#I'm not an official writer so I can do whatever I want with them

[thankskenpenders]

Today we got some news regarding a big change for the Ian Flynn's Q&A podcast, the BumbleKast. As outlined in a blog post by Ian, starting in 2025, all Sonic-related questions submitted to the show will first need to be screened by Sega. (I have to assume this is also why Ian announced they'll no longer be doing live Q&As starting next year.)

Frankly, I can't say this is particularly surprising.

While the BumbleKast is ostensibly a podcast about Ian's work as a freelance writer for all sorts of things, and also just a place for him to shoot the shit about stuff he likes, he's still predominantly seen as The Sonic Guy. Sure, he also does a bunch of other freelance work for other series, and original comics like Drogune, and he's also the narrative mastermind for the whole Rivals of Aether franchise these days, but it's his insights into what goes on behind the scenes with Sonic that people really care about. Your average Sonic fan can't just go up to Iizuka or whoever and ask him a question about the current state of the lore, but Ian's inbox is always open.

Because of this, I've thought a lot about the BumbleKast's place in the fandom and The Discourse in recent years. Ian wants to be as open and honest as he can about his work, and I think that's admirable. To me, hearing about creators' struggles and the shit they go through just to get a story out the door tends to make me sympathize with them more. Sometimes a story just doesn't turn out as well as you'd hoped, but you're on a tight deadline and all you can do is move on to the next project. I've even softened a bit on Penders over the years as he's shared more about the absurd situations and odd creative demands made behind the scenes at Archie. Unfortunately, not everyone has that mindset.

Ian's basically always had obsessive haters who were eager to take everything he says out of context to try and stir up shit, but that used to be contained by the niche nature of the Archie comics. Most of the fandom didn't give a shit about what Ian was doing with Sonic and Sally's love life or whatever. Most of the fandom wasn't even reading those comics. But Ian's gone from being a writer for a non-canon spinoff comic, to being the initial lead writer for the first ever canon Sonic comic series, to being the new main writer for the games themselves as part of the official Sonic Lore Team. Way more Sonic fans care about his work now, and when he's so open about his work that makes him an easy scapegoat.

It feels like damn near every week on Twitter Ian's personal trolls have posted yet another BumbleKast clip out of context to rile up the fandom and make it look like he has no idea what he's talking about or like he has some kind of agenda. And, unfortunately, people often fall for this. Of course, it also goes the other way, with people more sympathetic towards Ian taking things he says about Sega and framing them as proof that Sega has no idea what they're doing with the brand. Which, well, let's be real, isn't always the most unreasonable thing to think, given Sonic's rocky history. But I'm surprised it took this long for Sega to start paying more attention to what gets said on the BumbleKast when fans use it so regularly as a source of drama.

I've also often felt that they just need to be WAY more selective about what messages they respond to on the show. Questions Ian can't actually answer due to NDAs, questions that are borderline incomprehensible, "questions" that are really just fan ideas. And the haters, oh, the haters. Ian does not need to put up with angry rants about how he should make SonAmy canon or what the fuck ever. Even if Ian's willing to put up with it, as a listener it can make the show just super unpleasant at times when someone aggressive pops up with an inflammatory question. There have been entire BumbleKast Mini episodes I had to skip because they were just obsessive critics of Ian's paying to grill him on a dozen different things and treat him like an idiot.

But at the same time, I get why the show got to be this way. It's become a part-time job for Ian with multiple new episode a week. Given how piss poor the pay tends to be for freelance writers, I can't really blame him for wanting to keep this secondary stream of income open, and to not have to refund people left and right for rejecting their questions. The man's got bills to pay. (And so does Kyle, for whom managing the BumbleKast seems to have become a full-time job.)

I dunno. The man's got the patience of a fucking saint. I would've quit the franchise if I was in his shoes, with people wishing he would die for shit like minor disagreements over Sonic's characterization or him misremembering an obscure old lore thing. While I do hope that Sega doesn't keep too tight of a leash on him moving forward, and I hope that he's still able to speak his mind about his work, part of me also hopes that having to be much more selective about Sonic questions results in less bullshit like this.

[softmagenta]

android models #4

Having achieved the basic result, androids began to think about becoming more unusual, more stylish. Real people, indeed - they're just like us. There are too many non-standard models, especially their hybrids and their altered versions. (Clipping from a fashion magazine; article on unique “fashionable” android models that have a narrower focus) ────────────────────────────────

Molis Lux

One of the most unusual models - I can admit it! The gel used mainly to fill the joints has become this model's “skin”. Although the gel here is just an outer shell, it covers the entire body so abundantly that the internal skeleton and mechanisms are not visible from the outside at all.

Readers ask, “Why don't they have mouths?”. This is a very interesting story! A great many custom models were put into production during the “teenage android fashion rebellion” (ha-ha, I like that unofficial name so much). Unconventionality, flamboyance, brashness and unbelievable solutions! The release of many non-standard models was accompanied by some sort of pathos slogan that carried a certain rebellious meaning. The slogan of this model is “I don't need a mouth to tell about myself”. Translated into calm language, it means something like “I don't even need to talk about myself so you could all know what I'm like.��� It's ridiculous, considering they can speak anyway, but the symbolism is really interesting.

The gel color usually matches the iris color of the eyes, and the face and hair are usually a different color because they are not created from the gel. These models are basically a custom created body, not something from mass produced androids, so it's up to the customer to choose the color palette. But at the very beginning of this model's release, a few test androids were created (a few hundred, I think. As with all other models), and in that case the colors were randomized by the software.

Under certain conditions, the gel can go into a soft state where the android themselves (while wearing special gloves!) or someone else can mold the body into whatever they want. Many ML models create clothes for themselves in this way by simply molding them out of their body, and the lack of clothes (molded or real) would not mean that the android is naked. Very handy! The model itself is really one of the most comfortable, I think. (And the mouth can always be made at official accessories and details ComCenter showrooms, don't worry!!!) The part below the ankle and the foot is made of a harder gel, which is a substitute for shoes. It's a bit inconvenient because although such an android can walk around outside without real shoes, it still has to wash their feet every time after going indoors, so many people just wear real shoes or special “socks”. (Editor's note: so that's how they do it… by molding the certain parts? HAHA it's very cool) (Writer's note: I hate you) ────────────────────────────────

Mea Elections

One of the most modern custom models out there! ME (very symbolic name in abbreviation, by the way) is mostly used by cosplayers either social workers who work with children, or just those who see themselves in this style.

Mobility is not affected at all, despite the unusual limbs and body proportions. The main problem with this model is that all clothes have to be sewn to order or bought in specialized stores for ME models, but there are so many variations of ME that even there you can't always find something for yourself. ────────────────────────────────

Spatium Fuga

One of the oldest representatives of non-standard models! This is the very case when the representatives of the crowd, who were striving for humanoidness, decided to return to their roots and radically strengthen their “roboticism” in a more fantastic style!

This model is also mostly used by cosplayers, but less often, because the model has quite specific details. But among fashion figures, there are a lot of SF representatives! This unusual and mesmerizing look attracts the eye.

The SF line and its hybrids are so diverse that you are unlikely to meet two identical androids of this model. The design is very futuristic and everything is limited only by your imagination! However, remember that it is very expensive, and the unusual limb connectors may tear your clothes. Just a friendly reminder.

[nowoyas]

Trying to make sense of the Nanowrimo statement to the best of my abilities and fuck, man. It's hard.

It's hard because it seems to me that, first and foremost, the organization itself has forgotten the fucking point.

Nanowrimo was never about the words themselves. It was never about having fifty thousand marketable words to sell to publishing companies and then to the masses. It was a challenge, and it was hard, and it is hard, and it's supposed to be. The point is that it's hard. It's hard to sit down and carve out time and create a world and create characters and turn these things into a coherent plot with themes and emotional impact and an ending that's satisfying. It's hard to go back and make changes and edit those into something likable, something that feels worth reading. It's hard to find a beautifully-written scene in your document and have to make the decision that it's beautiful but it doesn't work in the broader context. It's fucking hard.

Writing and editing are skills. You build them and you hone them. Writing the way the challenge initially encouraged--don't listen to that voice in your head that's nitpicking every word on the page, put off the criticism for a later date, for now just let go and get your thoughts out--is even a different skill from writing in general. Some people don't particularly care about refining that skill to some end goal or another, and simply want to play. Some people sit down and try to improve and improve and improve because that is meaningful to them. Some are in a weird in-between where they don't really know what they want, and some have always liked the idea of writing and wanted a place to start. The challenge was a good place for this--sit down, put your butt in a chair, open a blank document, and by the end of the month, try to put fifty thousand words in that document.

How does it make you feel to try? Your wrists ache and you don't feel like any of the words were any good, but didn't you learn something about the process? Re-reading it, don't you think it sounds better if you swap these two sentences, if you replace this word, if you take out this comma? Maybe you didn't hit 50k words. Maybe you only wrote 10k. But isn't it cool, that you wrote ten thousand words? Doesn't it feel nice that you did something? We can try again. We can keep getting better, or just throwing ourselves into it for fun or whatever, and we can do it again and again.

I guess I don't completely know where I'm going with this post. If you've followed me or many tumblr users for any amount of time, you've probably already heard a thousand times about how generative AI hurts the environment so many of us have been so desperately trying to save, about how generative AI is again and again used to exploit big authors, little authors, up-and-coming authors, first time authors, people posting on Ao3 as a hobby, people self-publishing e-books on Amazon, traditionally published authors, and everyone in between. You've probably seen the statements from developers of these "tools", things like how being required to obtain permission for everything in the database used to train the language model would destroy the tool entirely. You've seen posts about new AI tools scraping Ao3 so they can make money off someone else's hobby and putting the legality of the site itself at risk. For an organization that used to dedicate itself to making writing more accessible for people and for creating a community of writers, Nanowrimo has spent the past several years systematically cracking that community to bits, and now, it's made an official statement claiming that the exploitation of writers in its community is okay, because otherwise, someone might find it too hard to complete a challenge that's meant to be hard to begin with.

I couldn't thank Nanowrimo enough for what it did for me when I started out. I don't know how to find community in the same way. But you can bet that I've deleted my account, and I'll be finding my own path forward without it. Thanks for the fucking memories, I guess.

[writtenbymisunderstoodnerds]

Secret softy (Ashley Sanchez x Reader)

Based on this request

Sorry this took a while to finish, writers block is a pain. Hopefully this is okay and is kinda what you wanted. Thanks for reading and hope you enjoy :)

Warnings: None I think

Words: 2.4k

Three months had passed since I last saw Ashley. We had been together officially for almost four years, but we had been mostly long-distance since the start. With us both being professional athletes, her soccer and me hockey, it didn't leave as much time for visits during on season. We would spend off-season with the other when possible, Ashley had been pretty busy lately, unfortunately. It didn't matter now though, my season was officially over which meant more time with her.

I was trying to enjoy time with Ashley, but I was kind of freaking out. I was going to be going to more of Ashley's camps so we could spend more time together. The only problem was her team didn't seem to like me very much. I knew I could be a bit standoffish when I met new people, but I had tried to be more friendly when I met them. I wasn't actually sure if that's why they didn't like me, it was more an assumption based on past experiences. They were her team, some of her closest friends, honestly, I wanted them to like me. Three years had passed since our first meeting and I didn't know how to change it.

Ashley wrapped her arms around my shoulders, snapping me out of my thoughts, "You okay Y/n/n?"

"I'm fine."

"No, we don't do that. You can be stoic, grumpy, tough, or whatever around everyone else, but not me. If you don't want to talk to me about it, tell me, I won't push. Just don't pretend you're fine when I know you're not."

"I'm sorry. Cuddles?"

Ashley lay down on the couch, letting me lie on top of her, head resting against her neck. It was a lot easier to deal with feelings when wrapped up in the comfort she provided. After a few minutes, all my thoughts just tumble out.

Fingers ran through my hair, making me groan. Ashley always knew what I needed, when I needed it. It's one of the reasons I loved her so much. "My love, it's not that they don't like you. I know what you're going to say, but it's true. They just find you a little bit intimidating, they don't know how to act around you, they don't know how to read you."

"You couldn't have mentioned this like 3 years ago?"

"Don't take that tone with me Y/n. I didn't know how they felt until recently when I told them you'd be around more this season. All you have to do is try to be a bit more open, talk to them, interact with them. A smile every now and then wouldn't hurt either. I know it's not easy for you, but even trying will make a difference."

I sighed, nuzzling my face further into her, "I'm sorry Ash. Okay, I can do that. At least I think. I'm sorry for being grumpy with you. Let me cuddle for a minute then I'll make dinner and we can finish packing, maybe a bath?"

She kissed my forehead, fingers running through my hair, "You weren't grumpy at me, you just let the nerves get the better of you. Don't make a habit of it though. A bath sounds fantastic. I love you grumpy."

I peppered her face with kisses before dragging myself up, "I love you."

---

A smile instantly appeared as arms wrapped around my waist, accompanied by the familiar voice of my girlfriend. "Hi baby."

I turned around, wrapping my arms around her and lifting her up, her legs wrapping around me. My head rest against her chest, enjoying the feeling of her again. Honestly, it hadn't even been that long apart, I had to spend a few weeks at home before joining her. Ashley was my place, my home, my comfort. Anytime we were apart, even for a few days, felt like forever. "I missed you."

Some of Ashley's team were in the lobby hanging back waiting for her. I sent them a quick smile and wave before turning my attention back to Ashley. She pecked my lips, arm wrapping around my shoulder, letting me cuddle against her. Despite what most would think, 90% of the time I was the little spoon and I loved it. "I missed you too. Dinner tonight? We have training this afternoon so maybe 7?"

"Wouldn't miss it for the world, I'll find somewhere and sort it."

"Thank you. Also, team bonding tomorrow night if you're up for it. No pressure."

"I'll be there."

All I really wanted to do was spend alone time with Ashley. I decided on a picnic on the beach instead of a restaurant. So while Ashley was at training, I went to the store to pick up some of her favourite snacks, drinks, desserts, and of course flowers. At about 6:30, I ordered Ashley's favourite pizza then headed to the beach to set everything up, then texted her where to meet me. My original plan was to pick her up, but I also wanted everything to be set up before she got there.

Right at 7pm, Ashley came walking along the beach. Dressed in sweats and a hoodie, looking as beautiful as ever. "What's all this?"

"Well, I wanted alone time with you and this is more romantic than a restaurant I think. This is okay right?"

Ashley smiled, lips connecting with mine in a deep kiss, "Y/n/n, anything you do is amazing. I love this and I love you so much. Are those flowers?"

"I love you more. Of course, can't have a romantic dinner without flowers."

After dinner, we ended up lying on the beach watching the stars. Ashley cuddled into my side, leaving light kisses along my neck. "How did I get so lucky with you?"

"I'm the one who got lucky Ash. For some reason, you met my grumpy ass and decided yes that is who I want to be with. You are incredible my love, you fill my life with so much love and happiness. I wouldn't give you up for anything in this world. I love you."

"I love you Y/n/n. I will never get over this side of you. Your grumpy ass is stuck with me for life, just gotta make it official."

I laughed, tapping her nose. It was mostly a joke, Ashley knew that I would propose likely in the next couple of months. I just wanted it to be perfect and not that she knew, but I wanted both her team and her family there. "Soon my love."

----

It had been a few weeks since I started coming to camp with Ashley. Since she told me I was kind of intimidating, I was trying to be more friendly. It wasn't the easiest thing, I had always been more withdrawn and perceived as grumpy or tough. I wanted her team to like me so I was trying. They were important to her so I wanted to at least make an effort to get along with them.

Most of them still kept a bit of a distance from me. They were friendly and included me when I was around, but there was still some unsureness on their part. Emily on the other hand seemed to make it her mission to annoy me as much as possible. In a way, it was nice that she didn't seem to mind my so-called grumpiness. It was also incredibly annoying. Despite that, I had a soft spot for her.

Emily ran at me the moment Ashley untangled herself to go get a drink, managing to jump on me before I could stop her, "Emilyyy, get off."

My hair was messed up before Emily dropped back to the ground, tongue sticking out at me. 

"Grump."

"Irritating."

"Yeah yeah whatever, you love it. Some of the girls and I are going shopping, you wanna come?"

"That is the last thing I want to do. Shopping is my nightmare and I already do enough of it with Ash." Emily looked slightly disappointed which made me feel guilty. I also realised this could be a good opportunity to develop my relationship with at least some of them. I couldn't bring myself to go shopping so I suggested the next thing I could think of. "I could meet you for lunch or coffee instead if you guys are doing that."

"It's a date. I'll text you when we're heading for lunch."

Ashley popped up next to me, making me jump slightly at her sudden presence, "You going on a date with someone else?"

Emily wrapped her arm around my shoulder which I instantly tried to push off, but she just wrapped it around tighter. I didn't have the energy for a fight so just let it go. "Yup, I'm stealing your girl."

"You and whoever else you're dragging shopping."

Of course, Ashley got excited at the idea of shopping and decided to go along with them. It wasn't a surprise, Ashley loved shopping and it made Emily go away so I was happy. Now I just had to get her to let me stay back. "Finally. Don't even ask, don't pout, it's not going to work. I'm not coming shopping, you have your girls, I'm going to the gym. Go have fun baby, I'll be there for lunch. I love you."

"Fine, I'll carry my own bags. Just this once. I love you and thank you for trying. By the way, I think Em really likes you."

"She alright I guess. Now go."

Throughout lunch, Ashley was on one side of me and Emily was on the other. Which meant Emily annoyed me while Ashley laughed at me. I admit it helped with the nerves, and stopped me from thinking too much about everything. Emily poked my cheek over and over until I slapped her hand away, poking her cheek instead. I unsuccessfully looked at Ashley for help, her being distracted in conversation.

I groaned, leaning back, trying to be as dramatic as possible, "Why are you hellbent on annoying me? You're like the annoying little sister I never wanted."

"Because I can and you're stuck with me as long as you're with Ash."

"Dammit, that means I'm stuck with you for life."

Emily stopped her annoyance, smiling at me instead, "You going to be with our Ashley for the rest of your life?"

"That's the plan."

A hand landed on my shoulder, running down my arm as lips pressed against my cheek, "I like that plan."

My hand ran along her thigh, kissing her cheek, "I do too."

"Alright, before things get even more gross. How did you two meet? I don't think we ever heard that story."

---

I crawled up the bed, settling myself on top of Ashley, letting out an appreciative groan as her fingers ran through my hair. This trying to be nicer thing was a lot of work. It had meant being more aware of my actions or how I held myself around them. I had never had to put that much thought into myself before. It was honestly exhausting.

"You know I would give up hockey in a heartbeat for you. I miss you so much."

"I know you would, I would do the same, but we both know we would be miserable not doing what we love. What's wrong? You get like this when somethings wrong."

"Ugh, I know. I'm just looking forward to the day when distance isn't part of our relationship. I'm just tired. Putting effort into being nicer and less intimidating is exhausting."

Ashley peppered my cheek with kisses, ending with a soft peck to my lips, "Well you're doing an amazing job Y/n/n. Half the team loves you already and the rest are on the way. You know I appreciate you right? How much you're trying to get along with them."

"You mean the world to me, Ash. Even if it's exhausting or hard, I would do anything for you. This team means a lot to you so it's important to me to get along with them. I'm just sorry it took longer than it should have."

"I'm just happy all the people I love get along."

We spent a while cuddling and making out. There weren't many words spoken, we were just enjoying time together after a couple of crazy days on her end. In our jobs that was the reality, where we barely saw each other all day, only to fall asleep minutes after getting to bed. It left me missing Ashley even though I spent every night cuddled up with her. I missed the awake cuddles, the soft kisses or not-so-soft kisses, the light touches, the comfortable silence, and the random conversations. I could have stayed there all night, but there was team bonding tonight so we had to drag ourselves down to Alyssa and Alex's room.

Everyone was waiting already, fighting over what team bonding was going to be. I made myself comfortable on the floor, leaning back against the wall while Ashley went to join in on the fight. I must have zoned out watching her because I didn't notice Kristie sitting next to me until a hand waved in front of my face.

"Sorry."

"Don't be. I get like that with Sam all the time. You make her incredibly happy, you know that right?"

"All I want is for her to be happy so I will do everything in my power to make sure she is. Seeing Ashley happy, makes me happy."

Kristie pat my shoulder, "That's what I like to hear. Keep her that way."

"Yes ma'am."

Ashley had run back to our room for a deck of cards so I was left alone with her team. Since lunch the other day, I had gotten closer to some of the younger girls, but the veteran players were still a work in progress. I hadn't actually been alone with them pretty much ever. Honestly, I felt kind of awkward, like I needed to clarify that I didn't hate them or apologise for being so standoffish, "Look um I know we got off on the wrong foot-"

Alex interrupted me pretty much instantly, "Hey don't worry about it, we've seen how you are with Ash. You may seem grumpy and mean, but really you're a big softy. You treat Ashley like royalty so we like you. You also put up with Emily so you can't be that bad."

"Yeah well, she does that to me. Look I may seem grumpy or uninterested, but I don't mean to. I really like you guys. Even Emily."

"Hey!"

"Also, before you even give me any sort of talk. Ash is my forever, I plan to marry her one day soon, to spend the rest of my life with her. I would never do anything to jeopardize that. I would hurt myself before I ever dreamt of hurting her."

"Good. Welcome to the family Y/n."

Ashley came back soon after the conversation had ended, settling herself in my lap to whisper in my ear, "You okay?"

"I'm more than good my love."

[marchofpain]

Above is the first official March of Pain prompts list and some alternatives. All of those will also be typed out at the bottom of this post for accessibility.

March of Pain is similar to things like Whumptober, Comfortember, and Hurtcember: That is to say it's a list of hurt/comfort and whump-oriented prompts for writers, artists, etc. to fill throughout the month of March.

RULES

1. You can write/draw for any fandom or pairing

2. You can write/draw SFW or NSFW content, just label it accordingly

3. Please tag any Tumblr posts sharing your prompt fills with #marchofpain2024 so that we can find and repost them

4. If you post your works to AO3, please add them to this collection and add "March of Pain" and/or "March of Pain 2024" to the additional tags of your prompt fill(s)

5. The challenge officially starts on March 1st but feel free to write/draw before then and/or submit things after the month ends officially, whatever works best for you

6. Be kind to other participants

7. You DO NOT have to do every single prompt if you don't want to. The point is to have fun and spark creativity, not to feel like you're doing a chore

PROMPTS LIST

1. Depression

2. Apologies

3. Screaming

4. Self-Inflicted

5. Anxiety

6. Career-Ending Injury

7. Bankruptcy

8. Broken

9. Vomiting

10. Flashback

11. Sick

12. Tics

13. Nerve Damage

14. Dissociation

15. Abuse

16. Burden

17. Work Injury

18. Miserable

19. Heavy

20. Addiction

21. Unlovable

22. Pain

23. Cut

24. Stomach Bug

25. Meltdown

26. Worthless

27. Food

28. Burn

29. Scars

30. Crying

31. Shutdown

ALT PROMPTS

1. "I'm sorry"

2. "I love you"

3. "Please"

4. "Help me"

5. "I'll be better"

Yes, this is by the same event runner as the @hurtcember challenge, so if you did that challenge and noticed any similarities, that is why.

[cmrosens]

Creating fantasy religions: something I'm doing now so thought I would post about my process.

The mistake a lot of writers make is developing a religion from a singular event, and piling a ton of stuff on top of it that makes logical sense. Whereas, in reality, religions are self propelling systems that travel under their own steam and if there is an event that catalyses them, it is never in a socio-cultural or political and economic vacuum.

You also end up with an apparently totally random set of things attached to one figure which does make sense if you know the origins, but otherwise is just accepted even if the meaning is lost.

It is the difference between "the god of Midwinter and festivals around this originated because a cult of necromancers were banished into the frozen wastes and this <event> became the Origin Story for how we got to a midwinter festival with creepy bone puppets in my fantasy world" and a religion that feels ... Real.

Ok so firstly, this is a bit too neat. (This was my original reasoning for a midwinter god called Yarash and I changed it because it wasn't very realistic or interesting for my world.)

Why, let's say, is the god whose feast is at midwinter also the patron of puppet makers and osteopaths?

Well, we could say that this makes a lot of sense because the god's festival was originally to do with remembering the dead, and puppets were used in the festival to represent the dead, as necromancy should have been part of it but people didn't actually know how to raise the dead properly. Then as magic evolved people could actually raise the dead for short periods to deliver messages in these festivals, but this drew internal debate from the conservative priests who thought puppets were the original form and so should be maintained, and necromancy was an aberration, vs the progressives who saw necromancy as the original INTENTION and so the natural and correct progression from the puppets. The debate might rage on for years creating splinters, sects, differing traditions that sit uneasily together but find middle ground in other less controversial topics and practices, and even cults.

At some point, the secular authorities get involved for their own reasons. Maybe some rulers are pro-"The Old Bones" or anti-, or they want to outlaw necromancy or benefit from it for various political reasons, socio-cultural reasons, economic reasons, military intelligence reasons, etc. Whatever happens, happens. Times change. Official attitudes swing back and forth, while internally the religious debates continue, now informed by and perhaps as counters to, this secular intervention.

Then we end up in modern times, the times of the story. Nobody really believes in gods anymore. They do remember the old gods of the seasons and at the secular festival in winter, there are a lot of traditional puppet shows that have a whole history and life of their own. The puppets are called "the old bones" and nobody really remembers why. Osteopaths have the puppets and symbols relating to the midwinter festival on their certificates and college heraldry and nobody really remembers why, but the information is there to look up and is a fun thing to know for trivia nights.

And necromancy... is a controversial branch of science, divorced from its original religious significance for many but not for all, and more integrated as an art or practice in the public consciousness (positively or negatively depending on perspective and propaganda and actual usage).

And now, you have a ton of depth and meat to it without having to flesh out the arguments and debates themselves unless that is plot relevant.

There is a lot you can do with this society now, and by tweaking one thing you can create completely different societies and ideologies. The depth is now there to set your story at any point during this history and to develop numerous ideas. So much stuff can happen.

With the singular event version, and a static fact of a necromancy cult in the frozen wastes, things are much more limited and linear, with less depth to play with.

Also remember that your characters will not be expected to know everything about your world unless they are experts in religion and/or history, and also the 2 subjects are not mutually inclusive so a historian is not an expert theologian and vice versa. How much the average person on the street knows depends on levels of formal education, accessible knowledge beyond formal education, which may include religious instruction and folklore, and propaganda. But it means you can build in some subtle things - like the puppet symbols on the door of an osteopath or bone doctor - that never need to be explained, but have a logical in-world explanation below the surface.

Try taking a static idea and work it into a system and see where it leads!

EDIT: I'm doing a workshop on Build A Hellscape at the Devils and Justified Sinners online conference, Saturday 24th Aug 2024, 9AM UK Time. Sign up below:

[atlantis-just-drowned]

i'm back with another request favorite writer 😼, i was wondering if you could do Sun n Moon/Reader who's the daycare manager.

Essentially they help tidy, manage schedules, supplies, ect???

(sorry for not leaving more notes on your posts, tumblr doesn't show me ur stuff often 😭😭)

A/N: Hiii thank you so much for your kind words and patience?? My motivation has been on the floor but I'm trying to make it work somehow! Anyway, here is some mildly-annoying-coworkers to friends (to lovers) for your heart! :D

Sun & Moon x daycare manager!reader relationship headcanons

Please reblog this post! Likes make posts die :(

Masterlist

When you first got hired as the Daycare manager, you work was... Well.... Tough

To say the least.

Sun's sassy attitude and constant micro-aggressions were really getting to your nerves

And Moon.....

Well

Let's say you sometimes wondered if he saw you as his boss or his toy

He WILL jest around and stare at you while chuckling instead of following your commmands

Both of them don't really like the idea of having a human supervising them

I mean they're doing a super neat job on their own!! They don't need you!! Why would management send you here?!?

But surprisingly, instead of quitting

You actively try to work with them.

Unexpected I know.

You're not just bossing them around and yelling when they don't do what you want!!

You actually communicate with them to explain the goal of your missions and ask for their ideas when they refuse to do things your way!!

Okay to be honest how it ends up working out is truly a mystery to you

But after a while of almost constant bargaining

Welp the bargaining starts to lessen.

They do the activities you prepared instead of announcing a completely different unrelated thing to the kids

They don't argue as much about the schedule for naptimes

Hell, you can finally catch a fucking break

Of course you let them know how much you're thankful to them for agreeing with stuff (finally)

Sun also starts to get a little less mean, thankfully

You're greater at your job than he thought you'd be!! Different than the managers they had before, for sure, but it's a good thing!! You actually adapt your work and the schedule for them, and not despite them!!

He might start to take a liking for you

After a long while

I mean you truly are the first human handler to not treat them as objects

So of course it takes time for them to trust you

But Sun eventually does because he's just too much of a sweetheart

Moon just... Teases you a bit less. If that means anything.

(it does)

Or at least it's not mean teasing anymore

He's still a Creature™️ tho

Sun still acts confident and almost cocky at times, but it's not passive-agressive anymore

He can even appear charming at times, now that his jokes and remarks aren't meant to make you quit your job

And of course both argue from time to time

Or well, show their dislike of your commands in their own ways I guess

Their "own ways" being that Moon crawls up to the ceiling and sits in a corner upside-down to pout

And Sun just outright refuses to execute whatever you told him to do (and WILL get snappy if you insist)

The trips at Parts N Service are the worst, but you manage to get them down there two times out of three

But overall your relationship with the both of them is getting better and better everyday!

And you genuinely feel so glad the day they give you a friendship drawing!! You're officially their friend now!!

You almost teared up, but no one needs to know that

And then, they gave you another one

And another one

And MANY other ones

And plenty of them both holding your hands

Overtime, you became their bestest friend!!

Who could have thought you would end up being so close!!

Well you, at least, didn't expect it

Not that you're complaining!

You had to admit you grew VERY attached to them too

But oh boy was this development unexpected.

[prettydykeboy]

does anyone know if the star wars rebel comics (specifically the magazine issues) are available to read anywhere online for free? Considering the comics seem to be pretty rare/people straight up don't know they exist I think I gotta explain what I'm actually talking about.

Officially titled "Star Wars Rebels Magazine" or the complete edition "Star wars Rebels (TBP)" is a magazine series published predominantly in Europe and later in the US. Whilst the magazine was aimed at kids, with art sections and coloring sections and whatever, the vast majority of the magazine issues also contained comics, usually at 10 pages long.

AND THE COMIC PORTIONS ARE ACTUALLY...GOOD (for the most part). see, the comics have actually been released separately (so without the magazine portion), you can either buy individual volumes (pictured below) or you can buy the complete edition (also pictured below).

(all images taken from Wookieepedia)

I think people who are SW Rebel fans would really enjoy the comics. since some comics give extra context to existing episodes, include new characters, and honestly just have interesting premises. I do actually own a physical copy of the comics but cannot find a place online to actually read the comics for free. no pirating websites I've checked have the comic so i was literally wondering if it even exists online to read. If it doesn't I was hoping this post could also encourage someone else who also owns a copy to provide scans (i would do it myself but i have no resources such as a local library or a scanner to actually scan the comics). I really enjoyed these comics and wanted more people to know about them !

i also hoped this post would maybe inform people who really like Rebels that these comics do exist and maybe convince them to read it !!!

also some other notes i just couldn't figure out where to put:

the entire collection is 500 pages long and contains 39 issues in total

the comic series has multiple artists, meaning the art style changes from issue to issue. however most of the artists are pretty recurring so there's only about 5 (estimate) artists but its interesting to see the art style changes if you're into that

there are also different writers, which also change from issue to issue but are also pretty recurring as well (there's like 4)

here are a collection of some random pictures to convince u to read it

(photos taken by me)

[arctrooper69]

hiii! i just found your hurt/comfort dialog prompt list you had tagged and i'm such a sucker for that kind of stuff. could you please do prompt 34. "you're covered in blood, need to tell me something?" with wolffe? maybe even a little bit of prompts 20 and 35 from the the hurt/comfort sprinkled in there too? i absolutely adore your work and your such a fantastic writer, i look forward to everytime you post, and you do such a beautiful job on your writing that i can't wait to read this once it is done (if you decided to do it) . feel free to change it how you want, and thank you for taking time out of busy day to read this. love you <333

Hey! I'm so glad you've been enjoying my work! Sorry it took me awhile to get this out to you. I had so many ideas for it but I couldn't decide what I wanted to do. Hope you enjoy it! 😁

Prompt# 20: "How long did you think that you could hide that?"

Prompt# 34: "You're covered in blood, need to tell me anything?"

Prompt# 35: "It's just a headache, I'm fine."

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Love is a Battlefield

The new General doesn't want to ask for help. Commander Wolffe does so anyway.

Warnings: Blood. Angst. Battlefield scenes. Hurt/Comfort.

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"Okay, today officially sucks." You grumbled under your breath, cursing whatever cosmic Force led you to be in your current state. Groaning you dragged yourself back over the ledge and collapsed in the mud. Everything hurt. Your clothes were stiff with dried and drying blood and at this point, you weren't sure if it belonged to you or to those damn splox who's nest you'd fallen into. Probably both.

Ok, now to find the rest of the company. You were sure that you hadn't strayed too far from the battlefield when you'd been drug off by battle droids and thrown from a cliff in the resulting fight. But hey, at least you took them down with you. You thought, cracking a smile. Master Plo would've been proud. On the other hand, you frowned, you had gotten separated from everyone else - so maybe not so much.

You drew a sharp breath between your teeth. A burning, grating feeling radiated from your side as you stepped over a rock and nearly fell to the ground. You paused for a moment to let your tunneling vision focus again, fighting back the urge to throw up. Maybe some of the blood was actually yours. The trek back to camp was going to take much longer than you expected.

Good. Maybe that would give you time to mull over the conversation you'd had yesterday morning with the commander of you battalion.

You were sure it was the reason that Commander Wolffe was ignoring you earlier today.

***

You'd chosen to continue on with the battalion after Master Plo had received an urgent message from the Council, recalling him from the field. Wolffe disagreed.

"You're injured!" He snapped, more forcefully than intended.

You sighed rolling your eyes. "It's just a headache. I'm fine. You know I've had worse, Commander." It was more than a headache, probably a concussion due to the nausea and dizziness that currently plagued you. But he didn't need to know that.

Wolffe pinched the bridge of his nose.

"General, I saw that spider droid fling you halfway across the battlefield. Can you at least go to medical to get checked out? I need you-" He froze, then coughed quickly, trying to pass off his slip-up as though he'd been interrupted mid sentence. "We. We need you. Your men need you at your best, general."

He coughed again and quickly left the room, leaving you frozen in place.

***

Did he really say that? You replayed his words in your head over and over again.

"I need you."

You couldn't deny that it had shaken you. You couldn't deny that it had hit you in such a way that made your whole body tingle and flood with warmth. As much as you tried to suppress it and convince yourself it was nothing, you had found yourself staring at the Commander a lot recently. The way he confidently carried himself, the subtle spark in his eye, the way he cared for his men even though he hid it behind that abrasive and sarcastic front - it was all so perfect. So attractive. So him.

No, he couldn't have meant it like that. You were his superior and even more importantly, you were a Jedi. No attachment allowed. He definitely couldn't have meant it like that. It was simply a slip of the tongue. He felt nothing for you and you felt nothing for him. You told yourself that your infatuation wasn't real. Commander Wolffe was a good solider and your fondness for him was simply a professional sense of pride. That's all.

Distant voices interrupted your brooding. Several clone troopers were searching high and low, calling out for someone but you didn't quite catch the name.

"Who are we looking for?" You walked up to the trooper closest to you. His shiny white armor was streaked with mud and ash - one of the new guys. Splash, they'd christened him on account of the puddle of mud he'd landed in immediately after jumping from the gunship into the field. It was hard to believe you'd only been here for three days. It felt like three years.

"We're looking for the General!" He explained hurriedly, hardly giving you a side glance.

Your heart dropped. Surely not Master Plo. Had he not left for Coruscant after all? Your hero and former master had seemed invincible ever since he'd chosen you to be his Padawan.

"General Plo Koon?" You asked hesitantly.

Splashed grunted as he stepped over a log. "No, the other one."

A wave of relief washed over you. You could've laughed out loud if your head wasn't so cloudy. Your side screamed with every step. You took a shallow breath, trying to ground yourself.

I am one with the force and the force is with me. I am one with the force and the force is with me.

Supplementing with the force wouldnt last long and it was draining, but it was better than the agony you'd been in. You took a deep breath, allowing the pain to become a whisper and looked back up at the clone.

"Well you found her!" You joked.

"What?" He stood up looking confused. Then he looked over at you.

Splash straightened up upon realizing that he had indeed found the General. He was glad he was wearing his bucket because he could feel his face turning red with embarrassment. He scrambled stiffly to attention. "Uhm, sorry Sir. I mean Ma'am. Uh, General." He stuttered, trying to compose himself. You chuckled, wincing as the movement pulled at your wounded side. Splash looked alarmed as if he'd just realized that his General was covered in blood. "Are you injured, Ma'am?"

You grit your teeth to hide the pain. "No, I'm fine, thank you. I believe it all belongs to the splox that I killed. Fell into a nest of em."

He looked at you, unsure if you were being serious or not, trying to recall if the regulation manuals told him what to do in a situation like this.

"We should probably make our way to medical, all the same." He concluded. "Just to be safe. Get you checked out and all." He offered his arm.

You shook your head. "No that's alright. They're much too busy right now, seeing as the battle has just ended."

"Well I'm sure..."

You put a hand up to stop him. "It's fine, Splash. I can take care of myself. Let's worry about making our way back to camp."

"Of course, General."

***

You made your way back to camp and bid Splash a farewell. Exhausted, you yawned and slowly made your way back to your tent, passing the Commander's tent on your way there.

"General!" Commander Wolffe sprang to his feet the moment he saw you. "Are you alright, ma'am?"

His eyebrows knit tightly together with a frown. If you didn't know better, you almost thought he looked concerned. Worried even. But that would be stupid. You were reading too much into it. He was simply a solider looking out for the welfare of his commanding officer. That's it. Nothing more.

"I'm good!" You grinned, hoping he didn't notice the way your teeth ground against the pain in your head and now your side.

Wolffe's face became unreadable.

"Just good!?" He growled. "General, you are covered in blood. 'Good' does not even begin to cover it. Do you need to tell me something?"

Yes. I think I'm in love with you.

"No not really." You nonchantly shrugged. "It's not mine. Fell into a nest of those giant splox beetles and had to take em out before they ate me. You know how it is."

Wolffe rolled his eyes. He didn't believe you, but what could he do? He wasn't your superior, he couldn't order you to tell him. He made a note to ask Cody and Rex to let him into the clones-with-stubborn-generals club. He could sure use some advice.

"Could you be anymore bull-headed?" he wanted to yell at you as you left the room, interpreting his silence as the end of that conversation.

Wolffe groaned in frustration. Why did he care so much? Why did the thought of you being wounded send waves of terror cascading through his core. You were acting strange, subtly walking as though every step sent agony shooting through your body thinking nobody would notice. He noticed. He wanted to pick you up in his arms and bandage your wounds. He wanted to softly kiss each scar on your skin.

You were a good leader. He understood wanting to be tough, wanting to be strong for the soldiers under your command. If he was honest with himself, he did the same.

You trudged wearily back to your tent, ignoring the pain that was slowly returning to full force with a vengeance as though it was angry at being willed into submission.

You made it a point to avoid medical. The dwindling amount of medical supplies worried you. It was only a matter of time before they would run out if they weren't sent relief. The chief medical officer had drastically downplayed the dire straits the company was in when you asked him. You'd seen the inventory. It was scarce. It wouldn't be right, going to medical right now. Not when you could most likely patch yourself up with the small medkit by your bunk. The clones made up the backbone of the GAR, it was only right that they take priority over you.

***

It was a miracle of the Force that you hadn't passed out by the time you reached the tent. Biting your lip to keep you from making too much noise, you peeled off your shirt to assess the damage, grabbing a towel from the shelf.

You bit back a pained moan and your vision swam as you gripped the edge of your cot to steady yourself. A large gash curled around the side of your chest from the bottom of your breast to your hip. The torn skin bled heavily, quickly turning the towel a crimson red.

This was...not good.

The com chirped, making you jump. You felt dazed and exhausted. Closing your eyes, you took a deep breath before answering the com. Sergeant Sinker's brisk voice echoed from the device.

"General, the clankers are moving in from the North. They've engaged the front and the 501st is calling for aid. What are your orders?"

Your men needed you. Who were you to ignore them? What kind of leader would you be if you sent them off while you stayed behind. "A good leader leads by example" Master Plo always said. You were tired of the animalistic way the clones were treated - as if they were only droids or worse. You would be there for your men, fighting right up front beside them. Right beside Commander Wolffe.

You lit up the com. "Proceed with the request, Sergeant. I'll be there shortly."

You looked at the medkit. Well, so much for that. You quickly taped up the wound and slapped some bacta treated gauze on it. Then you quickly changed your clothes, willing yourself to ignore the nauseating pain. You steadied yourself with a hand on the wall before wiping the cold sweat from your clammy skin. You tried to breathe, once more closing your eyes in meditation once again squashing down the pain. The show must go on. The General must lead her men into battle.

***

General Skywalker was right to call for aid. The Separatist forces were throwing everything they had at you. You jumped over the guns of a tank, slicing through the controls to disable it. Droid after droid came at you from all sides and you cut them down. If only the Commander could see you now in all your glory.

An explosion knocked you off your feet, wrenching you from your stupor. Pain surged through your body as you pushed yourself to your feet. The continuous onslaught of enemy forces wasn't so fun now. You began to realize just how tired you were. Trying to catch your breath felt as futile as swimming in honey. Your mind felt sluggish and your arms felt like lead. A B2 took aim and fired. You saw him fire and raised your saber to block but it was a fraction of a second too slow and the blast hit your shoulder. Kriff. You hit the ground hard, letting the awful, searing pain wash over you. You wanted to close your eyes. You wished you could just rest. Just for a moment.

Your eyes flew back open. No. The men need you. Get up. Shakily you forced yourself to your knees and onto your feet. One more time. You knew this was abusing the force but it was for an honorable reason. Right?

I am one with the force and the force is with me. I am one with the force and the force is with me. Pain is temporary. Accept it simply as a signal sent by the body. Accept the pain. Respect it. Don't fight it. Ask your body to begin to heal.

You let out a feral scream, pouring every last ounce of energy and willpower into your prayers, knocking back an entire wave of droids. And then you felt nothing.

***

My head. The first thing you noticed upon regaining consciousness was the skull splitting headache that you could almost feel radiating down your entire body. It felt as though someone was spearing red hot needles through your eyeballs, twisting them through the many sections of your brain. The pain made you nauseous.

An agonized wheeze drifted from your lips as you tried to raise your hands to cup your face. When did my arms get so heavy? Pain shot through your side and shoulder as you tried to move. Panic gripped you when you couldn't.

"Ah kriff," a gruff voice cursed. "Hey! General. General, it's okay. Calm down. You're safe." You'd know that voice anywhere - it was the only clear thing that cut through the haze of pain. Commander Wolffe.

He barked a command at someone and after a few minutes the pain had loosened it's claws. It wasn't much but it was better than before.

"What do you need, General? Are you still in pain?"

"Lights," you managed to groan. Even that took too much energy and you desperately hoped that you wouldn't be sick in front of the Commander.

Wolffe immediately jumped from his chair, quickly shutting off the lights. That helped some, but not much. It still felt like your head was being lobotomized by a pickaxe. Your side and shoulder felt like they'd been broken off and trampled by a bantha. A bantha that was on fire maybe.

"You are so kriffing stubborn, you know that!?" Wolffe growled. Seeing you wince, he lowered his volume but continued with the hard and bitter tone.

"How long did you think you could hide that!? Hmm?" He motioned to your side.

"You almost died yesterday." He said, softening his voice ever so slightly.

Wolffe looked tired. His eyes were sunken and even his cybernetic one had a dark shadow beneath it. He looked like he hadn't shaved or showered since the battle. His grey armor was still scuffed up with dirt and grime. A small bacta patch adorned his right eyebrow.

You looked away, shame burning at the corners your eyes, adding to the overwhelming pressure in your head. You failed him and now he hated you. You turned your head away from him wincing at the pain but you couldn't bear to have him see the tears that rolled down your cheeks.

"Look at me." A command. He didn't have the authority to give you a command, but you felt compelled to comply all the same. Hastily wiping your eyes in a futile attempt at seeming alright, you turned towards him. Your breath caught as he wrapped his hand around your wrist, pulling it from your face.

"Stop kriffing pretending that you're okay." Still a command, but this one felt softer. His voice still held the rough, bitter edge that defined him so well but as you met his eyes, they held an uncertain gaze of vulnerability.

"Your men need you alive. They care about you, General." He paused, pacing back and forth in the dark room. He came to a stand still by the foot of your bed, refusing to meet your gaze, as though he had something he wanted to say. Finally he took a deep breath and slowly let it out.

"Oh kriff it." He snapped. "I care about you, damnit!" He shook his head and began to pace again, the anger returning to his visage.

"General Plo said you could've died." He spat. "He said that you had spread yourself so thin, used up so much energy that you could've killed yourself. Do you..." He cut himself off and took another breath, clenching his fists tightly. "Do you know what that would've done to this company. Do you know what that would've done to me!?"

There was fire in his eyes when he looked back up at you. "It would've killed me too."

You lay there in your bed staring at him - shocked at this outburst. What was he saying? That he cared for you? That he loved you? That he thought about you as much as you thought about him?

"I.." you began softly.

"No. I'm not done."

You shut your mouth.

"General, when you came back to camp covered in blood, I had to restrain myself from throwing you over my shoulder and taking you to medical myself. I knew something was wrong but I trusted that you knew what you were doing. It was the same when I saw you collapse yesterday. It took everything in me not to race to your side."

He shook his head, disappointed in himself, and angry with you. "I should be holding the line with my men, not babysitting my General!"

You stared blankly ahead, letting his anger wash over you. So that's how he saw you. That solves one problem, you tried to convince yourself. It was good that he didn't reciprocate your feelings. That made it easier to cleanse yourself of any feeling of attachment. But then why didn't hurt so bad? Why did it feel like a part of your soul had been sawed away? Wasn't letting go of your emotions supposed to bring you peace? This crushing weight of disappointment and heartbreak was anything but peace.

The room was quiet save for the beeps and whirs of the medical equipment around you. The silence felt deafening. Then finally Wolffe let out a sigh.

"I'm....sorry..." The words dragged themselves reluctantly from his mouth.

You didn't respond.

The bed buckled slightly as Wolffe sat down on the edge. He tentatively rested a hand gently on your back, expecting you to recoil or stiffen under his touch. His eyebrows shot up in surprise as you leaned into his touch instead.

He sighed, rolling his neck. "Look," he began awkwardly. "I'm not good at this kind of thing so I'm just going to be honest with you. I..." He stopped. You turned your face towards his. He took a breathe, not daring to make eye contact. "I think I'm in love with you. Kriff. No, I know I'm in love with you."

You gasped, the dam broke and tears began to stream down your face.

Wolffe jumped up, startled and clearly embarrassed. "I...I mean... I... I didn't mean..." The normally confident Commander stumbled over his words in a shameful horror.

"No," you sobbed. You felt so relieved. Everything felt right again. "You didn't do anything wrong." He looked down at you, eybrows knitted upwards in confusion. "Then why..." He motioned to your tearful face.

"Because I love you too and I was afraid that you hated me. I was afraid that everyone would see me as a terrible General. And also my everything hurts and..." you sobbed, "...and I love you so much."

Wolffe looked down at you with amusement and a strange softness took hold of his features - a foreign look for his usually serious demeanor.

"You look nice when you smile," you whispered with a small grin. "But you can go back to frowning if that's more comfortable for you."

Wolffe rolled his eyes as he settled down in a chair beside your bed. "You should get some sleep, General." Back to his serious old self again but he kept that twinkle in his eye. Only for you. he thought.

"I'll be right here when you wake up."

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If you want to be on my taglist, feel free to send me a message! Also, asks are open! Reblogging is very much encouraged and it makes me do a happy dance every time any of my writing gets reblogged 😂❤️

[aaronsrpgs]

"Ancient World Fantasy" Reading List

(A little context to start. If you just want book recs, scroll on down to the first image.)

As I’ve been getting into RuneQuest (Wikipedia link), one striking component of the culture and community surrounding the game is that they’re very into the lore of its fictional world, Glorantha. I’m saying this as a comparison to a game like D&D, where the game is spread across tons of settings with no real sense of obligation to keep things in line with earlier editions.

Glorantha’s canon and worldbuilding has been going on since it was published in 1978 without, as far as I can tell, any big reboots. Which means that, unlike D&D, where people are bringing in all kinds of influences and doing direct adaptions of Jane Austen books and whatever, the RuneQuest game remains pretty tightly tied to the original setting. (There have been some exceptions. But not many!)

But since I run games for people who have ADHD or aren’t interested in studying up, I’ve been looking at all kinds of inspiration to drop into the game. Here are 20 novels that are roughly “ancient world” or “Bronze Age” like RuneQuest and deal with people interacting with strange gods, tight communities, and a world without fast overland travel or transferal of information.

I’m presenting them alphabetically by author’s last name.

The Brazen Gambit, Cinnabar Shadows, The Rise and Fall of a Dragon King by Lynn Abbey

I'm sorry for starting this post off with licensed RPG novels, but these are good! And I don't mean "good for licensed RPG novels." I've read tons of them, and most are so bad! But these are actually fun. Good character development in a sword-and-sorcery world. It's also an ecological apocalypse world, with godlike beings oppressing common folks, leading to a lack of technological advancement and knowledge of the past.

The Long Ships by Frans G. Bentsson

Written in the 1940s as a series of novellas, these stories take you on a tour of the Viking-era world, from Europe to the Middle East and beyond. Like a bunch of books on this list, this places them post-Bronze Age, so they're not officially "ancient world." But it gives a big spread of cultures, from the more clan-based Vikings to the bustling metropolises of Turkey. And it doesn't place any of them on any kind of linear advancement scale or whatever other gross way people "rate" cultures.

Tales of Nevèrÿon and Neveryóna by Samuel R. Delany

The master of weird sci-fi and gay historical novels, Chip Delany also wrote a fantasy epic. And it rules! Set on pre-historical(ish) Earth, these books describe the stories that maybe inform the myths we tell today? Dragons and slave revolts! A sort of "What if Game of Thrones was good?" series. Lots of good stuff about how people learn and how understanding expands.

I'm not listing the third book only because it's also a historical look at New York during the AIDS epidemic. It's an amazing book! But it strays from the "ancient world" aesthetic.

Baudolino by Umberto Eco

Another novel expressly set after the Bronze Age (this one starts in the 12th century). BUT it's about Medieval people's interaction with the knowledge they inherited from the past, specifically the myth of Prester John and the works of Herodotus.

I think I keep putting books like this on the list because roleplaying in a fantastical ancient world is not too far off from how Medieval people might have worshipped and referenced works from ancient Rome and non-European places.

Black Leopard, Red Wolf and Moon Witch, Spider King by Marlon James

One of our best living writers! These are fantasy novels expressly set in a fantastical version of ancient/Medieval Africa. The books explore the same events from multiple points of view and are full of cool magic, awesome spirit combat, and a vast number of places and cultures that actively deconstructs most games's portrayal of fantasy Africa as a homogeneous place.

The Wake by Paul Kingsnorth

I think Kingsnorth has been outted as a sort of eco-fascist? I totally believe it, so feel free to skip this one. It's a historical novel set in England in 1066, as the Normans invade from France. It's written in a faux Middle English language and focuses on the lower classes and how they try to resist the invasion. A good reminder that "Medieval culture" (and especially the Renaissance as a time that "culture advanced") is often based on certain classes of society, such as rich people and/or men.

Iceland's Bell by Halldór Laxness

Speaking of how class intersects with technological advancement, this book is set in the 18th century, but it focuses on Iceland at a time when it was ruled by Denmark, and the lower classes there were under an enforced poverty. It's a book about how a rich Icelander was trying to recover the stories of his people in order to create a sense of national identity and resistance. But it's also a story about how a destitute man acts like a total weirdo when he's not allowed to fish in his own waters and is cut off from understanding his place in history.

The Raven Tower by Anne Leckie

A big part of RuneQuest is people interacting with and enacting their gods. That's what this book is about! And it's about the strange vertigo that comes to people when they try to interact with the impossible timelines that gods exist on. Very good stuff.

Night's Master and Death's Master by Tanith Lee

Ostensibly set on Earth back when it was flat and demons roamed the world, which is basically RuneQuest. Sort of like a series of hornier, gay bibles? With lots of gender fuckery, fun sex, and cool monsters.

Circe by Madeline Miller

The story of the witch from The Odyssey, told from her point of view. Beautiful prose, tragic and beautiful characters, and a great share of mythical strangeness. Perfect if you want to learn how to run NPCs that are adversaries without being shallowly evil.

Ronia, the Robber's Daughter by Astrid Lindgren

Semi-Medieval again, but low class and vague enough that it could exist throughout ancient history. The daughter of a robber grows up in a tower full of robbers and generally has a wonderful time. Lots of weird monsters live in the woods, and there's a great starcrossed romance with someone from a rival robber gang. Perfect inspiration if you're running some cattle-raiding runs in RuneQuest; this is how to make robbers fun and sympathetic.

Read the book, watch the 1984 Swedish movie (which includes a great comedic scene of full-frontal dudity), and then watch the Studio Ghibli series.

A Stranger in Olondria and The Winged Histories by Sofia Samatar

Set in a world of pepper farmers and religious fanatics who worship a mysterious inscribed stone, these books do a great job of showing how people might interact with religion, rival cults, and mystery rites. It also portrays literacy and learning to read in places where it's gated behind social gatekeeping. And once again, the prose is beautiful.

The Palm-Wine Drinkard by Amos Tutuola

The first African novel published in English outside of Africa, The Palm-Wine Drinkard is a funny, hallucinogenic story about getting drunk, stumbling through weird landscapes, and encountering fantastical spirits and people.

Tutuola also wrote My Life in the Bush of Ghosts, the inspiration for the famous(?) David Byrne/Brian Eno album. I haven't read it yet, but I'm keeping an eye out!

The Green Pearl by Jack Vance

This is a sequel to Lyonesse, which I haven't read because I love staring in the middle of things. Set around a mythical British Isles when Atlantis was still above the sea and part of the group of islands. Some great wizard shit, warring clans, romance, and a wizard whose name is fucking Shimrod (in case you need more convincing).

Those are my 20 novel recommendations! I'm gonna come back to add some nonfiction, comics, and myth resources for running games in fantastical ancient worlds. You can read SpeedRune, my ancient fantasy game, here.

[imthepunchlord]

God, I REALLY hope Juleka wins the Butterfly poll when it’s time for it - she’s the only one out of ALL the girls whose main color is actually Violet (as opposed to Pink or Indigo), and I feel like her character development wasn’t handled as well as it could’ve been (NONE of the character arcs were, but she sticks out to me in that she’s one of the more recurring supporting characters due to being Luka’s sister yet is simultaneously forgotten by both the canon show and the fandom in how things would affect HER SPECIFICALLY instead of adjacently through the people around her). I also feel like she would be a good match with whatever you’re going to solidify for Bugettes!Nooroo based on the tiny hints you’ve teased about him, both in itself and compared to Roaar, with whom I feel there were existing avenues for it to work but could’ve been sold to us much better in-show. Plus, I’d really just like to see her in a hero suit that’s actually purple; it still bugs me personally that PURPLE Tigress is far more magenta in actuality, almost red even, and very much like REFLEKTA’S main color at that.

Yeah we will see, as ultimately it'll come down to how the polls go, and I know Marinette and Rose have also gotten mentioned for Butterfly.

Juleka will also appear in the poll for Mantis, as Indigo is that in between blue and violet. So it's all kinda up in the air on how it'll go.

I also do agree. Juleka is one of the classmates that does stand out to me in her potential, and yeah it's butchered. So badly. This is primarily on the writers, but one of the things I dislike about Luka is the factor that, for the Couffaines, he's the priority. You could cut out Juleka and you wouldn't miss much. Like, the worst aspect is learning Jagged is their dad, but it was more Jagged and Luka's story than Jagged with both kids. Like, what was the point of making them both his kids when only kid really got priority in this revelation?

And yeah... Juleka with Tiger isn't really my go to pick either. I get her whole thing is trying to find her voice, to be heard and stand out. And with a kwami named Roaar, that does technically work off that agenda, but the power is One Punch Man vs doing something tied to vocals or sound. Which kinda makes the kwami's name a little random (honestly all Zodiac kwamis have really strange names that don't relate to their powers or themes).

The other odd detail is that, when you think of felines that are about roaring, tigers aren't what immediately come to mind, it's the lion. They roar to establish territory, to be heard and say "I'm here!", unless Roaar is meant to be a sort of mix of a tiger and lion? As she doesn't have a body covered in stripes?

I know that, supposedly, there's a Lion Miraculous coming, but it's not official yet.

Either way, tigers I more associate with hunting, stealthy ambush. Not really speaking out. I'll give it, tigers can be tied to leadership which does involve being heard, but it's more military leadership. They're more tied to war, aggression, and strength.

As for the kwami, to me, Roaar came off a bit of a bully. Which maybe Juleka just needs that tough love/push to speak up, but I personally didn't really care for their interactions. Though I still say Mullo and Mylene were the worst paired characters out of all kwamis and humans.

And yeah, Roaar visually doesn't really match with Juleka.

Technically, she matches with Cat the most.

Her main color is black, with bits of purple and green.

While Plagg is meant to be a black cat, there are times he's purple. And of course he has them big green eyes.

I could also see Juleka visually working with Kaalki. I see a hue of purple in her gray, and there is the green eyes to work off as well.

There's also the intrigue that Juleka wants to be a model and Kaalki expects someone famous or wealthy, getting a holder who isn't but wants to be, Kaalki would have to work with them to get them to where they both want Juleka to be; though I do see them butting heads a bit as it's pairing two of high and low status, but that could be fun. Plus, there's the pun potential of Juleka learning to be a show pony with Kaalki's help (she could've also called herself Knightmare).

And yeah, with Butterfly, Juleka could've done well. You do have to communicate with others, so Juleka would have to work at talking with others, to express her thoughts and to be heard, and there's some pressure to be taken off as it's more long range communication vs close, but the option is there for close range communication whenever Juleka is ready for it. And Nooroo would be a gentle and patient guide.

We'll have to see if it happens though.

[lightandfellowship]

KHDR Re:Write - Giving Hermod A More Prominent Character Arc

Urd's rewrite can be found here.

The tl;dr:

Hermod’s initial motivation: To uphold the "greater order" and follow the rules no matter what.

Hermod’s struggle: He doesn’t always agree with the rules, and following them often results in both him and his friends getting harmed. His commitment to following the rules even at the cost of himself partially stems from him feeling like he has no control over his life, and he copes by assuming that (most) authority figures are trustworthy, competent, and have his best interests in mind.

Hermod’s conclusion: He needs to be willing to break the rules and think for himself in order to do what’s right and protect his friends.

Below the read more is a rough outline of how I would implement this character arc into the story. Be forewarned that it's a fairly long and text-heavy post.

Four notes before we begin (feel free to skip):

Rather than this being a full-fledged rewrite where I get to go ham and do whatever I want, instead my goal is to try and demonstrate how the game in its PRE-EXISTING state could have given Hermod a more clear and satisfying character arc via fairly minor changes to the dialog, characters, and story. I want to see if this could have been possible without having to expend too much extra time and resources, since it seems like a lack of time/resources/budget is why his story got cut in the first place. So I won’t be doing anything drastic like creating entirely new episodes or anything like that. Same worlds. Same number of episodes. Same sequence of events. Same overarching plot.

Ideally, I would have liked to convey certain details about these characters and their story via secret reports/diary entries. Specifically, the sorts of details that would slow the pace down or feel a little too direct/clunky if addressed within the story itself. However, because of the self-imposed restriction I talked about in point 1 (i.e. no drastic alterations to the game or additions that would require extensive effort to implement), I won't be utilizing such a format, and so I will sometimes have the characters speak a bit more openly/directly about their feelings/thoughts than I otherwise would've liked.

Because I have a lot to say, I won't be providing summaries of the episodes I'm discussing as I explain my story changes. A fairly solid recollection of the game's events is...perhaps not required, but certainly helpful for understanding what I'm talking about and how I arrived at my choices.

I don't claim to know better than the writers or even be an experienced writer myself, this is just how I personally would approach giving Hermod a more prominent character arc, because I think we can all at least agree that Hermod didn't get enough focus in this game. If Hermod's story hadn't been cut (presumably), I have no doubt that Tomoco Kanemaki would have come up with something better than what I'm proposing here.

But anyway, without further ado:

Hermod's Motivation and Personality

"Simple as that."

During the flashback where the underclassmen are asked why they want to become Keyblade Masters, Hermod is initially flustered at the question, as if he either didn't have a good answer prepared or was reluctant to say what it was. He averts his gaze and noncommittally agrees with everyone else’s reasons, avoiding the question somewhat, but then he clarifies that he’s doing it so that he can “uphold the greater order." This phrasing is a little vague, but I assume he basically just means that he wants to uphold the law of Scala, Keyblade wielders, and Light.

Based on his behavior and dialog here, it almost seems like Hermod became a Keyblade wielder for much the same reason as Eraqus: it was just expected of him. It was what he was told to do, and he always does as he’s told. But he nonetheless is content with the path chosen for him because he knows that it’s the best way to uphold order and protect his loved ones. As his official bio states, “he plays the role of big brother as he looks out for and takes care of everyone.”

Honestly, I think even in the base game Hermod’s “arc” is fairly obvious: he goes from strictly following the rules to being willing to break them for his friends. However, the problem is that the game doesn’t really focus on Hermod enough to make this arc feel sufficiently developed and explored. As in, the end of his arc just kinda happens abruptly with very little build up. So, in my rewrite, I’m going to have Hermod more frequently demonstrate his commitment to upholding order, and have him do it in a way that impacts the events of the story more, while also having the narrative address the consequences of that mindset more directly.

Also, as an aside, Hermod's official bio makes special mention of his anger, but I don’t think the game showcases that aspect of his character enough? So I'll try to incorporate his anger into the story just a tiny bit more. To be clear, I don't really want his anger to be framed as, like, this major character flaw of his (for the purposes of this rewrite, his major character flaw is going to be his aforementioned strict rule-following), I just want it to crop up more often in the story to add more Flavor to his character. It seems like the original intent was for Hermod to be the fire to Urd's ice, but the game doesn't really convey that all too well, if you ask me.

Before we move on, I want to quickly summarize some canon aspects of Hermod's character that are going to be important to this arc, things that are consistently established about him throughout the game, to the point where it would be silly of me to list every single example of these character traits as I walk you through my rewrite (I will be mentioning some of them in more detail later, though).

He's a model student. Hermod tends to be the one who takes charge in class; he's the one who approaches Odin with the underclassmen's issues, speaks on behalf of the underclassmen, and volunteers for tasks. He also tends to prioritize Odin's wishes and judgment.

There's some implied friction between him and Eraqus that eases up as time goes on. He tends to give Eraqus annoyed and disapproving looks whenever Eraqus talks back to Odin or says something ignorant. That being said, he also seems fond of Eraqus, smiling and laughing at jokes about his antics.

With that, let's get into the rewrite.

Episodes 1-2: Establishing Hermod's Character, and "The Problem"

To start off with, I want to point out a small detail at the very beginning of the game that leads me to believe that Hermod isn’t actually satisfied with being such a well-behaved rule-follower.

When the underclassmen talk about the potential existence of newborn worlds that don’t have rules or laws set in place yet, Hermod, after some quiet contemplation, remarks with “Then the rules can be changed...” (this is even the quote chosen for Hermod’s official bio, no less!) The fact that this thought crossed Hermod’s mind at all, and the fact that the narrative chose him specifically to be the one to deliver this line, makes me think that he has some unspoken desire to see the rules be changed despite his best efforts to be a model student. This is great, because it provides a decent foundation for his character arc and hidden depths.

TANGENT: I want to highlight a moment in Episode 1 that will be relevant to this rewrite later. Namely, Hermod getting annoyed at Eraqus talking back to Odin. (As I said before, there are several other moments throughout the game where Hermod looks at Eraqus with an annoyed/disapproving look, but I'm only going to mention this one.)

Anyway, on to the actual changes. First off, much like the Urd rewrite, I’m removing the mechanic from Episodes 1-3 that lets you choose your third party member for the cutscenes. Why? It just doesn't make for good writing in this particular case; the dialog has to be at least semi-generic across all the characters in order to make swapping them out easier, and that's simply not conducive to giving the characters unique character traits and individual focus.

Episode 1 is mostly uneventful and focuses more on Urd in my rewrite for her, so let's move on to Episode 2.

Urd is your party member for this episode (for reasons I explained in Urd’s rewrite), and Hermod, Vor, and Bragi are the three party members that get put on trial. And rather than all three of them yielding to the Card Soldiers because they unanimously agreed to not mess with the world order, instead it was HERMOD’S idea specifically. Bragi suggested that they fight back, and since Vor’s bio mentions that she “shies away from battle”, she suggested that they try to run away and evade capture. Hermod points out, however, that the best way to avoid disturbing the order would be to follow the laws of this world and not cause trouble.

Vor and Bragi are hesitant but ultimately decide to trust Hermod’s judgment on the matter, as they tend to rely on him as a big brother figure anyway. This serves to highlight how Hermod will follow the rules and obey authority even when he doesn’t necessarily agree with what’s happening to him or is put in serious danger because of it. Now, none of this happens on-screen of course, because we also didn't see what happened in the base game either, but we'll find out about it after the trial.

Speaking of the trial. When Xehanort, Eraqus, and Urd find the other underclassmen at the court on trial, it is Hermod who is leading the defense. In the base game, either Bragi or Hermod will lead the defense depending on who you picked as your third party member, but since I want the trial plotline to focus more on Hermod, in this rewrite it is only ever Hermod who stands in front and speaks to the Queen of Hearts. (A quick note, if you compare the two different versions of this scene, the one where Hermod leads and the one where Bragi does, Hermod comes across as a bit more apologetic, whereas Bragi puts his foot down more about what he's willing to take responsibility for. Hermod: "Okay, I apologize for trespassing." vs Bragi: "Wait, I'll own up to tresspassing, but that's it.")

Anyway, back to Hermod and the rewrite. At first, he's a bit of a bootlicker, being very polite and trying his best to placate the Queen while also calmly defending himself and his friends. After a while of trying and failing to reason with the Queen however, Hermod loses his patience and explodes at her. He pretty much immediately regrets it and tries to backpedal in a panic, stammering the entire time, but it's too late—that was the last straw for the Queen. Just like in the base game, Xehanort, Eraqus, and Urd recognize the danger and intervene to try and talk the Queen down from executing their friends. The cutscenes then proceed just like they do in the base game, with the Queen demonstrating that her rule is based on her subjects living in fear of her.

After the trial, the discussion the underclassmen have about the darkness in people's hearts being more dangerous than the Heartless still happens, but either before or after it there is a separate (but still interconnected) discussion where Hermod apologies to the others and takes responsibility for his idea to surrender themselves to the Card Soldiers, explaining his reasoning for why he did that. Namely, that as Keyblade wielders, it was their duty to not disrupt the order in any way, and their hands were tied.

Xehanort and the party exchange Knowing glances to indicate that this isn’t uncommon behavior for Hermod (and also that they’re not exactly pleased about how quickly and easily he relented to the Card Soldiers, not putting up much of an argument or fight) but they silently agree to not confront Hermod about it since he had no way of knowing what a farce the trial was going to be. Perhaps letting themselves get captured would have been the correct decision if Wonderland’s court system was actually fair. Instead they assure him that they understand why he thought that not fighting back or running away was the best decision in the moment, but nonetheless he needs to be more careful in the future. Hermod agrees and is genuinely apologetic for putting his friends in danger, but there’s still a hint of irritation in his expression. He still thinks that adamantly refusing to disrupt the order was the inarguably right decision to make; after all, it’s what they were specifically instructed to do by Master Odin. And if there's one thing that Hermod refuses to do, it's break the rules.

Episode 3: Minor Details of Note

Episode 3 isn't a Hermod focused episode in my rewrite, but there are two details from this episode that I find worth mentioning.

Detail 1: Unique dialog from Hermod that won't exist in my rewrite (because I have Vor slotted for Episode 3) but I think says a lot about Hermod: "But the Tweedles didn't seem to be cowering under [The Queen's] rule. They looked happy enough to me." Does Hermod perhaps consider himself "happy enough" with his life, and thus makes no attempts to change or improve his circumstances?

Detail 2: When Eraqus starts getting angry and upset at Xehanort because Xehanort said that the upperclassmen might have been felled by darkness (presumably, a painful reminder of the fate that befell Eraqus' grandfather), Hermod looks sympathetic, puts his hand on Eraqus' shoulder, and tries to calm Eraqus down. Though Hermod is sometimes at odds with Eraqus, he seems to know about what happened to Eraqus' grandfather, and tries to be understanding about it. At the end of the day, they are good friends even if they don't agree on everything.

Episode 5: Further Emphasizing Hermod's Personality and His Dilemma

Canonically, Episode 3 (if you choose Vor to be your party member like the game prompts you to) and Episode 4 are more Vor focused, and in my rewrites Episode 5 is Urd focused, but we can squeeze a couple of minor Hermod moments in Episode 5 to keep things balanced.

Specifically through Cogsworth and the Beast, as people of authority in the castle that Hermod can show respect to.

With Cogsworth, I just imagine Hermod being very polite with him and being more than willing to help him get the rose back, giving him respect as the head of the household.

Same goes for the Beast (in fact, in the base game it is Hermod who speaks/approaches the Beast first, not Urd like you'd expect), but when the Beast tries to viciously attack Hermod despite the underclassmen being very polite and reasonable with him, afterwards Hermod makes a comment about how surprised he is that someone in such a respectable position as lord of the castle would act like that and yet still garner such love and loyalty from his servants. Genuine loyalty, not the fake, fear-based loyalty that the Queen of Hearts commanded back in Episode 2.

"There's still much we don't know about this world and its residents. Perhaps we're missing something important. Or perhaps this world is like Wonderland; it's just the order of things." says Xehanort. "Maybe he's not so bad once you get to know him?" offers Urd.

And like, that's the thing, right. The Beast definitely needs to learn how to treat his servants better, but he lashes out because he's hurting, not out of genuine disdain for them like the Queen of Hearts, and deep down he really does care about his family at the castle even if he doesn't always show it. If Hermod can somehow recognize that that is what's going on, if he can recognize what exactly makes the Queen of Hearts and the Beast different despite their similar temperaments, then he can also realize that "Hey, people who genuinely care about you and your wellbeing probably deserve your loyalty more, and those who don't, don't." (Not that the Beast is a terribly great example of this given his nonetheless inexcusable behavior, but you get the idea.)

I can imagine Hermod starting to realize what conditions are required to birth true loyalty in people's hearts after they return the rose to the Beast, and the party finally sees him in a more calm, grateful state. This could be a discussion that Xehanort, Hermod, and Urd have as they leave the castle, capping off their adventure there.

BUT regardless of whether or not Hermod ends up seeing the hidden humanity of the Beast, once again Hermod is being presented with a wrathful, flawed authority figure wielding power against their subjects in unfair ways, and not yet recognizing how his alarmed and frustrated emotional responses to these scenarios could be applied to his own life and circumstances.

(And, honestly, maybe seeing such extreme examples of anger being wielded carelessly and spitefully against people who don't deserve it would make Hermod re-examine his own anger issues too and learn how to wield/direct his anger more responsibly? I know I said I didn't want his anger to be the focus of this rewrite (especially since anger isn't inherently bad) but the connection that can be drawn here is still a little too juicy to pass up, don't you think. Also, in addition to the Queen of Hearts and the Beast being examples of extreme anger wielded carelessly, there's also Hades to consider, who is known for his own unique brand of fiery, explosive anger as well. Keep him in mind for later.)

Episode 6: Confrontation and Introspection

The next set of major events relevant to Hermod’s development occur in Episode 6. In fact, Episode 6 is like, THE Hermod episode.

Episode 6 starts off with Jafar trying to trick Xehanort, Urd, and Hermod into going to the Cave of Wonders and fetching the lamp for him, lying about how the lamp is crucial to saving the kingdom. In the base game, Hermod is the first one in the group to show sympathy for Jafar and start falling for Jafar’s ruse, to the point that Urd worriedly grabs his hand to stop him when he starts to approach Jafar after overhearing Jafar's "woes".

In this rewrite, I’m taking inspiration from that little interaction and having Hermod be way more trusting of Jafar than Xehanort and Urd are, implicitly respecting Jafar’s authority as the royal vizier. So rather than Xehanort being the one who agrees to help Jafar (because he has suspicions about the lamp and wants access to the Cave of Wonders) with Hermod acting surprised/displeased at Xehanort’s willingness, instead it's Hermod who enthusiastically agrees to help, with Xehanort and Urd acting a little surprised and displeased but nonetheless going along with it (due to the aforementioned "the lamp might be important to our mission actually.")

There's also a moment during this scene where Xehanort and Urd start poking holes in Jafar's sob story and Hermod seems surprised/displeased that they're so rudely questioning Jafar like that, and obviously I'm keeping that in since it exemplifies Hermod's hesitation to question authority.

Afterwards, as the party makes their way down into the Cave of Wonders, Xehanort voices his doubts about Jafar’s intentions. In my rewrite, rather than Hermod instantly trusting Xehanort’s judgment of Jafar’s character, instead I want Hermod to argue with Xehanort about it. Hermod doesn't understand why Xehanort is accusing Jafar of nefarious intentions without any evidence to back it up, especially since Jafar seemed so...NORMAL and COMPASSIONATE compared to the other authority figures they've encountered so far. He's just trying to save his city, is that really so bad? says Hermod.

Xehanort, realizing that "I can feel his greed/darkness tho" doesn't really qualify as hard evidence, but ALSO being kinda fed up with Hermod's inflexibility and compliance up until this point, calls him out on not thinking for himself and just blindly following authority even when they're so CLEARLY suspect. Must I remind you about what happened with the Queen of Hearts, Hermod?

Hermod, shocked and offended at being criticized like that, and also getting defensive at having his Major Character Flaw thrown into his face, scoffs but doesn’t argue the point further. However, he’s still very visibly angry, and short with Xehanort whenever they do happen to exchange words. "Whatever. Let's go find this lamp already and get back to our mission." Or something like that.

It’s only when the party runs into Bragi and Eraqus who reveal that Jafar tasked them with the exact same dangerous mission too without ever mentioning them to Xehanort and company that Hermod is finally convinced that Xehanort had been right all along. Jafar was treating them like disposable pawns and knowingly sending them into a death trap.

He also realizes that he was naive to trust Jafar so easily just because he was a charismatic authority figure. Before, Hermod was presented with the unfortunate reality of some authority figures just being plain cruel and incompetent and careless, but here he learns that they can also be deceitfully charismatic on top of that, and that it's not always going to be obvious when you're being taken advantage of.

He apologizes to Xehanort for (yet again) dragging his friends into danger due to his own personal hang-ups and choosing to trust Jafar, a stranger, over Xehanort, his close friend. Feeling the need to explain himself, he confesses that lately, he has felt like he has had no control over his life (perhaps with the implication that his family is really strict and expect way too much from him?), and the only way he knew how to cope with that was to assume that the authority figures controlling every aspect of his life were trustworthy, knew what they were doing, and had his best interests in mind. If he believed that with all his heart, then he could accept his lack of freedom to make his own choices, and be content with it. Xehanort, realizing that he was overly harsh on Hermod earlier, apologies as well.

TANGENT: Once again, I wish to highlight a moment from the base game that will be relevant later. Namely, Hermod and Eraqus starting to act more and more like each other.

Moving on: In addition to Vidar trying to recruit Eraqus in the lamp room, I want Vidar to try to recruit Hermod as well, because there's an awfully convenient similarity between the two of them that's relevant here. In that very scene, Vidar talks about how he and his friends heeding what they were taught (i.e. “don’t mess with the order no matter what”) is what resulted in four of them dying in the first place. Vidar had to learn the hard way what happens when you blindly follow the rules without considering your own opinions on what the right thing to do is. This lesson is absolutely what Hermod needs to learn, too. Perhaps Vidar’s entreaty isn’t enough to convince Hermod to join him, but in conjunction with the Wonderland fiasco and Jafar’s deceit from earlier, it’s certainly enough to make Hermod start re-evaluating himself. 

Specifically, I can imagine this theoretical Vidar and Hermod interaction slotting somewhere after Hermod's canon line "...upsetting each world's order is the worst thing you could do." (Is it? Perhaps Hermod will change his mind about this very soon...) Maybe it goes something like this (my added dialog in italics):

"I don't have a clue about true darkness and how much of a threat it is, but upsetting each world's order is the worst thing you could do." says Hermod, angrily. "'Don't upset the order,' huh? That's what we were taught, too." [Upperclassmen classroom flashback, followed by Vidar explaining that the other upperclassmen are dead, just like in the base game.] "And what about you, Hermod?" "Huh?" Hermod's anger gives way to confusion. "How has 'upholding the order' treated you and your friends so far? In Wonderland, and here in Agrabah?" (<-knowledge he got from spying on them.) "..." "If there's one thing I've learned from all of this, it's that you can't let darkness have its way. Not ever. Otherwise, it'll take away everything you care about the moment you give it the chance. If you wish to protect your friends...then you must fight it. So why not join me, and fight it?"

Hermod, much like Eraqus, refuses Vidar's offer, being worried about what might happen to the worlds if Vidar continues to steal the items of world order. But now he has something to mull over.

Episode 7: Realization and Resolve

Episode 7 is where Hermod's arc concludes (naturally, since he dies here.)

A couple of canon moments from this episode I want to highlight before we get to my changes, since I think they're important to Hermod's arc:

In the scene where Odin and the underclassmen discuss Vidar's plans to purge true darkness, Odin says to Hermod and the underclassmen "However, it has not yet been determined that what we face now is true darkness. And if it is indeed so, will you risk the lives of countless others to save your friends?" A question that we will actually get an answer to quite soon.

After Odin relieves the underclassmen from their duty, Hermod despairs over this fact and acts like there's nothing they can do about it since Odin's word is absolute. We see his anger and frustration spill out due to his conflicting feelings on the matter. He seems to be at a crossroads, unsure of what the best thing to do is. You get the impression that he is on the cusp of doing something uncharacteristic of him.

Anyway, Episode 7 remains mostly the same up until the Hades boss fight that occurs due to Hades claiming to have imprisoned Bragi or Baldr. Hermod, after much internal conflict, finally decides to break the rules and agrees to fight the literal GOD of the Underworld (you could not have asked for a more fitting ending to Hermod's arc than that) in order to save his friends, wielding his anger compassionately and strategically to protect what's most important to him. This acts as a bookend to the Wonderland episode; there, Hermod’s refusal to fight an authority figure nearly got him and his friends executed, but here he’s finally realized that he needs to follow his heart and do what he thinks is right, even if that means disregarding his orders or disobeying those in power. He nearly got his friends killed last time; he won’t let that happen again.

However, instead of Hermod showing up after the Hades boss fight, I want him to show up before it and actually be involved in the battle. And since Eraqus and Hermod are usually at odds with each other due to Eraqus’s flippant and disrespectful attitude towards authority, I think it would be very emblematic of Hermod’s change of heart for him to protect Eraqus in the battle. (Remember those canon Eraqus and Hermod moments I highlighted? This is where they finally pay off. This moment of Hermod putting himself in danger to save Eraqus works without me having to add any extra details to lead up to it. Nice.) So at one point Hades gets very close to offing Eraqus. but Hermod jumps in front of him just in time to fend Hades off, getting seriously injured in the process. 

So later in the dark corridor when Hermod starts passing out way before Urd does, it’s specifically because of the extra wounds he sustained in the fight, adding another layer of tragedy to his death. He stood up for his friends and what he believed was right, discarding his strict adherence to the rules and disrupting the order in the process, but the ironic cost of that choice was that he was too hurt/exhausted to properly protect Urd and himself from Baldr. He did his best, and realized his error in time, but unfortunately that just wasn’t enough. This game is a tragedy where nothing goes right despite how hard the characters try to change for the better, after all.

And that's my pitch. As before, if you have any ideas, feedback, or criticisms, feel free to add on. Thanks for reading to the end.

[bananasfosterparent]

@thewillowbends Hope it's okay I moved to text post, it seemed like a better idea.

First, let me be clear: People can write whatever they want and I'm not saying they can't or shouldn't.

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"If Tav is happily evil, then we’re back to the issue of limits in the narrative functionality beyond shorter works."

If Tav HAS to be a meek, regretful abuse victim in order for a story to be lengthy and meaningful, then that is 100% a skill and creativity issue of the writer. Either them not having the ability to see the story from another perspective, or them not having the creativity level to consider other canon-friendly manifestations of the Evil Tav x Asc Astarion relationship. Those "limits" you speak of are only limits if you allow them to be and don't let yourself grow as a writer.

"As it is, game is pretty blunt about how the story of spawn Tav ends"

The game is not blunt at all. The game gives us NO ending to that. It's up to the player. The closest we have to an idea of an ending for "spawn" Tav, is this datamined title card:

(read image description for transcription)

While this was cut from the official release of the game (like all the epilogue content), it still shows what Larian had/has in mind for the direction of the Asc ending. And it's got no hints about abuse.

Astarion tells you as much if you break up with him — “I would’ve ruined your love, used your trust.”

This is called metagaming. BG3 is not like a tv show where all the little dots connect and line up. BG3 is a "choose your own adventure" novel in video game form. It works just the same. So any choices or options you DO NOT select are NOT TRUE for your character in that playthrough. So nothing Spawn Astarion says in that ending matters in regards to a playthrough with the Ascended ending. Nothing Asc Astarion says matters in regards to a playthrough with the Spawn ending. In BOTH endings, he thanks Tav genuinely, fully appreciates the choice, is glad the opposite choice wasn't made, and wants Tav to choose what their next adventure will be. Both endings have to be worthwhile and feel satisfying for the player, and the best way to do that is to have Astarion genuinely appreciate what Tav has done, in BOTH endings. And he does.

"it’s a story about cycles and the destruction of life. It’s telling you what Astarion will become because Cazador used to be in his position."

It's telling who Cazedor was and his story. That doesn't mean Astarion is doomed to repeat it. Or that a specific ending IS him repeating it. There is no warning of such. It CAN go that way, but nothing in-game says it has to. Because breaking "the cycle" isn't one specific thing. And he breaks cycles in BOTH endings.

Astarion's story is about corruption and choosing to either become more corrupt (than he already is) or try to live by the rules of society and just accept how things are. In the Spawn ending he talks about the "cycle of power", meaning the cycle of vampire culture that thrives on a pyramid of power. He is free of that headache and appreciates that. As to the quote you mention, Astarion is speculating about ascension. He has no idea what would have actually happened, he can only guess. He is an opportunistic optimist so he'd more likely see the path he couldn't take as one he shouldn't have anyway. And having him say that in-game for that ending, makes that ending feel worth it for the player.

In the Asc ending, he breaks the cycles of loneliness, living in darkness, selfishness, hunger, and wants to treat his own spawn better than Cazedor ever did. Astarion hates the word spawn and chooses to call his future ones his "children" instead. He loves the sun, it's symbolic for him. Yet, he is fully willing, without hesitation, to give up something he loves so much, so that his "children" can thrive in a world that is shrouded in fog. He also takes on a consort (vampire bride/groom) and wants to share that power, something Cazedor did not do (as far as we know).

You can break away from Larian’s story, certainly, but a lot of fanfic writers are trying to stick to what was extant within the media itself. At some point, if you pull too far away from it, you’re just writing an original story, and the issue most writers then run into is…why not turn it fully original and publish it then?

Here's the problem with this: Larian's story IS BOTH endings. There is no metaphorical build up in the game that sets up *only* the Spawn ending as his "real" or "true" ending. It's a metaphorical build up that can have TWO different solutions. One being reject the power and accept life as it is. The other being usurp power and rewrite the rules. Ascension is never shown to be a truly evil or bad thing. The worst part of it is sacrificing the 7000 spawn. But if Tav/Durge rationalizes this, there are no real negatives. The only negatives may be if one does not vibe with his confidence boost and prefers him more docile. The whole last statement you've made and way of thinking makes it seem like his Spawn ending is the real one and his Ascended ending is just some "fun and sexy" alternative but invalid thing you can do.

His story arc is BOTH endings. They are both just as bad and as good as the other, it's just a matter of what works for your Tav/Durge and for you as the player. He does not have ONE TRUE ENDING. You choose the lesser of two evils. Which one is "lesser" depends entirely on the player and Tav/Durge as individuals.

If ANYTHING, writing Ascended Astarion as an abusive, uncaring, unloving monster is just writing an original story and not sticking to what is within the game itself. Not the other way around.

Also, as a last comment... a fanfiction does not have to be a 70 chapter epic. It can be 1-3 chapters and be a complete work. Or just one chapter. Or a few paragraphs. But Tav and Astarion being happily evil together shouldn't be a reason you can't write a lengthy and fleshed out story. That's just lack of creativity. Spawn ending fans outnumber Asc ending fans, and most Spawn fans have a negative view of Asc Astarion. So that's more likely the reason why we never see many happily evil Tav x Astarion fics.

[kravchikfreak]

i feel like sometimes people would come up with some cool headcanons and interpretations, but then they'll convince themselves that it's literally shown canon with no place for doubt and then they'll act as if everyone else is dumb for not consuming the media the way they do it

(i guess i'm guilty as well, but i'm allowed to cause i'm actually right all the time)

like the second season of arcane got tons of criticism for bad writing, and, naturally, there're people who would defend their favorite show just cause THEY interpreted it in a way that makes sense to the point that when i go to arcane criticism tag to see what problem other people have with the show i also see show's defenders who pissed not everyone sees it as they do

and um i mean it's fine, i get it, we are all the same, just in different camps, whatever. but i have a story. one time i had to do coursework and i barely touched it before the last night before deadline came. and i thought to myself "welp i really need to work on it now, i only have 8 hours left" and when i turned on my laptop and was about to open up the files the power went out in the entire building. and my laptop had a shit battery that worked for like 1,5 minutes without charging. so i thought it was kinda funny and called my mom and told her "see? the only time i decided to do something studying-related and this happens. universe must be trying to send me a sign" and my mom went like "yeah, a sign that you need to try harder! despite all the obstacles that might come to your way"

so, who out of us two doesn't have a sign literacy? is sign literacy dead? or was it just a shit unclear sign and its interpretation depends solely on the person who interprets it and their life experience, beliefs, mentality and so on?

anyway, if you think you feel the character and you can imagine their motives and goals that's cool i guess, but doesn't mean the show actually succeeded to state them in canon. if you can see just some random plot points without any actual on-screen transition between them and just understand what transitions was implied it's also really cool, but for me for example if i wanted to just have some guide points and use my imagination for the rest i'd just scroll through "imagine" tag on tumblr rather then watching an actual show that's supposed to tell the story, not key points of the story

and no, the show doesn't have to tell a viewer everything by words. but it still have to tell you everything, actually, just by all different kinds of storytelling. and leaving everything to viewers imagination isn't a storytelling. like yeah i guess i can come up with some character development that makes you go from pointing a gun at a child (when you already compromised your ability to sharpshoot) to very judgmental "why is peace always the justification for violence?" (right after you actually tell you aren't ready to withdraw your forces and half an hour early we have a cool montage of your forces being pretty violent already) but i feel like it's writers job, not mine

but hey, you do you anyway. who am i to care

in fact i actually feel you. i'll die on the hill of silco being a great dad and caring deeply about jinx. but tho we have in fact canon proof she mean the world to him (actual story actually telling us he chooses her over his ultimate goal) at the same time we don't really have a good explanation on his whole beef with vi. yeah, i still can make my headcanons about his insecurity and fear of losing jinx after she tells her something about something, but it still sounds weak and not really explained in the show. also not a great writing

okay i'm officially lost in my thoughts, gotta wrap it up somehow. let's end on the point that some of interpretations the show leaves you with this season don't make much sense and in other cases it doesn't even give you any material to interpret but straight up leaves you with the responsibility of come up with events and development of the story and characters. and while a viewer might be good at this or even enjoy it, it's still very bad writting actually

peace

[idwsonicshowdown]

HAPPY PRIDE FROM THE IDW SONIC SHOWDOWN! Made it just in time before pride finishes here in the UK, but pride lasts all year around anyway. However you celebrate and whatever flags you use to represent yourselves, I hope you have a good one Here's a little doodle featuring characters from IDW and a few other Sonic comics who have some degree of queer to them, either in the comics, word of god or popular headcanons. I wanted to include more (shout out to Mighty's gay dad and his dinosaur bf from StC!), but ran out of time and space A little more info about each character, in case anyone's curious:

From top left: Tekno the Canary - From Fleetway Sonic the Comic, a character widely embraced by the queer community. In a conclusion to StC written by series writer Nigel Kitching and released on StC:Online, Tekno is revealed to be in a relationship and have a child with Amy Rose. As of this year, Tekno's creator Lew Stringer gave his blessing for fans to think of her as non-binary, even if he himself wrote her as female - leading some fans to embrace Tekno as she/they Gold the Tenrec - From the Archie Sonic Comics, Gold has been stated by creator Evan Stanley to be attracted to women, although Stanley wasn't sure if Gold was strictly bi or gay, which is why I opted to give her the rainbow flag here Tangle & Whisper - As close as we can possibly get to being a couple without officially being a couple. Hopefully one day! I was actually going to use the rainbow flag for them as well, but as of this month's issue, the duo appeared with a lesbian patterned sky in the background, so they got the lesbian flag Dr. Starline - Headcanoned by some to be a transman because his spurs (which are naturally occurring in male platypuses) are artificial. It's also generally accepted (I think??) that his idolising of Eggman may be romantic. I did a poll for which flag to give him and the gay flag won, so he got that one Nite & Don - Our married bird guys! Good for them! Again, I gave them the rainbow pride flag because it hasn't been stated (that I know) if they're gay, bi, pan or otherwise, but they're happy and together either way Sally Acorn (with tiny Nicole!) - My childhood fave from the Archie Comics. This chipmunk is bisexual and there is nothing you can do about it Lanolin the Sheep - Many of us are optimistic that Lanolin might quietly be the trans rep we've been hoping for from Sonic, as she's a girl sheep with horns Cheese the Chao - As chao are non-binary, I included Cheese to represent them, because Cheese is cool Sonic the Hedgehog - A touchstone to many in the community. I included the asexual, aromantic and trans flags in his speed trail, as Sonic won the t-boy swag tournament on tumblr and Sonic/no one was voted the best Sonic ship on tumblr. As a trans aroace person myself, Sonic's lack of interest in romance and conformity was always inspirational to me growing up. The rainbow facepaint is because I'm sure that he's as important to other members of the community in their identities as well As always, these are my readings and takes on these characters that may not align with your own or be canon in anyway. But I hope that you can find joy and peace in pride as I do regardless :3

[miraculouslbcnreactions]

If you had to pinpoint the main issue of MLB, the root of all evil if you may (aside from Astruc), what would it be?

If we're going super high level, it would be narrative consistency (I believe this is a synonym for "narrative coherence" or, at least, I've always used them pretty interchangeably and googling one finds you stuff on the other). I wanted to get an official definition of this term and wikipedia gave me this from a larger article on the theory of narrative paradigm:

Narrative coherence is the degree to which a story makes sense. Coherent stories are internally consistent, with sufficient detail, strong characters, and free of significant surprises. The ability to assess coherence is learned and improves with experience. Individuals assess a story's adherence by comparing it with similar stories. The ultimate test of narrative sense is whether the characters act reliably. If figures show continuity throughout their thoughts, motives, and actions, acceptance increases. However, characters behaving uncharacteristically destroy acceptance.

I also found a pretty good overview of the topic on the blog of a random editor. You can follow that link to read the whole thing, but I wanted to highlight this section on characters as I thought it was particularly relevant to the stuff I talk about on this blog:

Your characters will have their own personalities and behaviours that the reader will become familiar with as the story develops, so if you deviate from these patterns, the reader will notice. That’s why it’s important to maintain character consistency – that they would act in a way that is right and in keeping with their personality, rather than making them act out of character to make elements of the story fit.

As you can hopefully see from the above sources, the stuff I've talk about on here, and just generally thinking about the show, most of the issues with Miraculous have to do with the show being narratively incoherent. Characters do whatever the writers want them to do. Plot lines get dropped and picked back up then dropped (Lila) with no rhyme or reason. Big, meaningful setups lead to nothing (Gabriel learning all the temp heroes identities). Twists come out of nowhere (Kagami being a senti). They all indicate that something is majorly wrong here.

I am not involved in the production of this show, so I cannot tell you where all of these issues come from. It may be that the writing staff doesn't know what they're doing or it could be that unknown forces like marketing are driving the writers to do things that they'd rather not or it could be a mix of the two. For example, I'm pretty sure the magical charms we get in season four were only added to sell stuff like this and this, which is why I try to approach this show without pointing fingers at anyone too specific unless there's some hard evidence to back up what I'm saying. All I know is that this show has a massive writing problem and I'll end with a little advice on how I avoid this issue. It may or may not work for you. It all depends on your writing style.

When you sit down to write a story, it's very normal to not have a clear path for how to get from story point A to story point B. You don't need to find that path before you start writing. You just need to keep in mind that B is your goal and start figuring out how to logically get there.

I often describe this process as taking a journey with a known destination, but no planned route. However, just like with a road trip, the further you go, the more limited your options become because of the choices you made. If you skipped stopping at an interesting city or landmark, you can't change that fact and we're not turning the car around just so you can get a picture next to the big ball of string. You had your chance and you missed it. Accept that and move on.

Similarly, as you write your story, you have to own the choices you've already made on your journey. If you choose to let a character in on a massive secret (Alya learning Ladybug's identity), then you have to fully own how that choice would impact all elements of the story (Alya's opinion of Lila) not just the short sighted elements you wanted it to impact (note how Lila's not a thing in season four? Almost like they didn't plan out how to handle her and Alya at the same time?) Own the route you committed to and find a way to tell the next part of the story in a way that feels like it's on the same route and you'll be fine.

Does that mean occasionally having to give up on cool ideas that you really liked? Yep, but that's the nature of story telling. It's part of the reason why people are told to "kill their darlings." That's just a thing you have to learn to do if you want to be a good writer.