#I'm right and true and correct

[madwheelerz]

Lucas pulls everybody

Mike pulls guys

Will pulls girls (unfortunately)

Dustin pulls the ladies

Max pulls guys

El pulls girls

[anghraine]

I know this isn't only an autistic thing or always an autistic thing, but over the least few years, I've realized that a lot of my difficulties with humor are not actually with humor itself. If anything, there are specific kinds of humor that really work for me and I end up laughing so much harder and longer than everyone else that it's uncomfortable or embarrassing.

But a lot of popular humor fundamentally relies on saying things that aren't true. Sometimes this is drastic exaggeration, sometimes it's OTT parody that is far more about Being Funny than about the actual thing being parodied, and often it's flatly false and that's what is supposed to be funny about it. And yes, that's a humorless and ungracious way to describe that kind of humor—I don't mean to say that this is objectively bad or something.

I even understand the jokes intellectually. But in the vast majority of cases, there is something deeply unfunny to me about jokes reliant on something that is either obviously untrue or which I firmly disagree with.

I've seen quite a few posts recently about how, in online fandom, mocking your faves or being amused at other people mocking your faves is an important part of fandom culture. But for me, jokes about my faves based on things they actually said or did, or qualities they clearly possess, can be very funny, while jokes that are based on misrepresentations—even obvious, it's-all-in-good-fun-and-we-all-know-the-truth misrepresentations—are tedious at best.

For an easy example: Anakin and Luke Skywalker are two of my main Star Wars faves. Jokes about sand or Anakin mass-murdering children in his good phase or Luke being far less concerned than Han over the revelation of who his twin is or "it's not faaaaair" can still be really funny to me when told right. Jokes about Anakin obviously mind-tricking Padmé or Luke being obviously an eternally optimistic loser twink are intensely annoying to me regardless of context or delivery, not because they're comparably objectionable or anything but because they're not true.

Functionally this does cut out a lot of humor—especially online humor—but it's not that I literally don't understand it. I get it. I just don't get it.

[ilottthepilot]

I think it would be healthy if some people watched a second sport

[rmorde]

Trigun Manga Reaction

Now, back to Volume 1 Chapter 9!

Insurance Ladies know they are going above and beyond what is normal here. But, they still continue as consummate professionals.

THIS IS SO ADORABLE!!! SO CUTE SO CUTE SO CUUUTEE!

I like the tiny little details that hints something about the characters too.

The most obvious things are Milly's childish expression (playful) and Vash's one leg raised on the seat position (gremlin). However, "no nonsense" Meryl's feet are placed inside the table's rings! You'd expect her to put them by the side of the table but nooooo!!! They need to be IN the ring (she's not above them all!). LMAO.

Tbh... I think the Kaite & Vash relationship feels more fleshed out here in the manga than the anime. I guess it's because of the Rem conversation. It added more weight to their interactions.

Also, they're adorable! Kaite is one sharp kid calling out Vash's bullshit. Vash, like a dog with a bone, keeps deflecting.

Oh wow. This is a huge difference from '98. Kaite was totally alone when he approached the crew.

And this is just as painful and hard to see because, you can absolutely understand the crew's reaction and feelings. What Kaite did was wrong. At the same time tho, he is just a kid who didn't know better. Taking out their grief and fury on him is not right.

Gosh... It makes me think of Little Vash and The Great Fall.

I wonder what exactly went through Vash's head here. In my perspective, Kaite is reflecting Vash unknowingly in this scene. But it's so painful because he's just a kid. He should never have been put in this position. He is too young to be on this path for atonement and redemption! It's just wrong.

Hmmm. Another big difference. Interesting. The Plant was never mentioned in '98 at all.

So, Tristamp followed this manga arc more closely. Some elements are remixed such as Wolfwood replacing Kaite, the Gung-ho Guns substituting BDN as a threat, and the race is avoiding destroying a town instead of avoiding falling off a cliff. All beats are the same tho.

HOWEVER!

I think '98 has a more logical timeline personally because they are in a hurry to stop the ship right? It's a critical moment. If you think about it, there should not have been enough time for Vash to regroup with Kaite after the duel. So, '98 having these two events happen simultaneously is actually good.

Another benefit is Kaite's offer to help feels much more genuine when he was alone and away from Vash in '98. It really sells the idea that this is entirely his own decision despite the risks of retribution.

Of course, Vash didn't influence him in the manga too but by visually having him there with Kaite, it kinda undersells it imo.

Oi. Vash. That's no way to talk about your sister!

While I do appreciate the changes on the Plant design in Tristamp, I really like the '98/Manga more. They're both excellent designs for Sci-Fi but I just really like the 90's flavor of magical Angel Power Plant... which appeases my thing for magitek.

Tristamp tho is a modern flavor of alien Faerie Power Plant - not bad but not my cup of tea. However, the glowing lines feature is wonderful! It reinforces the idea of them being power plants because they have "circuits" in the body. Restraining myself from saying Magic Circuits!

Oh... This is a really fascinating set of panels that I think both '98 and Tristamp haven't adapted well.

'98 kinda skipped this. However in Tristamp, the emphasis on Plants is very clinical. Not sure if that is the best way to describe it, but, in the plants feels so much more objectified in Tristamp. I guess the horror element about the human-plant relationship is further emphasized there.

It's contrasting the manga which seems to be more focused on the awe-inspiring side of it like in the scene above. The scientist waxes poetic and is practically making a religion out of the whole thing.

I guess, to put it simply, the manga effectively shows how humans see Plants worthy of worship. Meanwhile, Tristamp displays how humans see Plants as just a life-essential battery.

So beautiful... Oh...

What if the re-design happened because animating expressive individual feathers would be a pain for Orange staff? GASP! Is that why everyone's hair were cut short?! Because hair is tedious to animate. OMFG... IS THIS WHY MILLY WAS CUT OUT IN SEASON 1 since she really really long luscious locks?!

I kid. I kid. 🤣

Oh. That's really clever remixing by Studio Madhouse. So '98 Miss Purple Avenger Episode is like a "Prototype" of this manga arc. This is where Vash having to prevent an explosion of a Plant came from.

Okay. Another great difference... I've been saying that a lot in this chapter. Sorry.

In '98, Vash dealt with this alone and the only witness was terrified. It focused more on the mystery.

However, here in the manga, Vash is not alone. Humans must work with him to save the Plant and everyone. He can only buy time but it's up to them to stop the whole thing. It's a really nice display of Vash's hopes and beliefs regarding human-plant relations. ----> BTW, the art in this page is really pretty and interesting! (1) The almost "gradient" like transition of Vash's coat to the bulb is so creative. (2) The drawing of the Plant resembling a blooming flower: feathers as ray florets, the plant/sister as the disk floret, and the wires as receptacle/stem.

These pages are so gorgeous and the way the slowing down of the heartbeat was shown through the interspersed tiny panels is just really good.

ROFL. The human instinct of "I don't know what's going on but it's helping so I won't pry anymore and I'll just roll with it!". Love to see it!

I think this arc is so good because it justifies Vash's often criticized brand of hope - his endless patience at giving humans chances to bridge the gap between their species.

Humans can work together and save themselves with just a little push. They won't rely on exploitation forever.

People can realize when they are wrong. They can atone and redeem themselves. They do not stay cruel and ignorant forever. They are capable of change. ----> Also, this art is so perfectly adapted in '98. This page, actually, all the pages relating to this collective effort of humans to save the ships (with a bit of an assist from Vash) is so heartwarming to read. ----> Oh... Kudos again to '98 because since they relegated the 'Vash prevents a Plant explosion' to an earlier episode, the episode covering this particular plot had him out of commission. So, the stakes have become higher. Humans must set aside their differences and work together to save each other and Vash too.

And finally, humans are more than what they seem. They are complicated. What could be an enemy at first could turn out to be an ally that can save you later.

This entire conclusion to the conflict is just good and very... Vash. This is what he wants for Knives to see and understand about humans.

I think '98 really did well in adapting the essence of this arc. Tristamp is complicated because now, on hindsight as I read the manga, the episodes are basically hard-carrying and working overtime telling multiple plot lines at once!

Let's see... in Tristamp's version of this arc:

Wolfwood was working double time in the narrative as "Kaite" and one half of the "Good/Hope of Humanity". Not to mention he has his own conflict going on too.

Meryl was the second half of the "Good/Hope of Humanity" that works with Vash (Plant) in saving people.

Unfortunately, with BDN being replaced by the Gung-ho Guns, there is nothing that echoes the "Hidden Depths Enemy Turned Ally"... character...No way... OMFG! WOLFWOOD WAS SUBSTITUTING FOR THAT ROLE TOO IN THIS ARC!!! Poor Woofwoof!

Roberto is a unique addition since he is a Tristamp OG, but I think he represents well the approach taken by Orange with Trigun. He is like the "Flaws/Indifference of Humanity". He is good but experience had turned him into someone that's jaded and refuses to rock the boat (unlike Meryl). His age and 100% ordinary human status prevents him from surviving long enough to change his disposition too (unlike Wolfwood). It's pretty in line with Orange's more emphasis on the "darker" aspects of the story.

WHA-?!!!

Eh? Eh? EHHH?!!

WHY WAS THIS CHANGED IN '98?!!! THIS IS ADORABLE AND COOL!!! AHHHH!!!! NOOOO!!!!

But... then there won't be Meryl and Milly supporting injured Vash. NOOOO!!! Augh. AND THERE WON'T BE TRISTAMP VERSION OF THIS! AHHHH!!!!

Oh. So, the singing is in the manga too. That's a surprise. I thought it was a '98 original scene.

Awwww. ಥ_ಥ

[rexcaliburechoes]

does anyone else find it fucked up that moon's friends protect themselves from her with the skyfire at the end of moon rising?

[jin-zixun]

you ever think about how the lan sect is disdainful of su she for "copying" them (already absurd he was a lan disciple ffs) but when faced with su she clearly playing differently they just assume he must be doing it wrong?

"he's copying us"

"he's playing a different song though?"

"no no he's just copying us wrong"

and lo and behold yeah it's a different fuckin song lmao.

...and it's a different fucking song the lan copied from someone else that's so peak I can't. like they are all like "these are our secret lan only archives" and they fucking copied it!!! I caaaaaaan't.

[vivitalks]

It doesn't make much sense that he and Hardison understand each other this well. On paper, they couldn't be less alike. Give Eliot a face to punch over a code to crack any day. He likes things simple: if you're stronger than the other guy, he goes down and you don't. In Eliot's line of work, the hard way is the only way to learn. Nothing about this bizarre triangular dynamic of theirs is simple. And yet, in spite of that, Hardison just…gets it. Even when Eliot kind of doesn't really get it, Hardison gets it. Parker gets it. They don't ask him to change. They just show that he fits, exactly as he is. (Or: a morning with Eliot, Hardison, and Parker.)

some more leverage ot3 :)

[unproduciblesmackdown]

omgg lol [guy who won't stop going "more like scapeGOATED" voice] now hold! on!! lmao [same guy just saw encanto voice] Hold on!!!

[thelastspeecher]

This may come as a bit of a surprise, but I don't often cry at books. Even the ones that hit me the hardest and most deeply, I don't cry.

But the ending of The Sun and the Star of all things got to me and now I'm crying at work bc I decided to finish it on my lunch break.

[until-another-one-comes]

I usually don't like having a solid theory on a piece of media before it's finished because I don't want to get my hopes up too much, but at this point I can't ignore this.

More and more people are pointing out and realising that Miguel broke the dimension he was in because he purposely infiltrated a dimension he doesn't belong in and took the place of another version of him, thus fucking up the place and being the real anomaly. His presence there was what caused the dimension to implode.

The real lesson is: Don't fuck around in other people's dimension, NOT 'Don't mess up the 'canon' in your own dimension' but he doesn't realise this (whether purposely cus guilt or he truly doesn't realise it). You can't mess up your own dimension by going against canon. If that was the case, Miles' dimension would've imploded a long time ago if he 'wasn't supposed to be Spiderman' (and if he isn't supposed to be spiderman, then doesn't that mean he HAS no canon to even follow in the first place??). But it hasn't. Miles' dimension is perfectly fine before the Spot came in.

Obviously I have no idea how the next movie is gonna go, nor do they have to follow what a random person on the internet is saying, but this theory makes so much sense. I sincerely hope this will be revealed in Beyond The Spiderverse as the big plot realisation and I hope it will be mind blowing.

[lucihens]

this a very unnecessarily philosophical, potentially verbose, written by a barely 20 odd year old with the mental age of a 10 year old whose innate logic comes directly from the autism gremlin in her mind take on tim bradford. you have been warned.

it's interesting that tim thinks he's been lying to himself and is mad at himself for seemingly actually being what he thinks he fundamentally isn't, rather than what he thinks or thought he was. but he doesn't understand that he can't be fundamentally anything in respect to action and nature. he can't define who he is as a whole as one clear cut, unchanging thing that he lives by for the rest of his life. because that's the complete opposite of what human nature is in my opinion. his personality may be consistent. but his nature never will be. because it changes. ALL THE TIME. pretty much everyday your processes change even a little bit with new information you gain. who you are now is not who you were last week. and while you may have a strict and specfic moral law in which determines the way you act in the long run, the decisions you make and the way you act (short term) depend on the moment. so tim is saying that what he did in the moment back in the army, and what he did in the moment dealing with ray, and what he did in the moment lying to IA, was him going against his code and who he thought he was, and that must therefore mean that who he has been consistently in the past was actually all a lie, was him pretending to be something he wasn't just because he did somethings 'out of character'. i don't think he can understand that being as strict and by the book as he is is not actually a sustainable human trait. because many instances call for many different reactions. but him setting such rigid guidelines he must follow so he can actually consider himself a good man, has set him up to fail again and again in respect to his feelings of self worth. setting such high standards for himself that he'll never be able to live up to has made it so easy for his self-belief to falter, teeter, and completely fall off the edge. confusing his personality with his nature has made it practically impossible to realise that his actions, if flawed, reckless and bringing negative consequences, don't make him fundamentally flawed. fundamentally wrong and screwed up. he doesn't realise that actions merely add to the portfolio of a person's life, good or bad, and despite the contents of his biography, he is still worthy of love. because he is not fundamentally flawed, or a fraud, but a man who regularly shows empathy, and loves anyway, despite being told (by others, but mainly himself) he won't experience the same in return.

[byzantine-suggestions]

Theodora's wikipedia page is a good example of when wikipedia is not an exceptionally reliable source

[rawliverandgoronspice]

the incredibly delicate tension between: we need art to feed us and connect us and make us feel like things have a purpose, and: art is slowly but surely making us more complacent and cowardly

[iscariotapologist]

hey what do you guys think about deja vu like do you think it means anything? or is it just one of those weird brain things

[bisexualamy]

.

[thedreadvampy]

guess who's in 🎶troooouble🎶

New Boss does not appreciate my Vile Insubordination (giving an informed opinion in an email chain where she said some factually incorrect things and got called out on it - I said hey yep you're right that what she said isn't true but here's why it's still important to listen to our team)

and now we have to have a Quick Chattette about my Behaviour and Unsatisfactory Response (didn't apologise for being correct)