#and we get a whole scene of it

[until-another-one-comes]

I usually don't like having a solid theory on a piece of media before it's finished because I don't want to get my hopes up too much, but at this point I can't ignore this.

More and more people are pointing out and realising that Miguel broke the dimension he was in because he purposely infiltrated a dimension he doesn't belong in and took the place of another version of him, thus fucking up the place and being the real anomaly. His presence there was what caused the dimension to implode.

The real lesson is: Don't fuck around in other people's dimension, NOT 'Don't mess up the 'canon' in your own dimension' but he doesn't realise this (whether purposely cus guilt or he truly doesn't realise it). You can't mess up your own dimension by going against canon. If that was the case, Miles' dimension would've imploded a long time ago if he 'wasn't supposed to be Spiderman' (and if he isn't supposed to be spiderman, then doesn't that mean he HAS no canon to even follow in the first place??). But it hasn't. Miles' dimension is perfectly fine before the Spot came in.

Obviously I have no idea how the next movie is gonna go, nor do they have to follow what a random person on the internet is saying, but this theory makes so much sense. I sincerely hope this will be revealed in Beyond The Spiderverse as the big plot realisation and I hope it will be mind blowing.

[chloesimaginationthings]

FNAF movie Vanessa was out of pocket for this one..

[loumandforyou]

proof that they were together in the past or... it could all mean nothing

[egophiliac]

he did it! 🐍 and it only took...uhhh...well, there probably could've been less punches, but why hold back!

PUNCHES FOR EVERYONE

[poorly-drawn-mdzs]

PD-MDZS: The Hallmark Episode.

[divineandmajesticinone]

4 MINUTES (2024) I EP 5 "How about this. How much do you want? Give me a number."

[rocklnds]

it's all fun and games until the cowboy is scared of a little kitty cat [OUTER RANGE SEASON TWO ✵ EPISODE ONE]

[idontwikeit]

What's the observation?

[lygma-nygma]

Honest to god Titans Tower is probably the funniest thing that's ever happened in comics to me? Like, there's so much to unpack here it's insane?? The tear-away stripper Red Hood costume? The knock-off Robin costume with the stupid ass yellow tights that somehow looks worse than if Jason just rocked the bare thighs? The way Jason is drawn like he is fully 35 with two stepkids and a mortgage? Jason inventing fanfiction about Tim and Bruce's relationship in his head because he refuses to believe Tim actually stalked his way into being Robin?? Trying to mimic his crowbar death by beating Tim with his own staff but I as a reader am entirely unable to take it seriously because of those stupid fucking tights-

And then you get to Tim's side of things and he says like, all of 5 things the entire time and three of them are a coded 'fuck you'. He has absolutely no time or respect for Jason's pity party and it's actually hysterical because Jason cannot stop yapping. Meanwhile, Tim is like, definitely losing the fight which makes it funnier?? Then the ending?? Jason scrawling "Jason Todd was here" on the wall in blood (or red paint meant to look like blood, up in the air) and signing it with a handprint like he's a middle schooler who just discovered Creepypasta???? Ripping the 'R' off Tim's costume when he's literally already unconscious?? Zipping away from the scene thinking "damn I actually like that kid, wish I had friends tbh"??

And then it's literally never brought up again.

[joyfulhottubfuntik]

Forever thinking about the period of time before Stan fully regained his memory. Especially from Ford's perspective. Because, like, that's the brother he has just now almost lost and he is so immensely grateful that he hasn't. But here he is, watching their grand niblings and Soos tell Stan all kinds of stories about the time they spent together. And Ford realises that, aside from their childhood, he doesn't have anything to add. Because of course he mattered to Stan SO much. He knows that now, even if he failed to recognise that before. But his role in Stan's life has been mostly defined by his absence and the pain that it caused. So here Ford is, absolutely refusing to leave his brother's side but also being... well, not unable, just not ready to help. Because helping would mean having to tell Stan that they had been apart for most of their lives for reasons that were partly Ford's fault. And of course this won't last long and Ford will eventually tell his brother what happened between them and they will get over it. But for a short but painful while Ford sees a Stan who only remembers Soos and the kids, a Stan who is for once genuinely carefree and happy and wonders, whether maybe it's better this way, maybe that's his punishment for all of his wrongdoings. That maybe he deserves to have one of the very few people who have ever mattered to him remember everyone but him. That maybe Stan deserves to have his family back, but Ford does not.

[casscainmainly]

As much as I love Duke and Damian being the most adorable brothers ever, the tension between them is way underutilised. They both have very tenuous relationships to the Robin identity, and if you look at their interactions in Robin War, it's shot through with insecurity and dislike:

Specifically, Damian consistently refutes Duke's right to Robin. Robin War is the event that leads Duke to quitting Robin, and arguably he does this mostly because of Damian; Tim and Jason don't really interact with Duke, and Dick essentially endorses him. But the beef is not one-sided, because Duke consistently hits on Damian's insecurities as well:

Damian belittles Duke's friends and entire cause; Duke highlights how unwanted and abandoned Damian is. They are simultaneous Robins with incompatible views of what Robin should be. Damian, fresh from his journey in Robin: Son of Batman, sees Robin as atonement, a link to Batman, and a representation of his personal growth; Duke, in the middle of We Are Robin, sees Robin as power, freedom from adult authority, and a representation of collective community.

The worst thing Damian can say about Duke is that his Robin is meaningless; the worst thing Duke can say about Damian is that his Robin is alone. They both say that to each other. And then, they both give up Robin:

In Duke's case, he precedes saying "I'm not Robin" with "that's the difference between you and me." Their Robins are so wildly different, their ideals so opposed to each other, that they cannot co-exist as Robin. The risk of losing what Robin means to them, especially for Damian, fuels a lot of their early animosity.

This opposition continues in Batman & The Signal #1, where in Duke's dream sequence, there is only one person he imagines wanting to oust him from the family - Damian. But Bruce also pits Damian and Duke against each other in Batman: The Secret Files: The Signal, in Duke's favour:

Bruce drags Damian down ('requires continuous supervision') to uplift Duke ('Gotham's best'). The writing in this comic is very questionable, but this is reminiscent of the way he talked to Cass about Steph in Batgirl (2000). Cass is the acceptable girl vs. Steph's unacceptable femininity; in a similar vein, Duke is the acceptable Batkid of colour, whereas Damian's heritage is 'inconvenient'.

Which is why it's all the more important that, despite everything, Damian and Duke do love each other.

Damian, despite all his (understandable) ambivalence and outward disdain towards Duke, pretty much spends the entire comic trying to save him:

And Duke, when Damian defects to the Owls, staunchly refuses to believe he's gone for good. Tim and Jason also protest, but they get knocked out pretty quickly. It's Duke who refuses to give up on Damian. It's Duke who won't leave Damian alone.

Even though their Robins are complete opposites, Duke and Damian both know how big a deal it is to choose Robin; as the two Robins of colour (besides Dick, whose position is slightly different), they know how easily Robin can be taken away. It's why Duke, a virtual stranger, is the one to break through to Damian when nobody else could.

This panel from the end of Robin War hits so hard in context. Every interaction up until this point is antagonistic, and they have every reason to hate each other - but they don't. They choose not to. They choose to love each other instead.

[thelaurenshippen]

911 really is such a good reminder of the particularly kind of joy that is weekly, seasons-long shows with many episodes per season. every character gets a moment to shine even in a truncated season. the satisfaction of seeing characters grapple with stuff that happened YEARS ago. having multi-episode arcs and one-off arcs that are equally enjoyable. beach episodes (metaphorical). I know we're all saying this all the time but why can't more tv be like this

[chloesimaginationthings]

FNAF Roxy is the mother that STEPPED UP

[peanutbutterandbananasandwichs]

That moment in The Usual Suspects when they are talking to the victim's wife and Sam's being all empathetic and Dean says something stupid and Sam looks at him annoyed and there's this blink and you miss it flicker back to forehead crinkle empathy as he glances back at the wife and then back to Dean and he's annoyed again. Top 5 witnessing Sam masking and unmasking moment. To ME.

[poorly-drawn-mdzs]

A whole new meaning to Gay Chicken.

(For: Anonymous raffle winner!)

[divineandmajesticinone]

THAMEPO: HEART THAT SKIPS A BEAT (2024-2025) I EP. 1 & 6

"You know what? That could be interpreted in another way. What is it? Stop feeling for each other and take care of yourself."