#I'm not even tagging it as the other characters because they're all so out of character

[ultimate-marysue]

Back on my bullshit but I can't believe the angle they went with in the Outlaws was

Roy, Artemis and Kori: omg Jason we're so greatful you called us to this team, you're such a great leader uwu.

Instead of

Roy and Kori: omg, someone with actual leadership and teamwork should help that poor bastard. I empathize with him feeling like a disappointment/outsider and I think someone should keep an eye on him lest he winds up dead again. Dick doesn't need that right now.

Artemis: I like your style you funky little dude, aye, I shall gift you the gift of my presence.

The Outlaws make so much more sense if you consider each teammate of Jason is just worried about his self destructive tendencies and for very different reasons (empathy, amusement, both) decides to tag along and see how it goes. Like, the Outlaws should be an exercise in humility for Jason as he slowly realizes each of his teammates soars way above his pay grade and yet indulge him in pretending to be the leader.

Obviously there should be an arc about Jason finally rising up to the occasion and the others coming to truly know him and understand where he's coming from. But like, you can't have Jason in a team with Arsenal and Starfire and have him be this cooler than a cucumber, larger than life leader that they all follow and kiss the ground he walks on.

Like, Roy has no problem speaking his mind to/arguing with/teasing Dick Grayson, do you really think he's gonna be in awe of his little brother? Same with Starfire like She's a sweetheart yes, but she would accidentally come off as patronizing because Jason is a baby! And the fact that I can barely tell you anything about outlaws Artemis is a problem in and of itself.

I'm sorry but the Outlaws had so much potential and everything I've been subjected to from it is so lackluster. Like, If you can enjoy it for what it is I love that for you, but each time I try to get through it I get stuck on how much better it could be.

[stopper-my-heart]

Nothing like Heartstopper S2E8 removing some of Taylor Swift's "seven" lyrics just so that the singing can specifically come back in at "Or hide in the closet" while Isaac is processing difficult emotions related to the book he's reading (i.e., Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex by Angela Chen).

Did I mention "Or hide in the closet" hits just as the camera focus finishes shifting away from Isaac?

This is fine

[torchickentacos]

The pokemon anime subreddit fascinates and frustrates me on equally deep levels

[kyliafanfiction]

I sometimes feel like characters who do truly monstrous things while also having been victims of some pretty insane shit themselves are sort of an exercise in empathy. Or at least, should be seen as such.

Like, in real life, if a person who has been horribly broken by their experiences and failed by society than proceeds to rape someone - it's hard to feel the justifiable sympathy/empathy for that person (without excusing their rape, never do that) because well, you can look at this actual human person they hurt, or worse, and it feels gross and disrespectful to the rape victim.

And this is understandable. (And applies to more than just rapists/rape victims of course, that's just the most visceral one and thus picked for that reason)

But a fictional rape victim is... fictional. You can't 'disrespect' their trauma, and while obviously rape/whatever else is real, and people may related to the rape victim and thus see your comments about the rapist also being a victim as somehow being about their experience...

Well, it's not.

Because the rapist here, didn't actually hurt a real person. Fictional characters are objects. They're objects that often grab us by the throat and refuse to leave our fucking heads, yes, but they're objects. They are tools used by writers to tell a story, and readers to tell a story.

And one of the things fictional characters are good for is allowing us to consider experiences we never had, and imagine ourselves in other circumstances and lives. (Also just fun and fascinating and interesting to watch their stories).

It's very easy to feel for the rape victim in fiction, and rightly so. That's Level 1 Empathy there. Granted, some people IRL fail that, but that's not really what we're talking about here.

Advanced Empathy, hard Empathy is feeling for the rapist. Not for the rape, of course, even if they feel guilt about it, but if someone really was failed on multiple levels and was broken and damaged and went through the sort of psychological wringer that would leave most of us here on tumblr catatonic - they do deserve the same Empathy any human (any person) who went through all that.

Even after they also do the bad thing, critically they still deserve Empathy. And that is fucking hard. I very often have a hard time feeling bad for truly awful people who also deserve empathy and sympathy, real and even fictional (despite all this, yeah, I'm not perfect on this) for what they (separately) went through.

It also becomes even harder when what they went through is utterly bound up with what they did. How what they went through and experiences is in part responsible for what they did - because they still made a choice. The circumstances may have left them not in their right mind, may have left them feeling without choice, may have driven them to things they normally might not think of or do, but they still chose to do that bad thing. And that's not okay. They still hurt someone.

And yet - one cannot remove the action from the circumstances. So you can still feel empathy, and elucidate all the factors and circumstances as to what led up to their choices and why, and it doesn't change that they did the horrible thing. The rape, or the murders, or whatever.

But circling back - with a fictional character... they didn't hurt a real person. There's no one who is real that suffered. The things the character did IRL are bad because they hurt real people.

So you're not being disrespectful to the victim by feeling that empathy, or sympathy. By exploring the things that they were a victim for. Even by wanting to focus on those things - fictional characters should be compelling in all their aspects, if they're written well.

And yet, of course, if you do that empathy and do talk about what the bad person went through and all that context, people come at you. They call you evil, just as bad as the (again, fictional) character, or they say that you're treading dangerously close to the arguments people use to defend the real people who do these things in real life. Or you're disrespecting all the victims of these crimes IRL. Especially of course, if the person coming at you has a reason this comes close to home.

But again - fictional.

In an ideal world, we'd all feel sympathy and empathy when it's called for, regardless of what the person did. Even the worst most monstrous people deserve human treatment in prison. And if you don't have empathy, that's hard. Even if you do have empathy, that's hard.

So if you look at a fictional character (who doesn't hurt a real person by virtue of being fictional) that does horrible, vile things, but went through so much, and you still can't empathize or sympathize with them... I mean, it doesn't make you a bad person, not even close, this is still fiction, and there's people I should empathize with in fiction that I don't, but...

It's still a failure of your ability to be empathetic. And we're all humans. We're all failing at that, among other things, all the time. But... it's good to be aware of that. at least?

At the very least, bear that in mind when other people are talking about that context, and that victimization. And please, for the love of god, don't fucking pretend that the victimization didn't happen, that this person who did do terrible things (in fiction) suddenly didn't also (in fiction) experience awful shit, as if doing a bad thing erases all the bad things done to you.

Again - it doesn't necessarily make you a bad person, but like... the horrible state of prisons in our society is a real, actual problem. The way we as a society dehumanize people who do bad things is a real actual problem for a lot of reasons (not least because it creates an incentive for authority that wants to dehumanize a person or a group to expand the definition of 'did bad things' to make their dehumanization now acceptable, among other things).

So yeah. Fictional character who suffers but than also makes others suffer - that's a useful exercise in Empathy. And doing that doesn't make you or anyone else a bad person, or actually defending the sorts of crimes, IRL or Fictional, that this character did. Contextualizing is not whitewashing, empathy is not erasing, and humanizing is not disrespecting the victim(s).

So yeah, they fictional character did bad things. But there's more to them than that. And you can say but and talk about what comes after but without disrespecting the fictional victim. Because the fictional victim... is just as fictional. Just as not real.

Is it possible for this to end up being taken too far? Yes. But that's a reason to be mindful of yourself when it comes to real people, not to never do it. And when it comes to fictional people - again, fictional. Nobody was actually, really hurt.

(I really do want to make clear, before people read the tags, that this applies to all crimes these sorts of characters do, rape was just picked as the one to use as the example.)

[longagoitwastuesday]

I'm three interactions away from spreading my Ijichi/Gojo agenda

[sskk-manifesto]

What a good episode. Maaaaaan

[forcebookish]

feel like i'm being gaslighted by the ofs fandom like where are all these wild think pieces coming from we can't possibly be watching the same ONE EPISODE of the same drama

anyway,

[red-dragon-archfiend]

Kirby Star Allies is one of, if not my absolute favorite Kirby games, and I recognize while it's on paper one of the weaker entries in the core series, it appeals to me personally on multiple levels and I think I should revisit it more

[spamtoon]

(Out of nowhere, you are approached by a familiar lightbulb-headed Cog.)

Ah, it's you, cat. Thinking you're oh-so-slick. Muttering and whispering under those raggedy whiskers of yours... Thinking I am unable to hear it all...

Well, you've simply underestimated my fantastic hearing. You probably want to know the reason why I'm here, taking a 'break' from my incredibly important scientific breakthroughs? It's quite simple, really!

(She gets close, and squints her eyes.)

I know what you are.

Farewell, now!

(She then leaves the way she came from.)

(Spam giggles immensely, covering her face... it always seems like she's giggling, isn't she? This lasts... at least thirty seconds. Longer than usual.)

And I know what I am too, Sparky! You broke through something, that's for sure. Really, broke through...

(She looks down, continuing to laugh nervously.)

You know, I find it odd you Havent tried to bulb blast me into the stratosphere by now. I mean knowing how you acted with Frostbite. Is there something peculiar about me that you perhaps can't quite track? Something about me that you... don't know what I am?

I know, I know, I'm talking to nobody again. But you were there when I had a moment today with the one the only Frostbite The Bravecog. You may be remaining. Lurking in the shadows. Knowing about these thoughts that I'm thinking.

(The giggling resumes, lasting far shorter this time.)

Your brother's a piece of fucking barp, by the way

(She braces for impact for a few seconds, wincing while smiling, before comically looking around to realize nobody's there. She sighs.)

Wow, okay maybe toony superhero show logic doesn't apply in this situation. Cool.

WAIT I JUST FUCKING REALIZED WHAT SHE MEANT but like. Dude if she meant that then what's the point I mean the whole ahh sellbot department barping knows unless you're Really low on the ladder. Heheh... maybe she did mean what I thought she meant.

Oh i'm so fucking screwed. What kind of bitch gets filament fever

[brionysea]

i wanna write my season 4 fic but i don't wanna retread canon scenes because i just think that's boring (possibly more to me as a writer than to readers, idk, i haven't thought about it that deeply) but because of its nature as a limited canon rewrite and some of the components being changed certain scenes NEED to be retreaded but i'm still like if i don't care will anyone else??? also it's just not as fun playing with scenes that have basically already happened because the things the characters say and do are already set in stone and diverging from that too heavily would be weird when this is a fic that's literally striving to emulate canon but also just lifting lines isn't Fun for anyone because we've all Seen that scene already. like??? ugh

[brooklynishere]

I have a lot of feelings about Tian Zhixie okay

[pygmi-says-hi]

STOP DOING THIS IN INJURY FICS!!

Bleeding:

Blood is warm. if blood is cold, you’re really fucking feverish or the person is dead. it’s only sticky after it coagulates.

It smells! like iron, obv, but very metallic. heavy blood loss has a really potent smell, someone will notice.

Unless in a state of shock or fight-flight mode, a character will know they’re bleeding. stop with the ‘i didn’t even feel it’ yeah you did. drowsiness, confusion, pale complexion, nausea, clumsiness, and memory loss are symptoms to include.

blood flow ebbs. sometimes it’s really gushin’, other times it’s a trickle. could be the same wound at different points.

it’s slow. use this to your advantage! more sad writer times hehehe.

Stab wounds:

I have been mildly impaled with rebar on an occasion, so let me explain from experience. being stabbed is bizarre af. your body is soft. you can squish it, feel it jiggle when you move. whatever just stabbed you? not jiggly. it feels stiff and numb after the pain fades. often, stab wounds lead to nerve damage. hands, arms, feet, neck, all have more motor nerve clusters than the torso. fingers may go numb or useless if a tendon is nicked.

also, bleeding takes FOREVER to stop, as mentioned above.

if the wound has an exit wound, like a bullet clean through or a spear through the whole limb, DONT REMOVE THE OBJECT. character will die. leave it, bandage around it. could be a good opportunity for some touchy touchy :)

whump writers - good opportunity for caretaker angst and fluff w/ trying to manhandle whumpee into a good position to access both sites

Concussion:

despite the amnesia and confusion, people ain’t that articulate. even if they’re mumbling about how much they love (person) - if that’s ur trope - or a secret, it’s gonna make no sense. garbled nonsense, no full sentences, just a coupla words here and there.

if the concussion is mild, they’re gonna feel fine. until….bam! out like a light. kinda funny to witness, but also a good time for some caretaking fluff.

Fever:

you die at 110F. no 'oh no his fever is 120F!! ahhh!“ no his fever is 0F because he’s fucking dead. you lose consciousness around 103, sometimes less if it’s a child. brain damage occurs at over 104.

ACTUAL SYMPTOMS:

sluggishness

seizures (severe)

inability to speak clearly

feeling chilly/shivering

nausea

pain

delirium

symptoms increase as fever rises. slow build that secret sickness! feverish people can be irritable, maybe a bit of sass followed by some hurt/comfort. never hurt anybody.

ALSO about fevers - they absolutely can cause hallucinations. Sometimes these alter memory and future memory processing. they're scary shit guys.

fevers are a big deal! bad shit can happen! milk that till its dry (chill out) and get some good hurt/comfort whumpee shit.

keep writing u sadistic nerds xox love you

ALSO I FORGOT LEMME ADD ON:

YOU DIE AT 85F

sorry I forgot. at that point for a sustained period of time you're too cold to survive.

pt 2

also please stop traumadumping in the notes/tags, that's not the point of this post. it's really upsetting to see on my feed, so i'm muting the notifs for this post. if you have a question about this post, dm me, but i don't want a constant influx of traumatic stories. xox

[leniisreallycool]

"His brown is short and but wavey and pretty and he has eyes." I'm such a good writer

[tiza0925]

Hello! I'm new to this but have you ever thought about any of your favorite characters while they're in the act and you look down at a certain part and they're so big on you that it scares you but they're pretty sure it could fit.I don't know if you could write something like that, sorry if it makes you uncomfortable.

hellooo, absolutely love this prompt so much ty for this ♡

men that make it fit | 18+

warnings/tags: nsfw, afab/female!reader, size difference, fingering, pet names, praise kink, squirting, raw sex, implied multiple orgasms, large cocks ♡

MINORS DO NOT INTERACT

Big men who just cover your entire body with theirs when they’re on top of you. 

Guys who make you feel so small when you’re on their lap, their hands are so damn big that they can cover your entire waist, legs, and hands—practically engulfing you. 

Big men that just pin you to the mattress while making out with you, they’re so strong without needing to try, and you probably should feel scared by the difference in strengths but god—you feel so secure. 

And you know he’ll take care of you even if he can hurt you sometimes—never on purpose unless you want it—because of how massive he is. 

Guys who feel just a little bad when they hear you cry from them pushing their thick fingers inside you—stretching your poor cunt and making you leak all over his hand as he curls his fingers inside your plush walls, coaxing out a throbbing orgasm from you. 

“Such a sweet little thing for me,” You hear him murmur, watching as your face twists with pleasure, and he can see the slight worry in your eyes as he fucks you with his fingers. “My baby is taking me so well already.” 

But can you take his cock? 

Fuck—what if it’s too big? 

It must be—his fingers are already too much for you—his dick will be nearly impossible to fit inside you. 

“You think you can be good and take my cock?” You whine, feeling heady and muddy as he pins both of your hands above your head on the bed, while his other hand continues to twist and curl inside you, his thumb pressing and rubbing your swollen clit. “I want to feel my favourite pussy, sweetheart.” 

But you suck in a shaky breath, eyes wide and scared because you know you can’t fit all of him in, and he chuckles breathlessly as he kisses your lips so softly, making you melt against him. 

“Don’t be scared,” He kisses your cheek, then gives your trembling lower lip a gentle pull with his mouth, trying to get you relaxed as he strums his fingers through your sopping folds, his voice low and deceptively soothing. “I’ll be gentle with you, okay?” 

He always is—and that’s the thing. 

No matter how gentle he tries to be—he still ends up stretching you so wide that you think you might actually split in half, the sting of him inside you being too much that you cry sometimes.

He kisses you, and reassures you, hand running up and down your body to spread goosebumps all over your skin. 

Then he’s pushing his pants off to let his fat cock bounce free—it lands on your belly, all hot and heavy, and your breath hitches as electricity sparks through your body—and your heart rate doubles with every passing moment, just waiting for him to stuff you with his cock. 

“Relax for me,” He says while guiding his dick to slide between your plush pussy, letting your slick folds hug his length and coat them in juices as he rocks his hips—his cock head bumping against your clit every time his hips are flushed against yours. 

“You feel that, baby?” Your lashes flutter, your eyes half-lidded as he works you up, making your cunt pulse as he glides his heavy cock over it. “You’re gonna be so good and fit all of me, okay?” 

You gulp, but you still nod—because you want to be good for him. 

You want to feel him and make him feel good. 

And he watches you, focused, taking in every twitch of your features as he slowly pushes the head of his dick inside you—his eyes alight with heat when he sees the way your mouth pops open with a gasp, already feeling the intense stretch of him. 

“You’re okay, baby,” he shushes you, sliding his hands under your thighs to guide them around his waist, and you whine as you hook your arms around his neck, bringing him closer, sloppily kissing him as he waits for you to adjust. “You feel so tight already—fuck—”

He groans, his voice vibrating against you, and you begin to breathe heavily as he pushes his fat cock into you—making you feel every agonizing inch as your pussy struggles to swallow him whole. 

“I—“ Your sentence gets cut short as you choke, already feeling him in your lungs and he’s only halfway in, “I can’t—”

“You can,” One of his hands comes up to swipe a fallen tear on your cheek with his thumb, while his other hand pins you to the bed by the waist. “I know you can, baby, you always did before.”

Which is true—you always did but—

It’s just so fucking big—holy shit—

You bite your lip, and your eyes squeeze shut as you try your hardest to relax—your fluids being pushed out as he lodges his dick inside your warm, plush walls, causing a wet mess all over your thighs and bed. 

You hold him as if you’re clinging onto dear life—taking all of him as he kisses you through it—until his hips finally press against your ass, his cock so deep that your limbs grow numb and you swear you can orgasm already. 

“There you go, sweetheart,” He purrs, waiting a moment as your pussy throbs around him, feeling abused and soaked, and he smiles down at you so achingly soft. “Taking me all like a good girl for me.” 

Then he pulls back—

“Oh god—” And you keen when he rocks his hips forward, sliding his cock along your walls, and he sets a pace of fucking you—getting you wet and your eyes to roll back as he becomes greedy with your pussy. 

“Look, baby,” He grunts, thrusting his cock in and out, his length coming out slick and creamy from your arousal, and he grips your face—fingers squishing your cheeks—to make you look down. “Look how well you’re taking me.” 

Your vision is foggy, you’re barely able to comprehend anything except for the dick inside your sore cunt, and you blink blearily as you try to look at what he wants you to see and—

Fuck.

You watch the way his cock disappears into your pussy, his girth forcing its way into you—and you let out a shaky breath at the way you’re taking it all in. 

Just like he said you would. 

“Told you I’ll make it fit, sweetheart, I always do,” You hear him murmur, and you force yourself to relax into a ragged breath as your limps melt into the mattress beneath you.

You feel like you’re being split in half as he fucks you over and over, bringing you higher and higher until you’re cumming all over him—gushing out liquid as you squirt on his cock with a wet moan, his name on your tongue—

And he takes good care of you throughout it all. His aftercare overwhelms you with cuddles of love and affirmation.

He loves you too much, anyway.

End.

Bokuto, Oikawa, Ushijima, Atsumu, Suna, Gojo, Choso, Sakusa, Geto, Sukuna, Nanami, Akaza, Oda, Kuroo, Hinata, plus any of your fav characters ♡

Masterpost

[finnlongman]

I'm not going to keep going on about this, because I didn't really mean to make a whole Thing of it, but there are two reasons it really bothers me when people say my books should have had a romance plotline/love interest:

They're saying they wish my protagonist's sexuality was different. When somebody says, "I wish this gay book was straight instead so that I could relate to it more," or whatever, we rightfully recognise that as homophobic. When somebody says, "I wish this aroace character had a love interest," people call that a personal preference and make excuses for why that's not the same thing. Given that my protagonist's sexuality is something she shares with me, it feels particularly unkind, because it's essentially saying, "Lives like yours aren't interesting to me, I wish you had a different sexuality." Ouch.

I may have been exaggerating when I said 99.9% of YA books have a romance plotline... but not by much. It is everywhere. If you want a YA book with romance, you don't have to make any effort to find one, because nine times out of ten, whatever book you pick up will have one. It might be the main plot, it might be the subplot, but it'll be there. I was told repeatedly that I would have to have romance if I wanted my YA books to be published, because the category insists on it. So if you want YA books with romance: basically every other book is for you. It's not like it's a rarity that you were hoping I would finally give you. You have the entire cake; leave us our crumbs.

Like I said in the tags on my original post, this wasn't about one specific person or review. Please don't single anybody out if you've seen them say something similar to this. If it happened once, it wouldn't bother me; it's the pattern, and years of being told before publication that I would have to compromise on this element of the story if I wanted to make it, and social media marketing trends that focus almost exclusively on romance tropes and make it hard to engage when you don't have them.

And, on top of that, it's the weird anxiety of knowing that my next book, the Bisclavret retelling, is more romance-heavy, and while I want it to succeed, there's a bittersweetness to the idea that my yearning book might succeed where my aroace books didn't, purely because romance is marketable and friendship isn't.

(Even though I know there are so many other factors -- different genre, different category, different format, different publisher, different style, and a retelling that can appeal to an existing audience rather than my own characters and story that have no prior fanbase. It still feels like the romance will be what makes the difference.)

As I said on Bluesky yesterday, talking about both my fiction and my academic work:

Okay. That's all.

[wordstome]

how c.ai works and why it's unethical

Okay, since the AI discourse is happening again, I want to make this very clear, because a few weeks ago I had to explain to a (well meaning) person in the community how AI works. I'm going to be addressing people who are maybe younger or aren't familiar with the latest type of "AI", not people who purposely devalue the work of creatives and/or are shills.

The name "Artificial Intelligence" is a bit misleading when it comes to things like AI chatbots. When you think of AI, you think of a robot, and you might think that by making a chatbot you're simply programming a robot to talk about something you want them to talk about, and it's similar to an rp partner. But with current technology, that's not how AI works. For a breakdown on how AI is programmed, CGP grey made a great video about this several years ago (he updated the title and thumbnail recently)

I HIGHLY HIGHLY recommend you watch this because CGP Grey is good at explaining, but the tl;dr for this post is this: bots are made with a metric shit-ton of data. In C.AI's case, the data is writing. Stolen writing, usually scraped fanfiction.

How do we know chatbots are stealing from fanfiction writers? It knows what omegaverse is [SOURCE] (it's a Wired article, put it in incognito mode if it won't let you read it), and when a Reddit user asked a chatbot to write a story about "Steve", it automatically wrote about characters named "Bucky" and "Tony" [SOURCE].

I also said this in the tags of a previous reblog, but when you're talking to C.AI bots, it's also taking your writing and using it in its algorithm: which seems fine until you realize 1. They're using your work uncredited 2. It's not staying private, they're using your work to make their service better, a service they're trying to make money off of.

"But Bucca," you might say. "Human writers work like that too. We read books and other fanfictions and that's how we come up with material for roleplay or fanfiction."

Well, what's the difference between plagiarism and original writing? The answer is that plagiarism is taking what someone else has made and simply editing it or mixing it up to look original. You didn't do any thinking yourself. C.AI doesn't "think" because it's not a brain, it takes all the fanfiction it was taught on, mixes it up with whatever topic you've given it, and generates a response like in old-timey mysteries where somebody cuts a bunch of letters out of magazines and pastes them together to write a letter.

(And might I remind you, people can't monetize their fanfiction the way C.AI is trying to monetize itself. Authors are very lax about fanfiction nowadays: we've come a long way since the Anne Rice days of terror. But this issue is cropping back up again with BookTok complaining that they can't pay someone else for bound copies of fanfiction. Don't do that either.)

Bottom line, here are the problems with using things like C.AI:

It is using material it doesn't have permission to use and doesn't credit anybody. Not only is it ethically wrong, but AI is already beginning to contend with copyright issues.

C.AI sucks at its job anyway. It's not good at basic story structure like building tension, and can't even remember things you've told it. I've also seen many instances of bots saying triggering or disgusting things that deeply upset the user. You don't get that with properly trigger tagged fanworks.

Your work and your time put into the app can be taken away from you at any moment and used to make money for someone else. I can't tell you how many times I've seen people who use AI panic about accidentally deleting a bot that they spent hours conversing with. Your time and effort is so much more stable and well-preserved if you wrote a fanfiction or roleplayed with someone and saved the chatlogs. The company that owns and runs C.AI can not only use whatever you've written as they see fit, they can take your shit away on a whim, either on purpose or by accident due to the nature of the Internet.

DON'T USE C.AI, OR AT THE VERY BARE MINIMUM DO NOT DO THE AI'S WORK FOR IT BY STEALING OTHER PEOPLES' WORK TO PUT INTO IT. Writing fanfiction is a communal labor of love. We share it with each other for free for the love of the original work and ideas we share. Not only can AI not replicate this, but it shouldn't.

(also, this goes without saying, but this entire post also applies to ai art)