#I'm really more so going for dialogue/plot/vibes

[alexanaraxadel]

here is chapter 2 of the 1920s vampire jiara au! in which they sit around and talk a lot and sarah cameron features far more heavily than I ever expected (platonic kiarah forever) and the ending is just a little bit sad. anyways, hope you enjoy!!

[rosenfey]

things that are hard to find: writing advice that isn't condescending.

[adventures-in-mangaland]

I'm going with 10 All Time Classics from the Captain America (MCU) fandom. I mean, they're all classics to me, at least. In no particular order:

1. This, You Protect by owlet

First installment in the Infinite Coffee and Protection Detail series, which are all amazing. It's a “Bucky escaping Hydra and rebuilding his sense of self” fic, which he does while spying on Steve. With eventual Avengers Family and a lovely cast of OCs bonding with Bucky in the meantime. It has a very distinctive perspective and writing style; Bucky's in constant internal (and sometimes accidentally external) dialogue with himself, making it hilarious and tragic all at the same time. I love it. I've recently been getting into The Murderbot Diaries by Martha Wells and this Bucky has a similar sassy-but-vulnerable vibe? Read this if you like that, anyway.

2. The One Who Knows by Dira Sudis (dsudis)

This is a Political Animals AU, in that no-powers Steve is inserted into the Political Animals world and Bucky is TJ. Discusses being outed and depression but is ultimately hopeful. The author is one of my all time faves and has written lots of great stories for this and many other fandoms.

3. Blue Scales by chaya

Steve is a merman AU. He's still Captain America, though. It's crack with heart, I love it.

Best line: "May your scales and your love story be our weird secret forever.”

4. Our Lingering Frost by eyres

AU where Bucky is rescued from Hydra in the 50s (?) and so is around for Steve to be found.

5. Assets Out of Containment by follow_the_sun

It's a classic to *me*, OK? Bucky goes undercover at Jurassic World just as that movie's plot kicks off. They're Hydra dinosaurs! It's just great. Also has a podfic and crossovers with Agents of S.H.I.E.L.D.

6. Not Easily Conquered (series) by dropdeaddream and WhatAreFears

Some of the greatest fanfiction I've ever read, the whole series is epic. Anyway, it's a "Steve doesn't go into the ice" AU with added queer angst when (never sent) love letters from Bucky resurface. I particularly like the second installment in the series The Thirteen Letters, which are just Bucky's letters and are insanely well-written.

7. to memory now I can't recall by Etharei

Time travel AU! Featuring post-CATWS Bucky accidentally switching places with CATFA era Bucky.

8. If Wishing Made It So by Leveragehunters (Monkeygreen)

Genie!Bucky AU! This author is great at writing AUs with fantasy/genre elements, it was hard to choose. They've also written an excellent werewolf!Steve AU and a horse!Steve AU that I really love.

9. Into That Good Night by Nonymos

An Interstellar AU! Very angsty and tragic but with an eventual happy ending.

10. Goodbye Piccadilly, Farewell Leicester Square by Speranza

Speranza must be one of the best writers in the fandom, so it was hard to pick just one of their fics. Other strong contenders were All the Angels and the Saints and The Fifties, so check those out too! But this one has a special place in my heart. Steve, Tony and Natasha accidentally time travel to WW2 London, leading to an accidental run-in with CATFA-era Bucky. The author does tragic and romantic time travel tropes so well, but with a happy ending.

I now realise that most of these are AUs, so here’s a bonus rec for a non-AU in-universe story that’s severely underrated and deserves more love:

+1

Heart, Have No Pity on this House of Bone by Sena

This story follows Bucky in-action in the Pacific Theatre. It’s very well written and, from what I can tell, well researched. Steve only appears in Bucky’s imagination and the story focuses on the horrors of war rather than romance, but it’s gripping! And it explores unrequited love, being closeted and period-typical homophobia, which I also enjoyed. I’m still holding out hope for a sequel.

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 琅琊榜/Nirvana in Fire.

Nirvana in Fire is a 2015 historical series best described as either a complicated succession drama set in the premodern Chinese imperial palace, or the story of a man who didn't die a decade ago and has decided to make it everyone else's problem.

And really, I almost feel silly giving my glib little summary, because Nirvana in Fire is so well-known of a property. It's a classic for a reason, and that reason is that it's legitimately very good. This show is what happens when you adapt a solid story, get a bunch of very talented actors, and throw a huge amount of money at it. It's incredibly popular and highly acclaimed, and it earned all of the hype.

Still, while I bet there are few people adjacent to c-drama stuff who've never heard of Nirvana in Fire, I'm sure there are plenty who haven't watched it. After all, it looks like one of those slow, serious shows with a lot of ponderous talking and no joy. If that's the impression you've been given, I could imagine looking at the 54-episode commitment and saying, I don't need that in my life.

I am here to tell you you're wrong. It is a banger of a show. It's tense. It's funny. It's heartbreaking. It’s exceptionally clever. It’s jaw-droppingly stupid. It’s romantic. It’s tragic. It has smart plots and bizarre subplots. And that's not even touching the thing with the yeti.

So in case you're one of those people who's heard of Nirvana in Fire, but has put off watching it for one reason or another, I'm here with five reasons I think you should try it.

1. Epic Shit

Did you like the Lord of the Rings? More specifically, did you really like the second Peter Jackson film? Great, then you're all set for this.

I guess I could have called this Game of Thrones without the dragons, but that's not actually the vibe at all. Game of Thrones is much more sensational and salacious, with all the blood and butts and what-not. The Tolkien comparison is more apt, I think, because Nirvana in Fire is equally about as wholesome as you can get in a property where dudes are still getting stabbed all the time.

This is a show about vengeance. And yeah, justice for the fallen, sure, that's fine too. But mostly it's about a bunch of good people joining forces to make sure the bastards who did wrong pay, with their lives as necesary.

The problem, though, is that these bastards are incredibly powerful, which means that a pure brute-force approach isn't going to work. Accordingly, this quickly becomes a story about the power of smart teamwork to exact retribution on some people who can (and did!) legally get away with murder -- and our heroes are some of the people with their necks most on the line if anything goes wrong.

Don't let the Middle Earth comparison fool you into thinking this is all epic swordfights. It's not. (I mean, for one thing, as well-funded as this project is, it doesn't have Peter Jackson Money.) The vast majority of the tension in the show comes from dialogue and slow, terrible realizations. The fight scenes are almost a relief from the nail-biting intensity of intimate conversations about getting a letter from somebody's ex-wife or returning a book.

All told, the show has that incredible almost-RPG vibe of going through all the little subquests and cutscenes you find along the way to defeat the final boss. The plot carefully unravels a multi-tendriled mystery told to you by people in incredible costumes. It doesn't get much more epic than that.

(Nirvana in Fire is also a cautionary tale about how you should be very careful with who gets invited to your birthday party.)

2. A chronically ill protagonist

Okay, right in the first episode, it is established that the main character has three whole completely different names and an old nickname. I'm going to call him Mei Changsu for the duration of this rec post, but let the record show that I could just have easily gone with one of the other three.

What you learn in that same first episode is that Mei Changsu used to be a palace insider, the cocky son of a noble family, only now nearly everyone he used to know thinks he's dead. Also, he's not far off from being actually dead -- he has an unspecified terminal condition that's mostly managed, provided he stays in his little mountain hideaway with his handsome doctor bestie and doesn't return to his old stomping ground and start kicking over hornets' nests.

So guess what he's about to do.

I have to make a note of how brilliant the casting is here: Hu Ge is an action actor! He is a kickpuncher of a man! And I think it's great that you can sort of see his frustration, as well as Mei Changsu's, at having to spend the whole series wrapped in countless layers of fabric and/or lying in bed while everyone around him gets to be the badass action heroes.

Mei Changsu's not faking it, either -- he's actually dying. He expends his energy where he thinks it's necessary, and sometimes that means he has to spend the following week in bed. He's constantly frustrated with himself for what he can't do anymore. He's racing a clock, and that clock is his own failing body. If he dies, the only hope anyone here has for justice dies with him.

He gets two love interests that the show treats pretty much equally. One's a lady general who wasn't even a love interest in the book. The other's the handsome prince who was initially going to be his textual romantic partner in same book, until the author hopped genres from danmei to general historical drama. I can't even call this a love triangle, because there's no competition. He just gets a wife and a husband -- in that he gets neither, because circumstances and his own illness keep him distant from them. He lies to both of then about his condition (among other things). He wants to be with them both and knows he can't be with either. And they in turn have to learn to accept what of him they can and can't have.

(Also, Nihuang (her) and Jingyan (him) are both incredibly gorgeous, which is exactly what bisexual genius Mei Changsu deserves.)

Obviously this isn't a perfect representation of life with chronic illness, largely because Mei Changsu is an incredily wealthy man who lives in a universe with what's basically magic medicine. However, I've seen the story's treatment of him and his condition resonate with a lot of chronically ill viewers, so even with the fantasy layer on it, there's definitely something there.

3. Dave

I have already told the story of how Meng Zhi became "Dave," but long story short, he's such a Dave that I legitimately forget his character's real name. He embodies Daveness. He's The Ultimate Dave.

Dave is an excellent fighter, a loyal friend -- and a terrible liar. He's possbly the only straightforward character in the entire show. When he's asked to be duplicitous, he's comically bad at it. Dave will never do a heel turn. I was misled at first by his semi-evil facial hair, but I have seen the error of my ways. Dave is pure lawful good.

And the reason I list Dave as such a selling point is that having a Dave means you always know what's going on. This is because Dave never knows what's going on, and he has no ego about that, so he asks questions, and other characters have to explain to him what just happened, and that is how you figure out what's going on.

It's an incredibly smart move on the drama's part, because some of the (very fun) schemes are so complicated that there's no way for you, the viewer, to understand them just by watching. Without the internal monologues and omniscent narration of a book, the machinations are opaque. You need things explained -- but why would the schemers explain their schemes? Well, Dave needs some exposition, so here you go.

So if you're worried that you might be left feeling stupid by a show where so many sneaky people are hatching so many complex plans, worry not! Like the good man he is, Dave has your back.

4. A Million Amazing Antagonists

If you like bad guys, this is a show for you. This show has brilliant bad guys all the way down. It has bad guys at every turn. It has bad guys for every taste. Welcome to Big Liang's Big Bad Guy Emporium, where we guarantee you'll walk out of here with a bad guy you like, or your money back!

(And yes, this set of pictures is also to say that their costume budget was entirely well-spent.)

Without getting too far into spoilers, I will say that the basic situation underlying the whole series is this: The emperor has done a lot of bad things, and he has enlisted a bunch of people's help in hiding those bad things, so much so that many of those other people have done even more bad things the emperor didn't even know about -- and then everyone has gone to great lengths to cover those up as well. Our protagonists spend the whole series unraveling this colossal shitshow and bringing people to task for their crimes.

So really, if you're going to spend 54 episodes taking down the baddies, they've got to be baddies you love to see taken down. And these are -- in part because all of them have crystal-clear, rock-solid motivations for their actions. Nobody here is a moustache-twirling comic-book-villain baddie. They're all bad for reasons that are very understandable in their individual contexts. And not a single one of them is going to go down without a fight.

5. World's Best Mom

(Sidebar: The fact that four out of five of my reasons to watch the show are individual or groups of characters should be your strongest indicator that this is an intensely character-driven story.)

This is not a Dead Mom Show. Okay, some moms are dead, but mostly this is a Moms Are Alive And Often Cause Problems Show, which is a lot of what makes the palace drama so delicious. But there is one Good Mom who stands out above all the rest: Consort Jing.

Played with perfect grace and devastating politeness by the stunning Liu Mintao, Consort Jing is a skilled doctor and excellent baker who starts the show with a low-level status among the women of the palace. She swallows down all kinds of mistreatment because she's not in a place to oppose it -- and when she can retaliate, it must only be through soft power. She loves her jock son with all her heart, but because of both their relatively poor positions in the hierarchy, she doesn't get to see him all that much. She wants to be an asset to him, while all the time she has to fear becoming a liability.

She is also the smartest person in any room that she's in, unless she's in a room with Mei Changsu, and even then it may be a tie.

There are lots of great characters in the show that I could have highlighted here, and plenty of them are women, but Consort Jing in particular never ceases to impress me. She is trapped in a gilded cage, married to a man who [lengthy list of spoilers that are traumatic to her in particular], and held hostage by how every time she even looks like she's out of line, it puts both her and her boy in danger. She's the most vulnerable of any of our good guys. Kind of like Wang Zhi, she's got to be clever or she's dead.

Consort Jing is not part of Mei Changsu's original plan. She figures out his plan and makes herself part of it -- and entirely remotely, as she and he aren't even in the same room until episode 40 or so. She puts herself in great danger to make sure he succeeds, not because it will necessarily do her any good, but because Jingyan needs him. This woman has been captain of the Mei Changsu/Jingyan ship for like twenty years already.

Oh, and did I mention her outfits?

I love you, Consort Mom.

Are you ready to watch it yet?

Get it on Viki! Get it on YouTube! Get it on YouTube but in a different playlist! (And also maybe get it on Amazon? Not in my region, but maybe in yours.)

I will warn you that it does take off running -- I think I saw someone say it introduces nineteen characters in the first episode? I was worried that I'd be too innundated by situations and flashbacks and names to be able to follow. By the second or third episode, though, I was rolling with it. So if you feel like you're struggling at the beginning, stick with it a bit. See if you don't feel it start to click.

...Man, reading over this post has left me going, oh, but I missed that! and that! and that guy! And yeah, the truth is that there are just so many great things about the show that limiting myself to only five (and being limited to only thirty images) was tough. I'm sure that people reblogging will add their own must-see elements.

Truly, this is a show that deserves its reputation. It may not be for everyone, but if this is the kind of thing that you like, it is a shining example of that thing.

Besides, you have to love a production where everyone was clearly having just a whole lot of fun being big ol' costumed dorks.

[graciereadshannigram]

hey fam, welcome to the April 2024 roundup of the best hannigram fics i've read this past month! i read over 100 fics total, and these were the cream of the crop.

as a reminder: the ingredients for a five star rating typically (but not always!!) include some combination of a.) believable characterizations of both Hannibal and Will, b.) compelling plot and/or character arcs, and c.) high quality smut.

that being said, my judgment of the aforementioned ingredients is powered almost exclusively by vibes and as such, is incredibly subjective.

you can find past recs below:

February March

and if you have any recs of your own for me, PLEASE SHARE.

anyway, in no particular order, let's go!

~

A place you can never go by det395

Word Count: 84,596 Summary: When things don’t go according to plan, Hannibal makes a wish. He finds himself a year-and-a-half in the past and seemingly given another chance with Will. His feelings about the situation only get more complicated when he realizes he may not have completely lost access to his old timeline after all. A Digestivo canon divergence.

If you follow me, you probably saw me already raving about this fic. This was so fucking good, holy fucking shit. And also heartbreaking. Made me think a lot about the nature of reality and what does it mean for something to be "real." Plus, I really love fics that explore their shared mind palace because I genuinely think that is one of the more underexplored aspects of their relationship. Definitely heavy on the angst, but there is a happy ending!

even though our love is doomed by bleakmidwinter

Word Count: 82,427 Summary: Hannibal solves the mystery of time travel and he and Will decide to go into the past and take opportunities previously missed along with rewriting the regrets they each hold. Changing the past does not effect the future and they have free reign to play as the please.

GIVE ME MORE THAN FIVE STARS PLEASE. I am obsessed with this fic. I've mostly stayed clear of time travel fics (aside from, you know, the one right above this) because the execution can be hit or miss, but let me fucking tell you. This was a god damn home run. There's a little bit of angst, but then there's also a chapter where Will challenges Hannibal that he wouldn't have been able to seduce him while Will was still working in Louisiana fixing boat motors. And obviously Hannibal decides to take that challenge.

Railroad Romance by OneWhoSitsWithTurtles

Word Count: 12,400 Summary: Hannibal is still Hannibal, and Will is still Will. Except Will is not part of the FBI and they meet on a two day train trip from New Orleans to Baltimore.

Dirty. Talk. In. FRENCH. Holy shit. Okay this was excellent. EXCELLENT. Perfect characterizations, and wonderful dialogue. Wow. Also, I love trains. Who doesn't love trains?

patroclus in furs by bleakmidwinter

Word Count: 130,185 Summary: If Will and Hannibal hadn't gone into their respective careers, they would have become porn stars.

I had my doubts about a pornstar AU, but I've really enjoyed everything else by this author and it was over 100k, so I gave it a shot! And WOW. The characterizations of both Will and Hannibal were spot on and believable. A good mix of fluff and angst, and the author clearly put a lot of thought into the porn scenes. Tbh I'm probably going to reread this shortly.

Pavlova by nbcravenstag

Word Count: 33,369 Summary: It’s not like Hannibal didn’t know that Will was hiding something. It was after the third body drop a week ago that it became clear that Will had a secret that somehow involved the case, one he wasn’t willing to share yet, not even with Hannibal. At 6:43 AM, Will had texted Hannibal that a fourth body had been found and that he was on his way to the scene with Jack. At 8:06 PM, Will had stepped into Hannibal’s office, thirty-six minutes past his appointment time, and practically shouted “I used to be a stripper!” as loudly as his hoarse voice would allow him to. Hannibal Lecter, though not phased by much in life, has never been entirely able to predict Will Graham, but this is just… getting out of control. Alternatively, the FBI is hunting a serial killer targeting male strippers, and Will decides to throw himself into the fray. Hannibal is beyond pleased.

An AU where Will was a stripper in college and now he's working a case where he can be live bait as a stripper? Shut the fuck up. Mostly told from Hannibal's perspective, and it's just *chefs kiss*. Who knew Will giving Hannibal a lap dance would be so HOT. (I could have guessed.)

Lessons In Submission by wyldefire

Word Count: 5,173 Summary: Hannibal was stubborn, independent, and Will had always loved that about him, but there were times, times like these, in the midst of heat, in the midst of such a thorough breeding, when lessons in submission were necessary.

My only thought at the end of this was, "Shut the whole fuck up" in the best way possible. Smut. Just all smut.

A Very Special Guest by LesBeanBurrito

Word Count: 56,660 Summary: Season 1 AU in which Will stays for Hannibal’s dinner party after bringing the bottle of wine at the end of 1X07 Sorbet. Embarrassed and Sassy Will Graham meets Smitten Hannibal Lecter.

I LOVE a good season 1 AU and this was checking all of the boxes for me! There's a secret relationship, Hannibal actually gets Will treated for his encephalitis, Will finds out about Hannibal, etc. Very much loved the plot, and the characterizations were spot on.

lover to your nightmare (look what you made of me) by merrythoughts and ReallyMissCoffee

Word Count: 123,367 Summary: Driving back home, it’s then he reflects on Hannibal asking him to run away that night. To forgo their plans altogether, to slip away. [Canon divergent. Will confesses his betrayal and asks Hannibal to run away with him, but Will has a plan of his own...]

You want dark!Will mixed in with some incredibly jealous and possessive Hannigram? Hooo boy do I have a fic for you! The ending was a little abrupt, but it was the perfect mix of gut-wrenching angst and toxicity + smoking hot smut. I genuinely had to stop and focus on my breathing more than once.

On the Lam by shotgun_sinner

Word Count: 63,992 Summary: Post-Fall (Hannibal)season 4Crack Treated SeriouslyOn the RunWill Graham Discovers FanfictionExplicit Sexual Contentsexual identity crisisThat's Not Really A CrisisWill Graham is HannisexualMurder HusbandsHomophobiaMurder of a HomophobeHannibal Lecter Loves Will GrahamWill Graham Loves Hannibal LecterPower Bottom Will Grahamthey love each other your honorvery meta

This was such a fun read – I love the implication that hannigram fanfiction exists and it's all there for Will to accidentally discover. I adore this author and just thoroughly enjoyed how Will learned a thing or two about himself by reading smutty fics (same dude).

Golden Promises by shotgun_sinner

Word Count: 68,488 Summary: Hannibal (TV) Season/Series 01Alternate Universe - Canon DivergenceEpisode: s01e07 SorbetHallucinations?Will Hopes SoLELOplugSexuality CrisisThat Ends Up Not Being A CrisisWill Graham Has EncephalitisHannibal Gets Will TreatmentDeveloping RelationshipWill Graham's Dogs - FreeformBonding over fooddoting hannibalEventual SmutHannibal Lecter Loves Will GrahamWill Graham Loves Hannibal LecterAlana DisapprovesRimmingOral SexBottom Hannibal LecterTop Will GrahamBottom Will GrahamTop Hannibal LecterWill Graham KnowsNon-Consensual Drug UseWill Gives Him Shit For ItMurder HusbandsCannibalismis that tag even necessary?Hannibal Lecter Loves Max

This was fluffier than I typically read, but I told y'all I love this author. Pretty much no angst, and the smut, as always, was next level. Also, the idea that Hannibal would wear a solid gold butt plug to his dinner parties had me laughing before I even started reading.

What Hatches by HotMolasses (@snazzymolasses here on tumblr)

Word Count: 107,847 Summary: There is a village, nestled on the edge of an ancient forest where it is always winter. Few of the townsfolk ever venture into it, except for one lonely hunter named Will Graham. A loner who makes his living selling stag meat and spends more time with dogs than people, he finds his life changing when he comes face-to-face with a magical beast, one that he cannot get away from, and isn’t even sure he really wants to.

What started out as a curiosity about the monsterfucking tag on AO3 brought me to one of the most unique and interesting hannigram AUs I've read??? I'm as surprised as you are, if not more. I adored this fic and I loved how both Will and Hannibal were characterized and the plot and the smut (oh my god, the smut) and the ending? Phew. Go read this.

lay like a flood spills away by bleakmidwinter

Word Count: 35,733 Summary: Will starts going to a nude beach that happens to be for gay men, even though he considers himself straight.

This was highly enjoyable. I LOVE AUs that manage to keep the characters true to canon. Also nude beaches. Hannigram and nude beaches. Eating ass and public sex with some actual plot sprinkled in. Say LESS.

Now, What Should We Do Next? by HigherMagic

Word Count: 51,116 Summary: Kinktober 2018

Smut. All smut. I showed this fic to a friend who has literally never read fanfiction, let alone Hannigram, before and she is now hooked. So. Do with that what you will. And it's so clear that this author has actual, real-life experience with kink and it comes across so well! Bonus point: there is also an equally good sequel.

To Mend With Gold by beforethedawn, ConstructFairytales, Destinyawakened

Word Count: 98,863 Summary: Will and Hannibal have been living as a gay married couple for three years, but they haven't slept in the same room let alone the same bed. Will Graham has a reckoning, one way or another.

THIS WAS TENDER. Fluffy, angsty, smutty, I loved it. Molly showed up with Will's dogs and decided she wasn't going to turn them in, which was a little weird, but I really loved this fic. Just them learning how to be with each other. Also EXCELLENT marathon smut scenes. Like yesssss, of course they can each cum like three times in a row.

A Clutch at Balance by Deverauxs_Disease

Word Count: 25,466 Summary: When Will Graham storms into Hannibal's house muttering about kissing Alana Bloom, the good doctor makes Will an offer: Pretend to date Hannibal in order to prove to Alana that Will is not only stable but capable of being in a relationship. When Alana is convinced Will is the man of her dreams, Hannibal will step aside and Will can get his girl.

Y'all know I love fake dating that all of a sudden, whoops! Isn't so fake anymore! Sprinkle in some jealous and possessive Hanni and Will? I'm sold. Say less.

~

And that's a wrap on this month! See ya next time!!!

[archandshri]

28th June ‘24 - [arch] One Page Limitation??? - My process for Traffic Zine #5

Hello All!

A couple months ago, I got accepted to @trafficzine, a digital anthology of pieces by a large group of artists and writers based on the most recent season of the Life Series. I made this piece back in April, but thankfully I kept some notes of my process. 

Heads up - this contains spoilers for Secret Life :D

We were able to choose our own prompt from a list! For this project, I wanted to push my comic making - especially how to communicate a lot of information in a small space. I went through and watched a few clips from the series to see which prompt would fit a comic and settled on Scott’s death.

As usual, I began by getting some reference images and going ham on some big paper. This gets me excited about the project and helps generate ideas. I go for whatever interests me in terms of medium and subject matter, but I try to use a process that doesn’t let me control too much (in this case brush and ink)

initial sketches for fun and vibes :D

During this, I also took the time to transcribe the scene - I wanted to use the dialogue directly, and see how much I could fit into the single page that I was allowed for the zine.

In these early planning stages I make sure to do warm-up sketches to remind myself of the energy I want to communicate. This also keeps things fun and fresh so I'm not ONLY thinking about page composition and making things 'good'. (the expectation for it to be 'good' kills a project prove me wrong)

Dialogue from the clip + warm up sketches

Next up, I started to plan what panels I have on the page. At this stage, some panels might just be a box with some words, and some may have a sketch if I have a clear composition in mind. This stage is mostly for pacing and plot, so instead of focusing on what the panel and page will look like, I will think about:

what will happen in the panel

it's purpose and

what it will communicate

Sometimes I'll illustrate a string of panels that tell the story and fit them on a page after - but this depends on the project and my confidence with the size of it.

After messing around with these and coming up with a pretty clear direction, I draw a bunch of boxes to see how the panels could sit nicely together. At this stage I might realise I have too many panels, and need to cut a few or come up with a creative solution. Nothing is set in stone at this point.

sketching panel layouts

Now begins the fun! I decide on the layout I prefer and I can start putting planned compositions into the boxes. I often do this digitally, or a digital editing process will be involved.

Once planned, I print these out to do a more refined sketch over. I find that my traditional drawings have a lot more life and character to them than digital ones, so I try to keep the majority of the process traditional, with passes of scanning and digital editing.

I tried a version with her looking out at the distance - ready to face the oncoming battle. But it still felt off. So I turned to my slides to ask myself some questions!!

I tried to think of more things that were working - but I really felt like it was lacking a lot. I was going for this slower emotional feeling because that came more naturally to me, but it just wasn't working for this image. The original clip is quite rushed and chaotic - which would be harder to communicate in a comic format but the challenge interested me. Either way, I knew I wasn't happy with this direction so... i decided to start from scratch! Back to the drawing board!!!

In the previous version, I had cut out a lot of the dialogue, but I decided to go back to the original clip and use AS MUCH as possible. Since passing the bow was my favourite part of that first composition, I really wanted to lean into it as the emotional height and final goodbye before Scott's death. It's a moment to slow down and absorb the vibes :D

I made a list of panels along with their descriptions to refer to when trying to figure out the order of panels. there were SO MANY and it was VERY CONFUSING when they were too small to read.

These thumbnails were super small and would not have made sense without my list, I swear.

I printed this tiny thumbnail out at A4, so I could sketch over it and get a clearer sense of flow. Then began a loooong process of printing out tiny photocopies and rearranging the panels to be legible. It was a difficult balance of communicating busyness while making sure the hierarchy/reading order made sense.

After some tweaking, i printed out an A3 copy to draw my panel borders and text.

Doing this on a separate piece of paper means I don't have to worry so much about messing up the text or borders when drawing the characters. This allows me to be more free and expressive with my illustration.

Woah! Quick trip back in time!! During the thumbnailing process I drew these warm up sketches! I looooved the way the linework came out. I drew this on an A3 piece of paper - and the shocked Gem would, in theory, be one of the smallest panels. So I decided to do a crazy thing.

I touched up the sketch digitally, compiling some of my favourite warm up sketches, some traditional sketches made for the panels, and filling the rest in digitally. Then I printed this image out in QUATERS at A3!! This meant the final sketch layer, printed out was A1!! (aka very large, considering the final file would be at A4, about 8x smaller)

I did this so I could get fairly small detailed lines with my pencil while being quite expressive and firm with my mark-making. Slowly, I dlined all of the panels traditionally and scanned them in. Then I assembled the finished linework on Photoshop, along with the text and panel borders and got to colouring :D

final linework :D

For colouring, I played a little bit with halftone but I found the texture made it feel a bit too busy - the panels are already doing enough. Because of this, I also decided to use a limited colour palette. Here are some images of the colouring process, which I won't go into today.

I'm really happy with how this came out - I think it captures the chaos of the moment, while taking time to linger on the emotion of it. Keeping that bow moment really made it, I think.

I think the last panel is still quite weak. Earlier in the process there was a low-angle shot of Gem about to kill Scott which may have been more powerful, but I think I was struggling with my actual drawing skill when it comes to perspective. A lot of learning how to draw, and in particular with comics, is about knowing where your skills are at, how to utilise them best and how to test and push them.

I'm glad that I started again, instead of finishing that composition I wasn't happy with. It was a tough project but I learnt sooooo much from it, and it's been essential skill-building for.... the current comic I'm working on (stay tuned!!! :0) Thanks for reading this incredibly long post! Go check out @trafficzine and look at all the other cool art Cool vibes and silly men,

Archie :D

[grunckle]

Some disjointed thoughts on the Void Sea and the subconcious

I really just wanted to write something quickly on this, it’s not so much a theory as it is just a small analysis on the general mood of the ending, with a little contextualizing with in game dialogue.

So the subconscious is such a mysterious yet integral part to understanding the more spiritual/alien parts of Rain World. This isn’t a world in which the eldritch and unknowable lurk in the far reaches of space, but rather appear through our own minds and subconscious.

Echos appear in dream like sequences, where all other life except scavengers (in vanilla) fall asleep.

Karma flowers allow us to contact imagined worlds, other selves, dreams, and memories.

Eating a neuron of an iterator allows us to perceive voidspawn.

Our karma is raised through the mark of communication, which is linked to the brain in some way judging by Five Pebbles’s slideshow.

And, beyond that, plenty of cerebral/brainy imagery and concepts are present.

“Cabinet beasts” (the organ-like worms found in Memory Crypts) are likely some sort or mutated brain tissue, I talk about it more in this post.

Void worms also have a neural texture that covers their skin.

There’s the cut brain tree, which made it back in the game (though pretty unceremoniously) in Downpour.

And then of course there’s iterators, massive brains that are the last long-standing remnant of the benefactors’ civilization, and serve as the main driving forces of the game’s side plot.

I bring all this up just to show how cerebral and subconscious elements are pretty prevalent throughout the game, and it provides some context to my thoughts on the Void Sea.

That being said, I think the Void Sea acts as a collective unconscious, a place where the many worlds and selves of the subconscious coalesce into one, dream-like existence.

Echos appear in dream-like sequences, but are still experienced by nearby scavs. They even have different personalities and reactions to it, some being curious, while others are afraid.

Continuing on this, benefactors experienced the same dreams we do in Subterranean, shown through white pearl dialogue.

“Oh, interesting. This is a diary entry of a pre-Iterator era laborer during the construction of the subterranean transit system south of here. In it they describe restless nights filled with disturbing dreams, where millions glowing stars move menacingly in the distance”

These go towards the idea of the Void Sea and other void related phenomena existing as a sort of collective unconsciousness, experienced through hazy dreams and hallucinogenic plants by many.

But then there’s the “egg” sequence, where you swim in unison with others just like yourself. I think these are the “selves of other planes” mentioned by Moon in the Karma Flower dialogue, and I think that same dialogue is indicative on what the nature of the Void is. It’s detaching yourself from your carnal body and coming in contact with your own subconscious, and possibly the subconscious of others. Think of it like a big mind soup.

Anyway this really resonated with me because I distinctly remember the feeling I had the first time I went through Depths. As the caves around me started melting, it felt like I was descending deeper and deeper into a dream I couldn’t wake up from. That packed with the genuine horror of seeing the worms, and the dreamy ending, it really left a lasting impression.

Halfway through writing this, I realized it’s a bit longer than I was initially expecting, but I hope I managed to convey the general vibe I got.

[akayralylegacy]

EMESIS BLUE IS ONE OF THE BEST THINGS I EVER WATCHED

Yeah, this is going to be some sort of analysis bc I am having a massive brainrot about this movie and I HAVE to share my thoughts of it somewhere, so I hope you enjoy reading this huge post ig lmao

Btw, if you're a person who doesn't like spoilers... SPOILERS WARNING IF YOU HAVEN'T WATCHED IT YET (and plan to do so)!!!

First, yeah, for those who didn't know I've been really into TF2 since last month, and being a very new fan, I started watching lots of SFMs and vids in a row to catch up with all the memes and lore, and well, I stumbled across EMESIS BLUE. And, it got me caught up with its plot/concept and the overall movie itself SO MUCH that I will never think of TF2 the same way-

No I mean, I know TF2 is more humoristic and stuff most of the time, the canon comics themselves have lots of funny moments of nonsense and weird situations, and not even counting the zillions of memes the community has created, those being pure gold. I love the comedic silliness from the comics and memes, plus the chaotic vibe from the game itself is just so fucking funny and stupid I always burst into laughter

But, TF2...with... horror? That's a combination I never thought I'd like so much. The whole concept of the respawn machine not working like it was supposed to, making them suffer from physical and/or mental problems after each respawn, creating an eternal loop of suffering, breaking the characters' sense of reality, torturing them by having to wait an eternity within some sort of limbo of "afterlife"...bro that's so...so disturbing yet so amazing at the same time. The fact the respawn machine caused Scout to develop brain atrophy, decreasing his IQ score and causing dementia and schizophrenia symptoms, while Medic developed some sort of split personality and schizophrenia as well, and you know that each time they return it will just get worse and worse, even them reckoning it later on. It's...just, it is simply horrifying.

The movie's atmosphere is so well made and constructed that I was tense from start to end, I felt like I was inside the movie, like I was witnessing all the carnage and agony of each one of the characters from up close. Like, there was practically no calm moment during those whole (almost) 2 hours of movie, but at the same time so many stuff happens very quickly, it also seems to go a bit slow but not in a bad way, and the details are shown here and there bit by bit. I like very detailed stories that construct the events based on its slow pace, revealing stuff on its right time, but on the other hand, being mixed with agitation, brutality and things happening in a flash. I hope you can understand what I'm saying? I hope I am being able to explain it well, but I think you get what I mean.

Cinematography wise, everything is stunning. The animation, the effects, the light and shadow, the colors and textures, sounds and background music, everything so well made, if you pay attention you can notice tiny details that make a lot of difference and make it even more agonizing yet thrilling to watch. I was so impressed with it just from the start. I mean, the animation>>>>

The quality being SO. GOOD considering it was animated purely on SFM??? THAT'S SO FUCKING IMPRESSIVE AND JAWDROPPING LIKE THAT'S SUCH A BANGER I COULDN'T EVEN BELIEVE IT.

Dialogue and quotes is something to be noted out as well. Many dialogues made such impact to the movie, some quotes making more sense later on as the movie progresses. I swear, that moment where Soldier is in a black n white room, with all those skeletons sitting around a table, and the sound at the background is a phone call from Jules to Blutarch, where Jules says: "We have about 800.000 corpses on the site," that line hit me SO HARD I CAN'T EVEN EXPLAIN. This is SO. FUCKING. DARK AND MORBID BRO I MEAN WHAT THE FUCK

Not only this one but lots of lines caught my attention and hit me so hard, like:

"You ever get the feeling like you're being watched?"

"Doc, I was at the second floor"

"Some get stuck inside trying to come through"

"You don't want to know..."

"It's eternity in there"

"Longer than you think..."

"Who was there to save me, Jules?"

"And I'm giving you exactly what you deserve"

"See you on the other side..."

ISTG THESE ARE SO??? LIKE, THEY HIT SO HARD AND I GOT CHILLS FROM SOME OF THOSE

Also, the voice acting, OOOH THE VOICE ACTING. Some people say it wasn't that good because many characters were voiced by Chad Payne himself, however I think it shows quite a talent from him to voice numerous characters tbh, even if he couldn't perfectly change the voice to fit all the characters 100% it doesn't mean his voice acting isn't good! I think he did an amazing job :]

And all the other voice actors as well, all of them are so amazing and I loved their acting so fucking much, but shoutout to Jazzyjoeyjr (voice of Soldier) and Cameron Nichols (voice of Scout) bc bro YOU DUDES DID A *PERFECT* JOB I SWEAR-

Talking abt moments of the movie that impacted me so much, I think it was Scout's death, and well uh, many Soldier moments tbh. Scout's death scene was agonizing to watch, I was in total despair hearing his screams at the background while Medic was trying to kill Maynard, I was almost having a crisis I was almost yelling of desperation I was like: COME ON MEDIC PLEASE GO SAVE HIM ISTG

It was SO. FUCKING. SAD. AND UNFAIR. I will never get over that moment.

Soldier's moments? Bro, he was the most sane out of everyone, which says a lot... and he was the ONLY one to indeed survive, without dying at any moment. He witnessed it all, the death of his best friend, Fritz shooting himself right in front of him, the pile of bodies, the truth being revealed....everything.

It even saddens me to imagine what could be passing through Soldier's mind after all those events, he seen gruesome and horrifying shit throughout the movie.

So, long-story short, EMESIS BLUE is a fucking MASTERPIECE that traumatized me for LIFE (in a good way), and I highly recommend you to watch it if you haven't yet, I am impressed with it and it doesn't get out of my head I am so fucking obsessed with it ISTG-

[mimicmockingbirds]

OK, but hear me out

Say Ride the Cyclone were to be adapted into a film; imagine how much fun it would be to see it animated.

Because for the main plot, like the intro song and the mostly dialogue scenes in limbo, you could easily do a stylistic, but still grounded in realism style that a lot of modern animated projects are doing right now (think Arcane or Into the Spider Verse). But once each of the kids go into their respective songs/fantasies for what their life could have been? What if those were done in completely different styles?? Imagine the additional, visual storytelling that would tell about who they are as characters?

Like say, for Ocean's number, WTWN, everything became more simplified, and the characters (especially Ocean herself) turned into a more rounded, chibi-like style to enhance just how cutesy and likeable she's trying to portray herself throughout that number.

Or for Noel's Lament, everything goes black and white, and the characters become even more 2D stylized, and the film scales down to a smaller millimeter frame, more reminiscent of cartoons from the early 20's, when animation was just starting out, to enhance his idealization of "the olden days" (as Ocean puts it).

Mischa's song, This Song is Awesome could be animated with a more choppy frame rate, and the character designs turn a little more jagged around the edges, kind of like animated music videos (I'm thinking a Gorillaz band vibe). But as he transitions into singing about Talia, the colors start to bleed out over their lineart, and become more paint-like and Talia herself moves like a rotoscoped character (think Loving, Vincent that came out a few years ago) to enhance the sense that she's somewhere between a real person and a fantasy Mischa's built in his mind.

Ricky's song would, of course, be stylized after those sci-fi cartoons from the 90's, like X-Men or Captain Planet.

For the Ballad of Jane Doe, I would love to see something like what Wolfwalkers did back in 2020, where most of the characters (in this case, the other kids) are for the most part, animated like traditional, 2D characters with very clean lines and neat movements, whereas Jane herself stands out for having messier, sketchy line art, and looks more and more unfinished in her animation as the song goes on, because she can feel more and more of her own identity being lost.

Constance's Sugar Cloud I could see done in the classic 2D Disney style (i.e., the Renaissance era of Disney, like the Lion King or Little Mermaid days) because not only is it really smooth and colorful and just all around nice to look at, but it reminds the average moviegoer of their childhood growing up with those movies (among others, obviously), which ties in nicely with Constance's preceding monologue about remembering her own life, and the good that came with the bad.

I'm even tempted to envision the first half of the finale song in a different style, when the stage production would show a quick projection of Jane/Penny's life after she returned to the world of the living. Imagine watching this animated film, and for that segment alone, it becomes that really hyper-realistic, almost uncanny valley CGI animation style, to show that she really has joined the world of the living, i.e. our world, among us, the living breathing movie goers watching this, and watching the other kids still in limbo fade back to that main art style for the final number.

I don't know; it just feels like something that would be so engaging to see from an already compelling storyline and characters. Especially with more experimental animation projects on the rise right now

[imbecominggayer]

Writing Advice: How To Condense Your Story Down

From @melda0m3 we have: I'm wondering, how do you fit everything important in fours episodes of 5 minutes? (Yeah... Maybe I'll change it to more if I can't find my answer). I plan on making it really like a series, but without the visual aspect, so no narrator describing anything, just dialogues

Personally, I have no experience with podcasts or recording whatsoever but I do know a little bit about formatting and scripting so that's what I'm going to do!

A) Script Out What Needs To Happen

Grab a computer or a piece of paper and write down everything that needs to happen in this chapter.

In general:

In the first few chapter, it's all about establishing the status quo. What are the relationships like? What are their beliefs?

Then the next middle chapters are about the status quo changing. New lines in the sand are forming. People are going new places. New. New New.

The final chapters are about the conclusion and reflection. Thinking about what happened. How it happened and giving the reader a taste of what the future may bring.

It's incredibly important to have an idea of what the purpose of the chapter is because otherwise the plot tends to either be too slow or too quick. Scripting can serve as a check-in to see if all the actions are flowing in a logical and straight-forward way. The scripting can also create a chronological schedule for not only what needs to happen but also when it happens!

It doesn't have to be detailed. For an example of a cursory guide:

Chapter 9:

Haun reveals how they aren't the chosen one to the King

This causes his adoptive father to banish Haun from the castle for the time being until this mess can be sorted.

Haun's banishment incentivizes Niko to use this opportunity to sneak into the previously hidden room while the King is distracted

There! Short, sweet, and with a logical flow!

B) Write It Out And Chop It Down

The first draft is the indulgence draft. it's the draft where you plop your consciousness out onto the page and see what gets created.

Then you can use the subsequent drafts to cut it all down.

Example A: The house was utterly decadent and large with cracks running up and down everything since it used to be abandoned a couple of years ago. Every single step inside the house rings out a creak and every single glass from the window lost it's sheen. It's just so strange that a house as rich as this one as built in the woods though. I can't believe I used to live here when I was a child.

Example B: The forgotten mansion stood proudly in the forest like an aging warrior holding onto the glory days. Vines caressed each column with a motherly touch. It's almost like it's judging me for having dared left such a beautiful place to wither away.

The problem with the first paragraph, in my opinion, is the obnoxious repitition of how abandoned and decadent the house looks. It doesn't provide additional detail. It just reiterates the fact that there are creaks in the house and thing are dirty. I also dislike the non-sequiter revealing how this used to be the narrator's house when the description doesn't fit a nostalgic or childhood vibe at all!

The first sentence of Example B paints the fact that the mansion is forgotten and large in one simple sentence while Example A takes two uninteresting sentences to do it. Example B uses (or tries to use) nostalgic language to talk about the home so that the reveal the narrator used to live here doesn't come as a shock

C) Dialogue

Dialogue is the most important thing in this project so we have to get it right!

Every single piece of dialogue needs to communicate:

Knowledge (what a character knows)

Personality (how a character acts)

Emotion (how they feel about what they are saying)

Intention (what they are trying to say)

There almost always tends to be a secret 5th element

Secrecy (what they're trying to hide)

This is the case during jokes, love confessions, exposition, and everything!

That scripting thing I was mentioning? Pull that out now! You need to establish the setting? Have a character do it through some dialogue!

"All I can do now is pray Mrs. Jackson forgot about the test!"

This little sentence reveals:

Setting: At or about to go to school

Character A knows there is a test today and they haven't studied

Character A is definitely not studious and probably a bit careless

Character A is nervous about the test

Character A is trying to communicate how they forgot the test

You can also use another character's dialogue to do all of this while still communicating something about another type of character!

For example, Character A could have said:

"I just fucking hope little pet Micheal doesn't remind Mrs. Jackson we have a test today."

This not only establishes the dread and personality of A, it also establishes how Micheal is a teacher's pet and how Mrs. Jackson has a bit of a forgetful streak if this is a reoccuring event.

The dialogue also serves to establish relationships and motivations for why those relationships happen! A is a careless student who resents Micheal for his dedication to school and being a moral little stickler for rules while Micheal has respect for the teacher since they share similar values about education.

D) Inspiration

Since I have no expertise with this subject, I recommend doing the tried and true method.

Find people who use idolize that do this, analyze their structure, and apply it to your own work.

[arrenkae]

Some final thoughts on the Emperor:

I fucking love the guy. He is SUCH a manipulative asshole. He straight up catfishes you and when you find out about his true nature he just goes ahead and proceeds to be all like

"No dude you can still trust me, I'm just like you. I totally have Normal Human feelings. I never lied to you (except when I did). Go look at my basement with all the sentimental trinkets I keep there. I had a dog, does it make me sympathetic enough? Let's have another Heartfelt Convensation, but I'm shirtless now. Will you trust me more if we bang? Yes good so are you ready to turn into a mindflayer yet"

And boy he is REALLY good at this and sounds very convincing

But if you refuse to fall for is act he gets SO pissed off and changes his tune instantly and straight up shows you that this woman he told you about? How he cared so much for her and he is so totally sad that she's dead and do you feel sad for him as well now

Yeah he totally mind controlled her all this time

(which tbh I picked up on way too early because duke Stelmane having brain damage from being controlled by a mind flayer was a big plot point in one of our d&d games and I knew that it was a canon thing in forgotten realms lore even before bg3 came out)

And he's like WELL AREN'T YOU GLAD THAT I AM NOT MIND CONTROLLING YOU

(and by the way I reloaded my save to try those dialogue options; but in the end I played my character as someone who leaned into trusting him, maybe being just a bit wary but still considering him a necessary ally)

But you see

The best part is

That he is SUCH an asshole and keeps giving off more and more sinister vibes and when he asks you to give him the stones to control the elder brain it 100% feels like "oh yeah. this is it. this is the part where this obviously evil guy betrays you"

And then he just

Doesn't

Idk I fucking love it

Because yeah he is totally manipulating you. To do the same the same thing that you also want to do, which happens to be something that is good and beneficial for the realms

But still all he cares about in the end is self-preservation

This game really does well to show that a mind flayer doesn't have to be "evil" in the usual sense but they are beings that are fundamentally different from us and they feel and see the world differently, even being released from the elder brain's control and having some semblance of their old personality and memories doesn't make them just misunderstood humans with tentacles

I would totally kill him, but unfortunately Lae'zel died in my playthrough (the roll for saving her was SO HIGH and I just. decided against savescumming. it is what it is)

And without her my character didn't care enough about saving the githiyanki prince

Maybe next time. And of course another playtrough with a different character, who would stuff all the tadpoles into their brain and become a half-illithid and romance the guy because this is way too amazing not to try

[lutawolf]

My Personal Weatherman and the D/s element Ep 3

If you haven't read my other episode break-downs, please do so here.

Let me just say, I love Segasaki. Oh, so much. He works hard to read Yoh. There is a lot of respect there, it's just there is also a lot of miscommunication. He commands Yoh, put that aside and come eat breakfast with me. And Yoh immediately obeys. While saying, he hates Segasaki in the most sappy inner voice ever. Leading us to believe that I hate you, is code for, I love you.

I really like you, is big dialogue? I mean, even porn should have some kind of plot asshole. I wanna beat his boss. Oh, Yoh is eating out. Change of scenery. Then surprise, Segasaki shows up. I adore it. He knows Yoh enough to know that he would be doing café sketches, so he came by. Um, good thing Segasaki missed seeing him with the girl. hahahaha. Are all Doms jealous? I get this question a lot. The answer is no. However, all Doms are possessive. That's not to say they can't also be jealous, but I personally am known for my possessiveness with damn near zero jealousy.

Their friendship is cute though. She got some brains there. She does. Why isn't he drawing BL! Um, he likes to draw breasts. Okay, I respect that.

The indecisiveness of a submissive. It's a thing. The more submissive, the less they like to make decisions. I however, want to make all the decisions unless I'm hungry, then I short circuit and sound like any hangry female. Segasaki asks if Yoh is working, Yoh says it doesn't matter. So Segasaki says they are going out, and he still asks again if Yoh has plans. Very respectful. Segasaki has way too much respect for any of Yoh's boundaries for anyone but dumbass Yoh to think he is a slave. That little smile Segasaki gives! Ahhhh!

They're on a date! So cute! I love how Segasaki just stares at Yoh and waits for him to notice. You are looking at a Dom with a strong primal instinct. The hunt, the chase, and outwitting his prey.

So much went down at this scene. Okay, so first, notice that Segasaki orders for Yoh. When I talk about a Dom serves food, this is what I mean. Everyone wants me to explain the difference between a Dom and sub serving food, and it's hard to. I can't just say, well one is a Dom and one is a sub, but that is it. The attitude involved with food is different. Segasaki and Yoh are a great example of this. Can you see the difference in how they both serve the food? How one is an act of service while the other is providing? Even in the way Segasaki takes a bite from Yoh's bun, he asks, but he is already going in for a bite and Yoh is already offering. The asking is simply Segasaki being soft with his commands. There is a reason why Brat Tamers are often called charming. Now, also notice that Segasaki purposely brought up the price, he also made sure to say that Yoh doesn't need to worry about it. This is him saying, no matter what, I can provide for you. Which is very important. A sub does not want a Dom that can't provide security. Think about it, a submissive is giving all of themselves, of course they need to feel secure.

Look at the difference in how Yoh asks for a bite. Look how he double-checks that it's okay. Totally different vibe. They felt like only Gyaru could have it? Like only females?

Oh, the ride is giving me My Accidental Love vibe. Yoh honey, this is a date. So cute!

Segasaki pushed that sales lady right out of the way. He wasn't rude, but he clearly indicated that Yoh was his. Poor Yoh is clueless. Man is cute but dumb. Seriously dumb. Thankfully, Segasaki is all about this idiot. He really does get him. OMG, the sheets!!! This is going down as my favorite. HAHAHA

Segasaki teases until Yoh admits. He teases, and then he praises. Ah, now Segasaki is calling him out. He continues to push. Causing Yoh to retreat, but Segasaki won't let him. He then calls Yoh an idiot. Fair enough because he is.

The kisses though! The kisses!!

See, Segasaki knows Yoh. Aw, the way Yoh curls in on him. So cute!

These two are killing me. I need more. Now! I'm looking forward to the next one. Hopefully you guys are too. If you enjoyed this. Let me know. 💜💜💜

[directdogman]

Just wanna say that I'm a HUGE fan of Dialtown and DSaF. I absolutely LOVE the storytelling and the balance you have with the plot! The absurdity mixed with logic and realism that paints something that could very well happen is absolutely stunning! I truly admire you and your teams' (assuming it isn't just you but I'm not sure) skills.

I do have a question though! At some point I saw an ask that you answered regarding writing dialogue and the differentiation of writing characteristics in different characters! I have to ask, what does the process look like for dialogue writing? How the hell do you stay in the mindset of the character? It's something that I struggle with way too much in my own writing (with way too many Google searches on synonyms for different words) so I'm wondering what your process is. Especially when it comes to a character lole Oliver, who has a theatrical way of speaking. It feels like there's too little words in the English language but you have this guy that's using all of them in one sentence!

Anyways, hope you're having an awesome day. If not, I hope things improve! I hope this wasn't too lengthy of an ask, haha.

Hey, don't think I'm necessarily a master at this! Hell, you should see how much I have to google word synonyms! Seriously, every time I sit down to write, I do the very same! Even if you become familiar with every word in the English language, you can never really store them all in your head at once! There's people out there who kinda can, but that's the thing, you don't HAVE to be insanely skilled in that way to write compelling character dialogue because I sure as hell am not!

DW, you're on the right track! It gets easier, the more you do it, but there's no real secret to writing really good dialogue (at least, that I know of) other than just writing a lot and when possible, studying writing that you really like and trying to deconstruct what others do (and it sounds like you're already on the right track, in the regard!)

One thing that helps me is being able to think like the character. Understanding how they think, how they feel about the world, what makes them tick, etc. It's easy for me since I write characters that I tend to share some common experiences with (or characters that share traits with people I know intimately), but even I don't delve as deeply into character-psychology while I write as I could. But. I feel I know enough about my characters to understand their 'vibe' pretty well! TBH, sometimes I have to go and replay existing DT scenes just to ensure it all 'sounds' correct. If you get good at this, you can pretty much hear your characters speaking in your head! That makes what you're asking about a hell of a lot easier.

I'm really more of a student than a teacher in the grand scheme of things (I have a lot to learn, myself!) and honestly, just having an interest in writing and wanting to deconstruct the stuff that inspires you is a big plus in becoming a really good writer! As cliché as it sounds, I really am just one dude standing on the shoulders of giants. Never forget that writers who inspire you are in the exact same spot you are. Hope this helps!

[gynandromorph]

any advice you might have for other artists who also are or want to write, illustrate, and self-publish a graphic novel physically? been super inspired by your work for years and would love to hear if you have any insight on either step of the process in your experience

honestly i'm not sure if i can give any advice because i haven't self-published mine yet and i'm still learning a lot when it comes to drawing it... draw big (450 dpi kind of big) and make it black and white if you can because it'll save you a lot of time and money (if you draw a b/w one you are going to want to aim for like 600+ dpi). keep files with lines on a different layer at the very least if you are working digitally because you have to do something called "backing" them to make them look black. i would have gone with print ninja if not for the censorship laws in china but it should be accessible if your story isn't like. graphic or adult. generally you will want to use a print-on-demand service if possible (nofna uses kablam iirc). for writing one... try to be concise with the story. anything can be published as supplementary content on the side, so try to only keep in scenes and dialogue that the story really needs. you might benefit from a more specific style of scripting, where every panel on every page is described, or a loose scripting style, where almost nothing is described, just dialogue. i'm a planner and generally i have an idea of beats that a story needs to hit as i'm "sculpting" the script in the early phases, but a lot of people are discovery writers who find planning boring, limiting, etc. those kinds of preferences i think come down to experience from experimenting. make sure you know what kind of style you want to do for your comic as well... the messier and looser you go with the style, the easier it's going to be, because you are going to look back on it halfway through the project and like 20 months in and see mistakes, but they will meld into the "vibe" more. however, this is harder to do with black-and-white since it has to rely a lot more on lineart to convey the imagery. anyway. if i learn anything else i'll let you know lol. it's been a horrible time all around and honestly if the plot did not extremely DEPEND ON IT BEING PRINTED, i would have just made the story entirely digital. it wouldn't be worth the constant road blocks and limitations. also i think the more advice you look up about comics the worse it gets because you just acquire more and more useless compulsions insane comic artists regurgitate onto the internet like it's fact and it really really really slows you down in the end. there are so many stupid fucking opinions about how speech bubbles and panels should look i wish i could Unsee

[morethansky]

***TBB FINALE SPOILERS***

"The Cavalry Has Arrived" aka MY OTP IS CANON NOW

A truly absurd amount of meta and thoughts and screaming under the cut:

Overall

• I...loved it????? This is the biggest plot twist of all for me. Like I've said incessantly, I've had so many issues with the writing choices for this show, and I'm so grateful the brainrot set in so I could start watching it through a fandom lens and have way more fun with it than through a media critic lens and being a hater. But like...that was actually really satisfying to me within the parameters of where the show had led to in the last four episodes??

• As everyone on the planet probably knows by now, I would've been much happier if this show had led to the Batch choosing to do the right thing and joining the clone resistance, and if we never get another clone series, I will continue to be unbearable and salty about the lost potential of telling that story. But after Echo left and we stopped following his story, I gave that hope up. And ofc nothing about my criticism of this season is invalidated. But given the pieces on the board, I'd pretty wholeheartedly give the finale my stamp of approval!

• I'm ultimately glad that this show ended on a "We don't leave our own behind" note, because that's the clone energy and general Star Wars energy I'm looking for, and they did a great job of applying that theme to every non-villain in this episode, minor and unnamed characters included—but it's still so darkly funny for them to have continued to push this idea even though the first season is literally about them leaving their own behind and moving on. And then Crosshair calls them out on it. And then he just...leaves himself behind. Even in their first appearance in TCW, the Batch's entire vibe is that they keep trying to convince Rex to leave his own behind lmao. I just feel like the show wanted this adage to tie everything together, but then forgot to keep applying it somewhere along the way. But hurrah for this abundant use of it!

• My overall biggest criticism was that even within this one episode we got back on the rescue/captured/rescue/captured treadmill. It's the biggest plot crutch of the show. It's so goofy that Omega and Echo rescued both the children and the imprisoned clones by themselves. The setup made it so that by going to rescue Omega, Hunter, Wrecker, and Crosshair actually put her in more danger. And because they were there, more clones died, wtf!! But I do like the narrative flip—Echo and Omega were both saved by the Batch in their introductions in this era, and here are they are being the ones to save them in return. Omega and Echo also are the characters in the main cast who deserve the rescuer plotline the most, since they have been consistently portrayed as helping those in need no matter what.

• Hilariously, one of the most pivotal roles that the Forest Trio plays in regards to the GFFA at large is that they were essentially Rampart's rideshare drivers, thus enabling him to be there and force Nala Se not to hesitate to destroy Project Necromancer.

Rampart and Nala Se

• Hemlock saying his work makes him indispensable is fantastic dialogue; it just seems like some dickish thing he would say to shit on Rampart, but it ends up giving Rampart the idea to try to leverage his work to become indispensable himself, and in saying that line, Hemlock ushers his own ruin!!! This is the kind of script work I've been begging for.

• Also I was so right about Rampart being like a Kallus foil! That infamous shot of him in his sad, sterile room after Bahryn is mirrored here with Rampart sitting in pretty much the same position, except his path is the opposite from Kallus's.

• They did an EXCELLENT job with Rampart's fate. I was worried they were neutering him these last couple eps, even if the comedy was gold, but this was very well done. Everything that happens leading up to his death makes complete sense for his character, and it accomplishes the very key plot point of destroying Tantiss. At the start of the season I couldn't figure out how and why the Batch was going to end up delaying Project Necromancer for like thirty years, so I feel validated that they pretty much don't. Very typical of this show to not have the protagonists do the heroic work, but fuck it, I like this instance.

• The humanizing of Nala Se in this show has always been a bit of an interesting choice given that this is feels like such a direct successor to TCW and she was so clearly a villain there. But although they don't quite redeem her, her motivations and her fate were also artfully executed here. Her conversation with Omega pretty much takes into account every Nala Se scene in this show, which is a great way to wrap her character up. And I really like the mirror of Nala Se giving Omega her datapad in the season premiere, and Omega giving Nala Se a datapad here. Both times, Nala Se is determined to set Omega free.

• And I'm so glad there was a follow-up to the destruction of Kamino as well! Nala Se getting a bit of revenge against one of the beings responsible for the genocide of her people and destruction of her homeworld is not something I expected at all, and I love it. And the setup of Nala Se picking up the detonator and Rampart picking up the blaster is just fantastic, because you know from just those two shots that Rampart is willing to kill to gain Palpatine's favor for himself, and Nala Se is willing to die to make sure the being she loves will be free.

Echo and Omega supremacy

• Give me an Echo-led rebel show where he convinces all sorts of people in the Empire and the underworld to defect/help them, please!!! He's so good at it, completing Emerie's turn so efficiently! We have to assume Rex is also good at it given his cell and that he has clone spies and even undercover agents, but every time he sees Hunter he has tried and failed to recruit him lmao. Also REX'S NAMEDROP but him not showing up surely means...we'll see a continuation of his story soon after this...right??? Also this means Howzer still lives, oh, thank god.

• "Because it's exactly what I would do." Strategist Echo comeback yessss!! A nice little callback to the Techno Union arc that kicked this story off as well. And HELL YEAH Omega's relationship with Echo is my favorite out of all of her connections, and I'm living for their spotlight together this ep. I'm extremely invested in found family stories not relying on nuclear family narratives, and I love that you see throughout the show that Echo doesn't "raise" Omega like a kid—he trains her like a cadet. Like someone who he intends to be his equal, which is a nice and very appreciated contrast to others treating her like a precious sheltered baby.

• Their goodbye scene in "Truth and Consequences" is one of my favorites in the show, and I just adore that when Omega is upset, Echo doesn't coddle her—he reminds her of her duty to watch over the others, giving her a purpose and a reason to stand tall. When he conveys that he was worried about her and thinking of her while she was captured, he gifts her a weapon he designed and made for her during that time, so that she won't have to be defenseless after being defenseless for so long in captivity. It's so clone trooper, and I love it and the glimpses these details give us about clone culture and how the older clones cared for the shinies and the cadets and showed their love for each other.

• I also liked that Omega couldn't have escaped without Tech's training, since slicing was so vital. And all her stealthy stabbing is of course reminiscent of Hunter. And finally some emotional payoff for the ongoing bit about Wrecker being afraid of heights! I'm weak for inspirational Star Wars quotes, and this show hasn't had many, but "Just stay focused on what's ahead, not what's below," is a lovely one.

Forest conversations, my beloved

• The Kiners scored the fuck out of this episode!!! So many clever, thoughtful reprises. This is the first reappearance of Crosshair's theme that's played on the synths since he began healing! And then it segues into a soft violin tremolo version that makes me cry, and then it intertwines with "The Sacrifice" from Tech's death, ouchhhh. I have a lot of meta I need to write out about the tracks "The Reunion" and "They Always Work It Out" and how they say so much about Hunter and Crosshair, but I can't believe how well my analysis paid off in the cues in this scene! More on that in another post.

• Gosh, Wrecker's injury scared the shit out of me. But I love him so much and I'm glad he got at least a little moment, even if he didn't really have a story arc here. Or you know, in the entire damn show. And I ultimately liked that the purpose of it wasn't just to freak us out but to give them a plausible disadvantage and to give Crosshair someone to fuss over the whole time and act more recklessly because of it, thus reiterating this key character trait of his.

• I love Crosshair being worried about Wrecker and Hunter and them being worried about Crosshair. That's the squad content I crave and have been missing!! Unfortunate that it specifically has been happening when Omega is out of the picture. Writers, I swear to you, you can do both.

• Can't believe it took another half season for someone to say something about Tech's death, and it was Crosshair, who wasn't even there?? Cool line and sentiment, but man, so frustrating. I like this callback to his conversation with Rampart, though. "Depends on who's giving them" and in this first act he keeps trying to give those orders himself. Thinking of Rex on Umbara: "We're not programmed. You have to learn to make your own decisions."

• God the forest conversations in this ep and the previous one fed me so much. Hunter saying, "And so do those clones" had me literally jumping out of my seat and cheering. Baby boy, it took you so goddamn long, but thank you for finally actually giving a shit before the conclusion of your story. And "It's what I deserve," hnghhh that's the good shit, and it hearkens back perfectly to "I belong in here." And Hunter immediately telling Crosshair hell no made me very happy. And then later Hunter saying "Crosshair—" when he's worried Crosshair is still going to sacrifice himself, but Crosshair reassures him that he'll be right behind them... My heart! What a Crosshunt feast we got in this ep!!!

• Can't believe we also got so many Crosswrecker moments from the get-go and they kept coming! And my three precious little Techwrecker crumbs: the way Crosshair specifically chooses Wrecker to say the cutting remark about Tech to; the way Wrecker bows his head because that was right on target; and Wrecker being the one to watch Tech fall and to scream, "Don't do it, Tech!" in "Plan 99" yet the one to say with such conviction here, "We've always known the risks. And so did Tech." That's just so...finally accepting your beloved is gone ;_; Not really deserved by the text, which kept all but a total of like maybe one total minute of mourning off screen for some fucking reason, but.

Clone X, more like Clone Sexy

• There aren't nearly as many Clone X dudes as I expected?? I guess Crosshair's situation wasn't that rare after all? Or do they just run through them super quickly because Rex's team keeps taking them down?? Regardless, god, THEY ARE ALL SO SEXY. The way they animated their movements was so creepy and hot. And them not speaking was so eerie, I loved it. And then the moment that CX-2 did was so effective and terrifying!!! But remembering that those were clones in there is so, so heartbreaking.

• I really like that Echo really felt like both a clone trooper AND the resistance agent he is now this whole episode, and Hunter, Wrecker, and Crosshair actually briefly got to feel like commandos. The slick stealth and silent communication was also very sexy.

• MY GOD, I loved these action scenes. They were lit and choreographed so cool, they were super intense and had real consequences and close brushes with death, and the logic of the fight flow was really good, too. A character being incapacitated because they went to try to help an ally is always a wonderful driving force for action and gives it that crucial character-driven element that raises the stakes, and is great for making sure the main characters aren't too OP, and there was a ton of that here.

• Hunter and Wrecker getting shot by laser cannons and Hunter pushing Wrecker away from the blast made me shriek in terror AND THEN CROSSHAIR SHOOTING THE PILOT DEAD ON NO HESITATION NO ANXIETY NO TREMOR BECAUSE HOW DARE YOU HURT MY HUSBAND I'M FUCKING LIVINGGG. And then Wrecker stumbling over to Hunter and lifting the debris like he does in TCW. Boom, three pivotal character-driven action scenes in a row that divulge a key characteristic of each character! Excellently written and directed.

• Also I am SO SO SO HAPPY that we're getting to see this protective Crosshair come out in full force!!! This is the Crosshair who risked his life to try to save Mayday, who shouted hysterically when Hunter fell into the ice and was so desperate to get him out, who worried over Omega on Teth. I also really like this contrast with how he was about Echo—"Echo's on it." He knows Echo will get the job done and be safe and that's despite his former prejudice against regs. He's worried about Hunter and Wrecker and that's despite previously spending time trying to hunt them down. And when he suffers consequences, it's because of him worrying about them, and that's so delicious.

• Finally got to hear Crosshair screaming! And Hunter was already the screamer in this show, but goddamn does he get to scream in this episode. Thank you, directors, for this whump material! My man Steward Lee never lets me down.

• THE WAY THAT WHEN CROSSHAIR IS TRYING TO SAVE WRECKER HE REACHES FOR A DC-17 OMG!!!! I feel so validated! And just like with Mayday, he's incapacitated afterward...

• God the way CX-2 waits to be tossed the vibrosword and then leans down with it while Crosshair is already incapacitated is SO brutal, like this is not a battle injury. It's straight up what Anakin fucking Skywalker does to Count Dooku just before he becomes a Sith Lord, like holy shit, dude. This scene is so cool and I've watched it 10,000 times over the past 24 hours, but also why did he do that lol, is he just supposed to be particularly cruel?? Obsessed with tormenting Crosshair for some reason?? Also, these vibroswords are exactly how I've pictured Ahsoka's being in A Future for Us :D

• At this point I was like, uhhh, the messaging of Crosshair struggling with this psychomatic hand tremor since the first episode of the season and then the symptom literally being taken out of his........hands sure is a Choice, especially coupled with how they've treated Echo (or you know, not). When they showed him still with the symptoms later, I was very relieved, AND THEN HUNTER LITERALLY CURES CROSSHAIR THROUGH THE POWER OF THE LOVE AND FAITH AND TRUST HE HAS FOR HIM IS THERE ANYTHING MORE BEAUTIFUL IN THE WORLD???? But I'm getting ahead of myself.

Echo is the GOAT

• "You were helping us, Dr. Karr?" / "I am." I love this subtle line and how Emerie acknowledges that she wasn't sure of her loyalties before but is certain now. And I love that she says such a clone trooper thing, "You have my word," and then doing the clone shoulder pat, especially in direct contrast to the natborn kids hugging Omega just before.

• "Hey, kids. ...And other kids." is just so fucking 501st, I can't explain it. I'm just so ecstatic that they did Echo such justice in the end, giving a nod to everything about his character, even his dorkass cadet personality. And it wasn't just so he could die, thank god!!!

• Like Echo even got a DARTH VADER homage??? That's his mass-murdering general (affectionate). More on this here!

• Also is there anything more Big Dick Energy in the world than Echo eviscerating Rampart—who either the clones would recognize as a former vice admiral or at least see his captain rank plaque—with what may not be a theme this show really earned but is ABSOLUTELY a theme that Echo deserves and has shouldered for over two seasons...and then just straight up shoving him out of the way so that he can talk to his brothers???? And with his stormtrooper helmet—which is like Echo refusing to dirty his hands (including his new, long-awaited one) by touching Rampart oh my god??? Sexiest man alive.

• So the answer is no, there isn't. Fives is hollering from the afterlife. Half those clones immediately developed a crush on him in that moment. That one clone later placing a blaster in Echo's arms so gently confirmed this for me (remember the symbolism of Echo making the energy crossbow for Omega? He even gives her his borrowed blaster in this scene), but it's so sad that he died because of it, whyyy.

• Also I love the "Clones don't leave our brothers behind" riff on the "We don't leave our own behind" adage. It's very fitting that Hunter would put it that way because he only means his squad (+/-1), whereas Echo would see it as meaning his people.

• And I love how when Rampart first shoves Echo, the clone in front that Echo's been talking to prickles and makes brief eye contact with him, to be like, "Should we take him? I've got your back." I felt that girls (gender neutral) in the bathroom energy so hard.

• The clones helping each other out of their cells made me so emotional. And it's the same way that Hunter and Crosshair do later...

• Echo asking for volunteers, just like Rex did on Umbara..................

• I think this post is breaking and I'm still only two-thirds of the way through my rewatch, oops. And yesterday I stayed up until 8 a.m. after I put it on again after watching it for the first time... I'm so normal about this show. More tomorrow!

• Part 2!

[steddieunderdogfics]

This week’s writer spotlight feature is:  steddieasitgoes! @steddieasitgoes has 27 works posted to AO3 in the Stranger Things fandom and 23 of them are in the Steddie tag!

Our anonymous nominator recommends the following works by @steddieasitgoes:

Signed, Sealed, Delivered (I'm Yours)

for a fortnight there, we were forever

honey i'm still free (take a chance on me)

You Were All Yellow

Eat Your Heart Out, Big Boy

"Her fics are SO FUN. I have enjoyed every single one that I've read IMMENSELY and am always talking about them to my friends after I've read them <3" -- anonymous

Below the cut, @steddieasitgoes answered some questions about their writing process and some of their recommended work!

Why do you write Steddie?

Was I supposed to watch Eddie throw Steve his vest – the quintessential 80s romcom moment – and be totally normal about it? But in all honesty, there’s just something about them that compels me. When you dig deep into their personalities and arcs, they’re really two sides of the same coin and there’s so many ways for that to manifest in fic.hen

What’s your favorite trope to READ?

I had to consult my ao3 bookmarks for this one and “getting together” tops my list, which really isn’t a traditional trope but I absolutely adore that mutual pining, idiots in love sort of thing that happens in those fics. Bonus points for slow burns!

What’s your favorite trope to WRITE?

Idiots in love for sure. Again, not a typical trope but I’m pretty sure it’s tagged on just about every fic I’ve written. It’s just so easy to slot them into those roles and banter their way into a love confession. The show is so life and death all the time, that I like letting them be goofy boys.

What’s your favorite Steddie fic?

This is like asking me to choose if I’m more of a Steve girl or an Eddie girl – impossible! But if I had to narrow it down to a top few, I’d say: the most remarkable thing by greatunironic, rounding third, sliding home by througheden, better by you, better than me by palmviolet, and is your light on? By Adure

Is there a trope you’re excited to explore in a future work but haven’t yet?

Outside of fic I’m a huge fan of enemies/rivals to lovers so I think that would be fun to explore between Steddie. There’s a hint of it in Signed, Sealed, Delivered but I think their hatred fizzles out really quickly and I definitely want to play with something where that takes longer to happen.

What is your writing process like?

It sort of depends on the project, but typically I get a kernel of an idea. Somethings that’s a setting, sometime it’s a bit of dialogue, sometimes it’s just ✨ vibes ✨ Then I’ll add it to my jumbled mess of a notes app on my phone and keep adding to it as I get ideas. When I wrote my first fic (Can’t Fight This Feeling Anymore) I had no outline whatsoever. I just knew I had this one scene in mind and kept writing and building the world until I felt the moment made sense to happen. Nowadays, I’m a bit more organized when it comes to longer fics. I’ll usually do a bare bones outline with the major beats I want to hit outlined. This gives me enough structure to not feel lost, but also lets the characters breath one the page and make their own choices. Every fic, but the one I’m working on now for the steddie big bang, I’ve written chronologically which helps me because I can see the progression of the relationship dynamics in real time.  For one shots, it’s somewhat similar. I start with a kernel of an idea and a general plot in my head and just write and hope for the best lol

Do you have any writing quirks?

I think I use the same sentence structure a lot which drives me nuts, but I can’t always help it. Motif-wise I don’t think I have a unifying theme amongst all my fics, but I can almost guarantee that there will be some kind of third act break up. Happily ever afters are always going to be in my fics, but I like to make them work for it. Also they do a lot of gazing at each other and things in my fics. So much gazing!

Do you prefer posting when you’ve finished writing or on a schedule?

Generally, I like posting when something is completely finished. But I get antsy and have been known to start posting when the fic is 85% done and then procrastinate on writing the end until my deadline is looming.

Which fic are you most proud of?

I’m proud of all of them for different reasons, but I was really blown away with Can’t Fight This Feeling Anymore. I hadn’t written fic in years and had never written a third-person mlm story before. At the time it was also the longest thing I had ever written. It definitely made me fall back in love with fictional prose writing and the steddie community as a whole.

How did you get the idea for Signed, Sealed, Delivered (I'm Yours)?

It was actually inspired by a ficlet I had written earlier that year and decided to use as inspiration for the full length fic. I was driving around and I kept seeing mail trucks everywhere and I remember getting an image of Steve in those short khaki shorts, carrying a satchel full of mail. And then I remember thinking “I wonder what Eddie would think” and the worms took over. I will say, expanding it into a full fic did take some time though because the ficlet was just vibes

When writing Signed, Sealed, Delivered (I'm Yours), what was something you didn’t expect?

How long it ended up being lol I think it came in double what I had predicted it to be. I also didn’t expect to write it in the way I did. All my other fics are very traditional in that each chapter is a day or a couple days and it follows a clear timeline. With Signed I really went for a vignette, slice of life sort of storytelling which was a bit difficult initially but I think it paid off in the end.

What inspired honey i'm still free (take a chance on me)?

That one was written for a valentine’s discord server so it was based on the prompt steddiealltheway on Tumblr had submitted. It took me a minute to work out the plot, but I liked the idea of Robin getting to be the wingwoman for Steve.

What was your favorite part to write from for a fortnight there, we were forever?

There was a metaness to that one that was so fun to write. You have Eddie falling in love with Supernatural, a show that was known for making questionable decisions in the end and talking about how fanfic saves the day and that’s exactly what I’ve spent the last two years doing for him lol I love the idea of Eddie being a fandom kid like all of us, and dragging and unknowing Steve into it with him.

How do/did you feel writing Eat Your Heart Out, Big Boy?

At the time I think I just wanted to write something fun and silly because I was deep into Signed, Sealed, Delivered at the time and was feeling bad about not sharing anything. It was like a palette cleanser.

What was the most difficult part of writing You Were All Yellow?

Definitely deciding which yellow objects I was going to use and figuring out how to string them together in a clear narrative arc. It was a puzzle of sorts that took a lot of patience to figure out. It was also a bit reverse-engineered where the objects dictated what the story would be. I think it would have been easier if I had the story first and then found things that fit that narrative.

Do you have a favorite scene and/or line from any of your fics?

I struggle with writing poetically, so I was really proud of this line from Duck, Dodge, Don’t Fall In Love: “He feels like an astronomer falling in love with stars for the first time in the untouchable night sky. Because that’s what Steve is, right? A dazzling force that Eddie can steal glances at but never touch, never reach.” But also any and all smut scenes I’ve written. That was an incredible challenge at first and I literally wrote the first make out scene ever under the covers of my bed lol

Do you have any upcoming projects or fics you’d like to share/promote?

I’m planning to participate in this year’s Steddie Week with some (hopefully) short one shots. And then I have my big bang fic When The Buzzer Sounds that will come out later this year. Other than that we’ll see. My notes are overflowing with ideas it’s all about finding the time and the right one.

Outside of these questions, Is there anything YOU would like to add?

As I write this I’m not sure who nominated me, but I want to say thank you to them! It’s so wild to me that people resonate with the silly stories my brain comes up with and I’ll never take that for granted. There’s so many creative steddie fic writers out there and I’m so happy to be one of them. We really blew up overnight and it’s been so fun watching everyone grow together. And I want to thank all the mods behind this blog for helping share writers hardwork!

Thank you to our author, @steddieasitgoes, and our anonymous nominator! See more of steddieasitgoes's works featured on our page throughout the day!

Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!