even bitten. All it takes is one little scratch and a tiny drop of venom; and he wakes up the following night with a craving for the unimaginable. Brought up to believe vampires are the most evil creatures alive and terrified of what he might do to his parents, he flees home and camps out at the Foley farm, where Tucker sneaks him livestock just to keep him alive.

Jack and Maddie were going to let Danny apprentice at an astronomer's guild in the near future, so Danny leaves them a note to tell them he was so excited about it he left early. The truth is too terrifying to admit, and he knows they're too caught up in the hunt for the vampire that got away from them thirteen years ago to question it. They kept saying they were close; which means Danny is free to...do what, exactly?

He has nowhere to go. Tucker can't hide him forever, and as much as Sam pretends that she's a witch she can't undo his curse. And Danny feels that hunger still, that hunger driving him to hurt his closest friends. So he leaves them too, fearing their safety.

He travels for a bit by night, subsisting off animals and avoiding people as much as he can. He has some close calls: a white-clad vampire slaying cult nearly catches him after he gets a little too bold going after livestock, and even though Danny knows he needs to avoid people, he can't help but take advantage of his newfound immortality and help people who need it. A victim of highway robbery here, a stuck wagon there. One freezing cold river and one rescued swimmer later and Danny discovers that he's exceptionally pathetic for a vampire; he can't die by hypothermia or drowning, but he lacks the resistance and recovery speed these monsters are supposed to have. He spends hours staring at the stars, hoping no one finds him like this, and all he can think about is blood.

It's at one rural village miles away that he hears whispers that he's officially in vampire territory. He's passingly familiar with these concepts: vampires aren't typically nomadic and usually reside in one or two locations, amassing enough power and wealth and political or economic influence so as to be untouchable, and presiding over a handful of villages or even a city that don't dare to oppose them. This particular area apparently has a relatively high concentration of vampires, which normally would have him going the other direction. But one name stands out from the rest, one name gives him pause. Vlad Masters, or Plasmius as he is colloquially known underground. The one who escaped from his parents, all those years ago. The one who killed his baby twin sister.

Curiosity is only a fraction of what drives Danny into Vlad's domain. Is it anger? A sense of vengeance for a sister he never had the chance to know? Misguided heroic principles telling him to save the poor people in Vlad's village? Or something far more complicated, the need to look at another vampire and compare himself--to understand---what he is. What he might become. Either way Danny finds himself readying a wooden stake on the way to the manor and realizing he might be more like his parents than he's willing to admit.

It's midday when Danny arrives. He long ago picked up a heavy cloak to shield him from the sun, and he figures that Vlad is more likely to be inactive and less powerful when it isn't night. And since Danny has never drank human blood, he has no powers to lose when he enters the manor uninvited. He doesn't know what he's looking for. A murder dungeon, probably. Body parts strewn everywhere. Blood smeared on the walls. Evidence of a terrifying vampiric mad scientist's crimes. Not prim little houseplants and stacks and stacks of gaudy decorations. Unfortunately for him, Vlad has been functionally diurnal for years at this point, and Danny doesn't notice he's been snuck up on until Vlad is right behind him and inquiring just what does this little intruder think he is doing?

Coming face to face with his sister's murderer with no warning wasn't ideal, but Danny has been on the open road long enough that his reaction time is sharpened to a knife's point. Or a stake's point, as it were. And perhaps if he were facing a human he might have managed to do something with it. But Vlad catches his swing comically easily and holds it in place, like he's trying to decide if it was meant to be a feeble joke. Danny wrests his arm away and falls back, and his hood slips back from his head, revealing his face.

Vlad's unprecedented expression of shock and recognition is all Danny needs to see, and he's on his feet again in a blink. "Recognize me?" he inquires. Vlad audibly confirms it, that Danny must be Jack and Maddie's son, the other baby in the cradle. The twin left behind. And at this Danny's anger and panic gives way to bloodlust, a terrible surge of violence with one target. He can't believe he's endured weeks of pushing down his monsterous urges just to give in here, but Danny can't let the death of his sister slide.

Attacking Vlad again goes no better than it did the first time, and now Vlad's mostly recovered from the shock and remarking on how....amusing it is that Danny has found him after all these years. And look at that! Are those adorable canines pointed? Why, that's just the most delicious cosmic irony possible, and Vlad's smug musing at how this must have utterly destroyed his parents only enrages Danny more. Try as he might, he never even comes close to harming Vlad, who dances around him like it's all a very cute game.

Vlad maintains the insufferable veneer until Danny, furious and panting, reminds him that he happens to be the bastard who killed an innocent baby- his baby sister, and Vlad shows a glimmer of genuine irritation for the first time. Suddenly he's closer than he was a second ago, and he playfully tells Danny that being a presumptuous brat will not improve his chances of making it out of the manor alive. Danny takes the golden opportunity to swing at him again, but Vlad finally goes on the offensive and grabs him in a vicelike chokehold.

Still conversational, Vlad tells Danny he has left him in a most interesting position. Shall he kill him? That would certainly be fair, since Danny has tried to kill him already, and he's clearly unable to control himself. Or should he spare him, and reveal the true nature of his sister's fate? Danny struggles for air, with no idea what Vlad is talking about. He tries to wheeze something goading, but the moment ends abruptly when a door swings open behind them and Danielle runs into the room, not finishing her sentence when she sees the confrontation.

Saved by his sister's appearance, Vlad reluctantly releases Danny and lets him cough pitifully on the floor while he attends to Danielle, who has forgotten what she wanted and is staring wide eyed at the strange boy, not letting Vlad coax her out of the room. Danny recovers his breath, bloodlust long gone, and stares right back. Vlad, for once in his life, briefly looks at a loss, before deciding that an explanation is definitely necessary and he introduces Danielle to the impertinent little intruder who just tried to stab him, her long lost twin brother Daniel. And to Danny, he introduces Danielle, placing great stress on my beloved daughter.

Dinner that night is unbelievably awkward. For Vlad and Danny, that is. Danielle is thrilled. It comes to light that Danielle not only knows she's adopted, she knows the whole story of how she came to be with Vlad...or, at least, Vlad's edited version of it. Danny is appalled, especially when Danielle excitedly exclaims that now that he's escaped his parents, he can live with her and Vlad forever! Vlad chokes on his wine (or is it blood?) while Danny shoots him a thunderous look. Danny inquires why Dani thinks he escaped his parents, and she, sensing his unhappiness, explains that they probably tried to hurt him for being a vampire like they tried to hurt her father, didn't they? Vlad watches Danny closely, because that's exactly the assumption he made as well, but Danny manages to grind out that his parents love him and are good people, and would never, ever hurt him.

Later, after Danielle has shown Danny every nook and cranny of the manor and babbled excitedly about her life and asked him a million questions about his, after Vlad finally sends her to bed, Danny finds himself alone with his sister's murderer again. No, not her murderer. Her kidnapper. Her manipulative liar of a "father". He tells Vlad as much, sitting across from him with a lit fireplace between them. Vlad only scoffs and asks when, exactly, did he lie to Danielle? Did he lie when he said Jack and Maddie used her and Daniel as bait? Maddie was with child when she courted Vlad. Bait, my dear boy. What sort of parents knowingly place their unborn children in the sights of a vampire? Did he lie, then, when he said he rescued her from them? Judging by Daniel's unfortunate fate, no.

Danny's face colors with rage, but he can't say anything for a moment. You're still evil, you're still a monster, you won't get away with this, all flit through his mind, but he settles for telling Vlad that his parents had nothing to do with his "condition" and he's not afraid of them hurting him. Vlad smirks in that punchable way of his, and says that's evident in the way he ran for miles just to fall at the feet of their worst enemy. Danny doesn't rise to this bait. He goes on to say that he's not scared of his parents hurting him, he's scared of the reverse. Of the very real urge he feels to hurt them.

Then Danny brings up the thing that has been eating at him since he first saw Dani. The fact that she was not only happy and alive, but whole and unbitten. She's been living with a vampire for thirteen years and Vlad's never...? Vlad regards him and says nothing, face impassive save an amused quirk to the side of his mouth. How? Danny wonders. How is that even possible? Vampires aren't supposed to be able to treat humans like anything other than food. How did Vlad figure out how to resist the hunger?

Seeing that Danny is being earnest, Vlad asks him why he's here and what he wants. And Danny falters, thinking. As much as his skin crawls at the thought, he wants Vlad to teach him the secret to beating the hunger. He wants to stay close to his sister's side. And he wants to hold onto that glimmer of hope that maybe he doesn't have to be a monster. Vlad drums his fingers against the rich texture of the armchair and remarks how fortunate Daniel is that he bears such a striking resemblance to the one person in the world Vlad would never deny anything. And with how happy Daniel's presence has made Danielle, it would be a pity to separate the siblings again so soon. So with the wary promise that Daniel will do exactly what Vlad tells him to and that he will do nothing on pain of death to endanger Dani's safety whether it be by word or deed, Vlad agrees to teach him his secrets.

---

[kvetchlandia]

OK...

I'm more or less back. I can't say I've recovered from the shock of the hell the people of the United States have inflicted upon themselves and and upon the rest of the world. I mean, who recovers from the knowledge that people actually chose to put themselves under the governance of a bloated pig who promises to use the military to go after his political rivals (including, for fuck sake, Liz Cheney, an arch conservative); who's been responsible for the removal of women's legal right to control their own bodies, already resulting in completely preventable deaths; who in no uncertain terms has made public his desire to be a dictator; who is a man that has been convicted of multiple felonies and has been found civilly liable for sexually assaulting one woman and who bragged on television, in a tape seen by virtually everyone on the planet, of assaulting others; and on and on and on. I could detail so much more about the planned assaults on civil liberties, on civil society and on the environment by this repugnant shmuck but there's little point to that. All I'll accomplish should I do that is another night of bashing my head against the wall or of sticking my head in the electric oven and yet again singeing my poor eyebrows. So, I guess I'll return to my lame posts. They're a way of killing a bit of time and some of you guys even occasionally like the crap I put up on my page, which always thrills me and for which I'm eternally grateful.

I'm ancient by Bumblr standards. I am what's known in the jargon as a "red diaper baby," the child of parents who had been in the Communist Party. Because of this, I've been going to demonstrations quite literally since before I was born. I've continued the family tradition of being politically active and over many years have taken part in more demos than I care to count. All I can say is that, come the inauguration of this monster in January, quite possibly the last inauguration of a president in this country, if Trump is to be believed, I'll be back in the streets once again, wearing my red union tee shirt and carrying one sign or another. We have the capacity to make the streets ours and to use that power to change things for the better. Will we develop the leadership and the organization necessary to accomplish that? I don't want to be pessimistic (or honest, as the case may be), so I'll just say, that remains to be seen. Meanwhile, back to silliness.

[dreamwreaver]

I completely agree, Vaggie and Charlie are really each other's antithesis and it's executed BADLY. The show doesn't do anything meaningful with their differences, if anything, it makes it starker. Their communication is terrible, they are not at all in sync with each other's needs and the only time they ever got actual development was when they separated to seek help for the battle with the exorcist, in which, they had more chemistry with their respective mentors than they ever had with each other (I honestly ship Vaggie and Carmilla a little after their spar, like come on, one time Carmilla lets her hair down, an act of vulnerability in some cultures, was with Vaggie and Vaggie also got her wings back after that fight too. Not to mention, they had a whole ass song together despite not meeting yet before the Chaggie song and has plus points for being original unlike Chaggie's song so Vamilla/Battleangel is a decent ship for me.)

Vaggie may say that she'll do anything for Charlie but she sure as hell won't let Charlie sing and have a deal with the same guy she had a deal back in episode 1. She also seems to forgot that her girlfriend is a grown-ass woman who can thrive on without her while she can't because she thinks she's worth nothing without Charlie. It's sad, really.

I'm honestly curious on what you'd discuss further on how Vaggie would have never let Charlie in but Charlie didn't think to knock, can you please share?

Ngl, while it's not an s-tier ship for me because I do adore zestmilla, battle angel is indeed an underrated pairing and tbh? At the very least Vaggie deserved to have an obsessive lesbian crush on Carmilla. I know it was allegedly planned for her to have an obsession with weapons and it got cut for time or other reasons. Whatever, more stripping of Vaggie's character and turning her into a bland nonentity so she doesn't compete for attention with literally everyone else.

As for your question; I would like to refer back to Charlie's rant at Alastor during their cannibal town date. No I will not be taking arguments on that, that's precisely what it was.

"Three years, three YEARS I've been sharing my life with her and I tell her EVERYTHING! My hopes, my dreams, my insecurities, my embarrassing habits, what fucking DEODORANT I like! And she keeps something, like THIS from ME! Why would she lie for so long? Did she think I wouldn't accept her? What about me, ME, says un-understanding?"

And if you watch her body language during this whole rant it's less emotional hurt and more... ego hurt? Like, this whole upset has gone from "the person I love and trust more than anything has been lying to me about who they are," to, "I share everything about myself with her and should have been entitled to this information."

And yeah, I get it, she was made to look incredibly stupid in front of a heavenly council right before being blasted back to Hell with an entire exorcist army aimed right at her front door. Anyone might be justifiably upset that such important info was kept from them. But as Carmilla literally says not ten minutes later, "You have a giant X over your eye and wield an angelic spear, it's not rocket science."

So Carmilla was able to take literally ONE look at Vaggie and clock her origins? Going further, depending on how you interpret Lucifer's gaze in Dad Beat Dad upon meeting Vaggie it's entirely possible HE clocked her as angelic too. And yet, the person who spends the most time around her somehow couldn't connect those dots? Charlie's optimistic but she's not dumb. She's got a naive understanding of sinners and how best to incite change but to miss something like THAT? I don't buy that Vaggie would have been able to keep that secret so easily if Charlie had been paying as much attention to her partner as any good and healthy relationship should.

But let's backtrack a bit. The notion that Vaggie's off emotionally is established all the way back in episode 3. Remember when Charlie's trying to get the others psyched about trust exercises and Vaggie shows a considerable lack of enthusiasm? What was the first thing out of Charlie's mouth after that? Is it, "hey you seem like you've got something on your mind; are you okay?"

Nope! It's a very embarrassed/annoyed, "Vaggie, we rehearsed this!"

After which she proceeds to blindside Vaggie with the news that she's the one who's going to be leading the trust unit that day. Wow, for all they rehearsed this pitch Vaggie sure seems left out of the loop on it doesn't she? When Vaggie tries to explain without explaining that she's neither qualified nor comfortable about this decision does Charlie say, "well okay then, but if you change your mind just let me know,"? Wrong again! She just says, "It's easy I'm sure you can handle this."

And again, Vaggie is both unprepared and uncomfortable and also unable to say no to Charlie so she defaults into her military training and starts speaking to them like a commanding officer would to their troops. And I don't blame her for that, we tend to fall back on emulating behavior we've seen when we don't know how to cope with something. When trust falls don't work, Charlie tries to retake control but Vaggie puts on a brave face and says she has it when she clearly doesn't. As chaotic shenanigans ensue Vaggie grows more and more desperate but somehow it isn't until she's literally chucking people off a roof that Charlie figures this has gone too far. Not to mention she's incredibly surprised that COMBAT is how Vaggie learned to trust people. Forgive me if I'm wrong but you've been her partner for three years by later admission and you DIDNT know she came from a military background?

Not to mention Vaggie spells it all out in black and white, "I took charge today and it all went sideways. I'm supposed to make your dreams a reality. I'm supposed to protect you. I'm supposed to never fail you" followed by, "If I can't help you, what's the point of me?"

Vaggie has serious issues with self worth, demonstrated here. And while I get Charlie is trying to respect boundaries to a certain point I cannot imagine that were I in her shoes I would leave my partner thinking that if they couldn't be useful they shouldn't be with me. And while to her credit Charlie does apologize, it feels a little pointless when the very next episode she's back to just ignoring what Vaggie says. Even then, that apology doesn't do much to address the real root of the issue. They work as a team? When and where is that EVER demonstrated? It's not a reassurance that Vaggie doesn't NEED to have some demonstrable use for Charlie to want to be with her. And even if it was Vaggie has already struck at the heart of their problem; she wants to be Charlie's armor AND her partner, but those positions cannot work in tandem. Because wanting to be someone's armor assumes they need protecting, and again I state, Charlie is a grown ass woman and one of the most powerful beings in all of hell. She was smart enough to avoid making a deal with Alastor in the pilot, why does Vaggie assume that Charlie NEEDS protecting? And a partner infers a level of equality that just isn't demonstrated in what we see of their relationship. There is no give and take with them supporting each other equally. It's vaggie either trying to draw blood from a stone to meet Charlie's unrealistic expectations, or Vaggie telling Charlie to alter core elements of her personality to appease her own subjects. And on the flip side; where does Charlie support Vaggie in anything resembling the way Vaggie supports Charlie?

Charlie pushed for Vaggie to come to Heaven with her because that was what SHE wanted. Even when Vaggie expressed her reluctance to go Charlie pushed and Vaggie folded even as she knew what ended up happening was a very real possibility. Why?

For all his bloodthirsty nature Alastor knows the political game way better than Vaggie does. Vaggie couldn't keep her shit together when Emily was just holding Charlie's hands and being friendly. That's not the type of partner a political figure should have, and whether she likes it or not as princess of hell Charlie's interwoven with the politics of hell. Being power hungry means Alastor has the genuine best advice for Charlie when it comes to handling bigwigs like the angels. And he's someone with an actual business interest in the hotel. Imagine someone asking him why he helps when he doesn't believe in redemption; and he tells them it's because he believes in Charlie. You don't hand someone the source of most of your power so easily if you do not have a sincere and earnest level of trust in them. And yet Al does it willingly, more than once.

I want to say that I don't hate Charlie or Vaggie. I just don't think they work well as a pairing because Vaggie gives too much and Charlie's more concerned with her people than her partner. And the lack of communication between the two of them is a real issue. Again, Vaggie might never have let Charlie in, but Charlie never thought to knock. She never thought to ask about Vaggie in any way that would suggest the sort of deep emotional love that the show so desperately wants us to believe they have.

And on some level, I think a good portion of the fandom feels it too. Seriously, run the numbers some time on just AO3; filter for the Chaggie tag, and then take out every other ship that those stories are actually about. The chaggie tag is filled with stories that are about someone else's relationship because beneath the surface there's nothing there.

[posttexasstressdisorder]

Where we go from here...

It took me awhile last evening to get my mind in the right place to do the baking I had to do. I thought I would put on some music on my little radio station to kick my head into work mode. Tried some Glenn Gould playing Bach (always a go-to for morning coffee music), and it didn't hit right.

So I dialed up the huge mix I have titled "1969-72" and almost immediately started the long road back to feeling like myself. After about a half-hour, I was in the groove. Listened to the mix far into the night, after I'd finished working.

I managed to keep my focus and got the cookies all baked, and kiddo's mom happily packed them up and just left for her party, and I'm over here for the next couple of nights, sadly for my back. Two nights of "No Mattress For Old Men" and I'll need a week to recover, but hey...

Wanna thank all y'all for your comments and messages when I posted that I was prolly just gonna go black. Y'all loved me back off the ledge. Posted in a moment of true despair...something I haven't felt in awhile. I am hurting for all of us...and all of you. I have never in my long life been scared for the nation until now. Or at least that's what I thought. This feeling of complete despair, the emotional pain of millions of people, the hopelessness, the fear for the future...after I sat with it awhile I realized yes, that I have felt this same combination of toxic shit before.

In the 65 years I've been on this stinkin' rock, I've been through a number of particularly devastating previous elections, most notably the two Bush2(Dumbya) regimes. I remember the night of the 2004 election...Americans were posting tearful photos taken by their webcams, with them holding up signs saying "We're sorry."

I saw first-hand all the fights for rights that we have gained from the early '60s onward. To find ourselves set back to square one, 50-60 years later, when we had finally gained some footing toward fairness, is cruel. And cruelty is what they will wield as their main weapons in the coming days, as we suddenly find ourselves in the same predicament as 1963-65 when a virginal Joan Baez and little Bobby Dylan changed protest music forever.

So yes, I have felt this same way, and no, the nation didn't die or descend into complete chaos. Our lives went on, essentially as they had, with a growing pile of "things we can't do anymore" heaped atop via the collective wounding of 9/11.

This is another collective wounding--an intentional collective wounding. The next few months are going to be chaotic, they will try to push through their agenda as quickly as possible come january.

I may not post much overtly political stuff from this point on, but if I do it will be refocused on positive news. I don't know for certain how long that might last, but I can't take a 24/7 barrage of bad news and outrage bait. I'm probably gonna unfollow a few blogs, but don't think it's personal...it is Mental/Emotional Health Care.

And yes, I've been in the trenches with y'all a long time...we are all Family at this point...Brothers and Sisters in arms. I'm not leaving, but my presence/role will be different, out of the renewed sense of self-preservation this has thrust me into.

I woke up disoriented, but quickly remembered I'd gotten what I needed to get done done, and had a slow re-entry, sipping my coffee for a couple hours. I kept remembering how well the music had helped me last night, and then the beginnings of what this might turn into began to coalesce. Concepts of a plan. lulz.

As the day went on, I've been on a roller-coaster, emotionally, with seemingly hopeful leads on a roommate not materializing, on top of my craigslist ad for a roomie getting flagged and deleted. Pretty goddamn hopeless as far as this situation is going.

Looked at the huge box of cookies I'd managed to bake last night and it hit me. I've been reblogging the "Gooood Morning, TUMBLR!" graphics every morning up until the election. The image of Robin Williams being in character calling up the role of the military DJ.

Back when I did my cafe in the mountains of NM, a friend lent me a book called "Radio Venceramos", about South American rebels who had a radio transmitter and clamped the leads to the barbed-wire fences to broadcast their signal/programming to their fellow rebels.

Still not sure how the format will work out, but I've decided: my new role is going to primarily be the voice of inspiration over the air-waves to my fellow rebels. Not sure if it will be a second blog or if it will be a continuation of PTSD, but with no further ado, I will become the Voice of my fellow rebels with:

I may make a second blog out of it, but until then I guess I'll make it a series of posts. Tumblr will let you blog up to ten videos/post, and that may be how I start things out. Consider them like stacks of 45s and LP tracks from my paul-shaffer-brain...meant to help keep spirits up and keep the focus.

Made a couple of graphics, will probably try others in the course of it.

So the message today was "You did what you had to do. Heal up for what's ahead."

I will probably start this new focus in the morning...I'm still chewin'.

[vindieselsfacebook-blog]

Omg I was positively foaming at the mouth reading this - thank you for sharing! As the self-proclaimed no. 1 AYITL defender, you're beautifully articulating so many of my opinions, too. I must chime in with some thoughts of my own:

I agree that it feels cozy and comfortable for me, too! It was never going to look as gorgeous as the early seasons filmed traditionally with Michael A. Price at the helm as cinematographer, but the colors and lighting are so much richer and beautiful than S6-7. I think a lot of people bristle at all the cold blues in the first episode, but babes, it's Winter - that's the point??? Fall is stunning. The sets look more expensive and lived-in than a lot of the original series does. On a cozy Sunday night, the episodes I most think about turning on for comfort-watching are the pilot, the last 3 in S4, sometimes the last 3 in S7, and AYITL!

AYITL has SO much gratifying closure and growth - I haaate when fans say they hate it because it feels like no one has grown and they've just been immaturely frozen in time. That's the point! They finally are!!! Wouldn't you prefer seeing that to being told it happened off-screen years ago?

I think the only thing I really disagree with you on is your more pessimistic takes on Lorelai and Rory, but especially Rory. "Rory is self-centered, thinks she is special, and has no idea how to deal with not getting what she wants. The consequences of her actions almost never directly affect her, and when they do, said consequences are quickly stamped on and snuffed out by her mother/friends/family." I totally disagree with this. I think Rory is a chronic people-pleaser with shaky self-esteem. Her family thinks the world of her and she often really struggles with the weight of those expectations. She's expected to succeed where Lorelai failed not just to justify Lorelai's entire life's ambitions, but heal her grandparents' wounds, too. Her father left her and shows little to no interest in her. Her paternal grandparents tell her to her face she's a disappointing mistake that ruined lives. It's not that she has no idea how to deal with not getting what she wants, but she has no idea how to deal with failure when she was doing all she thought she had to to succeed. She's a list-maker, a studier, a rule-follower - when things don't follow her obsessively planned plan, she melts down. Her worst decisions are made when she finally explodes after bottling up her emotions. People often say Rory never suffers consequences but that also isn't true? Headmaster Charleston enforces rules and punishments on her multiple times in S1 and nothing is simply handed to her at Chilton. She really struggles those first few episodes. Dean publicly breaks up with her and calls her out on her shit with Jess. She flounders her first year at Yale struggling to get her articles published then having to drop a class because she can't keep up. She tries to date and has a tough time connecting with people. Mitchum is an asshole to her and makes her doubt her entire career path. She doesn't get the NYT fellowship. The list of Rory's struggles, failures, and consequences go on and on. I really don't get why people seem to gloss over them? Because her mother loves her and believes in her in spite of these things...? Why do women in fiction seemingly have to "earn" love and support?

"Rory’s life rhymes with Lorelai’s." Obsessed with this line - what a beautiful way to put it!

I've truly never thought of a what a perfect metaphor coffee is for Lorelai's vices. You're soo right and it's soo good! Having Luke be the provider of her favorite coffee is also just *chef's kiss*

One of my favorite parts of AYITL is Lorelai redirecting Richard's inheritance from Luke's business to hers. In contrast to her begging for the tuition money in the pilot, this time feels like an empowered decision. Her dad wanted Luke to expand his business because he felt like his daughter's partner should be taking care of her. She says no, I'm the one taking care of myself and expanding my own empire - I don't need my husband to do that for me and I can honor my father's legacy myself. :')

Just to nit-pick, I must remind that Lorelai never "refused" to expand the Dragonfly - she literally couldn't and I think that added to her feelings of frustration and being stuck in place. There was no space at the existing building, protected wetlands preventing expansion, and she couldn't afford another property until she thought to use the money from Richard. Also, as symbolic as it would've been, the Dragonfly Annex isn't the Twickham House. Kind of glad tbh as I always found the Twickham House ugly as hell lol. I hate that storyline for multiple reasons, but the top is that it feels sooo not like Luke or Lorelai???

I'd love to defend Gilmore Girls: A Year In The Life for a minute (I don't usually make long posts and may delete this later for that reason) because I feel like writing something inconsequential.

Other people get lots of comfort watching the original show (especially in the fall). I feel cozier watching AYITL. The characters are much older; the dizzy, flighty, still-growing-up feelings for Lorelai and Rory have faded, and it's full of moments that make it clear that certain things in their lives are definitely always going to be there. Constants. Luke, Stars Hollow, family, Kirk, Taylor, the changing of the seasons. Now - for my defense. (I'm rambling.)

Okay, many, many people don't like the revival. I understand. It's different in a lot of ways from the original show, and lots of expectations were not met. When I first saw it, it threw me too. But I didn't dislike it. In fact, the more I rewatched it, the more I thought it was almost better than the first show. The leading ladies are not flashy young stars anymore - Rory is Lorelai's age when the OG show first began, and Lorelai is gracefully and fabulously careening toward grandma times with all her wit and charm, all her most comfy habits, and it makes me want to hang out with her more than Season 1 of the show ever did. And I think the fact that ASP came back to write for these characters again and end it on her terms, at last, was an absolute win, and I love how she did it because it fixed so many things I thought were wrong in the show.

Lorelai is self-centered, terrified of commitment, and has no idea how to put others before herself and not run away during the hard times - unless something involves Rory.

Rory is self-centered, thinks she is special, and has no idea how to deal with not getting what she wants. The consequences of her actions almost never directly affect her, and when they do, said consequences are quickly stamped on and snuffed out by her mother/friends/family.

Emily is self-centered, desperate to be in control, and finds her worth in what other people think, in how things look, and that includes what Richard thinks.

In the show, Lorelai has moments where she learns to stay and learns to put other people who are not Rory before herself. Those moments don't last. She definitely has good intentions, but they're all conditional. She only has good intentions up to a point - and that point is usually when someone or something threatens her happiness and feeling of safety, or Rory's happiness and feelings of safety (understandable; that's her child).

In the show, Rory is told she is the sweetest kid in the whole world. Rory is told she'd never do anything to hurt anybody. Rory is told she's special, she's smarter than her peers, she's not like other girls. Rory 100% believes that. She also probably has a bit of a problem with living up to that image - she wants to be all of those things, and thinks she is, and can't handle it when it seems like people think she's not. (That may or may not have something to do with Christopher, who always had somewhere more important to be, or with Lorelai, who was so cool and strong and sure of Rory.)

And the show has moments, too, where Lorelai has to face the music and see that she's screwed up or is hurting someone with her behavior (Max, Chris, Luke, Jason, Emily, Richard, Sookie), but very very often, Lorelai breezes her way through that music and keeps moving, and flits to the next thing or person that will make her happy, because she does not know how to stay and stand and fix what she's broken. Because it only matters if she is happy and if Rory is happy. (The same thing goes for Rory in the show - consequences come, but Rory rarely has to properly deal with them herself. She is coddled and propped up the whole way.)

Now, to my point!

I watched AYITL and noticed something was different right away. Lorelai is with Luke (she should be), who is the opposite of her - constant, loyal, selfless, determined to stay no matter how hard things get. But they're not married. Lorelai is scared to really commit, and marriage is one of the hardest things you can commit to - ever. And Lorelai is not happy. Rory, for her part, is not perfectly settled as a reporter or a journalist or any of the things she was always told she could be. And she's not happy. And Emily, bless her, has lost her husband and her false sense of control is spinning away, and of course, she is not happy.

And A Year In The Life takes the show's clumsy half-arc of these three Gilmore women and perfectly completes it.

Lorelai's fear of commitment and habit of bolting when things get hard drives her to push every new chef out of the Dragonfly, refuse to expand the inn to better accommodate Michel's needs, shun Rory's tell-all of her past mistakes, shame Richard at his funeral and break Emily's heart, and worst of all, nearly wreck the closest thing to a proper relationship she's ever had: the one she has with Luke. She can't face that she misses her father, loved her father, and that maybe her mother is right about her relationship status. She can't face that people might read Rory's writing and see all her flaws and all her mistakes growing up in printed ink, and she can't run from that. And when Rory insists, Lorelai cuts ties. Lorelai has spent years avoiding marriage with Luke. She has spent years hurting her mother in an effort to defend herself at all costs. And she has spent years ensuring the Dragonfly Inn is exactly what she wants it to be; because changing it would be uncomfortable, and as a result, she won't commit to a new chef, she won't expand, and she's about to lose Michel the way she lost Sookie.

Rory's bubble of self-centeredness and assurance that she's special is popped with the needle of reality at last: she is not special. She's a young woman who has to actually work hard to find a job and make some money, like everyone her age. She is talented and she is smart, but she's not God's gift to journalism, and people keep saying no, and people keep asking her to prove her skills and her merit, and she doesn't know how to deal with that because everyone has always told her she can do anything she wants and she's the best. She wants a distinguished career and can't find anyone who will take her on; she tries to write for a raging batty feminist (hello Alex Kingston I love your work) and that goes sideways; she wants Logan Huntzberger but she turned down his proposal and now he's engaged and it has to be a secret; she wants somewhere to live - just not Stars Hollow because she's better than the thirty-somethings stuck back home. She wants Lorelai to approve of her book and insists her mother give her this, as if Lorelai hasn't always given her whatever she could. And when Lorelai says no, Rory does what she wants anyway and almost fractures their relationship over it.

Emily's control is completely gone - she can't control her emotions, she can't control her tongue, she can't control her maid or her maid's handy family, she can't even control a stupid painting of her late husband. She's on a downward spiral and her anchor is dead. She tries to regain a sense of worth, because surely that will bring happiness back. She tries to gain it from how many possessions she has, that doesn't work. She tries to gain it from Jack, who is not well-suited to her but he makes a matching accessory to the life other people will see. That doesn’t work. She tries to gain it from therapy with Lorelai, control her daughter at last, that doesn't work. She tries to control Richard's headstone, that doesn't work. She even tries to find solace with her beloved D.A.R, and she finds that emptiest of all.

A Year In The Life has these women finally face their flaws head-on and grow. The way characters should.

Rory: Rory is confronted with the fact that she is not special and has to move home like everyone else her age and get a job she does not want, because that's life, and that's what everyone else has to do in the real world. And when she's at her lowest, pouting, she gets advice from someone who has faced his own flaws long ago and has grown and who knows her at her best, and encourages her to get up and work hard (Jess Mariano, ladies and gentlemen). And she does. Rory hits bottom and takes Jess's advice and works at understanding her mother, who is not perfect, and even goes to interview her father, who is also not perfect. She fights with Lorelai over the book and insists on her own way, and when Lorelai refuses, Rory can only blame herself. She has a rabble-rousing night with her LaDB boys and winds up sleeping with Logan in one more bubble of fantasy, one more umbrella-jump of escapism, like the old days, because Logan is her weakness. And when she wakes up the next morning, Rory turns and walks away from Logan and the affair and her insistence on having what she wants regardless of who she hurts (hello, Dean Forrester and her affinity for taking spoken-for men) for the final time. And the consequences of her desires? She’s pregnant. (Come on, we all know the baby is Logan’s; Rory’s life rhymes with Lorelai’s.) She goes to Christopher to interview him for the book and is subtly asking her father why he wasn’t in her life, because she needs to know what to do with her baby and her lover. She didn’t go to Lorelai to figure that out. She went to her dad, because the truth is, Rory didn’t have her father, and part of dealing with the consequences of her actions is to work out how to take care of this baby and whether or not that means involving the father. She’s owning up. She goes to Lorelai and offers to give up this book; she doesn’t make excuses or whine, she wrote the book anyway because she believes in it, but when she’s gotten three chapters in, she respectfully goes to her mother and asks her to read it and then, for the sake of Lorelai, not herself, Rory promises to quit and throw the book out if Lorelai does not approve. Because Lorelai is more important to her than herself. Rory has worked hard and made mistakes and gotten pregnant and she has stared the world in the eyes and seen she’s not special. And she has to deal with that. And she does, finally, deal with it. And she’s happy.

Emily: Emily is confronted with the fact that nothing is inside her control—except what she does. Worth does not come from what she owns or who she’s with or what she’s wearing, and it didn’t come from her marriage, either. That wasn’t why she married Richard anyway. She is miserable and alone, and part of that is her fault. She married Richard because she loved him, and she keeps coming back to Lorelai because she loves her, and she opens up her house to Rory when Rory needs a place to write because she loves her. Emily looks around at what she has and recognizes what has worth and what doesn’t, maybe for the first time, with clear vision. She recognizes that she can’t control everything. At first, that fact keeps her down. She forgets what day it is, the curtains are closed, and she doesn’t get up in the morning. No Richard, no Lorelai, no reason to move. And then Lorelai calls her, and tells her about who Richard was and what Richard did and how it mattered, and that inspires Emily. She can get up. She buys a place on Cape Cod, totally opposite of the sort of life everyone admires and expects to have worth, and she does what she’s really always been best at—she loves. She takes care. She took care of Richard, she took care of Lorelai and Rory when they needed it, and she takes care of Berta and her wonderful family, instead of having a maid take care of her needs. She packs up and moves out, she sends Jack away, she reveals the D.A.R. for what it is and quits them forever, and she takes a job at a whaling museum because she just likes it. It’s nothing fancy, and neither is her oceanic house or the music she plays in it or the clothing she wears, because none of that is worth anything anyway. Her family is. Her friends are. She gets the painting of Richard done right and brings it with her, and she gives up attempting control of everything and only takes control of how she behaves. She gives Lorelai what Lorelai needs for the Dragonfly, and her only stipulation is that she gets to spend more time with her daughter and Luke. She loves, she takes care of others, she helps. And she’s happy. And now, the best for last. The star.

Lorelai: Lorelai sits in that stupid Stars Hollow Musical and hears a song that perfectly describes her problem—it’s never or now. Make a commitment. Do something hard. Make your life about something other than your momentary present happiness and comfort, the way you do with just Rory, sometimes, but make it a permanent change. Make change permanent! Don’t run away! …And then she runs away. She’s been miserable, she’s hit bottom, like her mother before her and her daughter after her. She’s losing friends, she’s losing Luke, she’s losing Emily, she’s losing Rory over the manuscript, and it’s all her fault. Lorelai tries to breeze past it. She does Wild. She does what she’s never done before, she does something hard and uncomfortable, but she does it for herself, and therefore it doesn’t quite work. She tries to hike, Dipper Pines won’t let her hike, she meets other women her age who think this hike is gonna fix things, it doesn’t, and she gives up and goes to get coffee because that’s her go-to. (Coffee is speedy, bad for you, and only a temporary rush—kind of everything Lorelai clings to, actually.) But the coffee shop is closed, and when Lorelai is denied that allegorical Band Aid, she goes around back and sees a great view and finally finds clarity. She didn’t need the hike—she needed to think. She needed a moment of silence and introspection to gain the insane courage to finally stop moving, stick around, and face her fears. To put her eyes on herself and then take her eyes off herself and onto other people—namely the people she loves. Lorelai calls Emily and cries, because it’s hard to do this, it hurts, but with one story, she proves she loved her father, and she knows her father loved her, and the fact that she’s calling shows that she knows Emily loves her too, and she loves Emily, and has loved them both all along. It gives Emily the strength she needs to get out of bed. That was hard, but Lorelai did it. And now she’s going to do more hard things—she’s going to commit. It’s never or now, and Lorelai chooses now. She goes home and the first thing she does is propose to Luke and become Lorelai Danes overnight. Hard. Scary. Just right. She patches things up with her daughter, and chooses Rory over herself—for the hundredth time, yes, but when it’s at its hardest for her to do. “I’ll read it when it’s done.” Lorelai expands the Dragonfly using one of the biggest monuments to her fear of commitment – the Twickham House. She goes to Emily for help, which is also super hard, but this time it’s not for Rory – it’s for her, and it’s for Michel, and it’s for the Dragonfly. And she accepts Emily’s affectionate terms. Lorelai chooses Rory, Luke, Emily, and Michel over herself, and commits, and she doesn’t run away. And she’s happy.

And all of it is earned. Finally earned.

I could talk more about the incredible writing, about ASP at her best, about the perfect themes and scenery and the very intentional end to Paris, Lane, Kirk, Taylor, Dean, Jess, Logan, Chris, and the general cast’s stories, but I’ve already rambled for too long.

Suffice it to say: A Year in the Life is my Gilmore Girls. It’s best version of the story. I think it was expertly done. Not perfect, but an ending that was earned.

[rusty-eevee]

Art Dump Part Four! And a Project Announcement!

This is a design concept for Dash the Cyndaquil, who will be the main character in my upcoming Nuzlocke Comic of Heartgold set in the PMD universe! I have no idea when I'll be able to start posting it since I'm still working on scripting, designs, and... figuring out how to actually make a comic. But I'm very excited for it!

This is Silver the Totodile. I still haven't quite figured out what I want his character to be like yet in the comic.

Here's a Pidgey! I'm not going to reveal too much about them just yet.

Here's an Eevee, who will become a teammate later on in the comic. I figure that isn't too much of a spoiler since you're given an Eevee in the game. I'm still not too happy with his design, so he'll probably look a bit different.

And... my first attempt at comic pages! I wasn't really happy with these since I don't really like the way they introduced the story, but I'm still proud of the art, so I wanted to post it anyway! I got rid of the text so it won't be too much of a spoiler.

This was my second attempt at a comic page. I still don't really like it, so I scrapped it. That's when I finally decided to wait to start making the comic until I had a proper script I was happy with.

[coollyinterferes]

The unmistakable sound of footsteps approaching begins to fill the air. Whoever is coming seems to have brought some company along…

They are getting closer… and closer… and closer…

…and closer…

……until..................

"Goooooood evenin'!!" Comes the loud greeting from a certain blond man. A big smile on his face and all.

"We beg your pardon for our prolonged absence. It was completely beyond our control..." Then adds the gentleman standing by his side, apologizing on behalf of both, offering a genuine smile along with the apology.

"...BUT! We're back!" And hopefully for good this time…

[oceandiagonale]

AND WITH THAT!!!! THE PLA ARC IS OFFICIALLY DONE!!!!

I'm going to add alt text over the weekend and answer things from my inbox and get the cover for the next arc done!!!! also now I can finally start playing pokemon sv!!!!

thank you to everyone who's joined at this arc and everyone in general for reading!!! 🥺🥺🥺

[france-isnt-real]

if i get left hanging by my friends again i'm actually going to lose it

[sysig]

Finally made it through (Patreon)

[betty-bourgeoisie]

You know my New Years goal in 2023 was to revitalize my friend group post covid, and while things definitely aren't the same as they were in 2019, I think I've been genuinely successful?

It's the sort of thing that's hard to measure obviously, but our group chat is more active now than it has been in a very long time, we're about to hit a year of doing monthly tea parties, and I feel like I'm integrated into my friends lives again in a way that hasn't been true sense the pandemic.

It makes me so genuinely happy. Things might happen in the world that break your connections for a while, but there is always an opportunity for repair if a relationship is important to you 💚