#I'm not looking to make GOOD writing
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My first attempt at writing that's vaguely like poetry: from a dragon
I am not what you think.
I walk around, awkward limbs and flighty mannerisms, and you think I’m strange. You have no idea how strange you would think I am if you only saw what was underneath.
Underneath, I am a creature of the ocean. Something that could never pass as human, and no longer wants to. Saltwater rushes through my veins in secret, silent to everyone but me. To me, it’s a roaring sound of the waves that I have never seen except for within my soul. It yearns to dissolve into the ocean like it could long ago, but for now those days are over and I am hidden underneath skin and muscle.
Underneath, there are wings; fins; antlers. They ache to tear from my back, through my skull. Nonetheless, they stay hidden for me, safe in the silence. Protected like I protected my kin in a lifetime so close to the surface and yet unreachable. Wrapped in a form that no longer coils around them like a serpent, but keeps them hidden from predators well enough I suppose.
I suppose.
I accept my form reluctantly and do what I can to make it mine. I shape it to feel better when I discover my gender, and when I can’t shape it to fit my true self I cover it in things that feel a little more like home. A little more draconic. A little more like the ocean that I never have seen, but feel homesick for anyway.
I do find joy in being in this body, at least. Out there, there are others. Angels working minimum wage, dragons sitting on a park bench, wolves buying groceries. We hide, but we do so to be free. We walk through crowds, and no one notices our scales and fur and feathers. But we do. We see each other, even if from miles away, and we see what’s underneath.
And underneath, none of us are what you think.
(Tags for side commentary/context)
#not looking for even constructive criticism since this is literally my first ever writing that isn't fiction or just a vague ramble#at least the first that I finished#I'm not calling it poetry bc that feels too fancy#this is a ramble that's shaped like poetry#because I'm such an open book type of person to the point that some people have called me “so brave for being open” about things#which I still genuinely don't understand bc bro I'm just talking about being autistic and queer and shit like if you had issues with that#I would tell you to fight me#but that aside#it's become an issue that I can't talk about my otherkinity irl to most people#like it'd be unsafe and all that jazz#so this was sort of about that#and sort of just a general exploration of my draconity for fun#and sort of a shoutout to the otherkin community for making me feel normal about it#bc otherwise I'd feel like a freak and be miserable right about now#otherkin#alterhuman#nonhuman#dragonkin#otherkin blog#otherkinity#therian#otherkin community#amphitere kin#it feels too dramatic or smth but that's just the tone I write this type of shit in so???? ehhhh fuck it#I'm not looking to make GOOD writing#I'm looking to write that's it#(also I'm not fishing for compliments in the slightest I'm legit writing that down so my ADHD ass remembers to not judge my writing later)#not sure if i should tag a tw but like#body horror tw#? I think?
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in my mind since Peach hasn't seen any of the movies the bros grew up with they have a movie night every weekend where they rotate who picks the movie each week (luigi picked twilight only partially because it gets on Mario's nerves) also dialogue is typed out under the cut cuz I know it's hard to read
Luigi: What team are you on? Jacob or Edward? I'm team Edward.
Peach: Jacob for sure. Edward is creepy... How about you Mario? What team are you on?
Mario: Neither! they're both weird and this movie sucks.
Luigi: Oh booo.
#my art#fanart#I had to crop it cuz the canvas was so big i could see the text 😭#i watched Twilight last night that's why i drew this#I'm team nobody#luigi#super mario#luigi fanart#mario#peach#mario fanart#princess peach#princess peach fanart#smb#i have to draw things instead of writing them because i am no good with words and it's kinda obvious with how i use punctuation 😔#that's not that related to this it's just making me think of it#0 likes and I'll draw more of them watching twilight and other shitty 2000s movies#i know the first drawing looks weird i haven't drawn for a few days so it was hard
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birthday boy 🎂
#river dipping#theodore doe#matthias evanoff#a burning house to live in#echthroi#ts4#ts4 edit#simblr#ts4 screenshots#theo i hope you're having the most insane birthday sex rn i hope it's ******** and ***** and ***'** **** *** **** ***** :)<3#sorry i put off making your birthday edit for so long that i had to pivot and post this edit instead of the one i wanted </3#...very funny how similar this is to that LAST render i posted... well so WHAT!! if i think matthias looming is sexy!!#this is based on a photo that everyone was drawing their ocs as so really it's not MY fault he's back there clinging and being a freak#actually if y'all want this pose lmk... i'll share it but fyi it's only meant to be seen from the waist up and idk how it'd look#on a sim that doesn't have the same muscle mass and like. bulk. that matthias has......................................#just got rock hard after typing that... anyway.#HAPPY BIRTHDAY THEO <333333333 LOVE YOU SO MUCH I PROMISE I'M GONNA KEEP WORKING ON THE //ACTUAL// BIRTHDAY EDIT!! like .#posted abt this on the sideblog but the real edit i have planned for him is making me lose my fucking gourd#and it'll probably take me :))) a few more days to figure out#expect a depressing theo-as-a-teenager edit eventually tho. with writing!! accompanying it!!#matthias's face has changed again btw 😭 i redid it almost immediately after i posted that first render attempt so he looks DIFFERENT!!#i posted screenshots of him in cas just the other day on my other acc and he looks so good in them i might post them here too#oh and!! this edit looks massively different than my last because this screenshot was taken with a new preset i made specifically for#the real birthday edit i'm working on... it's a hallway scene so i figured out depth and density to get this really cool fog effect#i'm really excited for it!! in my head the way it looks makes me crazy but idk if i can pull it off properly. but like i WAS SAYING!!#new preset is sooo sexy after i post this i'll reblog with the before and after to show you how good it looks even w/o any editing#like. the colors....... literally have always wanted a preset like this i'm so glad i spent yesterday fucking around with it#ALSO!! i've been doing those oc/ship dynamic templates for fun recently so i might post a few of them here soon#realize i'm rambling so much in these tags bc i haven't been here in forever kfjnkfjhn ummmmm. let me stop.#EVERYONE WISH THEO HAPPY BIRTHDAY RIGHT NOW 🫵‼
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i personally have very complicated feelings on the Gotham Knights video game and the routes it takes with characterization. i think it has a charm to it and it goes in an interesting direction with everyone (especially within the confides of the plot of the game) but it does have certain moments that veer painfully fanon for me. (such as: the dialogue where Tim drinks too much coffee) it's an interesting story for what it is but i don't view it comics-based for characterization and therefore don't care to interact with it much for like. fanfic purposes.
that *said* though. i do have to give the game some kind of credit for giving one of the top five JayTim moments that lives rent free in my mind. every since i played the game, the cutscene lives in my mind daily. it's the specific cutscene where Jason and Tim are arguing about whether or not Jason's non-lethal bullets are too dangerous for the field, and the argument leads to TIm *standing in front of the target* Jason is shooting and telling Jason to shoot him. it lives rent free for me. i never stop thinking about this.
the absolute certainty Tim has that he is in no danger standing in front of Jason, who has a loaded gun pointed at his face. the way Jason *hesitates* for just a moment before lowering the gun. he thinks about it for just a second. Gotham Knights JayTim seem to get along very well and can rely on each other, but Jason still clearly holds a bitterness about his death and Tim that flickers through in some lines of dialogue under the guise of jokes. especially since this game deals *heavily* with concepts of Pit Madness causing an altered state of consciousness, i think it's believable that occasionally, Jason fights the urge to fight and hurt Tim for the feeling of being replaced.
i like their tension so much in this canon. they get along but you can *tell* Tim is afraid of addressing Jason's trauma or even addressing Jason head-on, and Jason leans into spooking Tim about it. which isn't very comics feeling in their dynamic, but it is an interesting way to place their dynamic if you're playing with a more timid Tim who's newer to the role of Robin. (which he seems to be in-game) he really doesn't want to offend Jason, or worse, piss him off. but he'll still face Jason head on for things like this, while completely aware of what Jason could be capable of.
and Jason seems very protective of Tim and respecting Tim as a Robin in typical Jason fashion. if Tim pushes, Jason *will* relent. he knows this is a kid who's proved himself and should be treated with equal respect, sometimes even more than Dick and Babs do in-game.
so for all that to culminate in Tim stepping in front of Jason's loaded gun that he *knows* is on the edge of being too dangerous, just to force Jason to listen? it's the most unhinged way Tim could've gotten his point across in this scene. he was literally daring Jason to hurt him and playing with a very dangerous fire. but he did it anyway bc he believed he could make Jason heel just at the thought of hurting Tim. and he was *right*. they're gay and i'm feral ty.
#necrotic festerings#jaytim#tim drake x jason todd#gotham knights game#i hate their character designs for what it's work#BUT the size difference. jesus.#anyway i could write a gotham knights jaytim fic i think#i'm *very* unsure the ages intended for these characters#bc tim certainly seems to be intended to be a teenager#whereas jason seems in his 20s so i think it's a gap that's bigger than the comics#which also makes it fun. usually you don't get a ton of age gap with jaytim they're just under 2 yrs apart#but this tim is definitely still a teen and jason is an adult.#and seems to enjoy being a bad influence on tim in the game so#there's such good fodder for some dead dove shit#anyway the funny thing is i like this game#you don't want to know how many hours i've played it#it's just best treated as a seperate iteration of the characters than being an adaptation of anything#esp since they're *so* vague and waffly on jason's backstory#as well as not giving a ton of info on how tim became robin#you assume it's similar to comics but some details leave gaps in the timeline. so idek#probably not somehting meant to be thought about too hard.#but i'm an overthinker at heart.#my point is they're gay. this is gay. it baffles me ppl don't look at this as the gayest shit alive.#tim daring jason to shoot him is the most tim drake thing in this game#well that and tim wanting to make a talon in the belfrey.#also NO one say a word about the gif quality /lh#i had to make it MYSELF#i do everything around here to show off their gay shit#sorta tempted to just make a masterpost of “every gay ass interaction between jaytim”#bc i've seen some clips from the titans show
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
#i really do have a love-hate relationship with this timeline#because it's FASCINATING lore. genuinely. and i think it carries over the themes of certain games REALLY well#but i also think it's indicative of a trend in loz's writing that has REALLY annoyed me for a long time#which is this intense need to cling to oot#and on a certain level i get it. that was your most successful game probably ever. and it was an AMAZING game.#and i think there's definitely some corporate profit maximization tied up in this too--oot was an insane commercial success therefore you'r#not allowed to make new games we need you to just remake oot forever and ever#and that really annoys me because it makes certain games feel disjointed at best and barely-coherent at worst.#i think the best zelda games on the market are the ones where the devs were allowed to really push what they were working with#oot. majora. botw. hell i'd even put minish cap in there#these are games that don't quite follow what was the standard zelda gameplay at their time of release. they were experimental in some way#whether that be with graphics or puzzle mechanics or open-world or the gameplay premise in its entirety. there's something NEW there#and because the devs of those games were given that level of freedom the gameplay really enforces the narrative. everything feels complete#and designed to work together. as opposed to gameplay that feels disjointed or fights against story beats. you know??#so I think that the willingness to allow botw and totk to exist independently from the timeline is good at the very least from a developmen#standpoint because it implies a willingness to. stop making shitty oot remakes and let developers do something interesting.#and yes i do very much fear that the next 20 years of zelda will be shitty BOTW remakes now#in which botw link appears and undergoes the most insane character assassination youve ever seen in your life#but im trying to be optimistic here. if botw/totk can exist outside the timeline then we may no longer be stuck in the remake death loop#and i'm taking eow as a good sign (so far) that we're out of the death loop!! because that game looks NOTHING like botw or oot.#fingers crossed!!#anyway sorry for the game dev rant but tldr timeline good except when it's bad#asks#zelda analysis
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I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol
#wax seal#crafts#wax stamp#stationery#Window one is kind of stinky.. I was imagining like a swirly night sky sort of looking thing so it would be a surreal contrast of a night#sky with a window in the middle that shows a daytime sky - but the silver and purple wax kind of mixed too much together#with the black and it just looks very plain black and not all that starry or anything hjbhj.. Of course the eye is probably my favorite#since all I ever do is draw eyes and still like eye imagery for some reason. The four leaf clover is very lumpy and skrunkty but also it wa#the smallest in size out of all of them so was easier to do multiple stamps of just to try it out.#The heart with eyes wax is actually more swirly in person. I wanted it to be a mix of light pink and red and white. and the wax#did kind of all blend together but in person you can definitely see MORE of the intentional swirlyness. in this it just looks plain pink.#I was going to do one eye in the heart but it looked weird. but now two seems too plain. i could have done 3?? in a pattern.. hmm#alas. I wish I could make actual metal ones. With the clay i have to paint them in a thin layer of olive oil before stamping because#otherwise the wax just kind of gets stuck in the grooves of the clay and then you can't pull it up. Very wacky ''unprofessional'' looking#set up where I'm hot gluing circles of sculpey clay to short stumps of a wooden dowel that I sawed apart with a serrated bread knife#and then using an old paintbrush to put olive oil on them whilst holding a spoon over a yankee candle flame hjbjh#ANYWAY.. I think if I were middle class/rich/etc. this would be one of the main things in my crafting room is like.. SO many colors#of wax. and all different custom made stamps designed by me. which could be much more elaborate in actual metal.. muahaha.... >:)c#RHGghhh... I actually don't want to talk much about it since (this is probably just my Obsessed With My Own World Artist Delusions) I#think I have a really cool idea for a game that could genuinely be successful if i ever get to make it and I don't want to give#everything away and spoil the whole plot/concept in hopes that one day I can actually do it - BUT - a game that I'd like to make after the#visual novel I'm making now has partially to do with the main character working as a sort of writer/scribe/artist assistant in an elven#city (set in my world/with my worldbuilding species and versions of elves and etc) and I was thinking of maybe incorporating#somehow being able to collect little writing type items like these like.. you can get different wax seal patterns or pens or etc. when I do#stuff like this in Real Life it always makes me think of that like.. ouh... this is good research.. what it shall be like to be a littol#elf collecting wax seals and such.. indeed... GRR i need to be finished with my current game NOWWW... i MUST work on other#thingss... aughh... ANYWAY.. yay. accomplishment to do One Single Thing other than Sit In The Summer Heat And Rot#though also hilarious as this was the first cool-ish day that was below 80F in a while hgvh#waking up like 'wow.. i actually feel okay today?? like I could do things?? how mysterious.. I wonder why..?? :0'' Its The Weather You Fool#Tis Always The Weather
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One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.
(Buckle in. This is a long one.)
In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.
As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.
Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.
This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.
I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.
But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.
So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.
But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.
But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.
It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.
He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)
So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.
But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.
(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)
#something something hope is a weapon hope is a discipline hope is a garden to cultivate!!!#HE'S SO GOOD HE IS TRULY EXEMPLAR OF THE WHOLE PHILOSOPHY OF THE NEIN AND I DO NOT THINK THAT'S AN ACCIDENT#truly just like. enormous proponent of letting trust and curiosity into your heart regardless of the horrors.#it's hard and it makes you more vulnerable and sometimes it hurts so so much but it will also save your fucking life!#cr spoilers#critical role#essek thelyss#cr meta#I was gonna apologize for the length but I'm not sorry. I'm also not sorry for being insane about him but he's so special to me.#head in my hands he's so GOOD HE'S BEST BOI! GUIDING LIGHT NORTH STAR!!! LOOK AT HIM!!!#also truly if i had two nickels for a span of time with no essek sightings where I wrote a lot of fic#with deliberate personal acknowledgment that I was writing some pretty maximal arcs for him in terms of character growth#and then end up getting essek for half an episode and having to go OH WE'RE GOING THAT FAR ACTUALLY. FUCKING INCREDIBLE.#yanno. two nickels. but good lord I am thriving that it's happened twice#augh this is ONE of the pieces I need to write this week. we're not gonna talk about it
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This AU is basically the Dungeon Meshi of Warrior Cats. This is a high compliment.
It's so funny, I get that a lot and I totally see it + appreciate it, but BB actually predates me being a fan of Dungeon Meshi! I've been getting that compliment since even before the anime dropped.
It makes perfect sense though. Dungeon Meshi uses food as a metaphor for communication across individuals, class, and most relevantly culture. It's something that brings people together, even when that's being addressed as a sinister thing when.......
Ah. No spoilers. You should go and read the manga to find out what I'm teasing ;)
I do something with a lot of overlap in BB. Food is an extension of the culture of the five Clans. I use it to characterize individuals too and as a metaphor for things at times (like Darkstripe's growth or cultural friction in Heartstar's Rise), but most of all, I try to emphasize the food as the product of the society that makes it. The biome, the diet, the behaviors of its chefs... so Dungeon Meshi and BB are naturally going to draw some interesting similarities.
Plus, Dungeon Meshi's a good ass series man, it's downright awe-inspiring. I hope I can make a narrative as satisfying as Ryoko Kui can, lmao. I love how much that girlie loves food
#I think a lot of people wrongfully have disdain for metaphors and literature devices#A good metaphor will never just be one thing. Just like how a good musical song isn't just ONE emotion.#It's the point in the story where there is an idea so complex and multifaceted that it needs to be explored through a concept.#the modpack I'm making is also food-based lmao and I keep hearing Unmei in my head while tweaking it#I Just Like Food.#my partner did an impression of me the other day and said in my (botched) accent ''YA CRAWKPOT'S TOO SMAWLL''#Because thEIR CROCKPOT. WAS. TOO SMALL.#I COULDN'T MAKE SOUP IN THAT THING IT WAS A CROCKPOT FOR ANTS.#yeAH DW ILL FEED LIKE 6 PEOPLE WITH THE SOUP I MADE IN THIS THIMBLE#And then I relayed this to a family member and she looked me dead in the eye and said ''Yeah they nailed it''#So maybe im just destined to write about food#bone babble
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Rook Hunt x Yuu/Reader
Rook was always so put together. Not in the way Jade was of course, but nothing ever seemed to surprise him or make him angry, anything other than that passion or happiness that seemed to shine through.
Maybe that's why they did it.
Vil had just left to start his skin care routine for the night and Epel could apparently be convinced to get enough sleep if one phrased it for Spelldrive practice instead of beauty sleep.
Yuu and Rook were quietly putting away what few study materials were left, a tray of sweets and meats out being stored away for Yuu to take home.
"You mentioned a game earlier, with these?" he says, picking up one of the 'pocky' sticks. It was called something different here, about half the size and richer, but it was more or less the same.
"Yea-Yes." they corrected themselves, "Yes. It's like a game of chicken. Two people bite down on either end and nibble on it until you get to the middle. Whoever pulls away first loses."
Rook's grinned, exclaiming some sort of French, before leaning over the table with the treat offered from his mouth.
Maybe that's why they let the intrusive thoughts win. Just to see what he might look like flustered or surprised. Maybe it was that he was an interesting man. Maybe it was a lot of things.
Before they could really think too hard about it, Yuu leaned across the table and pulled Rook closer by his chin. Their tongue wrapped around the treat to break it in half before simply taking both.
Rook's eyes widened slightly, chocolate smudged on his bottom lip that twitched into a small grin.
"Not bad." Yuu whispered, grasping the handle of their bag and practically running out.
Why? Who's to say?
Really they should have expected some sort of retaliation, but pinned the next day wasn't in the top 10.
No, him finding Yuu curled under some tree only to drop down into a crouch with his knee on one side of their head and their foot on the other was not in the top 10.
"That was a dirty trick, Mon Trickster." he whispered playfully, though his eyes were dancing. His smile was different. Softer. Warmer.
Again, damn intrusive thoughts, because reaching up to pat one of those muscular thighs was not apart of the plan.
"Maybe I'm just testing the waters."
He hums, tucks a strand of hair that had fallen out of place before lightly pulling on it.
"I am picking you up at 7. Nice, but not formal. Wear good shoes for it will be a bit of a walk."
He rises, hops back into the tree, and the faint sound of a zipline starts going before Yuu picks themselves off the ground.
Ace and Deuce, who were waiting underneath the tree for them, can only stare ludicrously.
"What the hell?" Ace asks, staring at the place Rook had left from.
"Well mark me down as scared and horny." Yuu murmurs, looking at the same spot.
"By the seven..." Deuce shakes his head, and then everything passes when Ace makes fun of his blush, and they start to wrestle.
Neither of them notices Yuu's own cheeks until long after it's faded. Thankfully they say nothing when they leave just a little bit earlier than planned.
Afterall, they have a date tonight.
#twst#Twisted wonderland#twst wonderland#disney twst#Rook Hunt#Rook hunt x reader#Rook Hunt x yuu#I'm trying my hand at writing again after a long time#we will see how this goes#Honestly really like Rook so far he's an interesting character#of what you naturally are and what you want to be#I really ID with the struggle of feeling beautiful in a way that other people don't perceive to be if that makes sense?#I feel beautiful masculine and others think I looked more beautiful feminine#The way I see it Rook was beautiful before his transfer#but now he actually feels beautiful and it's a good different
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This took way longer to make than I expected and/or wanted it to.
I've collected some stray thoughts and ideas I had into what I've been calling Shape!Caz AU. The name might be subject to change because I'm terrible at naming things. To be honest I haven't completely fleshed out the AU yet and I have no idea what I'm gonna do with it.
The basic premise is that after destroying the Shape, Caz becomes the eldritch horror instead. He doesn't know about that part. What he knows is that all of the sudden he's back on an oil rig that should have been destroyed, surrounded by people who died horrible deaths at best but are suddenly alive and well and there's creepy shit happening around him that gets worse the more he panics.
It’s December 27th. None of the crew remember the 26th happening, but the people calling from the outside insist on that. They say the Beira D was completely unreachable for a whole day.
Caz just appeared at the derrick at some point. He didn’t walk in or anything, all of the sudden he just stood there, screaming. Gibbo was the first one to get to him, but then he started freaking out and yelling about not wanting to do something and ran away. It’s impossible to get him to stop crying for long enough to explain anything. It’s even harder to get any explanation from Caz. The guy just keeps rambling about people dying and monsters. Looking at him for too long hurts.
Apparently Rennick tried to fire Caz. No idea what made him change his mind, but his office has been destroyed and the guys from Administration say that he called some random guy just to threaten him. They also said that Caz is now banned from using any form of long-range communication. This was not elaborated on.One of the first things Caz did after getting to Accommodations was punching Addair. Nobody thought anything of it at the time but now Addair’s wandering around Engineering muttering something about the engine and calling his kids. He’s not responding to anyone trying to talk to him. It’s really bad for the crew’s morale.
There’s something big moving on the deck that you can only see when looking out of the windows. Some of the deckhands keep insisting that it’s Muir, but none of them have any idea how they know that. Muir himself is currently trapped in their cabin where Innes locked him in after Caz mentioned his name. Innes went missing a few hours ago. Muir is starting to get pissed. Caz seems really upset by this.
The hallways are alive when Caz is upset.
#swtd#still wakes the deep#digital art#caz swtd#I haven't written anything for fun since trade school#swtd au#posting this when I'm already half asleep might not be a good idea#we don't do good ideas in this household#I hope that the writing makes sense#I just want this thing to be out#I can no longer tell if the picture looks okay or if I'm just used to it#I remade the light so many times#I'm going to bed immediately after this goes up#about the edits I made:#I woke up at around 1:30 am and got really insecure about the writing#I think the post should be back to it's previous state#turns out it indeed was a bad idea
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#fearandhatred#thinking about this tonight#this is LITERALLY what i look like rn btw genuinely a carbon copy#the mesopotamia fic i'm writing is making me think a LOT of things#and is putting me through it. as all my fics do it turns out#anyway anyone wanna go into the woods and scream with me because i need it#good omens#crowley
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fairest of the fair
#hi! im alive and back and etc.#six the musical#six the musical fanart#katherine howard#thinking of that post going 'i think eventually you become the person you needed most' and like maybe that's the thing with my art#this started out as a redraw and <improvement meme> i think i've finally reached the stage where i'm making the things that my younger self#aspired to create. like i can do this now! i've reached That level of technical skill! tiny me would be so proud. it's very gratifying#redraw from august this year actually. i've made a surprising amount of improvement HAHA maybe it was the adamandi stuff getting me#back into digital rendering. i think that obsession has quietly slipped away but yknow. one never truly leaves a fandom. just less intensit#also speaking of old fandoms! we're back with the six stuff haha. as of writing i'm in the midst of blog revamp- figuring out how to chill#multifandom status doesn't mean ditch all the old stuff ! but i do feel much freer and less stressed. i think hiatus has been good for me#notes on this piece particularly: redraw about cutting hair and thinking of the lyric above. also lowkey &j ref + pinterest poem excerpts#of female suffering. and maybe a dash of amanda heng let's walk inspo. this work is really just full of contradictions..#1. the mirror and cutting hair as an act of self liberation 2. the & is part of the lyric but also a nod to &j (in another iteration it was#pink but the white looked better) and like. &j is really all !!! girl power!!! etc. and i was like hmmmm. also matching pink shiny aes#3. the frame as a cage; the mirror as a self reflection idea (ie. saville's propped insp) but also as a sign of vanity. 4. sparkly costume#and pretty pose- read one too many poems about women feeling like they have to be pretty even in their suffering. something i wanted to#explore. and also in 5. the show itself... all you wanna do is. despite all the dancing and pink and sparkly the content of the song is#darker. and even though it's a story of her suffering it's still presented as a shiny fun pop song and ajshdhfhfh ok... 6. the lyrics fall#outside the frame. sort of a caught inbetween. sort of a trapped in the narrative and yet#within the frame it's all. vaguely handwavy breaking free vibes. like i said contradictions?#7. cutting off the long ponytail vs the pull my hair lyric at the end. yeah#8. the blocked off & looks a bit like scissors. positioned to cut right at the neck#anyways yeah irl remains hectic! but if i get around to more doodles they'll appear here :)
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People complaining about Tsukasa5 already are pissing me off, because like, it's so unbelievably obvious what this event is trying to do and the fact that people are so hung up on "urgh dur tsukasa strong why can't he do a wall climb".
Like, first of all, a lot of Tsukasa's strength has been used as comedy before and also it's never been said that Tsukasa could specifically do a wall climb before so people calling this a retcon or a stretch is really dumb to me.
Sure we can make jokes about it, but this is not like a serious writing problem or anything.
Also are we just gonna ignore the fact this event is literally just a reference to his 3rd event in a silly trenchcoat. Or the fact that this is obviously meant to be WxS's downtime and training arc to prepare them to face the loose plotpoints in the future?
His inner dialogue when chasing the ninja is very clearly a reference to the whole Pheonix thing, how he can't reach it no matter how hard he tries.
The wall climb is like an extremely fucking on the nose metaphor to him climbing over his issues as an actor.
THERE IS ALSO THE WHOLE THING THAT HINTS THAT TSUKASA CAN ONLY OVERCOME HIS PROBLEMS IF HE HAS HELP FROM OTHERS (AKA tsukasa would've literally BEEN INJURED, if it wasn't for the fact the troupe's leader was there).
In fact this literally followed an event aka Tsukasa 4 where he FAILED to do his role correctly.
It's almost like this event is meant to be a transition point between Tsukasa 4 and 6, where Tsukasa builds up the knwoledge on how to face his problems.
But no this is just mid event because it's very silly and "wow plot is stupid why can't tsukasa wall climb".
WxS fans are slowly just turning into VBS fans in terms of how whiney they're being i swear
#project sekai#pjsk#tsukasa tenma#tsukasa pjsk#prsk#wxs#wonderlandxshowtime#i'm sorry colorpalet decided to give wxs downtime after an entire arc of literal pain#maybe they should just rush the entire plot and make them face their final conflict immediatly#yk why not just have asahi pop up right now why don't you#sorry i'm gonna be salty about this#there was like one good twitter thread about this event and the entire training arc right now and i'm just#i'm holding that thread like my last sliver of hope for humanity's reading comprehension of wxs events#like if you find these event boring that's your personnal taste but to like#actively dismiss things as bad writing despite the intent being clearly obvious it's like#again vbs fans literally were whining and crying about how vbs were defeating rad weekend “already”#and then turns out when they fucking read the event it was actually the correct narrative decision#like wow look what happens when you wait#i'm also talking about myself because i was terrified of wxs getting a rushed arc ender#if you feel insulted by this post i'm NOT sorry /j#but no seriously it's fine if you don't like it i'm just annoyed that i already see a tide wave of people just not getting this event
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feeling their exceptional inherent goatedness in my blood after finishing re-reading a good book
#my art#elituli literally sexy af i'm the smartest person alive#elituli would be just really good book .#150 pages of 5d chess#me thinking back on any ideas i had about anything ever : the girl that is 'going to be okay' (looking up the sky)#all of the writing power in skyrimHQ really went toward tullius calling her a formidable woman#and then they used the last crumbs they had on#;you know#i'm ashamed to be mentioning them on a post that isn't about them#i will alwyas love me making tullius wear a lacoste polo in 9988888 BC age
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okay now that i'm no longer trying to keep a project secret from certain people i can complain publicly about a thing i've been losing my mind about:
why the fuck is the evo wiki like that.
listen. i know. i know fandom wikis being decent entirely relies on whether there are people who both want to obsessively categorize things enough to fill out the wiki, with the free time to do that kind of obsessive categorization, and the desire to manage it all as a wiki. believe me, i know. but please i'm just trying to do research please, please at least bigb's page was just Entirely Empty so i knew i had useless information and just left. why the fuck did the mafia's page, by contrast, have this:
a sentence that is actively LESS USEFUL THAN IF IT WERE NOT THERE.
and then grian's page - GRIAN'S. GRIAN'S. THE ONE PAGE I THOUGHT MIGHT HAVE A SHOT OF BEING FILLED OUT. JOKE'S ON ME I GUESS.
BECAUSE IT HAS THIS????? I'M LOSING MY MIND. WHY ON EARTH IS THE WIKI LIKE THIS. WHY IS IT THIS BAD. PLEASE I'M JUST TRYING TO FIGURE OUT WHAT EVERYONE'S RELATIONSHIPS WITH JIMMY AND MARTYN WERE PLEASE,
anyway thankfully i had friends who could help me with their own knowledge and who also found the evo recap but in conclusion i have been being driven mad by this for weeks, thank you for coming to my ted talk.
#evo smp#wailing and screaming. why is it THIS BAD#and like i know. i know fandom wikis can be very abandoned.#it's not like the hc wiki is actually all that good either (especially for less-watched hermits)#but this feels like 'bad because abandoned and lots of blank pages' and more ACTIVELY TRYING TO UN-HELP ME#ITS MAKING ME CRAZY#anyway. ANYWAY. i can FINALLY do this rant publicly because this project had to stay secret until today but now it can be public#.......which is to say hi i'm writing an evo thing don't worry about it.#anyway. the only vaguely useful page was the watchers one and even that one didn't have much detail in the places i actually wanted it#this is a call to action for any evo fans who really like wikis i guess? mostly i just wanted to share these two screenshots#because like. look. me having trouble figuring out who salem was because her page is blank is one thing#getting a 'i can't bother' in the ACTUAL TEXT OF THE ARTICLE is another#once again: thank god my beta found the recap.
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happy to have an offgun sunday show back on the docket but i can already tell this series is going to put a bee in my bonnet every week about late stage capitalism foisting its cancer upon all workplace cultures and turning things like internships from learning and exploratory opportunities to build skills and discover interests in a field, to an expectation of free/low paid but inexplicably pre-skilled labour. do you think ye olde blacksmith's apprentice showed up to the first day of the apprenticeship and the blacksmith is like "what do you mean you don't know how to shoe a horse?? that's so basic" no. the expectation of apprenticeship is that a newborn emptyheaded youngin with a vague notion that metal is cool shows up, and is taught how to blacksmith. the expectation is not that the young savant of metalwork turns up with a list of horses already shoed, including One Very Special One in the Royal Stable, and god would you please please please allow me to debase myself for you, o blacksmith? my resumé is just like the journeyman's!! this workplace culture is a modern invention!! they used to teach you things at work!!
[breathing audibly] i just think entry level should mean entry level, and that as much effort goes into gathering experience that makes people competitively hire-able, ability, opportunity, and luck also play a role. it is lucky to know your passion early enough to be able to groom yourself to competitiveness in a sharky field of work, but a person should be able to turn up for entry level positions/interning with an unabashed "i know nothing" as long as it's followed with an "and i'm ready to learn" and it is in neoliberalism's favour to allow work environments to cut their costs by eschewing the responsibility to teach. to train the trainee.
#the trainee#the trainee the series#...so this makes it seem like i didn't like the ep when i super did#i just hate hustle and grind and neoliberalism and i want to hold ryan in my palm like an eggcup#i can hear myself taking it too seriously lmaoooo uh oh gmmtv you hit my hot button. i'm not criticising the writing though!!#they're faithfully rendering an environment i would love to love but am forced to loathe lmaoo#i just want a world where you show up on your first day and your equivalent p'jane says#'hey so the way it works here is i give you a brief in the morning so it'd be good to have a notepad and pen ready.'#'also the hard deadline for this is 6pm which means you need to be done filming 2/3 so it can go for editing by 5pm.'#okay i'm going to stow this now bc i have 0% faith that gmmtv will make any meaningful sustained criticism of capital culture#being as they barely follow through on their richboy/poorboy tensions ever other than for antagonistic chemistry fodder#BUT. despite what all that^ sounds like i enjoyed the ep lmaoooo. looking forward to it genuinely i swear#liomsa
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