#I'm not close to feel sorry about this

[velvetwilde]

please don't pin my wrists above my head and prevent me from moving while you kiss my neck and whisper all the fucked up things you want to do to me while I'm rubbing myself with your thigh

[poorly-drawn-mdzs]

Look what we've become.

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[lazylittledragon]

ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:

i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???

[every-sanji]

[tangents-within-tangents]

Thinking about the song "Ship in Port" by Radical Face and clones

Thinking about the line "Farewell to the chains we were born into" and what that can mean for the clones

Thinking about how "But I have always stayed in place/Under that old illusion that it's safe" could equally describe Hunter, Echo, and (s1+2) Crosshair's complete opposite approaches to the Empire and post-war life.

The way Crosshair clings to his identity as a soldier of the Empire

And Echo as a soldier of the Republic

But Hunter puts his identity as a soldier behind him

Crosshair fights for the Empire to gain purpose

Echo fights against the Empire to save his brothers

And Hunter decides the Empire is too strong to even try to oppose

"A ship in port is a safer one"

"but it's not the reason it was made"

"So forgive me if I wander off"

"And forgive me more if I just stay"

Thinking about what The Bad Batch could have been if it had more fully explored the differences between those ideologies

(Thinking about what The Bad Batch could have been if it had dedicated more screen time to the 'reg' clones within the Empire and the underground network's fight to free them , instead of just sidelining Echo and Rex for a hypothetical clone rebellion show we might never get)

[corpsephrog]

i really cannot do cryland srsly and not even cus i'm a payneland shipper like when i was watching the show all the flirting just felt so unnatural and uncomfy i was like "this feels weird is this supposed to be weird"

[meownotgood]

i think we as a society don't acknowledge boxer!aki from ch. 46 enough

when he gets animated..... huuu...... uuuuu... godddddd I can't muster a single coherent thought like JUST LOOK AT HIM......

and the way aki fought this guy who looks way more buff than him but aki didn't even break a sweat!!! aki doesn't even look tired!!!!!! he's so lean and tall and pretty in that one panel like what if I just died fyfucikkkk

[anothermonikan]

I see a lot of sentiment within techum spaces about not understanding how tech actually works and considering tech divine or whatever and like. I really do get it's pretty intimidating, but you can learn how your machines work. In fact I think a lot of you would appreciate your objects even more than you do by learning about how they actually function. Demystify tech in your minds NOW!!!

[sainteclectic]

and btw since I'm posting a lot of wholesoul content (intended as platonic but still), i do want to make it clear: my analysis of whole as a character is purely within the narrative of the story! while i am aware that behind the metaphors is whole is cj himself, that's never what i'm writing whole as in my work. basically I'm using the internal logic of the fiction (whole as viewed by the characters in the album) rather than the reason for the fiction existing (as a fictionalized version of chonny's mental state), just like i do with all the other characters. it's important to make that distinction when you're dealing with a piece of fiction so heavily based on the creator i think. I'll never use cj as a basis for how I write whole because I find that a little off putting tbh ^^;

basically I'm playing with touys. ok? play touys with me

[lloydfrontera]

my biggest gripe with the manhwa rn is that they made javier more of an asshole than he is in the novel and then took away most of the scenes where we see him being kind and soft with others.

javier can be an ass, he is a brat and he's especially annoying when he's with lloyd, but above anything else he is kind and loyal and selfless and good. i cannot emphasize enough how good javier is. he's the kind of person who cannot see someone in trouble or danger and do nothing about it. he's the kind of person who would sacrifice his life for total strangers and no hope of any reward. he's the kind of person who can't even enjoy a lavish party without feeling guilty because he'd much rather help people in need with that money.

he's so fucking good, lloyd is a little annoyed by it because he keeps getting dragged into life-threatening situations because javier just won't stop helping people they don't even know. mind you, lloyd is also endeared by this and would not want him to change but god can it be frustrating in his endeavor to keep them both alive.

there's this particular scene that i just. i'm so sad it was cut. where javier is helping around the refugee camp, going without sleeping and eating so he can focus on helping as many people as possible and then he spots a little kid that got lost on his way back. so he decides to help him.

and he's so gentle with this kid.

Javier walked over to the kid and called him. The flustered boy looked up. Javier strove to put on a warm smile on his face. "Are you lost?" “...” The boy nodded, his eyes all wet. Javier carefully stroked the boy's head. "I think I can help you with that. Why don't you let me help find your tent?" suggested Javier. “...” The boy nodded again. "But why didn't you eat the food? It's going to get cold. Are you not hungry?" "I am… hungry," the boy finally said. But what he said next caught Javier by surprise. "But I won't eat it," said the boy. "Why not?" "My mother is hungrier." "Is that so?" "Yes." “...” Javier wondered why this kid came out to take the food when he had a mother. There must be a reason, he thought to himself. He held out his hand. "I will hold the tray for you." "..." "I won't spill it. I promise." "Okay..." Javier took the tray and wrapped the boy’s hand with his own.

like. god. javier is not a naturally warm person. he's very reserved and stoic and sometimes outright cold, but he still tries so hard with this kid. because he knows what it's like to be him. he knows what it's like to be a child and be scared and hungry and without a home. and he remembers how much it meant for a kind adult to reach out a hand to him and help. and he wants to be that to others too.

everything he does, he does because he genuinely believes it's the right thing to do and therefore his obligation. and even when it doesn't come naturally to him, like being warm and gentle to a child, he still tries his best to do so.

and like that wasn't enough, when they finally find the kid's mom, javier finds out she's blind. recently blinded actually. that she used all her strength to get her child to safety and now she has to depend on him to take care of them because she can't do it anymore. her blouse is smudged with porridge.

so javier kneels down and explains who he is, why he's there and that he wants to help. he lifts up a spoonful of food and slowly and carefully starts to feed her himself. she's a complete stranger and javier doesn't hesitate one second to do this for her.

this is who javier is!! this is who he is at his core!! he's kind and he's selfless and he's above all else good!!

if your audience can't imagine javier comforting a child, then you failed your audience. you missed the point of his character.

[lesbianwyllravengard]

Wyll breaking up with the player character if Ulder dies so Wyll must become the Duke makes me wanna throw up sobbing because he actually thinks that just because his father's first duty being to Baldur's Gate made him a Bad Father that Wyll himself will inevitably be a Bad Lover because surely no one could match love with duty if his father couldn't, unknowing he has more love in one hand than his father had in his entire body. fuck

[problems-exe]

Guess who made another shipkid variant

This is Salem! My version of Sombra, an incredibly underrated shipkid made by @/pepper-mint.

If you want to find out more about the original, I recommend checking out @bluepr1ntyy posts about her, as a lot of her information can be found on there!

As for Salem, she's my silly little, carefree punk lesbian who does whatever she wants.

She's also a vampire!

Like the original Sombra, Salem's eyelights are very sensitive to light, which is why she wears cloth over her eyes to cover them!

She also has a major crush on Lu, something that might be reciprocated in certain timelines. Who knows :3

Original Sombra belongs to @/pepper-mint

Salem belongs to me :)

[sonofatoasterwaffle]

Timber Timbre

The firework that sets him off is probably a Roman candle, and way closer than all the other ones have been, by Hen’s estimate. Eddie is on the ground before she can say anything and Hen’s blood runs a little cold at the realization of what’s happening. 

“Eddie,” she says gently. “It’s still fireworks, it’s okay.” 

Eddie is squatting low behind the kitchen island, head down, and he’s visibly shaking. He nods jerkily, but his breathing doesn’t slow at all. Hen’s heart hurts, but she’s careful not to get too close. She’s well versed in many a mental health crisis, but what to do when your friend is having combat flashbacks feels a little out of her depth. She gets low with him, keeps her tone soft and even. “How can I help, Eddie?” 

His eyes are wild when they meet hers, his hands clenching around nothing like he’s physically clinging to the present. “Can you-“ he stutters. “Where is-? I need Buck.” 

Hen is on her feet as quickly as she can without startling him. “I’ll find him, okay? You stay right here.” 

Downstairs, Buck’s holding the heavy bag for Chim, saying something that was probably meant to be encouraging but comes out more antagonistic. Their shift into being brothers has obviously been going well. They both stop in their tracks when they see the look on Hen’s face. 

“Eddie needs you.” It feels important to say it the way he did.

Another firework goes off then and Buck pales. “Oh, shit.” 

Then he’s taking the stairs two at a time with Hen and Chim not far behind. “Kitchen.” She calls after him. 

Eddie is where she left him, but now his hands are pressed against his ears. Buck squats down in front of him slowly, ducking his head so he can catch Eddie’s eye. “Hey, hey, it’s okay, it’s me, I’m here.” He says, like it’s definitely not the first time.

He looks back and Hen and Chimney, whispers, “Can you guys sit with us a second?” 

They nod, taking their places off to the left across from them, backs against the kitchen counter. Close enough if they need help, far enough away to keep their bubble intact. Hen’s grateful for the direction, and when Bobby comes out of his office, she waves him over, finger to her lips. He doesn’t question it, just squats down on Hen’s other side. 

Eddie shudders, breathes hard out of his nose. Says, “Buck.” Real soft. 

Buck nods, scoots closer at the recognition, reaches out to run his fingertips feather-light over Eddie’s forearms. “You’re in LA, Eddie. At the 118.”

Eddie gasps like he’s just reached the surface of water. “Doesn’t- doesn’t feel like it.” 

Buck grimaces. “I know. I know, let’s go through it, okay?” 

Eddie nods, once, lets Buck take his hands and keep going. “I feel,” Buck prompts. 

Eddie closes his eyes. “Panicked.” 

Buck nods, soft look on his face like pride. It makes Hen’s eyes water. Their boy has grown up so much. 

“Because the fireworks made me think about,” 

“The chopper going down. Getting shot at while the fire was burning. Greggs.” Eddie grits out through bared teeth. 

Buck rubs his thumbs over the backs of Eddie’s hands. “But if I look around I can see,” 

Eddie forces his eyes open with what looks like immense effort, trains them on Buck for a solid ten seconds before he looks around the rest of the room. “You. The 118. Bobby. Hen. Chimney.” 

He looks at each of them in turn. Hen nods encouragingly, waves a little, which seems to increase the recognition on his face. 

Buck smiles at him. “Yeah, that’s good, real good.” 

Some of the tension seeps slowly from Eddie’s shoulders, and Buck rewards it with a squeeze of their joined hands. “Tell me what day it is.” 

Another firework goes off in the distance and Hen wants to murder someone. Bobby looks like he’d help her without a second thought. The fucking audacity to set off explosives when you live by a firehouse is astounding. 

Eddie winces but Buck stays firm with him, tapping his fingers rhythmically against Eddie’s knuckles. “What’s the date, Eds?” 

“Fourth of July.” 

“Exactly. Which means,” 

“Morons.” Eddie answers, rote, like he’s been trained. The way Buck’s handling him right now, Hen supposes he has been. 

“You got it.” He praises, pressing forward until his forehead rests against Eddie’s. “Chris was excited, though, remember?” 

“Poke cake.” Eddie responds and Bobby smiles. 

Midwestern traditions often mystify Hen, but Christopher was so excited to make that weird jello cake with Bobby and Buck that she couldn’t help but decide she loved that one. They spent all evening in Bobby and Athena’s kitchen last night, making gratuitously American dishes that should be objectively gross but that Denny and Chris were wild for. Poke cakes with red and blue jello, things being called “salad” that have never and will never be salad, and burgers that were always a welcome staple in Grant-Nash cookouts. 

Buck is tapping his fingers on Eddie’s knees now, alternating as he prods Eddie to talk him through Christopher’s latest science project. Bilateral brain stimulation, her brain provides. Works for most long-term trauma treatment but can also be helpful during flashbacks. Evan “Internet Research Extraordinaire” Buckley certainly hasn’t been a slouch in this endeavor. 

As he talks through Buck’s prompts, Eddie is slowly relaxing, sitting up on his own a bit more but shifting closer to Buck, tension slowly bleeding out of him as he points out the things he knows, the things he can see, what Bobby made for dinner, what Chimney’s favorite show is right now, what class he helped Hen run flashcards for. It makes Hen’s heart grow too big in her chest. To know that they’re a part of Eddie’s recovery, of him feeling safe. 

“Where are you, Eddie?” Buck asks again after a few minutes of this. They’re side by side now, shoulders brushing as they lean back against the island cabinets. 

Eddie takes a deep breath, sags a little against Buck. “I’m in LA. I’m at the 118 firehouse. You’re all here with me. Everyone’s safe.” 

Hen smiles encouragingly at him, Chim says, “We’re here for you, man.” 

Eddie looks away, mutters, “Esto es tan vergonzoso,” color staining his cheeks. 

“Nuh uh.” Buck answers, firm. “None of that. No tienes nada de que avergonzarte.” 

Hen knows Buck spent a while in Peru. Bartending, she thinks. She’s heard him speak Spanish to people on calls before, but his accent has historically been horrendous. It sounds like being in the Diaz orbit has been helpful for that. Hen doesn’t speak Spanish well, but she’s been in LA long enough to get the gist most of the time. 

“Sorry you guys had to see that.” Eddie apologizes anyway, ignoring Buck.

Bobby shuts that down immediately. “Everybody’s got their demons, Eddie. We’re just happy we can help with yours.” 

He tells Eddie he should take the rest of the night, even as Eddie protests that he’s fine and he doesn’t want to leave them hanging. “It’s just a few hours, Eddie. Take him home, Buck?” 

Buck nods, looking relieved that he didn’t have to ask permission. Eddie still looks a little mortified, but it’s tempered by Bobby’s careful hand on his shoulder. “Get some rest, and I’ll see you tomorrow.” 

“When do you think they’ll give in and just get married?” Chim asks after Buck bundles Eddie into his Jeep. 

Bobby snorts. “I’ve had the paperwork ready to go for years.”

Also on AO3

[da-janela-lateral]

It would be really nice if I could make fanworks for things I like that are simply self-indulgent and/or that dare making jokes or creating situations for fun, but the mischaracterization worm looms over me threateningly. Alas! I will gnaw on myself like stressed snake on captivity!

[decayeria]

HELLHOUND FINISHED!

Baby boy is done!! Hope I did it justice!

This was a super fun project, so much so I'll be working on the axe next at some point! (Dual wielding Michelle????)

Game: Sorry We're Closed by @cbedfordart (sorry for the @)

Read more for silly additional info!

Materials: - Neon Guache paint - Matte Guache and Fabric paint - Clear Varnish - White spray paint and wood glue as primer

Time Spent: About 4-5 hours, including drying times

This was somewhat challenging, as I honestly am not a fancy cosplayer and just use whatever is available to me, so i didn't have many good brushes for this. So at some point i might redo the small details... but i like it!

Also hey small spoiler for the pink coat hah-

[skibasyndrome]

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