#ch tag: her

[lightandfellowship]

KHDR Re:Write - Giving Hermod A More Prominent Character Arc

Urd's rewrite can be found here.

The tl;dr:

Hermod’s initial motivation: To uphold the "greater order" and follow the rules no matter what.

Hermod’s struggle: He doesn’t always agree with the rules, and following them often results in both him and his friends getting harmed. His commitment to following the rules even at the cost of himself partially stems from him feeling like he has no control over his life, and he copes by assuming that (most) authority figures are trustworthy, competent, and have his best interests in mind.

Hermod’s conclusion: He needs to be willing to break the rules and think for himself in order to do what’s right and protect his friends.

Below the read more is a rough outline of how I would implement this character arc into the story. Be forewarned that it's a fairly long and text-heavy post.

Four notes before we begin (feel free to skip):

Rather than this being a full-fledged rewrite where I get to go ham and do whatever I want, instead my goal is to try and demonstrate how the game in its PRE-EXISTING state could have given Hermod a more clear and satisfying character arc via fairly minor changes to the dialog, characters, and story. I want to see if this could have been possible without having to expend too much extra time and resources, since it seems like a lack of time/resources/budget is why his story got cut in the first place. So I won’t be doing anything drastic like creating entirely new episodes or anything like that. Same worlds. Same number of episodes. Same sequence of events. Same overarching plot.

Ideally, I would have liked to convey certain details about these characters and their story via secret reports/diary entries. Specifically, the sorts of details that would slow the pace down or feel a little too direct/clunky if addressed within the story itself. However, because of the self-imposed restriction I talked about in point 1 (i.e. no drastic alterations to the game or additions that would require extensive effort to implement), I won't be utilizing such a format, and so I will sometimes have the characters speak a bit more openly/directly about their feelings/thoughts than I otherwise would've liked.

Because I have a lot to say, I won't be providing summaries of the episodes I'm discussing as I explain my story changes. A fairly solid recollection of the game's events is...perhaps not required, but certainly helpful for understanding what I'm talking about and how I arrived at my choices.

I don't claim to know better than the writers or even be an experienced writer myself, this is just how I personally would approach giving Hermod a more prominent character arc, because I think we can all at least agree that Hermod didn't get enough focus in this game. If Hermod's story hadn't been cut (presumably), I have no doubt that Tomoco Kanemaki would have come up with something better than what I'm proposing here.

But anyway, without further ado:

Hermod's Motivation and Personality

"Simple as that."

During the flashback where the underclassmen are asked why they want to become Keyblade Masters, Hermod is initially flustered at the question, as if he either didn't have a good answer prepared or was reluctant to say what it was. He averts his gaze and noncommittally agrees with everyone else’s reasons, avoiding the question somewhat, but then he clarifies that he’s doing it so that he can “uphold the greater order." This phrasing is a little vague, but I assume he basically just means that he wants to uphold the law of Scala, Keyblade wielders, and Light.

Based on his behavior and dialog here, it almost seems like Hermod became a Keyblade wielder for much the same reason as Eraqus: it was just expected of him. It was what he was told to do, and he always does as he’s told. But he nonetheless is content with the path chosen for him because he knows that it’s the best way to uphold order and protect his loved ones. As his official bio states, “he plays the role of big brother as he looks out for and takes care of everyone.”

Honestly, I think even in the base game Hermod’s “arc” is fairly obvious: he goes from strictly following the rules to being willing to break them for his friends. However, the problem is that the game doesn’t really focus on Hermod enough to make this arc feel sufficiently developed and explored. As in, the end of his arc just kinda happens abruptly with very little build up. So, in my rewrite, I’m going to have Hermod more frequently demonstrate his commitment to upholding order, and have him do it in a way that impacts the events of the story more, while also having the narrative address the consequences of that mindset more directly.

Also, as an aside, Hermod's official bio makes special mention of his anger, but I don’t think the game showcases that aspect of his character enough? So I'll try to incorporate his anger into the story just a tiny bit more. To be clear, I don't really want his anger to be framed as, like, this major character flaw of his (for the purposes of this rewrite, his major character flaw is going to be his aforementioned strict rule-following), I just want it to crop up more often in the story to add more Flavor to his character. It seems like the original intent was for Hermod to be the fire to Urd's ice, but the game doesn't really convey that all too well, if you ask me.

Before we move on, I want to quickly summarize some canon aspects of Hermod's character that are going to be important to this arc, things that are consistently established about him throughout the game, to the point where it would be silly of me to list every single example of these character traits as I walk you through my rewrite (I will be mentioning some of them in more detail later, though).

He's a model student. Hermod tends to be the one who takes charge in class; he's the one who approaches Odin with the underclassmen's issues, speaks on behalf of the underclassmen, and volunteers for tasks. He also tends to prioritize Odin's wishes and judgment.

There's some implied friction between him and Eraqus that eases up as time goes on. He tends to give Eraqus annoyed and disapproving looks whenever Eraqus talks back to Odin or says something ignorant. That being said, he also seems fond of Eraqus, smiling and laughing at jokes about his antics.

With that, let's get into the rewrite.

Episodes 1-2: Establishing Hermod's Character, and "The Problem"

To start off with, I want to point out a small detail at the very beginning of the game that leads me to believe that Hermod isn’t actually satisfied with being such a well-behaved rule-follower.

When the underclassmen talk about the potential existence of newborn worlds that don’t have rules or laws set in place yet, Hermod, after some quiet contemplation, remarks with “Then the rules can be changed...” (this is even the quote chosen for Hermod’s official bio, no less!) The fact that this thought crossed Hermod’s mind at all, and the fact that the narrative chose him specifically to be the one to deliver this line, makes me think that he has some unspoken desire to see the rules be changed despite his best efforts to be a model student. This is great, because it provides a decent foundation for his character arc and hidden depths.

TANGENT: I want to highlight a moment in Episode 1 that will be relevant to this rewrite later. Namely, Hermod getting annoyed at Eraqus talking back to Odin. (As I said before, there are several other moments throughout the game where Hermod looks at Eraqus with an annoyed/disapproving look, but I'm only going to mention this one.)

Anyway, on to the actual changes. First off, much like the Urd rewrite, I’m removing the mechanic from Episodes 1-3 that lets you choose your third party member for the cutscenes. Why? It just doesn't make for good writing in this particular case; the dialog has to be at least semi-generic across all the characters in order to make swapping them out easier, and that's simply not conducive to giving the characters unique character traits and individual focus.

Episode 1 is mostly uneventful and focuses more on Urd in my rewrite for her, so let's move on to Episode 2.

Urd is your party member for this episode (for reasons I explained in Urd’s rewrite), and Hermod, Vor, and Bragi are the three party members that get put on trial. And rather than all three of them yielding to the Card Soldiers because they unanimously agreed to not mess with the world order, instead it was HERMOD’S idea specifically. Bragi suggested that they fight back, and since Vor’s bio mentions that she “shies away from battle”, she suggested that they try to run away and evade capture. Hermod points out, however, that the best way to avoid disturbing the order would be to follow the laws of this world and not cause trouble.

Vor and Bragi are hesitant but ultimately decide to trust Hermod’s judgment on the matter, as they tend to rely on him as a big brother figure anyway. This serves to highlight how Hermod will follow the rules and obey authority even when he doesn’t necessarily agree with what’s happening to him or is put in serious danger because of it. Now, none of this happens on-screen of course, because we also didn't see what happened in the base game either, but we'll find out about it after the trial.

Speaking of the trial. When Xehanort, Eraqus, and Urd find the other underclassmen at the court on trial, it is Hermod who is leading the defense. In the base game, either Bragi or Hermod will lead the defense depending on who you picked as your third party member, but since I want the trial plotline to focus more on Hermod, in this rewrite it is only ever Hermod who stands in front and speaks to the Queen of Hearts. (A quick note, if you compare the two different versions of this scene, the one where Hermod leads and the one where Bragi does, Hermod comes across as a bit more apologetic, whereas Bragi puts his foot down more about what he's willing to take responsibility for. Hermod: "Okay, I apologize for trespassing." vs Bragi: "Wait, I'll own up to tresspassing, but that's it.")

Anyway, back to Hermod and the rewrite. At first, he's a bit of a bootlicker, being very polite and trying his best to placate the Queen while also calmly defending himself and his friends. After a while of trying and failing to reason with the Queen however, Hermod loses his patience and explodes at her. He pretty much immediately regrets it and tries to backpedal in a panic, stammering the entire time, but it's too late—that was the last straw for the Queen. Just like in the base game, Xehanort, Eraqus, and Urd recognize the danger and intervene to try and talk the Queen down from executing their friends. The cutscenes then proceed just like they do in the base game, with the Queen demonstrating that her rule is based on her subjects living in fear of her.

After the trial, the discussion the underclassmen have about the darkness in people's hearts being more dangerous than the Heartless still happens, but either before or after it there is a separate (but still interconnected) discussion where Hermod apologies to the others and takes responsibility for his idea to surrender themselves to the Card Soldiers, explaining his reasoning for why he did that. Namely, that as Keyblade wielders, it was their duty to not disrupt the order in any way, and their hands were tied.

Xehanort and the party exchange Knowing glances to indicate that this isn’t uncommon behavior for Hermod (and also that they’re not exactly pleased about how quickly and easily he relented to the Card Soldiers, not putting up much of an argument or fight) but they silently agree to not confront Hermod about it since he had no way of knowing what a farce the trial was going to be. Perhaps letting themselves get captured would have been the correct decision if Wonderland’s court system was actually fair. Instead they assure him that they understand why he thought that not fighting back or running away was the best decision in the moment, but nonetheless he needs to be more careful in the future. Hermod agrees and is genuinely apologetic for putting his friends in danger, but there’s still a hint of irritation in his expression. He still thinks that adamantly refusing to disrupt the order was the inarguably right decision to make; after all, it’s what they were specifically instructed to do by Master Odin. And if there's one thing that Hermod refuses to do, it's break the rules.

Episode 3: Minor Details of Note

Episode 3 isn't a Hermod focused episode in my rewrite, but there are two details from this episode that I find worth mentioning.

Detail 1: Unique dialog from Hermod that won't exist in my rewrite (because I have Vor slotted for Episode 3) but I think says a lot about Hermod: "But the Tweedles didn't seem to be cowering under [The Queen's] rule. They looked happy enough to me." Does Hermod perhaps consider himself "happy enough" with his life, and thus makes no attempts to change or improve his circumstances?

Detail 2: When Eraqus starts getting angry and upset at Xehanort because Xehanort said that the upperclassmen might have been felled by darkness (presumably, a painful reminder of the fate that befell Eraqus' grandfather), Hermod looks sympathetic, puts his hand on Eraqus' shoulder, and tries to calm Eraqus down. Though Hermod is sometimes at odds with Eraqus, he seems to know about what happened to Eraqus' grandfather, and tries to be understanding about it. At the end of the day, they are good friends even if they don't agree on everything.

Episode 5: Further Emphasizing Hermod's Personality and His Dilemma

Canonically, Episode 3 (if you choose Vor to be your party member like the game prompts you to) and Episode 4 are more Vor focused, and in my rewrites Episode 5 is Urd focused, but we can squeeze a couple of minor Hermod moments in Episode 5 to keep things balanced.

Specifically through Cogsworth and the Beast, as people of authority in the castle that Hermod can show respect to.

With Cogsworth, I just imagine Hermod being very polite with him and being more than willing to help him get the rose back, giving him respect as the head of the household.

Same goes for the Beast (in fact, in the base game it is Hermod who speaks/approaches the Beast first, not Urd like you'd expect), but when the Beast tries to viciously attack Hermod despite the underclassmen being very polite and reasonable with him, afterwards Hermod makes a comment about how surprised he is that someone in such a respectable position as lord of the castle would act like that and yet still garner such love and loyalty from his servants. Genuine loyalty, not the fake, fear-based loyalty that the Queen of Hearts commanded back in Episode 2.

"There's still much we don't know about this world and its residents. Perhaps we're missing something important. Or perhaps this world is like Wonderland; it's just the order of things." says Xehanort. "Maybe he's not so bad once you get to know him?" offers Urd.

And like, that's the thing, right. The Beast definitely needs to learn how to treat his servants better, but he lashes out because he's hurting, not out of genuine disdain for them like the Queen of Hearts, and deep down he really does care about his family at the castle even if he doesn't always show it. If Hermod can somehow recognize that that is what's going on, if he can recognize what exactly makes the Queen of Hearts and the Beast different despite their similar temperaments, then he can also realize that "Hey, people who genuinely care about you and your wellbeing probably deserve your loyalty more, and those who don't, don't." (Not that the Beast is a terribly great example of this given his nonetheless inexcusable behavior, but you get the idea.)

I can imagine Hermod starting to realize what conditions are required to birth true loyalty in people's hearts after they return the rose to the Beast, and the party finally sees him in a more calm, grateful state. This could be a discussion that Xehanort, Hermod, and Urd have as they leave the castle, capping off their adventure there.

BUT regardless of whether or not Hermod ends up seeing the hidden humanity of the Beast, once again Hermod is being presented with a wrathful, flawed authority figure wielding power against their subjects in unfair ways, and not yet recognizing how his alarmed and frustrated emotional responses to these scenarios could be applied to his own life and circumstances.

(And, honestly, maybe seeing such extreme examples of anger being wielded carelessly and spitefully against people who don't deserve it would make Hermod re-examine his own anger issues too and learn how to wield/direct his anger more responsibly? I know I said I didn't want his anger to be the focus of this rewrite (especially since anger isn't inherently bad) but the connection that can be drawn here is still a little too juicy to pass up, don't you think. Also, in addition to the Queen of Hearts and the Beast being examples of extreme anger wielded carelessly, there's also Hades to consider, who is known for his own unique brand of fiery, explosive anger as well. Keep him in mind for later.)

Episode 6: Confrontation and Introspection

The next set of major events relevant to Hermod’s development occur in Episode 6. In fact, Episode 6 is like, THE Hermod episode.

Episode 6 starts off with Jafar trying to trick Xehanort, Urd, and Hermod into going to the Cave of Wonders and fetching the lamp for him, lying about how the lamp is crucial to saving the kingdom. In the base game, Hermod is the first one in the group to show sympathy for Jafar and start falling for Jafar’s ruse, to the point that Urd worriedly grabs his hand to stop him when he starts to approach Jafar after overhearing Jafar's "woes".

In this rewrite, I’m taking inspiration from that little interaction and having Hermod be way more trusting of Jafar than Xehanort and Urd are, implicitly respecting Jafar’s authority as the royal vizier. So rather than Xehanort being the one who agrees to help Jafar (because he has suspicions about the lamp and wants access to the Cave of Wonders) with Hermod acting surprised/displeased at Xehanort’s willingness, instead it's Hermod who enthusiastically agrees to help, with Xehanort and Urd acting a little surprised and displeased but nonetheless going along with it (due to the aforementioned "the lamp might be important to our mission actually.")

There's also a moment during this scene where Xehanort and Urd start poking holes in Jafar's sob story and Hermod seems surprised/displeased that they're so rudely questioning Jafar like that, and obviously I'm keeping that in since it exemplifies Hermod's hesitation to question authority.

Afterwards, as the party makes their way down into the Cave of Wonders, Xehanort voices his doubts about Jafar’s intentions. In my rewrite, rather than Hermod instantly trusting Xehanort’s judgment of Jafar’s character, instead I want Hermod to argue with Xehanort about it. Hermod doesn't understand why Xehanort is accusing Jafar of nefarious intentions without any evidence to back it up, especially since Jafar seemed so...NORMAL and COMPASSIONATE compared to the other authority figures they've encountered so far. He's just trying to save his city, is that really so bad? says Hermod.

Xehanort, realizing that "I can feel his greed/darkness tho" doesn't really qualify as hard evidence, but ALSO being kinda fed up with Hermod's inflexibility and compliance up until this point, calls him out on not thinking for himself and just blindly following authority even when they're so CLEARLY suspect. Must I remind you about what happened with the Queen of Hearts, Hermod?

Hermod, shocked and offended at being criticized like that, and also getting defensive at having his Major Character Flaw thrown into his face, scoffs but doesn’t argue the point further. However, he’s still very visibly angry, and short with Xehanort whenever they do happen to exchange words. "Whatever. Let's go find this lamp already and get back to our mission." Or something like that.

It’s only when the party runs into Bragi and Eraqus who reveal that Jafar tasked them with the exact same dangerous mission too without ever mentioning them to Xehanort and company that Hermod is finally convinced that Xehanort had been right all along. Jafar was treating them like disposable pawns and knowingly sending them into a death trap.

He also realizes that he was naive to trust Jafar so easily just because he was a charismatic authority figure. Before, Hermod was presented with the unfortunate reality of some authority figures just being plain cruel and incompetent and careless, but here he learns that they can also be deceitfully charismatic on top of that, and that it's not always going to be obvious when you're being taken advantage of.

He apologizes to Xehanort for (yet again) dragging his friends into danger due to his own personal hang-ups and choosing to trust Jafar, a stranger, over Xehanort, his close friend. Feeling the need to explain himself, he confesses that lately, he has felt like he has had no control over his life (perhaps with the implication that his family is really strict and expect way too much from him?), and the only way he knew how to cope with that was to assume that the authority figures controlling every aspect of his life were trustworthy, knew what they were doing, and had his best interests in mind. If he believed that with all his heart, then he could accept his lack of freedom to make his own choices, and be content with it. Xehanort, realizing that he was overly harsh on Hermod earlier, apologies as well.

TANGENT: Once again, I wish to highlight a moment from the base game that will be relevant later. Namely, Hermod and Eraqus starting to act more and more like each other.

Moving on: In addition to Vidar trying to recruit Eraqus in the lamp room, I want Vidar to try to recruit Hermod as well, because there's an awfully convenient similarity between the two of them that's relevant here. In that very scene, Vidar talks about how he and his friends heeding what they were taught (i.e. “don’t mess with the order no matter what”) is what resulted in four of them dying in the first place. Vidar had to learn the hard way what happens when you blindly follow the rules without considering your own opinions on what the right thing to do is. This lesson is absolutely what Hermod needs to learn, too. Perhaps Vidar’s entreaty isn’t enough to convince Hermod to join him, but in conjunction with the Wonderland fiasco and Jafar’s deceit from earlier, it’s certainly enough to make Hermod start re-evaluating himself. 

Specifically, I can imagine this theoretical Vidar and Hermod interaction slotting somewhere after Hermod's canon line "...upsetting each world's order is the worst thing you could do." (Is it? Perhaps Hermod will change his mind about this very soon...) Maybe it goes something like this (my added dialog in italics):

"I don't have a clue about true darkness and how much of a threat it is, but upsetting each world's order is the worst thing you could do." says Hermod, angrily. "'Don't upset the order,' huh? That's what we were taught, too." [Upperclassmen classroom flashback, followed by Vidar explaining that the other upperclassmen are dead, just like in the base game.] "And what about you, Hermod?" "Huh?" Hermod's anger gives way to confusion. "How has 'upholding the order' treated you and your friends so far? In Wonderland, and here in Agrabah?" (<-knowledge he got from spying on them.) "..." "If there's one thing I've learned from all of this, it's that you can't let darkness have its way. Not ever. Otherwise, it'll take away everything you care about the moment you give it the chance. If you wish to protect your friends...then you must fight it. So why not join me, and fight it?"

Hermod, much like Eraqus, refuses Vidar's offer, being worried about what might happen to the worlds if Vidar continues to steal the items of world order. But now he has something to mull over.

Episode 7: Realization and Resolve

Episode 7 is where Hermod's arc concludes (naturally, since he dies here.)

A couple of canon moments from this episode I want to highlight before we get to my changes, since I think they're important to Hermod's arc:

In the scene where Odin and the underclassmen discuss Vidar's plans to purge true darkness, Odin says to Hermod and the underclassmen "However, it has not yet been determined that what we face now is true darkness. And if it is indeed so, will you risk the lives of countless others to save your friends?" A question that we will actually get an answer to quite soon.

After Odin relieves the underclassmen from their duty, Hermod despairs over this fact and acts like there's nothing they can do about it since Odin's word is absolute. We see his anger and frustration spill out due to his conflicting feelings on the matter. He seems to be at a crossroads, unsure of what the best thing to do is. You get the impression that he is on the cusp of doing something uncharacteristic of him.

Anyway, Episode 7 remains mostly the same up until the Hades boss fight that occurs due to Hades claiming to have imprisoned Bragi or Baldr. Hermod, after much internal conflict, finally decides to break the rules and agrees to fight the literal GOD of the Underworld (you could not have asked for a more fitting ending to Hermod's arc than that) in order to save his friends, wielding his anger compassionately and strategically to protect what's most important to him. This acts as a bookend to the Wonderland episode; there, Hermod’s refusal to fight an authority figure nearly got him and his friends executed, but here he’s finally realized that he needs to follow his heart and do what he thinks is right, even if that means disregarding his orders or disobeying those in power. He nearly got his friends killed last time; he won’t let that happen again.

However, instead of Hermod showing up after the Hades boss fight, I want him to show up before it and actually be involved in the battle. And since Eraqus and Hermod are usually at odds with each other due to Eraqus’s flippant and disrespectful attitude towards authority, I think it would be very emblematic of Hermod’s change of heart for him to protect Eraqus in the battle. (Remember those canon Eraqus and Hermod moments I highlighted? This is where they finally pay off. This moment of Hermod putting himself in danger to save Eraqus works without me having to add any extra details to lead up to it. Nice.) So at one point Hades gets very close to offing Eraqus. but Hermod jumps in front of him just in time to fend Hades off, getting seriously injured in the process. 

So later in the dark corridor when Hermod starts passing out way before Urd does, it’s specifically because of the extra wounds he sustained in the fight, adding another layer of tragedy to his death. He stood up for his friends and what he believed was right, discarding his strict adherence to the rules and disrupting the order in the process, but the ironic cost of that choice was that he was too hurt/exhausted to properly protect Urd and himself from Baldr. He did his best, and realized his error in time, but unfortunately that just wasn’t enough. This game is a tragedy where nothing goes right despite how hard the characters try to change for the better, after all.

And that's my pitch. As before, if you have any ideas, feedback, or criticisms, feel free to add on. Thanks for reading to the end.

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[1alchemistart]

hurried and did some art of she 👀

[toypretend]

binge watched all of clone high w/ irl bestie over the weekend… they wanted me to draw transfem jfk and i wanted butch jfk. did both <3

[asmodeusamaryllis]

[soren-apologist]

time for more soren character analysis:

petrine’s battle conversation with soren in chapter 23 has always been a favorite of mine, and now that i’m looking at it again i noticed a few extra details:

it’s important to mention that this battle takes place directly after ike and soren’s a-support, in which soren confesses he’s a branded and expects to be shunned, only for ike to tell him that it doesn’t matter and he wants soren to stay by his side regardless.

anyway, besides “Now let me show you true fear!” being a really hard line, it’s really cool to see how soren’s reaction to his branded status being pointed out changes so sharply over the course of a handful of chapters. i already analyzed his reaction to nasir’s betrayal where he’s agitated over the fact that he could have prevented it if nasir hadn’t threatened to reveal him being branded to the army, so seeing him being so confident in himself is great, and i’ll touch on why here.

one of the reasons i like to say the game treats ike and soren’s a-support as canon is actually this particular conversation. soren, having just been reassured that ike will always want him at his side regardless of who or what he is, now suddenly has had his biggest fear and insecurity taken off his back. he doesn’t need to hate himself for being branded because ike, the only person who’s ever truly mattered to soren, doesn’t care at all.

back to the conversation, soren’s judgment over the situation at hand is no longer clouded by his own self-loathing. instead of comparing them as branded and seeing himself as just as horrid and disgusting as petrine (tiger branded, fun fact), he’s able to instead compare them as individuals and realize that what he’s done up to that point will never measure up to the atrocities she’s committed. i think the best part personally is just how disgusted soren looks by the notion he and petrine are the same, because he’s right— him being cutthroat and pragmatic is nothing compared to everything petrine has done in daein’s name— and the fact he can clearly see this means that, for the very first time, he’s finally starting to heal from the mental wounds inflicted upon him by his childhood.

overall, i like this little nod to soren starting to learn to grow and change from who he was at the beginning of fe9. it’s more clearly seen in radiant dawn, where he’s calmer to the point ranulf even comments on it, but these little inklings implying the start of soren’s healing are really cool to see.

[sangre]

lureva ingellvar & lucanis dellamorte. – 3/∞ call this… an alliance. but on what terms?

[chrisginny]

CHRIS NOEL in Dead Poets Society

+ the pink sweater white headband outfit

[bi-scottsummers]

Hi, hello, just came here to say that I love your fic "trending in Japan". I was wondering if you had headcanons regarding Kenji or Emi or interpersonal relationships and stuff. Many hugs for you.

hi hello, thank you for the encouragement and hugs! After some thought ive realized I do in fact have some hcs about some of the character dynamics in the movie as well as just kenji himself, cause hes captivated my entire brain:

Kenji & Emi

Emi does not have teeth but she does inexplicably have a teething phase. kenji is forced to hide all his (salvaged) fancy cars in the garage bc the corvette's already been chewed to hell and his heart is gonna give out if he has to watch any more classics get wrecked

he reads her bedtime stories. A lot of aesop's fables, because theyre short and fun and hes trying to raise his monster daughter with good morals. emi goes hogwild for these but its unclear if she actually understands what hes saying; kenji's pretty sure she just likes the silly voices he uses for different characters

they go flying together! they go first thing in the morning before breakfast - it helps kenji shake off the grogginess of sleep and emi gets to stretch her wings. shes not able to go very far for very long initially, but as she grows and gets those cardio gainz she almost gets to be quicker than him. they have races and play air tag :)

while she doesnt have the vocal range to speak english herself, it becomes clear that emi does understand it well. (kenji also develops an ear for her chirping/squawks, though body language & facial expressions play a big part in communication for both of them) during her (much later) rebellious phase she'll simply pretend not to know what's being said when kenji is telling her to do something she doesn't wanna do, which frustrates him to no end

Kenji

developed a pretty massive chip on his shoulder after moving to the states. it wasn't just bitterness over his dad staying behind, though that was a part of it. this is canon but he was picked on in school for "how [he talked], how [he looked] and what [he ate]." he felt like he had something to prove to both his father and the world. he threw himself into sports - specifically baseball - and his academics, and he did so well that it forced everyone to shut up about how he was different from them and focus on how he was better than them

^ playing off this: kenji had a bonkers fucking yonkers routine when he was a kid/in highschool. he'd get up hours before school started to practice his swing, go for a ~1hr run, workout, study, etc. He'd go to school, come home, and do it all again. this is exaggerated but my point is that this kid was DETERMINED and had the discipline to see that determination through to the end

didnt have many friends because of all aforementioned things. he had acquaintances, and he was invited to parties and outings and stuff (never went), but he spent most of his free time hanging out with his mom. he never really had a "parents are so embarrassing" phase. he always liked to do anything with his mother: going to the bank, going grocery shopping, watching cheesy telenovelas till ungodly hours in the morning, etc. she was his no.1 supporter, confidant, and best friend

he played for his university's baseball team and got scouted at 19. his mom forced him to finish his bachelor's first so once he graduated with his degree in kinesiology at 21, he was drafted to the dodgers

Kenji & Ami

both of them, up until meeting each other, were totally dedicated to their career (and child) so they had basically 0 time for friends. theyre both borderline losers but theyre juuust good enough at what they do for people to admire them instead of finding them sad and lowkey pathetic

kenji is way more into the idea of being friends than ami is. hes pretty enthusiastic about it; he thinks that they have a kind of rapport, since they share a similar work ethic and are both (unbeknownst to ami) single parents. he calls her to chat abt random things. ami initially isnt superrrr into it; she thinks kenji is kinda lonely and desperate for human connection, & it isnt until her mom points out that she has not spoken to anyone outside of work-related reasons in 10+ years that shes like oh shit, i am also lonely and desperate for human connection. so she grudgingly acquires a friend. theyre both really bad at it

need to clarify that in my mind their dynamic is 95% kenji yapping about work and drama in his personal life (circumventing the 8m baby kaiju hes raising) while ami goes "mhm mhm" and takes notes until kenji notices and is like What are you doing. at which point ami is like...... right . nothing. im listening. and forces herself to put the notepad away. she has a hard time disengaging from the reporter mindset and just hearing something intriguing without turning it into an article. the other 5% are the rare moments where theyre connecting super well - ami's psychoanalyzing the hell out of whatever kenji just said and hes like what are you my therapist. over time she starts opening up to him, too, and eventually theyre comfortable enough to be having philosophical discussions over breakfast just for funsies

before kenji reveals that hes ultraman, ami thinks hes in a gang. he keeps showing up to their lunch "dates" with like bruised eyes and fractured bones and gets all shifty when she tries to ask about what happened. when she eventually confronts him about it, hes so offended that she thinks hed be involved in something like that that he tells her about being ultraman

thats about all i can think of rn, though im sure ill think of more after rotating all the characters in my head for a while. thanks again for stopping in, i appreciate the support :)

[zootopiathingz]

My issue with Vaggie and her character

(TW: Opinion‼️)

I’ve been wanting to make a rant about this for a while and I’m sure other people have already done it, but I figured I might as well share my thoughts because I like to think my opinion matters to some people lmao. Anyway, I wouldn’t read this if you’re like a die-hard Vaggie/chaggie fan, but that’s up to you!

So I’m sure some of you by now heard the news that Charlie and Vaggie are getting another duet in S2 which apparently will be about their sex life. Which like, ok sure. In a show like this I expected a sexual-themed song to happen eventually. Here’s my issue with this though;

If you need to make an entire musical number about how much your main couple fucks, because of the severe lack of any hints of a sex life between them in the first season, then it’s not a good pairing, and this feels like a desperate attempt to give them chemistry that they just don’t have.

I saw someone say something similar on Twitter and I really couldn’t agree more. Some of you are going to say “you only say that because you don’t ship Chaggie!!” You’re right. I don’t ship them. Because there’s nothing there for me to root for. Like, at all.

Let’s start off with the fact that Vaggie has no personality outside of being Charlie’s girlfriend. I tried to like her character, I really did, but she’s honestly the most forgettable to me in the entire show. Some of you might disagree with me, but be honest and answer me this; can you name one interesting thing about her character that doesn’t involve her relationship with Charlie? And what she adds to the plot besides being Charlie’s “voice of reason”? (Which she’s not, she basically just gentle-parents Charlie into not doing things that Charlie wants to do)

Let’s take a look at some of the other characters in our main cast: Charlie, princess of Hell, desperately tries to help other people even when nobody believes in her cause. Alastor is a powerful overlord who’s supposedly helping out with the hotel, but clearly has ulterior motives that have yet to be revealed. Angel Dust is a famous porn star in an abusive relationship with his employer and is on a path to redemption himself. Husk is a former overlord who lost all his power to his gambling addiction and is now being forced to play bartender. Lucifer, the king of all Hell, a fallen angel who lost his will to dream, a shell of his former self. For fuck’s sake, even Lilith—whom we have yet to even hear speak—has a more compelling plot; she’s been gone for seven years, she’s in Heaven having made a deal with Adam and we have no idea why.

And what does Vaggie do exactly? She gives Charlie advice, she helps run the hotel, she.. occasionally threatens to hurt people with an angelic weapon (you know, the thing that kills souls for good?)

Ok so she’s also a fallen angel—a former exorcist in Adam’s army that leads to exterminations. Now that could have been an interesting plot point. It does explain a little why she’s so aggressive and skilled in combat. The scene with her practice-fighting Carmilla for answers was probably the most interesting scene that prominently features her. And even then, Carmilla kinda steals the spotlight for me, as I’m actually way more invested in her character and her background (seriously, why is she so knowledgeable about angelic weapons and Vaggie—the literal former angel herself—isn’t?)

This was honestly a twist I didn’t see coming, and it had so much potential to add more to Vaggie’s personality and character as a whole. Seriously, losing her wings and her fucking eyeball must’ve been severely traumatic. She might hold some grudge against Adam and Lute for abandoning her and tossing her aside like she was nothing, even after all that work she put in to be one of the top exorcists. She could maybe miss Heaven and even if she’s content living in Hell, a part of her will still always long to go back to what was once her home.

…But no, the entire reason she’s a fallen angel is just to create conflict between her and Charlie. And that barely lasted a whole episode.

Again, everything about her and her ‘personality’ all narrows down to Charlie. Not only is this a terrible foundation for the main couple of the series, it’s also just extremely unhealthy realistically speaking. Even episode 3 alludes to the toxicity of Vaggie thinking she has no purpose outside of helping and protecting Charlie. And I find it funny that Charlie is so taken aback, but she doesn’t actually say anything to correct Vaggie, because…it’s true.

It’s very frustrating for me to say this. Vaggie had so much potential to be at least a somewhat interesting character, but instead she’s always resorted to being Charlie’s partner/sidekick. Ik this has a lot to do with Vivziepop being terrible at writing female characters but imma be real, even Loona interests me more and they almost have the exact same traits (grumpy, aggressive, insecure, etc.)

I’m gonna try and wrap this up the best I can. Honestly guys, ship whatever you want but for me, Chaggie just has no appeal at all. For the first four episodes, I didn’t even know they were a couple. I assumed Vaggie had some sort of unrequited, unhealthy crush on Charlie. Hazbin Hotel’s writing is already kinda bad to begin with, but if I can’t tell that your main female leads are in a romantic relationship within the first few minutes of their screen-time, that’s really saying something. And I understand wanting more wlw relationships in media, but having two female characters together just for the sake of having a wlw relationship in your show is not good representation. You need to actually have chemistry between them, you need to make them compelling characters as individuals, and sadly Vaggie is too one-dimensional that, on her own, she has nothing going on, and I’m not rooting for her and Charlie.

And I’m sorry but I can already tell I’m going to cringe so hard at this ‘sexy’ duet between them next season💀

[gammaraydeath]

i can't post my drawing yet so take this instead

[lightandfellowship]

Concept: Hermod and Urd's armor become Lingering Wills that haunt the dark corridors.

Every once in a while Xehanort swears he sees them in his peripheral vision when traveling the corridors, but they never approach him and simply disappear when he turns to look at them.

Other people traveling the corridors are not so lucky and may in fact face a really tough duo boss fight. Especially if you happen to have white hair.

[mocha-tapioca]

🍀 oh baby, isn’t life so

FUCKING INCONSISTENT ⁉️

[ddeongies]

LIA UPDATE THIS IS NOT A DRILL

[heartorbit]

my friend richeh

[milkbreadtoast]

started reading this one and there's only 11 eps out but it's really cute so far i like it... clicked on it bc the art looked rly good and IT IS i like the art style a lot and it's v well drawn... its also funny and i like the mc a lot shes cute?? obv 11 eps isnt enough to say much abt where the story will go but im enjoying it so far at least 👀... it feels like im watching a cute lighthearted anime haha.. ALSO LOOK HOW GORGEOUS THE ART IS